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Archive for January, 2019

Facebook’s photo sharing app Moments is being shuttered due to lack of user interest

26 Jan

Facebook is shuttering its image sharing app Moments, the company announced on Thursday. The product, which was announced in June 2015, allows multiple Facebook users to privately share images they’ve taken with the people who are featured in them. The app transforms Facebook’s facial recognition technology into a convenient tool, but few users are actually using the service.

The premise behind Facebook Moments is simple: many people snap images at a gathering. Those images can be manually shared with other individuals who attended the same event, but there’s a chance someone may miss out on photos they were featured in.

By using its facial recognition tech, Facebook is able to scan the user’s camera roll, identify other Moments users in the images, and issue an alert suggesting the user share those particular images with the other people featured in them. Google Photos offers a similar feature.

Moments was launched as a standalone app, and it’ll be officially shuttered on February 25, according to an email Facebook has sent to users. CNET reports that Facebook Moments’ demise is partly due to a lack of interest from users.

In addition to the email, users were given an alert within the Moments app, and any Facebook user who utilized the service within the last year will see an alert about the closure within the main Facebook app. Facebook Moments will be inaccessible starting on February 25. Users who wish to keep their images can use Facebook’s new ‘Export Your Moments’ tool to save them.

Articles: Digital Photography Review (dpreview.com)

 
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Hasselblad updates firmware for X1D-50c, adds support for new XCD lenses

26 Jan

Hasselblad has announced a firmware update for its X1D-50c medium format mirrorless camera that brings new and improved support to a number of lenses and a converter as well as added features and functionality within the camera itself.

In addition to improved autofocus compatibility with compatible HC/HCD lenses via the XH Adapter, firmware version 1.22 adds support for the following lenses and converter:

  • XCD 65mm F2.8
  • XCD 80mm F1.9
  • XCD 135mm F2.8
  • H 1.7x Converter

Also in the update is a new exposure bracketing option that makes it possible to set a timer to avoid camera shake when shooting long exposures, a new indication to let users know what Auto Focus Scan Range is being used (Near, Far, or Full) and a new customizable icon arrangement on the main menu screen of the X1D-50c.

It’s also now possible to turn off the front-facing LED when using the self timer countdown and the ability to reset focus point in live view by pressing the Cross (X) button.

Firmware version 1.22 can be downloaded directly from Hasselblad’s website.

Hasselblad Firmware Update 1.22 for X1D-50c adds support for new XCD Lenses

With the release of Hasselblad’s most recent XCD Lenses, the XCD 65, 80, and 135 including X Converter 1,7, the new 1.22 Firmware Update ensures photographers are equipped with the most up-to-date tools for capturing their creative visions. Alongside the latest 0.5.33 lens firmware, this update also includes a list of minor improvements that advance the overall functionality of the X1D- 50c mirrorless medium format camera. As with all X1D-50c and XCD Lens firmware updates, these upgraded features are easily downloaded through the My Hasselblad section at Hasselblad.com.

Support of Newest Lenses The XCD 2,8/65, XCD 1,9/80 and XCD 2,8/135 are added to the lineup of supported lenses for the X1D-50c. Note that these lenses must also be updated to firmware 0.5.33 as well.

New Exposure Bracketing option It is now possible to set an initial delay in order to avoid camera shake on long exposures.

Indication of Auto Focus Scan Range in Live View With lenses that support divided scan range of Near, Far, or Full, a visual icon will be shown in Live View indicating when Near or Far settings are enabled. Currently the XCD 120 and XCD 135 lenses support this feature.

Customisable icon arrangement on main menu screen Drag and drop icons to rearrange quick-access shortcuts to settings and options on the X1D-50c’s main menu screen.

New Custom Button options Three new custom button options are available, including Live View On/Off, Drive to Near (mini- mum focus distance) and AF Scan Range Cycle.

New Self Timer option It is now possible to turn off the front flashing LED during the Self Timer countdown.

AF with HC/HCD Lenses and Converters/Extension Tubes Autofocus for compatible HC/HCD Lenses via the XH Adapter includes expanded support of select H System lens accessories including extension tubes and select adapters.

Reset Focus point in Live View Set Focus Point back to the centre directly while in Live View by pressing the Cross (X) Button.

Firmware updates are available from the “My Hasselblad > Downloads” section online at Hasselblad. com. Users can update their firmware simply by downloading the “.cim” file to an SD card and selecting Firmware Update from the Service Menu on their camera.

