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Archive for March, 2020

DPReview TV: Battle of the entry-level APS-C mirrorless cameras

07 Mar

A lot has changed since we last compared entry-level APS-C mirrorless cameras. In this 2020 update, Chris and Jordan compare the Fujifilm X-T200, Sony a6100 and Canon EOS M50. Which one is right for you?

For more information watch our videos about the Fujifilm X-T200, Sony a6100 and Canon EOS M50.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Handling
  • Displays
  • Image quality
  • Autofocus
  • Video
  • Lens lineup
  • Sony a6100 conclusion
  • Canon M50 conclusion
  • Fujifilm X-T200 conclusion

Watch our Fujifilm X-T200 video review

Watch our Sony a6100 video review

Watch our Canon EOS M50 first look

Articles: Digital Photography Review (dpreview.com)

 
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Oppo launches Find X2 Pro with periscope tele and calibrated 120Hz display

07 Mar

The Chinese smartphone maker Oppo isn’t as well known in the western world as rivals Huawei or Xiaomi, but the brand is renowned for its camera-centric approach to smartphone design and has been responsible for quite a number of innovations in mobile imaging. For example, Oppo introduced swiveling camera modules in its N-series, the first sensor-based image stabilization system on a smartphone and the first periscope-style 5x zoom on a smartphone.

Now, the company has launched its latest flagship, the Oppo Find 2X Pro, and, at least on paper, the new model has everything it needs to take on the flagship competition from Apple, Samsung, Huawei and other more established rivals.

The below video is the entire launch presentation from Oppo:

Triple camera with ultra-wide and 5x tele

The Find X2 Pro comes with a triple camera setup, that covers focal lengths from a 16.5mm ultra-wide-angle to a 5x tele with a whopping 129mm equivalent lens, making it one of the most versatile mobile cameras in the market.

The primary camera uses a 48MP Sony IMX689 Quad-Bayer sensor that produces 12MP output files. At 1/1.4″ it’s almost as large as the main sensor in the Xiaomi Mi 10 Pro (1/1.33″) and larger than those of the Huawei Mate 30 Pro (1/1.7″) and Apple iPhone 11 Pro Max (1/2.55″). In combination with the fast F1.7 aperture and optical image stabilization this should make for very decent low light performance.

The 5x tele camera offers more reach than most rivals in the high-end bracket of the market and is only matched by the Huawei P30 Pro and Oppo’s own Reno 10x Zoom. The 1/3.4″ sensor size in this camera is in line with other high-end tele cameras. OIS is on board on this module as well but with an F3 aperture zooming in low light conditions is likely not recommended. The tele module uses image fusion and other computational methods to achieve a 10x ‘hybrid zoom’ and offers a 60x maximum zoom factor.

Like the primary module, the ultra-wide uses a 48MP Quad-Bayer sensor albeit a smaller model. Still, at 1/2″ it’s one of the currently largest sensors in an ultra-wide and only topped by the 1/1.54″ sensor in the Mate 30 Pro. The F2.2 aperture is not the fastest we have seen but in line with most rivals.

In addition, the Find X2 Pro is the first smartphone to offer a PDAF system with 100 percent focus pixels and comes with a dedicated night mode that works on all three camera modules.

4K HDR video

On the video side of things, the new Oppo comes with an upgraded image stabilization algorithm that works on both the ultra-wide and primary cameras. Unlike on some recent flagships, there’s no 8K video but the Oppo can record 4K footage at 60fps and is one of the very few devices to support HDR video.

Top-end processing power

Non-camera specifications and features are all worthy of a true flagship as well. The new device is powered by Qualcomm’s brand new top-end chipset Snapdragon 865 which supports UFS 3.0 for fast read and write speeds, as well as 5G connectivity and uses OPPO Smart 5G technology to navigate between 4G, 5G, and WiFi network environments.

The 4260mAh battery supports SuperVOOC 2.0 fast charging which, according to Oppo, can deliver a full charge in only 38 minutes.

120Hz color-calibrated AMOLED display

Images can be viewed and other content consumed on a color-calibrated 120Hz QHD+ AMOLED display with a whopping 3168 x 1440 pixels. Oppo says the new screen offers, ultra-low screen reflectivity and improves smoothness as well as operation feedback, thanks to a 240Hz high touch sampling rate. To deliver adequate audio output, the Find X2 Pro comes with dual speakers and Dolby Atmos which can automatically adjust to applications, such as music playback, movie watching or gaming.

Flagship pricing

As you would expect, this innovative tech comes at a price. The Find X2 Pro with 12GB of RAM and 512GB of internal storage will set you back 1,199 EUR in Europe (approximately $ 1,355). If that sounds a little bit rich for your taste Oppo also offers the Find X2 at 999 EUR (approximately $ 1,130). It comes with the same chipset and display as the Pro version but only 256GB of internal storage and a very slightly smaller battery.

In the camera, the primary and ultra-wide are the same as for the Pro but the tele lens is a more conventional variant that offers a ‘5x hybrid’ zoom factor. Oppo has not provided much detail on this camera yet but presumably, the reach is achieved using a 2x or 3x lens in combination with super-resolution and image fusion algorithms.

