RSS
 

Archive for July, 2019

Firmware update for Panasonic S1/S1R improves image stabilization and AF performance

01 Jul

Panasonic is releasing a firmware update for its Lumix DC-S1 and S1R full-frame mirrorless cameras, which will be available on July 9th. The new firmware (version 1.1) addresses the following:

Improved image stabilization performance: Panasonic claims that with firmware v1.1, the in-body IS system will reduce shake by an additional 1/2-stop, for a total of 6 stops with non-stabilized lenses and 6.5 stops with Dual IS-compatible glass.

Improved AF performance: Panasonic claims that tracking performance live view display will be improved, and new AF-on options have been added.

  • Tracking performance during video recording has been improved
  • Live view display during autofocusing is now ‘easier to see’
  • A new AF-ON: Near Shift biases toward close subjects, while Far Shift does the opposite

Two smaller changes: An ‘activate’ option has been added to the S1, for entering the key for the optional DMW-SFU2 video feature update. ‘Operational stability’ when using XQD cards should also be improved on both the S1 and S1R.

The firmware will be available for download on Panasonic’s website on the 9th.


On the same day, firmware updates will be made available for six Micro Four Thirds cameras: the Lumix GH5, GH5S, G9, G90/G91/G95, G80/G81/G85 and GX9.

The new firmware addresses various things across those cameras, but the one thing they have in common is adding support for smooth aperture control during video capture when using the Panasonic Leica 10-25mm F1.7 lens. Users can also toggle the aperture ring between ‘smooth’ and 1/3EV. The minor camera-specific changes can be found in the press release below.

Press Release

Panasonic Releases Firmware Update Programs for the LUMIX S1R, S1, GH5, GH5S, G9, G90/G91/G95, G80/G81/G85 and GX9

Newark, NJ (July 1, 2019) – Panasonic has announced that the company will release the firmware update programs for the LUMIX Digital Single Lens Mirrorless cameras to enhance the functions and usability. All programs will be available at LUMIX Global Customer Support website https://av.jpn.support.panasonic.com/support/global/cs/dsc/ at UTC 1:00 on July 9, 2019.

The cameras and the programs to be updated are as follows:

Full-frame Mirrorless Camera

LUMIX S1R Firmware Version 1.1

1. Improved performance of the Body Image Stabilizer

  • The correction performance of the Body Image Stabilizer has been improved from a maximum of 5.5 stops to a maximum of 6.0 stops.*1
  • The correction performance of the Dual I.S.2 has been improved from 6.0 stops to 6.5 stops.*2

*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50mm, when S-X50 is used.]

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=105mm, when S-R24105 is used.]

Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when S-R70200 is used.]

2. Improved AF performance

  • [AF-ON: Near Shift] and [AF-ON: Far Shift] functions have been added. [AF-ON: Near Shift] preferably focuses on a subject nearby while [AF-ON: Far Shift] preferably focuses on a subject far away.
  • The tracking performance when using [Tracking] AF mode in video recording has been improved.
  • Live view display during auto focusing is now easier to see.

3. Improved operational stability

  • Operational stability when using an XQD memory card has been improved.

LUMIX S1 Firmware Version 1.1

1. Improved performance of the Body Image Stabilizer

  • The correction performance of the Body Image Stabilizer has been improved from a maximum of 5.5 stops to a maximum of 6.0 stops.*1
  • The correction performance of the Dual I.S.2 has been improved from 6.0 stops to 6.5 stops.*2

*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50mm, when S-X50 is used.]

*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=105mm, when S-R24105 is used.]

Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when S-R70200 is used.]

2. Improved AF performance

  • [AF-ON: Near Shift] and [AF-ON: Far Shift] functions have been added. [AF-ON: Near Shift] preferably focuses on a subject nearby while [AF-ON: Far Shift] preferably focuses on a subject far away.
  • The tracking performance when using [Tracking] AF mode in video recording has been improved.
  • Live view display during auto focusing is now easier to see.

3. Function Enhancement with Upgrade Software Key DMW-SFU2

An [Activate] function has been added which enables the use of extended functions using the Upgrade Software Key DMW-SFU2. The following functions will be added by activating the Upgrade Software Key.

