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Archive for August, 2019

Kodak Moments unveils M1 Order Station, scalable photo kiosks with smartphone support

07 Aug

Kodak Moments (a division of Kodak Alaris) has introduced the M1 Order Station, a scalable photo-printing kiosk designed to enable the average consumer to easily print photos from their phone, a USB drive, or an SD card. As demonstrated by Kodak in the video above, the M1 Order Station can be scaled from a small desktop station to a full standing kiosk to meet the needs of different retailers.

Though photo-printing kiosks used to be commonly found in big box and convenience stores, these machines have become scarce amid the rise of digital photography and online printing services. Kodak is aiming to change that with its printing kiosks.

The new M1 Order Station is described as a ‘seamless’ solution featuring the Kodak Moments retail software version 9.0, which presents users with printing options via a 13″ touchscreen. Retailers can pair the station with the Kodak 305 printer countertop enclosure, the 305 print station cabinet, or the 305 printer booster with a print catcher.

In addition to memory cards and USB drives, customers can download the Kodak Moments app to directly print images from a smartphone using WiFi, Bluetooth, or a physical connection cable. The system supports printing 4×6, 5×7, and 6×8 prints, as well as photo cards, collages, and ‘DIY products.’ A brochure fully detailing the M1 Order Station is available here [PDF].

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Z 35mm F1.8 S sample gallery

07 Aug

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One of three lenses announced alongside the Nikon Z7 last August, the Z 35mm F1.8 S is part of a new generation of primes designed from scratch for mirrorless. We’re working on a full review, but in the meantime, take a look at some sample images, taken in London, Seattle, and all over the Pacific coast this year.

View our sample gallery from the Nikon Z 35mm F1.8 S

Articles: Digital Photography Review (dpreview.com)

 
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Canon patent application details wireless charging setup for camera systems

07 Aug

Wireless charging has become a standard in flagship smartphones, but like so many other technologies, the camera world seems a bit behind. Canon seems interested in changing that though if a recent patent application is any indication.

United States patent application 10,375,639 B2 details the schematics for a wireless charging setup that uses a combination of a power mat and a compatible device to offer wireless charging capabilities. The patent doesn’t limit the device being charged to cameras, but does explicitly say ‘the electronic apparatus [being charged] can be an imaging apparatus.’

According to the patent application text, the mat would be able to detect when a camera is present via near field communication (NFC) and adapt the power output to match the required power of the camera unit while also monitoring the temperature to prevent overheating.

It’s not clear whether Canon would rely on a pre-existing wireless charging standard, such as the Wireless Power Consortium’s Qi standard, but considering Qi’s ubiquity, it’s likely to be the case. Of course, there’s always the possibility this patent application never sees the light of day, so don’t get too excited.

Articles: Digital Photography Review (dpreview.com)

 
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Photographer turns old computer parts into functional large format ‘Frankenstein’ camera

07 Aug

Iranian photographer Alireza Rostami has introduced the world to his ‘Frankenstein’ camera, a functional product handmade from old and broken computer components. According to Rostami, who recently spoke with DPReview, he purchased his first computer in 1999, a moment he said he’ll ‘never forget.’

Rostami explains that as he upgraded the computer over the years, he saved the older hardware, including the motherboard. ‘One day I thought, I can turn my old computer into a device that works again!’ Rostami said. ‘And I thought, well, why not make a camera?’

Rostami crunched the numbers and developed a design for his large format camera, which features a Linhof large format lens and film back, as well as a low-power battery that powers the camera’s computers fans, adding to the overall aesthetic. Rostami says his computer camera is suitable for landscape photography without adjusting the focus but can be readjusted for other uses by utilizing a universal lens ring and changing the lens.

Below is a video walkthrough of the camera, shared with DPReview by Rostami:

‘Unfortunately, I don’t have access to high-end technology,’ Rostami notes on Instagram, explaining that he’d like to make a different model that functions as both a computer and camera. Despite that, Rostami is pleased with the current version, saying, ‘I find the camera very exciting and beautiful, like something out of science fiction. I have a very unique camera now.’

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Part 3 … video This is my Frankenstein camera . I make it with my broken Camputer . #apple #technology #camera #largeformatcamera #Instagram #newyork #usa #windows #google #yahoo #news #microsoft

A post shared by Alireza Rostami (@alirizarostami) on

Selfies captured with the Frankenstein camera are available on Rostami’s Instagram account. The photographer has shared a number of other DIY photography projects, including a camera transformed into a watch and a modified lens that produces dreamy, otherworldly images.

