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Archive for November, 2019

Sony forms new AI organization to develop new tech for cameras and more

27 Nov

Sony has announced it’s consolidating its artificial intelligence work under a new organization called Sony AI. Sony AI will focus on the ‘fundamental research and development’ of artificial intelligence; it will have offices located in Japan, the US, and Europe.

According to Sony, its new Sony AI organization will initiate ‘multiple world-class flagship projects,’ among other things. The division will launch with projects involving Sony’s Imaging & Sensing Solutions division, as well as its Gaming division and the field of gastronomy. Sony already uses AI in a variety of products, including to power its Eye AF feature.

Sony says the new organization will ultimately create new AI technologies that will be ‘critical’ for its sensor business. The organization will work closely with other Sony business units on its projects, but the company hasn’t provided details about specific R&D initiatives at this time.

Articles: Digital Photography Review (dpreview.com)

 
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Pixelmator has made its flagship iPad photo editing app free for 24 hours

26 Nov

As a pre-Black Friday teaser, Pixelmator is running an absolute steal of a deal on its flagship photo editing app Pixelmator Photo. For the next 20 hours (as of this article going live), Pixelmator Photo for iPad will be free to download in the iOS App Store.

The deal appears to be a teaser for Pixelmator’s upcoming Black Friday sale, where its desktop Pixelmator Pro program will be 25% off. Pixelmator Photo normally costs $ 4.99, so free-ninety-nine sounds much more appealing, especially for a photo editing app as feature-rich as Pixelmator Photo, which was recently updated with new support for Apple’s iPadOS.

The deal is available worldwide and currently live in the iOS App Store. For more information about Pixelmator Photo, head on over to Pixelmator’s product page. The deal will and at 9am ET, November 27, so get the app while you can.

Articles: Digital Photography Review (dpreview.com)

 
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Meike releases 35mm T2.2 cinema lens for Micro Four Thirds camera systems

26 Nov

Meike has announced a new 35mm T2.2 cinema lens for Micro Four Thirds (MFT) camera systems.

The fully-manual lens is constructed of 10 elements in 8 groups, features an aperture range of T2.2-T22, has a minimum focusing distance of 42cm (16.5in) and is the equivalent of a 70mm lens on a full-frame camera. Its focus ring offers 270-degrees of rotation, its front filter thread is 77mm and it weighs 660g (23oz).

The Meike 35mm T2.2 is available to purchase on Meike Global’s website for $ 359.99.

Articles: Digital Photography Review (dpreview.com)

 
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Which online printing service should I use this holiday season?

26 Nov

Introduction

The holidays are right around the corner, and if you plan to send out cards or make prints as gifts you’re probably in the midst of figuring out where to get your photos printed. There seem to be more options than ever when it comes to online printing services, which makes choosing one a bit overwhelming.

So to figure out what service you should use, we tested out five popular online printing companies and assessed them based on their ease of service, price, turnaround time and most importantly, print consistency/paper quality.

Print services:

  • Printique
  • MPix
  • Amazon Photos*
  • Shutterfly
  • Snapfish

We placed an order for three 8×10 and three 4×6 prints on the same day (October 23rd) from Snapfish, Amazon, Shutterfly, MPix, and Printique (formerly known as AdoramaPix). We used the automatic ‘smart crop’ feature on each website when preparing the prints and, when it was possible, requested that the image be printed on Lustre paper. All prints were shipped with the economy shipping option.

After receiving and assessing our prints, the service you should use this holiday season is…

Our choice: Printique or MPix

We recommend ordering your holiday prints from either Printique or MPix. These companies had the most consistent results and were the truest representation of the digital files that we uploaded.

Although all of the print services are fairly easy to use, the winners are pretty clear. Based on our print orders we would gladly recommend ordering from Printique or MPix. These companies had the most consistent color results, the best paper quality and were the most true to the digital files that we had uploaded through the sites. They aren’t the cheapest options on the list, but they are also not the most expensive – at $ 16.72 (Printique) and $ 13.96 (MPix), they both fell in the mid-range level in terms of pricing. MPix did offer a nice 25% discount on our order and it arrived a few days before the order from Printiques. But we preferred Printique’s overall photo/paper quality.


