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Archive for September, 2018

Review: Peak Design Everyday Backpack 20L

24 Sep

If you’re on the hunt for a stylish camera backpack, look no further than the Peak Design Everyday Backpack. Peak Design is well known for supplying photography accessories that not only look good but function extraordinarily well. The Everyday Backpack is no exception.

Despite being designed for photographers, the Everyday Backpack doesn’t look like a camera bag. This acts as both a deterrent to potential thieves, but also makes the backpack great for use even if you’re not intending to fill it with camera gear.

There are many reasons to use the Everyday Backpack, but unfortunately, it’s far from perfect. In fact, there are some quirks that could make an unideal bag for you. Read on for my take on what’s great about this bag, and what needs to be improved.

Peak Design Everyday Backpack Camera Laptop Bag - woman with backpack on

Why the Everyday Backpack?

First off, here’s how this backpack ended up in my camera bag collection. I’ve spent 7 years carrying my camera gear in a Think Tank Retrospective Messenger Bag and hauling a separate laptop bag. It was a lot to carry, and I wanted to consolidate my gear into a single bag. A backpack was key to balance weight, but most backpacks are too bulky.

Until recently, the InCase DSLR Pro Backpack had been my camera and laptop backpack of choice. It’s incredibly comfortable and spacious and was great when I was shooting primarily with Canon DSLRs. But when I switched to Sony mirrorless cameras, I wanted a smaller backpack. Enter Peak Design!

Here’s a quick video overview.

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Pros

Stylish Design

True to its name, this backpack is full of stylish design touches that truly stand out. Composed of several different materials including leather handles, anodized aluminum clips, and weather-resistant fabric, there is lots of visual appeal to the Everyday Backpack.

During my one month of traveling with this backpack from California to Florida, I’ve had multiple people stop me on the street just to inquire about the bag.

Peak Design Everyday Backpack Camera Laptop Bag

Sturdy, weather-resistant material

The Everyday Backpack is composed mainly of a weatherproof nylon canvas shell. It’s a nicely textured fabric, and it’s available in four different colors (black, tan, ash and charcoal). The two zippered side pockets are also reinforced with weatherproofing material, preventing liquid from entering. As a result, this bag is reasonably weatherproof without having to put a protective coat on it.

Flexible dividers for safely stowing gear

Inside the backpack are three of Peak Design’s FlexFold Dividers. These unique dividers aren’t flimsy like the ones you find in most camera bags. Instead, the FlexFold dividers are quite rigid, giving you peace of mind that your gear is being protected and not rattling around when being transported. Best of all, these dividers can also fold down to secure your gear and give you an added layer of space for stowing extras such as a small monopod or tripod.

Peak Design Everyday Backpack Camera Laptop Bag

Side zippers for easy access to gear

Unlike conventional backpacks that only give you access from the top, the Everyday Backpack gives you three points of entry. You can access your stuff from the top via the MagLatch flap, or from the two zippered side flaps.

This helps you better organize your gear and find it without having to rummage through the entire bag.

Peak Design Everyday Backpack Camera Laptop Bag

Lots of pockets for stowing gear

Besides the main compartment, the Everyday Backpack has several extra internal spaces. Each side flap is lined with a spacious internal pocket for storing small accessories like batteries and memory cards. Within the MagLatch flap, there’s also a small magnetized pocket that’s the perfect size for sticking your keys or wallet (be careful you don’t demagnetize your bank cards though!) for quick access.

On the outside, there’s a separate laptop compartment and two expandable side pockets. Finally, the back panel slightly detaches to allow for the backpack to slide easily onto a luggage handle, but I like using this area to secure bulky items like a reflector.

Peak Design Everyday Backpack Camera Laptop Bag

Discrete carrying straps

Thankfully, the Everyday Backpack comes with straps to help you carry heavy loads or bulky items. Specifically, there is a chest strap, waist strap, and tripod straps. All the straps are quite thin and easily tuck into the bag’s external pockets when not in use.

In practice, the chest strap does come in handy, but the waist straps are too thin and not padded, making them uncomfortable. The tripod straps are quite sturdy and reliable, but I find very few instances when I want to add the weight of a bulky tripod to this bag. More on that below.

Peak Design Everyday Backpack Camera Laptop Bag

Zippered pocket inside the side panels, very handy for small items.

Cons

All in all, the Peak Design backpack looks great and functions really well. But there are some problems that arise mainly when the bag is packed to capacity.

No wiggle room for extra gear

If you’re like me, your camera bag is often stuffed to the seams with gear. Most camera bags are built with expandable sections so you can add a few extra items to your bag. This is not the case with the Peak Design bag. It’s designed to snugly hold a set amount of gear.

