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Archive for January, 2019

Sony a6400 sample gallery

17 Jan

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Yesterday Sony unveiled the a6400, an APS-C mirrorless camera that wraps up a 24MP sensor, impressive autofocus capabilities and a vlogging-friendly flip-up touchscreen in a compact package. We’ve been putting it to work on environmental portraits and some fast-moving subjects – check out our initial sample gallery.

See our Sony a6400 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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LIVE from Sony launch event in San Diego

16 Jan

We’re live at Sony’s launch event in San Diego, CA, bringing you news as it happens. Reload this page frequently to see the latest updates from our team at the event.

All times are Pacific.


10:37AM: And they’re done. Stay tuned for more details.

10:35AM: New ‘Transfer and Tagging’ app for a9 via voice. Another app transfers images automatically in the background.

10:35AM: Ships next month for $ 900 body-only or $ 1000 with the 16-50mm Power Zoom lens in the US.

10:33AM: 24MP sensor with ISO range of 100-3200. 180° flip-up touchscreen screen for vlogging. Interval recording!

10:32AM: a6400 has the a9’s Bionz X processor and has all of the real-time AF tracking that the a9 will receive in its firmware upgrade. The top burst rate with continuous AF is 11 fps.

10:32AM: Sony has frequently mentioned Speed x AI.

10:30AM: Back to full-frame. Sony now has 31% of the total full-frame market and grows 97% year-over-year. 54% of cameras sold are now mirrorless. Sony is the #1 camera brand in the US for full-frame.

10:26AM: The rumored a6400 is here.

10:24AM: a7 III and a7R III will get Eye AF for animals and interval mode in April.

10:22AM: Works in video, too. Eye AF always on. You can select left/right or automatic Eye AF.

10:20AM: Improvements in image quality and usability. Releases in March and summer of 2019.

10:19AM: Real-time tracking for fast-moving subjects. Uses pattern and face/eye detection to maintain focus. Sony says it’s the world’s fastest AF.

10:18AM: New real-time Eye AF for animals.

10:17AM: Sony is announcing an a9 firmware upgrade (v5.0) in the Spring.

Sony was #1 in sales for full-frame mirrorless cameras in 2018

10:15AM: Kenji Tanaka, VP Sony Corp. has taken the stage.

10:12AM: There will be three announcements at the event.

Articles: Digital Photography Review (dpreview.com)

 
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So You Want to Make a Website? Part 3: Creating Your Portfolio

16 Jan

The post So You Want to Make a Website? Part 3: Creating Your Portfolio appeared first on Digital Photography School. It was authored by Carl Spring.

 

So you’ve read part one & part two of the So You Want To Make A Website Series. You’ve set up an awesome website. Now it’s time to create amazing content to go with it. Obviously, for you photographers, the most important part of that process is curating your portfolio.

It is as simple as picking your best images and putting them together. However, a good portfolio takes time, effort and sometimes a good butt-kicking from somebody else. With that in mind, here are my…

Seven steps for creating a great portfolio for your website 

1. Know your audience

The starting point for your portfolio is who will be viewing it and what will they be looking for? Are you making a website to show how your photography develops over time? Perhaps you’re sharing your passion with friends and family? You might be a wedding photographer wanting to get more beautiful couples in front of your lens. Is your goal to be seen by art directors at ad agencies?

For best results, when you know the audience, your portfolio will need to match it. For example, if you are a family photographer, parents looking for someone to photograph their child will not want to see your latest glamour photography. Similarly, an art director will not want to see images from the amazing wedding you shot. If you have multiple specialties, it is best to consider multiple websites. Give the audience what they want.

However, you can showcase different specialties with different portfolios within the same website. The process from here is the same for every portfolio, whether that be on the same website or multiple. Just make sure the galleries are related.

Model view

A Striking image to kick off your portfolio is essential.

2. Break it down

How do you want to break down your galleries? Do you want one for people and one for lifestyle photography? One for birds and one for land animals? Once you decide what galleries you want, it is now time to go through your archive and pick out images you might want to use. 

I always rate images I might want to use in my portfolio as five stars as I edit. That way, whenever I update my portfolio, I can open catalogs and simply pull up all five-star images and use these as a starting point. If you haven’t done something similar, start now. It saves a lot of time and gives you a great place to start. 

3. Watch the numbers. AKA be ruthless

Pick your favourite.

I love both of these images, but as I begin to update my portfolio I know only one will make the cut. Which one is still to be determined.

Now is where the hard work begins – getting the numbers down. 

Have you ever been to a friends house and they show you their holiday photos? The photos that seem to go on and on and on… That is the feeling you want to avoid when people look at your portfolio. Like any good performance, they should be left wanting more.

A good first selection should end up at around forty to fifty images, with a final goal of around twenty. Finding the initial fifty is the hardest part. You just need to push yourself to find the best of the best. Are there two similar images? Choose just one. Is there an image that when looking through just doesn’t hold up to the rest. Remove it. Be harsh on your photos and try to look for the reasons why they should not be included rather than why they should. This approach isn’t always fun, but it works.

