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Archive for February, 2020

A Step-by-Step Guide to Color Grading in Capture One Pro

02 Feb

The post A Step-by-Step Guide to Color Grading in Capture One Pro appeared first on Digital Photography School. It was authored by Darina Kopcok.

step-by-step-color-grading-in-capture-one-pro

One of the reasons photographers hesitate to move from Lightroom to Capture One Pro is the learning curve associated with a new piece of software. The interface and the tools in COP are very different than those of Lightroom. Color grading in Capture One is one example of a process that is radically different than those found with Adobe products.

That being said, if you already know how to retouch your photos in Lightroom or Photoshop, then it won’t take you long to get up and running with Capture One Pro, which is recognized industry-wide for its superb color grading tools.

Color grading in Capture One Pro is a huge topic, but here are some tips to get you started.

The Color Editor

The Color Editor can be found in the left-hand side of the COP workspace, indicated by an icon as shown below:

color grading in capture one pro

Here you’ll find an RGB Histogram, a panel for White Balance, the Color Editor, and Color Balance.

There are three tabs in the Color Editor: Basic, Advanced, and Skin Tone. COP is recognized for its ability to render beautiful and highly realistic skin tones in comparison to other RAW editors.

These tabs allow you to modify the Hue, Saturation, and Lightness of individual colors.

You can also work in Layer Masks. These work similarly to local adjustments in Lightroom and allow you to modify individual colors more precisely.

The Basic tab

There are six color ranges represented in the color wheel under the Basic tab.

A Step-by-Step Guide to Color Grading in Capture One Pro

To work on a particular color, you first need to define the color range.

Choose the eyedropper to the right of the color wheel and click it on the desired color in your image.

In my image of the roasted cauliflower below, I clicked on the roasted tomatoes in order to work on the red tone.

color grading in capture one

The shading in the red segment of the color wheel shows you what color/colors have been selected.

You can further define the color range by clicking on the border of the segment and adjusting the width with your mouse.

color grading in capture one

To see exactly what the range includes click on View Selected Color.

color grading in capture one

Use the Smoothness slider to control the fall-off of the selected color into neighboring colors. This is represented by the shaded colored area around the boundaries. This will prevent hard edges.

The Basic tab is great in that it allows you to work on colors in your image individually. However, for maximum control when color grading in Capture One, use the Advanced tab.

The Advanced tab

As with the Basic tab, you need to define the color range you wish to work on with the color picker.

Click on the area you wish to adjust.

Then click View Selected Color Range.

Everything that is not part of the selection will be shown on the image as black and white. The width of the selection on the color wheel shows the excluded colors.

color grading in capture one

When working in the Advanced tab, you have extra precision when controlling the depth of the selection, as shown in the image above.

Simply click on the border and move your mouse towards the center of the color wheel. You can grab the border to include other colors in your selection.

Now you can make adjustments to the Smoothness, Hue, Saturation, and Lightness.

Once you have made the desired adjustments, uncheck View Selected Color Range.

To edit certain colors and not others when color grading in Capture One, you can also work on layers.

Layers in COP work similarly to local adjustments in Lightroom.

The Color Balance Tool

The Color Balance Tool is a simple yet powerful tool for correcting color casts and also for color grading in Capture One.

It can also be found under the Color Tool tab.

Color Balance allows you to not only tweak color, but add luminosity to the highlights, midtones, and shadows individually to an image. It enables precise control over hue and saturation in your images.

It can be used to make local adjustments in conjunction with the Layers Tool.

The tool is split up into five tabs: Master, 3-Way, Shadow, Midtone, and Highlight.

The Master tab allows you to affect color throughout the image. For example, if you want to cool down or warm up your image.

3-Way allows you to conveniently see Shadow, Midtone, and Highlight all at once.

When working with the Color Balance tool, you might want to remove it from the side panel and have it float in your workspace. You can then enlarge it for more comfortable viewing to make extra fine adjustments as needed.

To do this, simply click on the panel and drag it to another area of the workspace with your mouse.

