RSS
 

Archive for September, 2019

Xiaomi Mi Mix Alpha 5G will pack a 108MP camera and wrap-around ‘Surround Screen’

25 Sep

Xiaomi has officially introduced its Mi Mix Alpha, a 5G concept phone featuring a ‘true’ bezel-free experience. The phone has a massive 180.6% screen-to-body ratio, meaning the display wraps around the edges of the phone and covers the majority of the device’s rear panel. Similarly impressive is the device’s 108MP camera with its 12032 x 9024 pixel resolution.

Xiaomi teased the Mi Mix Alpha’s existence in early August at its Future Image Technology Communications Conference in Beijing. At the time, the company said it would be the first company to pack Samsung’s 108MP ISOCELL sensor into a smartphone, though it didn’t provide any other details at the time.

During its latest event today, Xiaomi introduced the camera that packs that sensor, its new Mix Mix Alpha with Surround Screen. This phone features aerospace titanium, a single power button on the top, pressure-sensitive sides, and a fingerprint sensor hidden underneath the display.

The Mi Mix Alpha is powered by a Qualcomm Snapdragon 855+ chipset alongside 512GB of storage and 12GB of RAM. Joining the 108MP sensor is a secondary rear 12MP telephoto camera with dual PD focus and 2x optical zoom. The phone doesn’t feature a traditional front ‘selfie’ camera due also having a display on the back of the handset — the rear camera is, technically speaking, a front camera as well.

Xiaomi describes the Mi Mix Alpha as a ‘5G concept smartphone.’ According to Engadget, the company plans to produce a small number of units for sale in China at 19,999 yuan (approx. $ 2800 / €2,550) starting in December, but the company’s broader plans for the model, including international availability, are unclear at this time.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Xiaomi Mi Mix Alpha 5G will pack a 108MP camera and wrap-around ‘Surround Screen’

Posted in Uncategorized

 

DULENS APO 85mm F2 is a new manual prime lens for Canon EF, Nikon F camera systems

25 Sep

A new Chinese optics manufacturer has released the DULENS APO 85mm F2, a manual medium telephoto prime for Canon EF and Nikon F camera systems.

Although not much is known about DULENS itself, Newsshooter is reporting it’s been told that the optical engineer behind DULENS is the same who helped bring the NiSI F3 and MAVO prime lenses to life.

The lens, which is inspired by the Zeiss Sonnar series, is constructed of seven elements in six groups and includes an Apochromatic element to reduce chromatic aberration. It measures 5.8cm (2.28in) long, weighs 350g (12.35oz), features a 29-degree field-of-view, uses a 55mm front filter thread and has a minimum focusing distance of 90cm (35.43in).

Below are a number of high-resolution sample images shared on the product listing. These were shot with the lens on a Lumix S1 using an EF adapter:

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_3582120122″,”galleryId”:”3582120122″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

The lens is available to pre-order in black and silver varieties for Canon EF and Nikon F camera systems. It’s currently listed for ¥2999 (approximately $ 420) on Chinese retailer Taobao, but Newsshooter says the company intends to release the lens in the United States and Europe market for $ 599.

We have contacted the retailer for more information on the lens and availability and will update this article if and when we receive a response.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DULENS APO 85mm F2 is a new manual prime lens for Canon EF, Nikon F camera systems

Posted in Uncategorized

 

Samsung announces 43.7MP ISOCELL Slim GH1 mobile sensor with 0.7?m pixels

24 Sep

Samsung has announced its tiniest camera sensor to date, the ISOCELL Slim GH1.

Designed specifically for ‘slim full-display devices,’ the pixels measure just 0.7 micrometers (?m) each for a total 43.7-megapixels (7,968 x 5,480 pixels) of resolution. As its name suggests, the ISOCELL Slim GH1 uses Samsung’s ISOCELL Plus technology, which uses pixel isolation to minimize color cross-talk, an issue that becomes more problematic the smaller pixels get.

