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Archive for September, 2018

Weekly Photography Challenge – Out of the Blue

08 Sep

Here is another easy one for you.

Get out there and find some blue things to photograph this week for the photography challenge!

You can look for blue things, shoot during Blue Hour, or use some split-toning on a black and white image to make your something blue for this challenge.

blueberries

Blueberry image by dPS writer Stacey Hill.

In post-processing, removed most of the color tones in the image except for blues, and a little bit of green/teal. 

Oil and water and a bit of color make for a fun afternoon photography project.

Weekly Photography Challenge – The Color Blue

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

The post Weekly Photography Challenge – Out of the Blue appeared first on Digital Photography School.


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Canon full-frame mirrorless system debuts with announcement of EOS R

08 Sep

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Just two weeks after Nikon introduced its Z-system, Canon has joined the full-frame mirrorless club with its new RF-mount system, with the first camera being the EOS R. Canon makes very clear this is merely the first in a new system.

The EOS R features a 30.3 effective Megapixel CMOS sensor and a DIGIC 8 processor. It uses RF-mount lenses – four of which will be available at launch – with support for both EF and EF-S lenses via one of three optional adapters, which it says add capability to existing lenses. Dual Pixel AF is onboard, with a whopping 5,655 selectable points with 88% vertical and 100% horizontal coverage, plus the ability to focus down to -6EV (though this is rated with an F1.2 lens, which gives a 1.5EV advantage over brands quoting figures for F2 lenses). There’s a ‘Pupil Detection’ mode for ensuring eyes are in focus but this is only available in AF-S mode.

“Being the first to market with a full-frame mirrorless system was never our goal. It was to reimagine optical excellence”

The camera has a native ISO range of 100-40,000 that expands to 50-102,400. The EOS R supports both Canon’s 14-bit CRW Raw format as well as the relatively new C-Raw, which offers much smaller file sizes. The fastest shutter speed available is 1/8000 sec, with an X-sync speed of 1/200 sec.

Design-wise, the EOS R is an SLR-style camera with a weather-sealed magnesium alloy body. It offers an electronic viewfinder with a resolution of 3.69 million dots, a magnification of 0.76x and a 23mm eyepoint. Its fully articulating 3.2″ LCD is touch-enabled and has 2.1 million dots. A customizable touchpad to the right of the viewfinder allows for quickly changing ISO, white balance, movie shooting and more. Canon users will be able to commiserate with Nikon owners as, like that company’s new Z-series cameras, the EOS R offers just one memory card slot, which supports UHS-II media. The camera has HDMI, USB-C, wired remote, headphone and microphone sockets. Wi-Fi and Bluetooth are built-in.

“Most revolutionary component isn’t camera, it’s the mount”

In terms of performance, the EOS R can shoot continuously at 8 fps in AF-S and 5 fps in AF-C ‘shooting speed priority’ mode. If you want to use ‘tracking priority’ mode in AF-C the frame rate drops to just 3 fps. The buffer is quite healthy, though, with the ability to save 47 Raw, 78 C-Raw or 100 JPEGs when shooting at full speed with a UHS-II card. It uses the familiar LP-E6N battery pack which allows for 370 shots per charge using the LCD (per CIPA standard) or 350 with the EVF. (Power save modes boost those numbers to 450 and 430, respectively.) The optional BG-E22 grip fills the battery slot but has room for two batteries: this gives you twice the battery life.

Video-wise, things are less impressive. On the plus side, you get Dual Pixel AF, even in 4K and the camera retains separate exposure and button customization settings for video. Sadly it maxes out at 4K/30p and features the same 1.7x crop that essentially reduces the camera down to sub APS-C quality and still appears to exhibit significant rolling shutter.

When it comes to capture, users can choose between ALL-I and IPB compression, with top bit rates of 420Mbps and 120Mbps, respectively. You’ll need a V60-rated SD card to get that highest bitrate but the camera can record for up to 29:59 even in 4K mode, with a large enough card. Dropping down to Full HD allows for 60 fps recording at 180 Mbps using ALL-I compression. Internal video capture is 8-bit 4:2:0. The camera can also capture Canon Log internally in 8-bit or can put out a 10-bit 4:2:2 C-Log stream over HDMI for use with an external recorder.

“You don’t switch to it, you add it to the family”

The camera can also record 120p footage at 1280 x 720 at a healthy 160Mbps bit rate. Recording time limits are 7.5 minutes for 120 fps shooting and just under 30 minutes for everything else.

