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Archive for September, 2019

Weekly Photography Challenge – Suburbia

07 Sep

The post Weekly Photography Challenge – Suburbia appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

This week’s photography challenge topic is SUBURBIA!

weekly photography challenge – suburbia

Gustavo Zambelli

The suburbs can be a photography wonderland, with fantastic old and new houses and kids playing in the yard. Then there are the day-to-day things about the suburbs, like the washing line, cars parked in driveways, bikes and toys strewn across lawns, letterboxes and picket fences, and street signs.

So go out and capture anything that represents the suburbs to you. They can be color, black and white, moody or bright. Just so long as they are suburban! You get the picture! Have fun, and I look forward to seeing what you come up with!

Image: Sophie Dale

Sophie Dale

weekly photography challenge – suburbia

Michael Tuszynski

Image: Rodolfo Mari

Rodolfo Mari

weekly photography challenge – suburbia

Robert Gramner

Check out some of the articles below that give you tips on this week’s challenge. While some apply to cities, you can apply the principles to photographing in suburbia.

Tips for Shooting SUBURBIA

8 Tips – How to do Storytelling With Your Images

The Ultimate Guide to Street Photography

7 Street Photography Tips and Exercises to Try This Season

5 Tips for Photographing Houses

How to do Great Photography Even When Your Surroundings are Boring

5 Tips for Thinking Out of the Box to Inspire Your Photography at Home

Photograph Close to Home to Improve Your Photography

Weekly Photography Challenge – SUBURBIA

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSsuburbia to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Suburbia appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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DPReview TV: Canon G5 X Mark II vs. G7 X Mark III

07 Sep

Canon’s newest compact cameras, the G5 X II and G7 X III, have a lot in common, but with some very important differences. This week, Chris and Jordan do a side-by-side comparison to help you choose the one that’s right for you.

Also, subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Picture-in-picture commentary
  • Design and handling
  • ND filter
  • Displays
  • Lenses
  • USB power
  • Autofocus
  • Sensor
  • Video performance
  • Live streaming (G7 X III)
  • Video autofocus
  • Which should you buy?

G5 X Mark II sample gallery

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G7 X Mark III sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Great moments in EVF history

07 Sep
High quality EVFs, or electronic viewfinders, are pretty ubiquitous these days, but that wasn’t always the case. This week we take a retrospective look at several cameras that raised the bar for EVF performance.

Also, subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Fujifilm X100
  • Sony RX100 III
  • Fujifilm X-T1
  • Samsung NX1
  • Leica SL
  • The new ones
  • Conclusion

Articles: Digital Photography Review (dpreview.com)

 
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Spiffy Gear launches Lumee wearable cinematic bi-color, RGB LED light strips

07 Sep

Spiffy Gear has launched a new wearable LED light called Lumee that features a ‘slap bracelet’ design with magnets for attaching it to metal surfaces. The light is splash-proof, rechargeable, and offered in two varieties: an RGB model and a CRI 95, 2700-6500K bi-color model. Both are described as cine-grade with run times of up to 1 hour at full power and up to 4 hours at low power.

The Lumee lights from Spiffy Gear can ‘snap’ onto poles, straps, wrists, and other similar places like an old school snap bracelet. As well, the light is shipped with magnetic mounting discs for attaching the light to other surfaces. In addition to running off battery power, Lumee can be used while it is running off an external battery or charger.

The RGB version of Lumee offers five light effects: Police Fire, TV, Fireworks and Breathing. The bi-color version of Lumee also offers light effects, though they’re different due to the absence of colored LEDs: Explosion, Candle, Breathing, Stroboscopic and Red Carpet.

Both versions of Lumee are available from Spiffy Gear now for $ 45 USD.

Articles: Digital Photography Review (dpreview.com)

 
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PNY unveils two ultra-compact portable SSDs and MOBEE mobile gimbal

07 Sep

Flash storage and accessories company PNY has introduced the MOBEE gimbal 3-axis stabilizer for smartphones, as well as its new Elite Portable SSD and PRO Elite SSD.

