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Archive for January, 2019

Panasonic S1/S1R to ship in March; HLG Photo and High-Res mode added to feature list

08 Jan

Panasonic has announced that its Lumix DC-S1 and DC-S1R full-frame mirrorless cameras will ship at the end of March. The company also disclosed two previously unmentioned features that will be offered on both cameras.

First is a ‘HLG Photo Mode’, which captures photos with high dynamic range using the Hybrid Log Gamma profile. Photos are saved as HSP files, which can be viewed on HLG-compliant devices.

These will be among the first cameras to be able to take advantage of the latest HDR displays: showing a natural-looking image with a wider dynamic range (not squeezing a wide dynamic range into the limitations of older, standard-DR monitors). The movie and broadcast industries have already developed a series of standards for capturing and showing HDR footage but there’s been less progress in the photographic world.

Apple’s recent iPhones can capture and display HDR images but it’s not clear which standard they’re using: the HDR images only currently appear as HDR on the device’s own screen. By adopting the simple and increasingly widespread HLG system (currently used by the BBC and cameras from Panasonic, Fujifilm and Sony), Panasonic could help establish a way for photographers to shoot and edit HDR stills, knowing that some displays will know how to show them correctly.

The second feature is a multi-shot high-resolution mode, that uses the camera’s sensor-shift image stabilizer. The camera moves the sensor a tiny amount to capture eight separate exposures, which are combined into a single image with high levels of detail. A ‘suppress motion blur’ option is available, which we’ll surely be testing once we have an S1/S1R to review.

Lumix S1 sample photos by Daniel Berehulak

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Press Release

Panasonic Announces Additional Key Functions for the New Full-frame Mirrorless Camera at CES 2019

Las Vegas, NV (January 7, 2019) – Following an announcement at Photokina 2018, Panasonic will unveil additional key features of the new LUMIX S full-frame mirrorless cameras at CES 2019. The LUMIX S full-frame mirrorless cameras and lenses will be available at the end of March 2019.*

A Whole New Style of Photo Expression

High Dynamic Range Still Photo – HLG Photo Mode

HLG Photo allows images to be shot with a wider dynamic range. By reproducing both glaring lights and dark shadows that are likely to be overexposed or underexposed, the Lumix S achieves rich, precise color expression as close as possible to visual memory.

HLG Photos are produced as an HSP file. The user can play back these vibrant images on the latest Panasonic HLG-compliant 4KTV via HDMI cable connection or other HLG-compliant devices. It is also ideal for photographers’ photo presentations.

Stunning Details with a Realistic Sensation

High Resolution Mode

Taking advantage of the Body Image Stabilizer. (I.S.) mechanism, eight consecutive images are automatically shot while shifting the sensor. These eight images are synthesized into a single image by the new Venus Engine, which boasts high-speed signal processing. Precise details are faithfully reproduced to be saved as a beautiful, highly realistic image. This mode is ideal for shooting natural landscapes or fine art objects with delicate details.

Considering situations where moving subjects are included in the scene, sub options are available to suppress motion blur, so photographers can use this mode the same as shooting in a normal photo shooting mode.

Articles: Digital Photography Review (dpreview.com)

 
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Report: FAA to test new pilot programs to speed up remote drone identification tech

08 Jan

In 2017, news surfaced the Federal Aviation Administration (FAA) had taken the first steps toward establishing drone identification rules, which would require a drone to remotely identify itself to law enforcement. The remote ID system could help identify drones operated in restricted airspace, such as drones over airports, but multiple reports have indicated there could be a significant delay.

In November, the Wall Street Journal reported the FAA was ‘significantly behind’ schedule on establishing drone identification rules, something necessary for the large scale commercial use of drones. As well, law enforcement and government officials have increasingly expressed concerns over illegal drone operation and their inability to rapidly identify these UAVs.

In its most recent update, the WSJ has revealed a Federal Register notice from December that details pilot projects aimed at speeding up remote ID system testing. According to the report, the FAA wants to create up to eight prototype projects financed by private companies in order to test different identification options.

These prototype projects would be used both to gather real-world data and verify that the remote identification technologies work while speeding up the overall time it will take the FAA to establish the new rules. Neither timelines nor project costs have been revealed at this time, but assuming that a rule proposal in made in the next few months, final regulations may be established in the next year or two.

Articles: Digital Photography Review (dpreview.com)

 
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Expand Your Creativity by Taking Self-Portraits

07 Jan

The post Expand Your Creativity by Taking Self-Portraits appeared first on Digital Photography School. It was authored by Stacey Hill.

If someone asked me “what is the ONE thing you have done that improved your photography the most?” my answer would be Self Portraiture. No, not your average cell phone social media shot, but a fully-conceptualized project. One that is planned and executed down to the last detail, and then shot by the photographer who is also in front of the camera.

I don’t shoot people because they can be awkward and self-conscious in front of the camera. Often they have no idea how to pose, don’t listen and take direction, and can be impatient with the process. They can also be easily distracted, and you have to spend a lot of energy to keep them happy and engaged. For those who make a living shooting people/portraits, I salute you because it is hard work.

However, for those of us who don’t like to photograph other people, we are then left with a dilemma. Having a human in the shot helps us tell a more involved story, gives the viewer something to relate to, and helps us engage with the image. Therefore, using ourselves in the picture becomes a choice. Which leads us to the challenge; how do we plan out an entire image and shoot it, while being IN it at the same time?