Now let’s take a closer look at each of these print services including the process of ordering, the speed of delivery, the condition prints arrived and the overall quality of our purchase. First up is Printique…


*FULL DISCLOSURE: DPReview.com is a wholly-owned subsidiary of Amazon but is editorially independent of our parent company.

Articles: Digital Photography Review (dpreview.com)

 
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How to Take Beautiful Product Photos for Your E-Commerce Website

26 Nov

The post How to Take Beautiful Product Photos for Your E-Commerce Website appeared first on Digital Photography School. It was authored by Matthew Grahame.

 

how-to-take-beautiful-product-photos-for-your-e-commerce-website

The internet is a very visual medium. You could have the most beautifully written copy, but photos convert customers. In this online shopping era, visitors rely on photos to prove the quality and value of your products. So they can mean the difference between a sale and a pass. To make your products stand out in a sea of e-commerce sites, here’s a guide to taking beautiful product photos like a pro:

What makes beautiful product photos?

The best product photos are clear and detailed, with no distracting backgrounds or features. To make sure the focus is on the products, take your photos against a white background. This not only draws the viewer’s attention to the item they’re thinking about purchasing, but it allows for consistency across your range and website.

How to Take Beautiful Product Photos for Your E-Commerce Website

Speaking of consistency, try to photograph your products in the same light. And to help your shoppers better visualize the products, snap them from as many angles as possible. This is the next best thing to seeing the products in person.

By experimenting with different angles, it’ll also give you an idea of which photo should be the main or ‘hero’ image.

how-to-take-beautiful-product-photos-for-your-e-commerce-website

Practical tips and techniques for product photography

1. Use the right gear

If you have a choice between a smartphone and a mirrorless or DSLR camera, reach for the dedicated camera. As sophisticated as smartphones are these days, a professional camera will help you to do your product justice.

You don’t need to spend a fortune on a camera. All modern mirrorless and DSLR cameras capture high-quality photos and are fitted out with manual features that you can play around with for your shoot (more on this in a minute).

To improve your e-commerce site, consider investing in these accessories, too:

Suitable camera lens

Depending on your camera, you may be able to switch out the lenses as needed. If you’re photographing products close-up, a macro lens will help you to showcase the finer details. On the other hand, prime lenses are capable of shallower depths of field, so they’re brilliant for highlighting specific parts of your product. They also separate the foreground from the background for crisper photos.

Avoid wide lenses (like the ones you might use for landscape photography), because they’ll distort your products.

how-to-take-beautiful-product-photos-for-your-e-commerce-website

Tripod

A sturdy tripod will leave you with sharp, blur-free photos and allow you to comfortably shoot from all angles. A standard tripod with a three-way head should do the trick. If you’re setting up a product photography table, a mini tabletop tripod is a cheaper option.

White background

As we mentioned, a plain white background is the best starting point for professional product photography. You can purchase a high-quality background. Alternatively, if you’re going down the DIY route, a roll of white paper from your local art store will work just as well.

Set up the paper as a sweep, and use strong tape to hang your makeshift background. The major benefit of a sweep is that if it gets dirty, you can just cut off the dirty part and roll a new piece down.

How to Take Beautiful Product Photos for Your E-Commerce Website

Lighting

Whether you’re using natural light or artificial lighting, to get the best shot, you’ll need to eliminate harsh shadows. A reflector or bounce card is an inexpensive and effective way to direct light in your favor and minimize shadows.

If you choose artificial lighting, try to avoid the built-in camera flash – it may produce dark shadows. Instead, go for external lighting options, such as a camera-mounted flashgun, LED lights, or a larger studio lighting setup.

The goal is soft, even lighting, so experiment with fill-light and bounce to find what works for you and your products.

Pro Tip: Think about your workspace. You’ll need a table to display your products on. We suggest positioning it in front of a wall and preferably by a window to make the most of the natural light.

2. Adjust your shooting style for product photography

Now that you’re all set up, it’s time to start shooting! If you’re new to photography, or attempting product photography for the first time, patience is key. Like any type of photography, it can take a while to get the hang of it – but these tips should help.