Despite PNY’s claimes, they’re not the fastest portable SSDs on the market, but the new PNY models make up for their slightly slower speeds by offering very compact sizes. The Elite Portable SSD model measures 6 x 3.6 x 0.9cm (2.3 x 1.4 x 0.3in) and the PRO Elite is slightly larger at 13.3 x 10.2 x 5.7cm (5.2 x 4 x 2.2in).

The PNY Elite model is offered in 240GB and 480GB capacities with up to 430MB/s read and 400MB/s write speeds. The PRO Elite model is offered in 250GB, 500GB, and 1TB capacities with up to 890MB/s write and 900MB/s read speeds. The Elite Portable SSD 450GB costs $ 125 USD; the PRO Elite model ranges from $ 70 USD to $ 162 USD.

The new PNY MOBEE gimbal, meanwhile, is compact at 10.8 x 28.9 x 7cm (4.2 x 11.3 x 2.7in) with a weight of 1.4kg (3lbs). The 3-axis stabilizer features a rechargeable Li-ion battery offering up to 12 hours of operation per charge, as well as a USB port for charging a smartphone while shooting.

A companion mobile app offers access to different shooting modes, including object and face tracking, slow motion and time-lapse. The gimbal is only listed on Amazon.uk at this time with a price of £87.13 ($ 107.14 USD).

Articles: Digital Photography Review (dpreview.com)

 
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Alleged roadmap leaks 10 new Nikkor Z lenses set for 2020, 2021 release

07 Sep
The allegedly leaked roadmap shows off ten new lenses not officially announced by Nikon.

Nikon has already detailed a number of new Nikkor Z lenses it’s working on, but a newly leaked image, believed to be a more extensive lens roadmap, shows a number of additional lenses Nikon allegedly has planned for the future.

The purported roadmap, first shared by Nikon Rumors, shows ten additional lenses not currently shown in the roadmap image Nikon has posted to its website, ranging from fast primes to impressive telephoto zoom lenses.

Nikon’s current official lens roadmap as of posting this article.

According to the roadmap, which again hasn’t been confirmed as real, the 2020 lenses Nikon hasn’t detailed on its current roadmap include the Nikkor Z 85mm F1.2 S, Nikkor Z 135mm F1.8 S, Nikkor Z 28-70mm F2.8-3.5 and Nikkor Z 24-120 F4 S. The 2020 lenses already announced include the 20mm F1.8 S, 50mm F1.2 S and 14-24mm F2.8 S.

Moving onto 2021, Nikon has seven lenses listed as ‘TBA’ on its current roadmap. Interestingly, the purported leaked roadmap mentions only six, including the Nikkor Z 28mm F1.8 S, Nikkor Z 35mm F1.2 S, Nikkor Z 65mm F1.8 S and Nikkor Z 105mm F1.8 S.

If the roadmap is indeed real, it seems Nikon is covering a lot of ground with an impressive range of lenses. Interestingly, there doesn’t appear to be any F1.4 lenses, with Nikon instead opting for either F1.8 or F1.2 for its faster primes.

Ultimately, time will tell whether or not the roadmap is indeed real.

Articles: Digital Photography Review (dpreview.com)

 
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Asus takes on Apple’s Pro Display XDR with new 1600-nit HDR ProArt Display

06 Sep

Asus has shown a series of new ProArt products at the IFA show in Berlin including what it describes as ‘the world’s first HDR 1600 and 120Hz variable-refresh rate professional display.’ The ProArt Display PA32UCG is a 32in monitor with 4K UHD resolution and a 1,000,000:1 contrast ratio, and is aimed at those who need absolute color accuracy in standard and high dynamic range modes. The display is compatible with the Dolby Vision, Hybrid Log-Gamma and HDR10 HDR standards and uses over 1000 mini LED back lights to produce a maximum brightness of 1,600 nits.