Articles: Digital Photography Review (dpreview.com)

 
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Apple announces it will pay licensing fee to ‘Shot on iPhone’ contest winners after complaints

25 Jan
Shot on iPhone 7 by Erdem Summak

Recently we reported on the launch of Apple’s 2019 ‘Shot on iPhone’ photo contest and the complaints some professional photographers were having about the small print. Trevor Mahlmann for example, shared his thoughts in a post on Reddit.

Essentially photographers were handing over exclusive commercial ownership of their images in exchange for photo credit.

It seems the complaints have not gone unnoticed, however, resulting in Apple clarifying its position. In an updated press release the company today announced it is planning to pay the winning photographers of its competition.

“Apple believes strongly that artists should be compensated for their work. Photographers who shoot the final 10 winning photos will receive a licensing fee for use of such photos on billboards and other Apple marketing channels.”

The PDF with the official rules has been updated accordingly as well. We still don’t know how much the licensing fee will be but Apple recognizing that an image worth putting on a billboard is an image worth paying for is a step into the right direction.

Apple’s “Shot on iPhone” contest will run through February 7. Read our previous post to find out how to enter.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus developing 150-400mm F4.5 Pro lens with built-in 1.25X teleconverter

25 Jan

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Olympus has announced the development of a pro-level super tele-zoom lens, the M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS Pro. This hefty lens will have a standard focal range of 300-800mm equiv. on Micro Four Thirds bodies, with a built-in 1.25X teleconverter increasing those numbers to 375-1000mm equiv., at the cost of 2/3-stop of light. If you want even more reach, the lens will also be compatible with Olympus’ new MC-20 2X teleconverter.

The lens will be stabilized and will work with the 5-axis IS systems built into modern Olympus cameras for extra shake reduction. As one would expect, it will be fully weather-sealed and Olympus claims it should function at temperatures as low as -10°C/+14°F.

The 150-400mm F4.5 TC1.25x IS Pro will be available in 2020, and pricing has not yet been disclosed.

OLYMPUS ANNOUNCES DEVELOPMENT OF PRO SUPER TELEPHOTO ZOOM LENS & 2x TELECONVERTER

The M.Zuiko® Digital ED 150-400mm F4.5 TC1.25x IS PRO And M.Zuiko Digital 2x Teleconverter MC-20 Will Make 2000mm (35mm Equivalent) Super Telephoto Handheld Shooting Possible

CENTER VALLEY, PA., January 24, 2019 – Olympus announces the development of the M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS PRO super telephoto zoom lens. This lens is compatible with the Micro Four Thirds® System standard, and features a 1.25x built-in teleconverter, covering a focal length range of 300-1000mm[1] (35mm equivalent). Also in development is the M.Zuiko Digital 2x Teleconverter MC-20. The combination of both products makes handheld super telephoto shooting possible at a 35mm equivalent focal length of 2000mm.

With these new products, Olympus will further expand its super telephoto lens lineup, maximizing the advantages of the Micro Four Thirds System, including excellent image quality, compact lightweight designs, and superior portability.

The M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS PRO lens is designed for exceptional optical performance in a compact, lightweight form, and includes dustproof, splashproof, and freezeproof (14°F / -10°C) design with superb handheld usability. This is the first Olympus® interchangeable lens with a built-in 1.25x teleconverter, which easily extends the focal length to the maximum of 1000mm1 (35mm equivalent). It also offers in-lens image stabilization (IS), supporting 5-Axis Sync IS[2] when operating in concert with the image stabilization of Olympus OM-D® cameras. The compact system delivers remarkable portability, and the built-in teleconverter provides convenience, making it the optimal super telephoto zoom lens for sports and bird photography. This lens has an expected availability date of 2020.

The M.Zuiko Digital 2x Teleconverter MC-20 doubles the focal length of the master lens while offering outstanding portability as well as dustproof, splashproof, and freezeproof (14°F / -10°C) performance. The teleconverter is compatible with the M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS PRO lens, currently in development, as well as the M.Zuiko Digital ED 300mm F4.0 IS PRO and M.Zuiko Digital ED 40-150mm F2.8 PRO lenses. Not only does this teleconverter extend the telephoto range, but it also doubles the maximum shooting magnification of the master lens for unprecedented super telephoto macro shooting. This item has an expected availability date of summer 2019.

U.S. Pricing and Availability

Olympus M.Zuiko Digital ED 150-400mm F4.5 TC1.25x IS PRO lens expected availability date: 2020; M.Zuiko Digital 2x Teleconverter MC-20 expected availability date: Summer, 2019. Pricing is not available at this time.

[1] When using the built-in teleconverter. Widest aperture setting is F5.6.