I suggest you make your initial selection of images to include, then walk away for a while. Grab a coffee, have a walk, just clear your head of the process. I tend to leave it until the next day to come back and look again. Fresh eyes always help.

Remember, a strong portfolio should contain around twenty images. If people want more than that, they can look to your blog.

4. Get some help

It is easy to listen to those around you tell you how great all your photos are, but sometimes you need some good old fashioned home truths. I will tell you in advance, sometimes it is hard to hear. However, you need to hear it. Critique of your work from peers or others in the field will not only help you get a better portfolio, but it will also help you become a better photographer. 

When looking for critique, you should have your image numbers down to around thirty or so. From here you can get others to help you make the final step. By culling your images to a respectable number, it also shows those you are asking for their help that you have done the groundwork. If someone approached me with fifty plus images for me to help them get a portfolio from, I would not be hugely impressed. 

Who should you ask? You can ask photographers in your local area whose opinion you value, or you can ask people you know through Facebook groups, etc. to critique your work. 

In my experience, it is better in person if you can. Whilst family members are great, they will generally not want to hurt your feelings, or not be experienced to offer critique. You need experienced eyes on your work and let them do their worst. Someone with no emotional attachment to your images can give honest feedback and will help you get rid of the images you love, but know are not your best work. Just remember, they are talking about the images, not you. It is easy to get upset when people rip your work to shreds, but take it in the spirit it is intended.

5. Listen to your heart

Cate Le Bon live.

A friend who worked at a music publication told me to remove this from my portfolio. I wrestled with the idea, but I love it, so I keep it in.

Having said that you should get opinions of others, always remember it is your work. Critique from others is just another point of view. If there is an image you love, but others say isn’t your best work, listen to your gut. Maybe they’re right, maybe you need to let go. However, if after the critique you still think it deserves a place in your portfolio, put it in there. It’s your site and you need to be happy with it.

6. Get them in order

Now you have the final images, you need to get them in order. Start with your best and finish with your second best image. This is known as the primacy and recency effect. Put simply, we remember the things we see first and last the most. 

Getting the right order is key to really making your portfolio sing. Put the portfolio in order, then tweak it. Do you want to mix up portrait and landscape images? Do you want to mix in black and white images or have a part of the portfolio where they are grouped together? There is no specific answer as every portfolio is different, but try variations and then tweak until you’re happy. Unfortunately, there is no proven recipe. Instead, think of your portfolio like a great home cooked recipe, just keep tweaking things until it tastes just right. 

7. Update regularly

A portfolio will always evolve. I look back at some images that were in my initial wedding portfolio and cringe. I also have some images from that first ever wedding that I still have in my portfolio. Take the time to revisit your website portfolio regularly. Update it at least once every six months or so. Doing this is also a great way to show yourself how you are progressing as a photographer.

If you go to a course or meet with local photographers, why not have a portfolio critique session? Things like this help keep your portfolio fresh and identify gaps in your work that you can plan to shoot in the future. 

That’s it, you now have a portfolio.

In the next article of the series, we discuss the blogging and your written content.

Until then, have fun building your portfolio.

The post So You Want to Make a Website? Part 3: Creating Your Portfolio appeared first on Digital Photography School. It was authored by Carl Spring.


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Sony promises firmware updates for a7 III, a7R III and a9, improving AF

16 Jan

Sony has announced two major firmware updates for the a9 alongside updates for the a7R III and a7 III. The a9 updates adds a range of features, including improved tracking in both stills and video, as well as extending Eye AF to animals, something Sony teased at Photokina back in September. The a7R III and a7 III will also gain the improved Eye-AF and animal Eye AF, as well as time-lapse capabilities.

The a9 firmware will be coming in two waves: version 5.0 will be available in March while version 6.0 is slated for ‘summer.’ Firmware version 3.0 for the a7 III and a7R III will arrive in April.

Sony a9 improvements

The nitty gritty of the the a9 updates center on autofocus and usability improvements. Interestingly, there’s no mention of adding Log capability to the a9’s video, which is a shame, given it has such fast readout and minimal rolling shutter.

Firmware version 5.0 will bring about a new ‘Real-time Tracking mode,’ which uses Sony’s latest subject recognition algorithm.

The updated ‘Real-time Tracking’ mode adds consideration of eye detection and pattern recognition to the color, distance and and face detection that was previously being used.

The tracking mode lets you specify a subject and it’ll prioritize their eye, switching to face detection if it loses the eye and treating them as a generic subject to track if they, for instance, turn their head away from the camera. This is likely to be especially useful in video mode, whether previous iterations of face detection could jump to a different face if your intended subject turned away.

Real-time Eye-AF

A real-time Eye AF mode, which will come to the a9, a7 III and a7R III, lets you focus on eyes without pressing a second button and lets you specify in advance which eye (left, right or closest) you want the camera to focus on.