This Asus display could be out before Apple’s Pro Display XDR goes on sale. Both displays are 32in and offer a maximum brightness of 1600 nits, HDR and 10-bit color, but Apple’s model has 6K resolution whereas this one is limited to 4K. The Asus ProArt Display, however, has a faster refresh rate than Apple’s 60Hz – and is likely to cost less. A stand is also included with Asus’ monitor.

The display has built-in hardware calibration and with 10-bit color it supports the DCI-P3, Adobe RGB, sRGB, Rec. 709 and Rec. 2020 color spaces. It offers 2x Thunderbolt ports as well as DisplayPort, 3x HDMI and a USB hub.

Asus also announced the ProArt StudioBook One, the first laptop to use the NVIDIA Quadro RTX 6000 graphics card. Asus describes as the computer as the world’s most graphically powerful laptop.’ An Intel i9 processor and new cooling system help with intensive video editing of up to 8K resolution. Asus has placed the CPU and GPU behind the display to avoid heat being trapped in the base, and has created a vent in the lid that allows two fans to draw in air to keep the main components cool.

The display in the laptop is a ProArt model, featuring 4K UHD resolution, a 120Hz refresh rate and the ability to reproduce 100% of the Adobe RGB color space.

No pricing or availability dates has been released yet. More information can be found on these and the other products launched today in the press release below and on the Asus website.

You can also watch the full IFA presentation in the video below

Extract from the press release

{pressrelease}

ASUS ProArt lineup for content creation

Since the launch of the first ProArt display in 2011, ASUS has been committed to meeting the specific needs of professional content creators and has been recognized with over 400 industry awards. The content-creator market is expanding at a rapid pace and there are now more than 200 million PC-based creators worldwide, according to Intel research[1].

To meet the evolving needs of professional workflows in traditional content-creation fields, such as photography and videography, as well as provide new solutions for 3D designers, game developers and professionals in other creative disciplines, ASUS is introducing a brand-new lineup of ProArt products. Designed as a complete digital solution for content creation, these new ProArt devices deliver absolute precision for original imagination, extreme performance for unstoppable creation, versatile connectivity for seamless speed and promised stability for proven reliability. This new ProArt lineup represents the foundation of a comprehensive content-creation solution that will continue to grow with innovative new products designed to be the best companions for creators.

The complete lineup of ProArt StudioBooks takes advantage of NVIDIA® GeForce RTX™ GPU capabilities, including realtime ray tracing and AI acceleration, catering to the needs of content creators and meeting the stringent requirements of the NVIDIA RTX Studio program. RTX Studio laptops are precision crafted to deliver dramatic improvements in productivity and performance across everyday creative apps. In addition to the flagship ProArt StudioBook One and ProArt StudioBook Pro X, the series also includes ProArt StudioBook Pro 17/15 and ProArt StudioBook 17/15 with both Quadro® and GeForce GPU options and all featuring Windows 10.

“With ProArt, ASUS has always been dedicated to delivering precision tools that empower creative professionals to do their best work,” said Mr. Samson Hu, ASUS Co-CEO. “I’m thrilled to be at IFA 2019 to announce our all-new, expanded ProArt lineup that takes our dedication to a new level, equipping more creative professionals than ever with a complete digital solution that enables them to achieve their artistic visions.”

“Content creators are more mobile than ever and must keep up with tight deadlines and complex workflows,” said Bob Pette, vice president of professional visualization at NVIDIA. “The latest ASUS ProArt lineup, punctuated by the world’s fastest laptop, carries the RTX Studio badge and is powered by NVIDIA RTX GPUs. They deliver high-end desktop performance and portability, so artists and designers can visualize and create their best work faster than before.”