  • The video recording modes [MOV]

4K

60p/50p*

4:2:0

8bit

LongGOP

150Mbps

LPCM

30p/25p*

4:2:2

10bit

LongGOP

150Mbps

LPCM

24p

4:2:2

10bit

LongGOP

100Mbps

LPCM

FHD

60p/50p*

4:2:2

10bit

LongGOP

100Mbps

LPCM

30p/25p*

4:2:2

10bit

LongGOP

100Mbps

LPCM

* PAL area only.

?HDMI 4K60p/50p* 4:2:2 10bit output

* PAL area only.

?V-Log will be added in Photo Style.

?The [V-Log View Assist] function will be added, which enables viewing the V-Log file with LUT(Look Up Table) when recording video in V-Log.

?The [Read LUT File] function will be added, which allows users to install and apply their favorite LUT.

?A WFM (Waveform Monitor) display function.

?A [Luminance Level] adjustment function that complies with 10-bit.

?An [XLR Mic Adaptor Setting] function that enables high-res sound recording using the XLR Microphone Adapter DMW-XLR1 (sold separately).*

* MOV only

4. Improved operational stability

  • Operational stability when using an XQD memory card has been improved.

Micro Four Thirds Mirrorless Cameras

GH5 Firmware Version 2.5

1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

2. Improved compatibility with the Panasonic Remote Shutter DMW-RS2.

  • The video REC switch on the Remote Shutter can be disabled in the camera’s custom menu.

GH5S Firmware Version 1.3

1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

2. Improved compatibility with the Panasonic Remote Shutter DMW-RS2.

  • The video REC switch on the Remote Shutter can be disabled in the camera’s custom menu.

G9 Firmware Version 1.3

1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

2. Improved compatibility with the Panasonic Remote Shutter DMW-RS2.

  • The video REC switch on the Remote Shutter can be disabled in the camera’s custom menu.

G90/G91/G95 Firmware Version 1.3

1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

2. Improved compatibility with the Panasonic Battery Grip DMW-BGG1.

  • The Fn button on the Battery Grip can be customized in the camera’s custom menu.

G80/G81/G85 Firmware Version 1.3

1. Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

2. Improved compatibility with the Panasonic Remote Shutter DMW-RS2.

  • The video REC switch on the Remote Shutter can be disabled in the camera’s custom menu.

GX9 Firmware Version 1.3

Improved compatibility with the Panasonic LEICA DG VARIO-SUMMILUX 10-25mm / F1.7 ASPH. (H-X1025) digital interchangeable lens.

  • Smooth aperture control is available during video recording.
  • [Aperture Ring Increment] has been added with which users can choose the control method of the aperture ring from [SMOOTH] or [1/3EV] in photo shooting.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Firmware update for Panasonic S1/S1R improves image stabilization and AF performance

Posted in Uncategorized

 

Tips for Using Negative Space in Photography to Create Stunning Images

01 Jul

The post Tips for Using Negative Space in Photography to Create Stunning Images appeared first on Digital Photography School. It was authored by Sandra Roussy.

negative space in photography 1

“I’m filling in all the negative spaces with positively everything.”
– Edie Brickell

Negative space may tend to suggest something that is not good. But negative space in photography is also often referred to as white space or minimalism photography. There’s nothing bad about it. It’s truly a unique technique to try out in your photography practice.

We sometimes tend to fill our compositions with lots of objects and color. When we talk about negative space, it’s the opposite that rules. The final image is mostly composed of blank or neutral space, and a small portion of the composition has an actual object in it.

This type of composition emphasizes the subject in the photo and also adds a unique value to it. This type of composition is powerful and, when done correctly, can take your photography from ordinary to truly impressive.

It can be a little daunting at first when you begin to do negative space photography. Not all attempts will be successful. There are opportunities to create negative space photography practically everywhere around you. You have to know how to observe and apply a few techniques to achieve amazing negative space masterpieces.

Positive and negative space explained

Positive space

This is the area in the photo that attracts the viewer’s eye. It’s the main subject that commands attention in the composition. This is usually where the eye goes first.

negative space in photography 2

Negative space

This is the space in the composition that is typically the background. It usually doesn’t attract very much attention and is, in most cases, the intention of the photographer. It is used to define or contour the positive space.

In negative space photography, the photographer uses the space that is usually not the primary focus and uses it to fill in most of the composition. The negative space commands more attention than the positive space and creates a unique perspective. It also adds definition and can create strong emotions.

negative space in photography 3

Negative space and emotions

Negative space photography can evoke a sense of wonder, mysteriousness, and peacefulness. The viewer will have a greater connection to the object if the photo has no clutter, visual distractions, and a multitude of colors.

negative space in photography 4

You may be presented with opportunities to create negative space photography more times than you think. It’s all in how you visualize or train your eye to look at things.