Switch on Manual Mode

Many of us are used to letting the camera do the work for us, but shooting in manual is a valuable skill.

By tweaking the settings, you’re more likely to end up with photos that suit your desired style. If you’re familiar with manual settings, start by changing your f/stop to a higher number (for the greatest depth of field), and adjust your exposure until you’re happy with the preview image.

If you’re not completely comfortable with manual mode, try using Aperture Priority. With this setting, all you have to do is set the aperture – and your camera does the rest. Again, a smaller aperture will keep your products crisp and in focus.

how-to-take-beautiful-product-photos-for-your-e-commerce-website

Snap lots of photos

The more options you have at the end of the day, the better! For a photographer, there’s nothing worse than flipping through your photos later on, only to realize that your hero shot isn’t as good as you thought it was, or you’ve forgotten to shoot from a certain angle.

Step outside for some lifestyle photos

Seal the deal with a few photos of your product in action. These are called ‘lifestyle’ or ‘in-context’ images, and they’re great for reminding viewers why they clicked through to your site in the first place. They add life to your products, and you could probably do with the air by now anyway!

Make sure the backdrop matches the products. For example, whimsical summer clothes work well with natural landscapes, while suitcases might suit a busy city setting.

3. Spend time on post-production

Post-production is crucial for putting the finishing touches on your images. It doesn’t need to be complicated. Once you’ve chosen a set of images you’re happy with, edit them for polish. This could mean tweaking the exposure, correcting the color, or removing flaws or mannequins.

To begin, learn the post-production basics, including levels and curves. When you’re ready, consider enrolling in an editing course.

Pro Tip: For uniformity, choose a size to crop and output your images at, and stick with that across your website.

How to Take Beautiful Product Photos for Your E-Commerce Website

Take product photos like a pro

Entice your customers to click ‘add to cart’ with beautiful product photos. With these tips, you’ll be well on your way to creating beautiful product photos – and save money in the process!

The post How to Take Beautiful Product Photos for Your E-Commerce Website appeared first on Digital Photography School. It was authored by Matthew Grahame.


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Tetenal to offer ‘Magic-Box’ single-roll film developing kits for testing the waters

26 Nov

The revived photochemistry company Tetenal has announced the impending release of a one-roll development kit for those wanting to try out film photography or those wanting a kit to take on-location. The Magic-Box series will include all the chemicals needed to process a roll of negative film, a transparency film or 23 sheets of 8x10in color paper, with the chemistry arriving in pre-measured quantities.

Available only in German-speaking regions at first, the company says it will extend distribution in time, as it gets production up to speed. The new company, Tetenal 1847, has risen from the ashes of the former Tetenal business after employees got together to take on the company after it faced collapse at the beginning of the year. The new business has an online store already and is beginning, it says, to work on new products – including tablet form photochemistry. In fact, though, the old Tetenal used to produce tablet chemicals as well as one-shot processing kits some time ago, but it is great to see them come back to life again.

According to the website Emulsive prices for the new Magic-Box kits will be:

  • TETENAL Magic Box RA-4: €14.95
  • TETENAL Magic-Box E6: €15.95
  • TETENAL Magic-Box C-41: €12.95

The kits aren’t listed in the online store but will be found in German retailers. For more information see the Emulsive report and the Tetenal website.

Press release:

{pressrelease}

Discover the Magic of developing your own film and colour papers with Tetenal Magic Box.

New Products for analog photography from Tetenal 1847.

In the meantime, the employee-based initiative to save Tetenal has developed to a more than 40 people strong and still growing StartUp, in order to continue Tetenal ?s pivotal role in the analog photography industry. Out of the old Tetenal, the new company, Tetenal 1847, has formed with the claim to develop innovative and new products for analog photography.