From then on, there’s really no room to throw in extras. This is due mainly to the fact that the bag’s material is really rigid, probably to add support and protection to your gear but at the expense of flexibility.

The backpack is really uncomfortable when too heavy

At the expense of looking pretty, the Everyday Backpack fails at one basic thing: making the back panel and backpack straps consistently comfortable. Both the back panel padding and straps are rigid and they cut into your back and shoulders when the bag is heavy.

This isn’t a problem if the bag isn’t weighed down with tons of gear. But it’s unwearable for long periods of time when filled with too much gear.

Compromise – use this backpack with a belt pack

Since the backpack is comfortable when not packed to the brim, my compromise has been to use the backpack in conjunction with the Think Tank waist pack. The belt pack is typically what I’ll wear during shoots anyway, so I stick my extra lenses and flash in the belt pack.

My camera body, laptop, and computer accessories go into the Peak Design bag. I simply carry them both to shoots. So far it’s been a much more comfortable way to carry my gear without feeling too bulky or weighed down.

Peak Design Everyday Backpack Camera Laptop Bag

Zippers tend to slide open if not secured

Another problem that results from the backpack being too full is that the side zippers tend to slide open. Luckily, Peak Design did supply a solution. All zippers are equipped with little black loops that can connect to each other and prevent accidental spills.

Peak Design Everyday Backpack Camera Laptop Bag

Not possible to lock or secure bag when not in use

One of the key points of the Everyday Backpack is the “revolutionary closure system” called the MagLatch. According to Peak Design, it is the only bag closure system that is “no-lock, one-handed, quiet, and secure.”

In practice, the MagLatch is a unique way to quickly access to the top section of the backpack. But the fact that the MagLatch doesn’t lock makes the bag questionably secure. I wouldn’t leave this bag unattended since there’s nothing to prevent a thief from reaching in.

Peak Design Everyday Backpack Camera Laptop Bag

Expensive

At $ 259.00 a pop, there’s no denying that this a pricey purchase. Compared to the myriad of comparable camera laptop backpacks out there, this backpack might seem too expensive. However, the Peak Design Everyday Backpack truly has a standout design and high-quality design touches that could justify the price.

In Conclusion

The Peak Design Everyday backpack is a truly stylish bag with some great features. I use the backpack often when carrying mirrorless camera gear around and absolutely love it. But if you plan to carry heavy camera gear or stuff this bag to capacity, consider another backpack such as the Incase DSLR Pro Pack for a more comfortable experience.

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12 Tips for Overcoming Common Wedding Day Setbacks

23 Sep

Weddings are filled with love, laughter, and a lot of pressure. Brides and grooms put a lot of thought into every detail of their day and even the most perfectly planned wedding can encounter problems that can affect you, the photographer. There are no two weddings alike, however, there are common setbacks that can happen at any wedding or event that you may be photographing.

wedding portrait couple on by the ocean

1. Running short on time

The photography timeline is set out so that everyone involved can stick to a schedule. That allows all of the important details and people to be photographed. Unfortunately, running late or short on time because of any reason can be a cause of stress to everyone involved. 

wedding day photography - groom getting ready

If you are caught with less time, the first thing you should do is to assure your client that everything is okay and these setbacks are really common on the wedding day. Make sure that you mention you can make up time later and offer suggestions to the problem.

For example, if the bride has taken a little longer than was originally planned to get ready and now you only have 10 minutes for family photos, suggest to the bride that you can snap a few in that 10-minute window and also after the ceremony.

wedding day photography - 2 bride photos

If you are waiting for someone to arrive for photos, make use of the time and photograph details, other people with the bride and groom, individual photos, or more photojournalistic photos. It’s important to keep taking photos no matter the setback, this will keep the bride and groom calm knowing that you aren’t missing any detail and it can distract from the problem.

Usually, you can make up the time later and get the photos you need either during cocktail hour or during the reception. You can photograph details, portraits, and even get some interesting lighting using flash during the reception.

bridal party - wedding day photography

Photos of the bridal party during the reception because we ran out of time beforehand. You can always try and take photos later in the day if the time runs short.

2. Having too much downtime

It is rare to have downtime when photographing a wedding but it can happen. Having downtime usually occurs during the getting ready phase, waiting for the bridal party, or reception parts of the day. It’s okay to have downtime, however, there is nothing worse than seeing vendors, especially photographers, sitting down and waiting it out during these times.

Sure, it’s perfectly fine to use this time to go to the bathroom or take a snack break. Your break just shouldn’t be more than 10 minutes.

wedding dress hanging up - wedding day photography

Make sure to use the downtime wisely. Prep for the next round of photos, check batteries or set up off-camera lighting. You can also do test shot in the next location where you’ll be photographing.

Even though you’re waiting for the next event to come, never stop photographing any and all of the little details. In short: there is always something to photograph and do while you’re waiting.

