RSS
 

Archive for February, 2020

Moment introduces 67mm filter mount that works with any phone

20 Feb

Moment, known for creating camera gear and accessories for creative professionals, today released a 67mm filter set and mount. The company states that users can now mount a filter to any phone, even without a case. The 67mm mount was designed so a filter could be placed over a triple-lens camera system like, for example, the iPhone 11 Pro offers.

Designers at Moment also took additional measures by machining a speaker grill into the mount. It will allow creators to use the audio from their phone’s rear-facing microphone during filming, something the company says isn’t available on competing mobile filter solutions. The mount also works on laptop cameras.

The 67mm Variable Neutral Density (ND) Filter is a 2–5 stop or 6–9 stop. They are made with Schott B270 Pro Cinema Glass and are designed to control exposure while eliminating color fringing and cross polarization.

67mm Variable ND Filters are $ 149.99 each. Purchasing both in a bundle costs $ 279.99, which saves the buyer $ 20. The 67mm Filter Mount is currently marked down to $ 23.99 from $ 29.99. The filters are available today while the mount is expected to ship between April 21st – 28th.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Moment introduces 67mm filter mount that works with any phone

Posted in Uncategorized

 

Winter Stand Up Paddling on Horsetooth Reservoir

20 Feb

I love paddling on the Horsetooth Reservoir in cold season. Boat ramps are closed, no power boat traffic, usually quiet and calm. Snow and ice can enhance scenery. A great time to paddle, train, relax or photograph. The Horsetooth stays […]
paddling with a camera

 
Comments Off on Winter Stand Up Paddling on Horsetooth Reservoir

Posted in Photography

 

Lomography releases Simple Use Camera preloaded with LomoChrome Metropolis film

20 Feb

Lomography’s latest Simple Use Camera, the LomoChrome Metropolis, is now available to purchase from the company’s online store. The camera is loaded with Lomography’s LomoChrome Metropolis ISO 100-400 film, operates off a single AA battery and features a built-in flash. The Simple Use Camera is reloadable, as well.

According to Lomography, its Simple Use Camera loaded with LomoChrome Metropolis film can be used to capture ‘grungy shots with muted colors and distinctive shadows.’ The camera includes three Color Gel flash filters (yellow, magenta and cyan), a built-in frame counter, direct optical viewfinder, 31mm F9 lens and 1/120 shutter speed.

In addition to the LomoChrome Metropolis ISO 100 – 400 film, the Simple Use Camera is also available with Black & White ISO 400, LomoChrome Purple ISO 400 and Color Negative ISO 400 film. The camera is available from Lomography now for $ 22.90 each.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Lomography releases Simple Use Camera preloaded with LomoChrome Metropolis film

Posted in Uncategorized

 

Adobe releases substantial update to the desktop and mobile versions of Photoshop for its 30th birthday

20 Feb

Today, on the 30th anniversary of Adobe Photoshop launching, Adobe has released an update for its desktop and iPad app, bringing substantial improvements to a few key features, as noted in its announcement blog post.

Adobe Photoshop CC 2020 (Desktop)

Adobe kicked off the updates with an impressive improvement to its desktop iteration of Photoshop with an improved Content-Aware Fill workspace, updates to the Lens Blur tool, a slightly updated UI and a number of bug fixes. We’ll take a look at the details of the updates in the sections below.

Content-Aware Fill

Previously, if you needed to make multiple Content-Aware Fill edits, Photoshop required you to make the edits one at a time. Now, with this new update, you can make multiple selections and apply multiple fills within the Content-Aware Fill workspace without needing to exit every time. This not only reduces the number of clicks, it also allows you to preview edits in real-time when more complicated scenes require multiple edits at once.

Lens Blur

Another major improvement in this update is to the Lens Blur tool, which now relies on the GPU of your computer, rather than the CPU. As seen in the comparison images below, offloading the processing of the Lens Blur tool to the GPU dramatically improves the realism of the edit through more refined edges, more accurate bokeh (thanks to specular highlights) and an overall sharper image that looks more pleasing than edits process with the CPU.

Lens Blur tool processed using CPU Lens Blur tool processed using GPU

‘The results are created by an algorithm the [Photoshop engineering] team built by studying first the principles of physics and how light interacts with objects in the real world,’ says Photoshop Project Manager Pam Clark in the announcement post. ‘It is carefully tuned to simulate a 3D environment to create the most realistic results possible, while also consuming the least amount of computing power so you don’t burn up your machine.’