Animal Eye AF

The Eye AF feature has been expanded to be able to recognize animals’ eyes, which Sony says will help both wildlife shooters and photographers taking images of their own pets. Knowing that the camera will focus on eyes means the photographer can concentrate on composition, rather than focus.

Sony says both this mode and the subject recognition aspect of full-time tracking are based on ‘AI,’ which we’re taking to mean they’re based on machine learning (training an algorithm to recognize a subject by showing it lots of images). The company branded the capability ‘Speed x AI.’

You’ll have to wait until firmware version 6.0 for the animal Eye AF mode, on the a9, though

The full list of changes to the a9’s firmware

As well as the AF improvements, the two a9 firmware updates promise more than 20 updates. These include the addition of a screen allowing you to see which buttons are mapped to offer which function.

Press Release

Sony Announces ?9 Camera Upgrade Through Major Firmware Updates

New Firmware Releases will Deliver Enhanced Autofocus Performance and New Functionality for Sony’s Acclaimed Full-frame Camera

SAN DIEGO — Jan. 15, 2019 — Sony Electronics Inc. today announced a major upgrade to its ?9 mirrorless camera that will be available via a firmware updates.

Sony’s revolutionary ?9 camera will receive several major enhancements to its award-winning autofocus (AF) performance and image quality, as well as receive a variety of new features that are designed to improve the overall workflow for professional photographers. In addition, new firmware updates for ?7R III and ?7 III will be available that update these cameras with the latest enhancements including Real-time Eye AF performance and add interval recording capacities.

“These new firmware upgrades demonstrate the strong commitment that Sony has to our customers,” said Neal Manowitz, vice president of Imaging Solutions at Sony Electronics. “Their voice is critical to everything we do, and being able to provide our customers with new capabilities is a source of great pride for Sony.”

Firmware Ver. 5.0 and Ver. 6.0 for ?9

The upcoming firmware version 5.0 for ?9 adds Sony’s newly developed Real-time Tracking mode for object tracking. This mode utilizes Sony’s latest algorithm—including Artificial Intelligence-based object recognition—and processes color, subject distance (depth), pattern (brightness) as well as spatial (distance) information to ensure that all subjects can be captured with extreme accuracy and precision. When photographing or videographing humans or animals, face and eye position information is recognized by AI and the subject’s eye is monitored in real time with extremely high tracking precision. In addition, “Tracking On” helps initiate real-time tracking at any time by simply pressing a custom-assigned button and “Touch Tracking,” which quickly activates through the touch screenii.

With this new firmware version 5.0, Sony’s acclaimed ?9 camera will receive advanced “Real-time Eye AF,” the latest version of Sony’s acclaimed Eye AF technology. This exciting new capability employs AI-based object recognition to detect and process eye location data in real time, resulting in improved accuracy, speed and tracking performance of Eye AF. In all autofocus modes, the camera can automatically detect the eyes of the subject and activate Eye AF with a half press of the shutter button, and the camera will seamlessly track the eyes at all times when in AF-C mode. The new firmware will also enable photographers to select the preferred eye (left or right) of their subject as the focus point.

Other focusing capabilities that will be available with the new firmware include Touch Pad, Touch Tracking, an extended phase-detection AF aperture range that has been increased from F11 to F16, and Fast Hybrid AF for movie shooting that provides smooth, automated focusing for movies.

Image quality will also be enhanced with the new ?9 firmware version 5.0, specifically in the areas of color reproduction. The camera will more accurately account for subtle changes in light for smoother, more natural tonal gradations in elements like the sky. There is a new auto white balance algorithm that gets added as well, which produces more consistently balanced images while burst shooting. Other new functions for efficient controls and data management include My Dial and Dual Slot media menu improvement, rating and protect functions.

In addition to the several new capabilities, the firmware also adds compatibility with Sony’s new Imaging Edge Mobile application – the successor to the PlayMemories Mobile™ application. The new Imaging Edge Mobile application features a ‘Transfer & Tagging add-on’ function to assist professional workflow. This allows photographers to transfer images from their camera to their smartphone during capture using the FTP transfer functionality,and adds support for including IPTC metadata on transferred images.

Version 6.0 firmware for the ?9 camera will add Eye AF for animal eyesi, an exciting new feature for wildlife photographers that will enable interval shooting functionality for creating time-lapse movies.

The new system firmware update version 5.0 is scheduled for launch in March 2019, and version 6.0 is scheduled for Summer 2019.

Firmware Ver. 3.0 for ?7R III and ?7 III

Sony’s popular ?7R III and ?7 III full-frame cameras will both receive enhanced Real-time Eye AF performance with the upcoming firmware version 3.0. This will be available in AF-C mode with a simple half-press of the shutter button. Real-Time Eye AF for animals will also be available.

The cameras will also receive interval recording functionality that will allow for simple creation of time-lapse moviesvii. The new feature can be set for anywhere between 1 and 60 seconds, with a total number of shots from 1 to 9999. AE tracking sensitivity can also be adjusted to “High”, “Mid” or “Low” during interval recording, allowing for reduced changes in exposure over the shooting interval.