The EOS R will be available in October for $ 2299 body only or $ 3399 with the 24-105mm F4L lens.

Canon EOS R initial sample images

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Press Release:

EVOLUTION MEETS REVOLUTION AS CANON ANNOUNCES THE ALL-NEW EOS R SYSTEM

Optical Innovation Inspires the Next Leap Forward in Imaging

MELVILLE, N.Y., September 5, 2018 – Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the next revolution in the company’s long history of innovative and award-winning camera systems, the EOS R system featuring the newly designed RF mount. Recognizing the need to advance optical design, the Company sought to create a versatile and powerful new system that supports all current EF, EF-S, TS-E and MP-E lenses[i], and also provides the optical advancements and engineering flexibility to build upon for years to come.

When Canon set forth to develop a new interchangeable lens camera system, they focused on three core optical principles: high-image quality, high-specification performance, and compact design. Recognizing that optics is the foundation for any camera system, the RF mount was conceived to open new doors in optical design. Canon’s new RF mount features the same size diameter as the EF mount (54mm) and shorter back focus distance. This allows for lenses to sit closer to the sensor (the focal plane) and allowed Canon optical engineers to reimagine lens design utilizing larger rear lens elements to produce an image on the full-frame sensor. This new optical formula has paved the way for higher performing lenses. In addition, the Canon RF mount features a high-speed 12-pin communication system that provides faster and more in-depth communication between the camera and lens over existing Canon mount systems.

The EOS R system is designed for full, uninhibited compatibility with all existing EF, EF-S, TS-E and MP-E lenses through the use of mount adapters[ii]. In addition, through the use of the optional Drop-In Filter Mount Adapter or Control Ring Mount Adapter these lenses, in fact, gain functionality.

“There has never been a time in history in which visual expression has been so prolific. Imaging, both still and video, are the communication mediums of today’s society. Much in the same way we learned to type in the past, today’s youth are skilled in shooting, editing, and visual storytelling in ways that only the masters of each craft were decades ago,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “Knowing this, we needed to step back and design a system that delivers all the creative expression and functionality today’s youth crave, now and in the years to come.”

The First in a New System: The EOS R

The new Canon EOS R full-frame mirrorless camera features a 30.3 megapixel CMOS sensor that is powered by the Company’s latest image processor, DIGIC 8, enabling shooting at up to 8.0 frames per second[iii]. The new camera inherits a lot from Canon’s legacy in both EOS and Cinema EOS. Video storytellers can capture stunning 4K UHD video up to 30fps and record in 10-bit 4:2:2 (with an external recorder). The EOS R also comes with the ability to shoot Canon Log, providing 12 stops of dynamic range, minimal loss of detail in shadows and highlighted areas and an increased range of choices when color grading. Users with an existing collection of Canon lenses will be excited to know that all EF and EF-S lens are compatible with the camera. In order to do so, photographers and videographers can choose between using one of three new mount adapters, each uniquely designed to meet the individual needs of the user.

The new Canon EOS R camera features Dual Pixel CMOS Auto Focus with 5,655 manually selectable AF points[iv], supporting AF at up to f/11 with a 384 zone (24×16) real-time metering system. With f/1.2 lenses, the camera astonishingly boasts AF sensitivity in low light in as little as EV-6. When using the RF 24-105mm F4 L IS USM lens with the EOS R, the camera can focus in as little as 0.05 seconds with Dual Pixel CMOS AF[v], making it the fastest autofocus speed in the world[vi]. These features provide photographers and videographers with Canon’s most advanced AF system to date. The EOS R also features a silent shutter setting when shooting in single-shot mode; an important feature for those who need to capture imagery without disrupting the scene. An upcoming free firmware update will enable silent shutter in continuous shooting mode as well.

“The EOS R system is not just a new camera or a new lens mount, it is a new design that will allow us to produce visual tools that were previously impossible, and allow our customers to tell their stories with greater depth, richness of color, and creative flexibility, in optically stunning ways.” states Kazuto Ogawa

Thoughts From the First Users

“I think every camera system has its place and it’s all about having the right tool for the job,” reported acclaimed outdoor photographer and Canon Explorer of Light Jimmy Chin. “The new EOS R system for me in particular is very useful for the kind of shooting that I do in the mountains, where I need to worry about the size and weight. Having the option to use the new RF lenses or the EF lenses is really great.”