Samsung also notes the ISOCELL Slim GH1 offers its Tetracell technology, which uses pixel-merging methods to give the sensor ‘light sensitivity equivalent to that of a 1.4?m-pixel image sensor.’

The ISOCELL Slim GH1 is capable of recording 4K video at up to 60 frames per second by using Samsung’s Tetracell technology to downsample the footage down to 3,840 x 2,160 pixels, a resolution that covers the standard resolution of 4K video (3,840 x 2,160 pixels). It also features phase detection autofocus, real-time HDR capabilities and gyro-based electronic image stabilization (EIS).

Samsung says it will start production of the ISOCELL Slim GH1 by the end of the year, meaning we probably won’t see it inside any devices until 2020. Based on the ‘Slim’ nomanclature and the mention of ‘selfie’ in the press release, it’s likely this particular sensor will be used as a front-facing camera, although it’s certainly not limited to such implementations.

Press release:

Samsung Introduces Industry’s First 0.7?m-pixel Mobile Image Sensor

Samsung ISOCELL Slim GH1 offers 43.7 megapixels in an extremely compact package, ideal for slim full-display smartphones

Samsung Electronics, a world leader in advanced semiconductor technology, today introduced the industry’s first 0.7-micrometer (?m)-pixel image sensor, the 43.7-megapixel (Mp) Samsung ISOCELL Slim GH1. Thanks to advanced ISOELL Plus technology, the new ultra-high-resolution GH1 image sensor embraces 43.7-million 0.7?m-sized pixels in a super-small package, providing the optimum solution for slim full-display devices.

“Samsung has been stepping up in pixel technology innovation from the industry’s first 1.0?m-pixel image sensor, to most recently, 0.8?m ultra-high-resolution sensors at 64Mp and 108Mp,” said Yongin Park, executive vice president of the sensor business at Samsung Electronics. “We are pleased to deliver yet another breakthrough with the industry’s first 0.7?m pixel image sensor, the ISOCELL Slim GH1 that will enable sleeker and more streamlined designs as well as excellent imaging experiences in tomorrow’s smartphones.”

The ISOCELL Slim GH1 is the industry’s first mobile image sensor to adopt the smallest pixel size in the industry at 0.7?m. By utilizing ISOCELL Plus, Samsung’s latest pixel isolation technology that minimizes color cross-talk and optical loss, the tiny 0.7?m pixels are able to absorb sufficient light information to produce bright and vivid photographs. In low-light environments, the GH1 makes use of pixel-merging Tetracell technology that enables higher light sensitivity equivalent to that of a 1.4?m-pixel image sensor.

For video recording at 4K (3,840×2,160) resolutions, the ISOCELL Slim GH1, with a high resolution of 7,968×5,480, is able to take 4K videos with minimum loss in field of view (FoV), while most high-resolution image sensors crop or scale down full image resolutions that result in a reduced FoV. Using Tetracell technology, the GH1 is converted down to 3,984×2,740, a resolution that snugly covers the 4K (3,840×2,160) resolution, allowing users to capture more detailed backgrounds when recording high-resolution videos or selfies at 60T frames per second (fps).

For sharper photographs and video, the GH1 supports a gyro-based electronic image stabilization (EIS) and a high-performing phase detection auto-focus technology, Super PD, allowing fast and accurate autofocus. In addition, the real-time high dynamic range (HDR) feature delivers more balanced exposure and richer color even in mixed-light environments.

The Samsung ISOCELL Slim GH1 is expected to be in mass production by the end of this year.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Samsung announces 43.7MP ISOCELL Slim GH1 mobile sensor with 0.7?m pixels

Posted in Uncategorized

 

10 Photographic Exercises to Kickstart your Creativity

24 Sep

The post 10 Photographic Exercises to Kickstart your Creativity appeared first on Digital Photography School. It was authored by Charlie Moss.

We’ve all had those days, weeks, or months where we’ve felt photographically stuck in a rut. There could be many reasons for feeling like you just can’t shoot anything worthwhile and it often looks like there’s no way out. But simple creative photographic exercises might just be the thing that gets you back out shooting.