The new system firmware update version 3.0 is scheduled in April 2019.

A variety of exclusive stories and exciting new content related to all of Sony’s exciting announcements can be found at www.alphauniverse.com, a site built to educate and inspire all fans and customers of the Sony ? brand. The new content will also be posted directly at the Sony Photo Gallery and the Sony Camera Channel on YouTube.

1. Accurate focus may not be achieved with certain subjects in certain situations
2. Function must be set via the menu beforehand
3. A successor application of PlayMemories Mobile. Existing PlayMemories Mobile users can use this by updating PlayMemories Mobile
4. Add-on mobile application for ‘Imaging Edge Mobile’. Available countries: US/Canada/UK/France/Germany/Hong Kong/China/Australia/Japan. User registration is required to use this application. Compatible with ILCE-9 with firmware update Ver.5.0 or later, ILCE-7RM3, ILCE-7M3
5. Compatible with ILCE-9 with firmware update Ver.5.0 or later
6. IPTC metadata for digital image metadata is a standard created by the IPTC (International Press Telecommunications Council)
7. The latest version of “Imaging Edge” ‘Viewer’ and PlayMemories Home desktop applications is required

Articles: Digital Photography Review (dpreview.com)

 
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Adorama releases non-TTL Flashpoint XPLOR 600 Pro HSS studio flash head

16 Jan

Adorama has announced the availability of a new studio flash head from its own Flashpoint range. Designed for photographers who don’t want TTL control, the XPLOR 600 Pro HSS offers 600WS of power with wireless triggering.

With the standard reflector fitted the head has a guide number of 87m / 285ft @ ISO 100. Users can expect 360 full power bursts from a single charge of the head’s 2.6Ah lithium ion battery pack. An optional AC adapter is available, but even when powered by the battery recycle-times are between 0.01 and 0.9 seconds. The head uses a 2.4GHz wireless system making the XPLOR 600 Pro HHS compatible with the Godox X radio triggers, which are available for all the main camera brands.

Wireless control works across 32 channels and x-compatible flashes can be separated into five groups. Two optical slave modes are offered, with all settings dealt with on the large side-mounted LCD panel. The HSS in the name refers to the head’s ability to sync with shutter speeds of up to 1/8000sec, and the output can be varied across 9 stops to 1/256th in 25 steps. A battery and charger are included in the kit, along with a standard reflector in the Bowens S mount.

The head is the non-TTL version of the XPLOR 600 Pro TTL, and is priced $ 749 against the $ 899 charged for the TTL model. It is also a version of the Godox AD600 Pro head that has TTL. For more information see the Adorama website.

Articles: Digital Photography Review (dpreview.com)

 
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You can now post photos and videos to multiple Instagram accounts at once

16 Jan

Instagram has added the ability to simultaneously post photos and videos across multiple accounts.

The multi-post option appears during the process of adding the caption, location, and tags to images, above the options to share the image on other social networks. DPReview first became aware of the feature on Sunday, January 13th and contacted Instagram to confirm whether or not the feature was live across all users or only a particular subset as part of an A/B test, something Instagram is known for doing in the past.

DPReview has not heard back from Instagram, TechCrunch received confirmation of the feature via a company spokesperson that said ‘[Instagram is] rolling out this feature to provide a better experience for people who often post to multiple accounts.’

Currently, the feature appears to be limited to iOS devices, according to the Instagram spokesperson, with no details on when the feature might make its way to Android. Not all iOS devices will have it either and Instagram is yet to confirm a hard timeline on when the feature will be rolled out to all iOS users.

Articles: Digital Photography Review (dpreview.com)

 
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Sony announces a6400 midrange APS-C mirrorless camera

16 Jan

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Sony has announced the a6400, an updated 24.2MP mirrorless camera with a flip-up rear touchscreen and the processor and autofocus system ‘borrowed from the a9’.

In many respects the camera resembles an a6300 with a more powerful processor, enhanced autofocus and a more extensively articulated touchscreen, but launched at a slightly lower cost. It also adds the timelapse function that was lost when Sony moved away from offering in-camera apps.

Like previous models it can shoot at up to 11 fps or 8 fps in silent shutter mode, both with full autofocus and exposure capability, but not live view.

Enhanced AF

Most of the enhancements come in the form of autofocus improvements that have been developed for the a9. These include increased speed along with the enhanced ‘real-time tracking’ and animal Eye AF promised in a firmware update for its a9 pro-level sports camera.

Like recent APS-C Sony models it has 425 phase detection points spread out across its sensor. These, combined with the more powerful processor let Sony claim World’s fastest AF (with all the footnotes such claims usually entail). The most obvious differences are that Sony now says its subject recognition and tracking algorithms now include eye and pattern detection, in addition to the distance, color and face detection information they previously worked with. This should lead to more stable, persistent tracking, the company says.

Movie AF tracking is also improved, Sony says. Like the a6300, oversampled 4K video is taken from the full width of the sensor.

