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Archive for December, 2019

Video: Typologies of New York City: A Crowdsourced Hyperlapse

19 Dec

‘Classics are classic for a reason. We’ve all taken these photos. What happens when everything in the world has been photographed? From multiple angles, multiple times per day? Eventually, we’ll piece those photos and videos together to be able to see the entire history of a location from every possible angle.’ This is how visual artist SamTheCobra describes the inspiration behind his mesmerizing hyperlapse video consisting of some of the most well-known landmarks, along with scenes from daily life, in New York City.

SamTheCobra spent an undisclosed number of hours sifting through both location tags and hashtags on Instagram, manually, to crowdsource thousands of photos that he converted into the video, above, that clocks in at just under one minute. He spent roughly 200 hours combining his findings from Instagram in Adobe After Effects. The hypnotic soundtrack comes courtesy of a remix from Stones Throw Records, made famous by DJ Shadow’s 2012 ‘All Basses Covered’ set.

Articles: Digital Photography Review (dpreview.com)

 
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A More Lively Way to Capture Your Memories & Experiences

19 Dec

The post A More Lively Way to Capture Your Memories & Experiences appeared first on Digital Photography School. It was authored by Darren Rowse.

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Remember those disappointing photos that fail to capture the experiences, fun and excitement you had? Avoid missed opportunities by using your camera’s video mode. 

As a photographer, you love capturing stories, beautiful moments, and slices of life.

Guess what? Video can do all of those things … very, very well. 

Video gives you an entirely new dimension: time. 

And with time you get: movement, gesture, expression, interaction … 

And here’s the kicker: you’ll find more and more situations when video can do those things even better than photography!

As soon as you download the Shoot Awesome Videos tutorial, you will discover how video is perfect for photographers and instantly be able to get stunning videos out of your camera (You’ll see results within 3 hours!)

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PS – You can still grab yesterday’s deal – The Decoding Lightroom video course for just $ 49, save $ 80. Check it out here.

The post A More Lively Way to Capture Your Memories & Experiences appeared first on Digital Photography School. It was authored by Darren Rowse.


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Have your say: Most important cameras of the 2010s

19 Dec

A couple of weeks ago we published a breakdown of what we consider the 20 most important cameras of the 2010s. We made that list into a readers’ poll, which runs until the end of this month.

If you didn’t vote yet, now’s your chance! And as always, if your choice for most significant camera of the decade didn’t make it into our list, let us know in the comments.

Read our article: Most important cameras of the 2010s


Have your say

$ (document).ready(function() { Poll({“pollId”:”8933501460″,”openForVoting”:true,”mainElementId”:”poll0″,”slot”:null,”isSingleChoicePoll”:false,”minNumberOfChoices”:1,”maxNumberOfChoices”:5}); })

Most important cameras of the 2010s
Your answers
1. Required
2. Optional
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Apple iPhone 4

Canon EOS R

Canon EOS 6D

Fujifilm GFX 50S

Fujifilm GFX 100

Fujifilm FinePix X100

Leica Q (Typ 116)

Leica T

Nikon D850

Nikon D750

Nikon Z6/7

Nikon 1 J/V1

Olympus OM-D E-M5

Panasonic Lumix DC-GH5

Pentax K-1

Samsung Galaxy NX

Samsung NX1

Samsung NX10

Sony a7/R

Sony a9

Sony Cyber-shot DSC-RX100

Voting is easy – you pick your favorite products by dragging and dropping. You can pick up to five products, and rank them in order of priority.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Fujifilm 16-80mm F4 hands-on quick review

19 Dec

The Fujifilm XF 16-80mm F4 R OIS WR is a versatile, everyday lens for X-mount cameras. We show you how it compares for image quality, and Jordan tells us why he thinks its a great lens for shooting video.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Design and build
  • Sharpness
  • Chromatic aberration
  • Image stabilization
  • Video performance
  • Noel Festival
  • Bokeh
  • Close focus
  • Conclusion

Sample gallery from this episode

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1525390119″,”galleryId”:”1525390119″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });
Articles: Digital Photography Review (dpreview.com)

 
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Instagram expands fact-checking program with misinformation warnings on images

19 Dec

In a blog post on Monday, Instagram announced that it is expanding its fact-checking system globally. With this expansion, third-party fact-checkers will review potential information published by Instagram users around the world. In order to reduce the spread of this misinformation, Instagram is using warning labels on flagged images.

Easily acquired photo-editing software like Photoshop has made it possible to fabricate images and use them as ‘proof’ for fake stories. These images can be found across all social media platforms; they may include subtle edits like an airplane added to the image of a skyline or more obvious edits like a shark in a swimming pool.