“I was instantly impressed with how quickly the EOS R was able to focus,” remarked celebrated fashion photographer and Canon Explorer of Light Lindsay Adler. “Whether my subject was moving or I was shooting in near-complete darkness, I had no problem getting tack-sharp focus in every shot. It was a relief to know my gear wasn’t going to hold me back from executing my vision, but instead it would really help me to execute this vision.”

“For us, it’s all about getting the shot no one else can get, and a lot of this has to do with the camera,” says Devin Graham, director and filmmaker behind YouTube’s DevinSuperTramp. “The new EOS R will become one of our main cameras. It has a very small footprint, yet is able to create amazing images. As for the lenses, the new RF 28-70mm F2 has just become one of my all-time favorites. I’ll be bringing it on every project.”

Conveniently placed just to the right of the EVF, Canon has introduced a new Multi-Function Bar that will allows users to more easily access their customizable settings, such as AF, ISO and White Balance. Users will have the option to either slide or tap the bar to gain access to the settings and adjust on-the-go as they deem necessary depending on each particular shooting situation.

Answering the demand for enhanced mobile editing of RAW image files, Canon is also announcing a new application, Digital Photo Professional Express (DPP Express). In combination with an updated Canon Camera Connect App, DPP Express enables users to send, view, edit and process CR3 RAW files on their iPad[vii]. A free download of the app will be available October 2018.

Additional noteworthy features of the EOS R Camera include:

  • RF Mount Compatible with RF Lenses and EF/EF-S Lenses
  • Built-in EVF with 3.69 Million Dots, Vari-angle Touchscreen LCD and Dot-matrix LCD Panel
  • ISO range of 100-40,000, expandable to 102,400
    • USB 3.1 in-camera charging support
  • Built-in Bluetooth and Wi-Fi® providing easy sharing to compatible smart devices and social media sites
  • Single UHS-II SD card slot
  • CR3(RAW/C-RAW) and Dual Pixel RAW Support
  • Dust and weather resistant

Availability and Pricing

The Canon EOS R full-frame mirrorless camera is scheduled to be available in October 2018 for an estimated retail price of $ 2299* for the body only. It will also be sold as a body-and-lens kit with the new RF 24-105mm F4 L IS USM lens for $ 3399*.

[i] When attaching an EF-S lens via any of Canon’s new R-series mount adapters, the new EOS R automatically switches to APS-C crop mode.

[ii] When attaching an EF-S lens via any of Canon’s new R-series mount adapters, the new EOS R automatically switches to APS-C crop mode.

[iii] Continuous shooting speed may vary depending on the shutter speed, the aperture, the lens being used, the battery charge and various camera settings.

[iv] Available AF points may decrease when shooting with AF cropping or in movie mode, or depending on camera settings or lens attached.

[v] Based on results of AF speed tests in accordance with CIPA guidelines. Results may vary depending on shooting conditions and lens in use. Relies on internal measurement method.

  • Brightness at time of distance measurement: EV12(regular temperature, ISO 100)
  • Shooting mode: M
  • Lens in use: RF 24-105mm F4 L IS USM, with focal distance of 24mm and live-view mode on(with manual shutter button operation
  • AF mode: Live single-point AF(central) and AF operation: One-shot AF

[vi] Among interchangeable lens digital mirrorless cameras incorporating 35mm full frame equivalent image sensors with phase-difference detection AF on the image plane and contrast detection AF, available in the market as of September 5th, 2018 (Based on Canon’s Research).

[vii] Compatible with iPad models utilizing iOS 11 or later and equipped with at least 2GB of onboard RAM—specifically, iPad Pro (all models), iPad (5th generation), iPad (6th generation), iPad mini 4 and iPad Air 2.

*Availability, prices and specifications are subject to change without notice. Actual prices are set by individual dealers and may vary.