Articles: Digital Photography Review (dpreview.com)

 
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Skydio releases sample footage captured with its upcoming Skydio 2 drone

07 Aug

Last month, California-based drone manufacturer Skydio teased a follow up to their premier R1 model. Slated for release this Fall, the company recently updated email subscribers with more details about what they’re calling the ‘Skydio 2,’ presumably for the time being. The reel, above, demonstrates some of the new drone’s capabilities including the ability to navigate and fly through numerous obstacles, track subjects, and even perform a 360° spin.

Besides being able to fly autonomously and avoid obstacles, the ‘Skydio 2’ will also boast a breakthrough algorithm that can determine ‘where and how to fly to get the most stunning cinematic shots possible.’ Perhaps this ability was referenced in the second frame as the ‘Skydio 2’ gradually pulled away from a single beachgoer to reveal a stunning tropical island.

With the R1, Skydio positioned itself as a drone maker for consumers and enthusiasts. Using Nvidia’s onboard computer, the same technology that powers self-driving cars, the R1 can map it surroundings, avoid obstacles in every direction and track a single subject. Remote pilots can launch and fly effortlessly with this built-in technology.

Now, with the ‘Skydio 2,’ the focus has shifted to quality cinematography. A redesigned camera promises polished, professional-grade video. This, alone, makes it a huge improvement from its predecessor. If they offer it up in a compact, light-weight frame with increased battery life, they’ll have created the consumer-grade drone to beat.

Articles: Digital Photography Review (dpreview.com)

 
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Google Pixel 3 camera defect causes loud clicking, OIS issue while shooting

07 Aug

A number of Google’s $ 499 Pixel 3 smartphone units are experiencing an issue that causes the camera to ‘shake’ while recording video even when the device is placed on a stable surface. A large number Pixel 3 owners have published complaints about this problem on Reddit, Twitter, the Google Support forums, and other online destinations.

The issue appears to primarily impact the Pixel 3 model, though there are some reports of it related to the larger Pixel 3 XL. Sample videos from users show the camera’s focus constantly adjusting itself or, in other examples, producing a prominent wobble effect similar to what one would get by shaking the phone.

Though Google hasn’t provided an official statement about the matter at this time, a loud clicking sound produced from the camera while recording indicates the problem may stem from the Pixel 3’s optical image stabilization system. Pixel 3 owner ‘anaymakan’ shared a video demonstrating this problem on the Pixel 3 subreddit in late May.

Because this appears to be a hardware defect, Pixel 3 owners have been unsuccessful in finding a workaround solution. Owners of the faulty devices report having it solved by getting a replacement phone that doesn’t suffer from the same problem.

Articles: Digital Photography Review (dpreview.com)

 
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Samsung announces first 100+ layer V-NAND memory module

07 Aug

Fast storage solutions are essential for efficient digital photo and video workflows and Samsung Technology has announced the start of production of new V-NAND modules with more than 100 layers, which is an industry first and should give a boost to any editing workstation. According to the South Korean company, the 256GB 3-bit V-NAND will be used to make SSD drives for PCs and has already been delivered to a number global OEMs.

The new generation adds around 40 percent more cells to the previous 9-layer single-stack structure. Samsung achieves this by building an electrically conductive mold stack with 136 layers. The company claims this results in the industry’s fastest data transfer rate, citing writing speed of 450 microseconds (?) and a reading response time of 45?. Compared to the previous design performance has been increased by 10 percent and power consumption decreased by 15%.

The company claims this results in the industry’s fastest data transfer rate, citing writing speed of 450 microseconds (?) and a reading response time of 45?.

Samsung says that thanks to the new and faster design, it will be able to offer V-NAND solutions with more than 300 layers by combining three of the new stacks, without any negative impact on performance or reliability.

In addition to the performance increases, the engineers have been able to reduce production steps and reduce chip sizes, increasing production rates by 20 percent.

With the 250GB SATA PC SSD already released, the company is planning to increase production in second half of the year to meet growing global demand and produce SSDs and eUFSs using 512Gb 3-bit V-NAND in a variety of specifications. Samsung is also hoping to deploy the new chips for mobile and automobile applications in the future.