Rather than removing flagged images, which may raise concerns over censorship, Instagram is using warning labels to alert users who view the images. The initial warning label reads, ‘False information,’ followed by, ‘Reviewed by independent fact-checkers.’ Users have the option of tapping a link that will provide an explanation about why the image was flagged as false or tapping through to view the post.

When viewing the post, users will still see a bright red warning label that reads, ‘See why fact-checkers say this is false.’ Tapping the link takes the user to assessments made by the fact-checkers, as well as their conclusions about the image. Users still have the option of sharing flagged posts.

Accounts that repeatedly post flagged content will be removed from the hashtag and Explore pages in order to reduce their reach on the platform. Users retain the ability to manually report posts as ‘false information’ using the feedback option Instagram introduced earlier this year.

The expansion arrives amid growing concerns over the role Instagram may have in the spreading of disinformation during the 2020 election. The company says it will now automatically label identical content as misinformation if it was first rated as partly false or false on Facebook, a platform heavily criticized over its facilitation of fake news.

Articles: Digital Photography Review (dpreview.com)

 
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Meet Leica’s newest limited-edition camera, the ‘White’ M10-P

19 Dec

German camera manufacturer Leica has announced a new limited edition M10-P camera that will be almost entirely white and silver, aside from the iconic red dot, of course. The ‘White’ edition will feature white leather trim and white paint on the top- and base-plates, as well as white lettering in the shutter speed and ISO dials.

The camera will come in a kit with a silver chrome Summilux-M 50mm F1.4 ASPH lens, and will have a white leather strap and a white case for the lens. Only 350 white kits will be made, and Leica says each will have a serial number unique to the White edition.
The Leica M10-P White kits are available now and retail for £12,750. The US$ price has yet to be revealed.

Press release:

Leica M10–P ‘White’: the new special edition comes in a set with a Summilux-M 50 mm f/1.4 ASPH. lens

Leica Camera is delighted to announce the Leica M10-P ‘White’, a new colour option of the iconic rangefinder camera. Limited to 350 sets only worldwide, the all-white design takes its cue from the extremely popular Leica M8 ‘White Edition’ released in 2009. The top and bottom plates are finished in white paint to match the camera’s white leather trim and the silver control elements feature white engravings, complementing the design concept of the Leica M10-P ‘White’.

The technical specifications of both camera and lens are identical to those of the standard models: particularly discreet and concentrating on the most essential camera functions only, the Leica M10-P embodies the essence of the M-Philosophy. Featuring the quietest shutter release of all M-Cameras ever built, the almost inaudible sound makes it the ideal tool for discreetly capturing authentic photographs in any situation. With its handling concept, the Leica M10-P fulfils everything that discerning photographers expect from a Leica M and reflects the philosophy of all past and present Leica M-Cameras.

The Leica M10-P ‘White’ comes as a set with the silver chrome Summilux-M 50 mm f/1.4 ASPH. lens, which complements the Leica M10-P by delivering consistent exceptional performance at all apertures and distance settings. Whether used for selective sharpness at short distances, high contrast available light photography or for landscapes with enormous depth of focus, the Summilux-M 50 mm f/1.4 ASPH. lens delivers outstanding results in all situations and superbly fulfils its tasks as a true universal lens.

The set is completed with a white leather carrying strap with Leica embossing and a white leather case for the lens. All Leica M10–P ‘White’ cameras have a unique serial number.

The Leica M10-P ‘White’ is available for sale from today.

RRP: £12,750 for the set

Articles: Digital Photography Review (dpreview.com)

 
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SLC-0L-04: Red State, Blue State

19 Dec

To learn to create evocative light with flash, it helps to better understand how we experience the continuous light we see every day.

To do that, you'll need to wean yourself from auto white balance, and even to abandon familiar waypoints like your daylight WB preset. Because our goal is to learn to exist in a more fluid way along the Kelvin scale. Read more »
Strobist

 
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NPPA sues California over controversial ‘freelancer’ bill that harms photojournalists

19 Dec

The National Press Photographers Association (NPPA) has announced its new lawsuit against California’s Assembly Bill 5 (AB5), which forces some independent contractors (freelancers) to become employees of their clients.

The AB5 bill was passed in September but won’t go into effect until next month. Though the law aims to prevent companies from exploiting workers by falsely declaring them as independent contractors, critics say it unfairly restricts people like freelance photojournalists who desire the freedom and copyright benefits associated with being an independent contractor.

In a statement published on Wednesday, the NPPA claims this law ‘discriminates against some visual journalists’ who wish to work as freelancers but are instead forced to become employees ‘whether they desire this working relationship or not.’