Both devices will be available globally in the coming months.

Articles: Digital Photography Review (dpreview.com)

 
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Tokina reveals updated 2020 lens roadmap with new lenses for DSLR, mirrorless cameras

07 Mar

Tokina, which is celebrating its 70th anniversary and had planned to reveal this information at CP+, has announced its latest 2020 lens development roadmap, showing a number of new lenses it plans to release in 2020 for DSLR and mirrorless cameras.

The announcement, seen above, is split into four different sections, based on the lens mounts the forthcoming lenses are destined for. First up is the atx-i lineup for Canon EF- and Nikon F-mount camera systems. In addition to the previously-announced 11–16mm F2.8 CF and 100mm F2.8 CF Macro lenses, Tokina also teases an upcoming 11–20mm F2.8 CF lens due out in Summer 2020 for Canon and Nikon APS-C DSLR camera.

Moving onto Tokina’s atx-m series, the updated roadmap shows off three new APS-C lenses for Sony E-mount and Fujifilm X-mount camera systems: a 23mm F1.4, 33mm F1.4 and 56mm F1.4. The E-mount version of these lenses (denoted by an ‘E’ after the lens name) are set for a Summer 2020 release, while the X-mount versions (denoted by an ‘X’ after the lens name) aren’t due out until Autumn 2020.

Tokina also highlights three atx-m series lenses for full-frame Sony E-mount cameras. In addition to the 85mm F1.8 FE, which is currently available for $ 499 (Adorama, B&H), Tokina also highlights a 35mm F1.8 FE and 50mm F1.8 FE lens, both of which are due out in Autumn 2020.

It’s unconfirmed at this time, but it’s worth noting these lenses do bear a striking resemblance in looks and specs to a number of Viltrox lenses that have already been announced (and delayed).

Articles: Digital Photography Review (dpreview.com)

 
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Nikon ES-2 film adapter sample gallery

07 Mar

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We used Nikon’s ES-2 film adapter to scan a variety of old films, including Kodak Tri-X and T400 CN, Fujifilm Neopan, Superia and Acros, and even Agfa Ultra. How well did it work? You can see the full resolution images in our sample gallery.

Want to see the ES-2 in action? Watch this video from DPReview TV to see how it works.

View sample gallery

Watch our video about the Nikon ES-2

Articles: Digital Photography Review (dpreview.com)

 
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Leica’s 64MP S3 medium-format camera is now available to pre-order for $18,995

07 Mar

Almost a year and a half after first teasing it, Leica has announced its S3 medium-format camera is now available to pre-order.

The Leica S3 was originally set for a Spring 2019 release when we first had a hands-on at Photokina 2018, but it was continually delayed for unspecified reasons. Now, it’s alive and well, ready to pre-order for those who have deep wallets.

At the heart of the relatively compact Leica S3 is a 64MP (45 x 30mm) Leica ProFormat CMOS medium-format sensor that features a 2:3 ratio, up to 15 stops of dynamic range and a sensitivity range of ISO 100–50,000. It can capture up to three still frames per second and records DCI 4K (4096 x 2160 pixel) 4:2:2 8-bit internal video at 24 frames per second using the full width of the sensor. All of this is powered by Leica’s Maestro II processor, which offers 2GB buffer memory.

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In addition to a Live View mode with a refresh rate up to 60 fps, the S3 also features an optical viewfinder with 0.87x magnification and approximately 98-percent coverage.

The outside of the camera remains largely unchanged from its predecessor, the Leica S (Typ 007), and looks similar to the more recent Leica SL. The back of the camera features a 3” LCD with four programmable buttons, arranged with two on each side.

Also similar to the Leica S (Typ 007) is the S3’s two shutters that can be controlled with a switch on the rear of the camera. The ‘FPS’ mode stands for focal plane shutter, while the ‘CS’ mode stands for center shutter (leaf shutter), which will work with compatible S-Lenses. In our hands-on, the leaf shutter, which has a maximum shutter speed of 1/1000s, did sound noticeably quieter than the focal plane shutter.

As was expected, the Leica S3 doesn’t come cheap. The body-only version is available to pre-order for $ 18,995 (Adorama, B&H), with the first units expected to ship at the end of March 2020.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Blue

07 Mar

The post Weekly Photography Challenge – Blue appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

This week’s photography challenge topic is the color BLUE!

Weekly Photography Challenge – Blue
Light trails at Blue Hour by Joey J

This is a fun challenge. You can capture the color blue in so many ways. You can use abstracts, blue hour, water monster photography, landscapes (so much blue there!), cityscapes, portraits and still life. The blue can be a major part of the composition or be more subtle. There are so many options!

So, check out these pics to give you some ideas, have fun, and I look forward to seeing what you come up with!

Weekly Photography Challenge – Blue
This is a photo of me, doing what I love – hiking the mountains, and photographing Mt Buffalo in Victoria. Photo by Jay T. Stone.
Great Coastal Photography
You can find plenty of blue by the seaside. Cornwall, England. Image by Jeremy Flint ©
Weekly Photography Challenge – Blue
Try using oil and water to create an image with blue, like this image by Ramakant Sharda
creative-water-photography-making-water-monsters
Try creating blue “water monsters,” like this image by Ramakant Sharda
Weekly Photography Challenge – Blue
Why not try doing some abstract smoke photography like in this image by Rick Ohnsman?

