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Archive for June, 2019

Gear: AFIDUS ATL-200 Time-Lapse Camera Introduction

05 Jun

The post Gear: AFIDUS ATL-200 Time-Lapse Camera Introduction appeared first on Digital Photography School. It was authored by Sime.

I don’t know how many of you have looked into long-term time lapse before now, but I’m renovating my house and I scoured the web for a solution that was simple to setup and use, and more economical than the ones I found.

Skip forward a few months and this is something we spotted at NAB this year!

An amazing little time lapse camera that is very big on features, but remains very economical on price – The AFIDUS ATL-200.

I wanted to write up an overview of this product for any of you that might be interested. A Macro Time Lapse of a plant growing, or your house being renovated, the possibilities are mostly limitless…

 

The camera was pointed out to me by my friend and filmmaker buddy, Lee Herbet. And then it went and won itself NAB Product of the Year! (Congrats!) To me, as a photographer first, what makes this little camera so appealing is its feature set.

Specifications at a glance

  • Full HD Sony Sensor 1080p
  • Optical zoom equiv. of a 16-35mm lens
  • Wifi App controlled
  • IP65 weather resistant
  • System timer
  • Motion Detection
  • Pinch Zoom
  • MP4 Video output
  • Macro function
  • One Touch Autofocus
  • Wild battery life – weeks to months!

(Full spec here)

Features at a glance

  • The lens has a macro capture feature. With the camera inches away from your subject, you can fill the frame with perfect clarity.
  • Sony Exmor IMX sensor with HDR. Select the HDR amount within the app for great contrasts between bright and dark areas of your scene.
  • Built-in PIR motion detection. This is a great feature. Capture animals, traffic, pedestrian movement and more.
  • One tap autofocus with manual tap precision. If focus is off, manual saves the day and there is a focus calibration feature in the app.
  • 16-35mm DSLR equivalent, optical zoom lens. Yes, the lens zoom actually moves within the camera.
  • Full Wi-Fi app control. Press the camera button, connect to it with the Wi-fi signal on your phone and open the app. In seconds, you have complete control of your camera on your phone. IP65, which means dust protected and water splashing will have no effect on the camera. There is no need to purchase an optional housing with the ATL-200.

I was looking around for a solution to capture my home renovation a few months back. While there are a handful of different systems on the market, for me, they were quite cost restrictive. Whereas, the ATL-200 comes in at $ 389.00, which is much easier on the bank account.

There are a couple of the system’s features that really appeal to me. One is the system timer, which means you can set it up so that it captures your time lapse during the day while the workmen are on-site. It doesn’t fill your card with all the overnight photos where nothing is happening.

The ATL200 has a macro mode, too. So it can do some really creative things (I’m thinking of things like watching little critters in a garden). Also, it’s weather resistant, so just sit it in the dirt and off you go! Alternatively, capture a plant growing, or that sort of thing!

One of the real highlights is that the camera takes regular batteries. A set of four AA batteries will last you 45 Days at the 1-minute interval, 80 days at the 5-minute interval (8 hours a day). This is really quite amazing and great for long term time lapse. No special batteries required, and you can use rechargeable batteries, of course.

Here are a couple of example videos:

While we don’t have our own video made in-house just yet, we’re looking forward to trying the ATL-200 camera on a project very soon! For such a feature set at this price, this could be a really great addition to your content creation toolbox.

Find out the full tech spec and details here.

 

The post Gear: AFIDUS ATL-200 Time-Lapse Camera Introduction appeared first on Digital Photography School. It was authored by Sime.


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Apple used an unreleased 8K Canon cinema camera to show off its Mac Pro, Pro Display XDR

04 Jun

During the launch of Apple’s new hardware and software yesterday at the World Wide Developers Conference (WWDC) 2019 an unreleased 8K Canon video camera was used to capture high resolution footage to demonstrate the quality of the new Pro Display XDR. The video camera was mounted on a robotic arm and was feeding the Apple display with 4:4:4 ProRes 8K raw video via an Atomos Shogun, according to tech YouTuber Jonathan Morrison who live streamed from the event.

During his video the Apple rep refers to the camera on the robotic arm as an ‘unreleased 8K Canon camera’ and from the clips it is easy to see it is designed in the style of the company’s C series. Interestingly, it appears to be mounted with a Sigma 18-35mm T2 in the EF mount. The relevant portion of the video is at roughly the 10:55 mark in the video below:

Canon has featured 8K demonstration cameras and displays in the past at its Canon Expo events, but this is the first time it has allowed the technology to be shown outside of the ‘showcase’ environment, and in a body form that we would recognize.