3. The bride is full of emotions

I will not use the term “bridezilla” because I don’t believe it’s fair to the bride. Wedding days are high pressured days and brides are usually nervous and full of emotions before walking down the aisle.

It doesn’t matter if the couple is doing a first look or are getting ready in the same room, some brides are more nervous than others.

bride and her girls having fun - wedding day photography

If this is the case, don’t mention anything! Even if the bride is nervous, anxious, or even angry, just redirect the focus on something else like her dress or that she looks beautiful. Reassure her that everything will be okay and tell her to just enjoy the moment now.

As the photographer, it’s your responsibility to help the bride relax and feel very natural as the day unfolds. Always keep a positive attitude and try to transmit that same vibe to the bride and groom. If they feel like you are there for them, it will make all the difference in the photos. If you’re excited about the wedding, then they’ll be excited.

4. Family telling you how to do your job

Unfortunately, it doesn’t matter how long you’ve been photographing weddings, you will encounter a family member or friend who wants to tell you how to do your job at least once.

wedding couple in the grass - wedding day photography

When you encounter this type of setback, don’t make any negative or sarcastic remarks. Thank them for the idea they offered and move on. You can also comment that you’ve been photographing weddings for X number of years and are experienced in taking photos. Better yet, just go along with what they are saying and don’t say anything in return.

If they are asking for a particular photo, take the photo. If you already have, kindly let them know that you got the shot earlier in the day. This will keep them at bay knowing that you are taking all of the most meaningful photos.

wedding rings and hands - wedding day photography

At the end of the day, the guests will remember you more than you realize and if you make snarky or sarcastic remarks it may result in a negative view of your professionalism. You are there to photograph your bride’s day and that also means tending to the requests of her guests (they’re well-meaning).

5. When there is no planner or coordinator

If the couple has opted to not have a planner or coordinator, it is up to you to make sure to assist the couple during the wedding day.

Technically it isn’t your responsibility, however, helping with putting on boutonnieres, adjusting centerpieces, and placing the veil will always help you to capture the best photos possible.

girls wedding party - wedding day photography

Work with your couple before the wedding to make a schedule of the most important parts of the day that you’ll be covering. This way, everyone knows what time the family photos are happening, what time the dance starts, and what time you’ll be photographing the dress. Knowing when and where all the events will take place will give your couples peace of mind.

Having a schedule, or itinerary, will also help to move things around. For example, if the bride is late for her bridal party photos, you can take photos of the people who are there so switch to the groom’s family photos.

wedding couple leaving the church - wedding day photography

Photography is service based and as such, you should always strive to give your clients the best service possible. If that means acting as coordinator for the day to capture the best photographs possible, by all means, do it.

You can also have a family member or member of the bridal party to help to coordinate and fix any problems that may come up during the day.

6. Vendor Meals

There is nothing worse than working a wedding and having to eat a vendor meal during dinner. Everyone works differently, yet vendor meals can be a huge setback, especially if it consists of a sandwich and an apple. 

You can prepare for this by taking snacks or even a full meal. Pack an icebox or lunch bag with your favorite snacks and perhaps a little something more just in case you will be having a vendor meal.

wedding day photography - wedding cake

Try asking the couple if they are okay with you taking an empty seat during the reception or getting in line for the buffet at their event. Most guests won’t mind because, by that time, they will have seen how hard you’ve been working all day. Luckily, most couples now invite their vendors to eat dinner or make sure that they’ve had something substantial.

In any case, take your snacks and water because you’ll need them throughout the day, whether you get a vendor meal or real dinner.

7. Little time with bride and groom

Sometimes, wedding day timelines can get a little compressed leaving less time for the most important photos (next to the ceremony). However, you can create stunning photos of the bride and groom all in one spot without having to move them to different locations.

To achieve this, download 10 of your favorite poses for couples onto your phone and photograph each one from different angles. Take individual photos of the bride and groom, including details of their wardrobe.

6 wedding couple poses - wedding day photography

Without moving the couple very much, you can get many different poses and photos in a short amount of time.

When you take advantage of posing in one spot, you can get lots of different photos from different angles in less time. Subtle changes to posing like facing the bride toward the groom and then facing the bride away from the groom can offer more variety.

Using one location can maximize the time you have for photos because moving from one location to another can often waste time. This way you can focus on them and getting great expressions.

wedding couple - wedding day photography

For example, pose the couple in front of a plain wall, facing each other, hands around the bouquet. Take one photo of them in this pose full length. Take another mid-shot asking the groom to kiss the bride on the cheek while the bride smiles and looks down at her bouquet; that’s two photos.

In this same pose, get close and take a photo of the kiss. Next, go behind the couple and photograph mid-shot. Still in the same pose, get a close-up of the groom’s hand around the bride’s waist from behind the couple; the makes five photos without moving the couple.