UI and Performance

Adobe has also added support for the new dark mode in macOS Catalina, with all of the new system dialogs matching the light/dark mode settings you have turned on at the system level.

Other improvements throughout Photoshop CC 2020 include improved mouse control, with better responsiveness when panning and zooming across an image, particularly with larger documents.

Photoshop for iPad

Moving onto the more mobile version of Photoshop, Adobe has brought its Object Selection tool and improved Text settings to Photoshop for iPad. Above is a quick promo video shared by Adobe alongside the update.

Object Selection

The Object Selection tool, which was first released for the desktop version of Photoshop, makes it easier to select multiple objects within an image to isolate them. Unlike the Select Subject tool, which is meant for images where there is a single, large subject, Object Selection is refined for more precise edits where multiple, smaller objects need to be isolated.

Type settings

Adobe has also updated the Type settings within Photoshop for iPad, bringing a number of controls over from the desktop version. Specifically, Adobe has added type layer, character and options properties within the Type settings. ‘This includes tracking, leading, scaling, and formatting things like all/small caps, super/subscript,’ reads the announcement. Adobe says Kerning will ship in a future update.

The updated versions of Photoshop should be live for Creative Cloud subscribers. If you’re not seeing the updates, try restarting your device and checking for updates again within the Creative Cloud app or iOS App Store.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Adobe releases substantial update to the desktop and mobile versions of Photoshop for its 30th birthday

Posted in Uncategorized

 

Sony reportedly cuts planned mirrorless camera features to free up hardware for PS5

20 Feb

Sources recently speaking to Bloomberg allege that Sony has nixed some features it had planned for an unnamed future mirrorless camera model due to the scarcity of certain hardware, namely DRAM and NAND flash memory. The decision was reportedly made in order to reserve the limited hardware for the upcoming fifth-generation PlayStation console, which is expected to launch this holiday season.

The current demand for NAND and DRAM is high among smartphone manufacturers, according to Bloomberg, which reports that Sony is struggling to keep down the cost of its upcoming PS5 console. Assuming sources are correct, the PS5 will cost around $ 450 to manufacture, meaning that even with thin margins, consumers could be facing a unit price of $ 470 or more for the next-gen gaming console.

The sources claim that the coronavirus outbreak hasn’t had any sort of impact on the PS5 at this time, but that limited DRAM availability prompted the company to cancel some mirrorless camera features it had planned. Sony will reportedly prioritize the DRAM for its PS5 console, the final price of which hasn’t been revealed.

The report doesn’t specify which camera model will suffer as a result of this alleged decision nor which features were eliminated, though it does claim that Sony plans to release the camera this year. Assuming the claim is true, Sony may have decided to remove a planned stacked DRAM image sensor from an upcoming model, but the company has not commented on the report, leaving little more than speculation at this time.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony reportedly cuts planned mirrorless camera features to free up hardware for PS5

Posted in Uncategorized

 

Cosina announces new Voigtlander Nokton 60mm F0.95 lens for Micro Four Thirds cameras

19 Feb

Cosina Japan has lifted the veil on its latest lens for Micro Four Thirds camera systems, the Voigtlander Nokton 60mm F0.95.

The manual focus lens, which is set for an April 2020 release in the Japan market for ¥145,000, is constructed of 11 elements in 8 groups, features an aperture range of F.095 through F16 and features a ten-blade aperture diaphragm. The minimum focusing distance is 34cm (13.4in) and it features a 77mm front filter thread.

Below are a few low-res sample images provided by Cosina:

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_6140503892″,”galleryId”:”6140503892″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Cosina has also added a new aperture switching mechanism that will de-click the aperture ring for times when you don’t want the tactile and auditory feedback. The lens measures in at 82.5mm (3.25in) diameter and 87.7mm (3.45in) long, and weighs in at 860g (1.9lbs).