[2] Further information regarding compatible models to be provided in the product press release upon official product sales announcement.

Articles: Digital Photography Review (dpreview.com)

 
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Tips for Portrait Photography in Overcast Weather [video]

25 Jan

The post Tips for Portrait Photography in Overcast Weather appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video by Julia Trotti, you’ll learn tips for portrait photography in overcast weather that can give you more even, soft light on your models.

Overcast weather can be a great time to do portrait photography because the light is soft and doesn’t create as many of the harsh shadows that bright midday sunlight creates.

If you are doing a shoot with a model and the weather is overcast, keep in mind the following tips:

1. Make the most of it by using locations you normally wouldn’t

Keep in mind, depending on the type of overcast weather it is, you may still get some shadows if it is a bright overcast day.

If you find there is not quite enough light getting to your model’s eyes, ask them to bring their chin up a little to capture the light on their eyes.

Bear in mind that the direction your model is facing also has an effect on the light and contrast to the background.

Shoot in a few directions at the start as test shots to decide which is the best angle for light.

When photographing on overcast days, you may want to find a location that has a pop of color so that your images are not flat. Green locations such as gardens and forests work well. If in a location that is not as vibrant in color, consider dressing your model in colorful clothes.

2. Be mindful of including the sky in your photos

When the sky is dark and overcast, it can add great drama. However, if it is a bright overcast day, the sky can look blown out. In this case, use varied composition and camera angles to eliminate distracting over-blown white sky (unless your purpose is to have high contrast between your model and background).

3. Keep an eye on your camera settings

When overcast, your scene may be quite a bit darker, and your camera settings need to reflect that. Also, depending on your location, you may need to tweak your camera settings too.

If you want to capture sharp hair in windy conditions, use a faster shutter speed to avoid motion blur on your models’ hair. If you want to show the effect of some slight motion, use a slower shutter speed.

You may also find the following articles helpful:

6 Portrait Lighting Patterns Every Photographer Should Know

13 Tips for Improving Outdoor Portraits

10 Ways to Take Stunning Portraits

How to Create Awesome Portrait Lighting with a Paper Bag an Elastic Band and a Chocolate Donut

How to Pose and Angle the Body for Better Portraits

The post Tips for Portrait Photography in Overcast Weather appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Olympus E-M1X Sample Gallery

25 Jan

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Olympus has released the ultimate Micro Four Thirds sports camera in the E-M1X and we’ve been busy pointing it at as many fast-moving subjects as humanly possible. Note: Many of these images are from an E-M1X running pre-production firmware, but rest assured we’ll be updating with more final firmware samples soon.

See our Olympus E-M1X pre-production sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Olympus E-M1X Review

25 Jan

Olympus just announced its new flagship camera, the OM-D E-M1X, and Chris and Jordan are already here with their review. Tune in to see them put this new model to the test in the frozen north, and find out what they think of it.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

  • Opening sequence
  • Introduction
  • Jordan's video settings
  • Ergonomics and controls
  • Live ND
  • Handheld high-resolution mode
  • Sunset shooting
  • Autofocus modes and performance
  • Weather sealing
  • EVF and LCD panel
  • Image stabilization
  • Final thoughts

Images from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Writing Exercises to Improve Your Photography

25 Jan

The post Writing Exercises to Improve Your Photography appeared first on Digital Photography School. It was authored by Ana Mireles.

You might think that an image is worth a thousand words. Perhaps you may consider yourself more visual than eloquent? Moreover, you may merely think that writing and photography have nothing to do with each other? However, they are more related than you think. Whether it is to unblock your creativity or to propel your career, writing exercises can improve your photography.

Some writing exercises that can help improve your photography

1. Unblock your creativity

Are you feeling out of ideas for your photographic projects or stuck on the same photo-cliches? This is very common amongst photographers both amateur and professional. Often everyday life clutters our brain, leaving little room for creative thoughts.

Something you can do to open the way to more productive and original thinking is to write first thing in the morning. Write as much as you can without thinking about it. I don’t want to set a limit because we all have different needs, problems and time constraints. What I do advise is that you start writing whatever comes into your head. Don’t filter it. Keep going until it feels difficult because that’s when the clutter ends and the creativity begins.

2. Define your style

Let’s face it, being a photographer is appealing and so people want to know more. Often when you introduce yourself as a photographer, you get asked what type of photography do you do. The question I ask you is: do you know how to reply? Any great photographer has a clear trajectory and a recognizable style. Therefore you need to define yours to become ‘great.’

Defining your style is easier to do it if you have been doing photography for a while. However, you can also do it as an aspirational exercise. Go through your images and find the best ones. Also, find the ones that you enjoyed making the most and see what connects them.