After you have worked through one pose, choose another and work through it until you have all possible photos. This technique will ensure you get the most photos out of each pose in little time, without moving the couple.

8. Rain

Depending on where you live, what time of the year you’re photographing, and weather conditions, it could be that you get hit with rain on the day of the event. If this does happen, maintain a positive outlook and always try to help find solutions to work around the rain.

wedding day photography - b/w bride

When rain strikes, switch to an indoor location or a location with covered walkways.

Change locations for photos. If you were going to do the family photos outside of the church, try moving the family inside the church or better yet, to the reception location. Look for options where you have awnings, covered walkways/breezeways, and inside a home or venue. 

two wedding photos - wedding day photography

Sometimes, the weather clears and you’re able to go outside for the remaining portraits.

You can also take advantage and get creative with the wedding photos. Ask the couple if they are willing to pose in the rain under an umbrella. You might be surprised how many are willing to get something a little different!

9. Drunken guests

It’s not uncommon for wedding guests to want to start the party early. Work with the coordinator or the bride and assign a family member to take care of the drunken guest. If they are part of the family, try and keep them away until it’s time for them to be in photos.

shot of alcohol - wedding day photography

Try as best as you can to be nice and not comment on their state of being. Drawing attention to their behavior can upset the couple more and ruin the time you have for photos. Be really direct in posing and communication and always stay positive.

10.  Clashing with the wedding coordinator/planner

Although it is rare when vendors don’t see eye-to-eye during an event, it is really important to stay close to the couple. If you need something particular make sure to run it by the couple first. They have the final say on everything that goes on during the day.

couple poses - wedding day photography

Always maintain a high level of professionalism and make sure that you aren’t seen being rude or speaking rudely to the other vendors. If the clash worsens, tell the bride that you and the coordinator/planner have differences and suggest options to help maintain order.

Communication is key and it’s always best to go to the couple if you experience backlash or trouble with another vendor.

11. Other photographers/weddings at the same portrait location

This is probably the most common setback in the wedding industry. Many couples tend to choose the same locations for the portrait session.

If there are other photographers at the location before you arrive, simply introduce yourself and let them know that you’ll also be photographing a wedding. Ask them if they plan on using another location for photos and if they’d be willing to switch it up after a certain amount of time.

wedding Pasadena - wedding day photography

This location in Pasadena, California is really popular for bridal portraits. There were at least 3 other photographers there at this time.

If there are a lot of photographers and events, simply choose a spot at the location that is free of people. Staying clear of other photographers’ background and watching out for people walking into your frame will keep the portraits clean.

12. Guests taking photos during the ceremony

Keep in mind that the wedding guests are an important detail in the couple’s day. Each was given an invitation to share and be a part of the wedding.

Having said that, some guests will take it upon themselves to take photos of the most important parts of the day, namely, the ceremony.

lady taking a photo at a wedding ceremony - wedding day photography

When this does happen, gently tap the guest on the shoulder, with a smile and motion to them that you need the spot in order to take a great photo of the couple. Most guests will move out of the way and not be bothered by this gesture.

This also asserts that you are the main photographer while staying positive and professional with guests. This non-verbal gesture also works with other vendors like videographers.

bride's maid and bride selfie - wedding day photography

It’s also a good idea to let the guests take their photos first and then position yourself to take the profession photos afterward. This way, you’re letting guests take and share their own shots but also letting them know that you need to take these important photos as well.

couple kissing - wedding day photography

The more photos the couple has of their day, be it from your camera or from their guests, the better. They’ll appreciate you for letting guests enjoy themselves by taking their own photographs.

In Conclusion

couple dancing - wedding day photography

Wedding photography is the most important take away from a couple’s wedding. However, it is not free from mishaps during the day of the event.

Each wedding can have one or more setback, it’s up to you the photographer to work around them and find solutions quickly. Maintain a positive attitude and always reassure the client that everything is photographing beautiful.

Have you experienced any of these or other setbacks at a wedding you photographed?

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From F to Z: we tour Nikon’s Sendai factory

23 Sep

We tour Nikon’s Sendai factory

Covering almost 27,000 square meters of floor space, Nikon’s Sendai factory in the T?hoku region North of Japan has been churning out cameras and lenses since 1971. I had the opportunity recently to visit Sendai during events to mark the launch of Nikon’s new Z mount.

This was my second visit to the Sendai facility, and while much has changed since my first trip back in 2007, Nikon’s commitment to security at the factory has not. None of the journalists present on our tour were permitted to take photographs or notes of any kind, and all of the images in this article were supplied – without captions – by Nikon.

As such, you might find that my descriptions of the processes shown in these images are less specific than some of our previous factory tours, but I hope you find this article interesting and illuminating nonetheless.