Canon EOS R specifications

Price
MSRP $ 2299 (body only), $ 3399 (w/24-105 F4L lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6720 x 4480
Other resolutions 4176 x 2784 (1.6x crop)
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 30 megapixels
Sensor photo detectors 32 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-40000 (expands to 50-102400)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 102400
White balance presets 6
Custom white balance Yes
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG
  • Raw (14-bit Canon CRW)
  • C-Raw (Canon compressed Raw)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 5655
Lens mount Canon RF
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3.2
Screen dots 2,100,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.76×
Viewfinder resolution 3,690,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe)
Flash X sync speed 1/200 sec
Drive modes
  • Single
  • High-speed continuous
  • Low-speed continuous
  • Self-timer
Continuous drive 8.0 fps
Self-timer Yes (2 or 10 secs)
Metering modes
  • Multi
  • Center-weighted
  • Spot
  • Partial
Exposure compensation ±3 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±3 (3 frames at 1/3 EV, 1/2 EV steps)
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p / 480 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, AAC
  • 3840 x 2160 @ 24p / 480 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 120 Mbps, MOV, H.264, AAC
  • 3840 x 2160 @ 23.98p / 480 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 60p / 180 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 30p / 90 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 24p / 90 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 30 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 23.98p / 90 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, AAC
  • 1280 x 720 @ 120p / 160 Mbps, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD card (UHS-II supported)
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
USB charging Yes (with LP-E6N only)
HDMI Yes (Mini-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.1 LE
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description LP-E6N lithium-ion battery & charger
Battery Life (CIPA) 370
Weight (inc. batteries) 660 g (1.46 lb / 23.28 oz)
Dimensions 136 x 98 x 84 mm (5.35 x 3.86 x 3.31)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Four RF-mount lenses kick off Canon’s new full-frame mirrorless system

08 Sep

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Canon’s first full-frame mount in more than 30 years is here, in the shape of the RF-mount. Featuring the same diameter as the venerable EF-mount but with a much shorter flange back distance, RF is designed from the ground up for mirrorless cameras. It’s still early days, but four lenses have been unveiled alongside the consumer-grade EOS R, providing a tantalizing glimpse into Canon’s future ambitions.

Today sees the unveiling of the Canon RF 28-70mm F2L USM, RF 50mm F1.2L USM (pictured below), RF 24-105mm F4L IS USM and RF 35mm F1.8 Macro IS STM. This quartet covers common focal lengths from 24mm to 105mm and includes an exceptionally fast aperture zoom lens, a macro and – in a throwback to the early days of the EF system in the late 1980s – a flagship fast 50mm (shown below on the EOS R).

Perhaps the most interesting of the four new lenses is the 28-70mm F2, which weighs in at a very substantial 1430g (3.15lbs) – a 77% weight increase compared to the wider but slower EF 24-70mm F2.8 II. Boasting 19 elements in 13 groups, the 28-70mm F2 is a large lens, with a determinedly non-standard front filter diameter of 95mm. The RF 24-105mm F4 appears somewhat more conventional, weighing in at a much more manageable 700g (1.5lb) and featuring a standard filter thread of 77mm. It’s no surprise that this is the lens that Canon is kitting with the EOS R at launch.

The RF 24-105 F4L IS USM has been designed to be video-friendly, with minimal focus breathing, a fast, silent ‘Nano USM’ focus motor and the ability to control its aperture in 1/8th EV steps.

The RF 50mm F1.2 looks to be a pretty substantial chunk of glass, featuring 15 elements in nine groups, and weighing 950g (2.1lb). Meanwhile the lightweight (305g, 0.7lb) RF 35mm F1.8 Macro covers both a useful focal length, and offers a handy 0.5X magnification macro capability. Considering its comparatively smaller size and lighter weight, the RF 35mm F1.8 looks like it could be a very attractive walk-around prime for the small and light EOS R.

The EF-RF adapters will allow the millions of existing EF lenses in circulation to be used “without compromise”

In addition to the four new lenses, Canon has also introduced three EF to RF adapters. The most basic is a simple mount converter, with an additional two adapters which add a customizable control ring (to match the clicking, customizable control rings on native RF lenses), and a tray for drop-in filters, respectively. The drop-in filter adapter makes it possible to add a Vari ND or circular polarizer to all lenses, including the traditionally awkward super-wides.

Canon promises that the EF-RF adapters will allow the millions of existing EF lenses in circulation to be used “without compromise” on the new EOS R and future RF-mount cameras.

The RF 28-70mm F2L USM will cost $ 2,999 and will be available in December. The RF 24-105mm F4L IS USM will also be available in December for $ 1099 ($ 3399 as a kit with the EOS R). The RF 50mm F1.2L USM will cost $ 2,299 and will start shipping next month, while the RF 35mm F1.8 Macro IS STM will cost $ 499 and will be available in December. All three of the ‘L’ lenses are weather-sealed.