The NPPA argues that this legal requirement violates the U.S Constitution because, in part, only certain freelancers are covered by it; others, including graphic artists and marketing photographers, are allowed to retain their independent contractor status.

Photojournalists who also shoot video are forbidden from acting as freelancers under Assembly Bill 5, as well, which the NPPA alleges is ‘a content-based restriction on speech.’ Other issues introduced by AB5 include a limit of 35 assignments or submissions per year per client for still image photojournalists. The organization notes that many other types of freelancers also face similar restrictions, including freelance writers and freelance editors.

The NPPA lays out the negative impact this law will have on freelancers, stating:

NPPA members impacted by the law range from retirees who will be losing extra income to mid-career professionals whose journalism clients are part of their overall business model. All of the impacted members are experienced journalists, trained in ethics and professional standards, who keep their local community informed on matters of public concern. Their voices will be silenced when the impact of AB5 hits their businesses. Some NPPA members report that their income from certain clients is expected to drop by 60-75% next year due to AB5.

In addition to earning concerns, the organization also points out that by forcing photographers to work as employees, these photojournalists will lose the copyrights to the images they capture under their employment, whereas freelancers retain the copyrights unless they choose to surrender them to their clients.

Ultimately, the organization claims that it repeatedly attempted to get the bill modified so that it won’t negatively impact freelance photojournalists, but that California lawmakers have been ‘unsympathetic and unresponsive to our pleas.’ The lawsuit was filed in Los Angeles, California; the full legal complaint can be accessed on the NPPA’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Easy Tips to Create Slideshows in Lightroom

19 Dec

The post Easy Tips to Create Slideshows in Lightroom appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

slideshows-in-lightroom

Lightroom has a built-in feature that allows you to create slideshows with selections of your photos. You can include music and add text overlays to slideshows in Lightroom. This can make sharing your work more appealing and interesting.

Slideshows you make with Lightroom can be exported as videos and uploaded to Youtube. You can then embed them on your website and use them on social media.

Step #1: Select photos for your slideshow

There are many ways to select the photos for slideshows in Lightroom, but using the Library Module in the program is the easiest I know of.

Select the photos you want to use when you are in Grid View by holding down the Ctrl (Cmd) key and clicking each image. You can then add the selected photos to a New Collection or Quick Collection.

I prefer to add them to a Quick Collection because it’s so easy. When you have your photos selected, just tap the ‘B’ key and they get added to your Quick Collection. Once you have completed your selection, you can make a New Collection from the photos in your Quick Collection.

Using Lightroom To Create Slideshows

Select all the photos in your Quick Collection and press Ctrl (Cmd) + N to start a New Collection. Name the collection of photos for your slideshow. It will be added to the Collections panel on the left of your screen.

Step #2: Arrange the order of your slideshow photos

Arrange your photos in the order you want them to appear in your Lightroom slideshow.

This is a key step in creating slideshows in Lightroom that will hold people’s attention. If the order of your photos is random they will appear disjointed. Having a good flow to the sequence of images will help you retain your audience’s attention longer.

Create a slideshow with good flow and feeling. Look at composition, color, and meaning in your photos. Aim to place similar photos together. Or place them in a natural series if they are following a chronological timeline. Considering your story and the way the slideshow will play is very important.

In Grid View, drag and drop each photo to the place you want it to appear in the Lightroom slideshow.

Using Lightroom To Create Slideshows arrange

Step #3: Make your Lightroom slideshow

Once you’ve arranged all your images in the sequence you want them, click on Slideshow in the top menu. This opens the Slideshow Module view in Lightroom. This module has different left and right panels than you are used to using in the Library Module. If you can’t see them, press the F7 and F8 keys to bring them into view.

Click on Create Saved Slideshow at the top right of the central panel. Name your slideshow and click on Create. Once you have made your slideshow in Lightroom, all the changes you make will be saved automatically.

Using Lightroom To Create Slideshows create

Step #4: Pick a template for your Lightroom slideshow

Choose a template for your Lightroom slideshow from the Template Browser in the left-hand side panel. With the preset templates, it is easy to make changes later if you want.

Run your slideshow to see how it looks. Are you happy with the layout and sequencing you have chosen?

Easy Tips to Create Slideshows in Lightroom

Step #5: Customize the design of your Lightroom slideshow

In the right-hand side panel, you will find a series of windows. Here you can make changes to:

Options

In the Options panel, you can select the way you want your photos to display on each slide.

You can have the photo fill the entire frame or part of it. You can add a border and drop shadow that you can customize. If you Zoom to Fill Frame a shadow cannot be seen in the slideshow even if you create one.

Layout

Here you can add space around your slides. You can choose how there is space above and below and to either side of your slides. By default, they are all the same, but you can uncheck the Link All box to customize.