A Step-by-Step Guide to Color Grading in Capture One Pro

Then drag on a corner to expand it.

color grading in capture one

To use the individual color balance tools, click on the centerpoint and drag it around the circumference, towards the color you want to affect.

Moving the pointer away from the center towards the perimeter increases saturation.

color grading in capture one

The curved sliders on either side of the color wheel affect the density of the chosen color range.

To reset the slider, you can click anywhere in the middle.

After you have made your individual color adjustments, you can head over to the Master slider and tweak the overall color balance if you wish.

In the image below, I made a couple of adjustments to the exposure, contrast and brightness of my image but I wanted to improve the colors.

A Step-by-Step Guide to Color Grading in Capture One Pro

I used the Master tab to cool down the image overall and bring out the blue undertone in the peonies.

color grading in capture one

Then I added some blue to the shadow. To the naked eye, the plate was quite blue and I wanted to bring this out in my image.

A Step-by-Step Guide to Color Grading in Capture One Pro

I also added magenta to the midtones and highlights to bring out the pink.

To work on colors individually, like the green of the leaves, you can use the Color Balance tool in conjunction with the Layers tool.

To do this, click on the Layers tab and create a name for your layer so you know what it refers to. I called my “Leaves.”

color grading in capture one

Paint a mask on the selection of the image you wish to change. There is no need to be super precise.

Use the Master tab to make the adjustment to the color.

color grading in capture one

The image will be adjusted with the updated color.

color grading in capture one

Conclusion

Capture One Pro comes with a steeper price tag than Adobe products, however, their claim that they are the number one choice among professionals is not an exaggeration.

Take some time to play around with the Color Editor and Color Balance tool. You may soon find you’ll be abandoning Lightroom for color grading in Capture One Pro.

Do you have any other questions or tips for color grading in Capture One Pro? If so, please share them with us in the comments.

The post A Step-by-Step Guide to Color Grading in Capture One Pro appeared first on Digital Photography School. It was authored by Darina Kopcok.


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Learn How You Can Easily Create the Perfect Reflection Photos

02 Feb

The post Learn How You Can Easily Create the Perfect Reflection Photos appeared first on Digital Photography School. It was authored by Simon Bond.

learn-to-create-perfect-reflection-photos

In this article, you’ll discover how to create the perfect reflection photos. You’ll learn how to find reflection photos in locations near to you, and then how best to capitalize on these reflections in your photo. Use the correct equipment, the right angle, and you’ll be taking stunning photos in no time.

What is reflection?

First, the science behind reflection photography. Knowing why reflections form will help a lot when it comes to finding and taking these types of images.

The most obvious object you’ll come across on a day-to-day basis that reflects is a mirror. So in reflection, the angle of the incident light will be equal to the angle of the reflected light.

That means when you stand directly in front of a mirror, you’ll see yourself. However, if you stand to the side, you’ll see the scene that’s to the side of you.

When you reach the extreme edge of the mirror and look across it, you’ll see the room you’re standing in duplicated in a mirror image.

In the majority of cases, you’ll want to get down to the angle of the reflection to create this duplicate image in your photo. Repetition always works well in photography.

Image: A strong subject like architecture can work well for reflection photography.

A strong subject like architecture can work well for reflection photography.

Which materials have a reflective surface?

Now you know what reflection is, you’ll need to know where to find it. There are lots of things that have a reflective surface – the mirror is the most extreme of these and is designed to reflect. You’re really looking for something with a smooth, shiny surface. So look for the following to get a reflection:

  • Metal – Any metal surface will reflect. Surfaces with less scratches are best.
  • Glass – Glass will also reflect. The shallower the angle you use, the stronger the reflection will be.
  • Marble – Shiny smooth stone surfaces will reflect, but not as much as glass or metal. That said, with water on top of the marble, the reflection will be better.
  • Water – Where water forms a flat surface, there will be a reflection. Puddles often do this, ponds also work, and even larger bodies of water can work when there is no wind.
Image: The glass on this shop window becomes more reflective the shallower the angle.