Vinyl records and instant photography have shown that a new demand for “nostalgic” products has formed with a target audience that did not grow up with these very technologies initially. This is the case with analog photography as well. Be it a camera found on the grandparent ?s attic, or bought directly from the used equipment dealership, cameras, film and the overall “style” of shooting connected with it are increasingly in demand again. “The fascination of analog photography does, however, not end with the exposure of the film”, says Carsten Gehring, who together with Stefania Grimme has taken over leadership of Tetenal 1864 GmbH. He points out that the team in Norderstedt have made it their expressed goal to proliferate the fascination about analog photography even to households not previously associated with developing film. This claim is clearly visible on the new products leaving the factory in Norderstedt as well: “Magic-Box – Discover the magic of film development.”

The Magic-Box C-41 and Magic-Box E6 contain pre scaled concentrates to develop exactly one colour negative or colour slide film in 135 or 120 formats conveniently at home. The product line is completed by the Magic-Box RA-4 for 23 8×10 sized colour enlargements on photographic paper.

For the time being, the products are being launched in the German speaking market but will successively be made available in other markets as well.

This, however, is not the end, but merely the beginning. Product developers in Norderstedt already are working on the next innovation – tabletized photochemistry. Already leaked here and there, and even part of Tetenal ?s rich history, these tablets will again simplify developing film substantially.

Something is developing in Norderstedt again. This time, literally.

{/Pressrelease}

Articles: Digital Photography Review (dpreview.com)

 
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3 Legged Thing’s new tripods feature leveling base, video heads, table-top option and more

26 Nov

Tripod manufacturer 3 Legged Thing has announced a new range of premium tripods that are designed to suit both stills and movie photographers. Inspired by the skateboarding world, the Legends range will offer video heads for the first time as well as new leg locks, a leveling base as well as three detachable legs that can become monopods or booms arms for lights and microphones. The company has launched two models, Mike and Jay, and promises more for the future.

The 8-layer carbon fiber legs offer a lightweight tripod without compromising stability and rigidity according to the company, and new Rapid Latch locks on the tops of the legs make them quick and easy to open for those with disabilities.

Mike is the taller of the two, measuring 66.7cm (26.26in) when closed, but extending to a maximum height of 147.5cm (58.07in). Mike weighs 1.65kg (3.64lbs) and can support kit of up to 14kg (30lbs). Jay is designed to be travel-friendly and measures 40.5cm / 15.94″ when folded and extends to a maximum height of 111.2cm (43.78in). He weighs 1.41kg (3.1lbs) and can hold the same weight as Mike – up to 14kg (30lbs).

Jay has a minimum height of 10.0cm / 3.94″ and Mike of 13.5cm / 5.31″, but both models can have their legs removed and optional ‘footwear’ mini-legs attached so that they can be used very close to the ground or on a tabletop. With the mini-legs attached the leveling base can double as a 3-legged stabilizer for one of the main legs when used as a monopod.

The company has also released its first video heads, which offer left or right panning arm placement, fluid movement and adjustable tilt motion. The AirHed Cine comes with either an Arca-Swiss clamp and plate or a standard version, and both have a mounting thread for attaching accessories.

Mike will cost $ 549.99 / £499.99 on his own, or $ 849.99 / £729.99 with the AirHed Cine, while Jay costs $ 479.99 / £449.99 on his own, or $ 779.99 / £679.99 with the AirHed Cine. The AirHed Cine costs $ 349.99 / £299.99 by itself. The company says there will be more to come for the Legends system in the next few months.
For more information see the 3 Legged Thing website.

Press release:

3 Legged Thing Announces New Legends Tripod Range

The award-winning British tripod manufacturer introduces a new ultra-premium tripod range and the first three products.

Following the phenomenal growth in popularity of its Pro and Punks tripods, 3 Legged Thing is excited to announce Legends – the most radical departure from conventional tripod design ever developed. Designed and engineered in Stagsden, England, the new products deliver unbelievable strength, maximum versatility, and incredible build quality. It is the first time 3 Legged Thing has introduced products designed for both photo and video.

Taking its inspiration from skateboarder, musician, photographer and 3LT Pro Team member, Ray Barbee, the ethos of the Legends range is innovation, outstanding performance, and creativity.

