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Archive for February, 2019

Sony VENICE motion picture camera firmware v4.0 update brings 4K/120fps

02 Feb

Sony has detailed its upcoming version 4.0 firmware for its VENICE motion picture camera system, adding optional High Frame Rate (HFR) license speeds for shooting at up to 120fps at 4K 2.39:1 and 60fps at 6K 3:2. When using anamorphic lenses, the VENICE cameras can also be used to shoot at 75fps at 4K 4:3 and 110fps at 4K 17:9. According to Sony, these new frame rate options are ideal for commercial 4K/6K productions and movies, as well as VR work.

Joining the HFR recording is upgraded remote control functionality with Sony’s 700 Protocol, ‘giving filmmaker’s greater flexibility,’ according to the company. As well, firmware v4.0 brings support for ZEISS eXtended Data and Cooke’s most recent /i3 metadata system, progressive HD-SDI output in 25p and 29p, an extended Mask+Line setting in the system’s Frame line set-up, plus there will be selectable functions for the DVF-EL200 viewfinder’s assignable buttons.

The version 4.0 firmware update will be free; both it and the optional High Frame Rate license will arrive in June.

January 31, 2019: Sony will be upgrading the capabilities of its next-generation motion picture camera system, VENICE, by introducing High Frame Rate (HFR) shooting, advanced remote-control functionalities and Cooke/i3 and Zeiss extended metadata support, as part of its latest firmware update. Following the recent release of VENICE’s firmware Version 3.0 and the upcoming launch of its Extension System (CBK-3610XS), which was developed in collaboration with James Cameron’s Lightstorm Entertainment and is currently being used to shoot the AVATAR sequels, the latest upgrade will offer filmmakers even greater creative freedom, flexibility and choice.

The new optional High Frame Rate license allows VENICE to shoot at speeds of up to 120fps at 4K 2.39:1, and 60fps at 6K 3:2 as well as up to 110fps at 4K 17:9 and 75fps at 4K 4:3 with anamorphic lenses. The new additional frame rates are particularly well-suited for drama, movie and commercial productions in 4K and 6K, as well as productions at 50/60p in 6K and VR productions using large viewing angle of 6K 3:2 in 60p.

All High Frame Rates support X-OCN recording including X-OCN XT* implemented from Ver.3.0 and High Frame Rate up to 60fps support XAVC 4K and ProRes recording.

“At Sony, we pride ourselves on working closely with our customers and partners to create solutions that enable modern filmmakers to bring their vision to reality just the way they intend to. In fact, High Frame Rate shooting was a feature that was frequently requested by our customers. We listened to their feedback and are excited to now offer this feature to all new and existing VENICE users,” explained Theresa Alesso, Vice President and Head of CineAlta for Sony Electronics. “Last year at Cine Gear Expo, we announced that Version 4.0 will include 120fps in 2K. However, we are excited to announce today that, as a result of the hard work of our engineering team, Version 4.0 will now include 120fps in 4K. With firmware Version 4.0, our state-of-the-art VENICE will become even more powerful, fortifying its position as the go-to solution for cinematographers who want to create stunning imagery and capture emotion in every frame.”Additionally, Version 4.0 of the VENICE firmware will introduce:

  • 700 Protocol – A control protocol developed by Sony to connect VENICE to a remote-control unit (RM-B750 or RM-B170) and an RCP-1500 series remote control panel, giving filmmakers greater flexibility in bringing their visions to life. Further expanding on the camera’s existing remote-control capabilities, the VENICE now offers paint control, iris control, recording start/stop, clip control, and more. The upgraded remote-control function also adds new workflows to extend VENICE’s use in multi-camera and live production settings, such as live concerts and fashion shows.
  • Support for Cooke’s /i third generation metadata Technology, /i3 and ZEISS eXtended Data technology (based on Cooke /i Technology) – Extended lens metadata can now be embedded straight into a RAW/X-OCN/XAVC file and HD-SDI output without the need for additional metadata equipment. The new function allows distortion and shading caused by supported lenses to be easily rectified, significantly reducing post-production costs.

Further features include an extended Mask+Line setting in the Frame line set-up, selectable functions for the assignable buttons of the DVF-EL200 viewfinder and pure Progressive HD-SDI output in 25p and 29p.

Both the free upgrade to firmware Version 4.0 and the optional HFR license will be available in June 2019.

To learn more about VENICE, please join Sony at BSC Expo 2019 in Battersea Evolution, Battersea, London at stand 545 or visit pro.sony/products/digital-cinema-cameras/venice.

*Excluding 6K 3:2 50p/60p

Via: PixelShift

Articles: Digital Photography Review (dpreview.com)

 
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Leica releases limited ‘Safari’ edition M10-P camera, Summicron-M 50mm F2 lens

01 Feb

Leica has announced the launch of a limited edition Leica M10-P Edition ‘Safari’ camera and accompanying Summicron-M 50mm F2 Edition ‘Safari’ lens.

The launch of the limited edition pieces continues Leica’s tradition of olive green camera releases. In Leica’s own words, ‘Leica cameras with the olive green enamel finish were originally designed and created for hard-wearing military use, as they were seen as robust and reliable tools that consistently delivered under extreme conditions.’

The Leica M10-P Edition ‘Safari’ is identical to its less colorful counterpart in terms of specs and includes a full-grain cowhide leather carrying strap as well as a matching leather case for memory cards and credit cards, both of which were designed to ‘complement the unique aesthetic of the limited edition camera.’

