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Archive for June, 2019

Syrp’s Genie Mini II portable motion control system adds USB-C and improved connectivity

27 Jun

Syrp has unveiled Genie Mini II, a sequel to the original pocket-sized camera motion controller introduced in 2016. The second generation model retains the same general design and features as the original, but with the inclusion of USB-C instead of micro USB, Bluetooth 4.2 instead of Bluetooth 4.0, and WiFi.

The Genie Mini II offers the same portable panning functionality as the original, enabling filmmakers to capture smooth motion in real time and photographers to capture time-lapses. The motion control system supports multi-row panorama capture, offers Astro Time-Lapse and HDR modes, and offers an Ease In/Ease Out feature.

The device works with Syrp’s Genie 2 app for Android and iOS offering keyframed motion control in addition to various presets for easily initiating shooting sessions. According to Syrp, the new Bluetooth 4.2 support makes it possible for advanced users to ‘advantage of more complex, custom motion control settings and multi-row panoramas to create 360/VR images.’

The Genie Mini II, which has a total load capacity of 3.9kg (8.8lbs), is designed to sandwich between a tripod and camera. The device is powered by an internal lithium-ion battery capable of powering six hours of continuous smooth panning, an increase from the previous version’s five hours, or up to a 15-hour time-lapse, a noticeable decrease from the original’s 24-hour duration. The new model has a max 360-degree capture speed of 33 seconds.

Syrp has launched the Genie Mini II for pre-order at the same $ 249 price as the original model.

Articles: Digital Photography Review (dpreview.com)

 
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5 Photography Rules for Capturing Photos Your Audience Will Adore

27 Jun

The post 5 Photography Rules for Capturing Photos Your Audience Will Adore appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

It’s hard to stand out as a photographer.

These days, you have so many photos to compete against; the internet is drowned in smartphone snapshots (with layer upon layer of filters).

So how do you create images that cut through all the noise? How do you create art that will truly stun your audience?

5 Photography Rules for Capturing Photos Your Audience Will Adore

In this article, you’ll discover 5 simple photography rules for capturing photos – which will ensure that your photos are truly special.

Let’s dive right in, starting with…

1. Do everything you can to emphasize your subject

If you want to capture photos that stand out, then this is your number one rule:

Pick a subject. Something that stands out in your photo. Something that acts as an anchor point.

And make that subject stand out as much as you can.

You see, it’s your main subject that actually captivates people. The rest of the scene exists to enhance that main subject.

But how do you enhance your main subject?

Start by making sure that your main subject is extremely sharp. Make sure it’s the sharpest part of the photo, in fact.

And make sure that your main subject has some color. Color draws the eye!

Third, make sure your main subject is bright and well-exposed. A dark subject (especially if it’s surrounded by a dark background) just won’t work. If you do include a dark subject, then make sure that the background is extremely bright.

On a related note, more contrast is nearly always better. If you can incorporate some ultra-dark tones and ultra-light tones in your photos, your photo will instantly improve. Ideally, your background and your main subject will contrast heavily.

Last, keep your background as clean as possible. It doesn’t have to be completely uniform but should be simple and well-organized. When in doubt, go for a monochromatic background, such as black, white, or green.

2. Use complementary colors to make your photos pop

You already know how important it is to include contrast.

But there’s a special kind of contrast that deserves its own mention:

Color contrast.

Color contrast refers to the addition of colors that sit opposite one another on the color wheel (also known as complementary colors).

You’re probably familiar with color contrast, even if you don’t know it. We see complementary color pairs all the time: red and green, blue and orange, yellow and purple.

Now, color contrast is perfect for creating stand-out photos. It catches the eye, and it practically forces viewers to look more deeply.

One thing to note, however, is that you shouldn’t use too many contrasting colors. I recommend simply including two complementary colors (and potentially a third non-complementary color). If you incorporate too much contrast, the photo will become too powerful, and the colors will start to clash.

I also recommend you limit the amount of the complementary colors that appear. If you have two complementary colors, include a lot of one color, and a little of the other. This will prevent the photo from overpowering the viewer.

Finding contrasting colors might seem difficult. But with a little effort, you should be able to incorporate a contrasting color pair.

