RSS
 

Archive for April, 2018

Capture One update adds new styles workflow, updated camera support

20 Apr

Phase One has launched the first major update to Capture One Pro 11, the company’s Raw conversion and photo editing software. Capture One 11.1 brings along a few important new features, including improved import performance, an updated styles workflow, a new resource hub, enhanced LCC presets, and support for new cameras and lenses.

The most obvious changes in the update come in the form of new workflow adjustments that should speed up the importing and processing of large numbers of photos. Now, you can apply styles and presets directly to a photo or on top of it as a layer; for even more control, you can control the opacity to make sure the effect is as subtle or significant as you want it to be.

Capture One has also thrown in a new ‘Spring’ collection as part of its included styles packs.

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1238844740″,”galleryId”:”1238844740″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

A new ‘Normalize’ tool has also been added to the workflow. This tool replaces the old ‘Skin Tone White Balance’ tab within the white balance module and, “is designed to make easier baseline corrections to images.”

And if you’re new to Capture One (or simply want to refresh your skill set) Capture One has dropped the learning curve by adding a new Resource Hub. You can now get instant access to free learning resources directly in the app, including: tutorials, webinars, news, and blogs, plus direct access to support and Capture One’s web shop.

Finally, Capture One 11.1 also includes updated support for eight new cameras and 16 lenses. Below is a full list of the cameras and lenses that have been added to the more than 400 cameras already supported:

Cameras

  • Sony A7 Mk III
  • Fuji lm X-H1
  • Leica CL
  • Leica M262
  • Leica TL2
  • Leica V-Lux Typ 114
  • Leica X-U
  • Olympus E-M10 mkIII
  • Olympus E-PL9
  • Panasonic G9
  • Panasonic GH5S

Lenses

  • Canon EF 24-105mm f/4L IS II USM
  • Leica Elmarit M 90mm f2.8
  • Leica Summicron M 90mm f2
  • Sony E 18-135mm f/3.5-5.6 OSS (SEL18135)
  • Sony FE 24-105mm F4 G OSS (SEL24105G)
  • Tamron 16-300mm F/3.5-6.3 Di II VC PZD MACRO B016 • Tamron 28-300mm F/3.5-6.3 Di VC PZD A010
  • Tamron SP 35mm F/1.8 Di VC USD F012
  • Tamron SP 70-200mm F/2.8 Di VC USD G2 A025
  • Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD F017

For owners of Capture One Pro 11, version 11.1 is available as a free update for both MacOS and Windows. If you don’t own the current version, Capture One 11.1 can be purchased for a one-time fee of $ 300 or used via subscription for $ 20 per month, or $ 180 per year if paid up front. There’s also a free 30-day trial if you want to test the waters before you commit.

To see what else is new and to purchase Capture One 11.1, head on over to the Capture One website.

Press Release

Phase One Releases Capture One 11.1

Update Provides New Resource Hub, Expanded Camera Support and Improved Workflow

COPENHAGEN, Apr. 19, 2018 – Phase One, the world’s leading manufacturer of high-end digital camera systems, today released Capture One 11.1, a feature release to the industry’s premier RAW conversion and image editing software. The release enhances the Capture One user experience, through a new support platform and functionality updates to ensure a faster, smoother workflow. Improved Styles and presets workflow, support for 11 new cameras, including Sony A7 Mk III and Fuji X-H1 and 10 new lenses, including Tamron lenses for both Nikon and Canon, and an all-new Resource Hub are among the latest updates.

“Capture One remains dedicated to the needs of ambitious photographers. These latest updates introduce an extension to camera and lens support, as well as an all-new Resource Hub. The Resource Hub is an in-app portal that allows users to easily access news, tutorials, updates and much more – all designed to inspire photographers and ensure the best workflow and user experience in Capture One,” said Jan Hyldebrandt-Larsen, VP Software Business at Phase One.

NEW FEATURES AND TOOLS IN CAPTURE ONE 11.1

IMPROVED STYLES AND PRESETS

A new workflow adds a much faster way to apply both Styles and Presets to a Layer on one or multiple images, offering a direct control of opacity, imperative to wedding and portrait photographers.

Furthermore, a new Spring Styles Pack is included, offering bright pastel color grading to images, particularly helpful to wedding, portrait and landscape photography.

RESOURCE HUB

The Resource Hub has been introduced to offer quick access to free learning resources via a dynamic on-screen portal. Tutorials, news, webinars, blog posts and much more are offered in one convenient location to improve the user experience and learning curve with Capture One.

NORMALIZATION TOOL

The normalization tool provides a reference point for exposure and white balance for batch adjustments, now allowing any color to be used when previously the only option was a neutral grey.