The glass on this shop window becomes more reflective the shallower the angle.

How to take the perfect reflection photos.

Now you know what reflection is, and the materials that produce it, you’re ready to take the perfect reflection photos. Take a look at the following steps, and you’ll be in a position to get the best results.

Finding locations with reflection

Knowing which surfaces cause reflection is only half the story. You need to combine finding one of these surfaces in a location that has an interesting reflection. Going out and finding these is sometimes easy, and sometimes more of a challenge.

Look to the following to improve your chances:

  • Clear surfaces – Windows on high streets, or glass protecting commuters from the track in subway stations, all have the potential to be good reflection surfaces.
  • Bodies of water – Permanent bodies of water like ponds or lakes can be great for reflection photos. The moat around a castle can also work very well. You’ll want to choose a calm day for best results.
  • Puddles – After it’s finished raining, but before the puddles drain away, it is a great time to look for reflections that would not normally be there.
Image: After it’s finished raining get out looking for puddles that will then be reflection po...

After it’s finished raining get out looking for puddles that will then be reflection pools.

Create your own reflection

There are, of course, times when you’d like to photograph a reflection where one doesn’t usually form. In that case, you could experiment by taking a mirror with you to a location. It might not be practical to bring a large mirror with you, but by using a wide-angle lens, you can make the reflection look much larger than it actually is.

Another solution is to bring a bottle of water with you or even a bucket. If there is a readily available source of water nearby, like a lake or the sea, you might be able to carry buckets of water to a location where you wish to create a reflection.

Image: This location is a popular location to photograph reflections. It’s next to the sea, so...

This location is a popular location to photograph reflections. It’s next to the sea, so it’s possible to make your own reflections. I’m thankful to my friend for helping make the puddle.

Enhance your reflections

There are a couple of things you can do to enhance your reflection photo in-camera. These mainly involve the equipment you use. Look to do the following to create the perfect reflection photos.

  • Circular polarizing filter – One of the best items you can use in reflection photography. Using this filter will greatly increase the strength of the reflection.
  • Wide-angle lens – Use a wide-angle to increase the scope of the reflection within your photo. Even a small puddle can fill an entire frame if you get close enough to the puddle.
  • Shallow angle – The shallower the angle, the greater the reflection will be. So get side-on to a window, or down on the ground near a puddle for best results.
Image: This is the result of making a reflection using buckets of water.

This is the result of making a reflection using buckets of water.

Good subjects for reflection

Now just because a place has a reflection doesn’t mean it’s going to be the best place to take a reflection photo.

As with all photography, you need a strong main subject. That main subject might already be there in the form of architecture. If that’s not the case, you may need to wait for a moment of capture, a person walking past your reflection location, for instance.

While a mirror image reflection could hold your photo, a single person, single tree, or an iconic landmark that also reflects will dramatically improve your results.

Use post-processing for reflections

In addition to the steps you can take in-camera, there are further steps you can use in post-processing. These involve enhancing your existing photo or creating a reflection within your image.

Enhancing a photo

This involves taking a photo that already has a reflection and then making that reflection stand out more. 

You’ll be looking to make local adjustments to your image. To do that, you can either use graduated filters to adjust the image or layer mask and reveal only the area of the image that you wish to effect. 

Adjustments you can consider making are brightening, sharpening, and adding more contrast to the reflection in an attempt to mimic the image that the reflection is from.

Image: This sunset had the perfect reflection pool. It could be better with a stronger main subject.

This sunset had the perfect reflection pool. It could be better with a stronger main subject.

Creating a reflection

Lastly, in your bid to create the perfect reflection photos, you could turn to post-processing.

You’ll need to choose an appropriate image to do this – one that has some nice sky would work best.

Then it’s a case of increasing the canvas size of your image, duplicating the image, flipping it, resizing it, and then making the reflection look realistic by adding some imperfections. You can look to create this by using the following guide.

How will you create the perfect reflection photos?