And you’ll love the effect!

3. Use negative space to stun viewers from a distance

Negative space is emptiness in a photo.

By this, I’m referring to empty sky, empty water, or even an empty background – it all counts as negative space.

And negative space is extremely valuable, for a few reasons.

First, it gives the main subject some breathing room.

It also makes compositions feel calm and more stable (which is generally nice to have in a photo).

But the best thing about negative space is that it is a place where the eyes don’t rest – thereby directing the viewer straight to the main subject.

So here’s what I recommend:

When you’re deciding on a composition, incorporate at least some negative space into the photo. If you can, create a lot of empty space – but even a little space will go a long way.

It’s best if the negative space exists around the main subject. That way, attention is immediately directed to the focal point of the photo.

But any negative space is good!

4. Include leading lines to draw in the viewer

I’ve talked a lot about emphasizing the main subject of your photos.

This is because the most striking photos hit the viewer over the head with their subject. They pull the viewer in and direct them through the frame – right to the focal point.

That’s the mark of a powerful photo.

And here’s another great way to emphasize your subject:

Use leading lines. Include them whenever you can.

Leading lines are lines that draw the viewer through the frame. They can be anything vaguely line-like: A river, an outstretched arm, even a flower petal.

Whenever you find a photo-worthy scene, search for leading lines. And incorporate them into your composition. Ideally, the leading line moves toward your subject. But you can also include leading lines that take the viewer around the frame.

Most scenes have some sort of leading line. You just have to look hard enough!

5. Always shoot in the best light you can find

Out of all the rules in this article, I think this one will give you the biggest bang for your buck. Because it’s so easy to shoot in the best light – you just have to know what the best light is.

And once you know this…

Your photos will never be the same. Seriously.

So, what is the best light?

The best light is the hour after sunrise and the hour before sunset, known as the golden hours.

These are the times when the sun is low in the sky, and casts a golden glow over the landscape. If you shoot during the golden hours, your subject will be bathed in beautiful light. And you’ll absolutely love the images you capture.

Now, there are other times when the light is good, depending on your genre of photography.

If you’re a street photographer, you should try shooting during the middle of the day, when the light is sunny.

If you’re a flower photographer, you should try shooting when the sky is heavily overcast.

If you’re a portrait photographer, you should also try working on overcast days.

But even though these types of light do work…

…the golden hours are perfect, without fail. They’ll always get you something wonderful.

Photography rules for capturing photos your audience will adore: conclusion

Standing out in the crowded field of photography is a difficult task.

But if you apply these simple photography rules, you’ll have a much, much better chance.

So take these rules to heart, get out, and start shooting!

Excitement awaits.

Have any more rules for capturing photos that your viewers will adore? Share them in the comments!

 

5 photography Rules for Capturing Photos Your Audience Will Adore

The post 5 Photography Rules for Capturing Photos Your Audience Will Adore appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Report: Apple stops development of quantum dot image sensors

27 Jun

Last week, shares of Nanoco Technology, a UK company specializing in quantum dot (QD) technology, dropped by nearly 80 percent after news broke that a high-volume supply-contract had been canceled by a major customer.

The Telegraph now reports this customer is Apple which has been working with Nanoco on the development of QD technology for image sensors that could have been used in future iPhone generations. According to market research firm BlueFin Research, Apple decided to stop the development of QD image sensors because it was too expensive for mass production.

Nanoco first announced a partnership with a ‘large, undisclosed U.S. listed corporation’ in 2018. In January of this year it announced the contract had been expanded to cover stress testing and refinements. According to the report, the contract had a volume of £17.1 million ($ 21.7 million) which is more than half of Nanoco’s total revenue.

The UK company specializes in cadmium-free QDs, which are currently predominantly used to improve image quality on TVs and other high-resolution large screens where the dots’ light-emitting properties allow for more accurate color rendering. In an image sensor Apple and Nanoco were hoping to apply the technology to enhance image quality and help with the development of advanced augmented reality features.

With QD technology off the table, it remains to be seen if Apple’s iPhone cameras will rely on more conventional technologies for the foreseeable future or if the US company has another innovative image sensor card up its sleeve.