Press Release

BEYOND THE REALM OF TRADITIONAL POSSIBILITIES:
CANON INTRODUCES FOUR RF MOUNT LENSES

Canon Also Introduces Three RF Mount Adapters, Providing EF & EF-S Lenses with Full Compatibility and Enhanced Functionality ?with the New EOS R Camera

MELVILLE, N.Y., September 5, 2018 – Helping to rewrite the rules of visual expression, Canon U.S.A. Inc., a leader in digital imaging solutions, today introduced a variety of new RF lenses and accessories to accompany the newly announced EOS R Full-Frame Mirrorless Camera System. The four new RF lenses are built around Canon’s new RF mount, which features a large 54mm diameter and shorter back focus distance than on current EOS DSLR cameras. The new RF mount enables new possibilities in optical design and lens formulation, allowing for faster and lighter lenses with higher performing optics.

The four new lenses, the Canon RF 28-70mm F2 L USM, RF 50mm F1.2 L USM, RF 24-105mm F4 L IS USM and RF 35mm F1.8 MACRO IS STM capitalize on the robust optic foundation of Canon’s new EOS R system. The design behind Canon’s new EOS R camera and RF lens system started with the concept of the optimal rear lens element diameter and shorter distance (back focus) for a Full-Frame image sensor.

With over 130 million EF lenses in circulation since Canon launched the mount in 1987*, the Company is enhancing the possibilities for its loyal customers who own and love their EF glass. Canon is introducing three RF Lens Mount Adapters that expand the capabilities of existing EF lenses when paired with the EOS R camera. The Canon Mount Adapter EF-EOS R allows photographers to utilize the full breadth of Canon’s EF, EF-S, TS-E, and MP-E lenses on the newly introduced EOS R camera system. The Control Ring Mount Adapter adds a customizable control ring via the adapter that provides photographers with added functionality to their fingertips. The Drop-in Filter Mount Adapter now easily places circular polarizing or variable neutral density filters behind the lens, opening up new options for lenses such as the EF 11-24mm where using optical filters were previously not an option.

“Knowing exceptional optics are a vital tool in shaping the image a photographer captures, Canon designed the EOS R camera system from the ground up with optics as the starting point,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “Canon is very excited about the world-class optics we have developed to marry with the new RF mount. With our rich history and more than 130 million EF lenses being used across the globe, Canon optics will continue to be at the forefront of our digital imaging development now and into the future.”

New Canon RF Series Lenses

Three of the newly announced Canon RF lenses are counted among Canon’s top-of-the-line L-series optics; incorporating rugged, dust and water-resistant construction. All four new RF lenses feature a customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO.

The Canon RF 28-70mm F2 L USM lens, the world’s first standard zoom lens with an f/2 aperture is excellent for capturing landscapes, weddings and portraits with its large aperture for stunning bokeh. Initial testing within Canon has shown this new lens to produce better optical image quality and sharpness over similar focal length EF-series lenses, including the extremely popular and highly regarded EF 24-70mm f/2.8L II USM.

A portrait photographer’s must-have, the Canon RF 50mm F1.2 L USM lens sports an ultra large-diameter f/1.2 aperture and Canon’s Air Sphere Coating (ASC) technology to dramatically reduce flares and ghosting. This amazing new lens is capable of rendering subjects life-size on the full-frame sensor with its minimum focusing distance of only 0.59 inches.

Photographers seeking an all-around utility lens for the new EOS R camera system need to look no further than the Canon RF 24-105mm F4 L IS USM lens. Coming in nine percent shorter in length than the EF 24-105mm f/4L IS II USM, this compact lens employs a CIPA standard of 5 stops of IS and is equipped with NANO USM technology, the first L-series lens with the technology. This small chip-shaped ultrasonic motor is engineered to help deliver high-speed, smooth, precise and near-silent operation, plus full-time manual focus (when using one-shot AF).

A fast, wide-angle single focus lens, the Canon RF 35mm F1.8 MACRO IS STM lens is an excellent option for photographers looking for an affordable compact lens. Featuring a maximum shooting magnification of 0.5x, the lens can easily shoot macro photography of subjects such as flowers, food and even insects. The lens also utilizes a CIPA standard of 5 stops of IS and is compatible with Hybrid IS, compensating for both angular and shift camera shake.

Enhanced Capabilities for Canon EF Lenses

Thanks to its large lens mount design, Canon’s new EOS R series camera system delivers new capabilities in both design and function, but for existing Canon lens owners it does something incredible. It enhances the capabilities of existing EF and EF-S lenses with full compatibility and in some cases, enhanced functionality when paired with one of three RF mount adapters.

Canon lenses are historically top-rated, and the Company is looking to help customers gain even more value in their investment with three new RF mount adapters.