3 Legged Thing’s CEO and Founder Danny Lenihan explains: “With every incarnation of tripods, we bring new and exciting technological advances, and upgrades to existing design and engineering. Legends is a back-to-the-drawing-board look at how we use and need tripods in modern photography and videography, with ideas dating back five years that we had previously left undeveloped. With emphasis on workflow and user-friendliness, we’ve simultaneously lowered the weight, and increased the load-to-weight ratio, without compromising stability or rigidity. We’ve added advanced functionality, the likes of which have never been seen before, and made major aesthetic changes for our most incredible tripod range to date.

Danny continues: “When I first saw Ray Barbee, as a teenager, making his Bones Brigade debut in the Powell-Peralta film, Public Domain, my perception of skateboarding instantly changed. Here was this kid, who had defied normal conventions of neon and garish 80s fashion, and replaced them with a tee, jeans, Vans and a baseball cap. His style was smooth, inimitable, flowing and utterly effortless, and it was this that inspired me most. The parallels between Ray Barbee’s ethos and creativity, and the ideas forming in my head were tangible and quantifiable. I wanted to bring this new range to life, with fluid workflow, effortless movements, and unbounded style. When I mentioned to Ray that we’d like to name a tripod as a tribute to him, he was incredibly modest and humble. I knew then that it was exactly the right thing to do. Whilst the Ray tripod isn’t the first in the range to launch, it is important to understand that the influence and inspiration for the rest of the range, and the three debut products, all stem from Ray Barbee’s commitment to the arts, and I look forward to launching his signature product in 2020.”

The first two tripods in the range are Mike and Jay, 3 Legged Thing’s first levelling-base, hybrid photo/video tripods. Equally useful for video makers or landscape photographers, levelling base systems enable smooth and fast set-ups on challenging terrain. Mike is a full size carbon fibre tripod, designed for incredible stability in any conditions, whilst Jay features shorter carbon fibre legs with more sections, creating a travel-friendly video option, the first of its kind.

Mike is named after one of the original Bones Brigade skateboarders, Mike McGill. Inventor of the McTwist (arguably the most iconic trick ever invented), Mike is one of the most famous skateboarders in the world, and a professional for over 30 years. Jay is named for the late Jay Adams, the Dogtown skateboarder, whose style was inspired by surfing, influencing a whole new generation of skaters.

Similarly, the tripods in the Legends range share this DNA of innovation. These tripods have not one but three detachable legs, adding a level of versatility rarely seen in a tripod system. The legs can be used as a monopod; as boom arms for lights or microphones, or both!

With the legs removed the tripod can be used on table-tops or at ground level by joining a set of 3LT’s tripod footwear to the leg hinges. This enables both Mike and Jay to be used for macro work, bringing photographers a varied range of perspectives from which to shoot. With the addition of 3LT footwear, the levelling base can also be used as a foot stabiliser for a monopod leg, adding an extra level of versatility to the products.

The tripods are constructed from 8 layers of 100% pure Japanese carbon fibre, and aerospace-grade, anodised magnesium alloy, providing incredible strength, rigidity, and durability.

The new tripods have 3 Legged Thing’s new Rapid Latch, a hardwearing anodised mag-alloy latch with auto-engage lock, which is used to open and position the legs. The Rapid Latch has been specifically designed to make adjusting the legs quick and simple, even if the user is wearing thick gloves. Rapid Latch is also designed to be friendly to those with disabilities or hand injuries, enabling them to easily change the leg angles without complication or fuss.

Each of the legs can be used at three optimal angles creating different shooting heights, and can be positioned independently for use on uneven ground. The tripods come with removable rubber Bootz, which can be replaced with one of four varieties of alternative footwear, to increase stability on even the most challenging surfaces.

The Legends range tripod leg locks have new external designs with raised O-Pads for improved, grip, leverage and water displacement. Internally, the locks have been engineered with a new design of Chicken Lips (shims) which give the locks greater strength and grip, and formidable anti-rotation.

Mike and Jay’s levelling base has a friction control that enables users to finely-adjust the positioning. Both tripods are also available in kits with 3 Legged Thing’s stunning new video head, the AirHed Cine.