We tour Nikon’s Sendai factory

Nikon’s Sendai factory opened in 1971, and aside from a brief three-week interruption caused by the earthquake of 2011, it has been operational ever since. Currently home to 352 employees, this facility is where Nikon’s pro-grade D5 is made, along with the new Z7 and the F6: Nikon’s professional film SLR.

We tour Nikon’s Sendai factory

At the heart of any interchangeable lens camera is the mount. Nikon makes body and lens flanges for both the F and Z mount at Sendai, from brass and stainless steel. While professional-grade ILCs (D5/D850/Z7) utilize stainless steel for their mounts for maximum strength, Nikon’s enthusiast range (D500 and below) use brass. Brass is softer and easier to machine than steel, but deforms more easily. This makes it risky for the Z mount, with its short flange-back distance of only 16mm.

On the lens side, Nikon’s low-end consumer zooms use plastic mounts, and all of the rest employ brass.

We tour Nikon’s Sendai factory

After being drilled and milled by automated CNC machines, the mounts are checked. This image shows a new stainless steel Z mount, which features a 55mm inner diameter – much wider than the 1950s-era F-mount, and more able to accommodate ultra wide-aperture lenses. Despite the arrival of the Z-mount, Nikon is at pains to stress that the F-mount isn’t going anywhere, with one executive describing F and Z to me as “two wheels running our business”.

We tour Nikon’s Sendai factory

These are the rear shells of Nikon’s new Z7 – Nikon’s first high-end mirrorless interchangeable lens camera, which is being manufactured here alongside the D5. The Z6 is a little bit further out, and when I visited Sendai last month it had not yet entered mass-production.

We tour Nikon’s Sendai factory

New technologies call for new manufacturing processes, and while much inside the Sendai facility line looked familiar from my last visit, the Z7’s assembly line is very different from the traditional ‘cell’ manufacturing layout of the past.

Previously, an individual worker might complete a limited number of steps (or sometimes just a single step) before passing the camera along to the next of many ‘stations’. These days, a single technician might work on a single component or camera chassis for some time, performing a series of complex steps in parallel with their co-workers before passing it on down the line.

We tour Nikon’s Sendai factory

The technicians’ lives are made easier by new custom jigs, which hold the Z7 chassis securely and allow the camera to be quickly rotated in order for sub-assemblies to be attached to either side. This is quicker (and probably considerably more comfortable over hundreds of actions) than the worker having to rotate the camera in her hands.

Anyone familiar with ‘kaisen’ concepts of continuous process optimization will recognize this focus on improving ergonomics as a way of increasing productivity and consistency.

We tour Nikon’s Sendai factory

Not shown in these pictures is a very neat automatic screw-dispenser, which guides technicians through the type and number of screws required for each step, and the order in which they should be attached. The screws are dispensed from a series of overhead trays and grabbed by the technician using magnetic screwdrivers. LED displays count down the required screws for each sub-process, so that there’s no risk of missing a step.

We tour Nikon’s Sendai factory

This is a stack of printed circuit boards, awaiting incorporation into Z7 bodies. Not shown in any of these images is one of the most visually interesting element of the Z7’s assembly line: large ‘CARL’ (pronounced ‘Carol’) assembly robots, which take care of a lot of the ultra high-precision assembly steps inside sealed assembly units.

CARL stands for ‘computer automated robotic assembly’ and the CARLs themselves look like scaled-down versions of the large robotic arms used in modern car manufacturing. Capable of swapping their own tool heads multiple times when working on a single assembly, the CARLs move quickly and with extraordinary precision – which is precisely the point.

We tour Nikon’s Sendai factory

Inside the Z7 is a newly-developed, Nikon-designed BSI-CMOS sensor that is closely related to the 47MP chip used in the D850. We didn’t see this stage of assembly – presumably because of the more stringent environmental hygiene requirements of any space in which sensor components are processed.

We tour Nikon’s Sendai factory

A sensor and VR unit destined for the Z7, combined on a custom jig.

We tour Nikon’s Sendai factory

The Z7’s shutters are manufactured in-house, and each shutter unit is tested and adjusted individually prior to being incorporated into the camera bodies. Nikon’s shutter testing procedure is an evolution of processes originally designed for the high-precision shutter used in the F4, released thirty years ago.

We tour Nikon’s Sendai factory

The Z7’s high-resolution viewfinder wasn’t even dreamt of when the F4 was released. Here, several EVF units sit in a tray awaiting incorporation into Z7 camera bodies.

We tour Nikon’s Sendai factory

The Z7’s EVF is excellent, thanks in part to the unusual complexity of its optics. The optical unit contains multiple lenses including an aspherical element, and the viewfinder assembly, centering and checking processes that I saw in Sendai were extremely similar to those I’ve seen in modern lens factories.