Articles: Digital Photography Review (dpreview.com)

 
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Are Your Photos Safe in the Cloud? The Real Cost of Using these Services

04 Jun

The post Are Your Photos Safe in the Cloud? The Real Cost of Using these Services appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

Are Your Photos Safe in the Cloud? The Real Cost of Using these Services - Digital Photography School

From professionals to amateurs and hobbyists, to kids just getting started with their first camera, one issue remains constant: how to store photos. If you shoot with your mobile phone, you’ve likely encountered a “Low on storage space” error message at least once. If you use a desktop computer or laptop, there’s a good chance you’ve had to deal with ever-shrinking hard drive space due to an increasing abundance of photos. One option that seems ideal is to use the cloud-based options that have become so prevalent in recent years.

However, if you value data privacy, you might want to think twice before uploading your images to popular online services.

Some are free, but the hidden costs could far outweigh the benefits.

It’s difficult to come up with a perfect answer to the question of whether or not your photos are safe in the cloud because there are so many variables to consider.

I’m going to examine some of the more popular options for photographers. I’ll dive into their Privacy Statements and Terms of Service documents to see what they really do with your pictures.

Hopefully, this will give you the information you need to make an informed decision about where to store your photos.

Cloud storage can be a great option for your images, but make sure you know what you’re agreeing to when you upload your photos.

1. Google Photos

Originally part of the Google+ social platform, Google decoupled this service to operate as a standalone offering in May 2015. Some of its greatest benefits, which also help make it one of the most popular options for photographers, involve storage limits – or lack thereof.

Anyone with a Google account can upload unlimited JPEG files up to 16-megapixels in size, and unlimited videos up to 1080p in resolution.

Google automatically analyzes your photos for people, objects, and locations that you can search for. There are also options such as shared albums and access from a variety of devices that make the service even more attractive. Indeed, Google Photos seems like a no-brainer, and there is a lot to like about it no matter what type of photographer you are. It’s also the default option on most Android phones, so you might be using it unawares.

Google’s algorithms can automatically recognize people, objects, and even pets.

Things start to get a little murky when you dig deeper, though. Google’s Terms of Service is lengthy, but one tidbit that’s worth pondering has to do with the rights you grant to Google when you upload images to Google Photos or store any other data in your Google account:

You give Google (and those we work with) a worldwide license to use, host, store, reproduce, modify, create derivative works (such as those resulting from translations, adaptations or other changes we make so that your content works better with our Services), communicate, publish, publicly perform, publicly display and distribute such content. The rights you grant in this license are for the limited purpose of operating, promoting, and improving our Services, and to develop new ones.

This means that Google can use any pictures you upload to Google Photos for, among other things, promoting their services and developing new ones.

Google goes on to say that their software analyzes your data, including photos and email, to provide you “tailored advertising” in addition to checking files for viruses and scanning emails for spam.

Don’t be surprised if you upload pictures like this to Google Photos and then start seeing ads for pet stores online.

This gives me pause as a photographer. On the one hand, it’s nice knowing that all my images are automatically scanned and analyzed by Google’s artificial intelligence algorithms. It makes it easier to organize, sort, and search for pictures. But all that information is also being used to tweak the ads I see in my daily online browsing. By providing photographers with free photo storage, Google is also providing itself with billions of data points to help send advertisements to everyone who is using their storage.

Should you be worried?

Google is serious about privacy, and it works hard to limit the ways in which your data is shared with other companies. Its Privacy Policy is pretty clear on how they protect your data from bad actors, but rest assured Google is definitely getting plenty of data from your photos that they use internally. And don’t be surprised if you take photos of your new sneakers, upload them to Google Photos, and then start seeing ads for Nike and Reebok when you surf the web. If that’s fine with you, then go ahead and use Google Photos and enjoy the benefits that come with it.

The sharing options in Google Photos make it easy to share pictures with family and friends.

2. Apple Photos

While not exactly known for social sharing, Apple Photos is used by so many people simply because it’s the default option on most Apple devices, including iPhones. Many people store at least some of their photo library using Apple’s cloud-based offering, even if it’s just to sync with their other devices and not store permanently. In terms of data-mining and analysis, Apple takes a much more locked-down approach than Google, which they explain in their Privacy Policy as well as their Approach to Privacy.

Apple Photos is great for storing snapshots from your iPhone and can be used for DSLR images too.

Apple doesn’t make money from advertising, and all the analysis of your photos is performed on your phone and not in the Cloud, so Apple doesn’t really know what’s in your photos at all.

Whether you’re taking a photo, asking Siri a question, or getting directions, you can do it knowing that Apple doesn’t gather your personal information to sell to advertisers or other organizations.

The Memories and Sharing Suggestions features in the Photos app use on-device intelligence to scan your photos and organize them by faces and places. This photo data is shared between your devices with iCloud Photos enabled.

The downside of Apple Photos is that, unlike Google and other vendors, the free storage option is so minimal it’s almost nonexistent. Everyone with an iCloud account, which you need to use most Apple devices, gets 5GB of storage space for everything, including photos, documents, and other data. That’s not much, and it fills up quickly! Additional storage options are cheap, such as 99 cents/month for 50GB, but that’s a far cry from Google’s unlimited free option.