Articles: Digital Photography Review (dpreview.com)

 
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Entaniya announces 220-degree PL-mount fisheye for Super 35, full frame cameras

06 Aug

Japanese fisheye specialist Entaniya has introduced a new fisheye lens in a PL mount that’s aimed at large format video camera users, and which can offer a range of effective focal lengths using different sized spacers. The Entaniya Fisheye HAL 220 is designed to cover Super 35mm and full frame sensors and can provide focal lengths between 6.14mm and 8.03mm through 15 increments via the included set of zoom spacers.

The lens has a maximum aperture of T2.9 and uses 17 elements in 12 groups to provide a maximum angle of view of 220°. The depth of the spacer used has an impact on the size of the covering circle of the lens, so when the thinner spacers are used—or no spacer—the lens has a smaller covering circle. This is useful for those who want a circular image, but doesn’t leave out those needing the whole recording area covered.

No pricing or availability details have been released so far. For more information and to see how the lens covers different formats go to the Entaniya website.

Articles: Digital Photography Review (dpreview.com)

 
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How to use Monochromatic Color to Convey more Emotion in your Photography

06 Aug

The post How to use Monochromatic Color to Convey more Emotion in your Photography appeared first on Digital Photography School. It was authored by Nisha Ramroop.

monochromatic-color

Monochromatic photography is often associated with black and white photography, but it is certainly not limited to just that. As the name implies, monochromatic is about one color. Thus an image that contains tones and variations of a specific color is termed monochromatic.

How to use Monochromatic Color to Convey more Emotion in your Photography

Why use monochromatic color?

1. Convey Emotion

Both color and the absence of color are viable options to convey emotion. Your choice of which to use depends on the story you are trying to tell. You may prefer black and white imagery for moodier scenes and to convey more intense emotions. Similarly, a single color used throughout your image can enhance or evoke different feelings. For example, red is commonly used to denote passion, love, and even anger, while blues invoke cooler, calmer and more subdued sensibilities.

monochromatic-color

It is important to note that different tones, tints or shades of a hue/color also change the intended emotion or its intensity, so consider the “feeling” of color. Tints and shades are a result of combining a single color with varying amounts of white (tint) or black (shade).

Sometimes, the use of too many colors simultaneously provokes different feelings and can leave your viewer confused. When faced with such a dilemma, why not try a singular color to see if it achieves a stronger connection?

How to use Monochromatic Color to Convey more Emotion in your Photography

2. Simplify cluttered scenes

Monochromatic color has the ability to simplify a scene by helping to diminish visual distractions. Again, a familiar thought processes used when processing black and white photography. Absence of color becomes a great way to highlight other compositional elements in the frame, such as texture, shape and form. Thus making monochromatic color another creative choice to explore.

How to achieve monochromatic images?

1. Shoot

In our vibrant world, is it really possible to shoot a monochromatic scene? Interestingly enough, once you start looking for monochromatic color, it presents itself. So yes, it is everywhere around you, especially in urban landscapes, building interiors and even in nature. While the first two examples are more intentional, the latter is also quite common. In nature, look for scenes that embrace tints, shades, and tones of a singular color. Naturally occurring monochromatic scenes have the potential to be strong and interesting images.

How to use Monochromatic Color to Convey more Emotion in your Photography

If you are just starting out and have not yet grasped working with color harmonies, using the variance of a single color in your frame is a great way to start. The way light interprets and changes a singular color in a scene can be mesmerizing. This calculated option goes a long way in helping you pay closer attention to (and learning about) color.

2. Process

While naturally occurring monochromatic scenes are more realistic, post-processing is often used to achieve this finish. Processing monochromatic images has existed since the days of film and is certainly not a new creative spin. In the earlier eras of photography, both warmer tones (such as sepia) and cooler tones (cyanotype) were due to specific chemicals used while developing the film.

How to use Monochromatic Color to Convey more Emotion in your Photography

Interesting fact: Sepia processing back then brought more than warmth to a photo. The chemicals involved in that process slowed down the aging of a photograph thereby enhancing its archival quality.

These days, achieving monochromatic color is much easier. The step-by-step process varies depending on the software that you use, but the principles are almost the same. In summary, the easiest way is to tone an image. This loosely translates to converting a color image to black and white/grayscale and then replacing the black with another color (also called tinting).