NEW CAMERA AND LENS SUPPORT

The Capture One R&D team, alongside our color scientists, analyze hundreds of images from each camera to provide photographers access to the best out of box experience with natural profiles. Below outlines the new camera and lens additions that Capture One 11.1 supports. A full list of supported cameras can be found here: http://www.phaseone.com/supported-cameras

New camera support includes:

  • Fujifilm X-H1
  • Leica M262
  • Leica CL
  • Leica X-U
  • Leica V-Lux Typ 114
  • Leica TL2
  • Olympus OM-D E-M10 Mk III
  • Olympus E-PL9
  • Panasonic G9
  • Panasonic GH5S
  • Sony A7 Mk III

New lens support includes:

  • Canon lens:
    • Canon EF 24-105mm f/4L IS II USM
  • Leica lenses:
    • Leica Elmarit M 2.8/90
    • Leica Summicron M 2/90
  • Sony lenses:
    • Sony E 18-135mm f/3.5-5.6 OSS (SEL18135)
    • Sony FE 24-105mm F4 G OSS (SEL24105G)
  • Tamron lenses:
    • Tamron SP 70-200mm F/2.8 Di VC USD G2 A025
    • Tamron SP 35mm F/1.8 Di VC USD F012
    • Tamron 28-300mm F/3.5-6.3 Di VC PZD A010
    • Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD F017
    • Tamron 16-300mm F/3.5-6.3 Di II VC PZD MACRO B016

CAPTURE PILOT 2.0

Capture Pilot 2.0 adds camera control support for Sony, allowing users to change camera settings of the tethered camera directly from your iOS device.*

AVAILABILITY AND PRICING

Capture One 11.1 is available now for the Mac and Windows operating systems online at www.phaseone.com/store and from Phase One authorized partners worldwide www.phaseone.com/partners.

Capture One Pro

Owners of Capture One Pro 11 perpetual and subscribers can update for free by downloading. New customers can purchase Capture One Pro 11 for 299 USD or 279 EUR. Capture One Pro 11 is also available by subscription. A single-user subscription is 20 USD/EUR per month for a 12-month plan or a 180 USD/EUR prepaid subscription, paid annually.

Owners of Capture One Pro 9 and 10 can upgrade for 119 USD/EUR

Capture One Pro Sony

Owners of Capture One Pro Sony 11 can upgrade for free by downloading. New customers can purchase Capture One Pro Sony 11 for 79 USD/EUR.

Owners of Capture One Pro Sony 9 and 10 can upgrade for 69 USD/EUR.

Download a 30-day trial

A fully functional version of Capture One is available for a 30-day trial. Download the trial here: www.phaseone.com/download

Please see all products and payment options at www.phaseone.com/store.


*Requires in app purchase.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Capture One update adds new styles workflow, updated camera support

Posted in Uncategorized

 

Oppo and Corephotonics sign strategic agreement around dual-cameras

20 Apr

OPPO, one of China’s largest mobile phone manufacturers, has signed a strategic licensing agreement with Corephotonics, a developer of dual-camera technologies based in Israel. Under the agreement, the two companies will work together on the development on Oppo’s smartphone camera roadmap, covering optical zoom, depth mapping for bokeh simulation and related features, as well as other areas involving smartphone camera optics optics, mechanics, computational imaging and deep learning among others.

Mobile photography is a key focus of OPPO, and we have always been eager to forge strong partnerships with leading suppliers like Corephotonics,” said Dr. King, OPPO’s Hardware Director. “Corephotonics’ dual cameras with wide-angled and telephoto lenses, along with the periscope-style construction, optical image stabilization and image fusion technology, edge mobile photography even closer to what digital cameras are capable of doing.

Oppo and Corephotonics have worked together in the past, including on a 5x optical zoom module that was implemented in an Oppo prototype device and displayed at last year’s MWC. We’re looking forward to seeing the results from this now more formalized relationship.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Oppo and Corephotonics sign strategic agreement around dual-cameras

Posted in Uncategorized

 

The Photo Studio AR app lets you ‘simulate’ a photo shoot with 3D models

20 Apr

Have you ever been at a beautiful location and wondered what a photo might look like if you had a model and some lighting equipment on hand? Well, you no longer need to wonder. Los Angeles-baased visual effects studio Surpuba AR has released Photo Studio AR, an app for Android and iOS devices that uses augmented reality (AR) to project a model into any real-world scene you can imagine.

The app features a collection of 3D-rendered models, all based off real people. You can pose them in multiple animated positions, change their location in the AR environment, resize them to fit the scene and even switch their outfits (and purchase other 3D models) via in-app purchases.