The Canon Mount Adapter EF-EOS R is a standard adapter that provides full compatibility with EF lenses. Autofocus, metadata, and Optical Image Stabilization on EF lenses all continue to work seamlessly with the new EOS R camera through this adapter.
The Control Ring Mount Adapter EF-EOS R continues full EF lens compatibility with the addition of a customizable control ring. Functions that can be assigned and adjusted by the control ring include aperture, shutter speed, ISO speed and exposure compensation.
In addition to full EF lens compatibility, the Drop-In Filter Mount Adapter EF-EOS R allows for lens filters to be used behind any EF lens and help photographers conveniently utilize variable ND and circular polarizing filters with any EF lens.

New Speedlite Series

Canon is also introducing a new compact and lightweight Speedlite, the EL-100. Designed for photographers who are just beginning to use an external flash or are in need of a secondary unit, the new Speedlite delivers both soft and natural lighting reproduction. In addition, the EL-100 can rotate upwards and to the left and right enabling photographers to bounce the flash off of nearby ceilings, walls or surfaces.

Additional Features of the Canon Speedlite EL-100 include:

  • Maximum Guide Number of Approx. 85 ft./26m at ISO 100
  • 24mm Wide-angle Coverage
  • Optical Wireless Flash Function (Sender and Receiver)
  • Flash Exposure Control Including Support for Stroboscopic Flash and Continuous
  • Shooting Camera-linked Functions Including Interlocked External Flash Power On/Off
  • Mode Dial with AUTO Position

Availability and Pricing

The Canon RF 50mm F1.2 L USM will be available in October 2018 for an estimated retail price of $ 2299. The Canon RF 28-70mm F2 L USM, RF 24-105mm F4 L IS USM and RF 35mm F1.8 MACRO IS STM will all be available for purchase in December 2018 for an estimated retail price of $ 2999, $ 1099 and $ 499.99 respectively.

The Canon Mount Adapter EF-EOS R and Control Ring Mount Adapter EF-EOS R will be available for purchase in October 2018 for an estimated retail price of $ 99.99 and $ 199.99 respectively. The Drop-in Filter Mount Adapter EF-EOS R will all be available for purchase in February 2019 for an estimated retail price of $ 399.99 with a variable ND filter or $ 299.99 with a circular polarizing filter.

The Canon Speedlite EL-100 will be available for purchase in October 2018 for an estimated retail price of $ 199.99.

For more information on the new Canon RF lenses and accessories, please visit usa.canon.com/eosrsystem.

Canon RF 35mm F1.8 IS STM / RF 50mm F1.2L specifications

  Canon RF 35mm F1.8 IS STM Macro Canon RF 50mm F1.2L USM
Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 35 mm 50 mm
Image stabilization Yes No
CIPA Image stabilization rating 5 stop(s)
Lens mount Canon RF
Aperture
Maximum aperture F1.8 F1.2
Minimum aperture F22 F16
Aperture ring No
Number of diaphragm blades 9 10
Optics
Elements 11 15
Groups 9
Special elements / coatings 1 aspherical element, Super Spectra Coating Ground aspherical + aspherical _+ UD elements, Air Sphere and fluorine coatings
Focus
Minimum focus 0.17 m (6.69) 0.40 m (15.75)
Maximum magnification 0.5× 0.19×
Autofocus Yes
Motor type Stepper motor Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 305 g (0.67 lb) 950 g (2.09 lb)
Diameter 74 mm (2.91) 90 mm (3.54)
Length 63 mm (2.48) 108 mm (4.25)
Sealing No Yes
Colour Black
Filter thread 52 mm 77 mm

Canon RF 28-70mm F2L USM / RF 24-105mm F4L IS USM specifications

  Canon RF 28-70mm F2L USM Canon RF 24-105mm F4L IS USM
Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 28–70 mm 24–105 mm
Image stabilization No Yes
CIPA Image stabilization rating 5 stop(s)
Lens mount Canon RF
Aperture
Maximum aperture F2 F4
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 19 18
Groups 13 14
Special elements / coatings UD + aspherical elements, Air Sphere, SWC and fluorine coatings Aspherical + UD elements, Air Sphere and fluorine coatings
Focus
Minimum focus 0.39 m (15.35) 0.45 m (17.72)
Maximum magnification 0.18× 0.24×
Autofocus Yes
Motor type Ring-type ultrasonic Nano ultrasonic
Full time manual Yes
Focus method Internal Rear
Distance scale No
DoF scale No
Physical
Weight 1430 g (3.15 lb) 700 g (1.54 lb)
Diameter 104 mm (4.09) 84 mm (3.31)
Length 140 mm (5.51) 107 mm (4.21)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 95 mm 77 mm

Articles: Digital Photography Review (dpreview.com)

 
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Pixelmator Pro update adds Light Leak effect and more

08 Sep

Pixelmator has announced an update to its Pixelmator Pro image editing software. Version 1.1.4 to brings new effects, a new AI-powered Auto Selective Color adjustment tool and more.