Now try writing an Artist Statement. Even if you don’t do art photography write a piece of text that explains who you are. Put your vision and what separates you from any other photographer into words. This text can be a concept, your approach to a particular topic or an aesthetic style. Having it written down in a concise paragraph helps you understand who you are and you build up from there.

3. When, where and why

If you’ve been in the photography business for a while, you might have noticed that the traditional CV is challenging to apply to your trajectory. This doesn’t mean that you can’t or don’t need to put your work experience down in writing. One way of doing this is to write a biographic text that both helps you find jobs within your field, and understand your strengths.

You can try starting with a regular CV, which will most likely be kilometers long! As photographers, we have many different clients. Sometimes you do different types of photography according to the jobs you can get rather than your specialty. You may have dipped into survival jobs that are only vaguely related to photography but write them all down. Now start putting them into groups. For example, if you were hired to do your cousin’s wedding and the birthday party of your neighbor’s kid put them under Event Photography. If you photograph events of the bar next door for their Facebook page, put them under Social Networks Content, and so on.

From bullet points, turn this into a more in-depth text. Once you have that, it gets easier to tell a story – your story. Like any narrative, it has to be coherent, so make sure everything you put in there has a reason to be there. Leave out any day jobs you did to pay the bills that don’t fit into this career path. Finally, try to show evolution. How you’ve grown professionally and what you’ve learned from it.

Last thoughts

I hope you find these exercises as useful as I have. It’s not easy to evaluate yourself, and your work. Feel free to ask for someone else’s opinion regarding what you think is your style, as they might have seen something in your work that you missed. On the other hand, I recommend you don’t show the morning writings to anybody. If you know people will see them, you will start to curate and maybe even censor them. So, for that one just let go and enjoy!

The post Writing Exercises to Improve Your Photography appeared first on Digital Photography School. It was authored by Ana Mireles.


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Olympus introduces durable, sports-oriented OM-D E-M1X

25 Jan

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After three weeks of teasers, Olympus has revealed its sports-oriented, high-performance OM-D E-M1X to the world. The E-M1X is all about speed, with dual TruePic VIII processors, an all-cross-type 121-point hybrid AF system with ‘Intelligent Subject Detection’, and 60 fps continuous shooting (18 with continuous AF). Olympus has put all that (and much more) into a rugged, weather-resistant body that has in-body image stabilization that can reduce shake by up to 7 stops (7.5 stops with the 12-100mm lens under specific conditions).

The E-M1X is all about speed

Physically, the E-M1X resembles an E-M1 with a built-in battery grip. Its magnesium alloy body is designed to pass the IPX1 specification for water ingress, and its refined Supersonic Wave Filter shakes off 10% more dust from the sensor than on previous cameras, according to Olympus. An integrated ‘heat pipe’ helps keep the sensor cool while shooting bursts or videos for a long period of time. The shutter is rated to 400,000 shots.

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Photos can be composed via a large EVF with 2.36 million dots (which seems low for a $ 3000 camera,) or on a 3″ rear touchscreen display. The built-in grip holds two BLH-1 batteries, which in combination should deliver 870 shots until they’re both exhausted (per CIPA rating). The E-M1X supports power delivery over USB-C, which lets users charge both batteries in-camera, in a total of about two hours using a laptop/tablet charger or portable power bank. There are two SD card slots on the camera, both supporting UHS-II media. The E-M1X also has a built-in GPS and compass, plus pressure, temperature and acceleration sensors.

The autofocus system on the E-M1X is derived from the one on the E-M1 Mark II. It puts 121 all-cross-type phase detect points on top of a traditional contrast-detect system. The focus point can be set using the fully articulating touchscreen or 8-way joystick. The camera’s Intelligent Subject Detection system can detect and track your choice of trains, race cars and motorcycles, or aircraft of all types, in addition to faces and eyes. Sorry, no pet detection yet. As with the E-M1 II, the E-M1X can shoot at 18 fps with continuous autofocus and exposure or 60 fps with AE and AF locked, using its electronic shutter.

The E-M1X offers the same High Res Shot mode as the E-M1 II, which creates 80MP equivalent images by shifting the sensor slightly. In addition, the E-M1X has a handheld mode, which attempts to do the same thing but without the tripod and with motion correction (check out our Review in Progress to see how well it performs). Another new feature is Live ND, which simulates the effect of up to a 5-stop neutral density filter by combining multiple exposures. The Pro Capture mode is still there, which saves up to 35 frames buffered before you fully press the shutter release button.