We tour Nikon’s Sendai factory

Here, physically complete Z7 bodies sit on a carousel awaiting final QC. Once firmware is loaded into the physically-complete cameras, technicians check test images and video footage on every Z7 using the ‘load settings interface’, to make sure that everything plays back as it should on-screen and over HDMI.

Some checks – like that one – are performed on every single Z7 that leaves Sendai, while others (such as environmental or durability tests which might involve deliberately testing parts to destruction) are performed on random samples from the line. Nikon told us that each Z7 is checked more than 100 times during assembly.

We tour Nikon’s Sendai factory

A completed Z7 undergoes a manual check, prior to final testing. As you may have gathered, a lot of manual tests and checks are carried out at Sendai but roughly 76% of the Z7’s manufacturing is automated, compared to 55% for the D5.

We tour Nikon’s Sendai factory

The final testing process (which again, unfortunately, we can’t show you) is one of the most space-age looking parts of the entire Z7 manufacturing line. Finished cameras are placed in carrier frames and ingested into a very large, long, sealed case inside of which are several (Dave Etchells counted 16 and I have no reason to doubt him) mounts on a large panel.

Robotic arms pick up Z7 bodies and present them to the mounts, after which an unspecified number of tests are run, for undisclosed reasons – possibly color response calibration and/or exposure meter baselining. Once the tests are complete, the robotic arms pluck the Z7s from the mounts and out they come, ready to be boxed and shipped.

We tour Nikon’s Sendai factory

I wish I could show you a little more of Nikon’s Sendai factory, but Nikon is understandably very protective over the proprietary processes involved in manufacturing its high-end cameras and lenses. I’m more than happy to respect the company’s wishes here, in exchange for a rare chance to once more see inside the facility.

When I last visited Nikon in Sendai 11 years ago the then-new D3 and D300 were coming off the production lines, but the Z7 is a different beast altogether, and requires a different approach to manufacturing. Despite the increased amount of automation involved in creating the Z7, I was impressed by the sheer number of QC steps that Nikon has inserted into the camera’s assembly. Anyone contemplating investing thousands of dollars into a new camera must be reassured to know that it’s been checked more than 100 times before even making it out of the factory.

For another, very detailed description of our visit to Nikon’s Sendai facilities, I recommend Dave Etchells’ writeup over at imaging-resource.com.

Check out our other recent factory tour articles

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Natural Photography Lighting And The Golden Hours

23 Sep

As an avid photographer it always used to irk me that I was so open to the elements and my


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5 Road Trip Photography Tips – Come Home with Great Photos

23 Sep

Who doesn’t love a good road trip? You pick a destination, plan your route, pack up your stuff in the car, and hit the road. For many, the open road signifies freedom, opportunity, exploration, and adventure. As much time as you spend planning out a road trip, you never know what surprises may be out there waiting.

It’s exciting! It’s truly an iconic American experience. There will be moments and memories you plan to capture and a whole host of others you won’t want to forget.

Road trip photography tips 01 - old swing set

On every traveler’s packing list is a camera. Whether that’s your phone, a simple point and shoot, or a DSLR, you want to make sure you’ve brought something to capture your experience. So, how do you make sure you’re getting the best possible photos?

What are some tips and pointers for capturing all of those memories? Here are a few quick tips that you can use to make sure you can do the best road trip photography possible.

Road trip photography tips - b/w person taking a photo

1. Research Your Spot

Thanks to the internet and social media, you can search for any destination online and see photographs others have taken. This is a great way to see what attractions, large or small, await you. A quick search of the highway or road you’re going to take, the cities you’re going to pass through, may bring up unexpected and worthwhile stops.

Another really helpful tip is to research your destination on social media. A quick search on Instagram or Facebook will reveal all of the top spots that other photographers have found. This will be helpful to make sure you don’t miss a monument, historical landmark, or site along the way.

Road trip photography tips - sunset and mountains

But, it’s also really helpful to find all of those hidden gems that only the locals or seasoned travelers might know about.

2. Plan and Pack

If you’re a photographer hitting the open road, packing your camera gear is almost as important, if not more so, to you than remembering your toothbrush. Depending on the trip, you may have enough room to bring all your gear or you might have to limit yourself.

Take note of important things like the locations you’re going to be driving through, the time of year you’ll be driving, what kind of photographs you’ll want to take, and the weather. All of these components will affect what kind of gear you will need to bring with you.

It can be easy to get carried away or get overwhelmed and not pack the right things. So, take a minute and think through what your most useful and crucial gear might be given where you are traveling. What is going to help you capture those can’t miss moments the best?

It is always better to have a few extra pieces of gear to ensure you have what you need rather than miss a moment.