The camera also offers an 8-bit version of the Hybrid Log Gamma standard for simple capture of HDR video, allowing the capture and display of a wider range of tones in a natural manner, on the latest TVs. The company only promises compatibility with its own TVs.

The body-only price will be $ 900 in the US, CAN$ 1250 in Canada and €1050 in Europe. This is noticeably less expensive (by $ 100 and €200) than the a6300, which suggests it will sit a little lower in the lineup. Only time will tell whether this will also see it replace the low-cost a6000 model.

Official sample images:

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Sony Announces its Next-generation ?6400 Mirrorless Camera with Real-time Eye Autofocus, Real-time Tracking and World’s Fastest Autofocus

  • World’s Fastest 0.02 seconds AF acquisition speed plus 425 phase-detection and contrast-detection AF points covering approximately 84% of image area
  • Advanced Real-time Eye AF
  • New Real-time Tracking for object tracking
  • 2MP APS-C Exmor™ CMOS image sensor and latest-generation BIONZ X™ image processor
  • 180-degree fully tiltable LCD touch screen for self-recording
  • High-speed continuous shooting at up to 11 fps mechanical shutter / 8 fps silent shooting with continuous AF/AE tracking
  • High-resolution 4K movie recording with full pixel readout and no pixel binning, plus advanced AF speed and stability
  • Interval recording for time-lapse videos

SAN DIEGO — Jan. 15, 2019 — Sony Electronics Inc. today introduced an exciting new addition to its E-mount mirrorless camera lineup – the ?6400 (model ILCE-6400).

The ?6400 brings many of Sony’s most advanced technologies from their acclaimed full-frame lineup to a compact, lightweight APS-C camera. The speedy new camera boasts the world’s fastest1 autofocus (AF) acquisition of 0.02 seconds2, while also introducing the new advanced “Real-time Eye AF” and ”Real-time Tracking” capabilities. Also included are high-speed shooting at up to 11 fps4 with AF/AE tracking, a new-generation BIONZ X image processing engine that produces excellent image quality, 4K6 video recording, a fully 180-degree tiltable LCD touch screen and much more, making it the ultimate tool for all types of creators ranging from professionals to vloggers.

“The ?6400 represents another important step in the growth of Sony’s overall interchangeable lens camera lineup,” said Neal Manowitz, vice president of Imaging Solutions at Sony Electronics. “By bringing so many of our latest and most advanced technologies from full-frame cameras to a brand new APS-C model, we are giving today’s creators more options than ever to realize their vision.”

Speedy Performance that Captures Decisive Moments

The impressive autofocus system on the new ?6400 inherits many technologies from Sony’s newest line-up of full-frame cameras including the ?9, ?7R III and ?7 III models. The new a6400 features 425 phase-detection AF points and 425 contrast-detection AF points that are placed densely over the entire image area, covering approximately 84% of the image area. This high-speed, high-performance tracking AF system is paired with a new-generation BIONZ X image processing engine that together allow the camera to acquire focus in as little as 0.02 seconds2 and maintain subject lock extremely effectively, ensuring even the fastest moving subjects can be tracked and captured with ease.

The ?6400 introduces advanced “Real-time Eye AF,” the latest version of Sony’s acclaimed Eye AF technology. This exciting new capability employs artificial intelligence based object recognition to detect and process eye data in real time, resulting in improved accuracy, speed and tracking performance of Eye AF. In all autofocus modes, the camera now automatically detects the eyes of the subject and activates Eye AF with a half press of the shutter button, and when in AF-C or AF-A mode, the preferred eye (left or right) of your subject can be selected as the focus point. Choices include Auto / Right Eye / Left Eye, and a Switch Right / Left Eye function is able to be assigned to a custom function as well. This exciting new technology completely frees the photographer to focus solely on composition with full trust that focus will be tack sharp on the subject’s eye. Eye AF support for animals will be added in summer 2019 via a system software update, ideal for wildlife photographers.

Also debuting on the ?6400 is Sony’s newly developed “Real-time Tracking.” This mode utilizes Sony’s latest algorithm including artificial intelligence (AI) based object recognition and processes color, subject distance (depth), pattern (brightness) as spatial information to ensure that all subjects can be captured with excellent accuracy. Additionally, when photographing or videographing humans or animals, face and eye position information is recognized by AI and the subject’s eye7 is monitored in real time with extremely high tracking precision. This can be activated by a simple half press of the shutter button, or can be assigned to a custom function as well.

In terms of overall shooting speeds, the new camera can shoot at up to 11 fps4 with full AF/AE tracking while utilizing the mechanical shutter, and up to 8 fps5 with full AF/AE tracking while silent shooting. It can shoot at each of these speeds for up to 116 frames JPEG Standard / 46 frames RAW compressed, greatly increasing the chances of capturing the perfect moment.

All-around Advancements in Image Quality

Sony’s new ?6400 is equipped with a 24.2 MP3 APS-C sized image sensor with that is paired with an upgraded BIONZ X processor to deliver incredible advancements in image quality and color reproduction in all types of shooting conditions. Standard ISO ranges up to ISO 32000 for both still and movie, and is expandable up to ISO 102400 for still images, with excellent noise reduction at medium and high sensitivities.