The Leica Summicron-M 50mm F2 Edition ‘Safari’ lens is the first time a Leica M lens will be available in the olive green finish. Aside from the new color, the limited edition lens features a distance scale and focal length engravings that are hand-filled with red paint to ‘contrast to the other bright white engravings on the lens.’ Like the camera, this lens is identical to its black and silver counterparts.

Interestingly, the camera and lens are being sold separately with no option of getting them together as a kit. Leica says the M10-P Edition ‘Safari’ camera body is available today for $ 8,450 in a limited run of 1,500 units while the matching lens will be available on February 15, 2019 for $ 2,750 in a run of just 500 units. Both the camera body and lens are available for pre-order at B&H.

Leica Camera Continues a Longstanding Tradition with the Leica M10-P and Leica Summicron-M 50 mm f/2 “Safari” Limited Editions

The first-ever release of a Leica M-Lens in the olive green coloring accompanies the fifth iteration of “Safari” camera offerings

January 31, 2019 – The launch of the limited Leica M10-P Edition “Safari” camera and Leica Summicron-M 50 mm f/2 Edition “Safari” lens reopens a beloved chapter in Leica Camera’s ongoing tradition of special olive green camera releases. Dating back nearly 60 years, the eye-catching finish has recurred throughout the brand’s rich history, making each rare piece highly sought after among Leica collectors and enthusiasts alike. Leica carries forth this tradition with the new limited edition camera body and limited edition lens in the olive green enamel finish, which when paired together, create the perfect symbiosis of functionality, design and history.

Leica cameras with the olive green enamel finish were originally designed and created for hard-wearing military use, as they were seen as robust and reliable tools that consistently delivered under extreme conditions. The rugged aesthetic of the Leica M1 “Olive” for the German armed forces, made in 1960, proved to be a great success from its onset. The subsequent olive green Leica M3 and M4 cameras were also created exclusively for the rigors of military use in the field, however, in response to rising popularity and increasing demand, in 1977 the olive green Leica R3 “Safari” camera became the first of its ilk to be created for sale to the general public. As popularity grew and the legacy carried on over the years, Leica Camera launched the M6 TTL “Safari” in 2000, the M8.2 “Safari” in 2008 and, most recently in 2015, the M-P (Typ 240) “Safari.” Each piece, a significant highlight in Leica’s historic lineage and timeline of milestones.

Today, Leica continues the tradition of these unique and storied cameras with the Leica M10-P Edition “Safari”, a modern take on the olive green finish, at its core containing the same performance and technical capabilities of the standard Leica M10-P and its industry-leading quiet mechanical shutter. The limited edition camera is accompanied by a leather carrying strap as well as a matching leather case for SD memory cards and credit cards. Both accessories are crafted from brandy-colored, genuine full-grain cowhide and complement the unique aesthetic of the limited edition camera, of which there are only 1,500 units available worldwide.

For the first time in Leica’s history, a Leica M-Lens will be available in the legendary olive green finish. The matching Leica Summicron-M 50 mm f/2 Edition “Safari” will be offered separately from the camera, with only 500 units being made available. In addition to the special enamel finish, the Leica Summicron-M 50 mm f/2 Edition “Safari” is distinguished by its distance scale and focal length engravings, which are precisely engraved and carefully hand-filled in red paint – in contrast to the other bright white engravings on the lens. The technical specifications and optical performance are identical to those of the well-regarded production model, though the artful coloring and compact design of this high-performance standard lens makes it an attractive addition to any photographer’s set of Leica M equipment.

Every bit of visible metal components of the Leica M10-P Edition “Safari” and the Leica Summicron-M 50 mm f/2 Edition “Safari” lens are crafted from solid brass. The premium enamel finish in olive green makes the camera and lens resistant to finger marks and scratches, providing enduring protection against external elements such as solvents, chemicals and UV light to ensure a long-lasting look that can stand the test of time and transcend generations, just as its forebears before it.

The Leica M10-P Edition “Safari” camera body is available for sale today for $ 8,450. The Leica Summicron-M 50 mm f/2 Edition “Safari” premium lens will be available starting February 15th for $ 2,750. Both camera and lens are sold separately at Leica Stores, Boutiques and Dealers.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix S1R arrives in April for $3699 body-only

01 Feb

Panasonic has revealed full details of the Lumix S1R – its pro-oriented full-frame mirrorless camera. We’ve known since Photokina 2018 that the 47.3MP S1R would be the higher resolution camera of the two new Panasonic S-series cameras and that its feature set would be aimed squarely at stills shooters. The S1R boasts thorough weather-resistance, and uses the L-mount standard – a joint effort between Panasonic, Leica and Sigma.

Both the S1R and its close relation the S1 offer a High Resolution multi-shot mode, but thanks to its higher sensor resolution the S1R creates 187MP files compared to 96MP from the S1. Full-resolution burst shooting with AFS is available at up to 9 fps; with continuous autofocus the maximum rate drops to 6 fps. Panasonic’s 6K Photo mode provides extraction of 18MP stills from 30 fps bursts, and 4K Photo offers 8MP stills from 60 fps bursts.

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The S1R uses the latest generation of Panasonic’s contrast-based DFD (Depth From Defocus) autofocus system. The company says that the system’s tracking capabilities are enhanced by machine learning to better identify moving subjects.

While the S1R is capable of 4K/60p video recording, it uses pixel binning where the S1 offers higher quality over-sampled 4K/30p footage from its full sensor width. In-body 5-axis stabilization can be combined with optical stabilization.