Not only do we have to design and plan the whole shoot, which is enough of a challenge anyway, but we also have to put our self in front of the camera at the same time.

So we take something that is hard to do and make it even harder. Why would we do that? What are the benefits?

I had to come back and do this shoot a second time because all my first set of shots were not 100% in focus. I marked my focus point with a white stone this time

Creative Freedom

Using yourself as the model gives you enormous creative freedom. It allows you to try creative directions a paying client may not want to do.  You can be adventurous and take more risk with the shot style.

Some themes you could play with include:

  • 50’s pinup style shoots or burlesque or lingerie
  • Cosplay with lots of armor and weapons
  • Western-themed with a horse and a lasso
  • Fairytale redo of Cinderella or Red Riding Hood
  • A fantasy wedding theme
  • Pirates
  • Sport
  • 1920’s speakeasy
  • Zombie horror
  • Elaborate composited scenes not possible in reality like levitation and flying furniture and people

 

Sticky fake blood looks effective for this zombie-themed shot. It tells a story with just the hand and arm.

Thinking outside the box

There are so many more ways to create a self-portrait. You can use your whole body or only a part of it. Using the hands alone can tell stories in so many ways. Many people do not like having their face in the frame, and showing complex extreme emotion is a challenging concept for a lot of people.

Why are our portraits often of people smiling and being happy? Do we not also feel sadness, grief, anger, confusion, depression, anxiety, despair?  How can we explore the full human condition?

What are the other stories we can tell using the full range of emotions available to us? How else can we create powerful emotive imagery? What stories can we tell that encompass our vision and experiences?

Are there things we personally find challenging or interesting? What fascinates and drives us? Are there demons dwelling in our psyche to be uncovered and exposed in front of a lens? What is our story? Do we want to share a reality or instead craft an alternate fantasy world instead?

My mantra is “I want my images to evoke a response.” Any response is fine. Just so long as my images are SEEN, not just scrolled past on the phone. How can they stand out from the crowd of the millions of other images uploaded every minute online? I also want them to be uniquely mine by permitting myself to create what is necessary to get a specific shot.

My question to you is “how do you get someone to stop scrolling and see YOUR image, or to like or comment on it?” How do you innovate with your imagery to make it different, noticeable or more engaging?

Learn to take risks

For the record, there is nothing wrong with the traditional style of portrait/self-portrait images, but there are those of us who strive for something more. We strive for something different, something extreme or extraordinary. In which case, starting with yourself is an excellent way to experiment in a safe, controlled environment. An environment where it is okay if you make a mistake and take twice as long to do something because you are only using your time. Somewhere everything you try is a learning experience and often a valuable one.

However, putting yourself as the subject in a shot is a risk. Everyone suffers the same doubts. “Will I look OK?”
“Will people like this image of me?”
“I hate how my face looks when I smile” and so on.

Underneath we are all the same fragile creatures, so putting yourself front and center takes a lot of courage.

If you are choosing to do something more creative, then the risk may feel greater.
“Will I look like an idiot dressed as a pirate?”
“I’m afraid of doing a nude or lingerie shot.”

It is easy to worry about what people think.
It can also be hard to overcome the ingrained societal concepts of good or expected behavior. Society expects us to be smiling and happy in a portrait shot. Many people do not cope well when presented with your screaming face covered in blood!

You may feel concerned about going outside to shoot where other people can see you.
“What is this person in a strange costume doing making weird poses in front of the camera?”
Yes, that is a real thing.

My response to that is first of all, who cares what other people think? Second, if we want the shot of a particular place to tell a story, then we do what is necessary to get the shot. Are we risking embarrassment by doing this? Maybe, but I am also comfortable with the idea that no one has died of embarrassment.

Breaking through my comfort zones and pushing my boundaries is one of the most valuable things I have done to improve my photography. Self-portraiture has been a big part of that journey because it gave me the freedom to take risks and try something new. Because I am using myself as the model, if it doesn’t work, I can try again. I can try something different, or refine my process in a better way.

Think about how you could tell new or different stories if you had the time and made the opportunities to craft self-portrait images that tell your story!

Self-portrait secret weapons

  1. A Wireless Remote
  2. Shooting Tethered (either cabled or wireless with a trigger)

A wireless remote

Having a wireless remote is faster and more efficient. You can get yourself into position and shoot a whole range of different poses without having to dash back and forward between the camera and your position.

Shooting tethered

If you are in a studio or working close enough to the camera, shooting tethered makes the process even better. You can make sure your pose is within the frame, can see any issues and adjust them quickly. Shooting tethered allows you to fine tune everything while you are shooting the scene. You save time too, in case you cut your head off accidentally and need to reposition again and again.

Being able to see how the final image looks on a bigger screen is also very helpful for creative direction. Several of my shots I would not have conceptualized without the opportunity to see the potential of them on the laptop screen. Sometimes merely adjusting the tilt of the head or the angle of the chin completely changes the tone or feel of an image.

Slightly out of focus while I was trying out shooting tethered for the first time. Helped to position the fan in exactly the right place

Give yourself time to play

When you are the only set of hands and have to be in two places at once, it takes time to set the shot up. Give yourself plenty of time to shoot, so there is no rushing. That way you can deal with any issues and be relaxed about your time frame.