A quick list of things to consider as you plan and prep:

  • Will you be walking a lot at your destinations?
  • Will your gear be safe at your destinations?
  • What time of year is it?
  • What will the weather be like where you’re going?
  • Do you need any accessories (i.e. tripod, filters, reflectors)?
  • What is the one camera/lens combo you can’t live without?

Road trip photography tips - curves in the road sign

3. Prepare a Go-Bag

Any time you’re on a road trip it is vital to have a setup close-by and ready to go. This means a versatile lens, your camera, a fully charged battery, and your settings already set up.

You can pack up the bulk of your gear elsewhere in the car but keep your camera bag or an additional bag with all of these necessary items next to you. It will help you in a pinch. You never know when you might see a great scene out the window as a passenger or when you’ll want pull over to capture an unexpected sight or beautiful landscape.

It is helpful to keep a short list of must-have gear for your go-bag so you can quickly pack one at any time. Some of these items may include:

  • Camera bag
  • A tripod
  • Fully charged batteries
  • Camera body and lenses
  • Dust cloth, air blower, or any tool you use to remove dirt and dust from your gear
  • Filters
  • Memory cards

Road trip photography tips - scenic telescope viewer

4. Slow Down and Expect the Unexpected

You can plan, and you can prepare. You can have a list of all of your top spots ready and marked on your route. As important as all of these tips are, being ready for the unexpected is just as important.

If you see something cool or unique, stop and take a photograph. If you pull off into a little town, take some time to walk around and keep your eyes peeled so you don’t miss an interesting photo opportunity. Don’t let the excitement of heading to the next destination keep you from missing out on a great photograph.

Remember to carve out time to slow down and see the sights both with and without your camera.

Road trip photography tips - dirt road

5. Never forget to have fun!

Finally, never forget to have fun doing it.

Do you have any other road trip photography tips? Have you done any good road trips lately? Please share your tips and images in the comments below.

Road trip photography tips 07

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How to Boost Your Post-Processing Skills With a Graphics Tablet

22 Sep

During the course of your love affair with photography, you’ll use many different pieces of equipment. Some you’ll purchase, some you’ll beg, borrow, or steal. They will all serve one purpose or another. Some you may love so much that you keep forever. Most you won’t.

You don’t hear me talk about gear often. Over time I’ve worked hard to simplify my gear, and as a travel photographer, I’ve had to be ruthless in shedding excess size and weight. Every now and then, however, you come across a tool that is so valuable to your workflow that you can’t imagine working without it. One of those tools for me is a graphics tablet.

step up your post-processing with a graphics tablet

Photo by Kate Trysh on Unsplash

I’ve been using a tablet for quite a few years now, and it’s totally worth the extra weight in my bag. When I sold everything I owned and bought a one-way ticket to travel the world with my camera, I found space for my tablet. It has revolutionized my post-processing, and it can revolutionize yours too.

What is a Graphics Tablet?

A graphics tablet is a device that allows you to use a stylus instead of a mouse to control the cursor on your computer screen. They come in many sizes and offer a variety of features. They work by pointing at or drawing on the surface of the tablet with the stylus, which transfers your movements onto your screen. Most come with buttons on the stylus and on the tablet, which you can configure to act as mouse buttons or keystrokes.

They range from small tablets with no buttons all the way up to huge displays where you can draw directly onto the screen, much like an iPad. They often include features like pressure-sensitivity, allowing extremely precise controls that come in very handy when drawing.

Photo by Kelly Sikkema on Unsplash

Why Use a Tablet?

You might be asking yourself what’s so special about a tablet. What’s wrong with a good old mouse? I used to feel the same way until I tried using one. The humble mouse works fine for everyday computer usage, but it’s severely limited when it comes to photo editing.

Have you ever found yourself getting frustrated while trying to edit some fine details in a photo and having to go back over and over again? When you use a mouse, you’re relying on the movements of the large muscles and bones in your arm and hand to move it around your screen. It’s incredibly cumbersome. Your arm works great with big movements, but not so much with small, precise ones.

Now think about the precision and fine motor skills required to draw with a pen. Every tiny muscle in your hand is used to control the movements. I like to think of it this way: a toddler can use a mouse, but there’s no way they could use a tablet. They can’t even write their own name. A tablet will allow you to use those fine motor skills that you developed all those years ago.

step up your post-processing with a graphics tablet

Photo by Josefa nDiaz on Unsplash

How Do You Use a Tablet?

You may have seen tablets being used in Photoshop tutorials and wondered how they’re used. You don’t need to be a professional retoucher or illustrator to benefit from using a tablet. Even if you do all your post-processing in Lightroom, you will likely still find that a tablet will make the process much more precise and enjoyable.

step up your post-processing with a graphics tablet

ExpressKey menu in the Wacom setting panel.