Articles: Digital Photography Review (dpreview.com)

 
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5 Tips for Better Travel Photography

27 Jun

The post 5 Tips for Better Travel Photography appeared first on Digital Photography School. It was authored by Jeremy Flint.

Travelling with you camera is one of the highlights of embarking on any trip at home or abroad. Whether you enjoy visiting interesting places, soaking up the sunshine or embarking on adventurous activities, here are some tips for better travel photography.

1. Do your research

Better travel photography 01

Provence, France © Jeremy Flint

One of the most fundamental aspects of travel photography is to do your research about the destination you are visiting. Finding out about a location and obtaining information about a place and its attractions will help you to plan your trip. From this information gathering process, you can learn more about your destination. Ask yourself what you most want to see. Spend your time visiting the places that interest you.

2. Decide what to photograph

Better travel photography 02

Provence, France © Jeremy Flint

There are two approaches to consider when deciding what to take pictures of when on location. Firstly, you can come up with a plan for the things you want to photograph. Alternatively, you can be more spontaneous and walk around and photograph anything you see that inspires you. The advantage of the latter is that you can be more creative with no pre-conceived ideas of what you are going to photograph.

3. Manage your expectations 

If you are visiting somewhere for a short period of time, you may not have enough time to cover all of the touristic sights and highlights. Therefore, you will need to decide in advance where you would like to visit and photograph and what your photographic priorities are.

Be realistic with your time. It will be a more enjoyable experience. Don’t try to do so much that you end up exhausted after the trip. You will often find that you won’t have enough time to cover everything on your first visit. I recommend choosing one or two places that you would really like to see and photograph. Just go there in case you end up running out of time. By visiting fewer places, you may do more justice to your photos – particularly if you can stay around to combat frustrations of travel photography such as adverse weather conditions.

Moreover, you can always visit again to cover the areas you miss.

Better travel photography 03

Palawan, The Philippines © Jeremy Flint

On a recent trip to the Philippines, I was pushed for time and decided to base myself in one place where I visited and photographed my surroundings. This made for a much more enjoyable trip. I wasn’t rushing around trying to see everything in one go, and I could take advantage of any favorable weather.

Ultimately managing your expectations depends on your goals, what you want to photograph, and how much time you want to spend at different locations.

4. Embrace the culture

Better travel photography 04

Papua New Guinea © Jeremy Flint

Visiting a new location with your camera should be about more than just taking pictures. When visiting foreign lands, you are bound to come across cultures that are different from those found in your home town and country. To make the most of the place you visit, be open to the culture that is present. Experiencing a culture first-hand is as much a part of the enjoyment and wonder of a new place as it is to photograph its landmarks.

On a recent visit to Romania, I wanted to photograph the country’s attractive landscapes. While there, I was bowled over by the kindness and hospitality of the people. By embracing the local culture, I found the trip to be so much more rewarding.

Be open and flexible. Allow time for cultural experiences to happen.  

5. Enjoy your trip 

Better travel photography 05

Palawan, The Philippines © Jeremy Flint

Whilst taking photos is all part of the fun of documenting your adventures, be sure to have some non-photography time too.

Have you ever been on your travels only to find you feel worn out after the trip from doing too much photography? Well, try not to spend all your time behind the camera taking pictures.

To enjoy your travels more, take time out from photography and enjoy the sights and surroundings without your camera. You will feel more refreshed, and your creativity may be better as a result of it.

Conclusion

Travel photography is one of the most enjoyable aspects of photography, particularly as you have the opportunity to visit places near and far with your camera.

For better results in recording your journey, research your destination in advance. Decide what you would most like to photograph. Be realistic with what you expect to capture, embrace the culture and most importantly enjoy your trip!

Share your travel photos and any other tips for better travel photography in the comments below.

 

Tips for Better Travel Photography

The post 5 Tips for Better Travel Photography appeared first on Digital Photography School. It was authored by Jeremy Flint.


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Oppo reveals world’s first smartphone with under-display front camera

27 Jun

Earlier this months both OPPO and Xiaomi teased technology that allows the front camera on a smartphone to be located under the display, avoiding any notches, pinholes or other screen interruptions.