Now you have the knowledge needed to go out and create stunning reflection photos in your neighborhood. Are there any techniques you use to enhance your results either when you take the photo or post-process it?

Here at digital photography school, we value your ideas and opinions, so please share those in the comments section. Likewise, if you have images you’ve taken that show reflections, please share those as well!

The post Learn How You Can Easily Create the Perfect Reflection Photos appeared first on Digital Photography School. It was authored by Simon Bond.


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DPReview TV: Video tripods vs photo tripods

01 Feb

Video tripods with fluid heads provide distinct advantages over standard photo tripods when shooting video, but are they always better? Chris and Jordan compare both types of tripods and demonstrate the pros and cons of each.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Photo tripods
  • Photo tripod limitations
  • Compact video tripods
  • Mid-range video tripods
  • Professional video tripods
  • Can any tripod do both jobs?

Want to learn more about video tripods? Read our article Introduction to video tripods for an in-depth overview of what to look for in a video tripod.

An introduction to video tripods

Articles: Digital Photography Review (dpreview.com)

 
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How to Jump from Lightroom to Photoshop and Back Again When Editing Photos (video)

01 Feb

The post How to Jump from Lightroom to Photoshop and Back Again When Editing Photos (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video from Phil Steele of SteeleTraining, you’ll learn how you can jump from Lightroom to Photoshop and back again when editing your photos.

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In this tutorial you will learn:

  • How to make the jump from within Lightroom to Photoshop so you can do more detailed editing using layers, and then bring the photo back to Lightroom.
  • About making multiple jumps or nested jumps.
  • How this function works with RAW files versus JPG files.
  • What the different options mean in the “Edit in Photoshop” dialogue box when editing JPGs.
  • A workaround to open your original, unedited RAW file in Photoshop.
  • How to add text to your photo in Photoshop.
  • How to Save the file and how to change the default settings of the file saving format.
  • Why you should use only “Save” and not “Save As” when in Photoshop.
  • The process that Lightroom uses to save and retrieve your image.

Multiple jumps (or roundtrips)

You’ll learn:

  • What happens when you make multiple round trips (jumps to and from Lightroom to Photoshop and back) with the same file.
  • The best format to choose after you have closed Photoshop and decide you want to keep editing your edited photo.
  • What setting to choose so that you don’t loose further adjustments made in Lightroom when jumping back to Photoshop.
  • The trade-off of jumping back to Photoshop for a second time after making further edits in Lightroom but with a sneaky work-around.
  • How to make “virtual copies” of your image in Lightroom.
  • How you synchronize settings from one image to another in Lightroom.

Nested Jumps (or roundtrips)

You’ll learn:

  • How to jump from Lightroom to Photoshop and then from Photoshop to third-party software such as Luminar.
  • How to merge multiple Layers into a single Smart Layer so you can open in a third party program/plugin.

You may also like:

  • How to Use Camera Calibration Tool in Lightroom (video)
  • RAW Photo Editing in Lightroom: How to Make Your Photos Look Real to Life
  • How to Make Your Photos Pop in Lightroom (With Just 4 Quick Edits!)
  • How to Make Your Photos Awesome in Lightroom or Photoshop Camera RAW
  • Texture and Clarity Sliders in Lightroom Classic CC: What’s the difference?
  • How to Develop Better Black and White Photos in Lightroom

The post How to Jump from Lightroom to Photoshop and Back Again When Editing Photos (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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How to Find Your Vision as a Photographer

01 Feb

The post How to Find Your Vision as a Photographer appeared first on Digital Photography School. It was authored by Mat Coker.

find-your-vision-as-a-photographer

It’s frustrating to be a good photographer but not know what to do with your skills.

You can know your camera inside and out, be able to compose a good photo and capture a great moment, but without vision, you’ll always feel aimless as a photographer.

You’ll be stuck taking pictures that don’t inspire you and perhaps even running a photography business that brings you down.

I’ll show you how to find your vision as a photographer so that you can thrive and create a body of work that you are proud of.