The camera also inherits many of the image processing algorithms from Sony’s newest full-frame cameras, greatly suppressing noise while preserving resolution and improving texture depiction.

Advanced High-Resolution 4K6 Movie Recording with Fast Hybrid Autofocus

The versatile ?6400 is an exceptional video camera, offering internal 4K (QFHD: 3840 x 2160) movie recording with full pixel readout and no pixel binning to collect about 2.4x the amount of data required for 4K movies, and then oversamples it to produce high quality 4K footage with exceptional detail and depth. Focusing during movie shooting is fast and stable thanks to upgraded Fast Hybrid AF technology, which keeps the subject in constant smooth focus no matter the scene, and even if an object crosses in front of the camera. This advanced AF plus touch focus functionality make it an ideal camera choice for many vloggers and video creators that are regularly creating and uploading content online.

For time-lapse movie creation, the new camera features built-in interval recording that can be set anywhere between 1 and 60 seconds, with a total number of shots from 1 to 9999. AE tracking sensitivity can be adjusted to “High”, “Mid” or “Low” during interval shooting, allowing for reduced changes in exposure over the shooting interval.

Additionally, for the first time in Sony APS-C mirrorless camera, the new model includes an HLG (Hybrid Log-Gamma) picture profile, which supports an Instant HDR workflow, allowing HDR (HLG) compatible TV’s to playback beautiful, true-to-life 4K HDR imagery. Further, both S-Log2 and S-Log3 are available for increased color grading flexibility, as well as Zebra functionality, Gamma Display assist and proxy recording. The camera can also record Full HD at 120 fps at up to 100 Mbps, allowing footage to be reviewed and eventually edited into 4x or 5x slow-motion video files in Full HD resolution with AF tracking.

Upgraded Build to Maximize Versatility

The new camera is designed to offer a high level of functionality and customization to maximize shooting freedom. New on the ?6400 is a fully 180-degree tiltable, 3.0-type LCD flip screen with 921k-dots of resolution that allows for simple and effective framing of selfie-style shooting for both still and video capture. Utilizing this capability, vloggers will be able to check and monitor composition throughout their entire creative process. The LCD screen is also equipped with touch functionality, with options for Touch Pad, Touch Focus, Touch Shutter and new Touch Tracking which quickly activates “Real-time Tracking” through the touch screen.

The camera features a high quality XGA OLED Tru-finder™ viewfinder, extensive customization with 89 functions that are assignable to 8 custom keys, the new My Dial and My Menu functionality, enhanced overall menu usability, a help screen for menus, star rating for images, and many other features that allow for a seamless shooting experience. It is also built with a tough magnesium alloy design and has an extremely durable shutter that is rated for approximately 200,000 cycles. It also is capable of seamlessly transferring files to a smartphone or tablet when connected to the brand new Imaging Edge Mobile application.

Pricing and Availability

The ?6400 will ship in February 2019 for a suggested retail price of $ 900 USD and $ 1,250 CAD. It will also be offered as a kit with the 16-50mm F3.5 – 5.6 lens for a suggested retail price of $ 1,000 USD and $ 1,350 CAD, or in a kit with the 18-135mm F3.5 – 5.6 lens for a suggested retail price of $ 1,300 USD and $ 1,750 CAD. The camera and kits will be sold at a variety of Sony authorized dealers throughout North America.

A variety of exclusive stories and exciting new content shot with the new camera and other Sony ? products can be found at www.alphauniverse.com, a site built to educate and inspire all fans and customers of the Sony ? brand.

The new content will also be posted directly at the Sony Photo Gallery and the Sony Camera Channel on YouTube. Detailed information pages within Sony.com for the new products can be found at:

(US) – LINK

(CA) – LINK

Footnotes

1 Among interchangeable-lens digital cameras equipped with an APS-C image sensor as of January 2019, based on Sony research
2 CIPA-compliant, internal measurement method with an E 18-135mm F3.5-5.6 OSS lens mounted, Pre-AF off and viewfinder in use
3 Approximate effective megapixels
4 In “Hi+” continuous shooting mode. Maximum fps will depend on camera settings
5 Maximum fps will depend on camera settings. Some distortion may occur with fast-moving subjects or if the camera is moved sideways rapidly while shooting
6 A Class 10 or higher SDHC/SDXC card is required for XAVC S format movie recording. UHS speed Class 3 or higher is required for 100Mbps recording
7 Accurate focus may not be achieved with certain subjects in certain situations
8 “Tracking” must be enabled via the menu beforehand
9 The latest version of Imaging Edge “Viewer” and PlayMemories Home desktop applications is required
10 Connect this product to an HDR (HLG) compatible Sony TV via USB cable when displaying HDR (HLG) movies
11 S-Log2 and S-Log3 are premised on processing pictures
12 Pixels to be read are limited to the sensor area that is required for Full HD movies
13 Sony internal tests with electronic front curtain shutter
14 Availability of transfer / playback depends on the performance of the smartphone and tablet