The S1R provides a market-leading 5.76M-dot OLED electronic viewfinder, with 60 fps or 120 fps selectable refresh rate. It’s also equipped with a 3.0″ 2.1M-dot touch screen that tilts on three axes. The camera also provides a top panel status LCD.

The Panasonic Lumix DC-S1R will be available in early April for $ 3699 body-only or $ 4599 with the new 24-105mm F4.

Press release:

Panasonic Launches New LUMIX S Series Full-frame Mirrorless Cameras LUMIX S1R and LUMIX S1

Newark, NJ (February 1, 2019) – After the development announcement at Photokina 2018, Panasonic is now proud to introduce the full specifications of its long-awaited first full-frame Digital Single Lens Mirrorless cameras, the LUMIX S1R and S1, with a 35mm full-frame CMOS sensor. The new cameras are based on the L-Mount standard, which boasts a well-balanced, large inner diameter and compact dimensions for a flange focus to realize optimum size and performance as a mirrorless camera system.

The LUMIX S Series aims for unprecedented image quality with high resolution, rich gradation and superior color reproduction. A high-speed, high-precision AF system based on advanced control technology over the lens, the sensor, and the new Venus Engine enable the user to capture the target in sharp focus without fail. The LUMIX S Series also boasts industry-leading video recording performance (4K 60p/50p*1), intuitive control, a rugged design for heavy field use, durability, and expandability.

The LUMIX S1R integrates a 47.3-megapixel full-frame CMOS sensor (36mm x 24mm), which gives it the industry’s highest level of resolution in the full-frame mirrorless cameras*2, to pursue the ultimate power of expression. In addition to the precise reproduction capability in detail, this sensor achieves a high S/N ratio by taking advantage of its high light-condensing efficiency despite the large number of pixels. The LUMIX S1R features a High Resolution mode for the first time as a mirrorless full-frame camera to enable 187-megapixel ultra-high precision photo shooting.

The LUMIX S1 comes with a 24.2-megapixel full-frame CMOS sensor (35.6mm x 23.8mm) that provides a wide dynamic range and excellent performance at high sensitivity in addition to a natural yet sharp image description thanks to sufficient light condensation per pixel. The LUMIX S1 supports professional use in videography by taking advantage of the stunning expression performance that a full-frame camera can offer. It records smooth 4K 60p video and enables full-pixel readout of signals in 4K 30p/25p*1 to save truly beautiful footage. Furthermore, the LUMIX S1 will comply with 4:2:2 10-bit 4K 30p/25p*1 internal video recording and 4K 60p HDMI output as well as V-Log, with a software upgrade key (to be sold separately) following soon in 2019.

Panasonic’s advanced Contrast AF system with DFD technology has evolved through the development of numerous mirrorless cameras to make the AF system of the LUMIX S1R/S1 even more practical. It achieves not only the industry’s fastest level of focusing speed but also a tracking performance that is made possible by the adoption of advanced AI technology that accurately recognizes moving target subjects. The LUMIX S1R/S1 incorporates a Body I.S. (Image Stabilizer) to effectively compensate for the hand-shake movement. Combining the Body I.S.(5-axis) and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lenses, the Dual I.S. 2*3 boasts even more powerful compensates for virtually any types of blur. Equipped with a high-resolution Real View Finder, triaxial tilt rear monitor and high performance shutter unit with high durability, the rugged design LUMIX S1R/S1 provides the professional photographers with high reliability.

Drawing on the vast expertise of the L-Mount Alliance with Leica Camera and Sigma, various interchangeable lenses are available for the LUMIX S Series. On the other hand, the LUMIX PRO service*4 has also launched to support professional work globally.

As a pioneer of the Digital Single Lens Mirrorless camera, Panasonic has pursued innovations in technology under the vision of “Changing Photography.” Crystallizing all these digital and optical technologies, Panasonic is committed to introducing an unparalleled full-frame camera system without compromise for professional photographers and videographers.
*1 PAL area only
*2 As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.
*3 5-Axis Dual I.S.2 can be used with the lens S-R24105 and S-R70200 as of February 1, 2019.
*4 Service is not available in some countries.

1? High picture quality made possible by the first LUMIX full-frame mirrorless camera Unprecedented picture quality and high descriptive performance LUMIX S1R
The LUMIX S1R incorporates a new 47.3-megapixel CMOS sensor without LPF (Low Pass Filter) to realize high resolution and descriptive performance. This sensor adopts an aspherical lens for the on-chip micro lens to enhance light condensation. Together with the optimum design to concentrate more incoming light onto the photodiode, it achieves both high resolution and highly efficient light condensation performance. This results in the realization of the industry’s highest level of 47.3-megapixel resolution* in the full-frame mirrorless cameras at high S/N ratio and maximum ISO 25600 high sensitivity. The large amount of digital signals is processed by the new high-speed, high-performance image processor Venus Engine to render images with breathtaking description in both photo and video.
* As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.

High image quality, high sensitivity performance LUMIX S1
The LUMIX S1 employs a 24.2-megapixel CMOS sensor. The new Venus Engine, which is exclusively tuned for the full-frame camera, and its Multipixel Luminance Generation and Intelligent Detail Processing realize natural, high-resolution expression while suppressing color moiré. Three-dimensional color control improves the color reproduction of both bright and shadow areas. This results in natural, true-to-life images from low to high sensitivity. Taking advantage of sufficient light condensation, the LUMIX S1 boasts a wide dynamic range and reproduces sharp images with exceptional clarity. Noise is minimized even when shot at maximum ISO 51200 high sensitivity. It is an ideal camera to use especially in low-light situations.