No pricing or availability information has been given for regions outside of Japan.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Cosina announces new Voigtlander Nokton 60mm F0.95 lens for Micro Four Thirds cameras

Posted in Uncategorized

 

Fujifilm X-T200 pre-production sample gallery

19 Feb

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1616277038″,”galleryId”:”1616277038″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Fujifilm knows how to make a great enthusiast camera, but it hasn’t always gotten the entry-level quite right. Enter the X-T200: a beginner-friendly feature set that improves on its predecessor’s specifications in significant ways. We’ve been out shooting with a pre-production model both close to home and in a galaxy far, far away.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Fujifilm X-T200 pre-production sample gallery

Posted in Uncategorized

 

5 Tips for Using Color to Improve Your Photography

19 Feb

The post 5 Tips for Using Color to Improve Your Photography appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

tips-for-using-color

In this article, I’m going to give you five tips for using color.

Tips that will immediately take your photos to the next level.

Because here’s the thing:

Color is one of the most commonly neglected aspects of photography.

It’s also one of the most useful.

So, if you can learn to master color…

…your photos will instantly improve.

Let’s get started.

tips for using color blue and yellow

50mm | f/6.3 | 1/400s | ISO 250

1. Keep colors simple for the best compositions

When it comes to tips for using color, this is a big one.

Because colors are like compositional elements of their own.

And if you add too many compositional elements, you’ll overwhelm the viewer and cause them to turn away.

The trick is to keep the colors simple. Try to photograph scenes that only have a few obvious colors.

Three colors are okay, especially if one of them is dominant. In the photo below, you’ll notice strong blues and greens, with a slight orange on the building.

Image: 24mm, f/5.6, 1/1000, ISO 400

24mm, f/5.6, 1/1000, ISO 400

Two colors are even better.

And one color can work, too, such as when framed against a white backdrop.

In fact, when in doubt, reduce the number of colors. As you approach a potential composition, think about how you can simplify the colors.

That way, your composition will turn out looking beautiful: strong, simple, and artistic.

2. Use contrasting colors to add pop to your shots

Now that you know the most fundamental tip for using color in your photography, it’s time to look at specific combinations of colors that work really, really well.

The most popular color combination (and my absolutely favorite) is contrasting colors, like this:

tips for using color roseate spoonbill

400mm, f/6.3, 1/1250, ISO 250

You see, contrasting colors are colors that sit opposite one another on the color wheel.

(These are also known as complementary colors.)

And they look great together because they can create powerful tension in your photos. Plus, each complementary color works to make the other pop.

Some common contrasting color pairs are:

  • Green and red
  • Blue and orange
  • Purple and yellow

Now, the more equal the amounts of each contrasting color, the greater the tension in your photo.

Image: This color wheel shows the opposing (contrasting/complementary colors).

This color wheel shows the opposing (contrasting/complementary colors).

So you can play with the extent to which both colors are featured in order to create different looks.

A lot of green and a lot of red creates an obvious clash.

But a lot of green with a few spots of red feels much more balanced (though the red will still pop powerfully off the screen). That’s what I did in the photo above; I combined the red of the spoonbill with the green of the background, for a balanced image.

Make sense?

Note that you don’t have to be super precise about choosing complementary colors. Color contrast is a spectrum, not an absolute. So if you end up with a green and purple pair as opposed to a green and red pair, you’ll still get a sense of tension.

It just won’t be quite as strong as the true complementary colors.

3. Use analogous colors to add harmony to your images

As I explained in the tip for using color above:

Color contrast is good.

But sometimes you’re not looking to create tension in your photos. Sometimes you’re not looking to make aspects of your photo really stand out.

Instead, you might want to keep things looking peaceful throughout your image. Like this:

Image: 50mm, f/3.2, 1/400s, ISO 250

50mm, f/3.2, 1/400s, ISO 250

In cases like the one above, you should avoid contrasting colors, and instead use analogous colors.

These are colors that sit next to one another on the color wheel.

Some common analogous color pairs are:

  • Green and yellow
  • Purple and blue
  • Red and orange
  • Green and blue
  • Red and purple

And see what happens when you put some analogous colors together:

They convey a sense of harmony. Rather than clashing with one another, analogous colors keep the peace.

tips for using color dahlia

105mm, f/7.1, 1/250s, ISO 320

That’s why analogous colors are perfect for more subdued scenes, such as yellow and green trees standing together in autumn, or a blue flower resting alone in a field. The harmonious color combination will maintain that wonderfully serene feeling (as long as the rest of the composition is aimed at producing serenity, that is!).