Check out some of the articles below that give you tips on this week’s challenge.

Tips for Shooting the color BLUE

Mastering Color Series – The Psychology and Evolution of the Color BLUE and its use in Photography

5 Tips for Shooting Waterfront Cityscapes at Blue Hour

How to Create Colorful Artistic Images Using Oil and Water

Creative Water Photography – A Step-by-Step Guide to Making Water Monsters

5 Quick Tips for Better Blue Hour Photography

How to Make Interesting Abstract Smoke Photos

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSblue to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Blue appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Canon Explorers of Light – Q&A with Photographer Bruce Dorn

06 Mar

The post Canon Explorers of Light – Q&A with Photographer Bruce Dorn appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Featured Image

In this Canon Explorers of Light Q&A series, we interview several professional photographers who are a part of Canon’s Explorers of Light program.

The Explorers of Light Program, running since 1995, boasts some incredibly talented photographers. These photographers have spent years honing their craft, and influence and educate other photographers of all levels – something, we at dPS, can respect and relate to.

In this piece, we interview fashion, editorial and all-round photographer, Bruce Dorn.

Photographer Bruce Dorn

Bruce Dorn has been a professional photographer/cinematographer for 45 years and a member of the Directors Guild of America for 35 years.

Bruce is a Canon Explorer Light, an ARRI Ambassador, a SanDisk Extreme Pro, Western Digital Creative Master, Westcott Top Pro, Light & Motion Ambassador, Tiffen Steadicam Pro, Corel Painter Master, and a Member of the Adobe Dream Team. Bruce seems nice but Chuck Norris trembles at the mere sound of his name.

Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Portrait of Bruce Dorn with an eagle sitting on his canon lenses.

How did you get into photography?

In July of 1969, just after I turned 18, my brother-in-law loaned me a 35mm Pentax Spotmatic with a 50mm Takumar lens. I had just seen “Easy Rider” and was inspired to take my own road trip through the American Southwest.

I shot a ton of Kodachrome, had a crazy good time, and returned home to pursue a Bachelor of Fine Arts degree in Visual Communications with a minor in photography.

Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Fashion Image

While in my last year in college, I entered and won a creativity competition staged by Conde Nast, the publishers of Vogue Magazine and several other fashion titles.

After graduation, I joined Mademoiselle Magazine as a guest editor, and I began art directing and shooting fashion spreads in NYC, Reykjavik, Paris, and Rome.

Within weeks of receiving my diploma, I signed the lease on a 4,000 sq ft penthouse loft on 5th Avenue in Manhattan and got to work. I’ve stayed busy ever since. A bit of a dream career, really.

Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Photographs of Woman beside an aircraft in afternoon light

What was your first camera setup?

The first camera setup I bought was an inexpensive 35mm Mamiya-Sekor DTL 500 with a 50mm lens. The second piece of kit I acquired was a 500W, 3200K incandescent floodlight. The camera is long lost in the mists of time, but I still have that light. It’s a novelty keepsake at this point, but it serves as a reminder that creative lighting has always defined my shooting style – and kept me gainfully employed.

What camera gear do you use now and why?

I’ve shot everything from 35mm to 8”x10” film cameras for stills and 16mm to 70mm VistaVision cinema cameras, but now I’m 100% digital.

Canon is my platform of choice for both stills and cine, and I always use the latest versions. Currently, I’m really high on the Canon EOS 1Dx MKIII and excited about the upcoming mirrorless EOS R5.

Canon cameras always deliver amazing color, and Canon Professional Services are unequaled. And the lenses? I have a very large collection, from extreme wide-angle to super-telephoto.

The photography gear that Bruce Dorn has in the back of his car. Who wouldn't want that?
Yes, who wouldn’t love this to be the back of their car?

People frequently ask me how much such a huge assortment of gear costs, and I always point out that it isn’t about how much gear costs me – it’s about how much it earns for me.

Just like a championship-winning race car mechanic, full-service professional photographers must eventually possess a very large toolbox. It pays for itself.

What area of photography do you specialize in, and why did you move into that field?

I get bored very easily, so over the years, I’ve worked to become a specialist in a lot of different categories.

I shoot editorial, fashion, beauty, automotive, nature, adventure, travel, extreme sports, underwater, environmental portraiture, aerial, and advertising – in both stills and cinema.

Canon Explorers of Light Series Q&A with photographer Bruce Dorn – An example of his fashion photography
Bruce Dorn's fashion shoot with models in the desert

Are you working on any exciting projects you’d like to share?

Always! Unfortunately, the bulk of my commercial work is under a non-disclosure agreement, so I can’t be specific. Follow my Instagram feed, and you’ll see lots of cool stuff posted there – once I’m out from under the NDAs and able to freely share. My Instagram handle is: @dorn.bruce

Between professional gigs, I try to do as much mentoring as I can. I’m currently working with a fourteen-year-old Hopi Indian girl who simply loves landscape photography. We get together for shooting adventures around Arizona whenever our schedules allow!

Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Young woman on a motorcycle

If you could share any photography tips with our readers, what would they be?

Great photography is all about where you stand, both literally and philosophically. Work on discovering and polishing your own unique point-of-view.

With so much information instantly available online, it’s super-easy to mimic the work of others but don’t – that’s ultimately a dead-end journey. Focus, instead, on shooting a lot, and eventually, your own unique path will be revealed. Own it.

Oh, and light that faint little path…learning to illuminate your world with great lighting is the smartest thing you will ever do. Invest in quality lighting instruments and learn how to use them. I suggest looking at color-correct and dimmable LED units for the greatest versatility. Shine bright!

Bruce Dorn photography – a shot of the studio set up for his marionette shoot.
Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Marionette shoot

Bruce Dorn Biography

Bruce Dorn has been a professional photographer/cinematographer for 45 years and a member of the Directors Guild of America for 35 years.

Bruce is a Canon Explorer Light, an ARRI Ambassador, a SanDisk Extreme Pro, Western Digital Creative Master, Westcott Top Pro, Light & Motion Ambassador, Tiffen Steadicam Pro, Corel Painter Master, and a Member of the Adobe Dream Team. Bruce seems nice but Chuck Norris trembles at the mere sound of his name.

See more of photographer, Bruce Dorn’s work here:

Instagram: @dorn.bruce
Facebook: bruce.dorn
Website: www.brucedorn.com

Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Portraits
Bruce Dorn photograph of 3 Zebras in Black and White
Canon Explorers of Light Series Q&A with photographer Bruce Dorn – Image of a woman on the edge of a red plane wing
Bruce Dorn Photography, shows a woman against a purple background with red lights
Bruce Dorn photography, shows cars driving across a sandy desert from a high perspective.

The post Canon Explorers of Light – Q&A with Photographer Bruce Dorn appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Focusing Tips for Beginners – Ways to Achieve Spot-on Focus in Photography

06 Mar

The post Focusing Tips for Beginners – Ways to Achieve Spot-on Focus in Photography appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

focusing-tips-for-beginners

Focus is vital. Capturing your subject in crisp, sharp focus requires skill and practice. You need to understand the various auto-focus controls on your camera. Here are some focusing tips for beginners to help you get sharp photos more consistently.

Focusing Tips for Beginners, Thai models

© Kevin Landwer-Johan Nikon D800, Lens 105mm f/2.8, 1/400 sec., f/3.2, ISO 500

There’s no fixing an out-of-focus photo

Many digital photographers like to use the various sharpening options available in software. Don’t be tempted. I have never known an out-of-focus photo to be well improved with post-production manipulations.

Sharpening in post can, however, help images that are a little soft. This is often due to lens quality rather than poor focusing. Either your photos are in focus or they are not. Focusing tips for beginners are important to understand. There is no fixing an out of focus photo with your computer.

Focusing Tips for Beginners Asian Photographer

© Kevin Landwer-Johan Nikon D800, Lens 35mm f/1.4, 1/400 sec., f/2, ISO 100

Focus on your subject

Pick your point and focus on it. Having the wrong part of your composition in focus will not result in a good photograph. You must decide what’s in your frame that’s most important and focus on it.

Focusing tips for beginners often contain information about operating your camera better. I will include these tips here also. But first, it’s important to know what you want to focus on. This is something I prefer not to let my camera choose for me.

As you are composing your photo, be mindful of your main subject. Consider it’s depth. Is most of your subject the same distance from your camera? Or is some of it closer to you than other parts?

Photographing a bicycle that’s side on to you, most of it is about the same distance from your camera. Taking a photo of the bike as it faces the camera will mean you need to choose whereabouts on it to focus. If you focus on the back wheel, the front wheel may be out of focus.

One rule of thumb I use most of the time is, if your subject has eyes, focus on them. If one eye is closer to your camera than the other, focus on the closest one. Subjects with eyes that are out of focus rarely look good in photos.

Young girl looking up at the camera

© Kevin Landwer-Johan Nikon D800, Lens 35mm f1.4, 1/800 sec., f/1.4, ISO 400

Multi or single point auto-focus?

Digital cameras usually have various setting options for choosing your focus point. You can set your camera to only focus on a single point. Or you can set it to choose from multiple points. More advanced cameras allow you to set the area and number of focus points.

I prefer to have my camera set to single point auto-focus. This allows me to be precise and in control of what I focus on. Having your camera set to multi-point auto-focus means your camera chooses what part of your composition to focus on.

Some camera models allow you to move the single focus point to position it where you want in the frame. In other cameras, the single point for auto-focusing is central in the frame and you cannot move it. To use the single point on these cameras, you must shift your camera to focus where you want and then re-compose. I would find this frustrating. It will not always provide correct focus when you are using a very wide aperture setting.

Iron Bridge at night in Chiang Mai, Thailand

© Kevin Landwer-Johan

Using a camera where you can precisely control the single point the camera will auto-focus on, gives you control. You can move the point to the portion of the frame where you want to focus easily. This may take some practice to become quick at it, but it’s worthwhile when you want to be in control.