Also, allow yourself time to play and experiment while in front of the camera. By having time to play, you can spark up new concepts and ideas you didn’t initially have. Ideas that can turn out to be valuable. I have specifically scheduled time in my studio with a few props to experiment with a concept. With no specific intention for a shoot, just time to create visually in an unstructured manner. I can take small risks, try new things, move on to the next idea and experiment.

This exercise has taught me a great deal about posing, and how to move the body to get the best visual outcome. This exercise is invaluable for talking to portrait clients later, as you can empathize with how odd it feels, but explain why it matters too.

Planning a self-portrait image

Many elements go into creating an image. For example, subject, light, story, and mood. With a self-portrait image, you have to start from the beginning and build the entire picture. You must integrate all the necessary elements in such a way that allows you to create both behind the camera and in front of it simultaneously.

1. What

What is the concept or idea behind your image?

2. How

How are you going to execute it? What constraints or limitations are there? What are the technical or physical challenges and what lighting is needed?

3. Where

Where do you shoot it? Do you shoot inside or outside, or in a specific place? Is the background composited in later?

4. Theme

What styling or theme do you want the shot to have? Be as creative as you like or can afford.

5. Pose

How will you be posed? Is it a pose you can hold and adjust easily for a range of options? Is the pose comfortable and safe?

6. Props

What props are needed to tell the story? Do you require hair, makeup, clothing, or other accessories to tell the story?

7. Extras

Some other things you may need to consider are: site permissions, shooting fees, access, public audience, personal safety, weather conditions, and travel distance/time.

Other considerations

These are all the things you may need to account for if doing a shoot with a client or a model. You can go the safe route and do classic headshots, or outdoor portraits in a garden. It is a safe option when dealing with a client who may not want a more challenging style of image, may not have the time or budget to get dressed up in costume or isn’t interested.

Figuring out how to do this by yourself (assuming you don’t have any assistance) can take some practice. If you have an elaborate, complicated costume, can you get dressed in it by yourself? Can you do it in the back of your car if there isn’t anywhere else you can get changed? Can you wear it and drive at the same time?

How much gear are you carrying? Can you take it in one trip to the session site? Are you and your gear safe while working outside?

Everything becomes much more complicated. You need to take a normal approach to things and make it even simpler. Then you repeat until every stage is possible for one person to achieve.

The final edit from the original shot seen above

Conclusion

Using people in images helps tell an engaging visual story. However, not all photographers have the luxury of friends/family to pose for them or can afford a model. Some photographers may prefer not to deal with a stranger due to the complexity of the shoot, and the time required. So putting yourself in the frame may be the only option.

Putting yourself front and center can be intimidating. Some of us prefer to be behind the camera. However, we can dress in costume, wear wigs, elaborate makeup, masks or shoot in such a way that our identity is not apparent.

Masking your identity also forces you to be more creative with how you think about staging and shooting your image. It can be a challenge because everything takes longer and the complexity increases with the need to be both in front of the camera and composing the shot.

There are so many learning opportunities and experiences to be had by taking the time to play. When it is just you and a camera, there is great freedom involved to try random concepts and ideas. Things you may not have ever considered before.

Pinterest and Instagram are great places to find inspirational ideas. Start making yourself a board, gather props, take a deep breath and put yourself in the frame.

It will be tough going initially, but it is worth it. Even just for the learning experiences, you gain from making mistakes. However, don’t let that stop you. Go forth and create!

Share with us some of your images below.

 

The post Expand Your Creativity by Taking Self-Portraits appeared first on Digital Photography School. It was authored by Stacey Hill.


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Nikon Z 50mm F1.8 S sample gallery

07 Jan

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The Nikon Z 50mm F1.8 is one of three lenses to launch with the Z system, and it’s quickly becoming a staff favorite thanks to its edge-to-edge sharpness and a pleasing absence of chromatic aberration. Nikon claims that the Z 50mm F1.8 redefines what an F1.8 standard lens can do – take a look at our gallery and see for yourself.

See our Nikon Z 50mm F1.8 S
sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Senior Photo Tips for Better Senior Photography

07 Jan

The post Senior Photo Tips for Better Senior Photography appeared first on Digital Photography School. It was authored by Jackie Lamas.

Photographing teens who are about to embark on a new phase of life is an honor as a photographer. However, it can be tricky to photograph teens who are both very self-aware and yet not a full adult yet. Read the following tips to get the most out of a senior photography session.

1. Pre-Consultation with both the teen and parent

It’s essential to schedule a pre-consultation with both the teen and the parent. This way, you can interview the teen and get a better idea of what they envision for their session. Senior portraits that include the input and ideas of the teen tend to go smoother as the teen is more excited to participate.

Having the parent at the pre-consultation can also help to get an idea of what he or she is looking for as far as wall prints, invitations, graduation announcements, etc. As they are the one paying, they can also choose which options best suit their needs and budget.

Include the teen in the process of choosing wardrobe and locations.

Sit down in a casual and comfortable setting so that you can develop a natural conversation with the teen. Bring samples to show them so that they can see and touch the products.

Giving them printed pricing sheets printed to take home. Doing so helps them to keep in mind the products they may want after they view the photos. In turn, helping you make a more significant sale after the session is complete.

Make and print out a small questionnaire for both the teen and parent to fill out. Ask questions like, ‘what background do you envision for your session: natural, urban, mixture?’ Or, ‘do you play any sports? If so, would you like to be photographed in your uniform?’

These questions help you to get a better understanding of what the senior photos represent for the family. Being able to see their likes, dislikes and hobbies narrows down the location, time of day, type of lighting, and even posing.