Oh, and don’t be afraid of using three analogous colors together. You can always use combinations such as green, blue, and purple or green, yellow, and blue to create especially peaceful scenes!

So whenever you’re trying to capture a more subdued photo, look for analogous colors.

4. Keep your subject more colorful than the background to focus the viewer

If you’re capturing a photo with a clear subject, then you often want to make the subject pop off the background.

In other words, you want to focus the viewer. You want to keep their attention on the subject of the photo.

And you can do that by using color. You just have to make sure your subject features much more powerful colors than the background.

Image: 100mm, f/5, 1/125, ISO 250

100mm, f/5, 1/125, ISO 250

Here’s how it works:

Start by finding a colorful subject. The colors should be bold and saturated. For instance, a red flower, a blue building, a yellow car, etc.

And make sure it’s positioned in front of a boring background. Something with less color, even something that’s all white or all black.

The lack of color from the background, combined with the powerful color from your subject, will ensure that it’s the subject that catches the viewer’s eye.

This is one of my favorite tips for using colors, simply because it creates such powerful images. Whenever I see photos that use a colorful subject on a plain background, my eyes immediately go to the subject; everything is clear and simple.

Bottom line:

Don’t always feel like you need a colorful background to complement a colorful subject.

It often pays to keep the background much less interesting!

5. Include colorless areas to add a sense of balance

Here’s your final tip for using color in photography:

Don’t always feel like you need lots of color in your photos.

Instead, feel free to add in colorless areas: areas of black, areas of white, areas of gray.

Why?

Because colorless areas act like negative space in images that are full of color. They give the viewer a chance to rest. They balance out the overall composition.

Sure, a shot with areas of black or white often won’t look quite as eye-catching as a photo full of color contrasts.

But it’ll feel more balanced, which is what composition is often about.

For instance, a photo like this feels just right with a white background:

tips for using color building with blue

50mm, f/8, 1/320s, ISO 250

And if the background were, say, red, the photo would be overwhelming.

So don’t be afraid to include colorless areas in your photos. Put your subject on black. Put your subject on white.

Because even though color is a powerful tool to use, it’s also one that you need to tone down on occasion.

5 Tips for using color to improve your photography: Conclusion

Now that you’ve finished this article on tips for using color, you should feel confident incorporating different colors into your photos and using color combinations for stunning results.

So all that’s left to do?

Get out and start practicing. Try to find different color combinations. Experiment with different options, and carefully evaluate the results.

As long as you follow these five tips for using color…

…you’ll be capturing some stunning images in no time!

Do you have any other tips for using color that you’d like to share with us? Perhaps you’d like to share some of the images you take after reading this article? If so, please share them with us in the comments.

Image: 24mm, f/4, 1/500, ISO 250

24mm, f/4, 1/500, ISO 250

The post 5 Tips for Using Color to Improve Your Photography appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


Digital Photography School

 
Comments Off on 5 Tips for Using Color to Improve Your Photography

Posted in Photography

 

5 Things to Do to Every Photo In Lightroom to Improve Your photos

19 Feb

The post 5 Things to Do to Every Photo In Lightroom to Improve Your photos appeared first on Digital Photography School. It was authored by John McIntire.

things-to-do-to-every-photo-in-lightroom

Lightroom, as we all should know by now, is a powerful tool that allows you to get the absolute most out of your raw files. For many photographers, it’s an all-in-one solution for their post-processing workflow. For others, it’s just a stepping stone before moving the file across to Photoshop. While there are no hard-and-fast rules as to what you do to your images at this stage, there are a few things to do to every photo in Lightroom that will make your workflow easier and can help to polish your images just a little bit more.

Five things to do to every photo in Lightroom.

Lightroom is an invaluable tool for both organizing and processing your images. There is no one-size-fits-all workflow, but there are a few things that you can do to every photo.

1. Color Profile

The first of the things to do to every photo in Lightroom is to set up the color profile of your image.

Under this tab at the top of the Basic module, you will find several presets (such as Landscape, Portrait, and Neutral) that try to emulate these settings within your camera.

Using these presets can help you to get a good start on your image. They will adjust the colors and contrast in your image to a half-decent starting point for the type of image you have. From there you can fine-tune in any way you want.