The Auto Selective Color feature uses machine learning to automatically apply selective color adjustments, improving specific colors in an images. A new Light Leak effect adds a vintage film look to your photos and the Bokeh effect simulates the shallow depth of field of a fast lens on a DSLR, similar to what we are seeing on many current smartphone cameras.

There is also a new Spin Blur effect which creates circular motion effects. The Noise effect is something we have seen before on other editing applications and simply lets you add grain to your images. Other new effects include Threshold, Mask to Alpha, Clouds, and more Tile and Distort effects.

Auto White Balance and Auto Lightness preserve skintones better and are 30 percent faster than in previous versions of the software

Pixelmator did not only add new features, however, but also improved some of the existing tools. The company says Auto White Balance and Auto Lightness preserve skintones better and are 30 percent faster than in previous versions of the software. The Color Adjustments and Effects sub-menus now come with Copy, Paste, Reset and Flatten Adjustment options. In addition you can now use a new keyboard shortcut (O) to show the original image while editing.

You can find a full list of improvements and modifications on Pixelmator’s What’s New page. Pixelmator Pro can currently be downloaded for $ 29.99 from the Mac App Store. That’s a $ 30 discount off the regular price.

Articles: Digital Photography Review (dpreview.com)

 
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New 32mm F1.4 STM joins Canon’s EF-M lens collection

07 Sep

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Despite the launch of four RF and two EF-mount lenses, Canon is out to show that it’s still committed to the EF-M system. Today the company announced the EF-M 32mm F1.4 STM, which will cost $ 479.99 when it is available later this month, and offers an equivalent focal length of just over 50mm when attached to an M-series mirrorless body.

Press Release:

CANON INTRODUCES NEW LENS FEATURING THE LARGEST AND FASTEST APERTURE IN THE EF-M LENS FAMILY

New EF-M 32mm F/1.4 STM Expands Canon’s Robust Lineup of EF-M Lenses

Aimed at Entry and Enthusiast-Level Photographers

MELVILLE, N.Y., September 5, 2018 – Canon U.S.A. Inc., a leader in digital imaging solutions, today introduced a new EF-M wide angle fixed-focal-length lens, the EF-M 32mm f/1.4 STM. The EF-M lens is both compact and lightweight, serving as an ideal addition for any photographer shooting with an EOS-M series camera. Entry and enthusiast-level photographers who are passionately seeking to take their photography skills to the next-level will find this lens to be a great addition for portraiture, landscapes or
general travel photography.

“As Canon continues to expand the company’s EF-M lineup, it is very important that users are provided the tools they desire for a variety of shooting situations,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “The new EF-M 32mm f/1.4 STM lens delivers great image quality in a compact and lightweight form factor, allowing photographers to capture the images they envision when they pick up their camera.”

The EF-M 32mm f/1.4 STM lens is the second EF-M lens to feature a large-aperture, delivering stunning bokeh with a soft blurred background that helps photographers isolate their subjects. In addition, the 32mm focal length converts to approximately 51m in 35mm format, providing an angle-of-view close to the field-of-view of the human eye.

Additional noteworthy features of the EF-M 32mm f/1.4 STM lens include:

  • 14 elements in eight groups, including a glass molded aspherical lens
  • Super Spectra Coating technology and optimized lens element placement helps minimize ghosting and flaring
  • Lead gear-type STM stepping motor to help provide smooth and quiet focus operation when taking photos, and near-silence when shooting video
  • Wide focusing ring with full-time manual focus capabilities
  • Compact and lightweight design: maximum diameter of 60.9mm, total length of
    50.5mm and approximate weight of 235g
  • Maximum magnification of 0.25x and minimum focusing distance of 0.23m

Availability and Pricing

The EF-M 32mm f/1.4 STM will be available for purchase in late September 2018 for an estimated retail price of $ 479.99*. Included accessories for the new lens are Canon lens cap E-43, lens hood ES-60 and lens case LP-1014. For additional information about the new lens or to learn more about the complete lineup of Canon EF-M lenses, please visit usa.canon.com.