The E-M1X can shoot at 18 fps with continuous autofocus

The E-M1X has very good (but not class-leading) video specifications. You can capture DCI at up to 24p / 237Mbps and UHD 4K video at 30p / 102Mbps, using the full width of the sensor. Full HD recording at 60 fps is also available, with a top bit rate of 202Mbps. The camera supports time code, flat and OM-Log400 gamma curves and can output 8-bit 4:2:2 to an external recorder.

The E-M1X will be available in late February for $ 2999.

Read our E-M1X Review in Progress for much more

Press Release:

INTRODUCING THE OLYMPUS OM-D E-M1X® OFFERING UNRIVALED SPEED AND SYSTEM MOBILITY

Latest OM-D Body Provides Absolute Confidence for Professional Photographers

CENTER VALLEY, PA., January 24, 2019 – Today Olympus expands the OM-D series with the introduction of the OM-D E-M1X professional Micro Four Thirds® interchangeable lens camera. The Olympus OM-D E-M1X is packed with industry leading speed, performance, reliability and high-quality image output that rivals that of full-frame DSLRs. This new professional model, positioned alongside the award-winning Olympus OM-D E-M1 Mark II, incorporates an integrated vertical grip to provide a secure grip and superior operability, whether held horizontally or vertically, and offers the world’s highest[1] image stabilization performance with approximately 7.5 shutter speed steps of compensation. Zero-lag Pro Capture Mode[2] and 60 fps high-speed continuous shooting[3] ensures photographers never miss a shot. Its dual TruePic VIII Image Processors provide for high-speed responsiveness and a handheld High Res Shot Mode. The camera’s 121-point all-cross-type on-chip Phase Detection AF sensor and an AF Multi-Selector provides greater freedom over composition. When pairing the OM-D E-M1X with the versatile, excellent image quality of Olympus M.Zuiko lenses, this compact, lightweight, high quality camera system demonstrates its true capabilities in situations where portability is essential, including sports and wildlife photography.

Main Features

  • Integrated Vertical Grip
  • Precise Autofocus system with AF Multi-Selector, All-Cross-Type On-Chip Phase Detection AF Sensor, and Intelligent Subject Detection AF
  • Pro Capture Mode[4] and 60 fps High-Speed Sequential Shooting[5]
  • Dual TruePic VIII Image Processors
  • The World’s Highest Image Stabilization Performance

Integrated Vertical Grip Construction

To meet demands from professional users who place importance on a secure grip during shooting, the OM-D E-M1X features integrated vertical grip construction, designed to provide an improved grip with a deep finger rest whether holding the camera horizontally or vertically. The ergonomic design reduces fatigue when shooting for long periods of time.

Redesigned Button Layout

The layout, shape, and height of all buttons and levers have been completely redesigned to enable users to concentrate on shooting through the viewfinder. A multi-selector is included in both the horizontal and vertical positions so that users can quickly shift focus areas while looking through the viewfinder. A new C-LOCK lever allows the user to select and disable numerous buttons and dials on the camera when in the vertical or horizontal position to substantially mitigate any the risk of accidental changes in settings.

High Magnification, High-Speed Viewfinder

The viewfinder features a new optical design using an industry-leading magnification of 0.83x (35mm equivalent). This four-element configuration designed with aspherical and high reflective index lenses provides a clear, distortion-free display right up to the edge of the viewfinder. As found on the OM-D E-M1 Mark II, a 120 fps (progressive scan) high-speed frame rate with a 0.005 second latency are provided for stress-free moving subject photography.

Advanced Durability and Reliability

The OM-D E-M1X clears Olympus’ in-house splashproof tests that are far more rigorous than IPX1 water ingress testing. The body is designed for shooting in the severe conditions professional photographers often find themselves. Dustproof, splashproof, and freezeproof (14°F / -10°C) performance is maintained even when the remote cable, microphone, and headphone jacks are in use, enabling shooting that is not affected by poor weather. A new coating is used on the Super Sonic Wave Filter, which vibrates at 30,000 times per second to remove dust and dirt, boosting dust removal effectiveness by 10% compared to previous Olympus models. The OM-D E-M1X also features durability and reliability to put pro photographers’ minds at ease, including construction that dissipates heat when shooting video and during high speed shooting in very hot conditions, which can typically cause the temperature to rise and limit functionality, as well as a shutter life actuation counts of 400,000[6].