With that in mind, here are some of my favorite creative photographic exercises for those moments when I’m just not feeling good about my photography work. They’re adaptable for most subjects too, so shoot what suits you!

Of course, if you wanted to challenge yourself with a new kind of photography or different subjects, they might come in handy for that too.

Set your camera to black and white

10 Photographic Exercises to Kickstart your Creativity

Most digital cameras will have the option to shoot in black and white. Shooting black and white, and viewing your shots that way on the back of the camera, will force you to see images in a different way.

When you shoot in black and white you see everything without the distractions of color. That means you can focus on composition, areas of light and dark, and the contrasts between different areas.

It’s a whole new way of seeing the world around you!

Shoot with a single focal length

I’ve always been a huge advocate for photographers using prime lenses wherever possible. Not only are they generally better quality than a similarly priced zoom lens, but they often have a faster aperture too! Having a couple of primes can really round out your photographic toolbox.

photographic-exercises-to-kickstart-your-creativity

Shooting with a single focal length means that you have to work a little bit harder to find a great composition. That, in turn, will make you see things a bit differently. And if you need to zoom, then you’ll have to use your feet – no shortcuts here I’m afraid!

If you don’t have a prime lens, then pick a focal length on your zoom and stick to it. Check it after every few shots to make sure it hasn’t moved.

And now do the same, but with aperture

Picking an aperture, and experimenting with the kind of images it will produce, can be a good way to start thinking about more advanced composition. Using depth of field as a compositional tool can be a powerful way of taking your photos to the next level.

If you pick a very wide aperture to work with, you’ll want to think about how you can make the best use of features like negative space in your images. You’ll want to look for interesting subjects that look good isolated away from their background.

However, if you choose a very narrow aperture, you won’t be able to isolate a subject as easily. You’ll be looking for whole compositions that work from edge to edge without anything being blurred out. You’ll need to look for scenes that don’t have distractions in the background – such as bright blobs of color or unsightly objects.

And shutter speed!

Limiting your shutter speed can be a good way of experimenting with different kinds of movement-related effects. Long or short, both offer different challenges.

If you pick a short shutter speed, try to find movement that you can capture. A skateboarder in mid-air perhaps, or a dog leaping to catch a ball. Freezing motion is tricky and requires practice. It also needs some planning; you may have to pre-focus and predict your subject’s movement.

photographic-exercises-to-kickstart-your-creativity

On the other hand, a long shutter speed can lead to experiments that show movement. You could practice panning, light trail photography, or intentional camera movement.

Limit the number of shots you take

Think back to the days of film (or imagine it if you’re not old enough to remember). Film was costly, and so was developing! If you were shooting medium format, you had just twelve images per roll of film, and one of them really had to be a keeper.

I’m not saying you have to limit yourself to just twelve photos, but try a few hours of shooting where you really think about each shot you’re taking. Ask yourself why you’re taking it and make sure it’s the best it can be.

Before you press the shutter button, check all the edges of the frame, be sure of your composition, and make sure it’s the right moment to make your subject look their best. You might be surprised at how much your photography improves when you take this much care over every shot!

Now shoot a thousand images in a day

Sometimes you just need to recognize that practice makes perfect. And for some subjects, that means shooting hundreds or even thousands of images.

Take a day out to practice your technical skills, and make sure you take enough images that the technique becomes second nature. The better you know your way around your camera, the easier it will be to nail the shot next time inspiration does strike.

Shoot from the hip

Street photography is usually about being unseen and blending into the background. If your subject has noticed you taking pictures, it’s often too late to get the shot you initially saw.

Many street photographers like to ‘shoot from the hip’ to remain unnoticed. You’ll want to use a narrow aperture to get a large depth of field and prefocus your camera to where you think your subjects will be.

10 Photographic Exercises to Kickstart your Creativity

Then…go for it! Carry your camera in your hand (don’t forget a wrist strap), and whenever you see anything you like the look of, just point and shoot. You’re going to have a pretty low success rate, at least at first, but over time you’ll learn to use your camera to capture what your eyes see without looking through the viewfinder.