An AR coating applied on the sensor of both LUMIX S1R/S1 minimizes ghost and flare even in backlighting. In combination with the high-quality LUMIX S Series lenses based on the L-Mount, this further enhances the potential of the camera.

Plus, the LUMIX S1R/S1 integrates the Body I.S. (Image Stabilizer) for powerful handshake correction. Panasonic developed an algorithm that precisely calculates shake information acquired not only from a gyrosensor, but also from the image sensor and accelerometer sensor. This enables more accurate shake detection and compensation, making it possible to use a 5.5-stop slower shutter speed*1. Combining the Body I.S. (5-axis) in the camera and the O.I.S. (Optical Image Stabilizer, 2-axis) in the LUMIX S Series lens, the 5-axis Dual I.S. 2 compensates for larger movements that were conventionally uncontrollable. Maximizing both O.I.S and B.I.S. is highly beneficial in telephoto shots and in adverse situations, such as in low-light or with one-handed shooting with a 6-stop slower shutter speed*2. The 5-axis Dual I.S. 2 works for both photo and video recording, including 4K. The Body I.S. compensates for camera movement even when other L-Mount lenses without O.I.S. are used.

Taking full advantage of its high-resolution sensor, the LUMIX S1R/S1 provides a High Resolution mode that faithfully reproduces precise details to be saved as beautiful, highly realistic RAW images. Eight consecutive images are automatically shot while shifting the sensor using the Body I.S. (Image Stabilizer) mechanism and synthesized into a 187-megapixel equivalent (16,736 x 11,168-pixel) image for LUMIX S1R and 96-megapixel equivalent (12,000 x 8,000-pixel) image for LUMIX S1 by the new Venus Engine, which boasts high-speed signal processing. This mode is suitable for taking natural landscapes or fine arts with delicate details. This magnificently high resolution photo is ideal for landscape photography of stationary subjects using a tripod. However, it can also be used in situations where moving subjects are included in the scene, by switching the sub mode.

The HLG*3 Photo mode is a whole new style of photo expression that Panasonic proposes. It provides a wider dynamic range to reproduce light and shadow with more natural contrast. The HLG Photos can also be produced as an HSP file*4 with compressed high-brightness signals in stunning 8K resolution (7,680 x 4,320 in 16:9, with LUMIX S1R) or its full resolution (5,888 x 3,312, in 16:9, with LUMIX S1) in addition to JPEG/RAW files. It excels in the expression of lights, such as sparkling starlight or glaring sunlight. The user can playback these vibrant images on the latest Panasonic HLG-compliant 4KTV via HDMI cable connection or other HLG-compliant devices. It is also ideal for photo presentations by photographers.

The high-precision shutter unit offers the highest shutter speed at a maximum 1/8000 second to capture spur-of-the-moment, fast moving subjects and to use a high-speed lens with a fully open aperture even outdoors for impressive defocusing. The external flash can be synchronized with the industry’s fastest shutter speed of a maximum 1/320 second.*5*6
*1 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=50mm, when S-X50 is used.]
*2 Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=200mm, when S-R70200 is used.]
*3 “HLG (Hybrid Log Gamma)” is an international standard (ITU-R BT.2100) HDR format.
*4 “HSP” is an HDR picture format using HLG format video technology.
*5 The guide number decreases when the shutter speed is set to 1/320 of a second.
*6 As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.

2. High-speed, high-precision AF system LUMIX S1R LUMIX S1
Panasonic has achieved a high-speed AF with its advanced control technology over the major devices – lens, sensor and imaging engine. The lens and sensor communicate at a maximum 480 fps. Combining the Contrast AF with DFD technology, the LUMIX S1R/S1 realizes an ultra-high-speed, high-precision AF of approximately 0.08 sec*1. The LUMIX S1R/S1 also boasts high speed burst shooting at 9 fps (AFS) or 6 fps (AFC). With its high subject tracking performance, the LUMIX S1R/S1 never loses the target subject. As a camera that excels in low-light shooting, the LUMIX S1R/S1 boasts -6EV*2 luminance detection performance with Low Light AF thanks to the higher sensitivity and optimized tuning of the sensor. The face/eye detection technology makes it possible to capture people in crisp focus, the Eye AF even detects the pupil of the eye and precisely focuses on it for impressive portrait shooting. The LUMIX S1R/S1 also incorporates advanced AI technology that detects specific subjects – humans and fast-moving animals, including dogs, cats and birds. The camera keeps tracking these subjects even when they turn their back to the camera.

For more continuous burst shooting, 6K PHOTO*3 makes it possible to capture unmissable moments at 30 fps by extracting the frame with the best timing out of a 6K burst file (in 4:3 or 3:2 aspect ratio) to save as an approximate 18-megapixel equivalent high resolution photo. The 4K PHOTO enables 60-fps high-speed captures in approximate 8-megapixel equivalent resolution. In 6K PHOTO /4K PHOTO, three exclusive modes can be chosen from depending on the situation; 6K Burst/4K Burst, 6K Burst (Start/Stop)/4K Burst (Start/Stop) and 6K Pre-burst/4K Pre-burst. Users can choose the most suitable burst shooting mode in addition to the regular consecutive shooting mode in full resolution depending on the situation.
*1 11EV, at wide-end with S-R24105 (CIPA) in LVF120 fps setting.
*2 At ISO100, F1.4, AFS
*3 6K PHOTO’ is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx.18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages.