Apple Photos is convenient and secure, but you’ll run out of room real fast on the free tier.

Should you be worried?

Like Google, Apple is serious about the privacy of your data, but they go a step further in that Apple doesn’t even know what’s in your photo library. They don’t scan or analyze your images in the Cloud, especially not for training their Artificial Intelligence algorithms or selling advertising. However, the tradeoff is that you will run out of room really fast unless you don’t mind spending money on storage space.

3. Amazon Prime Photos

If you pay for Amazon Prime, you automatically have access to unlimited storage of full-resolution photos, plus 5GB of video storage. This can be a huge benefit to photographers of all stripes who want a secure place to store their pictures without worrying about intrusive advertising and data analytics. Amazon also has apps available for desktop and mobile that let you automatically upload your pictures.

If you pay for Amazon Prime, you have unlimited secure storage for photos.

When you upload photos to your Amazon account, they are automatically analyzed for faces, locations, and objects. This can be disabled, but Amazon clearly states that this data is only used for organizing your photos and not given to third parties.

Amazon doesn’t share your photos or any of the data derived from our image recognition features. Labels and data are only used to help you better organize and find photos in your collection.

There are other benefits to using Amazon Prime Photos as well, such as easy-to-use methods of ordering prints and creating albums that can be shared with others. However, as a photographer, you need to know that the Terms of Use specifically forbid you from using Amazon Prime Photos in a commercial capacity:

You may not use the Services to store, transfer, or distribute content of or on behalf of third parties, to operate your own file storage application or service, to operate a photography business or other commercial service, or to resell any part of the Services.

Amazon Prime Photos offers unlimited storage space, but their Terms of Use contains some notable restrictions.

Should you be worried?

Amazon doesn’t make any money off your photos or the metadata contained in your photos, and the security of Amazon’s data centers is as good as anything. If you already pay for Amazon Prime, this option is certainly worth exploring. However, you might want to investigate some of the automatic analysis options to make sure it’s not scanning your images in a way you don’t want.

4. Facebook and Instagram

Facebook owns Instagram and applies the same data policies to both platforms, so what applies to one also applies to the other. It’s so common to take photos and upload them to Facebook and Instagram that, for many people, these have become their de facto storage option for images. That’s not necessarily a bad thing, as Facebook lets you easily share your pictures and also analyzes them for people and places that can be useful when sorting through your images.

Facebook and Instagram are great for sharing photos. However, any data that can possibly be gleaned from them will likely be used for advertising purposes.

Since these platforms are free, and used by so many people around the world, it can be hugely beneficial for photographers or casual shooters to store their photos in Mark Zuckerberg’s cloud. Things start to get a little hazy when you start to dig through Facebook’s Data Policy.

We collect the content, communications and other information you provide when you use our Products, including when you sign up for an account, create or share content, and message or communicate with others. This can include…the location of a photo or the date a file was created. Our systems automatically process content and communications you and others provide to analyze context and what’s in them.

That’s just the beginning.

The full Data Policy describes dozens of ways in which Facebook scrapes through your photos and the rest of your data. The company makes money from advertising, and it’s clear that they will analyze and evaluate every possible data point in your photos as much as it can to benefit itself.

Facebook won’t share your personal information with advertisers, but upload photos like this and you’ll likely start seeing ads for baby products.

This information is primarily used for advertising and helps Facebook customize the ads and other content you see across its services. However, the degree to which Facebook lets third-parties have access to your information is uncertain. Many recent scandals, such as the Cambridge Analytica data breach, have shown that Facebook clearly has some issues regarding data privacy. However, in recent months, the company has taken a much more aggressive stance on privacy – at least publicly.

Should you be worried?

If privacy and security are your main concerns, I would recommend staying away from Facebook for a lot of photo storage. While things might change in the future, for now, it’s best to assume that your photos are not going to have the same level of privacy as other platforms. You also need to double-check your account settings to make sure that only the people you want to see your photos can view them.

5. Flickr

With its recent acquisition by SmugMug, Flickr has seen a resurgence among photographers. Despite having a limit of 1000 photos for the free tier, it can be a good option if you value quality over quantity. The site has a freemium business model, which means that you can use the basic version for free but pay for more features if you want them. The free tier is supported in part by those who pay for the Pro version, but like a lot of other sites, advertising supports it.

Flickr collects a great deal of information about you and your photos, and its Privacy Policy is certainly worth a look if you want to use the site. They log and store information that you provide them when you sign up for an account, but also a great deal of information in the background too.

We collect information about the computer or mobile device you use to access our Services, including the hardware model, operating system and version, screen resolution, color and depth, device identifiers and mobile network information.

When you upload a photo with geographical data (i.e. from a mobile device) or manually geotag your photo, we collect the location of that photo. With your consent, we collect information about your location if you take a photo within the Flickr mobile application to add to your photo’s metadata.

Like other platforms, Flickr will automatically analyze your photos using its own artificial intelligence.