For example, a few years ago, I stood at a popular lookout overlooking an iconic rock sitting in the Atlantic Ocean in Eastern Canada. It was early morning, and some fog had rolled in, covering most of the impressive structure. The woman standing next to me at the lookout observing the same landscape turned to me and said, “It’s so sad, we’re driving by today, and I wanted to get a photo of the Percé Rock, but it seems like it won’t be possible.”

She left disappointed that she didn’t get her shot.

I stood there for a long time afterward examining the fog and the way it draped the rock like a heavy blanket. I thought that this was one of the most amazing things to happen that day. I felt so lucky to be there at that exact moment to capture the wonder unfolding.

negative space in photography 5

Sometimes a small shift in perspective can make a huge difference.

Balancing the shot

Negative space is absolutely not blank space. If you think of it this way, you will have difficulty seeing the opportunities that you will be presented with. You want the negative space to be the main focus of your photograph, and it will hopefully evoke strong feelings.

We are trained to follow some basic composition rules, like the rule of thirds, for example. However, with negative space photography, these rules mostly don’t apply. Your imagination is what rules the composition in negative space photography.

negative space in photography 6

© José Velasco

However, there are a few things to remember and consider if you want to achieve this type of photography.

Less is more

Fill your composition with the negative space. Try to put minimal distracting objects in your composition. Texture or solid colors are great elements to use in negative space photography. Use the texture or color to fill in most of the composition.

negative space in photography 7

Position

The object should be secondary and placed somewhere that is usually not primarily capturing the eye of the viewer. Placing the subject somewhere in the corner of your frame will frequently provide you with a good result. Try to balance the negative space with the white space so that it flows.

negative space in photography 8

Twice the amount

A good rule of thumb is to put twice as much negative space than positive space in the composition.

negative space in photography 9

Aperture

Try to avoid shallow depth of field when doing negative space photography. This is so that neither the object nor the negative space in the photograph is blurry.

Go out and explore the possibilities

When you look at things differently and step outside of the traditional rules, you will find many great opportunities to create some unique shots. Look at a scene and try to create your own story.

© José Velasco

Negative space photography is an excellent way to expand your skills and your photographic eye. So remember, less is sometimes more.

Have any negative space photographs that you are proud of? Don’t hesitate to show us in the comments section below.

The post Tips for Using Negative Space in Photography to Create Stunning Images appeared first on Digital Photography School. It was authored by Sandra Roussy.


Digital Photography School

 
Comments Off on Tips for Using Negative Space in Photography to Create Stunning Images

Posted in Photography

 

SLC-2L-07: Journalist Hope Kahn

01 Jul

Hope Kahn is a Maryland-based journalist who is doing all of the sorts of things I was doing at her age: honing her writing and reporting skills, putting out a student newspaper, and always scrambling to find a good local story.

Over the last couple of years she's been punching above her weight class, having been published in national outlets such as Ms. and The New York Times. Suffice to say those are not exactly things I had accomplished before graduating high school.

Her work in the #SinceParkland project is a fantastic example of a product of Generation Lockdown working to effect real change.

Recently we did some head shots that will hopefully allow her to start visually branding herself as the serious, thoughtful journalist she is fast becoming. The setup we used was classic Lighting 101 head-shot-in-a-corner fare, with an L102 and L103 twist. Read more »
Strobist

 
Comments Off on SLC-2L-07: Journalist Hope Kahn

Posted in Photography

 

Review of the Nikon D500 for Wildlife and Bird Photography

01 Jul

The post Review of the Nikon D500 for Wildlife and Bird Photography appeared first on Digital Photography School. It was authored by Shreyas Yadav.

Roller with Nikon D500 and Nikon 200-500 f/5.6

Fast action is at the heart of Wildlife photography. Wildlife action is fast and unpredictable. Most of the wildlife, including predators, are active during early dawn and late dusk. During the edge of the day, light conditions are low. Having a range of focal lengths is essential to photograph distant wildlife shots.  The weather conditions are harsh in the wild. Moreover, wildlife photographers try to find a camera which is capable of capturing stunning images in every possible situation in the wild.