The spark of inspiration can ignite at any time and content creators need a trusted, professional platform that matches the way they work and gives them the power to realize their creative vision. ProArt is inspired by creative professionals. It is designed with precision to go above and beyond the exacting standards professionals demand in order to provide immersive tools that support the creative process to bring the best ideas to life.

Together with the announcement of the new ProArt lineup, ASUS is launching the I am ProArtist campaign. Creators can submit their best 2D or 3D digital artwork or an original film clip for a chance to win ProArt products, including ProArt Display PA27AC, ProArt Display PA32UC, ProArt Station PA90, ProArt StudioBook Pro 17 and Mini PC PB60G. Full details are available at the campaign website: https://www.asus-campaign.com/iamproartist/

ProArt StudioBook One
ProArt StudioBook One is the most powerful StudioBook ever. Carrying the RTX Studio badge, the first laptop to feature NVIDIA Quadro® RTX™ 6000 graphics is the world’s most graphically powerful laptop. It is powered by the latest 9th Gen Intel® Core™ i9 processors, which deliver single and multi-threaded performance that enables creatives to tackle compute-intensive tasks and do the most with the software crucial to their workflows. NVIDIA Quadro RTX graphics provides users with more CUDA, RT, and Tensor cores, enabling rendering of animations, 8K video editing and data calculations to be handled more smoothly and efficiently.

ProArt StudioBook One has a powerful cooling system featuring a lightweight aerospace grade titanium alloy thermal module designed to optimize inlet and exhaust flow. When the lid is opened, the hinge tilts the chassis by 4.57° to maximize the inflow of cool air into the chassis. Heat-generating components, including the CPU, GPU, and thermal systems are placed behind the display to ensure comfortable use, even when placed on the user’s lap.

The 4K UHD PANTONE® Validated display on ProArt StudioBook One is truly amazing, boasting a superfast 120Hz refresh rate and edge to edge glass that sits flush with the bezels. Its 84% screen-to-body ratio provides immersive visuals, while the display’s wide 100% Adobe RGB gamut and Delta-E < 1 rating ensure exceptional color reproduction and accuracy.

For creatives, software is key. That’s why ASUS tests and invests in comprehensive Independent Software Vendor (ISV) certification processes to ensure the very best experience with professional software applications.

ProArt StudioBook Pro X
ProArt StudioBook Pro X is the first NVIDIA Quadro-powered laptop to feature ASUS ScreenPad 2.0 and the four-sided ASUS NanoEdge display. The innovative display design provides a 92% screen-to-body ratio and 16:10 aspect ratio for immersive visuals. ProArt StudioBook Pro X also supports an exceptionally wide color gamut with 97% DCI-P3 color space coverage and delivers high color-accuracy.

With ProArt StudioBook Pro X, users can edit and render multilayered files with professional-grade NVIDIA Quadro RTX 5000 graphics, optimized for stability and performance with professional software apps. It is powered by an Intel Xeon® or 9th Generation Intel Core i7 processor with six cores designed with the optimal combination of high frequency and threads to handle complex, multithreaded applications. CPU-attached Raid 0 ensures the fastest possible storage performance, with speeds of up to 6 GBps compared to the typical 4 GBps[2]. Additionally, ProArt StudioBook Pro X is designed to operate at full load without the need to throttle the speed of the CPU or GPU, making it outstandingly reliable for even the toughest workloads.

ProArt StudioBook Pro X is the first in the series to feature ScreenPad 2.0. This interactive secondary touchscreen upgrades the traditional laptop experience, providing users with an intuitive smartphone-like interface on which they can easily manage tasks and create their own seamless multitasking workflow.

The compact dimensions of this 17-inch laptop is comparable to that of many 15-inch laptops, slipping easily into a briefcase or messenger bag for professional grade graphics on the go. It looks good, too with a classy Star Grey finish with rose gold highlights.