Some seniors may already have a clear idea as to what they are looking for as far as their photo session goes, making things easier. However, you may encounter many teens that don’t have a clue. This is where you can guide them. Show the teens previous senior sessions that you’ve photographed in different locations and styles. You’ll probably get an excellent idea as to what they don’t like, helping narrow down what they do want.

2. Play music during the session

Music can help the teen relax and feel less nervous during the session. Have them choose a playlist of music they like before or during the session.

Music can also fill in gaps while you are photographing them and can’t focus on a conversation.

Music can be a small detail that can easily get overlooked. However, music can be a game changer when you have a particularly shy teen who isn’t talkative. It can set the tone for the session and motivate the senior to pose a certain way and make particular expressions.

The client experience is what drives word of mouth and referrals from current clients. When you give the teen some control of their senior session, they feel heard and seen. A small decision in choosing which music to listen to can make the whole experience positive.

3. Props and accessories

Props can be a big help during sessions with a senior. There are many props you can use, however, the following are the most popular and specific to senior portraits:

  • Musical instruments
  • Sports props like balls, uniforms, backgrounds
  • The teen’s car
  • Their hobbies, like a camera for photography, art supplies or an easel for painting
  • A prop that is descriptive of the teen’s personality
  • The cap and gown for their school
  • Ballons with the graduation year
  • A sign

Adding props can add more variety and add a more personal touch to the photos.

Props also help the teen to be more relaxed posing with something that they like. It also gives the session a fun, playful feel while providing the senior with a better overall experience. For example, if the senior loves to ride horses, you can go where they keep their horse and take a few photos.

Or if a teen is really into djing, they can bring their favorite vinyl records to the shoot. Props help to give the session a little more personality.

4. Posing

Posing can be tricky with senior photography. You have to keep poses teenage appropriate while also being mindful that they are young adults on the verge of entering the real world.

Choose poses that offer variety. For girls, this can mean crossing their feet as they stand with their arms at their hips or interlocked hanging freely. For boys, have them stand against a column or wall and prop up a leg or keep it casual with both feet relaxed.

Sitting on steps also creates nice solid portraits. Don’t be afraid to experiment with different lenses to get different looks during the session.

For example, a lens at 35mm may be an interesting shot in an urban area, giving the portrait more space around the senior. A more compressed, longer lens can give beautiful bokeh and isolate the teen’s face for a beautiful mid-length portrait.

Playing with props and giving their hands an action to do can help calm nerves. Be mindful of idol hands because they can look out of place within the portrait if they are hanging at the sides.

Use their hands to hold jackets, give the elbow a bit of bend to create more shape, put them in pockets, play with hair or props, have them fix their shirt or dress. Giving their hands something to do can also help relax the teen while they are in front of the camera.

Stairs are a great place to sit seniors and take both full-length and close-up photos.

Check out some inspirational photos and save them to your phone. Sometimes a little inspiration can help you create something different when the session feels a bit stagnant.

The great thing about teen and senior photography is that they are perfect opportunities for you to experiment. After you’ve achieved the sure photographs that both they and their parents will love, offer to do something more experimental. Go for different lighting if that is something you’ve wanted to try. Doing this can help you offer a different feel to the session and final images.

5. Inviting more seniors to the session

Having the opportunity to photograph more than one senior at the same session can be a fun experience for all involved. If this is the case, ensure you are charging per person, or you have given the main client a group quote. Also, determine how many seniors you can photograph effectively in the amount of time you have for the session.

Photograph the group together in three to four setups. Then take turns taking 5 or more solid portraits of each senior. If they are all members of the same sports team or club, ask them to bring props. Props could include their uniform or other items that represent the activity in which they participate.

Give each teen time to change out of the group photo wardrobe so that they can also experience their own time with you. This makes them feel like they have their own mini-session within the big group photos. The more photos you include of each teen, the more opportunities you have to sell prints and products as well.

Try and take candid photos of the group too. Getting natural reactions while they are just hanging out and talking can also be as meaningful as the posed photos.

In conclusion

Senior photography is much more than the classic graduation portrait that parents used to look for. They are about inclusion and having the teen actively participate in order to capture their true personality before embarking on their next adventure in life.

Keeping it light and fun, as well as experimenting with different lighting and poses, can help make the senior session much more interactive and exciting.

The post Senior Photo Tips for Better Senior Photography appeared first on Digital Photography School. It was authored by Jackie Lamas.


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Gear: Leica C-Lux Camera Review

07 Jan

The post Gear: Leica C-Lux Camera Review appeared first on Digital Photography School. It was authored by Kunal Malhotra.

One of the latest offerings by Leica is the C-Lux compact camera which features 20-Megapixel, 1-inch CMOS sensor. With the focal length range of 8.8-132mm (24-320mm as per 35mm format), this is a multi-purpose camera. You can shoot photos of multiple genres like street, portraits, landscape, wildlife, and events using the 15x zoom range on this camera by Leica.

Talking about a few key highlighting features, the Leica C-Lux allows you to shoot 4K video, shoot images at 10fps burst rate and has a sensitivity range up to ISO 25600.

Build quality and ergonomics

The moment you hold the Leica C-Lux in your hand, you get mesmerized by its looks and ergonomics. This camera looks and feels premium from the very first second you use it.

The grip on this camera allows you to use it for hours without sweat or pain in your fingers. The thumb support at the back of the camera allowed me to make a strong grip while clicking both photos and videos.