Flickr also stores and analyzes EXIF data in your pictures such as camera model, focal length, shutter speed, and more. Like Google, they also use image-recognition technology to automatically analyze and tag your photos. This helps in searching through your images, but it can feel a little Orwellian too.

Advertisers get a lot of data from Flickr, and there’s not much you can do to control it. Flickr suggests that you use on-device options such as “Limit Ad Tracking” features on your mobile phone, but that has nothing to do with the wealth of information the company is getting from your photos. Whether you like it or not, your images on Flickr are being used to help Flickr maintain and grow its business.

One interesting element of Flickr that most other platforms don’t have is the ability to change the license on your photos. While this won’t affect privacy or data security settings, it is a good way to help make sure others use your images in a way that you want.

Should you be worried?

Flickr has a better track record compared to Facebook, but just know that your photos will certainly be analyzed for advertising purposes.

Flickr is more widely used for artistic and creative photos as opposed to family, child, and friend photos.

6. Dropbox

As one of the pioneers in mass storage solutions for consumers, Dropbox has become a good option for photographers who want to store and even share their images. Their free option only gives you 2GB of storage, but that’s enough for hundreds or even thousands of photos, depending on the resolution and size. They make money from selling a service, not from advertising, and as a result, your images are about as close to secure and private as you will ever find.

Dropbox offers a range of benefits for privacy-focused photographers.

Their Privacy Policy states that Dropbox collects some basic information such as file size, time/date stamps, and device information but not much more. They don’t really care what files you store on Dropbox so long as they’re not illegal. (And like other services, they have to comply with court orders to hand over files when necessary.)

We collect and use the personal data described above in order to provide you with the Services in a reliable and secure manner. We also collect and use personal data for our legitimate business needs. To the extent we process your personal data for other purposes, we ask for your consent in advance or require that our partners obtain such consent.

We may share information as discussed below, but we won’t sell it to advertisers or other third parties. Dropbox uses certain trusted third parties (for example, providers of customer support and IT services) to help us provide, improve, protect, and promote our Services. These third parties will access your information only to perform tasks on our behalf in compliance with this Privacy Policy, and we’ll remain responsible for their handling of your information per our instructions.

Should you be worried?

Nope. When it comes to data security, Dropbox is one of the best in the business. You can rest assured that nothing in, or about, your photos will be analyzed, tracked, or given to advertisers or other third-parties. You have to pay to move beyond the 2GB free tier, but it’s money well spent if you value data privacy and security.

Dropbox comes with a price if you want more than 2GB, but it can be well worth it depending on your needs.

Conclusion

There’s never going to be a one-size-fits-all option when it comes to cloud storage. Whatever option you choose, if you do want to store your images online, it’s a good idea to read through the relevant privacy and data policies to make sure your images aren’t being used in a way that you don’t want. There are plenty of options I didn’t even touch on here, and if you have a bit of time and technical acumen, you can even create your own cloud storage options using computer hardware at home.

All cloud-based services have benefits and drawbacks. Make sure you find one that fits what you need.

Make sure to do your due diligence when choosing a cloud service provider. If a free option catches your eye, you might want to dig a little deeper to find out just why it’s free and what they are doing with your photos. Also, if you value security and privacy, it might be worth it to spend some money on a solution that really does work for you.

 

The post Are Your Photos Safe in the Cloud? The Real Cost of Using these Services appeared first on Digital Photography School. It was authored by Simon Ringsmuth.


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Fujifilm GFX 100 added to studio test scene

04 Jun

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Fujifilm’s GFX 100 is equipped with an all-new, 100MP backside-illuminated CMOS sensor with dual-gain architecture. Not only does this sensor offer outstanding resolution, it also promises to exceed the capabilities of today’s best full-frame cameras when it comes to high ISO image quality and Raw dynamic range.

We’ve been shooting with a pre-production GFX 100 with near-final firmware for a while now, and as part of our ongoing review we’ve updated our studio scene database so you can see how it compares. Please note that these images may be replaced when we have access to final firmware and / or a final shipping sample of the GFX 100 in the coming weeks.


Images shot using a pre-production Fujifilm GFX 100 and published with permission. Image quality may not exactly represent exactly the output from final shipping cameras but is likely to be extremely close.

Articles: Digital Photography Review (dpreview.com)

 
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Apple’s new Mac Pro and 32″ 6K Retina display are a match made in media heaven

04 Jun

Apple unveiled more than software at its World Wide Developers Conference (WWDC) 2019 today. In addition to iOS 13, iPadOS and macOS Catalina, the Cupertino-based company also announced the Mac Pro and the Pro Display XDR.

Mac Pro

Six years after Apple announced its barely-upgradeable cylindrical Mac Pro, aptly dubbed the ‘trash can,’ Apple took WWDC 2019 as an opportunity to unveil its most powerful, modular Mac Pro to date.