3. Operability from ingenuity for intuitive control LUMIX S1R LUMIX S1
The LVF (Live View Finder) is the key factor for completing the ultra-high-speed response of the camera. The LUMIX S1R/S1 has the largest level of Real View Finder which boasts the world’s highest 5,760k-dot resolution.* The 0.78x magnification ratio can be switched to 0.7x or 0.74x according to the shooting situation. Adoption of a high-speed, high-precision OLED (Organic Light-Emitting Diode) for the LVF achieves smooth display at 60 fps/120 fps (switchable) and high-speed response with minimum time lag of less than 0.005 sec as well as 10,000:1 high contrast for exceptional visibility. With minimum distortion and high optical performance, this Real View Finder provides a natural view as seen with the naked eye. It is always sharp and clear from the center all the way to the corners.

The 2,100K-dot high resolution monitor in 3:2 aspect ratio has adopted a triaxial tilt moving element to secure both durability and operational ease. It also has a touch control system. Live View Boost is another practical feature that makes it possible to check the composition even in total darkness by boosting the sensitivity just for live view. It also incorporates a night mode that provides mild backlighting. It lets the user watch the subject comfortably even after viewing the monitor in a dark situation for a long time. The LUMIX S1R/S1 includes a largest-in-class Status LCD on the top, allowing users to check the settings at a glance.

To make the camera just like a part of the photographer’s body, the LUMIX S1R/S1 provides a firm grip, making it easy to hold for long periods. The control buttons and dials are located based on an ergonomic study to enable the user to concentrate on shooting. The adoption of an 8-directional joystick and refined UI (User Interface) also supports quick operation during shooting. In addition, illuminated buttons can be of help in low-light situations. An operation lock lever prevents unintentional operation, and the user can choose which operation to lock.
* As a Digital Single Lens Mirrorless Camera, as of February 1, 2019.

4. Rugged design, reliability and expandability LUMIX S1R LUMIX S1
To be tough enough to withstand heavy field use, the main structure is composed of a magnesium alloy full die-cast front/rear frame. Robust construction and a sealing for every joint, dial, and button make the LUMIX S1R/S1 not only splash resistant* and dust resistant,* but also freeze resistant down to -10 degrees Centigrade. The shutter unit is also durable for approximately 400,000 cycles.

The LUMIX S1R/S1 is equipped with a double memory card slot compatible with SD (UHS-II) or XQD memory cards for high-speed, high-capacity continuous data recording. Users can flexibly choose the recording method from Relay Recording, Backup Recording or Allocation Recording using the double slots. It will also be compatible with CFexpress in the near future. The 7.4-V 3,050 mAh high-capacity battery can be quickly charged via USB PD (USB Power Delivery) using the bundled USB3.1 Type-C cable. And it also realizes high-speed data transfer.

A variety of new accessories are available for the LUMIX S1R/S1, including Remote Shutter (DMW-RS2),?Eyecup (DMW-EC6), Battery Grip (DMW-BGS1) and Battery Charger (DMW-BTC14). The Battery Charger also complies with USB PD and enables quick power charging in approximately 2 hours. The camera can be used while charging via this adaptor. The conventional External Flash (DMW-FL580L / FL360L / FL200L) can also be mounted on the LUMIX S Series cameras.
*Dust and Splash Resistant does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

5?Outstanding video recording performance in a full-frame camera 4K 60p video recording for more creative freedom LUMIX S1R The LUMIX S1R is a camera designed and developed to boast exceptional performance in photography, yet is capable of 4K 60p video recording.*2 To elevate the video expression even more, a variety of effects are available for video recording.

Exceptional video recording performance for professional videographers LUMIX S1
The LUMIX S1 features outstanding video performance for professional videography with 4K 60p recording. It realizes a crop factor of 1.0x in 4K 30p/25p*1/24p, which means that the user can record video in the original viewing angle of the lens. There is no recording time limit*3 for both 4K 30p/25p*1/24p and Full-HD video. Notably, the CMOS Sensor with high sensitivity on the LUMIX S1 achieves full-pixel readout for an excellent S/N ratio. The HDR (High Dynamic Range) video recording is available, which reproduces both the bright parts and dark parts of an image, making it look just like human eyes see it. The camera records video with a designated gamma curve compatible with ITU-R BT.2100, and you can now choose Hybrid Log Gamma (HLG) in Photo Style. The LUMIX S1 further expands its potential with a firmware update including 4:2:2 10-bit 4K 30p internal video recording and 4K 60p/50p HDMI output as well as V-Log, with a Software Upgrade Key (to be sold separately) following soon in 2019.

As a camera from Panasonic that has been overstepping the limit of video performance in digital cameras, a host of functions are available on the LUMIX S1R/S1. The High Speed Video lets users record slow motion video in 4K (maximum 60 fps and FHD (maximum 180 fps).

For the terminal, an HDMI Type A is provided. Plus, a cable lock holder for the HDMI cable is included in the LUMIX S1R/S1 to prevent unplugging trouble on location. LINE input is also supported by a 3.5-mm microphone jack. This makes it possible to input sounds from an external audio device, for more efficient video production. A 3.5-mm headphone jack is also available. In addition, it complies with the Microphone Adaptor DMW-XLR1 (sold separately), which is a plug-in type adaptor for an XLR microphone to record high-quality stereo sound. It is ideal for lip-sync recording. Dedicated switches allow direct, quick control. MIC, LINE and CONDENSER MICROPHONES are switchable.
*1 PAL area only.
*2 Maximum 15 minutes in 4K60p and unlimited recording time in Full HD until the SD Memory Card becomes full or the battery runs out.
*3 Maximum 29 minutes 59 seconds in 4K60p until the SD Memory Card becomes full or the battery runs out.
– When the ambient temperature is high or continuous recording is performed, the camera may stop the recording to protect itself. Wait until the camera cools down (*2*3).