Today OPPO has shown a first device with the feature at MWC Shanghai and provided more information about the under-display technology. In order to make things work both customized displays and camera modules are required.

The display section covering the camera is made of a highly-transparent material and features a redesigned pixel structure that is optimized for the transmittance of light. Still, some light will be absorbed by the display, so the camera comes with a bigger sensor with bigger pixels and a larger aperture than you’d find in conventional front cameras.

There are also customized white balance and HDR algorithms to help boost camera performance and to further reduce the transparent display’s unavoidable detrimental impact on image quality OPPO has developed a haze removal algorithm for sharper and clearer image output.

In its announcement OPPO said it is developing a “futuristic, notchless, unibody and highly-recognizable smartphone,” but has not provided any detailed specs or information on pricing or availability.

Articles: Digital Photography Review (dpreview.com)

 
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Loupedeck+ 2.7.0 update brings with it Adobe Camera Raw integration

26 Jun

Loupedeck has announced its latest editing console, Loupedeck+, now includes integration with Adobe Camera Raw, adding yet another program to its list of supported post-production applications.

The version 2.7.0 update, implemented via the Loupedeck desktop app, adds the ability to control the various editing tools within the Adobe Camera Raw workspace. Considering the Adobe Camera Raw workspace is at the core of Adobe Lightroom Classic, it shouldn’t come as a surprise that the various editing tools and adjustments are nearly identical on the Loupedeck+ console between the two programs.

As with the Lightroom Classic integration, the Loupedeck+ console offers Adobe Camera Raw users the ability to crop, make basic adjustments, color correct, add various details and more. If the default layout doesn’t fit your workflow, the Loupedeck app makes it easy to customize what the various dials and settings. Below is a video Loupedeck has posted to its YouTube channel that takes a look at the Adobe Camera Raw support with photographer and filmmaker Adam Karnacz.

The Adobe Camera Raw integration brings the total number of supported editing apps to eight. Loupedeck already supports Adobe Lightroom Classic CC, Final Cut Pro X, Adobe Premiere Pro CC, Adobe Photoshop CC, Adobe After Effects CC, Adobe Audition and Skylum’s Aurora HDR.

The 2.7.0 update is available on Loupdeck’s website for both macOS and Windows computers. If you already have the software installed, you can manually update the application from its settings menu.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix DC-S1 review

26 Jun

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Silver Award

88%
Overall score

The Panasonic Lumix DC-S1 is the company’s mid-level full-frame mirrorless camera, built around the L-mount developed by Leica and now supported by Sigma and Panasonic. It features an image-stabilized 24MP sensor and is capable of shooting at up to 9 frames per second. The S1 can also shoot 4K/60p video from an APS-C region of its sensor or oversampled 4K/30p from its full sensor width. A multi-shot high-res mode lets it create 96MP Raw files and a paid upgrade enables 10-bit V-Log shooting.

The S1, along its sibling the S1R, also features one of the highest-resolution electronic viewfinders on the market: a 5.7M-dot OLED panel that runs at 120Hz and promises very little lag.

Panasonic Lumix S1 Key Specifications

  • 24MP full-frame CMOS sensor
  • Depth from Defocus contrast-detect AF system
  • 5-axis in-body ‘Dual IS’ system
  • Fully weather-sealed
  • Multi-shot 96MP ‘High Res’ mode
  • 6 fps bursts with continuous AF
  • 5.76M-dot electronic viewfinder
  • Dual-hinged 2.1M-dot touchscreen LCD
  • UHD 4K/60p video capture (1.5x crop); Oversampled 4K/30p with no crop
  • 10-bit HLG built-in, optional 4:2:2 V-Log
  • One XQD and one SD card slot
  • 380 shots/charge using LCD
  • USB charging, including from laptop/tablet chargers and portable power banks

The complete Lumix S system at launch

The S1, with its large, magnesium alloy body, is being pitched at a higher price than the 24MP models from Nikon and Sony, with a list price of $ 2499.