Limit yourself to available light

No flashes, no studio lights, no reflectors, no bounce cards. Just get out there and watch how the natural light falls on your subject. Move yourself or your subject around to find the most pleasing light and then capture that.

For an additional exercise, try to capture several different moods simply by moving your subject into different kinds of light. You should start to discover that our brain interprets different kinds of light in different ways. You can use this knowledge to start conveying more feelings and emotion in the future, which will improve your storytelling ability.

Shoot ten photos without moving your feet

Finding a great shot is often harder than actually taking it! To challenge yourself to see shots that you’d otherwise miss, plant your feet in one place and hunt out ten shots without moving.

photographic-exercises-to-kickstart-your-creativity

Make it easier for yourself by using a zoom lens. But if you want to make it even more of a challenge, start limiting your focal length, aperture, or shutter speed. The more rules you give yourself the harder you’ll have to work creatively.

You’ll soon start to consider subjects and compositions that you’ve never thought of before as you try hard to find shots number nine and ten!

Reprocess your old images

If all that fails and you can’t face going out and about with your camera then take a look back through your archives. You’ve almost certainly improved in skill since you processed your old shots, and you may have changed your taste too.

Revising your old work and reprocessing it gives you a chance to practice your post-processing skills. Pick something you want to learn and read some articles or watch a video on it. Then practice what you just learned on images from your archive.

You might end up discovering some old images that you missed at the time. Whenever I dive back into my archive, I usually end up finding something new for my portfolio!

10 Photographic Exercises to Kickstart your Creativity

Hopefully, these creative photographic exercises will give you a starting point when you’re not sure what to shoot. Just remember, creative ruts aren’t forever! You have to come out the other side sometime!

Do you have any other photographic exercises you’d like to share? Please do so in the comments!

 

photographic-exercises-to-kickstart-your-creativity

The post 10 Photographic Exercises to Kickstart your Creativity appeared first on Digital Photography School. It was authored by Charlie Moss.


Digital Photography School

 
Comments Off on 10 Photographic Exercises to Kickstart your Creativity

Posted in Photography

 

High resolution Sony a7R IV pixel shift images added to studio scene, sample gallery updated

24 Sep

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_0635778599″,”galleryId”:”0635778599″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

One of the eye-catching features of the Sony a7R IV is its 16-image pixel-shift mode. This shoots four images centered around one position then shifts the sensor half a pixel sideways and takes another four, then another half pixel… until it’s taken 16 images. These 16 images can be turned into 240 megapixel images.

We’ve added pixel-shift images to our studio scene at several different ISO settings, along with a couple of real-world examples to our sample gallery showing both the 4-image demosaicing mode as well as the high-res 16-image mode. Just for good measure, we’ve added more standard images to the gallery as well.

Studio Scene

$ (document).ready(function() { ImageComparisonWidget({“containerId”:”reviewImageComparisonWidget-52074786″,”widgetId”:715,”initialStateId”:4752}) })

Image Processing

We’ve processed the images in the studio scene using PixelShift2DNG, because it allows us to use our standard Adode Camera Raw processing to maximize comparability with other cameras in the scene.

It should be noted that Imaging Edge has a setting called ‘Px Shift Multi Shoot. Correction,’ adjustable in eleven steps between 0 and 1, that smooths some of the stair-stepping and chequerboard errors that can appear in the image. The shots in our test scene effectively have this set to 0.

Before making this decision, we compared this output with the results from Sony’s own Image Edge software. We’ve created a rollover that compares the PixelShift2DNG result to the Imaging Edge output with sharpening, noise reduction and Px Shift Correction minimized, and to the default Imaging Edge result.