ProArt Station D940MX
ProArt Station D940MX is a compact workstation-grade desktop designed for content creators and media professionals Featuring an 8-liter chassis, it is one of the smallest desktops available yet delivers incredible performance with a dual-sided logic board to house its powerful CPU, GPU and memory. It is powered by a 9th Gen Intel® Core™ i9 processor with up to 64GB DDR4 2666MHz memory, NVIDIA® Quadro RTX™ 4000 or NVIDIA GeForce RTX™ 2080 Ti graphics, dual storage with a 512GB PCIe® SSD and 1TB HDD, and ultrafast connectivity, including dual Thunderbolt™ 3 ports on the front panel.

In addition to its compact size, ProArt Station D940MX has a stylish, modern design with unique touches especially for content creators, including an LED indicator at the bottom of the chassis to reflect the current status of the PC. Users can take a break and step away from ProArt Station D940MX when rendering graphics, simply glancing at the LEDs to check whether the process is done.

ProArt Station D940MX uses an advanced hybrid thermal system to cope with the heat buildup within the confines of its compact chassis. The system incorporates a 2D vapor chamber and heat pipes to lower overall internal temperatures by up to 6.8°C. Quad fans situated in different zones of the chassis help dissipate heat quickly, including an auxiliary fan on the hard drive, which increases airflow by up to 9% to ensure stable data performance.

Despite its powerful cooling system, ProArt Station D940MX operates silently, generating less than 19 dB of noise at idle, and up to 37 dB at full load, allowing users to work without distractions and not worry about the hum of cooling fans in the background when streaming or recording. Designed for the demanding needs of content creators, ProArt Station D940MX meets strict military-grade MIL STD 810G durability standards to ensure reliable long-term performance.

ProArt Display PA32UCG
ASUS ProArt Display PA32UCG is the world’s first HDR 1600 and 120Hz variable-refresh rate professional display. It features 4K UHD resolution and mini LED backlighting that delivers industry leading brightness and color performance for the critical visual workflows of filmmakers, broadcasters and game developers. ProArt Display PA32UCG is VESA pre-certified for DisplayHDR 1400, the industry’s latest and highest standard of HDR performance.

Featuring 1,152 individual mini LED backlights with local dimming that enable 1,000 nits of full-screen sustained brightness, 1,600 nits of peak brightness and a 1,000,000:1 contrast ratio, ProArt Display PA32UCG delivers exceptional high-dynamic range (HDR) performance and supports all major HDR standards, including Dolby Vision®, Hybrid Log-Gamma (HLG) and HDR10.

ProArt Display PA32UCG also features quantum-dot technology, enabling it to display a wide color gamut with DCI-P3, Adobe RGB, sRGB, Rec. 709 and Rec. 2020 color space support. With true 10-bit color depth and a three-level factory color pre-calibration process, ProArt Display PA32UCG delivers incredibly accurate color (Delta-E < 1) out of the box, and built-in ProArt Hardware Calibration technology with color profile write-back to the display ensures continuous accuracy for dependable ongoing performance.

Adaptive-Sync enables a 48–120Hz variable refresh rate (VRR) that eliminates visual smearing, tearing and motion blur, making ProArt Display PA32UCG a welcome addition to game-development workflows. Additionally, the display offers rich connectivity with two Thunderbolt™ 3, one DisplayPort and three HDMI ports as well as a built-in USB hub, enabling content creators to connect a wide variety of devices and enjoy ultrafast transfer speeds with external storage.

ProArt Creator Center
The ProArt Creator Center app delivers the optimal creation experience across all ProArt devices, enabling color calibration, performance optimization and synchronization. It lets users calibrate the display of their devices at any time and sync visual settings with connected ProArt devices. ProArt Creator Center also enables easy monitoring and optimization of system performance during production and even frees users from having to wait at their machine during rendering by letting them monitor progress on their smartphone or other mobile device.