Sony a6400 specifications

Price
MSRP $ 900 (body only), $ 1000 (w/16-50mm lens), $ 1300 (w/18-135 lens)
Body type
Body type Rangefinder-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6000 x 4000
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 24 megapixels
Sensor photo detectors 25 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-32000 (expands to 102800)
Boosted ISO (maximum) 102800
White balance presets 10
Custom white balance Yes
Image stabilization No
File format
  • JPEG (Exif v2.31)
  • Raw (Sony ARW)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 425
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Built-in flash Yes
Flash range 6.00 m (at ISO 100)
External flash Yes (via hot shoe)
Flash modes Off, auto, on, slow sync, rear sync, redeye reduction, wireless, hi-speed sync
Flash X sync speed 1/160 sec
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (3, 5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes

Articles: Digital Photography Review (dpreview.com)

 
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Moment Smartphone Lens Review for Photography and Videography

16 Jan

The post Moment Smartphone Lens Review for Photography and Videography appeared first on Digital Photography School. It was authored by Suzi Pratt.

It’s no secret that smartphone cameras are getting increasingly better with every new release. But did you know that you can enhance your smartphone photography even further with lenses? There are several smartphone lens manufacturers out there, but one of the most popular and premium choices out there comes from Moment. This Seattle-based company offers four lenses that can take your smartphone photography to the next level. I’ve long been curious about these lenses and was delighted to finally have a chance to try them out.

best moment lens for smartphone review

Specs

Currently, Moment has four smartphone lenses on hand: the Superfish (fisheye), Wide, Macro, and Tele Portrait. Each lens ranges in price from US$ 89.99 to US$ 99.99. The lenses are attached via a custom Moment smartphone Photo Case, so you’ll need one of them too. Presently, there are Photo Cases for Google Pixel, Samsung Galaxy, and iPhone. Each case varies in design and price depending on your smartphone brand, but they’re in the US$ 30 or less range. This test and all resulting images were done with a Samsung Galaxy S8.

Build quality

Physically, each lens varies in presentation, which helps tell them apart at a quick glance. All lenses are made of metal and glass and have some nice heft to them. They also come with rubber lens caps that protect the front element. While there are no end caps to protect the back elements, at least they are small and relatively easy to keep clean and protected if using the included velvet lens drawstring bags.

best moment lens for smartphone review

Attaching the lens to your Smartphone

Lenses attach to your phone via the bayonet-style mount on Moment’s custom phone cases. You simply match up the lens mount to the phone case and twist the lens to lock it into place. It’s relatively easy to do with no added tools required. However, the lens mount is so small that it can take some trial and error to get it mounted. Once locked in place, these lenses are solidly attached to your phone case and it would take significant force for them to accidentally fall off.

Wide lens

Moment’s wide lens is equivalent to 18mm, which is significantly wider than my Samsung Galaxy S8’s 26mm (35mm equivalent) focal length. It’s a rather large lens with a curved, fisheye-like lens. However, there are zero fisheye effects in the resulting images. In fact, there’s no distortion, vignetting, or blurring around the edges.

best moment lens for smartphone review

Superfish lens

This 170-degree Superfish lens offers the widest field of view out of all Moment lenses. It’s rather compact with a flat front-facing lens. However, the resulting image generally takes on a fisheye appearance.

Macro lens

Moment’s macro lens is arguably the best-designed lens of the bunch. It’s also the flattest and most compact lens. Offering 10x magnification, the Moment macro lens comes with a plastic diffuser hood. This hood is very important for helping you determine how close the lens needs to be to a subject (hint: it’s VERY close), but the hood can also be removed. Design-wise, I love how detailed this lens is, particularly on the front element of the lens.

best moment lens for smartphone review

Telephoto lens

While I didn’t get to test the Moment telephoto lens, here’s a brief overview. This 60mm equivalent lens offers roughly double the focal length of most smartphones. Best of all, this lens gives you a telephoto effect without having to use your smartphone camera’s digital zoom, which often degrades the quality of your images.

If you can only buy one lens…

These lenses aren’t cheap, so it makes sense to invest in one or two initially, and then build up your collection from there. Personally, I found the Macro lens to be the most fun. It offers a unique perspective on just about anything and can be great entertainment for all ages. I’d pick the Superfish lens as my next favorite as it also offers a fun and different way to capture your surroundings.

Moment lens accessories

Straight out of the box, each Moment lens comes with a velvet drawstring bag. It’s a thin lens case that is better than having no protection at all, but it doesn’t offer the best padding. As a result, I highly recommend investing in the Moment Lens Pouch. This pocket-sized zippered pouch is nicely padded and has enough room to store two Moment lenses. If you need a bigger carrying case, the Moment Travel Case is a larger version of the Lens Pouch with room for 4 Moment lenses and extra accessories.

best moment lens for smartphone review

Bottom line

If you’re on the hunt for premium lenses to extend the capability of your smartphone camera, Moment offers the very best. Not only do their lenses look and feel professional, but the resulting images are noticeably sharper. Sure, there are much cheaper smartphone lenses out there, but they often compromise on physical quality. You won’t find any compromises if you go with Moment. The only catch is that you have to use one of the high-end smartphones that Moment makes a phone case for.