While undoubtedly new, the overall design is reminiscent of Apple’s original Mac Pro, complete with the ‘cheese grater’ vents, which are specifically machined to allow maximum airflow through the tower. However, unlike the original Mac Pro, this modular monster can shed its shell to offer complete 360-degree access to the internals, which are mounted on what Apple calls a ‘stainless steel space frame’ that serves not only as the skeletal structure of the computer but also as the handles and feet when the aluminum enclosure is slipped over it.

At the core of the Mac Pro is Intel’s new Xeon processor with up to 28 cores, a dedicated 300W power supply and robust cooling that keeps to the computer running ‘unconstrained at full power at all times’ when required to do so. Apple has included eight PCI Express slots (four double-wide and four single-wide), twelve six-channel memory slots for a maximum 1.5TB of RAM and a slew of various USB ports, including two USB-A ports and two USB-C/Thunderbolt 3 ports on the rear of the tower with two addition USB-C ports on the top of the case for easier access.

In addition to the tower itself, Apple has also created three modules that are specifically designed to interface with the Mac Pro: the MPX Module, the ‘Afterburner’ video card and an I/O module.

The MPX Module is a quad-wide PCIx card that houses two AMD Radeon Pro Vega 2 or Radeon Pro Vega 2 Duo GPUS, its own heat sink and a Thunderbolt 3 connector that plugs directly into the motherboard for maximum speed. If maxed out with the two Radeon Pro Vega 2 Duo cards, the MPX Module alone could provide up to 128GB of High Bandwidth Memory (HBM2) from the GPUs inside.

Apple’s ‘Afterburner’ module

Apple’s new ‘Afterburner’ is a hardware accelerator card with a field-programmable gate array (FPGA) or a Programmable Application Specific Integrated Circuit (ASIC). Apple claims the ‘Afterburner’ card can process up to 6.3 billion pixels per second and is capable of handling up to three streams of 8K ProRes RAW or 12 streams of 4K ProRes RAW at 30fps. As Apple puts it, ‘Proxy workflows, RIP.’ The last one is an I/O module that adds two additional USB-C / Thunderbolt 3 ports, two USB-A ports and a 3.5mm audio jack.

Apple has fitted the Mac Pro with a 1.4kW power supply and a specialized fan arrangement that actively cools the components using three fans at the front of the tower and a blower at the rear to push up to 300 cubic feet of air per minute through the 3D lattice grills on the front and rear of the tower.

The updated Mac Pro is set to launch this fall starting at $ 5,999, which will get you the eight core Intel Xeon CPU, Radeon Pro 580X GPU, 32GB of RAM and a 256GB SSD. Apple hasn’t specified what a fully maxed-out Mac Pro would cost, but based on a brief analysis from The Verge, it’s looking like it could top out at around $ 50,000 going by the current market price of the various components.

Pro Display XDR

Of course, what would a powerful desktop computer be without a beautiful screen to compose, create and review your work on it with? Years after leaving the display market, Apple is back—and it’s created a display that’s just as (if not more) crazy than its Mac Pro counterpart.

It’s called the Pro Display XDR and it’s a 32in 6K Retina (6016px x 3384px, 218ppi) HDR display that brings the best features of high-end reference monitors and manages to pack said features into a more compact, affordable (comparatively speaking) frame that offers the convenience of more traditional monitors.

The Pro Display XDR features 10-bit color depth, P3 wide color gamut, 576 zones of full-array local dimming and 1,000,000:1 contrast ratio on a screen that has sustained 1000-nits brightness (with the ability to achieve 1600-nits at its peak). This is done with the help of an in-factory calibration that custom defines algorithms to achieve the most accurate color rendering possible.

An illustration from Apple’s keynote showing the layers that go into making the Pro Display XDR.

To keep the monitor cool, Apple took the same 3D grill from the Mac Pro and effectively turned the entire rear of the display into a giant heat sink for maximum heat dissipation.

Every Pro Display XDR comes with an ‘extremely low reflectivity’ screen, but Apple has also created a new matte option that uses ‘nano-texture glass’ to further scatter and light and reduce glare. In Apple’s own words:

‘Typical matte displays have a coating added to their surface that scatters light. However, these coatings lower contrast while producing unwanted haze and sparkle. The nano-texture on Pro Display XDR is actually etched into the glass at the nanometer level.’

Other features of the display include integrated reference modes—HDR video (P3-ST 2084), Digital Cinema (P3-DCI) and Photography (P3-D65)—and Apple’s True Tone technology to adjust the monitor depending on the ambient lighting conditions.

Apple has paired the Pro Display XDR with the optional Pro Stand, a dedicated stand for the display that uses a specialized hinge mechanism to make raising, lowering, tilting and rotating the screen easy enough to do with one hand. The monitor snaps on using a magnetic connection on the back and can easily be swapped out with a VESA mount adapter for more customized mounting options.

In case that new house wasn’t looking as enticing as you would hope, you could go ahead and drop what was going to be your downpayment on six Pro Display XDR monitors.