6. Other Features LUMIX S1R LUMIX S1

  • Photo Style Featuring a New Flat Mode
    To shorten post-processing work, JPEG photos can be adjusted precisely according to the photographer’s intention. The LUMIX S1R/S1 also provides a Flat mode that features a plain finish with less contrast and saturation for versatile use.
  • Variable Aspect Ratios With New 65:24 and 2:1
    In addition to the standard 3:2, 4:3, 16:9 and 1:1, 65:24 (Film Panorama) and 2:1 (6 x 12 cm) aspect ratios are available for photo shooting.
  • I.S. Status Scope
    The user can consciously remove the cause of shake by checking a pointer that indicates the camera’s shaking condition. It is available while the viewfinder or rear monitor blacks out even during a long-time exposure.
  • Flicker Decrease
    When the flickering of a fluorescent light is detected, the camera indicates it and releases the shutter when its effect is the least to suppress the discontinuity of exposure or color across a sequence of photos.
    *Not available in 6K PHOTO, 4K PHOTO and Post Focus.
  • Highlight Weighted Light Metering Mode
    The Highlight Weighted Light Metering Mode meters light with the priority on highlighted parts, to prevent it from washing out.
  • New AWBw Auto White Balance Mode
    In Auto White Balance, a new AWBw that retains a reddish tint is available in addition to conventional AWB (standard) and AWBc (bluish tint). AWBw reproduces healthy, rosy skin color even under fluorescent light.
  • Bluetooth 4.2 and Wi-Fi 5GHz (IEEE802.11ac)* / 2.4GHz (IEEE802.11b/g/n)
    Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. The settings of a LUMIX S1R/S1 camera can also be copied and transmitted wirelessly to other S1R/S1 cameras when using multiple S1R/S1 cameras*1. Also, Wi-Fi 5GHz (IEEE802.11ac)*2 is effective in addition to 2.4GHz (IEEE802.11b/g/n.) This provides even secure and stable connection not only with a smartphone/tablet but also with other devices on location for smooth remote control. Transmission speed of photo/video data is also increased up by using the 5GHz-band*2.
    *1 The Settings of LUMIX S1R can be copied to S1R only and the settings of LUMIX S1 can be copied to S1 only.
    *2 5GHz Wi-Fi is not available in some countries.
  • Lumix Tether
    This software enables tethered shooting via USB. Users can control the camera by connecting it to a PC via USB. It lets you view the image on a large PC screen while shooting, which is helpful in commercial photoshoots of portraits, products and more, where continuous confirmation is required. You can use [6K PHOTO] [4K PHOTO] and start and stop video recording with tethered shooting. It is also possible to choose the folder to save the image files in the PC.
  • Lumix Sync
    Lumix Sync is a new application for iOS/Android devices, which enables photo transmission to a smartphone or tablet via easy wireless connection. It also allows remote control of the camera using a smartphone or tablet.
  • Leica is a registered trademark of Leica Microsystems IR GmbH.
  • L-Mount is a trademark or registered trademark of Leica Camera AG.
  • Android and Google Play are trademarks or registered trademarks of Google Inc.
  • IOS is a trademark or registered trademark of Cisco in the U.S. and other countries and is used under license.
  • XQD is a trademark of Sony Corporation.
  • All other company and product names are trademarks of their respective corporations.
  • Some accessories are not available in some countries.
  • The use of recorded or printed materials that are protected by copyright for any purpose other than personal enjoyment is prohibited, as it would infringe upon the rights of the copyright holder.
  • Design and specifications are subject to change without notice.

Panasonic Lumix DC-S1R specifications

Price
MSRP $ 3699 (body only), $ 4599 (w/24-105mm lens)
Body type
Body type SLR-like (bridge)
Body material Magnesium alloy
Sensor
Max resolution 8000 x 6000
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 47 megapixels
Sensor photo detectors 50 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor type CMOS
Processor Venus Engine
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-25600 (expands to 50-51200)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 51200
White balance presets 5
Custom white balance Yes (4 slots)
Image stabilization Sensor-shift
Image stabilization notes 5-axis; combines with in-lens stabilization for increased shake reduction
CIPA image stabilization rating 6 stop(s)
Uncompressed format RAW
JPEG quality levels Fine, standard
File format
  • JPEG
  • Raw (Panasonic RW2)
  • HLG (CTA-2072)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 225
Lens mount Leica L
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2
Screen dots 2,100,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.78×
Viewfinder resolution 5,760,000
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash modes Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off
Flash X sync speed 1/320 sec
Continuous drive 9.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±3 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 50p / 150 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 28 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 50p / 28 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 30p / 20 Mbps, MOV, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage included XQD + SD card slots; UHS-II supported
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
USB charging Yes (can be charged with high-power laptop/tablet chargers or portable power banks)
HDMI Yes (4:2:2 8-bit output, except 4K/60p)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac + Bluetooth
Remote control Yes
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description DMW-BLJ31 lithium-ion battery & charger
Battery Life (CIPA) 360
Weight (inc. batteries) 898 g (1.98 lb / 31.68 oz)
Dimensions 149 x 110 x 97 mm (5.87 x 4.33 x 3.82)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Challenge Yourself by Photographing One Object [video]

01 Feb

The post Challenge Yourself by Photographing One Object appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this great video from COOPH, they ask you to challenge yourself by photographing one object!

Will you do the challenge? If so, show us your results in the comments below!