DNG -> ACR Imaging Edge Modified Imaging Edge Defaults

We’ve uploaded the Image Edge-combined ‘ARQ’ files to the studio scene, but you can download the combined DNGs here:

16-image files merged using PixelShift2DNG
  • ISO 100
  • ISO 6400
  • ISO 51200
  • ISO 102400

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on High resolution Sony a7R IV pixel shift images added to studio scene, sample gallery updated

Posted in Uncategorized

 

DIY Photography Backdrops for Still Life and Product Photography

24 Sep

The post DIY Photography Backdrops for Still Life and Product Photography appeared first on Digital Photography School. It was authored by Darina Kopcok.

Your choice of backdrop can have a big impact on the final look of your photos.

You may have purchased expensive professional photography backdrops because you know this. 

But whether you’re a hobbyist or pro, you probably already spend enough on your photography that you don’t want to shell out the big bucks for your props. Luckily, with a bit of creativity, you don’t have to.

Here are some of the best ways to create beautiful DIY photography backdrops for still life and product photography.

diy-photography-backdrops

Painted canvas backdrop

For a magazine-quality look, my top pick for a still life photography backdrop is painted canvas.

Professional canvas backdrops are expensive, but you can make your own for a fraction of the retail price.

Go to your local hardware store and buy a canvas painter’s drop cloth.  These are pieces of canvas you use to protect the floor when painting interiors.

Canvas drop cloths are usually large, so you can cut them into four pieces to get four backgrounds out of one stretch of fabric. Make that eight if you go double-sided. 

While you’re at the hardware store, purchase two or three paint samples in a similar tone for each backdrop. Note that the canvas soaks up a lot of the paint, so you may need to purchase primer as well, or use more paint than you thought. 

Layer the paint onto the canvas with a small, good-quality roller, moving the roller in different directions.

To add more texture, scrunch up a rag or use a large sea sponge and dip it into the paints. Randomly press the rag onto the canvas.

Your backdrops will have a natural texture that enhances but doesn’t compete with your subject. The canvas also has a great subtle texture, too. 

diy-photography-backdrops

Ceramic flooring tile

Another beautiful yet simple background is porcelain or ceramic tiles. You can get them from your local home improvement store. These are inexpensive and look great. They’re easily wipeable, which is a bonus if you’re dealing with food or liquid products.

Just make sure that any tiles you pick aren’t shiny, so you don’t get glare.  Good colors to choose are grey, black, white, or cool brown tones like taupe. These neutrals will enhance and complement a wide variety of products or still life subjects. They are better for smaller subjects because they tend to not be very large.

diy-photography-backdrops

Painted wooden backdrops

These days, there are a lot of suppliers selling painted custom backdrops for still life photography, but painting some yourself can be a lot less costly, and you don’t need any special skills. 

To make your own, buy thin plywood sheets at the home improvement store. Pieces that are at least 2×3 feet should accommodate most of your set-ups. The bigger stores like Home Depot can also cut larger pieces into smaller ones for you, so you can get more mileage out them.

You can purchase paint samples from the hardware store as well, or use craft paints. Just make sure that any paints or varnishes you use are matte. Even some of the satin types can cause unwanted shine in your images. 

Choose three or four colors in a similar color family and pour them together in the middle of the board. Take a large sea sponge and dab the paint all over the board to create a blended and subtle, mottled effect.

Finish with a thin coat of matte, water-resistant sealer. 

DIY Photography Backdrops for Still Life and Product Photography

Linens

Having a variety of linens on hand will make your life a lot easier as a still life photographer. 

Depending on what you shoot, these can run the gamut from natural fabric like linen to lightly patterned damask tablecloths.

You can use the fabric as the entire backdrop, as shown in the image below, or just to cover a portion of another backdrop.

When covering your entire surface with a piece of linen or tablecloth, place another layer of fabric underneath. This will plump it up and make it look more attractive.

Again, when choosing your colors, stick to neutrals. Shades of blue also look good, especially in dark and moody images. You can choose a pastel or brighter color depending on what you’re shooting and your desired result.

The key is that you don’t want your photography backgrounds competing with and drawing the eye away from your main subjects.