I like how Leica has made this compact camera ‘compact’ – making sure it is fully-loaded with the latest features. While the built quality feels sturdy, the camera weight is not very heavy.

Physical features

My favorite physical feature on this camera has to be the customizable ring on the lens. By default, the role of the ring is to adjust the focal length of the lens. However, you can customize it to control either the manual focus or aperture value. So if you frequently focus manually or shoot in aperture priority, you are going to love this feature. I shoot in aperture priority in most situations, and the ring helped me save time and effort switching between aperture values.

On the back side of the C-Lux camera sits the 3.0“ TFT LCD touchscreen and 0.21“ LCD viewfinder with diopter adjustment from -4 to +3 diopters. The touchscreen is responsive and you can touch-and-focus while shooting photos and videos. However, the viewfinder is something that did not impress me. It felt like there was light leakage from the sides which distracted my view.

There is a pop-up flash hidden on the top center of the camera, which can be used by merely sliding a physical key. The back panel also features three custom function buttons which can be used as per the user convenience.

Image quality

While this camera has a focal length range from 24mm to 360mm, you may want to know its performance at both ends. I found the images to be sharp and crisp between 24mm and 200mm, and it gets a bit soft beyond 200mm focal length. Nevertheless, while shooting in daylight, it gives incredible results even at 360mm. However, as the light reduces, the crispness becomes a bit average.

If you are someone who shoots more in daylight and you want a longer focal length range in your compact camera, this could be a great choice for you. The optics in this camera lens enables you to capture images with good color reproduction.

Low-light performance

The real test of a camera is when it gets used in low light conditions. I took this camera for a run at night and clicked some street photos. The ISO performance up to 1600 ISO is excellent considering it features a 1-inch sensor. But beyond 1600 ISO you will start noticing grain in your images.

I was shocked to see this camera perform brilliantly in low light conditions while shooting video. I expected high grain at ISO 800, but this camera worked like a charm even at ISO 1600. This camera is equipped to shoot 4K video at 30fps and 1080p video at 60 fps.

Monochrome mode

Leica is known to have one of the best sensors for monochrome photography. But is it any good in this, one of the most affordable cameras? I fell in love with monochrome photography the day I started using this camera. The monochrome images felt entirely different coming out of this camera; perhaps because it is my first Leica camera. This camera captures amazing contrast and dynamic range, as you can see in the image below.

Autofocus performance

Most of the time I used the touch-to-focus feature, and there is a reason behind that. Ideally, I use manual focus point selection, but after a few shots I could trust the C-Lux touch focus accuracy. The focus speed also feels quite fast without much focus hunting, even in low-light conditions. But when you are beyond 200-250mm in low light conditions, the focusing becomes slower, and the focus hunting begins.

Features

There are some useful features in this camera including Focus Stacking and Exposure Stacking modes. One of the benefits of using a small sensor camera is that you get to use some fantastic features. These two modes allow you to capture multiple photos and give you a final image using either the focus point of your choice to focus stack or combine multiple exposures to achieve a high dynamic range (HDR) image.

Moreover, if you are social media enthusiast, the C-Lux camera allows you to instantly transfer images and videos via Wi-Fi or Bluetooth with the help of the ‘Leica C-Lux’ app.

Final thoughts

Amidst so many options, why would you choose the US$ 1050, 20 Megapixel, 1-inch sensor Leica C-Lux compact camera? If you are a frequent traveler and wish to carry a camera that does most of the job for you, this may be an ideal choice. Also, if you want the ‘Leica’ branding and love clicking in monochrome, you may fall for this little camera. With features including 4k photos at 30fps, focus and exposure stacking, 4k video and that smooth custom ring, I would recommend this Leica camera.

What are your views about this compact camera from Leica? Would you go for it?

The post Gear: Leica C-Lux Camera Review appeared first on Digital Photography School. It was authored by Kunal Malhotra.


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Fractal Filters are faceted photo filters that turn your camera into a kaleidoscope

07 Jan

There’s no shortage of weird and wild photography accessories designed to add a little flair to photographs, but Fractal Filters might be one of the most interesting to hit the market in some time.

Created by Nikk Wong and originally funded on Kickstarter, Fractal Filters are creative photo filters designed to add prism-like effects to photographs using shaped and faceted glass elements.

Currently, the Fractal Filters are sold in a ‘Classic 3 Pack’ that use the patented PrismaLed optics and unique cuts to add rainbows, reflections, and halos to photographs. The kit includes the Penrose Fractal Filter, Pascal Fractal Filter, Julia Fractal Filter, a carrying case, and a sticker.

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The filters are made to be held by hand in front of a camera lens using the three extra-large finger holes built into the aluminum frame. Wong suggest using lenses with a focal length longer than 40mm and at F5.6 or wider, but the idea is to get creative, so don’t feel limited.

In Wong’s own words, ‘Fractal Filters are designed to provide the user a unique way to look through the lens, both making difficult shooting situations easier and easy situations more spontaneous and creatively elastic.’ Below is a gallery of sample images capture with the Fractal Filters:

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The ‘Classic 3 Pack’ kit is available for $ 99 on Fractals’ website and includes the Penrose Fractal Filter, Pascal Fractal Filter, Julia Fractal Filter, a carrying case, and a sticker.