High-Capacity Battery

The OM-D E-M1X is equipped with a cartridge battery insertion system with the capacity for two BLH-1 lithium-ion batteries (also used in the OM-D E-M1 Mark II). Users can capture up to approximately 870 shots[7] and easily replace the batteries even when the camera is attached to a monopod or tripod. The camera also supports USB-C power delivery from a maximum 100 W USB-C standard power source with no special adapter required. This makes it possible to charge the two BLH-1 batteries in the camera body in approximately two hours.

AF Area Multi Selector

A multi selector is included in both the horizontal and vertical positions on the OM-D E-M1X allowing users to quickly shift the AF area while looking through the viewfinder. A distinctive attribute of this joystick is that it allows for diagonal movement of the AF point, where most other cameras only allow for left, right, up and down movement, and in only one direction at a time. This feature makes it possible to smoothly shift AF areas during sequential shooting and video recording.

121-Point All-Cross-Type On-Chip Phase Detection AF Sensor The precise 121-point all-cross-type on-chip Phase Detection AF sensor currently available on the OM-D E-M1 Mark II is also featured on this model for more accurate and greater freedom for focusing in various situations. Olympus on-chip Phase Detection AF delivers Live View images and utilizes autofocus information from recorded images for quick tracking of unpredictable subject movement and changes in subject speed. The AF low-light limit when an F1.2 lens is attached[8] is -6 EV, allowing for high-precision focusing in both dark situations and low-contrast subjects.

Various Autofocus Settings

Various autofocus settings are available on the OM-D E-M1X to meet the needs of professional photographers, including multiple AF Target Modes, AF area position settings when holding the camera vertically or horizontally, and turning the focusing ring in C-AF AF to instantly switch to manual focus using C-AF+MF Mode. The new 25-Point Group Target and Custom AF Target have been added to the available AF Target Modes for greater operating freedom.

High-Speed Sequential Shooting

The OM-D E-M1X features high-speed sequential shooting at a maximum60 fps for capturing scenes in high definition that even the human eye cannot see. Both the 60 fps high-speed continuous shooting in AF/AE Lock, and maximum 18 fps continuous shooting with AF/AE Tracking can be used in Silent Mode for shooting a variety of activities, performances and events where the photographer does not want to disturb others with the sound of the shutter.

Pro Capture Mode

Pro Capture Mode records up to 35 frames retroactively from when the shutter button is released with no blackouts (image loss) during shooting, recording at 20 million pixels and offers support for RAW capture. This feature has received high praise from professional photographers since its introduction on the OM-D E-M1 Mark II, and is effective for capturing artistic images of subjects that move unpredictably.

Dual TruePicVIII High-Speed Image Processors

The OM-D E-M1X is equipped with two TruePic VIII Image Processors, providing quicker start-up times and recovery from sleep mode, and supporting the two high-speed UHS-II SD card slots for overall high-speed responsiveness. This not only contributes to a faster camera, but also supports new camera functionality, including Handheld High Res Shot Mode, Live ND, and Intelligent Subject Detection AF.

Handheld High Res Shot

In addition to ultra-high-resolution maximum 80M[9] High Res Shot images that can be captured using a tripod, Handheld High Res Shot Mode is now available on the OM-D E-M1X, in response to many requests received from professional photographers. This feature is particularly useful for capturing high-definition shots in locations where it is impossible to use a tripod, including when moving from place to place, such as hiking.

Live ND

Live ND is included on the OM-D E-M1X for slow shutter speed effects without the need for an ND filter. This new technology combines multiple exposed images in camera to attain slow shutter effects. It is also possible to check the slow shutter effects in the viewfinder before shooting for improved efficiency. Effects can be set in five levels: ND2 (equivalent to one shutter speed step), ND4 (2 steps), ND8 (3 steps), ND16 (4 steps), and ND32 (5 steps).

Intelligent Subject Detection AF

Artificial Intelligence (AI) based Deep Learning technology was utilized to develop new algorithms for the Intelligent Subject Detection AF feature. It detects three different types of subjects, including motorsports, airplanes, and trains, focusing on and tracking the optimal area. For example, it sets pinpoint focus, locking onto the driver’s helmet during motorsports, automatically detecting the subject, enabling improved autofocus precision so users can focus on the composition.

World’s Highest Image Stabilization

The OM-D E-M1X’s new gyro sensor enables superior image stabilization performance, delivering a maximum of 7.0 shutter speed steps of compensation performance[10] when using the camera body stabilization alone, and the world’s highest 7.5 shutter speed steps of compensation when combined with the stabilized M.Zuiko Digital ED 12-100mm F4.0 IS PRO lens. This feature makes handheld shooting possible at lower shutter speeds than ever before, which is perfect for nighttime and indoor shooting.