Nikon crafted a flagship DX-format DSLR camera – the Nikon D500, with excellent high ISO performance, a faster frame rate, and a fast and accurate focus – even in low light.

What it is?

Nikon D500 with the Nikon 80-200 f/2.8 lens mounted on Gitzo Tripod

The Nikon D500 camera body weighs around 870g (30 oz) including battery and XD card. It is a crop sensor (DX format) DSLR with a 20.9 MP CMOS sensor. The ISO range is from ISO 100 to ISO 51200. This ISO range is useful in getting better image quality even in low light. In addition to high ISO performance,  frame rate and autofocus performance of the Nikon D500 is excellent. Frames per second for Nikon D500 is whooping 10 FPS. The autofocus is fast and accurate in low light as well. Nikon D500 is fully capable of focussing up to f/8 with center focusing points. These key features make the Nikon D500 excellent for Wildlife and Bird photography.

This article is a field-review of Nikon D500 from the perspective of Wildlife Photographer. This review will help you in understanding how the Nikon D500 performs in the field.

Note: All the wildlife and bird images are photographed in the natural forest with uncontrolled light conditions and within their natural habitat.

Images are captured with the Nikon D500 and the Nikon 200-500 f/5.6 lens with a bean bag. Images are captured either from a safari jeep or from a safari boat.

Specifications

  • Sensor and processor – DX format (23.5 mm x 15.7 mm) CMOS sensor with EXPEED 5 processor
  • ISO – ISO 100 to ISO 51200 (ISO Expandable from range ISO 50 to ISO 1640000)
  • AF Modes – Single Servo (AF-S), Continuous Servo (AF-C), Manual and Full-time Servo in Live View
  • AF Area Modes – Single Point AF, Group Area AD, 3D Tracking, Dynamic-area AF with 25, 72 and 153 points, Auto Area AF
  • Power – EN-EL 15 Lithium Ion Battery with MH-25a charger
  • Storage cards – SD, SDHC, SDXC, and XQD cards. One slot for SD card and another slot for XQD card
  • Dimensions and weight – Approximate weight of the body including Battery and card is 870 g (30 oz) and dimensions are (Width x Height X Depth) 5.8 in (147 mm)  x 4.6 in (115 mm) x 3.2 in (81 mm)
  • Frame rate  (FPS: Frames per second) – 10 FPS in Continuous High Mode and for Continuous Low mode FPS Selectable from 2 to 9 FPS
  • Shutter release modes – Single, Continuous Low (2-9 FPS)  and Continuous High (10 FPS), Mirror Up, Self Timer and Quiet release
  • Shutter speed range – Slowest shutter speed is 30 s, and Fastest shutter speed is 1/8000 s
  • Metering modes – Spot metering, Center-weighted metering, and  Matrix metering
  • Exposure mode – Manual (M), Aperture Priority (A), Shutter Priority (S) and Programmed Auto (P)
  • White Balance  – Auto, Cloudy, Direct Sunlight, Flash, Fluorescent, Color Temperature (2500 k to 10000 k)
  • Flash – No Built-in Flash and External Flash is required
  • Image format – JPEG (Basic, Normal, Fine), NEF / RAW (12-bit or 14-bit with an option of Lose less compressed, Compressed and Uncompressed)
  • Lens compatibility – Full compatibility with Nikon AF lenses with G, E, D type and  DX-format lenses. Partial compatibility with PC lenses, AI-P, and Non-CPU lenses

Controls and ergonomics

AF-ON is useful in back button autofocussing. The focus area selection button is next to the AF-ON button. The Nikon D500 has a touch screen, and it can tilt up to a certain angle.

Buttons for selection of White Balance, Exposure Mode, Metering and Image Quality.

Shutter release mode dial.

Buttons for Exposure compensation, ISO selection, and movie recording.

Focus mode selection button.

Controls

Controls on the camera feel perfect for wildlife photography.