Articles: Digital Photography Review (dpreview.com)

 
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20 Ways to Improve Your Photography by Improving Yourself

07 Jan

The post 20 Ways to Improve Your Photography by Improving Yourself appeared first on Digital Photography School. It was authored by Mat Coker.

Photo: Guillermo Sánchez

Sometimes what holds us back in photography is not a lack of “know how” or new gear, but not growing anymore as people. Before you try to improve your photography with a new camera or lens, try working on some weak part of your personality. Once you’ve improved yourself as a person, you’ll make much better use of that new camera or lens!

Whether you’re an amateur or professional, here are 20 personality problems to tackle that can help you grow as a photographer.

Golden hour photography of kids sledding in the snow

Imagine if adults kept growing at the rate toddlers do. One day they’re watching the big kids play, and then suddenly they’ve figured it out for themselves.

1. Stop being lazy – accomplish something big

If you always have a nagging feeling that you should be accomplishing more, then now is the time to do it. Instead of letting half-baked ideas and almost-finished projects pile up, get something completed.

It’s so easy to be lazy. That’s the danger. Accomplishing great things takes work, but being lazy doesn’t.

You can spend hours scrolling through photos that other photographers have taken, always lusting over their projects. Or, you can get off the couch to finish one of your own projects.

Before long, you’ll look back and see a trail of finished work.

2. Don’t work so hard

Maybe you’re the opposite of lazy. Maybe you can’t stop working. Suppose you run a photography business and feel a lot of guilt about missing so much family time. You must stop working a bit and pay attention to the other important things in your life.

When you make more time for friends and family and a little bit of downtime, you’ll grow in your creativity and do greater things when you get back to work.

Expand your relationships and life experiences and you’ll bring a much deeper version of yourself to your work.

Cut back on the hours you work by eliminating tasks that are not essential to your projects or business.

Candid photo of a toddler reading books.

Workaholics could schedule some time into their week to relax with a book. Expand yourself with a thrilling novel or good “how to” book.

3. Get organized

Begin to de-clutter and simplify your life. For example, do you just dump all your photos onto a hard drive or leave them floating around the cloud? You need to get those photos organized.

Get all your photos into one place and get them sorted out.

If you’re a project photographer, them sort them by year and by the project.

If you take a lot of photos every day or every week, I highly recommend sorting them by date.

The system I use is simple.

  • All photos go into a monthly folder
  • The monthly folders go into a yearly folder
  • All yearly folders go into one main folder labeled Photos

When your photos are organized you can begin to sift through them, print them, and enjoy them.

When your photos are in one place it is easy to back them up and know they’re safe.

4. Embrace a little chaos

Perhaps you are so orderly in life that you can’t stand any chaos.

Maybe you’re a photographer who can’t stand dealing with toddlers or people with strong personalities. You need to get out of your comfort zone and embrace a little chaos. Let the toddlers run wild a bit, maybe you’ll notice some great candid moments when you’re not asserting so much control.

Instead of meticulously planning every detail of your life, leave some things to chance. Allow for surprising spontaneity and see where it takes you.

Candid photography of a toddler exploring

Those white pants were so clean when we left the house! Toddlers are agents of chaos. But they’re exploring their world and learning so much.

5. Be more kind

Does your mouth lack a filter? Do you boast that you don’t care about people’s feelings? Are you always annoyed with your clients and don’t mind telling them so?

I recommend you work on being more polite. It’s going to be difficult, but try biting your tongue once in a while.

Don’t be a troll, leaving nasty comments on photography websites. When you say things kindly, your words might help somebody to improve themselves.

Practice saying one thing to every client or photographer in your life that would build them up. When you learn to help others grow, you grow deeply too.

6. Don’t let people walk all over you

Don’t misunderstand the nature of kindness by letting people take advantage of you.

If you’re a photographer in business, you must make people respect your talent, time and prices. Your work is worth something (perhaps more than you think).

Sure, you’ve got a heart of gold. But wake up and see that letting people take advantage of you does nothing to help them.

When the kids get sick it always throws a wrench into our plans. But sometimes those sick days are gateways to something new. We discover something more of their personality or spend the day reading books or listening to stories together. Sometimes, when something ruins our plans it leads to something better.

7. Volunteer

If you know that compassion is a weak point for you, then you should volunteer your photography skills. Go out and work for free, blessing a family or charity who would be thrilled by your offer to help. You might even enjoy the experience!

8. Compassion has some limits

Many photographers suffer burnout in their photography business. One of the main reasons is that they charge too little for their services. When you charge too little, you have to work too much to make a decent living. You will burn out.

Charge a price that is fair to you and your client, not just fair for them. Don’t feel like you have to give everyone discounts. And don’t listen to those few people who will tell you your prices are too high.

Balance good business and your own photography pursuits with some compassion for those who are truly in need.

Toddler portrait with shoes on the wrong feet

Toddlers always put their shoes on the wrong feet!

9. Learn to accept stress without snapping

Do you find yourself constantly snapping in anger or wanting to cry about stress?

You need to learn to accept difficult things more gracefully. It might not be easy. When everything in you wants to snap, restraint takes strength.

Begin by understanding that not everything is worth freaking out over, even though you may feel like it. Often, your initial feelings tell you how to act, and snapping has become a habit.

When you feel volatile feelings rising up, stop and think about them. Is this the best response?

Walk away from dramatic situations and wait to respond when you are at peace.

You’ll find it much easier to deal with criticism of your photography, difficult clients and unruly subjects.