{/pressrelease}

Articles: Digital Photography Review (dpreview.com)

 
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Sigma 35mm F1.2 Art sample gallery updated

06 Sep

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We first got our hands on the Sigma 35mm F1.2 DG DN Art during its launch in Japan earlier this summer. We’ve since received a copy here in North America and have been shooting with it accordingly, on either coast. Click the gallery for a range of sample images, including wide open shots and aperture progressions.

See our Sigma 35mm F1.2 Art gallery

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces C500 Mark II camera with 5.9K Cinema RAW Light recording

06 Sep

More than seven years after releasing the EOS C500, Canon has released its next-generation Cinema EOS System camera, the EOS C500 Mark II. The new camera builds upon its predecessors with an extensive list of new and improved features and technology.

At the heart of the EOS C500 Mark II is the same sensor found inside Canon’s EOS C700 camera, a5.9K full-frame 17:9 sensor, which Canon says offers more than 15 stops of dynamic range. Powered by Canon’s new Digic DV7 processor, the EOS C500 Mark II offers 5.9K internal Cinema RAW Light and 4K 4:2:2 10-bit XF-AVC recording. In addition to shooting 60 frames per second (fps) at 5.9K and 4K resolution, the EOS C500 Mark II can shoot up to 120 fps when dropped down to a cropped 2K resolution.

The EOS C500 Mark II also features Canon’s Dual Pixel autofocus technology, which covers roughly 80-percent of the image area on the sensors, and features user-changeable lens mounts with options for EF, PL and Cine EF mount. By unscrewing four hex screws located on the outside of the lens mount, it’s now possible to (comparatively quickly) switch from one mount to another without the need to send it in or make it a massive operation.

The camera, which weighs in at 1750g (3.86lbs), features built-in motorized ND filters at two, four and six-stop measurements that can be combined to achieve eight and ten stop levels as well. Media can be recorded to the two CFExpress card slots as well as an SD card slot for proxy media. Also new to a Canon EOS Cinema camera is a five-axis electronic image stabilizer.

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The EOS C500 Mark II comes with the LCD LM-V2, a 4.3in touchscreen, as well as a user-removable 0.46in 1.77-megapixel OLED electronic viewfinder (EVF). Canon is also offering two extension units that add additional connections and ports for added versatility.

In addition to its new full-frame cinema camera, Canon also announced the DP-V3120, a 4K HDR reference monitor. The massive machine delivers 2000-nit HDR output and 0.001-nit full-screen black levels with a 2,000,000:1 contrast ratio. It features four 12G-SDI inputs for both 4K and 8K workflows and features a 17:9 aspect ratio, matching that of the EOS C500 Mark II.

The Canon EOS C500 Mark II is scheduled to be avaialble in December 2019 for an estimated retail price of $ 15,999. The DP-V3120 is scheduled to be available in November 2019 for a wallet-busting price of $ 39,000. You can find out more information on both products by visiting Canon’s EOS Cinema site.

OWN, OPERATE, DOMINATE: EOS C500 MARK II 5.9K FULL FRAME CINEMA CAMERA DELIVERS VERSATILE, AFFORDABLE SOLUTIONS

New Cinema EOS Camera Features a User-Changeable Mount, Internal Cinema RAW Light Recording and the Newly Developed DIGIC DV 7 Image Processor

MELVILLE, N.Y., Sept. 5, 2019 – Contrary to popular belief, sometimes a sequel is better than the original. That is the case with the all-new Canon EOS C500 Mark II cinema camera today announced by Canon U.S.A. Inc., a leader in digital imaging solutions. With its modular design, competitive price point and new features such as a 5.9K Full Frame CMOS sensor, user-changeable lens mounts, electronic image stabilization, internal cinema RAW light recordingand the new DIGIC DV 7 Image Processor, the EOS C500 Mark II represents a bold leap forward for Canon’s Cinema EOS system line. The variety of assembly and lensing options help to make this camera ideal for a broad range of applications, from run-and-gun documentary shooting to live television broadcasts and big-budget films.