About the only time I use multi-point auto-focusing, is when I am tracking a moving subject that is constant. The camera will often be able to lock on and keep with a subject unless the subject is moving erratically. Accuracy when using this mode can also depend on how fast your subject is moving. Your subject will be easier to track when it’s slow-moving.

Focusing Tips for Beginners Asian photogrpaher and her camera

© Kevin Landwer-Johan Nikon D700, Lens 105mm f/2.8, 1/640, f/3. ISO 400

Continuous or single-servo auto-focus?

Choosing continuous or single-servo auto-focus is another important decision. When you choose continuous focus, your camera will always be refocusing while you have the focus button activated. With single-servo auto-focus, pressing the focus control, it will focus once and remain set on that point – even when your subject or camera moves.

Continuous-servo focusing is most useful when you have a moving subject, or you are moving with your camera. If I am using continuous-servo focus, I am often also using a multi-point setting. However, most of the time, I use single-servo focusing.

Focusing Tips for Beginners Tricycle taxis in Chiang Mai

© Kevin Landwer-Johan

Back button focus

By default, cameras are configured to use the shutter release button to focus. You will half depress the shutter button to focus. Some cameras allow you to turn off focusing on the shutter button and assign the focus function to another button.

Many photographers like to change the focus function to be controlled by one of the buttons on the back of the camera. Hence the name, back button focus.

Doing this allows you to focus independently from taking a photo. Assigning a button other than the shutter release to control focus, gives you more flexibility. You can focus and take photos independently when different buttons control these functions.

Back button focus can take a little getting used to, but I have found it well worthwhile because it gives me more control of my focus.

There are many situations where you might want to take a photo without refocusing, and back-button focusing allows you to do this.

rice fields and blue sky

© Kevin Landwer-Johan Nikon D800, Lens 55mm, 1/500, f/11, ISO 400

Using manual focus

Another of the focusing tips for beginners is manual focusing. Some may think that manual focusing is too slow or difficult, but it’s not if you practice it.

You can become proficient in a short space of time if you commit to learning. Once you know how you will be surprised at how often manual focus skills come in handy.

Auto-focus is a wonderful technology, but it’s not always perfect. When you find your lens searching for a focus point and struggling to find one, it pays to switch over to manual if you know what you are doing.

Manually controlling your focus in low light can often be faster and more precise than your camera’s auto-focus. Learning to focus manually is also a lot cheaper than upgrading to a higher quality camera that has better auto-focus.

Portrait of a Karen man in northern Thailand

© Kevin Landwer-Johan Nikon D800, Lens 105mm f/2.8, 1/200 sec., f/6.3, ISO 400

Focus technique

I hope you have found these focusing tips for beginners useful. Remember, don’t leave it all to your camera. Getting well-focused images is not all about managing your camera’s auto-focus system. You need to work on your focus techniques and know what to do when you are photographing different subjects. This is particularly important when your subject is moving.

Sometimes you’ll want to track focus. At other times you’ll want to pre-focus and wait for your subject to enter your frame. When doing macro photography, it can be useful to set your focus and then move your camera or subject forwards or back a little to fine-tune.

Practice, as always, will make you sharper, and your images too.

Do you have any other focusing tips for beginners that you’d like to share? If so, please do so in the comments.

The post Focusing Tips for Beginners – Ways to Achieve Spot-on Focus in Photography appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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How to Use Pattern and Repetition in Photography Effectively

06 Mar

The post How to Use Pattern and Repetition in Photography Effectively appeared first on Digital Photography School. It was authored by Lily Sawyer.

How to use pattern and repetition in photography feature image

One of the many ways we can make images more creative is to utilize pattern and repetition in photography. To beginners in photography, this may sound a little daunting, but trust me, it’s not.

All it takes is to train your eye to look for them in everyday objects and situations. They are everywhere around us if we only take the time to slow down, stop, and look a little closer.

DPS How to use pattern and repetition in photography by Lily Sawyer – Black and white image of dew drops on string
Nikkor 105mm f/8 SS 1/250 ISO 400

But first, let’s talk about what pattern and repetition contribute to our images other than an injection of creativity. Even the slightest hint of pattern and repetition in photography adds a sense of dynamics to the image. You can see many images of detailed pattern and repetition in photography that I have written within the context of developing an eye for detail, here.

What do pattern and repetition contribute to an image?

Photo by Lily Sawyer – A picture of a field taken through a wire fence.
f/8 SS 1/250 ISO 200

1. Heightened interest

DPS photo by Lily Sawyer – Sun Rays shing through dark clouds over the water
f/8 SS 1/200 ISO 800

Pattern and repetition no doubt raise the level of interest in photographs with the space they occupy in the frame and the dynamic and rhythm they bring into that space. With pattern and repetition, what would have been a flat image with little going on, becomes a space of visual activity.

In the photo above, the cloud pattern is rather abstract, dense, and fills the frame. But pair this with the repetitive pattern of the sun’s rays, and your eye immediately stops and is invited to linger and look closely.