Precision milled from aerospace-grade magnesium alloy, and featuring a distinctive spiderweb design, the AirHed Cine has an adjustable, fluid-motion, tilt mechanism that offers smooth movement and can be controlled directly, or with the included panning arm. The arm can be fitted to either side of the head for right or left-handed operation. The AirHed Cine is available with a choice of standard video clamp and plate, or an Arca-Swiss compatible clamp and plate, and features a ¼”-20 thread for externally mounted devices such as articulated arms.

The first two tripods in the Legends range are available for pre-order starting today. Mike’s suggested retail price is £499.99 / $ 549.99 for tripod only, with tripod kit including AirHed Cine SRP of £729.99 / $ 849.99. Jay’s SRP is £449.99 / $ 479.99 tripod only, and £679.99 / $ 779.99 for Jay Kit with AirHed Cine. The AirHed Cine is available separately with a suggested retail price of £299.99 / $ 349.99.

Articles: Digital Photography Review (dpreview.com)

 
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Google Photos is rolling out image markup tool for annotating on the go

25 Nov

A few weeks ago new Google Photos features, including an image markup feature, were discovered by a Twitter user in the app code but had not been activated yet.

Now Google is officially rolling out the markup feature and it should be available globally on Android devices in the near future. The company has already amended its editing instructions for Google Photos accordingly.

The tool lets you draw on your images, choosing from several colors and two-line types, a marker or a brush. Those users who already have the function available can access it via an icon within the editing toolbar at the bottoms of the app UI.

Overall, this looks like a very simple tool that’s not meant to be used for any complex image editing but will certainly be helpful in certain situations. The feature has not arrived on any of our devices yet but let us know in the comments if you’ve been able to try it out.

Articles: Digital Photography Review (dpreview.com)

 
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Peak Design updates its Everyday line with new and improved bags, slings and totes

25 Nov

Peak Design’s Everyday line of camera bags has received a V2 update that includes new materials and features, inspired directly from customer feedback and improvements in material design.

The list of the overhauled bags includes the Everyday Backpack (20L + 30L), Everyday Messenger (15L), Everyday Sling (5L is now 6L + 10L) and the Everyday Tote 15L. In addition to the redesigned originals, Peak Design has also added a number of new bags: Everyday Totepack (15L), Everyday Backpack Zip (15L + 20L) and the Everyday Sling (3L).

All of the bags feature more robust ‘UltraZips,’ improved fabrics that are 100% recycled and Bluesign approved (except for black), improved MagLatch connections and new cord hook external carry straps. The Everyday lineup is also receiving new colorways: Midnight Navy (navy blue) and Bone (tan).

Everyday Backpack

The Everyday Backpack is Peak Design’s most popular design. Although the V2 update isn’t dramatic, the small improvements that have been made do make for an overall improved experience as our hands-on attests to.

The Everyday Backpack V2 features a slightly refined shape that should help it stand upright on its own when filled with gear and has redesigned straps that should better contour your body. It also receives the new UltraZip design, improved MagLatch connections, new internal zippered pockets and the expansion straps found on most of the other V2 bags.

The Everyday Backpack 20L and 30L are available today for $ 259.95 and $ 289.95, respectively.

Everyday Backpack Zip:

The Everyday Backpack Zip is what would happen if you took Peak Design’s Travel Backpack, shrunk it, and added a number of features found in its Everyday line. It comes in 15L and 20L versions and features dual-access zips on either side of the bag for easy gear access. It also has a dedicated top-zip for laptop and tablet access as well as side and top grab handles.

The Everyday Backpack Zip 15L and 20L are available today for $ 189.95 and $ 219.95, respectively.

Everyday Messenger

Similar to the Everyday Backpack, the Everyday Messenger features an almost identical design as its first-generation design but improves upon a number of key features. In addition to the new 100% recycled 400D weather-resistant fabric, the Everyday Messenger features an improved MagLatch design, the new UltraZips and a few small aesthetic changes throughout the bag’s design to clean up the seams found throughout.

Below is a feature rundown of the new Everyday Messenger V2:

The Everyday Messenger 15L is available today for $ 219.95.

Everyday Sling

The Everyday Sling lineup has a number of changes from its V1 iterations. First, the 5L sling has been redesigned to add an extra liter of internal storage, now making it a 6L bag. Peak Design has also added a smaller 3L model that takes the features of the large slings and packs it down into an even smaller form factor.