Other Features:

  • Field Sensor System and Built-In GPS: The OM-D E-M1X contains a built-in GPS® sensor, temperature sensor, manometer and compass, collectively known as ‘field sensors’. In addition to location information, including longitude and latitude, these sensors detect and record the temperature, elevation, and direction of the camera for adding detailed shooting information to images.
  • Anti-Flicker Shooting and Flicker Scan: With anti-flicker shooting, the camera detects the flicker frequency of artificial light sources, including fluorescent lighting and activates the shutter at peak brightness to eliminate uneven exposures and coloring between sequential frames. Flicker scan suppresses striped patterns that can occur when using Silent Mode (electronic shutter) and when shooting movies, so that users can fine tune the shutter speed.
  • Olympus Capture: Olympus Capture camera control software now supports the transfer of recorded images over Wi-Fi®. This new feature makes it possible to transfer images wirelessly to a computer when shooting in the studio without connecting a USB cable. Both 2.4 GHz and high-speed communication 5 GHz bandwidths are available.
  • Handheld 4K and Cinema 4K: Powerful 5-Axis Image Stabilization and electronic stabilization enable ultra-smooth handheld 4K and cinema 4K video recording, without the need for stabilizing gear. Image stabilization effect can be selected from three levels depending on the photographer’s posture and movement.
  • OM-Log400: The OM-D E-M1X supports OM-Log400 shooting, which allows for shooting without loss of details in shadows and highlights and without blowouts, along with color grading via a computer for a high degree of freedom over images.
  • High-Speed Movie (120 fps): 120 fps high-speed movies are now supported in Full HD. Slow-motion playback can make for more impressive imaging expressions.

Separately Available Accessories:

FL-700WR Electronic Flash

FL-700WR Electronic Flash is a high-performance wireless radiowave shooting compatible electronic flash. During wireless shooting, it can function as a commander or flash with built-in receiver. The compact, lightweight design delivers excellent portability with high intensity at a maximum guide number of 42[11] (ISO 100/m). The dustproof, splashproof, and freezeproof (14°F / -10°C)[12] performance offers reliability when shooting in a variety of environments including rain, when paired with the OM-D E-M1X, and other splashproof and dustproof body and lens combinations. Full flash intensity is possible with an approximate 1.5 second[13] charging time for comfortable, easy shooting. Because charging time is short, sequential flash photography[14] at 10 fps is possible.

Wireless Commander FC-WR & Wireless Receiver FR-WR:

Wireless Commander FC-WR and Wireless Receiver FR-WR can control multiple flash units remotely from the camera, enabling versatile wireless flash photography. As is the case with the Electronic Flash FL-700WR, dustproof, splashproof, and freezeproof (14°F / -10°C) design allows use in a variety of fields. When paired with weathersealed cameras, lenses, and flash units including the FL-700WR or high-capacity Electronic Flash FL-900R, users can perform wireless flash photography comfortably even in the rain. The commander can connect to three groups and an unlimited number of flash units. Users can also select which group to fire and not fire and configure the flash intensity.

Olympus Workspace image management software

This new image management software delivers authentic image viewing and editing functions. RAW processing preview speed is now faster to streamline the post-shooting workflow. The rating function has also been improved for speedy selection of the best shots from large collections of images. A multi-window environment is now supported along with other comfortable controls for a more satisfying work process. Olympus Workspace can be downloaded free of charge for users who own an Olympus camera.

U.S. Pricing and Availability

The Olympus OM-D E-M1X (black) will begin shipping in late February 2019 for $ 2,999.99 (U.S.) and $ 3,899.99 (CAD).

[1] Lens used: M.Zuiko Digital ED 12-100mm F4.0 IS PRO, at a focal distance of 100mm (35mm equivalent: 200mm), halfway release image stabilization: Off, conforms to CIPA standards, when corrected on 2 axes (Yaw and Pitch), current as of January 24, 2019.

[2] During Pro Capture shooting, the shutter speed is limited to the maximum speed (1 fps or higher) and the flash is disabled.

[3] AF and AE locked at first frame. Maximum of 18 fps during AF, AE operation.

[4] During Pro Capture shooting, the shutter speed is limited to the maximum speed (1 fps or higher) and the flash is disabled.

[5] AF and AE locked at first frame. Maximum of 18 fps during AF, AE operation.

[6] According to Olympus tests.

[7] When using two BLH-1 batteries. Shooting with a Toshiba SDXU-D032G, IS on, flash not attached, CIPA testing standards. When using power saving shooting mode, Olympus testing conditions show approximately 2,580 shots based on CIPA testing standards.