As for lighting, you can add multiple lights and props to the scene to emulate what a particular setup would look like. You can even alter where the artificial sunlight is in the app so that it reflects the Sun’s current position in the sky.

Finally, there’s also a built-in recording function so you can save your AR location scouting trip for reference down the road.

A collection of screenshots showing off the props and light modifiers available in Photo Studio AR.

You can purchase Photo Studio AR for both Android and iOS devices for $ 10. In-app purchases start at one dollar a piece. To learn more, head over to the company’s website by clicking here.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on The Photo Studio AR app lets you ‘simulate’ a photo shoot with 3D models

Posted in Uncategorized

 

Viral KFC ad campaign turns fried chicken into flames with Photoshop

20 Apr

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_2884277713″,”galleryId”:”2884277713″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

New York City-based advertising agency Ogilvy and Mather’s latest ad campaign for KFC Hong Kong is on fire… so to speak. Tasked with advertising the release of KFC’s Hot & Spicy chicken, the agency created a clever collection of images that morphs the flaky breading and orange tint of crispy chicken into smoke and flames.

The clever Photoshop jobs include compositions of the spicy chicken with space shuttles, power rangers (we think?) and a rocket-toting drag racing car, but the concept has taken on a life of its own as all good memes do. A few Twitter users around the world have started Photoshopping their own versions of fried-chicken-as-fire.

The series of advertisements picked up attention from the Post-Production Ads Reference Awards for the clever campaign—a well -eserved accolade. Below are a list of contributors to the campaign, as seen on the Ogilvy and Mather agency’s Behance collection.

Agency: Ogilvy & Mather Hong Kong

Client: KFC Hong Kong

Chief Creative Officer: Reed Collins

Creative Director / Business Partner: John Koay

Creative Director: Matt Nisbet

Associate Creative Director: Kai Fung Chan

Art Director: John Koay

Account Manager: Stella Fung

Project Manager: Jennifer To

Photographer: Illusion, Bangkok

Illustrator: Illusion, Bangkok

Retoucher: Illusion, Bangkok

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Viral KFC ad campaign turns fried chicken into flames with Photoshop

Posted in Uncategorized

 

5 Reasons Why Your Sunrise or Sunset Photos Don’t Look So Stunning

20 Apr

The holy grail of travel photography is a stunning photo looking into the vast distance taken at sunrise or sunset. It seems to just work as a blend of color, composition, and light to create something that often makes the viewer utter that famous word that any photographer wants to hear, “Wow!”.

But why is it then that so often when you look at your own sunrise or sunset photos they don’t look so stunning? Here are 5 reasons why your sunrise or sunset photos don’t live up to your expectations.

5 Reasons Why Your Sunrise or Sunset Photos Don’t Look So Stunning - sunset on the coast

#1 – What’s the point?

I remember a picture editor once told me, “This might sound controversial, but a sunrise or sunset is actually pretty boring.” What he was referring to was the lack of compelling subject matter in a photo of a sunrise or sunset like for example an empty beach with just the setting sun.

While sitting on a beach and seeing a sunset can seem like a wonderful experience, unfortunately, the camera cannot replicate that. Most successful photos of sunrises or sunsets have a point of interest in them, in that there is a subject that is the main story and the sunrise or sunset is providing the light and the atmosphere.

That story doesn’t necessarily have to be a person or an object in the frame. The story could be the beautiful scenery or the crashing waves against the coast. But the key point is that there is something that gets the viewers’ attention. So, don’t just rely on the sunrise or sunset, try to build your composition using it as an addition rather than the story.

boring sunset photo - 5 Reasons Why Your Sunrise or Sunset Photos Don’t Look So Stunning

This photo just isn’t very interesting. There’s a lack of interesting clouds or even water movement.

In this image, the big rock in the foreground, footsteps in the sand and the people all add interest and context to the photo.

#2 – Clouds or no clouds?

For example, one element that can dramatically improve your sunrise or sunset photos is some clouds. Take your generic empty beach scenario from above, but this time add some dramatic clouds that the light can bounce off and suddenly you’ll go from something mundane to something that looks fantastic.

The clouds here add drama to the scene.

Of course, you can’t control the elements and no clouds in the sky means, there’s nothing you can do. In that scenario, you just have to work harder to frame your shot and give the viewer a point of interest.

While you generally want some clouds in the sky, too much cloud cover and you will often find the light seems flat and dull and the whole photo looks uninteresting (unless the sun can set below the clouds and light them up from underneath). So, in conclusion, while you ideally want some clouds, it’s important not to have a completely overcast day. You can, of course, plan your shoots around times when you will have the best conditions.