You can further adjust your contrasts to make your light areas lighter and your dark areas darker for that added punch.

monochromatic-color

Monochromatic Color evokes a different emotion

Check out this link on several ways to achieve this type of processing in Photoshop and here for doing so in Lightroom.

Conclusion

While black and white is the most obvious type of monochrome photography, monochromatic color is the use of any singular color throughout an image. It lends itself to emotional connections and simplifying your scene. Monochromatic color occurs in the natural world or can be achieved with post-processing. It is often a more minimalist approach that has the potential to create strong images.

Is monochromatic color something that you personally connect with? If yes, share some of your favorites in the comments below.

 

monochromatic-color-in-photography

The post How to use Monochromatic Color to Convey more Emotion in your Photography appeared first on Digital Photography School. It was authored by Nisha Ramroop.


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How to Photograph Wedding Receptions with Great Success

06 Aug

The post How to Photograph Wedding Receptions with Great Success appeared first on Digital Photography School. It was authored by Jackie Lamas.

Wedding receptions are often referred to as the most boring part of the day since the most exciting part are the bride and groom portraits. However, it would be wrong to treat receptions as such since receptions hold many of the meaningful details of an actual wedding celebration. So here are some tips on how to photograph wedding receptions with great success.

How-to-Photograph-Wedding-Receptions

1. Schedule the reception with a time buffer

Weddings are high paced and often begin on time, but as the day progresses, it can be easy to fall behind schedule. When you’re creating the wedding day itinerary for your clients, add in an extra 15-minute buffer to any travel or transition time before the reception.

How-to-Photograph-Wedding-Receptions

The reason for this is because you’ll want to grab a snack and hydrate before getting into the last leg of the wedding day. You’ll also want to test out your gear, change batteries, or memory cards. Some photographers take this time to do the same-day slideshow.

This extra buffer means no rushing to the reception but instead preparing your gear and yourself for the last few hours of the day so that you’re not running on empty.

How to Photograph Wedding Receptions with Great Success

It also will allow you to get to the reception early, which is my next point.

2. Photograph the reception alone

Getting to the reception area those extra few minutes early also allows you to photograph all the details without any guests in the background. This makes for really nice wide shots and closeup shots of the entire set up.

You can then create real depth to your photos and zone in on particular details like the seating chart, place cards, centerpieces, and the sweetheart table. You can capture them without drinks, purses, or other guest items.

How to Photograph Wedding Receptions with Great Success

If at all possible, have the bride and groom enter the reception area and photograph them alone in the middle of the set up as part of their wedding portraits. It can add a little more emotion and tie the narrative of the event together.

3. Make a list of all the must-have photos

How to Photograph Wedding Receptions with Great Success

Most wedding receptions are much the same in terms of what you should photograph for the bride and groom. While they can vary in time of day, location, or style, these are the main details that you should be sure to photograph:

How to Photograph Wedding Receptions with Great Success

  • Entrance details: Do they have a sign? Are there photos from their engagement session? Is there a sign-in guest book, meaningful mementos like wood blocks to sign and write notes on? All of these are important to photograph as a whole and each detail individually or a group of details.
  • Wide photo of the space as a whole. Photographing the entire space gives the reception and final wedding photos a nice transition in the narrative or album. Take a few photos from different perspectives so that you can choose the best one for the final gallery of images.
  • Centerpieces: If there is only one style, photograph it both horizontally and vertically as well as taking a close up detail photo of it. If there are different styles on each table, take photos of each style. If, for example, they have placed a different photograph on each table, you don’t have to photograph each table. Instead, find one or two that you like and photograph two or three different tables.
  • Table seating/ seating cards: Table seating and table cards are how guests know where to sit during receptions. These may present in various and creative ways. You should photograph a wide shot of the setup and then a detailed photo of the seating. Choose a name that sounds familiar to you (perhaps a family member or member of the bridal party) to focus on for the detail photo.
  • Dinnerware set up: If you notice that the dinnerware and stemware have been chosen with a little more intention, photograph the setup. Get different perspectives and angles.
  • Florals: This is most likely to be found as part of the centerpiece; however, some weddings have beautiful florals decorating different parts of the space.
  • Desert table/candy bar
  • Cake
  • Lounge or seating area
  • Any other detail that you feel the couple put lots of effort, time, or money into.