10. Recognize that sometimes your emotions deceive you

Do you feel like crying or throwing up when you think a client has ripped you off or somebody says they hate their photos?

It’s tough to get bad news. But what if you could receive that news without the flood of overwhelming negative emotions? You can make peace with those clients more easily when your emotions are not raging. Sometimes the situation isn’t even half as bad as your emotions are telling you.

Make yourself calm down before you talk with clients or people who upset you. You can overcome overwhelming emotions.

Get toddlers to engage with the camera by playing games with them.

Drawn to the camera in a game of peekaboo.

11. Go out and meet people

Being introverted is not a bad thing, but being very withdrawn is. Spending time on your own is fine, but hating to be around people isn’t a good thing.

You can’t make the most of life on your own. You’ll grow as a photographer when you spend more time with people.

If you’re awkward around people, try acting like an extrovert. Just pretend you love people. Strike up conversations and take an interest in those around you. Before you know it, you’ll be more confident and less withdrawn.

Even if you’re a landscape or wildlife photographer, you’ll benefit from friendships and relationships with other photographers. You can even expand your photography by including people in your landscape and wildlife photos.

12. Most people are not thinking bad things about you

If you’re always worried about what people think about you, you should know this; they’re not thinking about you!

Most people don’t think bad things about you and most people don’t spend much time thinking of you at all.

Resist whatever thoughts you have that scare you about people.

If street photography is your thing, don’t be afraid to actually approach people on the street for a portrait. You’ll be nervous, but your imagination is probably playing tricks on you.

Candid photo of a toddler hiding

13. Be more assertive

If you’re too afraid to take control of your portrait sessions then you need to grow in your assertiveness. Perhaps you love waiting for candid moments, but maybe you’re more afraid to step in and tell people what to do.

People like a certain amount of assertiveness. Most people prefer that you take some control.

14. Don’t be a control freak

Being assertive is a great quality unless you overdo it! You can be so assertive that you don’t let other people be themselves. Your portrait clients like knowing that you’re confident and in control, but they don’t like it when you won’t listen to them and work with their ideas.

Humorous toddler portrait

He thinks he’s so funny stealing my seat every time I get up!

15. Cheer up!

You will go through periods when you just don’t feel the love toward photography that you used to. That’s okay. But the best way to get out of that slump is to act like you love it. Go through the motions of loving it. Don’t act like your photography work is drudgery.

16. Don’t jump on every opportunity!

You can be way too enthusiastic about photography, jumping on every opportunity that comes along.

You can buy every piece of gear, accept every job, and take on every project. But committing to everything will be committing to too much.

Slow down and only commit to what you’re best at or what you want to learn about most.

Candid portrait of a toddler

Dropping fistfuls of sand on himself, he hasn’t got a care in the world.

17. Go explore

Do you feel so insecure about things that you avoid new situations? If you haven’t experienced anything new in a while, you need to go and explore.

Find new landscapes. Meet new people. Try a different art form.

18. Reflect on what you’ve explored

If you’re constantly exploring and discovering new things it might be time that you stop and do some reflecting. What are you discovering through all this exploration? What are you learning about yourself, other people and the world around you? How has your photography improved? How might you improve more?

19. Read a book about a photographer

Maybe you know everything about every photography technique out there, but nothing about the heart of photography. Maybe you know little about the deeply human part of photography.

Go to the library and grab a biography of some photographer to read. Learn about the life experiences that led to their work and techniques.

20. Flesh out your ideas in a photo

If you love ideas and are constantly reading, try bringing some of those ideas to life through photos.

Funny toddler portrait

Sometimes I’m not just capturing moments. I’m trying to capture moments that express something about my subject. What’s the nature of a toddler? What are the ideas about toddler-hood that could be captured in a photo?

Choose 2-3 ways to improve yourself as a photographer

You’ve just read 20 ways to improve yourself that will also help you grow as a photographer. Choose 1 of these things to work on over the next few weeks or 2-3 things that you can work on over the year. As you grow as a person, you’ll grow as a photographer too.

The post 20 Ways to Improve Your Photography by Improving Yourself appeared first on Digital Photography School. It was authored by Mat Coker.


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Nikon AF-S 500mm F5.6E PF sample gallery

06 Jan

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Nikon’s AF-S 500mm F5.6E PF has some big – er, small? – shoes to fill. It follows up on the company’s earlier AF-S 300mm F4 PF (Phase Fresnel) lens, which offers up solid reach and impressive image quality in a compact package.

And like the 300mm, we’ve been impressed with the 500mm F5.6E PF’s image stabilization, build quality and image quality. From eagles to frisbee players, we’ve been toting this lightweight telephoto around with us to see just what it’s capable of. Take a look through our sample gallery to see for yourself.

Articles: Digital Photography Review (dpreview.com)

 
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So You Want to Make a Website? Part 2: How to Create a Website

06 Jan

The post So You Want to Make a Website? Part 2: How to Create a Website appeared first on Digital Photography School. It was authored by Carl Spring.

In Part 1 of the So You Want to Make a Website? Series, we looked at which platform was best for your needs. In Part 2, we delve into the setup process. There may be small differences with WordPress (depending on who you choose for your hosting), however, things will be very similar whoever you choose. 

1. Squarespace

A homepage for a Squarespace website in editor view

Choose a template and off you go. Whilst not as expansive in choice as WordPress. Squarespace offer some very stylish templates.