DIY Photography Backdrops for Still Life and Product Photography

Vintage Tray

Don’t get rid of any old or vintage trays you may have kicking around. They also make great photography backgrounds for still life. 

Depending on the metal, they will often have a lovely patina that will add something special to your shots. They look great close up or at a distance, or can be used as an element in telling your story.

You can often find vintage trays for an affordable price at secondhand or antique stores.

As with any backdrop, it should not be reflective. 

Note that in the images below, the tray doesn’t look overly shiny, even though I backlit my subjects. It has a nice and subtle texture. 

diy-photography-backdrops

 

Colored papers

Colored or textured craft or construction paper can make pretty and inexpensive photography backdrops that are light and easy to store.

Source large pieces of craft paper or construction paper at your local craft supply store, or check out sites like Amazon for packages of paper offering a variety of colors.

In the image below, I used a large piece of yellow construction paper as my background. To recreate this look, distance your paper a fair bit away from your set. This will help you get a blurred out horizon line and so your subject doesn’t look “stuck” to your background.

diy-photography-backdrops

Wooden cutting boards

Depending on the size, a wooden cutting board can function as a nice backdrop or be used as a layering piece in some types of still life shoots, like food photography.

Be careful about purchasing boards with a warm, orange, or yellowish tinge. Since most food is quite warm in tone, an image that is warm throughout can end up looking dated.

Also, the camera tends to exaggerate this orange tone. I find that I have to decrease the orange saturation in all of my images to start with.

Look for light boards like pine, or boards in deep espresso for darker shots. You can also paint these in whatever color you want. In the image below, I painted mine white and distressed it with fine sandpaper.

Be sure to keep painted boards for photography purposes only, because they won’t be food safe.

DIY Photography Backdrops for Still Life and Product Photography

To sum up

There are so many different ways to create stunning still life and product photography backdrops without the expense of buying and shipping wooden backdrops from specialist suppliers.

These are just a few ideas, but also look at contact paper, wallpaper, burlap, and old pieces of wood.

Experiment with the items you already own before spending a lot of money on costly photography backdrops. 

Do you have other tips for DIY photography backdrops? Share with us in the comments section!

 

DIY-photography-backdrops

 

The post DIY Photography Backdrops for Still Life and Product Photography appeared first on Digital Photography School. It was authored by Darina Kopcok.


Digital Photography School

 
Comments Off on DIY Photography Backdrops for Still Life and Product Photography

Posted in Photography

 

Sony a9 firmware update adds Animal Eye AF, interval shooting and more

24 Sep

Sony has officially released the latest firmware for its a9 full-frame mirrorless camera, bringing with it Real-Time Eye AF for animals, interval shooting and more.

Firmware version 6.00 makes good on Sony’s promise to bring Real-Time Eye AF for animals to its flagship mirrorless camera. As detailed previously when Sony launched Animal Eye AF on its a7R III and a7 III, the new mode will be available to select alongside Human Eye AF in the autofocus menu.

Only one of the modes can be selected at once and the Animal Eye AF will be slightly slower than Human Eye AF due to the increased processing power required, but the a9 shouldn’t have any problem keeping up. Sony has a detailed documentation page to read up on all of the intricacies of the Animal Eye AF mode.

The firmware update also includes built-in Interval Shooting, a feature we previously detailed with the a7R III and a7 III update:

Now, it’s easy to capture between 1 and 9999 photographs in 1 to 60 second intervals. The new feature also includes an auto exposure (AE) sensitivity setting that can be adjusted between High, Mid or Low to account for changing exposures throughout the set capture time. The resulting images can also be put together into a full video using Sony’s Imaging Edge app, which will process the Raw photographs and output the final video to YouTube, PlayMemories Online and other online video services.

Another addition is the ability to select the Focus Frame Color so it’s easier to see it in various environments, as well as the ability to make the ‘My Menu’ appear when the menu button is pressed on the camera. Bugs have also been addressed to smooth out the overall stability of the a9.