How to Photograph Wedding Receptions with Great Success

How-to-Photograph-Wedding-Receptions

3. Staging

A big mistake that many new wedding photographers make is failing to stage photos. Staging the photos will help you get the perfect photo of the detail while still keeping the main aesthetic that the bride and groom have chosen.

Image: Staging and moving things around can help the final photo.

Staging and moving things around can help the final photo.

This means, moving salt and pepper shakers out of the way, lighting the votive candles if necessary, turning a table number to face the camera, or even moving a chair so you can get the whole table in one photo.

After getting your shots, make sure to place everything back to where it belongs. That way, when the guests arrive, they see the complete look and aren’t missing their water glass or chairs.

4. Lighting

If you are photographing a reception in a salon or closed venue, the lighting may not be ideal for photos. If the ceiling is white, you can use it to bounce light from your flash back down onto the table and reception details. This will give you more even lighting and a pretty straightforward light in your photos.

Image: At left the flash is pointed to the side. At right, the flash is bouncing from the ceiling. Y...

At left the flash is pointed to the side. At right, the flash is bouncing from the ceiling. You can see the difference in both.

In addition, using an external flash attached to your camera, point the flash to the side so that you can get more side lit photos. These add more depth to your detail photos and adds shadow. For example, this type of lighting makes for great depth to cake photos and also centerpieces.

You can also use an external LED video light or small light to help you light the reception details. This also gives you a lot more flexibility in getting different lighting that is immediately obvious. As for flash, you have to take test shots first to see how the light looks.

How-to-Photograph-Wedding-Receptions

Having an external flash can help you get really nicely lit photos. Use the flash in manual mode to control the output.

If you don’t have any external lighting then you can use the ambient light for the details. Just make sure that your camera is stable enough to photograph by using a tripod. Having a fast lens can also help you capture ambient light.

How-to-Photograph-Wedding-Receptions

Be aware of the color temperature of the ambient light as well. This can change the color of florals, table linens, seating cards, etc. if you’re photographing with ambient light.

How-to-Photograph-Wedding-Receptions

As a good resource, you can also use your cell phone flashlight to help light or fill in light on the details that you’re photographing.

5. Events of the reception

How to Photograph Wedding Receptions with Great Success

During the reception there will most likely be some, if not all, of the following events:

  • Grand entrance
  • First dance
  • Mother/Son and Father/ Daughter dance
  • Toasts
  • Cake cutting
  • Bouquet toss/Garter toss
  • Money or Honeymoon dance
  • DJ-led games or trivia
  • Dancing

How to Photograph Wedding Receptions with Great Success

All of these usually get coordinated by the wedding planner, bride, or DJ himself. Look to them to know what is next after dinner has begun. Never leave your camera and always be ready to photograph anything and everything that you feel is important or fun.

Dancing is always fun. If you can make sure to photograph the key players, like the mother of the bride, bridal party, children dancing, or the best man, these all make for meaningful and fun photos later.

How to Photograph Wedding Receptions with Great Success

It’s really important to photograph the bride and groom dancing with their guests as well.

Don’t be afraid to get creative when you feel like you have photographed all of the most important events. Slow your shutter to get interesting lighting effects. Use multiple flashes to light the dance floor evenly. Even get a different perspective of the party.

How to Photograph Wedding Receptions with Great Success

The main thing is to enjoy yourself while taking photos!

6. Before you leave the wedding

Before you leave the wedding reception, make sure to thank your clients and ask this one important question: Is there anything you’d like for me to capture before I leave?

How to Photograph Wedding Receptions with Great Success

This allows them to get last-minute photos that they may have forgotten to ask for earlier in the day. They may want a quick one with their grandmother or a photograph of them with their best friends from college.

Do this about 10 minutes before you are set to leave. That way, you can have time to photograph all of those last-minute requests before you pack it up and head out.

How-to-Photograph-Wedding-Receptions

It’s also a great way to say goodbye to the couple for the night.

In Conclusion

How to Photograph Wedding Receptions with Great Success

Photographing wedding receptions can be really fun even though they usually happen at the end of a really long day.

Give yourself some time to get into the mindset and get creative during the reception.

Do you have any great tips on how to photograph wedding receptions? Feel free to share with us in the comments below.

 

How-to-Photograph-Wedding-Receptions

The post How to Photograph Wedding Receptions with Great Success appeared first on Digital Photography School. It was authored by Jackie Lamas.


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