The Pro Display XDR relies on a Thunderbolt 3 cable to connect with the new Mac Pro, which can drive up to six of these things for a mind-numbing 120 million combined pixels.

The standard Pro Display XDR is expected to ship this fall for $ 4,999, with the nano-glass version costing $ 1,000 more at $ 5,999. The optional Pro Stand will set you back another $ 1,000, while the VESA mount adapter will be a slightly more reasonable $ 199.

While the pricing seems ridiculous, the display itself is on par—if not more capable—than many professional reference monitors that retail for five times the price. The stand feels like a bit of a money grab at $ 1,000, but the $ 199 VESA mount is a much more reasonable option and should yield more flexibility in the long run anyway.

For more information on the Pro Display XDR visit Apple’s product page.

Articles: Digital Photography Review (dpreview.com)

 
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Vazen launches “world’s first” anamorphic lenses for Micro Four Thirds

04 Jun

Vazen, a Chinese optics manufacturer, is set to launch a trio of anamorphic lenses for Micro Four Thirds cameras. Showing at the Cine Gear Expo and spotted by Newsshooter, the company will be offering 28mm, 40mm and 65mm focal lengths with a 1.8x anamorphic effect.

The lens on show at Cine Gear is a 40mm T2 that will be shipping at the end of this month. When used on Micro Four Thirds cameras, such as the Lumix GH5/s, Blackmagic Pocket Cinema Camera or Z-cam E2, it will produce 2.39:1 aspect ratio images. Vazen claims the lenses will provide ‘buttery smooth oval bokeh, signature blue horizontal flare and the widescreen cinematic look’ as well as a minimum focus distance of 0.82m (2.7ft) for the 40mm example. The focus and aperture rings are fitted with gears and the front filter thread measures 110mm.

Below is sample footage captured with the 40mm T2 lens:

The 40mm version weighs 1.8kg (3.97lbs), is 110mm x 175mm (4.33in x 6.89in), and will cost $ 3,250. Users will have to wait until much later in the year for the 28mm and 65mm models. For more information see the Vazen website.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm GFX 100 sample gallery with Raw conversions

04 Jun

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We’ve been out shooting with the Fujifilm GFX 100 as much as possible, and while it’s running not-quite-final firmware, we’re able to share some converted Raw files in our latest batch of sample images. Image quality is unlikely to change significantly with the final firmware version, but bear in mind that it is still subject to change as you take a look through some fresh out-of-camera JPEGs and Raw conversions.

And goodness, a hundred megapixels of resolution is nothing to sneeze at.

See our Fujifilm GFX 100 sample gallery (non-final firmware)

Articles: Digital Photography Review (dpreview.com)

 
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How to do Abstract Watercolor Photography

04 Jun

The post How to do Abstract Watercolor Photography appeared first on Digital Photography School. It was authored by Rick Ohnsman.

Less about what it is, more about how it makes you feel is this “watercolors” shot, “Visual Jazz.” © Rick Ohnsman

When you’re ready to make the transition from “snapshooter” to a serious photographer, make photographs rather than simply take pictures, then you’re also ready to begin thinking like an artist.  No longer should you snap a photo to simply record a representation of what you saw.  You will want to begin to think about how to craft your image so that it tells a story, captures the emotion, and involves the viewer in a way that communicates to them.  While the subject and the location still matter, it is also important to consider “how does my image make the viewer feel?”

A Wikipedia article on the famous photographer, Minor White, (July 9, 1908 – June 24, 1976) describes him this way – “An American photographer, theoretician, critic, and educator. He combined an intense interest in how people viewed and understood photographs with a personal vision that was guided by a variety of spiritual and intellectual philosophies.”

I especially like this quote from White –

“One should not only photograph things for what they are but for what else they are.” – Minor White

Water ripple reflections are sometimes distorted, making interesting abstracts. © Rick Ohnsman

Photographing “Watercolors”

The use of the term watercolors in this article is not to describe how you might photograph a watercolor painting nor is it about how to use digital tools and techniques to emulate a watercolor look with your photograph.  Instead, we explore how you can learn to see, and then photograph the interplay of light and water to make interesting, and often abstract, images.  Such images will require you to look harder, quietly observe, study and then decide how you will use your camera to capture the image.  You will want to think about how the scene makes you feel and how you will communicate that to your viewer.

A real benefit of making these kinds of photos is – unlike joining the dozens of photographers who might line up at sunrise at that iconic location and all snap away, essentially all making the same shot – these kinds of images will be uniquely yours.

Every image will be different.  In most cases, you couldn’t replicate the shot even if you tried.

There’s much satisfaction in crafting something that is uniquely your vision and creation.

The qualities of light and water

Yes, it’s a wave, but this photo is all about the patterns, colors, and reflections in the sea and surf. © Rick Ohnsman

You may have heard the origin of the word “photography,” based on the Greek words “phos” for light and “graphé” meaning drawing.  Thus, photography is ‘”drawing with light.”