Moment lens sample photo gallery

Moment Lens Sample Images_003

Moment Lens Superfish Lens

Moment Lens Sample Images_003

Moment Lens Superfish Lens

Moment Lens Sample Images_003

Moment Lens Wide Angle Lens

Moment Lens Sample Images_003

Moment Lens Wide Angle Lens

Moment Lens Sample Images_003

Camera phone – before the next Macro lens shot.

Moment Lens Sample Images_003

Moment Lens Macro Lens – Seashell

Moment Lens Sample Images_003

Moment Lens Macro Lens – Coffee Beans

Moment Lens Sample Images_003

Moment Lens Macro Lens – Back of my hand.

Video

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The post Moment Smartphone Lens Review for Photography and Videography appeared first on Digital Photography School. It was authored by Suzi Pratt.


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CamFi Pro Plus brings wireless tethering to 3rd party apps

15 Jan

Wireless camera controller maker CamFi has launched an improved version of its CamFi Pro model, the CamFi Pro Plus. Like the Pro, the new model offers wireless tethering for more than 500 camera models from all major brands.

In addition you can now directly tether to your favorite third-party applications, such as Capture One, Lightroom, EOS utility, Sony Pixel and others, all via WiFi. As before, the camera is controlled remotely via the native CamFi app.

In its own tests, CamFi found the maximum Wi-Fi speed to be approximately 10MB/sec. 20MP Raw files need approximately three seconds to transfer from your camera to the computer using the Capture One software,

Third party tethering works with Windows and Mac computers. A full list of supported cameras is available here. The new CamFi Pro Plus will set you back $ 339 but existing Pro users will be able to upgrade for $ 40 from the 18th of January. More information is available on the CamFi website.

Press Release:

CamFi Announces CamFi Pro Plus, Adding Fast Wireless Tethering for 500+ Cameras

Guangdong, CHINA—DECEMBER 18, 2018—CamFi, maker of wireless camera controllers, announced the release of CamFi Pro Plus today. This new product adds the wireless tethering feature for 500+ cameras, including Canon, Nikon, Sony, Fuji, Pentax and more. All DSLR cameras which support USB tethering can be supported by CamFi Pro Plus.

“This is a big step for tethering technology,” said Mark Ma, the CEO of CamFi Limited. “It will improve the productivity for the professional photographers greatly, without any study cost.” With wireless tethering, there is need for a USB cable to connect the camera and computer. CamFi Pro Plus also allows photographers to keep using familiar tools, such as Capture One, Lightroom, EOS utility, Sony Pixel and so forth, directly via WiFi.

CamFi Pro Plus adds the third party tethering service. It can send USB data to the client device directly through a WiFi connection. When a camera is connected with CamFi Pro Plus, the laptop which connects to it will act as if the USB device plugged into it directly. In tests, the maximum Wi-Fi speed can achieve 10M Bytes/second. For a 20M raw photo, for example, this translates into need only about three seconds to transfer with Capture One.

The third party tethering service of CamFi Pro Plus supports Windows and Mac. The price of CamFi Pro Plus is $ 339. It can be ordered via CamFi web site. All the existing customers of CamFi Pro can order the upgrade service for $ 40.

For more information, visit http://cam-fi.com/en/product/camfi-pro-plus.html

Articles: Digital Photography Review (dpreview.com)

 
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Proposed rule changes would make it easier for drones to fly at night, above crowds

15 Jan

Despite a partial government shutdown in the United States, Transportation Secretary Elaine Chao announced a new proposed rule that would simplify the process of flying drones at night and over crowds of people by removing the need for waivers.

The proposed rule, which can be read as a draft (PDF), would remove the need for commercial drone operators to file for waivers granting them permission to fly both at night and over large gatherings of people. It would also drones to have ‘an anti-collision light illuminated and visible for at least 3 statute miles, according to the document proposal.

‘This will help communities reap the considerable economic benefits of this growing industry, and help our country remain a global technology leader,’ said Chao in her statement to the nonprofit Transportation Research Board.

DJI chimed in on the proposed rule change with a blog post on its website that begins by stating:

DJI, the world’s leader in civilian drones and aerial imaging technology, welcomes the U.S. Department of Transportation’s proposals announced today to help expand the use of drones in America, and looks forward to a substantive discussion that balances the requirements of the proposed rules with the benefits they would achieve.

The proposed rule change also lists out new rules for smaller drones. Specifically, drones weighing less than .55lbs / 250g would be able to fly over crowds without any new restrictions. However, drones weighing more would need their manufacturers to prove that if the drone ‘crashed into a person, the resulting injury would be below a certain severity threshold,’

The proposed rule change will be open for public comment for 60 days before anything can be set in stone.

Articles: Digital Photography Review (dpreview.com)

 
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