?

Look for a versatile object that allows you to photograph it in different ways.

Take your object and try the following techniques:

Techniques

1. Get texture

Go close-up or use a macro lens to create different effects

2. Play with Colors

Add color using crayons, pencils or textas. Elevate your object to create bokeh with the colored background.
Experiment with color gels. Make contrast with color.

 

3. Experiment with Black and White

Use dramatic lighting.

4. Shoot Silhouettes

Cut some wire and attach to your object. Shoot in front of a bright light source. Bounce your side light with a mirror to create a glowing silhouette.

5. Cut and Peel it

Cut it into shapes. Use a whiteboard to reflect and a translucent surface to place your object on. Place your object on the translucent board, and backlight it.

6. Shape it

Make some creative cuts. Find interesting patterns that match and place your object onto it.

 

You may also find the following helpful:

How to Use Colored Gels for Creative Off-Camera Flash Photography

Tips for Fast and Effective Studio Product Photography

Reflections on Product Photography

How to Make Funky Colorful Images of Ordinary Plastic Objects Using a Polarizing Filter

Add Interest to your Background with Colored Gels

How to Backlight Translucent Objects for Dramatic Effect

10 Amazing Photography Tricks You Can Do at Home with Everyday Objects

How to Use Backlight to Create Incredible Images

 

The post Challenge Yourself by Photographing One Object appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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DPReview TV: 10 cool things you may have missed about the Panasonic S1 and S1R

01 Feb

By now you’ve seen plenty of information about Panasonic’s new S-series cameras, but after shooting with them at Panasonic’s launch event in Barcelona, Chris and Jordan tell us about some important things you might have overlooked from the spec sheet.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

  • Introduction
  • Stability monitor
  • Focus clutch and linear focus
  • New menus
  • S1R 4K crop options
  • HLG photos
  • XLR1 support
  • 4K/6K photo
  • V-Log and 10-bit 4:2:2
  • Face + eye + body + animal detect autofocus
  • Recording time limits
  • Initial impressions of pre-production cameras

DPReview TV’s pre-production SR1 gallery from Barcelona

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Articles: Digital Photography Review (dpreview.com)

 
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Panasonic S1/S1R review in progress

01 Feb

The Panasonic Lumix DC-S1 and S1R are the company’s mid and high-end full frame mirrorless cameras: both of which are built around the L-mount developed by Leica and now supported by Sigma and Panasonic. Aside from resolution and video features, the two cameras are very similar to one another.

The Lumix S1 is a mid-level, image-stabilized 24MP camera capable of shooting at up to 9 frames per second. It can shoot 4K/60p video from an APS-C region of its sensor or oversampled 4K/30p from its full sensor width. A multi-shot high-res mode lets it create 96MP images. A paid upgrade enables 10-bit V-Log shooting.

The Lumix S1R, meanwhile, is a higher-end, higher-resolution variant. It features a 47MP sensor which can also shoot at up to 9fps, and its multi-shot mode lets it generate 187MP files. The S1R can shoot video at up to 4K/60p with only a slight crop but it pixel bins, so footage will be less detailed than the S1’s output.

Both cameras feature the highest-resolution electronic viewfinders on the market: 5.7M-dot OLED panels that run at 120Hz and promise very little lag.

Panasonic Lumix S1 Key Specifications

  • 24MP full-frame CMOS sensor
  • Depth from Defocus contrast-detect AF system
  • 5-axis in-body ‘Dual IS’ system
  • Fully weather-sealed
  • 96MP ‘High Res’ mode
  • 6 fps bursts with continuous AF
  • 5.76M-dot EVF
  • Dual-hinged 2.1M-dot touchscreen LCD
  • UHD 4K/60p video capture (1.5x crop); Oversampled 4K/30p with no crop
  • 10-bit HLG built-in, optional 4:2:2 V-Log
  • One XQD and one SD card slot
  • 380 shots/charge using LCD
  • USB charging, including from laptop/tablet chargers and portable power banks

Panasonic Lumix S1R Key Specifications

  • 47MP full-frame CMOS sensor
  • Depth from Defocus contrast-detect AF system
  • 5-axis in-body ‘Dual IS’ system
  • Fully weather-sealed
  • 187MP ‘High Res’ mode
  • 6 fps bursts with continuous AF
  • 5.76M-dot EVF
  • Dual-hinged 2.1M-dot touchscreen LCD
  • UHD 4K/60p video capture with 1.09x crop and pixel binning
  • One XQD and one SD card slot
  • 360 shots/charge using LCD
  • USB charging, including from laptop/tablet chargers and portable power banks

The complete Lumix S system at launch

Alongside the cameras, Panasonic has announced 50mm F1.4, 24-105mm F4 and 70-200mm F4 lenses for the L system. They will cost $ 2299, $ 1299 and $ 1699, respectively. Both cameras will also be compatible with the existing Leica SL lenses as well as APS-C ‘TL’ glass.

A battery grip (DMW-BGS1) will also be available for around $ 350.


What’s new and how it compares

The S1 and S1R inherit (and improve upon) many of the features from Panasonic’s Micro Four Thirds cameras, while adding new full-frame sensors, a High Res mode, HLG photos and more.

Read more

Body and handling

The S1/S1R have rugged bodies which can hold their own in the elements. The cameras have an incredibly high resolution EVF as well as a dual axis LCD.

Read more

Operation and controls

The S1 and S1R have redesigned menus, plenty of customizable controls and a cool ‘image stabilization scope’.