2. Hold attention

DPS How to use pattern and repetition in photography by Lily Sawyer – checkered pattern and staircase
Left: f/8 SS 1/200 ISO 400 Right: f/5.6 SS 1/160 ISO 200

Pattern and repetition in photography hold the viewer’s attention by using strong repetitive elements. The patterns can keep the eye anchored or move it around an image using line.

The centered composition of the image above-left anchors the eye straight away whilst also making it look further towards the horizon.

The checkered black and white pattern brings the eye back to this foreground space to explore more.

3. Direct gaze

photography by Lily Sawyer
Left: f/11 SS 1/250 ISO 100 Right: f/8 SS 1/125 ISO 100

Once the image holds that attention, you want the attention to stay, linger for a while and live the space. This is precisely what pattern and repetition do. Effective use of both, invite the eye to move around the frame and scrutinize the parts that made the image great. Or in the very least, takes the viewer on a visual journey.

In the photo above, the angle I shot this photo from provides a leading line. It makes the eye stop at the strong vertical block on the right and look towards the left.

Where to find pattern and repetition

We live in a world saturated with them! From natural objects and phenomena to man-made structures, we are surrounded by pattern and repetition.

1. Nature

Photography by Lily Sawyer – water ripples
f/4 SS 1/80 ISO 2000

Pattern and repetition are around in great abundance. Take nature, for instance, it is brimming with activity at all times. When we care to stop and look, we see innumerable patterns and countless repetitions.

This could be obvious pattern and repetition, for example, the wake patterns created by waves from a sailboat, various types of cloud formations, raindrops on a washing line, mussels on the beach, birds flying in formation, sand dunes, surfing waves, or trees in a forest. It could be symmetrical and asymmetrical designs in nature like shells and fossils, florals, veins on leaves, snowflakes… the list is endless.

DPS How to use pattern and repetition in photography by Lily Sawyer – Dewdrops on a string and seashells on a beach
Left: Nikkor 105mm f/8 SS 1/250 ISO 400 Right: f/11 SS 1/800 ISO 100

To add to that list, there are subtle forms of pattern and repetition in nature too – like grass growing in a field, the night sky, close-up corals, converging gentle ripples, the effect of the wind, smoke, and haze just to name a few.

DPS How to use pattern and repetition in photography by Lily Sawyer – grass tussels with beach in the background
f/4 SS 1/500 ISO 100

2. Human-Made

Similar to a wake of waves from a boat, you can see contrails or vapour trails from aeroplanes. They may look like clouds but they are actually condensation trails resulting from the changes in air pressure in the sky and, therefore, can be arguably nature and human-made.

More easily recognizable patterns and repetition made by people include architectural forms and structures, sculptures and installations, floors and wall tiles, mosaics, shadows, light beams and lasers, and many other objects.

DPS Photography by Lily Sawyer –  interior building archway
f/5.6 SS 1/60 ISO 1000

3. Create it yourself

The search for pattern and repetition in photography doesn’t have to stop there! As a matter of fact, we can create it ourselves. This shot below has been created using a very slow shutter speed while popping the flash several times as the subjects moved.

Read this article on how I achieved this double exposure in camera.

DPS How to use pattern and repetition in photography by Lily Sawyer – multi-exposure of people in black and white
Experiment between f/8 – f/16, ISO 100 – 400, Shutter 2 seconds to bulb

I created the photo below using an iPhone lit up in the dark and shot it with a very slow shutter speed. This is also called dragging the shutter but without the use of flash and is a way of painting with light too.

DPS Photography by Lily Sawyer – light painting with an iphone
Shutter set on bulb for about 10 seconds or so, f/11, ISO 400

Now that we have some ideas on where to look for pattern and repetition, let’s look at how to use them effectively to strengthen our images.

How to use pattern and repetition in photography to add strength

1. Composition

The key to any image is its composition. Perhaps it’s using the rule of thirds or a centered composition. It may be symmetrical or asymmetrical. There are many factors in composition and you can read more about mastering it here.

DPS How to use pattern and repetition in photography by Lily Sawyer – Patterned windows
Left: f/2.8 SS 1/160 ISO 400 Right: f/5.6 SS 1/200 ISO 100

2. Use color and contrast

By placing the colors in specific areas of the frame, you can strengthen your image immensely. On the image below-left, by positioning the strongest color red and it’s shadowed contrast and light contrast off-center to the left (and again off center diagonally downwards), the image takes on a dynamic look.

Compare this to the image below-right, which although has 3 strong colors of the same tonal values, lacks the light and shadow contrast. The red image has a much stronger impact.

DPS How to use pattern and repetition in photography by Lily Sawyer – Light shining through large windows creating a pattern
Left: f/5.6 SS 1/160 ISO 400 Right: f/5.6 SS 1/160 ISO 800

3. Use forms and shapes

To create pattern and repetition in photography, use dynamic forms and shapes like spirals, curves, triangles, cubes, and other angular shapes, are key to emphasizing the dynamics in a space and heightening its interest level.

In the image below-left, although there are many things going on in terms of repetitive lines, there are not as many acute angles of these lines and shapes compared to the image on the right. The image on the left is a three-dimensional space and the image on the right is a flat floor, yet it is much more dynamic.