Firmware version 6.0 for the a9 is available for free on Sony’s support page for macOS (direct download) and Windows (direct download).

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony a9 firmware update adds Animal Eye AF, interval shooting and more

Posted in Uncategorized

 

Yasuhara announces Anthy 35mm F1.8 lens for Canon RF, Nikon Z and Sony E mount cameras

24 Sep

Budget Japanese optics manufacturer Yasuhara has announced the Anthy 35mm F1.8 manual lens for full-frame mirrorless camera systems.

The Anthy 35mm F1.8 lens (translated) is constructed of nine elements in seven groups and features a nine-blade aperture diaphragm with an F1.8 to F16 range. The front filter thread is 52mm, it has a minimum focusing distance of 40cm (15.75in) and the lens weighs 409g (14.3oz).

The lens is entirely manual and doesn’t feature electrical contacts, meaning no metadata will be sent to the camera it’s attached to and, if applicable, the ‘release without lens’ setting will need to be turned on.

The lens is set for a fall 2019 release and will be available in Canon RF, Nikon Z and Sony E mounts. No pricing information has been given at this time. We have contacted Yasuhara and will update this article if we hear back about pricing information.

Below are three full-resolution sample images captured with the lens on a Canon EOS R:

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_0613491610″,”galleryId”:”0613491610″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

We haven’t heard much about Yasuhara in the past and its lens lineup is rather limited, so we can’t attest to the image quality or durability of its lenses, but the company recently celebrated its seventh year in business. Yasuhara also has Anthy-branded 50mm and 85mm lenses in development (translated).

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Yasuhara announces Anthy 35mm F1.8 lens for Canon RF, Nikon Z and Sony E mount cameras

Posted in Uncategorized

 

The ultra-wide camera in the iPhone 11 models is fixed-focus, doesn’t support Raw capture

24 Sep

Last week, Apple debuted its new iPhone 11 devices, all three of which feature an ultra-wide camera module. This marks the first time Apple has put an ultra-wide camera in an iOS device and with the new camera comes all-new capabilities and shooting modes.

Not all of the cameras are made equal though. In addition to not having optical image stabilization, it’s been revealed the ultra-wide camera unit on all three models isn’t yet capable of capturing Raw image data or manual focus, unlike the wide-angle camera (and telephoto camera on the iPhone 11 Pro models).

Revealed by Halide developer Ben Sandofsky, the ultra-wide camera has a fixed-focus lens and doesn’t offer any Raw photo output. The reasoning isn’t yet known, but as noted by a number of responses to Sandofsky’s tweet, it’s possible the reason for not offering Raw output from the ultra-wide camera is due to the barrel distortion present in the uncorrected images from the ultra-wide camera. If not corrected, the distortion would be dramatic considering the 13mm (35mm equivalent) focal length, and without having iOS apps with that correction built-in it would result in rather distorted images.

It’s possible Apple could turn on Raw support in a later iOS update, but for now, Raw capture is limited to the other two camera modules.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on The ultra-wide camera in the iPhone 11 models is fixed-focus, doesn’t support Raw capture

Posted in Uncategorized

 

Rock Bar is a sleek and slim weighting system designed to replace sandbags

24 Sep

California company Rock Bar has introduced a much tidier solution to weighing down tripods and light stands with a new weight case that straps securely to legs and center columns to provide extra stability.

The Rock Bar system comprises a nylon zip-up tube that comes filled with seven pounds of recycled steel and which uses straps at either end of its body to attach to legs without swaying in windy conditions.

The number of weights in the body can be adjusted by the user depending on the conditions and the equipment being supported, and the slim-line pouch is designed not to get in the way or to catch the wind itself. Rock Bar is aimed at tripod users, and those hanging lights on high stands and boom arms, and is intended to replace sandbags and other types of hanging ballast.

The case measures 31.75×6.35×6.98cm (12.5×2.5×2.75in) and costs $ 45. For more information see the Rock Bar website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Rock Bar is a sleek and slim weighting system designed to replace sandbags

Posted in Uncategorized