The 3L and 6L bags can convert to was it packs, while the 10L bag offers a luggage carry pass-through for times when you don’t want it wrapped around your shoulder in the airport.

The Everyday Sling 3L, 6L and 10L are available today for $ 79.95, $ 99.95 and $ 149.95, respectively.

Everyday Tote

Much like the Everyday Messenger, the Everyday Tote isn’t much of a change from the previous version. Aside from a cleaner external design, the more robust UltraZips, the 100% recycled fabric and the external cinch straps the Everyday Tote remains largely unchanged.

The Everyday Tote 15L is available today for $ 149.95.

Everyday Totepack

The Everyday Totepack is more or less an Everyday Tote that’s been made a little larger (20L instead of 15L) and adds a set of straps so it can be worn as a backpack.

The Everyday Totepack features dual zip access points on either side of the bag as well as internal FlexFold dividers and stretchy pockets for organizing your gear as you see fit. It features the 100% recycled 400D weatherproof shell and also has two storable carry cinch straps for those times when you need a little more gear.

The Everyday Totepack 20L is available today for $ 179.95.

Articles: Digital Photography Review (dpreview.com)

 
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3 Things Aperture Mode is Perfect For in Photography

25 Nov

The post 3 Things Aperture Mode is Perfect For in Photography appeared first on Digital Photography School. It was authored by Mat Coker.

things-aperture-mode-is-perfect-for

Many new photographers are overwhelmed by all the settings on their camera. But what if you could ignore most of the settings on your camera and just choose one to experiment with? Where would you begin?

I suggest you begin by experimenting with the aperture because this setting has a huge effect on your photos.

Once you know the things Aperture Mode (or Aperture Priority) is perfect for, you’ll have increased your creative possibilities and simplified the camera setting problem.

Here are three things you can do with Aperture Mode.

 

But first, how to put your camera on Aperture Mode

For most cameras, to put your camera on Aperture Mode you need to turn the dial to A in order to take control of your aperture (Av for Canon).

things aperture mode is perfect for

This is a Nikon camera. On Canon, you’re looking for Av

 

When you look at the screen on your camera, you’ll notice a number with an F beside it. This is your aperture value. Use the scroller on your camera to change that number. Experiment and see how high and how low you can make that number go.

things aperture mode is perfect for

When that number is smaller (1.8, 3.5, 5.6) the aperture is wider or more open.

 

things aperture mode is perfect for

When the number is larger (11, 16, 22) the aperture is narrower or more closed.

As we move through the tips, you’ll see how opening or closing your aperture affects your photo. When you’re intentional about setting your aperture, it will drastically change your photo.

 

1. How to create background blur (or keep the background in focus if you prefer)

Think in terms of opposites for a moment.

Normally, when we take a portrait, we only want the person to be in focus. But when we photograph a landscape, we want the whole photo to be in focus.

I’ll show you how you can use aperture to create background blur for portraits. I’ll also show you the opposite; how to keep the whole scene in focus for landscapes.

The principle is as simple as this: open your aperture for portraits, close it for landscapes.

PS – the technical term for background blur is bokeh (like a bouquet of flowers).

Image: Remember to open your aperture to create background blur in your portraits. Opening your aper...

Remember to open your aperture to create background blur in your portraits. Opening your aperture means setting it to the smallest number possible (probably 1.8 or 3.5 or 5.6). I set the aperture to F/2.5 for this portrait.

 

Image: F/1.2 using the 56mm Fuji prime lens

F/1.2 using the 56mm Fuji prime lens

 

things aperture mode is perfect for

Remember to close your aperture to keep the whole scene in focus for landscape photos. Closing your aperture means setting it to a larger number such as 11, 16, or 22. I set the aperture to F/11 for this landscape photo.

 

things aperture mode is perfect for

The aperture is set to F/11 for this landscape photo.

 

How to achieve better bokeh (background blur)

The first thing I told you about bokeh is that you need to open your aperture all the way. That means that you need to set it to the smallest number possible. That number might be 5.6, 3.5, or even 1.8, depending on your lens.