Here you have options for the aspect ratio you would like. These are Screen, 16:9 and 4:3

Overlays

In the Overlays window, you can add an identity plate, watermarking and rating stars. These options can be helpful when you are sharing your slideshow with wedding or portrait clients.

Using Lightroom To Create Slideshows overlays

Click on the text box to edit the text for the identity plate. Type in your new text and adjust the size and style to suit your taste.

You can add custom overlay text to each slide. To do this, click the ABC which you can find below the main window. Type in your text and then drag it to the position you want. You can grab the text box handles to resize.

Using Lightroom To Create Slideshows text

Backdrop

You can choose various options to create a background for your slideshows in Lightroom.

Using the the Color Wash option adds a gradient look to the background. Choose colors that will work best with the photographs in your slideshow. Leave the Color Wash option unchecked to make a solid color background.

You can choose to add a photo or other graphic as a background. Be careful if you use this option not to include a background image that conflicts with your photos in the slideshow.

background

Titles

This is where you can add intro and outro text. You may want to include an introduction title or company logo. At the end, you may wish to display your website or email details.

Music

Select a music track to set the mood for your Lightroom slideshow. Choose an mp3 music file from your hard drive or find one online. There are lots of options to buy or find free music online you can legally use.

Playback

This is where you get to control transitions and how long each slide will stay on screen. There are manual and automatic options. You can also have it sync to the music track you have chosen.

Adjust the options until you find a good flow for your photos when they are shown in the slideshow. Syncing to your music will work better with some tracks than with others. You may prefer to have each slide and transition the same length.

Conclusion

When you think you have got it right, press Play. Lightroom will prepare your slideshow and play it. You might want to go back and tweak the photos or design, which you can still do.

Easy Tips to Create Slideshows in Lightroom

Once you have watched your slideshow in Lightroom play through a few times, it’s time to export it. You can export it as a PDF or a video. A PDF can be used in a slide presentation, and video can be uploaded to Youtube or shared on social media.

Click on the export option you prefer and name your slideshow. Depending on the number of photos you have in your slideshow in Lightroom, exporting may take a while.

It’s that simple!

Do you use this feature in Lightroom or have any other tips for creating a lightroom slideshow? Share with us in the comments.

The post Easy Tips to Create Slideshows in Lightroom appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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Nikon Z50 review

19 Dec
Silver Award

85%
Overall score

The Nikon Z50 is a 20.9MP mirrorless camera: the first time the company has put an (unstabilized) APS-C sensor behind its new, larger ‘Z’ lens mount. The company says the camera is designed to attract a generation of users who don’t consider themselves to be photographers.

Alongside the camera, Nikon has announced two lenses designed for this sensor size: a 16-50mm F3.5-6.3 collapsible standard zoom and a 50-250mm F4.5-6.3 telephoto zoom – both with built-in image stabilization (which Nikon calls Vibration Reduction).

Key specifications

  • 20.9MP CMOS sensor
  • Twin control dial interface
  • Up to 11 fps shooting with AE/AF, 5 fps with live view
  • 4K video at up to 30p
  • 2.36M-dot OLED viewfinder
  • Rear touchscreen tilts up by 90° or down by 180°
  • Bluetooth-enabled Wi-Fi (via Snapbridge app)
  • Creative Picture Control effects

The Z50 will be available for sale from November, with an MSRP of $ 860, body-only. Adding the 16-50mm zoom takes the price to $ 1000 and a two-lens kit with both DX zooms takes the list price to $ 1350.

The Z50 is compatible with the FTZ mount adapter, allowing it to use F-mount DSLR lenses. The adapter is not included in any of the kits announced so far.


What’s new and how it compares

The Z50 is Nikon’s first APS-C mirrorless camera. We take a look at what it offers and how it squares up to its rivals.

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Body and controls

We take a look at the new camera and how it operates.

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First Impressions / Shooting Experience

Reviews editor Carey Rose spent a couple of hours shooting with a near-final Nikon Z50.

Read more

Image quality

The Z50 is based around an updated version of the 20.2MP sensor we fist saw in the D500. It still looks pretty good against the competition.

Read more

Autofocus

The Z50’s AF system is pretty effective, but is a little fiddly compared with its peers.

Read more

Video

The Z50’s video looks good and it’s one of the easiest cameras to shoot both stills and video with.

Read more

Conclusion

We found a lot to like about the Z50 but it has some very capable rivals in better-established systems.

Read more

Sample Galleries

We’ve been shooting with the Z50 for a while and have plenty of real-world shots to show you how the camera performs.

View gallery

Articles: Digital Photography Review (dpreview.com)

 
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