The main benefits of editing with a tablet are speed and precision. As I mentioned earlier, most tablets will have some extra controls on the stylus and on the tablet itself. These controls can be customized to do pretty much anything.

This means that you can replace your most commonly used keystrokes with a single button. The touch ring can be set to adjust things like brush size and hardness, or scroll and zoom. These controls can speed up your post-processing dramatically.

step up your post-processing with a graphics tablet

Touch Ring options in the Wacom settings panel.

Where a graphics tablet really shines is when you want to apply local adjustments to your photos. Whether you’re making selections, drawing, painting, erasing, or dodging and burning, you’ll find that it’s far easier with a stylus than a mouse. It feels more natural and you’ll make a lot fewer mistakes.

If you don’t currently make a lot of local adjustments to your photos, I highly recommend taking some time to learn how. Learning basic dodging and burning is one of the best things you can do to take your post-processing skills to the next level. Do it with a tablet and you’ll be amazed what a difference it makes to your workflow.

There are many great resources available online for free that will teach you the basics of dodging and burning in both Lightroom and Photoshop. Likewise with setting up and using a tablet. There is a bit of a learning curve, but once you get the hang of it, you’ll never want to edit with a mouse again.

Choosing a Tablet

As I’ve mentioned, tablets range massively in price, size, and features. What you need will depend on a few factors like your budget, how much space you have on your desk, and how you like to work.

You can spend anywhere from $ 25 to $ 2000, so there is something that will suit your needs. You should be able to find a decent tablet under $ 100 that does the job.

step up your post-processing with a graphics tablet

Wacom’s high-end Cintiq tablet.Photo by Norbert Levajsics on Unsplash

Choosing the right size can be tricky. On one hand, the larger your tablet, the easier it is to use. You won’t find yourself having to move around the screen as much with a larger tablet. On the other hand, it will take up more space on your desk or in your bag. I personally like using a tablet that’s smaller than my laptop, that way they both fit nicely in my bag when I’m on the road.

In terms of features, you don’t need a lot of the more advanced features. My older Wacom Intuos doesn’t feature pressure sensitivity, and I don’t miss it. I would recommend using a tablet with at least a few control buttons, as they can speed up your workflow quite a bit.

Don’t stress about getting an expensive, high-end tablet, though. You’ll likely find that a basic model or a cheaper brand will suit your needs just fine. If you have an iPad lying around, there are apps available that allow you to connect it to your computer and use it as a tablet.

step up your post-processing with a graphics tablet

Huion Graphics Drawing Pen Tablet – Photo by Drew Thomas on Unsplash

Beg, Borrow or Steal

Well, maybe not steal, but ask around and see if someone you know has a tablet you could borrow or rent to try for a week. If you can find one to test out, give it a chance. As I’ve said, it takes a while to get used to it, so don’t give up too soon.

I’m sure that once you get your head around it you’ll be wanting one of your very own, and you’ll never look back.

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Nikon Coolpix P1000 sample gallery

22 Sep

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There’s no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It’s a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We’ve put together a gallery showing the kind of results you can expect from it.

See our Nikon Coolpix P1000 gallery

Articles: Digital Photography Review (dpreview.com)

 
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Instagram leak claims post re-sharing feature is in testing

22 Sep

A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds. Such a feature, assuming it were to launch publicly, would allow Instagram users to share other users’ content, each re-shared post reportedly showing the original poster, as well as each user that subsequently shared it.

The Verge cites screenshots of the alleged test and “an interview with a source,” in its report, however Instagram told the publication that it is not developing or testing a re-sharing feature.

A re-sharing tool, if one launches, may be limited to businesses

Nonetheless, the report claims that Instagram is calling the feature “seamless sharing” internally, developing it as a way for users to present photos and videos from other users in their own feeds. This would be similar to the Stories sharing feature Instagram launched earlier this year. Each post can reportedly be shared at least two times, the reports states.

The feature pictured within the leaked screenshots is described as “extremely rough,” indicating that development is still in its early stages. As with any test, it’s possible no such feature will be launched publicly to users. The report also points out that a re-sharing tool, if one launches, may be limited to businesses as a way for users to share merchandise posts with their followers.

Via: The Verge

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Green with Envy

22 Sep

It’s not easy being green, or so Kermit says. But for this week’s photography challenge you shouldn’t have any trouble finding green things to photograph. Just look to nature!

Weekly Photography Challenge – Green

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

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Sony 24mm F1.4 GM sample gallery

22 Sep

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Sony’s new FE 24mm F1.4 G Master lens is surprisingly lightweight and compact for a wide, fast prime. Having spent a little bit of time shooting with it, we’ve got some initial images to share. Stay tuned for a more in-depth look at this new G Master lens.

See our Sony 24mm F1.4 GM sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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