“It is a terrible thing to see and have no vision.” – Helen Keller

find your vision as a photographer

Even though I’m a family photographer, photos like this do not fit my vision as a photographer. However, I understand that families want a nice portrait like this, so it’s part of what I offer as a family photographer.

What is “vision”?

Vision has to do with seeing, and photographers constantly practice the art of seeing.

Having vision means you know why you’re taking pictures. You know what you want to accomplish. You’re not controlled by what other photographers tell you to do. You know what you’re pursuing and why.

“Vision is the art of seeing things invisible.” – Jonathan Swift

find your vision as a photographer

Photos like this, a candid moment, a splash of chaos to break the order, is more in line with my vision.

Who’s vision are you living?

Without a vision of your own, you may be living out another photographer’s vision.

You see everyone else’s style of photography and feel you have to conform to that even though you don’t want to.

Somebody else has told you how to see the possibilities. Your vision isn’t your own.

But how do you find your vision as a photographer?

candid moment portrait

A photo like this fits my vision perfectly. It was cold and the little one was confused and grumpy and shivering. The only thing that mattered to her was her mom. But this photo is not really about the little one, it’s about her mom. The mom who sacrifices, and comforts. The mom who abandons everything to embrace her little one.

Look back to find your vision

Part of your work as a photographer is to explore. What you explore is completely up to you.

You often don’t realize the significance of your discoveries until you can see some thread that connects them all.

In all your exploration as a creative person, you will see clues to your vision.

Look back on these five things to help find your vision as a photographer.

1. Note your other creative pursuits

You’re probably a creative person and not just a photographer.

  • Consider what books you love to read.
  • Take note of what you watch.
  • What type of music do you listen to?
  • If you sketch or paint, what is your subject matter?

Now, connect photography with your other creative pursuits.

Here’s what it looks like for me:

I tend to read novels that explore human nature, listen to music with lyrics about the ideal life, enjoy comedy that pokes fun of everyday routines, write on themes of personal growth, and studied the humanities at university.

I love to photograph candid moments (even during headshot sessions) because it lets me explore personality and how people act.

Already, I see a connection between my photography and my other creative pursuits.

“You don’t make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.” – Ansel Adams

Image: In each of these books, I find a clue to my vision as a photographer.

In each of these books, I find a clue to my vision as a photographer.

2. Collect the photos you love the most

What sort of photos are you drawn to and what are your favorite photos that you’ve taken?

What do you see in those photos and how do they connect to your other creative pursuits?

candid sibling portrait

From my earliest days as a family photographer, this is one of my favorite photos. Childhood is a theme I love to explore.

Look beyond your own photography to that of others. What prints have you purchased or photography books do you own?

photoournalism books

I’m not a photojournalist, though it’s photojournalism that seems to really inspire me as a photographer. This 25-cent yard sale magazine was one of my best purchases this year.

My favorite photographs are gritty, grainy and misfocused, but I love them.

I appreciate photographers who live for the moments and ideas in the photograph.

Moving forward, pay attention to what compels you to grab your camera and take a photo.

3. List your quirks as a person

This is a fun one. The purpose is to discover what is unique and interesting about you as a creative person.

  • Do you have a strange hobby?
  • Do you have any funny rituals?
  • What are you most embarrassed about?

List those quirky things that make you interesting.

If a toddler cries at one of my photo sessions, you can be sure I’ll snap a picture. l also make moms and dads dance together during photo sessions. It’s always so awkward, but that’s interesting to me.

Candid couples portrait

One of my quirks is that I’m afraid to dance. I figure if I’m afraid of something, then other people are too. So I make couples dance at a portrait session. It’s lots of fun and the most awkward couples end up with the most romantic portraits.

4. What are your favorite 3-5 photography quotes?

Your favorite photography quotes will help you find your vision as a photographer.

Here are a few to get you thinking.