Read more

S1 video overview

The S1 can capture 4K/60p video with a 1.5x crop as well as oversampled 4K/30p footage. You will have to pay extra if you want a 10-bit V-Log workflow, however.

Read more

Initial impressions

Find out what DPReview editor Richard Butler thinks about the Panasonic S cameras thus far.

Read more

Sample Galleries

Dan Bracaglia has been shooting with the S1 and S1R running firmware v0.7.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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Video: The making of Dorothea Lange’s iconic ‘Migrant Mother’ photograph

01 Feb

It’s one of the most iconic photographs in American history and it was captured by one of the most influential photographers of the 20th century. The world knows the photograph as ‘Migrant Mother,’ and it’s seen throughout photography textbooks the world over, but how exactly did the image come to be and what led Dorothea Lange to capture the portrait of Florence Owens Thompson and her children?

YouTuber Nerdwriter1, who’s known for his thorough deep dives into various people and subjects, has created a video essay that takes a look into the history behind ‘Migrant Mother’ and the events that led up to Lange capturing the photograph. Throughout the nearly seven minute video, Nerdwriter1 explains what exactly Lange was doing when she captured the photograph and shows a number of images captured in the ten minutes leading up to the iconic frame to paint a picture of how the image was shaped frame by frame to get the powerful portrait known today.

Yes, the video is presented in portrait orientation, but Nerdwriter1 is known for experimenting with delivery and he particular chose this aspect as he explains in the highlighted comment on the video’s page.

Articles: Digital Photography Review (dpreview.com)

 
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ZTE appears to be getting ready to launch smartphone with 32MP front camera

01 Feb

Smartphone front cameras used to be overshadowed by their counterparts on the rear of mobile devices, offering low pixel counts, fixed focus lenses and generally simple specs. This is changing quickly, however, with some front cameras on the latest high-end smartphones featuring high-resolution sensors, AF-systems, computational bokeh modes, HDR and other advanced functions.

It looks like ZTE is now about to take things to a new level by launching a smartphone with a 32MP front-facing camera. The new device, which is said to be the ZTE Blade V10, has emerged in a regulatory filing on China’s TENAA website and is thought to use Samsung’s ISOCELL GD1 sensor.

The latter comes with a 0.8 micron pixel pitch and pixel-binning technology, merging four adjacent pixels into one for better dynamic range and lower noise levels. The sensor also comes with real-time video HDR, so the ZTE could be a good option in difficult high-contrast scenes.

Other specs put the new model into the mid-range bracket of the market. There’ll be a 6.3-inch full-HD+ LCD display, an octa-core chipset and a 3,100mAh battery, according to the filings. The main camera comes with a 16MP primary sensor and a 5MP secondary sensor, likely for depth sensing.

Articles: Digital Photography Review (dpreview.com)

 
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Video: A look at the gear and tech used for crash test photography

01 Feb

The nonprofit U.S. organization Insurance Institute for Highway Safety (IIHS) published a video that gives viewers a brief look behind-the-scenes at its vehicle crash test photography. During the five minute video, which was published in 2015, IIHS VP of Media Operations and Production Pini Kalnite walks viewers through how the organization produces its high-quality crash footage and images, including everything from its custom-built lighting array to its high-speed cameras.

Kalnite explains the IIHS’ Vehicle Research Center (VRC) is ‘more than a scientific laboratory,’ also doubling as ‘a specialized production facility where we produce footage and pictures’ for engineers. The nonprofit created its VRC with the intention of producing high-quality content.

The VRC is similar to a Hollywood sound stage, according to Kalnite, who explains that the facility includes a grid ceiling capable of holding a custom-built light system that outputs 750k watts of diffused light. The organization uses high-speed digital cameras with cinema-quality lenses to capture ultra-slow-motion videos and still images.

In addition to the high-speed video cameras, IIHS also uses high-resolution cameras to capture images of the crashed vehicles, as well as digital cameras that record footage at regular speeds. Though Kalnite doesn’t detail any of the models used in the production, the video briefly reveals a Hasselblad camera as the source of the VRC’s crash action shot and post-crash photos.

‘The images we produce are more than just tools to help engineers understand what happens in a crash test,’ Kalnite explained. ‘They’re also a vital part of our communications effort.’ The organization’s content has appeared in major movies, news broadcasts, and advertisements.

Articles: Digital Photography Review (dpreview.com)

 
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Bowens is back in business after 2017 liquidation with its new XMT500 strobe light

01 Feb

In July 2017, lighting company Bowens confirmed it had gone into liquidation after 94 years of business, ultimately succumbing to the market’s growing competition and changes in consumer purchase trends. The closure followed Bowens’ 2016 acquisition by European investment company AURELIUS, which also purchased Calumet in the same year to form the Calumet Wex subsidiary.

Bowens has officially returned as a brand under Wex Photo Video with its relaunch of the Bowens XMT500 Flash Head and Twin Head Kit. Wex Photo Video is the exclusive destination for the relaunched Bowens products.

The revived XMT500 Flash Head is described as an ‘all-in-one battery location flash’ that features HSS and TTL tech, recycling times as fast as 0.01 seconds, sync delay from 0.01 to 30 seconds, and support for shutter speeds up to 1/8000s. Other features include the option to fully automate the light settings, eight stops of power, and a battery capacity substantial enough to power 500 full-power flashes per charge.

Buyers can order the Bowens XMT500 Flash Head from Wex Photo Video now for £699; the company is also offering an XMT500 Twin Head Kit for £1,399. This is a substantial decrease from the model’s original £1,199 price.

Articles: Digital Photography Review (dpreview.com)

 
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