Here is why:

  • Exposure selection mode – This button helps to select the exposure modes – Manual (M), Aperture Priority(A), Shutter Priority(S) and Programmed Auto (P)
  • Frame rate setting – This dial helps to set the Frame rate as Single ( S), Continuous Low ( CL), Continuous High ( CH ), Timer and Mirror lockup
  • ISO and exposure compensation setting – the ISO button allows you to change the ISO quickly
  • Focus point selection dial – The Focus point selection dial helps select focus point
  • Focus mode and Focus area mode selection – This button, along with Primary and secondary dials ( Dials used to change the shutter speed and Aperture), is used to select focus modes as Single, Continuous and Auto. The same button is used to choose focus areas such as Single, 3D, Dynamic with 25,72 and 153 focal points, Group area and Auto-area
  • Metering selection button – You can select Spot, Center of Matrix metering from this button quickly. In Wildlife photography switching between Matrix and Spot metering is often required depending on the light conditions
  • AF- ON button – This is one of the most useful buttons on the Nikon D500 for wildlife photography. If the bird is standing on a tree branch or takes quick flight, the AF-ON button helps to capture the image with accurate focus.

Build quality and weather sealing

  • The Nikon D500 is mostly made up of magnesium alloy, carbon fiber, and plastic
  • The weight and size of the Nikon D500 are suitable for all day shooting and even hand-holding. The size of the D500 is perfect while you travel in the wilderness and it is perfectly sized while hiking and traveling in the safari vehicle.
  • Body toughness of the Nikon D500 is decent but not great as that of Nikon D5. I find the durability of earlier versions, such as Nikon D200, D300 or D700 was better than D500. However, the build quality of Nikon D500 feels slightly better than the Nikon D7100 or the Nikon D7200 but up to the standard of flagship DX body.
  • Protection against dust and water splash is decent enough
  • I have used Nikon D500 in moderately dusty environments and medium drizzle. The camera performs fine. In fact, I clean the camera after a photoshoot in the rain or heavy dust and I recommend you do so too. This type of weather sealing may be sufficient for mild dust and water splashes, but it doesn’t look good enough in extreme weather.

Ergonomics and handling

  • Ergonomically, the Nikon D500 feels just right. Important command dials for wildlife and bird photography are located on the camera body itself. This helps you to change the settings quickly.
  • Hand-holding, the Nikon D500, feels better. One caveat is the video recording button is located a bit oddly. Despite using it multiple times, I still get confused in locating the video recording button. Apart from the video recording button, you will find the buttons and dials are at the right place with the correct size.

Camera performance from the perspective of Nature and Wildlife photographer

Autofocus performance

Osprey in flight. Focus performance of the Nikon D500 for Birds in flight is excellent. Exif : 1/800s , f/8 and ISO 450

Bird action happens fast and can be erratic. Wildlife movement is also fast as it occurs at dawn or dusk. The ability of the camera to focus fast and accurate is a must. With the Multi-Cam 20K Autofocus Sensor module, Nikon D500’s autofocus capabilities are excellent. The Nikon D500 focuses accurately (provided you choose the appropriate focus mode and focus area mode).

I use back button autofocus for focusing. There is a dedicated button for back button autofocus, which is AF-ON.

Hare in the clutter. The Nikon D500 precisely acquires focus on the main object even through the forest clutter.

The Nikon D500 focusses extremely well in following conditions:

  • Daylight
  • Cloudy and rainy weather
  • Low light
  • Distant objects
  • In the forest clutter and forest canopy
  • Dusty and snowy weather
  • Birds in flight and animals in action

In terms of autofocus performance, the Nikon D500 is an absolute winner.

Deer crossing the safari track. The camera’s focus performance for distant objects is excellent. This deer was crossing the Safari road. The distance between the deer and our vehicle was around 100 meters

Image quality – Colors, details and dynamic range

Colors of the peacock. Color rendition and image quality of the Nikon D500 is great. Exif: 1/100s, f/5.6 and ISO 720

Colors, tonal range, and dynamic range of the Nikon D500 images is excellent. Metering of the Nikon D500 is fantastic. It evaluates and produces correct image exposure.

Stare of an eagle. The Nikon D500 captures the details perfectly. Exif: 1/400s, f/5.6 an ISO 500

For most of my wildlife images, I use Matrix metering. For some tricky light situations, such as harsh lights or shadows, and if the animal is dark or bright, I switch to Spot metering mode. Matrix metering will give you excellent light exposure.

Jungle fowl calling. Feather details are excellent. Exif: 1/250s, f/5.6 and ISO 450

The elephant in its kingdom. Colors and details of the elephant are accurate. Exif: 1/1000s, f/5.6 and ISO 2200

The dynamic range of the Nikon D500 is improved as compared to earlier versions of the DX format Nikon cameras. If the light is sufficient, I set the exposure compensation to +0.3 or +0.7. Exposure compensation shifts the histogram towards the right. It helps in bringing out the details and enhancing the colors in an image.