5 Reasons Why Your Sunrise or Sunset Photos Don’t Look So Stunning

#3 – Are your highlights and shadows correct?

One of the big challenges in photographing sunrise or sunsets is the vast contrast you get between highlights and shadows. Your highlights are the light areas of your photo (such as the sky for example) and your shadows are the dark areas in the photo (for example your foreground).

If either is pushed too far you will get completely white areas for highlights and completely black areas for shadows. This means that these areas contain no pixel details and is something you want to avoid.

The problem you face when photographing sunsets or sunrises is that your sky will be bright, and your foreground will be dark (a high dynamic range). The way that you can ensure that your highlights and shadows are exposed correctly in this scenario is to use a graduated neutral density filter to balance out the difference in the highlights and shadows.

There are also other techniques such as exposure bracketing as well that can help you achieve this in post-production and actually just brightening or darkening these areas in a software like Adobe Photoshop or Lightroom. But whatever you decide, just make sure that your highlights and shadows are exposed correctly and fine-tune them if you need to in post-production.

5 Reasons Why Your Sunrise or Sunset Photos Don’t Look So Stunning - clipped shadow areas

The blue areas on this photo indicate where the shadows are being clipped (black with no detail).

Here the same image has been adjusted in post-processing to hold more detail in the shadow areas. 

#4 – The image isn’t framed correctly

One of the key elements in ensuring the final photo looks great is to frame your composition correctly.

The easiest way to do this and a good starting point for any photographer is the famous Rule of Thirds where you try to place key points of interest on the intersection of the lines. But the Rule of Thirds is also worth remembering for your horizon line. Usually, you will find that placing the horizon either on the top third or the bottom third will look better than slap bang in the middle.

Horizon centrally framed.

Using the rule of thirds, the horizon here is on the lower third – off-center.

But try to consider the whole picture when framing your shot. Think if there are any areas that are just wasted space where you can crop in tighter. Or if your camera angle is slightly off and you can benefit by just moving a little to either side.

The beauty of photography these days is that you can usually take as many photos as it takes to get your shot framed right. So, play around with your composition and capture a few alternatives that you can then review later in post-production.

5 Reasons Why Your Sunrise or Sunset Photos Don’t Look So Stunning

Your camera may have the option to display the Rule of Thirds grid when you’re shooting or in image playback mode.

#5 – You haven’t fixed mistakes

Usually, the first bit of feedback that I often give newbie photographers when I look at their sunrise or sunset photos is on elements that could easily be fixed in post-production. Whether you are an advocate of post-production or not there are certain things that you simply should not forego on any photo.

The two biggest of these are:

  1. Ensuring that your photos are straight, that means the horizon line needs to be dead straight.
  2. Making sure you have the correct white balance for the photo (if you haven’t already done so when taking the photo). Think about the scene that you are showing, is it a warm and golden scenario or is it a cool and crisp setting? Either way, tweak your white balance until it is correct.

If you do nothing else in post-production, just making sure these two settings are correct will immediately improve your photos.

5 Reasons Why Your Sunrise or Sunset Photos Don’t Look So Stunning - crooked horizon line

This image is clearly not straight as can be seen from the horizon line.

Here the image tilt has been corrected.

Conclusion

Sunsets and sunrises are wonderful times in the day to photograph things. The soft golden light can transform an ordinary scene into an extraordinary one. When done well, they are often the photos that will be the “show stoppers” in any portfolio.

But always remember that a sunset and sunrise needs to work in combination with your composition and subject matter to create a wonderful photo. Follow these tips and you’ll be on your way to capturing great photos of sunrise and sunsets.

Now it’s your turn to get involved. Share your great sunrise and sunset photos below.

The post 5 Reasons Why Your Sunrise or Sunset Photos Don’t Look So Stunning appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on 5 Reasons Why Your Sunrise or Sunset Photos Don’t Look So Stunning

Posted in Photography

 

7 Great Ideas for Group Photography Events and Projects

20 Apr

Photography can be a lonely business, but there is no reason why that has to be the case. Of course, there are many that enjoy the solitude. If you’re a photographer who enjoys more of a community there are some great ways to get together for group photography.

The reasons to join a group are varied, and even if you’re a lone ranger there are likely some ideas here for you. Linking up with others could just be about an online community, or meeting up in person. However you like to do group photography, here are seven ideas for you.

7 Great Ideas for Group Photography Events and Projects

Who’s going to take your photo if you always photograph alone?