“I realize more and more what it takes to be a really good photographer. You go in over your head, not just up to your neck.” — Dorothea Lange

“Taking pictures is savoring life intensely, every hundredth of a second.” — Marc Riboud

“For me, the camera is a sketchbook, an instrument of intuition and spontaneity.” — Henri Cartier-Bresson

“I tend to think of the act of photographing, generally speaking, as an adventure. My favorite thing is to go where I’ve never been.” — Diane Arbus

“Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies.” — Diane Arbus

“My life is shaped by the urgent need to wander and observe, and my camera is my passport.” — Steve McCurry

“The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.” — Henri Cartier-Bresson

Do your favorite quotes have anything in common with your creative pursuits, your favorite photos, and your quirks as a person?

find your vision as a photographer

One day the bay we live on flooded and took over our yard. I put on my chest waders and followed my son as he paddled around. This is who I am as a photographer. Wandering into unpredictable and unexpected events to explore. I love it when our everyday life is made strange

5. Pay attention to what you say when you’re upset

Sometimes the spontaneous overflow of emotion contains the exact revelation of what your vision is.

How do you react when your photos are criticized? If you’ve never been criticized, just find a community to share your work online. Sooner or later, a person will let you know what they think of your photos. They will insult you relentlessly. Hopefully, they get under your skin, and you lash back. The words you blurt out are an expression of your vision.

I like wading into chaos and making something beautiful out of it. And if there are blemishes in the photo, so much the better. Because where there are smudges and dust and grain – that’s where things got real.

iPhone 46 photography

I keep my iPhone 4s to use as a camera. The grain and discoloration in the photos represent what I see in life. It’s one of my favorite cameras.

Ask, what problem does your vision solve?

By now, you should have a clue as to what you’re after as a photographer. Don’t worry, it takes some time to come up with a precise vision.

A final approach is to ask what problem your vision tackles.

I remember the day I realized what photography was all about for me. I was reading a book on the history of journalism and came across this comment:

“The mission of photography is to explain man to man and each man to himself.” — Edward Steichen

My everyday photography and work is permeated with trying to understand ourselves. That is right in line with the books I read, the comedy I laugh at, and the moments I capture.

As I photograph my kids, other people and social events, I come to understand humanity. And I find myself in places I would never get to be unless I was a photographer.

“The camera is an excuse to be someplace you otherwise don’t belong.” — Susan Meiselas

find-your-vision-as-a-photographer

I’ve been there when brides get ready for their wedding day. That would never have happened without the camera. You get insights into a person when you spend their wedding morning with them. You get insight into humanity when you do this repeatedly over time.

Here is a question that drives me as a person and a photographer: who do you become in a crisis?

What do you become like when a session falls apart? Who do you become as a mom when your little one won’t smile pretty for the camera? Who are you when your children need you? Those questions drive me and therefore drive my vision as a photographer.

How to capture your vision in photos

A moment between a father and son. He’s done something wrong and neither knows quite how to react or what to say. It’s a defining moment in their relationship.

 

Your vision ought to make you grow

People with vision foresee exactly what they’re after and why. They work toward it, overcoming obstacles and their weaknesses. To find your vision as a photographer:

  • Explore your creativity.
  • Ask, what problem does my vision solve?
  • How does it make life deeper and better?
  • Who do I need to be(come) in order to bring this vision to life?
  • What do I have to do consistently in order to bring this vision to life?
  • Write yourself a tag line and print it, make a mug, a t-shirt, or paint it on the wall.

Do you have anything else you’d like to add to this? If so, please share with us in the comments.

The post How to Find Your Vision as a Photographer appeared first on Digital Photography School. It was authored by Mat Coker.


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High-resolution telescope images show Sun’s surface in ‘unprecedented detail’

01 Feb
‘This image covers an area 8,200 x 8,200 km (5,000 x 5,000 miles, 11 x 11 arcseconds).’ — Credit: NSO/AURA/NSF

The Daniel K. Inouye Solar Telescope has produced high-resolution images that show the Sun in ‘unprecedented detail,’ according to an announcement from the National Science Foundation (NSF). The telescope is located close to the summit of Maui’s Haleakala volcano. Each of the ‘cell-like structures’ visible in the images and video are approximately as large as Texas, according to NSF.