“As Canon’s position in the production industry has grown, we have sought to deliver new solutions that can perform at an elite level, while also maintaining competitive pricing to help continue to remove the barriers of great content creation,” said Kazuto Ogawa, president and COO, Canon U.S.A., Inc. “The EOS C500 Mark II encompasses the latest Canon technologies and, when teamed with the recently announced Sumire Prime Cinema Lenses and DP-V3120 4K Reference Display, forms an incredible input-to-output solution.”

The EOS C500 Mark II features a 5.9K full-frame sensor with 60p recording 5.9K and 4K (2K recording at 120p) and 15 stops of dynamic range. In addition, the newly introduced DIGIC DV 7 image processor allows for more fluid and efficient recording of 4K and HDR. Cinema Raw Light, first introduced in the popular EOS C200 cinema camera, helps to cut data size to about one-third to one-fifth of a Cinema RAW file, without losing grading flexibility.

For the first time ever with a Canon camera, users are able to change the lens mount themselves without the assistance from a Canon service center. Customers can purchase the EOS C500 Mark II with a standard EF mount and then have the option to purchase either EF-lock or PL mounts. This feature provides users with the creative freedom to pair the camera with the lenses that will provide the desired look for each project they work on.

In addition to the changeable mounts, the new camera’s body is quite modular. Included are 13 accessories, such as a 4.3-inch LCD monitor and the GR-V1 grip, and users can choose from a wide range of additional accessories that allow them to configure the EOS C500 Mark II to their preferences. Optional accessories include the EVF-V70 electronic viewfinder, SU-15 shoulder support unit and EU-V1 and EU-V2 expansion units. The EU-V1 expansion unit allows for gen-lock, sync out, remote use and ethernet connection, while EU-V2 expansion unit features those functions plus a V-mount battery connection, two analog XLR audio ports and 24v DC Out.

Additional features of the Canon EOS C500 Mark II include:

  • 4K and 2K 4:2:2 10-bit XF-AVC recording and 5.9k oversampling for 4K
  • 2 CFexpress media card slots
  • Compatibility with EF and PL lenses as well as anamorphic and spherical lenses
  • Dual Pixel CMOS AF with the ability for Touch and Face detection AF
  • First Canon cinema camera with 5-axis electronic image stabilization, which can be utilized even without the use of lens with IS functionally
  • Support for Canon Log 2 and 3 Gamma
  • 4 channel recording that supports 4 XLR inputs with the use of the EU-V2 expansion unit
  • User LUT allowing users to upload and apply custom LUTs

Pricing and Availability

The Canon Cinema EOS C500 Mark II is scheduled to be available in December 2019 for an estimated retail price of $ 15,999.00*. For more information, including accessory prices and availability, please visit, cinemaeos.usa.canon.com.

Articles: Digital Photography Review (dpreview.com)

 
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Which Way? When to Photograph in Portrait or Landscape Orientation

06 Sep

The post Which Way? When to Photograph in Portrait or Landscape Orientation appeared first on Digital Photography School. It was authored by Megan Kennedy.

The standard camera sensor is rectangular in shape – a configuration that allows for both portrait and landscape orientations.

But is landscape orientation crucial to the execution of a landscape photograph? Must portraiture always be photographed in portrait orientation?

Plus, what if you’re photographing a subject that’s neither a portrait nor a landscape? What orientation works best?

In this article, we’ll have a look at how to choose between a portrait or landscape orientation in photography.

portrait and landscape orientation examples

A bit of history

Landscape orientation

Portrait and landscape designations likely stem from the orientations of canvasses used in art.

The dimensions of a horizontal rectangle best accommodate the wide vistas depicted by landscape artists. This earned the format its landscape title.

However, the landscape orientation is not restricted to landscape photos. Yes, landscape masterpieces by Vincent Van Gogh, Hokusai, and Monet have been in a landscape format. But artists like Sandro Botticelli and Wassily Kandinsky have created non-landscape art using landscape orientation. Frans Lanting, Andreas Gursky, and Gregory Crewdson all depict photographic subjects with the landscape orientation.