Canon EF-M 32mm F1.4 STM specifications

Principal specifications
Lens type Prime lens
Max Format size APS-C / DX
Focal length 32 mm
Image stabilization No
Lens mount Canon EF-M
Aperture
Maximum aperture F1.4
Minimum aperture F16
Aperture ring No
Number of diaphragm blades 7
Optics
Elements 14
Groups 8
Special elements / coatings Aspherical elements + Super Spectra Coating
Focus
Minimum focus 0.23 m (9.06)
Maximum magnification 0.25×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 235 g (0.52 lb)
Diameter 61 mm (2.4)
Length 57 mm (2.24)
Sealing No
Filter thread 43 mm

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS R sample gallery updated with Raw conversions

07 Sep

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We’ve updated our Canon EOS R sample gallery with additional images from Maui, Hawaii. There you’ll also find several Raw conversions made using a beta build of ACR 11. We’ll continue to update this gallery as samples come in from our team on the island, so check back often.

See our Canon EOS R sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Flickr announces major update to Galleries section

07 Sep

It’s been fairly quiet around Flickr since it was taken over by SmugMug but now the image sharing platform has announced a major update to its galleries section. The new Flickr galleries come with a redesigned user interface and a number of new tools to “facilitate your creativity.”

In a post on the Flickr Blog the company says that “Flickr’s galleries have long been one of the tools available to our community for visual storytelling, though they have gotten dusty over time as the rest of the site progresses.”

The new layout has been designed for larger screen sizes and resolutions than the previous version and the maximum number of photos in galleries has been increased from 50 to 500. To facilitate work with large numbers of photos you now batch add them to a gallery directly from your Favorites.

“By explicitly connecting Faves to gallery creation, we’re making your workflow simpler when you’re curating your favorite works from other Flickr members,” Flickr says.

On the galleries list page you’ll now find a triptych of photos for each gallery (the cover photo and the two most recent images), plus some metadata.

You can still select any image from the gallery to use it as the cover, edit title and description and reorder images. Galleries can also be shared “with an intuitive share sheet that will improve the presentation of your galleries on other social networks.”

If you are a Flickr user, head over to the Flickr galleries page to check out the redesign and new features.

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS R: first sample images posted

07 Sep

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Canon has formally rolled out its EOS R full-frame mirrorless system with a camera, four lenses and a trio of adapters. We’ll have plenty of opportunities to get to know the camera much better in the short and long term, but for now we’ve published our very first images with Canon’s brand new EOS R. We’ve included images shot with the RF 50mm F1.2L and 24-105mm F4L IS. We’ll be adding more images very soon.

Read more about the Canon EOS R

Articles: Digital Photography Review (dpreview.com)

 
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Sample gallery: Fujifilm X-T3

07 Sep

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We were lucky to shoot around with the new Fujifilm X-T3 prior to launch – for our thoughts so far, read our X-T3 first impressions review. In short, this 26MP APS-C sensor camera has a lot to offer for both stills and video shooters. Click into our sample gallery for an initial look at image quality.

View our Fujifilm X-T3 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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How to Photograph a Wedding – A Guide to Equipment, Shooting, Editing and More

07 Sep
  • Have you ever entertained the thought of being a wedding photographer?
  • Or have you ever been asked by a friend to photograph their wedding?
  • Or have you already taken the leap into wedding photography and it’s not quite going the way you hoped?

If you you answer yes to any of these questions – our brand new Wedding Photography ebook is for you!

Best of all – if you grab it this week it’s 50% off the normal retail price – so it’s your for just $ 9USD!

This beautifully designed eBook was written by Lily Sawyer who many of you will know as a regular writer for dPS.

Lily is also a professional photographer and draws on her experience of photographing more than 500 weddings, events and portrait sessions to share some practical advice for anyone hoping to embark on a similar journey into wedding photography.

7 Chapters of Practical Wedding Photography Advice

Included in this eBook are 7 chapters covering:

  • How to be a good wedding photographer
  • Equipment for wedding photography
  • A step-by-step guide to photographing a wedding day
  • Editing and batch processing
  • Products you can offer your clients
  • Pricing and how to find your happy place
  • Marketing your business

Click through for more details and to preview sample pages and to grab your copy of the eBook.

We think this is one of the best risk-free instantly downloadable resource you can buy to help you on your journey as a wedding photographer – no hype, no over-promising or relentless hustle speak – just realistic advice and practical tips.


Download it Now $ 9USD

P.S. As with all our books and courses, we offer a 60-day money back guarantee, so you can buy it confidently today, risk-free.

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