The light that enters our camera lens is either direct (emitted from a source like the sun, or an artificial light source), or reflected (light bouncing off an object and into our lens).  We study the effect of light, and it’s absence, and use it to define the objects we photograph.

Now add water into the scene.  Water can also reflect the light (and the various colors comprising it).  It can also refract the light – bending, altering, and even splitting it into its component colors.

Light waves are changed as they pass from a less-dense material like air to a more-dense medium like water.  Understanding the physics behind how this works isn’t important.  What you as a photographer, a trained observer, and an artist, want to do is learn how to watch for and then capture the interplay of light and water.

Water exists in all three forms in this shot; liquid, solid, and gas. © Rick Ohnsman

The three properties of water

Okay, hang on, just a little more physics here.

Water exists in three states:

  1. liquid,
  2. solid (ice and snow), and
  3. gas (steam, fog, clouds, mist).

How light behaves when it is reflected off the water in these states or refracted through them will become part of your observation training as photographer and artist.

A long exposure blurs the liquid water, but the ice on the rocks is still, a way to display the static and dynamic qualities of water. © Rick Ohnsman

 

A long exposure blurs the water of Avalanche Falls in the Flume Gorge of New Hampshire. © Rick Ohnsman

There are always photos to be taken as this cellphone shot of water cascading down the windshield during a trip through the carwash demonstrates. © Rick Ohnsman

Capturing motion

Include the duck for a touch of reality, use the reflection only, or catch a rippled reflection for an abstract, there are many creative possibilities. © Rick Ohnsman

Water dripping down the wall of a building makes for a “realistic-abstract.” © Rick Ohnsman

Something else water can do is move.  From massive ocean waves, flowing rivers, erupting geysers, human-made fountains, tiny dripping drops, swirling fog and mist, snow and rain, in many forms water moves.

Our cameras can freeze that motion with high shutter speeds or flash or blur it with long exposures.  Water and how it behaves gives us tremendous opportunities for creativity with our cameras.

Combining still objects in the photo which don’t move, (think a rocky coastline), with water that does (like the waves) in a long exposure, and you create an exciting image that displays both static and dynamic elements.

There’s the realism of the water lily, but over in the corner of the shot… © Rick Ohnsman

Realistic or abstract?

There are no rules when it comes to how you choose to depict water in your photo.  It might be quite literal like an image of a waterfall.  It could play a “supporting role,” adding story and color to an image.  Or it could be about how the light interacts with the water; liquid, solid, or gas.  Alternatively, maybe it’s totally abstract – all about the shape, form, line, and color with no concern whatsoever to what the subject might be.

The objective here is to become a “student of light,” observing how light and water interact to create interesting scenes to photograph.

… a complete abstract. © Rick Ohnsman

Learning by observing

The rest of this article will be about the photos.  Study how I made each one and the way water, in its various forms, is used in combination with the light to make the image.  I have captioned the photos with additional information about them.  See what you can learn and then go make your own unique images.

Water vapor, or what we call fog, create effects with the light. © Rick Ohnsman

Ice is water in solid form. It reflects, refracts, and alters the light while taking on fantastic forms. © Rick Ohnsman

Reflections on the wet sand make great watercolors. © Rick Ohnsman

It might come in a bottle, but sparkling water is a great way to add bubbles to your watercolors. © Rick Ohnsman

Even where watercolors may not be the main subject, they can play a strong supporting role. © Rick Ohnsman

 

The post How to do Abstract Watercolor Photography appeared first on Digital Photography School. It was authored by Rick Ohnsman.


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Apple announces new photo features and tools in iOS 13, macOS and iPadOS updates

04 Jun

Today, at its World Wide Developer Conference (WWDC) 2019, Apple unveiled a collection of new photo-oriented features and tools inside its upcoming iOS 13 and macOS operating systems, as well as its new iPadOS, a spin-off of iOS designed specifically to utilize the larger, more powerful tablets from Apple.

Below we’ve rounded up and summarized the best photo-related features from each of the three operating systems. Additional details will be added over time as we gather more information and details.

iOS 13

The main feature changes in iOS 13 are new and improved features inside the Camera and Photos applications.

On the Camera app front, Apple has added a new Portrait Mode setting it calls High Key Mono. As its name suggests, the new AI-powered filter will create a high key black and white image when captured with Portrait Mode in the Camera app.

A collection of Portrait Mode images showing the five different lighting filters available.

Also new to Portrait Mode is the ability to adjust the intensity of the lighting. Apple says its new feature is designed to simulate the light source moving closer to or further away from the subject and even accounts for the higher intensity light being softer, as would be the case with a physical light source. And like before, each adjustment is made individually to images using AI to achieve the most accurate results.

Screenshots provided by Apple showing the ‘Years,’ ‘Months’ and ‘Days’ tabs, respectively.