It’s the same for portrait photography. Photographers such as Robert Frank and Annie Lebovitz have approached portraiture in a landscape format.

horizontal orientation leaf

The landscape orientation of this image of a leaf conveys a more relaxed viewing approach

Portrait orientation

A canvas taller than it is wide has become known as portrait orientation.

Leonardo da Vinci’s Mona Lisa or Johannes Vermeer’s Girl with a Pearl Earring are famous examples of portraits depicted in the traditional format. And Dorothea Lange’s Migrant Mother and Steve McCurry’s Afghan Girl are well-known examples of portrait photography executed in a portrait format.

But portrait orientation isn’t limited to depicting people. Painters like Rachel Ruysch and Claude Monet worked in a portrait format to accommodate non-human subject matter.

And Edward Henry Weston used a portrait format to lend a formal quality to his investigations of organic materials, while the Bechers made hundreds of portrait-oriented images of urban landmarks.

vertical leaf abstract

The portrait orientation of this leaf abstract lends a more formal quality to the image.

Should you use portrait or landscape orientation?

Fitting the subject

One of the deciding factors in choosing between a portrait or landscape orientation is the dimensions of the subject itself.

In terms of framing the face and body of a human, a portrait format can be ideal. The vertical nature of the human body works well with a portrait orientation.

Vertical subjects like tall buildings, trees, and waterfalls may also require a portrait orientation to be captured in their entirety.

vertical orientation flower

Subjects made up of horizontal elements (like aircraft and landscapes) can fit better in landscape orientation.

Landscape orientation can also provide more room for incorporating additional elements into a photograph.

This is particularly useful in genres of photography like environmental portraiture, where the setting of the photograph is as important as the subject.

horizontal or vertical horizontal airplane

Because of the dimensions of aircraft, aviation photography is often carried out in a landscape orientation

Emphasis

The orientation of an image contributes significantly to visual emphasis.

A portrait orientation exaggerates the upright extension of subjects in a photograph. But a portrait orientation also speaks to our associations with tall subjects, emphasizing a sense of independence, wonder, modernity, and even superiority or unease.

In contrast, a landscape orientation places extra emphasis on space, illustrating ease and immersion.

In the simple example below you can see the different emphasis being placed on the floral silhouettes.

The portrait example emphasizes the energetic, upright quality of the flower. The landscape orientation creates a more relaxed perspective.

flower silhouette example

Cropping

Every photographic situation is different and sometimes an element in a potential image is less than ideal.

If there are elements present within a photo that you would rather omit, switching camera orientations might help achieve a more polished image, either in-camera or in post-processing.

Cropping out excess information with a portrait orientation will simplify an image and minimize distractions.

Switching from a portrait to landscape orientation will decrease image height, prioritizing the horizontal flow in a photograph instead.

abstract horizontal of water

Formality vs relaxation

Over time, our historic use of image orientation has associated specific visual qualities with both portrait and landscape formats.

Portrait orientation is associated with the formality of historic portraiture. It is also associated with being upright, which is attached to wakefulness, sociability, and energy.

A landscape format, on the other hand, can lend a more relaxed, organic impression to a photograph. So a horizontal orientation is associated with laying down, lending a more tranquil quality to an image.

woven mat

Conclusion

Choosing between a portrait or landscape orientation isn’t easy. There are many aspects to consider, and the orientation of an image depends heavily on the situation.

But if you understand the benefits and drawbacks of different orientations, you’ll be in a good position to decide which orientation to use!

Do you lean towards portrait or landscape orientation? Share with us in the comments!

 

portrait-or-landscape-orientation

The post Which Way? When to Photograph in Portrait or Landscape Orientation appeared first on Digital Photography School. It was authored by Megan Kennedy.


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