Things to do to every photo in Lightroom - Color Profiles

Using color profiles is a powerful way to manage the colors in your images. Whether you use a preset or a custom profile, this is a good tool to get familiar with.

 

Image: As you can see, using the Landscape preset on a portrait is something you don’t want to...

As you can see, using the Landscape preset on a portrait is something you don’t want to do very often, but the available options can be a powerful start to adjusting your images.

Where Color Profile really comes into its own is when you use an external tool to create custom color profiles. Tools such as the ColorChecker Passport from X-Rite allow you to create a custom color profile for any individual scene and lighting set-up. This enables you to attain accurate colors for each individual situation.

To use this feature, you will have to create your custom profile with the external software for the tool you are using. Then you import it into Lightroom, where you will find it under the Color Profile tab’s subsection labeled Profiles.

In the case of the ColorChecker Passport, this task is as easy as creating the profile and restarting Lightroom, where it will be waiting for you.

things to do to every photo in Lightroom - custom color profile

Creating a custom color profile (via the ColorChecker Passport) has ensured that the starting point for the image is an accurate representation of the colors as they were in real life.

2. White Balance

With your color profile set up, you can now turn your attention to the White Balance. I like to start each image off with as neutral a white balance as I can attain. You may drastically alter it later, but I feel the whole process is easier with a neutral white balance from the start.

If you are doing this by eye, you can use the Temp and Tint sliders in the Basic module to adjust as you will.

Pay close attention to any whites and grays in your images and try to get them looking as neutral as possible. When doing it this way, I like to zoom in as far as I can on blocks of tone and color (such as skin and backgrounds) to see what effect my adjustments are having.

Things to do to every photo in Lightroom - White Balance

The White Balance tool is basic, but it is still very powerful. I find starting with a neutral white balance works well (though this is not a rule).

If you’re using an external tool (such as a grey card) to set your white balance, you can do that instead with your preferred method.

Image: Using a grey card or other tool to get an accurate white balance can help save time and ensur...

Using a grey card or other tool to get an accurate white balance can help save time and ensure complete accuracy.

3. Sharpness

Another of the things to do to every photo in Lightroom is to turn the sharpness setting (under Details) to “0.” The reason for this is that using this feature in Lightroom treats sharpening as a global adjustment that affects the entire image. It also does it at the beginning of your workflow, whereas I prefer to do sharpening at the very end of the post-processing stage.

Things to do to every photo in Lightroom - Sharpness

The Sharpening slider in Lightroom doesn’t offer a great deal of control. Instead, use another method that allows you to fine-tune the effects at the end of your workflow.

By turning off the sharpening at this point, you grant yourself far more control over the process. Once you’re in Photoshop, you will be able to sharpen with far more precision than the slider in Lightroom provides you thanks to the various sharpening tools and other features such as Layer Masks.

Image: An example of a Layer Mask for a sharpening layer in Photoshop. This amount of control would...

An example of a Layer Mask for a sharpening layer in Photoshop. This amount of control would be very difficult to achieve in Lightroom.

Also, because the amount of sharpening you use will depend on the output (a large file for print will be sharpened more than a small file for web usage), using the sharpening in Lightroom at the beginning of your workflow may actually set you back.

If you don’t use Photoshop, you can always still set the Sharpness to “0” and when it comes time to export your images for whatever output you require, you can create a virtual copy of your finished image and sharpen that copy accordingly.

4. Noise

Unless the noise in your images is quite bad, the noise reduction tool in Lightroom is rather good.

Under the Details section, these sliders will allow you to reduce the impact of any noise in your images.

As with the other things to do to every photo in Lightroom mentioned in this article, it’s important to do this at the beginning stage of your image as the effect may dramatically alter the way your image looks as well as the approach you have towards it in further post-processing.

Things to do to every photo in Lightroom - Noise

Lightroom’s built-in noise reduction usually performs well. If there is noise present in your image, use it well. If there is no noise, leave it at 0 as you will risk losing some detail.

5. Lens Corrections

The last of the things that I suggest you do to every photo in Lightroom is to use the tool in the Lens Corrections section.

Checking the Chromatic Aberration box will go a long way to dealing with all but the worst instances of Chromatic Aberration. Lightroom does a very good job of this, and in most cases, you won’t have to do any more than to click this box.