DPS How to use pattern and repetition in photography by Lily Sawyer – patterned floor and interior
Left: f/4 SS 1/200 ISO 400 Right: f/4 SS 1/125 ISO 2000

4. Use leading lines

Concentric lines, spirals, zigzags, waves, and diagonals are easy to use lines that lead the eye to various places in the frame. In the image below, which has no other subject but the lines themselves, there is still a sense of movement and interest despite the lack of additional colors and strong contrast. You can read more on leading lines here.

DPS photography by Lily Sawyer – circles repeated in wood
f/4 SS 1/125 ISO 2000

5. Use perspective

Photographing from an angle as opposed to a straight-ahead, same-level shot also accentuates pattern and repetition. The images below are high up and full of lines. The addition of the love angle adds more depth to the image. Changing your perspective makes you see things from a new angle and in a new light.

DPS How to use pattern and repetition in photography by Lily Sawyer – patterned interior roofs
Left: f/5.6 SS 1/125 ISO 1200 Right: f/4 SS 1/100 ISO 3200

Conclusion

In this article, we have seen how using pattern and repetition in photography is an easy way to improve our images. All it takes is to look more carefully at the world around us and incorporate these elements into our images using some basic photography principles.

DPS How to use pattern and repetition in photography by Lily Sawyer – dewdrops on lines in balck and white
Nikkor 105mm f/8 SS250 ISO 400

What’s more exciting, is that you can also create your own images using pattern and repetition!

Now it’s time to get those creative juices flowing, and go and make your own!

DPS Photography by Lily Sawyer – multi exposure of people against a patterned backdrop
Experiment between f/8 – f/16, ISO 100 – 400, Shutter 2 seconds to bulb

Do you have any other tips for using pattern and repetition in photography?

Also, we’d love to see your images of pattern and repetition, so please share them with us in the comments section.

The post How to Use Pattern and Repetition in Photography Effectively appeared first on Digital Photography School. It was authored by Lily Sawyer.


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5 Reasons You Should Still Use a DSLR in 2020

06 Mar

The post 5 Reasons You Should Still Use a DSLR in 2020 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

5 Reasons You Should Still Use a DSLR in 2020 Feature Graphic

In recent years, mirrorless cameras have come to dominate much of the photography market. So much so that, if you’re a DSLR shooter, you may feel like you’re lagging behind. You may feel like you’re using old, antiquated equipment. You may start saving up for that brand-new mirrorless kit. But should you still use a DSLR in 2020?

Here’s the thing:

While mirrorless cameras may be all the rage these days, there’s a lot to be said for DSLRs.

5 Reasons You Should Still Use a DSLR in 2020 – Nikon D6

And while there are a lot of benefits to going mirrorless, for some photographers, mirrorless bodies and lenses would be an unnecessary step sideways.

Or, even worse, a step backward.

That’s what this article is all about. I’m going to give you five reasons why you might want to still use a DSLR in 2020.

And you’ll come away knowing whether a DSLR still makes sense for your shooting needs, even in this increasingly mirrorless age.

1. DSLRs are much easier to work with in low light

If you’ve spent some time reading about DSLRs versus mirrorless cameras, then you’ll be familiar with the optical viewfinder and electronic viewfinder comparisons.

On the one hand, optical viewfinders are much clearer than electronic viewfinders, and they feel more real.

5 Reasons You Should Still Use a DSLR in 2020
This Nikon DSLR features an optical viewfinder, which gives you a crisp and lifelike view through the lens.

On the other hand, electronic viewfinders give you a live preview of your image before you even take it, one that allows you to assess exposure from the moment you put the camera up to your eye. You also get other cool benefits, such as focus peaking (where you can see in-focus areas through the viewfinder), as well as the ability to “see” in black and white.

But there’s another key optical viewfinder benefit:

They look way better in low light.

When you’re shooting in darker situations, looking through an optical viewfinder is very similar to looking with your naked eye.

But looking through an electronic viewfinder is like looking through an old, poor-quality display. There’s noise everywhere, and this makes it tough to tell whether you’ve nailed focus and exposure.

Of course, it’s possible to look past these flaws, and you can still shoot mirrorless in low light. But it’s frustrating to look through a viewfinder and see a poor-quality image, so if you’re a frequent low-light shooter, you might want to consider sticking with a DSLR instead.

Now, EVFs are improving all the time, and there may reach a point in the future where the quality in low light comes close to that of OVFs. But right now, OVFs are dominating EVFs in the low-light arena.

2. You can shoot all day with a DSLR on a single battery

Another reason to still use a DSLR in 2020 is that DSLRs have much longer-lasting batteries compared to mirrorless cameras.

And if you’re the type of photographer who likes to shoot all day without stopping, or someone who goes into areas without access to electricity for days on end, you’re going to struggle with a mirrorless body.

Most mirrorless bodies are rated at around 250-400 shots, though you can get a substantial amount of additional life out of them if you make an effort to conserve battery. Even so, mirrorless battery life pales in comparison to DSLRs, which frequently feature capabilities from around 800 shots to 1500 shots and beyond.