[8] Lens used: M.Zuiko Digital ED 17mm F1.2 IS PRO, M.Zuiko Digital ED 25mm F1.2 IS PRO, and M.Zuiko Digital ED 45mm F1.2 IS PRO.

[9] Up to 80M (50M for Handheld High Res Shot) supported during RAW shooting. Images must be processed using compatible software including Olympus Workspace.

[10] Lens used: M.Zuiko Digital ED 12-40mm f2.8 PRO, at a focal distance of 40mm (35mm equivalent: 80mm). Conforms to CIPA standards, when corrected on 2 axes (Yaw and Pitch), current as of January 2019.

[11] Firing angle of 75mm / standard light distribution mode, ISO 100/m.

[12] Batteries may not withstand lower temperatures. In such environments, keep batteries warm prior to use.

[13] When using rechargeable nickel-metal hydride (Ni-MH) batteries. Approximately 2.5 s when using alkaline batteries.

[14] Only when using OM-D E-M1X and OM-D E-M1 Mark II mechanical shutter. At a firing ratio of 1/16.

Olympus OM-D E-M1X specifications

Price
MSRP $ 2999
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 5184 x 3888
Image ratio w:h 4:3
Effective pixels 20 megapixels
Sensor photo detectors 22 megapixels
Sensor size Four Thirds (17.4 x 13 mm)
Sensor type CMOS
Processor Dual TruePic VIII
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 200-25600 (expands down to 64)
Boosted ISO (minimum) 64
White balance presets 7
Custom white balance Yes (4 slots)
Image stabilization Sensor-shift
Image stabilization notes 7.5 stops with 12-100mm lens at 100mm. Otherwise 7 stops
CIPA image stabilization rating 7.5 stop(s)
Uncompressed format RAW
JPEG quality levels Super fine, fine, normal
File format
  • JPEG (Exif v2.31)
  • Raw (12-bit ORF)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 121
Lens mount Micro Four Thirds
Focal length multiplier 2×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3
Screen dots 1,037,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 1.48× (0.74× 35mm equiv.)
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 60 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash modes Redeye, Fill-in, Flash Off, Red-eye Slow sync (1st curtain), Slow sync.(1st curtain), Slow sync (2nd curtain), manual
Flash X sync speed 1/250 sec
Drive modes
  • Single
  • Continuous
  • Bracketing
  • Self-timer
Continuous drive 60.0 fps
Self-timer Yes (2 or 12 secs, custom)
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
  • Spot AF-area
Exposure compensation ±5 (at 1/3 EV, 1/2 EV, 1 EV steps)
AE Bracketing ±5 (5, 7 frames at 1/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 102 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 102 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 52 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 52 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 202 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 202 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p / 202 Mbps, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage included Dual SD/SDHC/SDXC cards
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
USB charging Yes (USB-PD allows charging by laptop or external power bank)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac + Bluetooth
Remote control Yes (via smartphone or wired remote)
Physical
Environmentally sealed Yes (to IPX1 standards)
Battery Built-in
Battery description Two BLH-1 lithium-ion batteries
Battery Life (CIPA) 870
Weight (inc. batteries) 997 g (2.20 lb / 35.17 oz)
Dimensions 144 x 147 x 75 mm (5.67 x 5.79 x 2.95)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS Built-in
GPS notes Also captures direction, temperature, pressure and acceleration

Articles: Digital Photography Review (dpreview.com)

 
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Huawei P30 Pro could come with periscope-style zoom lens

25 Jan

There’s a good chance we’ll see a periscope-design 10x zoom smartphone camera from Chinese manufacturer OPPO at MWC this year. However, it looks like rival Huawei could follow soon after.

According to reports from people using engineering samples, Huawei’s upcoming P-series flagship model, the P30 Pro, could come with a periscope zoom module for large optical magnification. The primary camera will likely use a new 6-series image sensor from Sony, possibly the 1/1.8″ 38MP IMX607 model.

Its sister model, the P30, is said to keep the existing triple-camera setup of the current Mate 20 Pro.

The rumors also say that both phones will now feature an OLED display, insteaf of only the Pro version. This is necessitated by a move to optical in-display fingerprint readers. Both devices will be powered by Huawei’s Kirin 980 chipset with 8GB of RAM on the standard model and 12GB on the Pro.

With its triple-cam models P20 Pro and Mate 20 Pro Huawei has released two of the best camera phones in 2018 and it looks like the company has no intentions to slow down. We’ll know more in a few weeks time around MWC in Barcelona.

Articles: Digital Photography Review (dpreview.com)

 
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