Understanding the Sun is an important step toward improving space weather forecasts, which will help humanity anticipate potentially disruptive events. The Inouye Solar Telescope is a key tool that will shed light on a number of the Sun’s mysteries. According to the NSF, having hours of advanced notice about potential space weather events will give officials time to put satellites and important infrastructure like power grids into safe mode.

The Inouye Solar Telescope features a massive 4m (13ft) mirror and more than 11km (7 miles) of piping as part of the cooling system that protects the telescope and its optics. The NSF explains that Inouye feature’s adaptive optics designed with an off-axis mirror placement that compensates for the blur that would otherwise result from the Earth’s atmosphere.

Astrophysicist and cosmologist Katie Mack chimed in on the above video, sharing a fun little anecdote about how the forces at work on the sun can be seen here on Earth in everyday life:

Ultimately, the Inouye Solar Telescope has the largest aperture of any solar telescope in the world, according to director Thomas Rimmele. The first half-decade of the telescope’s operation is expected to produce more solar data than humanity has generated in the past few hundred years.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon launching limited-time ‘Trade Up’ program in the United States for its D780 DSLR

01 Feb

Nikon has launched a new trade-in program that gives its customers in the United States credit to put toward the purchase of a new D780 full-frame DSLR. The program will be live from February 3 through March 29 and includes credit for the value of the customers’ trade-in as well as an additional $ 300 credit. Nikon will allow customers to use the credits for the D780 body-only and for the D780 bundled with a lens kit.

The trade-in program is currently listed as ‘coming soon’ on Nikon’s website, though interested consumers can sign up to receive an alert when it goes live. The program will accept any camera from any brand; the only requirement is that it must be in working condition.

Nikon customers who have already ordered the D780 can retroactively apply the credit toward their purchase. The full-frame DSLR is available to purchase from a number of retailers for around $ 2,300 for the body only or around $ 2,800 with an included 24-120mm lens.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Coastlines

01 Feb

The post Weekly Photography Challenge – Coastlines appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

This week’s photography challenge topic is COASTLINES!

Image: © Jeremy Flint

© Jeremy Flint

Coastlines are a stunning place to visit (or if you are lucky enough, to live). They can be dramatic and moody or sunny and light depending on the weather and the landscape itself.

So go out and capture coastlines near you. Take note of the wide expansive shots or the details that you find there such as rocks, shells, boats and shacks.

So, check out these inspiring pics, have fun, and I look forward to seeing what you come up with!

Great Coastal Photography

The Gower Peninsula, Wales by © Jeremy Flint

Image: Photo by Jim Hamel ©

Photo by Jim Hamel ©

Image: Photo by Nisha Ramroop ©

Photo by Nisha Ramroop ©

Check out some of the articles below that give you tips on this week’s challenge.

Tips for photographing COASTLINES

6 Ways to Capture Coastal Scenes to add Impact to Your Photos

Important Considerations for Great Coastal Photography

Travel Photography Tips – Photographing the Coast

5 Quick Tips for Coastal Photography

How to Photograph Coastlines [10 Tips]

How to Take Better Beach Portraits at Anytime of the Day

4 Tips for More Dramatic Beach Photos

7 Tips for Better Beach Photography

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPScoastlines to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Coastlines appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Nikon’s Nikkor Z 70-200mm F2.8 VR S lens is being delayed ‘due to production reasons’

01 Feb

Nikon Japan has announced [translated] that the much-anticipated Nikkor Z 70–200mm F2.8 VR S lens and three of its accessories will be postponed.

Originally set to be released on February 14, 2020, Nikon Japan says the lens has been ‘postponed due to production reasons.’ No specific details have been given regarding production issue at hand and no timeframe is given for the new release date. Nikon Japan says it ‘apologize[s] for any inconvenience this may cause to customers waiting for this product.’

DPReview has contacted Nikon for a comment and will update this article accordingly when we receive a response.

We will provide further updates regarding the situation as they become available.

Articles: Digital Photography Review (dpreview.com)

 
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