Moving onto the Photos app on iOS, Apple has switched up the interface a little to add a new tab at the bottom that will automatically sort images into ‘Years,’ ‘Months,’ ‘Days’ and ‘All Photos.’ In addition to the new ‘Pinch’ gesture that can be used to zoom in and out of large numbers of photos, these tabs make it easier to chronological sort through images and the tabs are even contextual, so if, say, it’s your child’s birthday and their information is in your phone, the ‘Year’ tab will show photos of your child on the thumbnails of each year.

Another UI change in the Photos app is in the photo editing section. The interface now uses buttons, akin to what you see in Instagram and other third-party photo editing applications. Apple has also added the ability to edit video directly in the Photos app, just as you would photos. Now, videos can be rotated, adjusted and have filters added to them just as you would with a still image.

You can read more about iOS 13 on Apple’s dedicated preview page.

iPadOS

You might’ve noticed the lack of any mention of the iPad. That’s because Apple has finally given the iPad an operating system of its own, iPadOS. Unsurprisingly, the operating system is effectively a more powerful version of iOS, complete with a number of features photographers around the world have been asking for.

First up is support for external drives. Now, the Files app supports browsing, editing, sorting and transferring content from hard drives, solid state drives, USB drives, SD cards and even direct import from cameras. We haven’t found any additional details, but Apple CEO Tim Cook specifically mentioned the ability to import images directly into Lightroom CC from an SD card or connected camera, bypassing the need to first import images into your Camera Roll.

The first iteration of iPadOS also brings the aforementioned changes found in the iOS 13 version of the Camera and Photos apps.

Apple has also managed to further decrease the response time when using the Apple Pencil with an iPad. Apple already leads the industry with a 20ms response time, but in iPadOS that’s been further reduced to 9ms, thanks to improved algorithms.

You can read more about iPadOS on Apple’s dedicated preview page.

macOS Catalina

The newest version of Apple’s desktop operating system, macOS, has strayed from the desert theme and has officially been deemed macOS Catalina. Of all the changes, one change, in particular, stands out for photographers—Sidecar.

Until now, it’s required third-party hardware and software to use your iPad as a secondary display for your macOS computer. Now, the functionality is baked directly into macOS Catalina via Sidecar.

Sidecar works both wired and wirelessly, and supports the Apple Pencil, effectively turning your iPad into a dedicated drawing tablet that’s connected directly to your macOS computer. Sidecar will support gesture inputs and will display various Touch Bar functions on the bottom of the iPad display, even if you don’t have the Touch Bar MacBook Pro.

Apple has shared a list of supported apps, which include Affinity Photo, Adobe After Effects, Adobe Premiere Pro, Cinema 4D, Final Cut Pro, Maya and others. However, Adobe Photoshop, Adobe Lightroom, Capture One and other photo-related apps are noticeably absent from the list for the time being.

A list of apps Apple has specifically mentioned as supported by Sidecar for the time being.

By adding this functionality, Apple has more or less pulled the rug out from underneath third-party software and hardware options including Astropad and Duet Display. However, until iPadOS and macOS Catalina are available for public use, third-party options are the only means of using your iPad as a secondary display.

You can read more about macOS Catalina on Apple’s dedicated preview page.

Articles: Digital Photography Review (dpreview.com)

 
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OPPO and Xiaomi demo under-display front cameras

04 Jun
Xiaomi Mi 9 prototype with under-display front camera (left)

Front cameras are an essential component in mobile devices and used for a range of tasks, including selfie captures, video calls and face-unlocking. However, they can stand in the way of clean device design, taking up space on the front of the phone and requiring bulky top-bezels, display holes or a front camera ‘notch’.

Recently several manufacturers have come up with creative design solutions that ensure an uninterrupted almost bezel-less display. Pop-up and rotating cameras are mechanical solutions, however, that are subject to wear and tear. Now it looks like Chinese manufacturer OPPO has found a solution that does not require any moving parts: a camera that is hidden under the display.

OPPO VP Brian Shen shared a video clip on the social network Weibo, showing what appears to be a smartphone without any visible front camera holes or notches on a desk. When the camera app is launched a live preview of the room’s ceiling is displayed. The demonstrator also moves their finger over the area where the camera appears to hidden.

Rival Xiaomi did not take long to respond to the OPPO video, posting its own under-display camera demo. Company’s president Lin Bin shared a video clip in which an under-display camera was added to a Xiaomi Mi 9 prototype.

In contrast to mechanical solutions users of an under-display camera would not have to worry about wear and tear but in a follow-up post to the demo, Shen says that the technology is still in an early development phase. ‘At this stage, it’s difficult for under-display cameras to match the same results as normal cameras, there’s bound to be some loss in optical quality,’ Shen writes. ‘But, no new technology jumps to perfection right away.’ Neither OPPO nor Xiaomi have said when the new technology will be released.

Articles: Digital Photography Review (dpreview.com)

 
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