Nikon D500 review for wildlife and bird photography 7

The Dynamic Range of the Nikon D500 is wide. The camera was able to capture the eyes and feathers in the shadow. Equally, the Nikon D500 captured the highlighted crest on the head perfectly.

High ISO and low light performance

Image quality and ISO performance in low light are much improved in the Nikon D500. The camera ISO has a range from ISO 100 to ISO 51200. In controlled light conditions or lab test, the Nikon D500 Images may look less noisy. However, when you are shooting with the Nikon D500 in the real jungle and natural light conditions, you have to be realistic when you select your ISO.

Nikon D500 review for wildlife and bird photography 6

Peacock at ISO 1600

I use a maximum ISO up to 6400 in most cases, and for some rare wildlife moments, I go up to ISO 12800. In the forest, especially during the early morning or late evening, an ISO of up to 6400 helps.  With ISO 6400, I can get a sharp image with excellent dynamic range. The colors are also good. These images are perfectly usable for big prints and web-sized images.

Nikon D500 review for wildlife and bird photography 5

Bond of Nature. Family portrait at ISO 4000

Whereas, if you go ridiculously high on ISO such as ISO 51200, you will still get an image, but you will have to apply Noise reduction in post-processing. Also, the image loses the fine details. If you are going to print the image, select the reasonable high ISO at the available light conditions.

Bottom line

The Nikon D500 has improved high ISO and low light performance. Up to maximum ISO 6400, images are great. The sharpness and colors are fantastic and noise levels are low and manageable in post-processing.

Nikon D500 review for wildlife and bird photography 4

Sambar deer at ISO 6400. It was almost dark in the forest. Luminance noise is visible in the image.

Nikon D500 review for wildlife and bird photography 3

Mongoose at ISO 6400. It was almost dark in the forest.

White balance

Nikon D500 review for wildlife and bird photography 2

Fish eagle on the perch. Auto White balance for the Nikon D500 produces color temperatures and tint accurately.

The auto white balance of the Nikon D500 is accurate. The camera produces white balance without any shift in color or tint. All the color temperatures look right.

Other than Auto White balance, there are different white balances available such as Daylight and Shade. All produce good results.

For wildlife and bird photography, I recommend you choose Auto White Balance. It will help to reproduce the correct white balance for your images. If you want to add creative effects, you can always tune the raw image in post-processing.

Bonus: My D500 camera settings for wildlife and bird photography

  • Image Quality: RAW
  • NEF (RAW) Recording: NEF RAW Compression: Loose-less compressed and Bit Depth: 14-Bit Depth
  • Color space: Adobe RGB
  • Picture Control: Standard (SD)
  • ISO: Auto ISO with Maximum ISO as 6400 (It will depend on the lighting conditions, but I find 6400 is the right balance for image quality and low noise)
  • Autofocus mode: AF-C (Continuous)
  • Autofocus Area mode: Dynamic (25 points) or Group area focus
  • Exposure mode: Manual (Shutter speed and Aperture will be set based on the available light in the environment). You can also use Aperture priority as an Exposure Mode.
  • White Balance: Auto
  • Metering: Matrix
  • For autofocus, use Back button autofocus: AF-ON
  • Shutter release mode: Continuous High CH (10 FPS) or Continuous Low CL (6 FPS)

Conclusion and recommendations

Pros

  • 10 FPS (Frames Per Second)
  • Fast and accurate focus even in low light
  • Good High ISO Performance
  • Superb image quality and dynamic range
  • Excellent ergonomics
  • Perfect location of camera buttons and dials
  • Autofocus with central autofocus points up to Aperture of f/8

Cons

  • No Built-in flash and GPS
  • Location of the video recording button
  • Above average Build quality and weather sealing (Not the best in class)

In summary

The DX sensor, superior autofocus performance, high ISO performance, best in class frames per second (10 FPS), and travel-friendly size makes the Nikon D500 perfect for wildlife and bird photography.

You will love using Nikon D500 in the wild.

What do you think about the Nikon D500 camera? Please do let us know in the comments below!

 

Nikon D500 review for wildlife and bird photography

The post Review of the Nikon D500 for Wildlife and Bird Photography appeared first on Digital Photography School. It was authored by Shreyas Yadav.


Digital Photography School

 
Comments Off on Review of the Nikon D500 for Wildlife and Bird Photography

Posted in Photography