5 Reasons You Should Still Use a DSLR in 2020 – Nikon D850
This Nikon D850 has a battery life of 1840 high-resolution shots, which is much more than that of mirrorless competitors.

When I got my first mirrorless camera, I thought I was ready to handle the limited battery life. In a sense, I was: I had three original batteries, plus two chargers.

But even if you have the batteries to last a day or two, it’s frustrating to have to remember to charge them after every shoot. It’s also frustrating to change batteries during shoots, especially when working in the freezing cold or in bad weather.

So if battery life is a big deal to you, then you may want to stick with your DSLR.

3. DSLRs feel much better in your hand

I’ve used a number of mirrorless cameras, and I’ve also used a number of DSLRs.

And the DSLRs are far, far better when it comes to ergonomics.

You see, mirrorless cameras are much more compact than DSLRs on average. But in order to achieve the smaller form-factor, manufacturers have flattened body grips.

Sure, there are some mirrorless cameras that retain a DSLR-like feel, but many of the mid-level options from Sony and Fujifilm, not to mention the entry-level, no-viewfinder cameras from most manufacturers, have very limited grips.

And this makes them very tough to use for street photographers (who often shoot one-handed), as well as casual walkaround photographers. Plus, anyone who holds a camera for hours on end wants it to feel comfortable, not just usable.

In a lot of cases, mirrorless bodies just…aren’t.

Check out this DSLR, which shows the extent to which a deep body grip defines its shape:

5 Reasons You Should Still Use a DSLR in 2020 – Nikon D6
While a Nikon D6 has a more obvious battery grip than many DSLRs, it’s still a fair example of the DSLR mold.

So before you grab a new mirrorless body, make sure to head into your local camera shop and actually try it out. Hold it in your hand.

And ask yourself:

How would I feel after hours in the field?

If the answer is something along the lines of “Not good,” then you may want to still use your DSLR in 2020.

4. DSLRs allow you to comfortably view the scene with both eyes open

I’ve already talked about the difference between electronic viewfinders and optical viewfinders.

But there’s a practical consequence that comes with using an electronic viewfinder that I haven’t mentioned:

It’s tough to shoot with both eyes open.

Now, if you’re a landscape or portrait photographer, you may think this is silly. Why would you ever need to use both eyes while shooting?

But if you’re an action photographer, someone who shoots sports or even street photos, then you may like to shoot with both eyes open. This allows you to anticipate movement. It allows you to see what’s going to move into the frame before it happens.

And it can really take your images to the next level.

Unfortunately, it’s hard to use both eyes when shooting mirrorless. This is because there’s a feeling of disconnect between the electronic viewfinder and the optical viewfinder. Plus, even the best EVFs have some kind of lag; while this may be irrelevant if using one eye to shoot, it creates a level of disjointedness when working with both eyes.

This is one of the reasons why, by the way, plenty of sports photographers are still opting for a camera like the Nikon D5/6 or the Canon 1D X Mark II/III over mirrorless options like the Sony a9 II or the Olympus OM-D E-M1X. While the latter two cameras offer incredible specs, it’s just too difficult to use them with both eyes open.

5 Reasons You Should Still Use a DSLR in 2020 - Canon EOS 1D X Mark III
The Canon 1D X Mark III is a sought-after sports camera by professionals.

5. DSLRs offer a better lens selection

Here’s your final reason to still use a DSLR in 2020 over mirrorless:

The lens selection.

5 Reasons You Should Still Use a DSLR in 2020

Now, there are plenty of great lenses for mirrorless systems. But the range just isn’t as expansive as the DSLR lens lineup that’s offered by Canon or Nikon.

Fortunately, there are adapters that allow you to use DSLR lenses on mirrorless bodies. But these can cost a substantial amount of money, and for some lineups, they’re just not ideal.

Some shooters won’t care about the limited lens offerings; if you’re a portrait photographer, for instance, you’ll probably be just fine with the lens lineup offered by any of the major mirrorless manufacturers. This is because portrait-type lenses are often developed first, as part of a “standard” prime and zoom series.

But if you photograph with more specialized equipment – a set of super-telephoto lenses, for instance, or a long macro lens – you’ll struggle to get the glass you need to really capture your images.

5 Reasons You Should Still Use a DSLR in 2020
The selection of super-telephoto lenses is limited in mirrorless lineups.

Note, also that switching from a Canon DSLR to a mirrorless system like Fujifilm, will cost a significant sum of money. You’ll need to buy a mirrorless camera, yes, but you’ll also need to replace your entire lens lineup. And while you can sell your DSLR lenses on the used market, they likely won’t get you close to the cash you need for a well-rounded Fuji system.

So make sure you keep this in mind before switching to mirrorless.

5 Reasons you should still use a DSLR in 2020: Conclusion

Now that you’ve finished this article, you know all about the five key reasons you should still use a DSLR in 2020 over a mirrorless camera.

And you should have a sense of whether a DSLR makes sense for your needs.

5 Reasons You Should Still Use a DSLR in 2020 - Canon Rebel T7i

Now I’d like to know:

Do you shoot mirrorless or with a DSLR? And why? Share your reasons in the comments below!

The post 5 Reasons You Should Still Use a DSLR in 2020 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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