With Squarespace, setting up your website is as easy as going to squarespace.com, choosing a design and clicking ‘start with this theme.’ Squarespace is a great platform that allows you to try before you buy. You get a 14-day free trial of the platform without the need for a credit card, allowing you to take the platform for a test drive.

When you go on the site, start with the template section and look for one you like. Squarespace has a search option to help you choose a theme that’s relevant to what you want your website to do. Once you find a theme you like the look of, you can preview it across multiple platforms at the click of a button. There are also links to real life websites that have been built using the theme you are previewing. That way you can test its functionality.

Once you have chosen your theme, click ‘start with this design’ and Squarespace creates your website. After a simple login and hello, you can get down to business.

Starting your build

In Squarespace, you work with seven tabs. Each is clearly labeled and easy enough to get your site design started intuitively. By default, all pages get set as demos. To create your unique pages, click on it and Squarespace creates a working page for your site.

From here, you can add text and photos. You can also style the page as you desire. It is an intuitive platform, but if you get stuck, there are some great tutorials to help you. Squarespace also has a dedicated support team you can contact.

The Styles Editor is the main menu where you can tweak several options of your site. These include options such as fonts, color, and text size. These options enable you to personalize your site and make it match your style or brand. Switching templates is easy if you find you aren’t happy with the one you started with. Again, this is a simple, hassle-free process.

 

A screenshot showing Squarespace styles menus

Within the styles menu you can change your site styles, complete with realtime previews.

Domain names and Email

Finally, in the settings page, you can register your free domain and access a free year of Google’s G-Suite email. You can set up your domain name and personal email address (yourname@yoursite.com) quickly and with minimum hassle. As a paying customer, domain registration (your web address) is free and becomes automatically linked to your account. I recommend this option when you start because it keeps things simple from a setup point of view.

Extending your trial

Once your Squarespace trial is up, you can extend it for a further two weeks if you need to. However, if you like the platform, pay for your chosen plan, and your site can be live within minutes. If, after your trial, you think the platform is too restrictive (some do), you have lost nothing.  You won’t even have the annoyance of canceling your credit card.

Finally, there are several vouchers out there for 10% off your first purchase. Make sure you take advantage of one when you purchase your site.

2. WordPress

 

A screenshot showing the options available on CPanel

This looks daunting, but it is simpler than you think.

While this may seem a like a more complicated option – it isn’t. WordPress installation is quite simple, as most hosting companies have a one-click install option.

In regards to hosting companies, there are many, and they vary in price, speed and customer support. Some are better than others, so do your research. A quick Google search will help you out immensely here. The main three things to look out for are security, support, and speed. Site loading time is a factor Google takes into account when ranking sites, so speedy hosting helps. Having security is essential so that your site doesn’t get hacked. Support comes in handy when you get stuck with any issues in regards to your site being offline. Similar to Squarespace, you can register your domain name with your hosting company (usually for a small fee). Doing this makes the setup process more straightforward.

Creating an Email address

Creating an email is incredibly easy using your hosting CPanel. Just click on the email button, choose your email address and password and click ‘OK’. It really is that simple.

A screenshot of email settings in Cpanel

Fill in this field and you will have a personalized email. It really is that simple.

Installing WordPress

With your hosting purchased, you now need to access your control panel (CPanel) to install WordPress. CPanel is daunting on first look, but you soon get used to it. This area is where good support from your hosting company can be useful. I can’t give specifics as this varies by company, but all good hosting companies will have guides to help you. Once you have WordPress installed. It is time to start creating your website.

Building your site

Once you are set up, you need to login to your admin area (AKA backend). In the Admin area, you’ll find the tools you need to create your site. Once you are logged in, you have access to all the tools to control your website.

The three main options you will use day to day are posts, pages, and media. When setting up your site, you may also need to use a couple of other options — appearance (where you choose your theme of the website) and Plugins, where you can add plugins for specific things such as SEO. There are a lot of different options with WordPress, but like everything, using it becomes more comfortable over time.

Screenshot of the WordPress system

It may look a little daunting, but it isn’t as scary as you think.

Installing a theme

Once you have installed WordPress, it is time to choose your theme/template. There are thousands of fully-customizable WordPress themes that range from free to $ $ $ . Check out the free themes first, but these often have less functionality and features than the paid ones. Free themes can be prone to things such as poor coding (meaning your site will not load as fast) or may be outdated. Lastly, free templates generally will not offer great support. I am not saying there aren’t some great free ones available, but it takes more to find a good one. However, you do get what you pay for.

On the other hand, paid themes tend to be more feature-rich. They also tend to have better support, which can be invaluable if you run into a problem. Updates also tend to occur more frequently and are less prone to bugs and errors (this does not mean they do not suffer from these problems though). I can guarantee there is a WordPress theme you will love. The hardest part may be choosing.

Installing a theme is just as simple. Go to the Appearance tab and upload the theme you have purchased. Alternatively, choose directly from the themes offered. Depending on the template, things vary from here. Work with the support team on your particular theme to get the best from it.

Now that you have your theme installed, it is time to start to create your content. You’ll learn how in Part 3 of the series.

You may also find the articles helpful:

So You Want to Make a Website? Part 1: Squarespace versus WordPress

How to Find the Right Website Platform that Works For You

Free Versus Paid Photography Portfolio Websites – Which is Best for You?

The post So You Want to Make a Website? Part 2: How to Create a Website appeared first on Digital Photography School. It was authored by Carl Spring.


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