Alongside the S1 and its higher-resolution sibling, the S1R, Panasonic also announced 50mm F1.4, 24-105mm F4 and 70-200mm F4 lenses for the L system. They’re priced at $ 2299, $ 1299 and $ 1699, respectively. Both cameras are also compatible with existing Leica SL lenses as well as APS-C ‘TL’ glass.

A battery grip (DMW-BGS1) is available for around $ 350.


What’s new and how it compares

The S1 inherits (and improves upon) many of the features from Panasonic’s Micro Four Thirds cameras, while adding new full-frame sensors, a High Res mode, HLG photos and more.

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Body and handling

The S1/S1R have rugged bodies which can hold their own in the elements. The cameras have an incredibly high resolution EVF as well as a dual axis LCD.

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Operation and controls

The S1 and S1R have redesigned menus, plenty of customizable controls and a cool ‘image stabilization scope’.

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Is it right for you?

Find out what kinds of shooting the Lumix DC-S1 is best suited for.

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Shooting experience

Gothic streets and cured meats – check out DPR writer Dan Bracaglia’s experience of shooting the S1R at Panasonic’s launch event in Barcelona.

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Image quality

The S1 competes with the likes of the Canon EOS R, Nikon Z6 and Sony a7 III. See how its image quality stacks up.

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Autofocus

The S1 uses Panasonic’s familiar Depth from Defocus autofocus system. Can it keep up with the hybrid AF systems of its peers?

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Video performance

The S1 can capture 4K/60p video with a 1.5x crop as well as oversampled 4K/30p footage.

Read more

DMW-SFU2 video upgrade

If you want pro-level features like 10-bit capture, V-Log and waveforms, then you’ll want this paid-for upgrade.

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Conclusion

How does the Panasonic S1 stack up against the competition, like the Sony a7 III, Nikon Z6 and Canon EOS R?

Read more

Sample Galleries

View hundreds of photos taken with both pre- and final production Panasonic S1s.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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15 Inspirational Presentation Folders for Professional Photographers

26 Jun

Since the first consumer camera was introduced more than 130 years ago, photography folders have provided a solid means for organizing and protecting developed and printed images. Somewhere down the line, ambitious photographers began to use them to market their services and separate themselves from the pack by branding their work. Presentation folders for photographers should be taken seriously because Continue Reading

The post 15 Inspirational Presentation Folders for Professional Photographers appeared first on Photodoto.


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Report: Samsung’s upcoming Note 10 will have a ‘3-stage variable aperture’

26 Jun

Samsung guru and leaker Ice Universe claims Samsung China engineers have said the camera inside the upcoming Samsung Note 10 smartphone will feature a ‘three-stage variable aperture.’

As noted in the above tweet, Ice Universe says the camera on the Note 10 will offer three specific apertures as options: F1.5, F1.8 and F2.4.

Since the Galaxy S9, Samsung’s flagship lineups have featured dual-aperture camera systems, so it’s not new territory for Samsung. It is interesting though that Samsung is continuing to put an emphasis on the mechanical side of mobile photography when so many others, including Leica, are clearly doubling down on the computational side of it.

It’s unknown how the variable apertures will be implemented in the camera system, but the option alone is an improvement over other manufacturers and so far Samsung’s dual-aperture setup has proven itself.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm issues advisory after discovering counterfeit 35mm rolls of Fujifilm-branded film

26 Jun

Fujifilm Japan has issued an advisory (Japanese) warning customers that counterfeit 35mm film featuring the ‘Fujifilm’ brand has been found on the market. The fraudulent products were discovered when a customer took the counterfeit film to a photo developer in Japan, according to a statement from the company.

Fujifilm warns the counterfeit 35mm film products are packed with ‘movie film’ that can’t be developed using CN-16 and C-41 processes; attempting to develop these products may contaminate the developer, putting other customers’ film at risk. Shops that attempt to develop this counterfeit film are advised to change the developer solution and clean the machine.

It’s unclear how widely the counterfeit film products have been distributed. Fujifilm provides three sample images featuring the non-genuine ‘Fujifilm’ film. In addition to the 250D roll featured in the advisory, Fujifilm says there may be other counterfeit products including 250T and 64D.

Articles: Digital Photography Review (dpreview.com)

 
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