If you do have to go further, the sliders under the Manual section will help you make short work of any Chromatic Aberration present in your images.

Things to do to every photo in Lightroom - Lens Corrections

The Lens Corrections tool allows you to fix Chromatic Aberrations and correct for the lens you used.

Checking the Enable Profile Corrections box is one of the most useful things you can do to do your images from the very start. As long as you are using a lens that has a Lens Profile in Lightroom (you can make one manually if it doesn’t), using this tool will make adjustments to your images that compensate for that individual Lens.

Distortion and vignetting are two of the most prominent things that this tool corrects for, and this can have a dramatic effect on how your images appear.

Image: Left: No corrections. Right: With lens corrections. The difference is subtle, but it is very...

Left: No corrections. Right: With lens corrections. The difference is subtle, but it is very much there. Applying the profile corrected both distortion and vignetting.

The end

While this is a simple list, it’s often very easy to overlook some of these steps once you are in Lightroom. The excitement of looking at your images and getting started with the adjustments once you’ve imported them is a hard thing to override.

However, taking the few moments that it takes to implement these steps can help you to achieve more natural and polished results with very little effort at the beginning of your post-processing stage.

In the end, I hope you find these things to do to every photo in Lightroom helpful with your photo editing journey.

If there is a step that you think that I should have included here, please feel free to add it to the comments.

The post 5 Things to Do to Every Photo In Lightroom to Improve Your photos appeared first on Digital Photography School. It was authored by John McIntire.


Digital Photography School

 
Comments Off on 5 Things to Do to Every Photo In Lightroom to Improve Your photos

Posted in Photography

 

PolarPro releases ‘LiteChaser Pro,’ a mobile filter system for the iPhone 11

19 Feb

PolarPro has released LiteChaser Pro, a mobile filter system for Apple’s latest iPhone devices. The kits, designed for compatibility with the iPhone 11, 11 Pro, and 11 Pro Max, offer a range of products that includes a line of neutralizing and polarizing filters, a filter and grip.

‘Since the launch of Apple’s iPhone 11 in September 2019, the goal was to develop a
complete creative system worthy of replacing your DSLR/Mirrorless camera and help
transform your iPhone 11 into the ‘A’ camera. Whether vlogging your travels or even
producing your own short film; and PolarPro met that goal with the introduction of the
LiteChaser Pro system,’ said Jeff Overall, Founder and CEO of, PolarPro ‘In the end,
the outcome is a complete creative system built specifically for mobile filmmakers and
photographers to deliver shots never before possible on iPhone.’

These are the filters created for the LightChaser Pro system:

ND8 (3-Stop) & ND64 (6-Stop)

These filters were designed to ensure you have the correct shutter speed to achieve more
cinematic looking footage.

Variable (3-5 stop)

This aluminum-framed variable neutral density filter is engineered specifically for mobile
filmmakers to lower shutter speeds to cinematic levels. Laser-etched stop indicators inform you of how much light you are reducing within the preset 3-5 range. The controlled stop range reduces cross-polarization on the two longer lenses.

Circular Polarizer

This filter helps capture deeper colors and reduce glare, reflections, and haze from your photos. Rotatable so you can control its effect based on your composition.

The LiteChaser Pro Case is made of rubber, has a reinforced frame, and an aluminum filter mount that is compatible with the range of circular, variable, and neutral density filters listed above. The Grip includes two 1?4”-20 thread mounts for a mobile tripod mount with features that allow you to add a light or mic. A rail system includes two 1?4”-20 thread mounts for a mobile tripod mount with features that allow you to add a light or mic. The rail system also adjusts to hand sizes and allows switches between landscape and portrait modes.

Launch pricing for kits is available for a limited time.

Kits
Photography Kit (Case, Grip, CP) Reg. – $ 119.99 | Launch – $ 99
Filmmaker Kit (Case, Grip, VND) Reg. – $ 149.99 | Launch – $ 119
Essential Kit (Case, Grip) Reg. – $ 69.99 | Launch $ 59
Filters
Circular Polarizer – $ 49.99
Variable ND 3-5 Stop – $ 89.99
Pre-orders are open now and shipping begins on March 28th.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on PolarPro releases ‘LiteChaser Pro,’ a mobile filter system for the iPhone 11

Posted in Uncategorized