However, opening your aperture all the way isn’t always enough. So I’ll show you a formula for getting an even better bokeh.

My goal for the following portrait of Batman is to have him in focus with a nice blurry background.

There are four simple steps involved; let’s look at them one at a time.

1. Open the aperture

Image: The aperture is set to 3.5

The aperture is set to 3.5

Now, I opened the aperture all the way, but the building isn’t really out of focus. The back part of the building is out of focus, but the part directly behind Batman is still pretty crisp.

The biggest problem is that he is too close to the background, so the second step will make a huge difference.

2. Bring Batman away from the background

Image: Batman has been moved away from the background.

Batman has been moved away from the background.

Now the building is out of focus, but let’s make it even more out of focus.

3. Zoom in

So far, I set my lens to its widest angle of 18mm. When I zoom all the way to 55mm, the background will go more out of focus.

things aperture mode is perfect for

The aperture has closed a little bit to f/5.6 because I zoomed in. This will happen with most lenses.

As well as blurring the background, zooming in also gave the photo a more compressed look.

Would you like the background to be even more blurry? Is it even possible?

4. Get closer

Yes, it is!

The closer you get to Batman, the more out of focus the background becomes.

things aperture mode is perfect for

I used my Olympus Tough TG-6 for this photo. The microscope mode allows me to get very close. The aperture is set to f/6.3 because I zoomed in.

For great bokeh just remember:

  • Open your aperture
  • Step away from the background
  • Zoom in
  • Get closer

Controlling your background blur is just one of the things Aperture Mode is perfect for. Now let’s see what else it can do.

 

2. Starburst effect

The starburst effect adds interest to your photos because we don’t normally see this with our eye.

To achieve the starburst effect, it’s as easy as closing your aperture.

things aperture mode is perfect for

For this landscape photo, I closed the aperture to F/8.

 

Image: For this photo, I set the aperture to F/8. I thought that it would be interesting to capture...

For this photo, I set the aperture to F/8. I thought that it would be interesting to capture this bridge using the starburst effect. But I’m disappointed with the angle or perspective. When the river freezes over, I’m going to come back and photograph the bridge from a different perspective. I consider this to be a “sketch shot.” I tried it out, and I know that it’s worth pursuing another photo later on.

The starburst effect is one of the more creative things Aperture Mode is perfect for. Now let’s see one of the biggest problems that Aperture Mode will help solve.

3. Low light photography

One of the biggest problems with dim light is that your photos become blurry from motion.

Image: A typical blurry photo caused by dim light and a slow shutter speed.

A typical blurry photo caused by dim light and a slow shutter speed.

Photos become blurry because there is not enough light and the camera takes more time to capture the photo. Technically, it’s a slow shutter speed issue.

The important thing to know is that you need to get more light into the camera. You can get more light in by opening your aperture all the way.

You should also raise your ISO higher (1600, 3200, or 6400).

Your shutter speed may still be a little bit slow, which could lead to motion blur in your photos. But if you hold still while taking the photo, and wait for your subject to hold still, you’ll get a pretty crisp photo.

things aperture mode is perfect for

I captured this candlelight portrait at F/2.0, ISO 4000, shutter speed 1/60 sec

 

things aperture mode is perfect for

F/2.0, ISO 2500, shutter speed 1/60 sec

 

Image: An extreme low light photo captured at f/2.0, ISO 5000, shutter speed 1/15 sec

An extreme low light photo captured at f/2.0, ISO 5000, shutter speed 1/15 sec

Sometimes you have no choice but to have a slow shutter speed. Why not get creative and make the most of it?

You’ve increased your skill as a photographer!

You’ve learned four things aperture mode is perfect for. These creative effects are achieved by simply opening or closing your aperture:

  • Blur your background by opening the aperture
  • Keep a landscape in focus by closing your aperture
  • Create a starburst effect by closing your aperture
  • Improve dim light photos by opening your aperture

Focusing on this one camera setting will help improve your photography and simplify camera setting confusion.

Try these out, and let me know how you go in the comments!

The post 3 Things Aperture Mode is Perfect For in Photography appeared first on Digital Photography School. It was authored by Mat Coker.


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