1 – Create a photo walk

One of the easiest and most informal types of group photography event is the photo walk. These are often organized by photography clubs, and there is a popular one run annually by Scott Kelby. The nice thing about a photo walk is each participant can go at their own pace. The general idea is to have a start point, a finish point, and a time limit. You may choose to walk together as a group, or split off individually.

There may be some members who pass on tips to other photographers, making this type of event an informal workshop. At the end of the walk take some time to get to know your fellow photographers by having a meal, or stopping for a drink somewhere. Finally, share the photos you’ve taken that day on an agreed social media platform of some description.

7 Great Ideas for Group Photography Events and Projects

Some people like to take all their gear to the photo walk! Or is the check-in for that flight this way?

2 – Photography clubs

Joining a photography club is one of the best conduits for group photography. Through a club, there is the possibility to organize many of the other ideas mentioned in this article. Photography clubs typically meet at regular intervals of perhaps once a week or once a month, though lots of activity can occur online between meetings.

The best place to find these clubs is through searching social media, your local community center, or perhaps there is a school club near you. These clubs are a great place to learn new photography skills, with evening post-processing workshops being fairly typical. Are you having trouble finding the right club for you? You could always start up your own group!

7 Great Ideas for Group Photography Events and Projects

Meeting up with other photographers at a photo club is social, and is also a great way to learn.

3 – Group photography projects

These are projects that a number of photographers partake in together. The idea at the end is to have a body of work under a common theme taken by every member of the group. A project like this could well lead to a group exhibition or a collaborative photography book.

In most cases, you’ll work on the photography individually, though the leader of the project may seek to curate your work in a certain direction. The following are a few ideas that you could try:

  • Subway project – Most big cities have a mass transit system, with many stations. The aim of this type of project would be to take one photograph per station. The larger cities usually have many stations, so dividing up the workload makes sense. In projects like these, it’s often a good idea to seek permission from the authorities before beginning to do any photography.
  • 365 days or 52 weeks – Instead of working on your own project share it with others, and ask them to make photographs on the same theme as your own! The dPS weekly photography challenge could form the basis of this project.
  • Food photography – Everyone loves good food, so combine this with your photography. Each photographer can pick a country. Then make food from that country, and photograph it. You could even make this into an international cookbook.
7 Great Ideas for Group Photography Events and Projects

This photo was taken as part of a subway project in Seoul. It was a big challenge to photograph all the stations.

4 – A photography team

There are times when forming a photography team will give you the edge as a photographer. The more you move into the commercial world of photography the more this becomes a need, as you can’t be everywhere all the time. Think of events like weddings, sports, or festivals. The need to cover all your angles means teaming up with other photographers so they can be where you’re not.

  • Event photography – Having more than one photographer allows one of you to concentrate on the wider scene, while the other covers moments closer to the action. Think of when tennis players go from singles to playing in pairs on a team. In doubles they have different roles and need to complement each other.
  • Portrait photography – Another great example of when a team of photographers is needed is portrait work with strobes. In this scenario, there is one main photographer, but having other photographers or assistants there to help with lighting equipment is desirable.
7 Great Ideas for Group Photography Events and Projects

Teaming up with other photographers can be a great way to pool resources.

5 – Create an association

Related to creating a photography team is making an association. In this case, you’re creating more of a guild, and indeed a photo team could be formed from members of that guild. A grouping of photographers like this will look to use each other’s strengths, to form a stronger unit when a client comes along.

Such an association might look to create a stock library of their images, albeit on a much smaller scale to larger firms such as Getty Images. Other models for such a grouping of photographers would be the Magnum organization, though of course on a smaller scale.

7 Great Ideas for Group Photography Events and Projects

The more the merrier as long as you don’t step on each other’s toes!

6 – Weekly challenges

Weekly challenges are a good way to do group photography on an individual basis, and you can decide to opt out of weeks that are not your style. There is a great weekly challenge run by Digital Photography School, and you’ll find other photography communities that run a similar program as well.

It’s of course, possible to organize these on a more local level, where perhaps you meet up in a coffee shop together once a week to make your own challenge.

7 Great Ideas for Group Photography Events and Projects

Seasonal photo challenges are a yearly staple for many photography groups. Spring is often a popular theme.

7 – Enter a photo competition

A final way you can interact with your fellow photographers is through a photo competition. The weekly challenge is, of course, a competition, but there are many different types of competition. Among the biggest contests are those organized by National Geographic or Sony to name but two. These are annual competitions and often have themes for contestants to try and fulfill.

There are also photography contests that require you to tell a story through a sequence of perhaps 10 photos. Once again these contests can be adapted to you and your community. If you have a photography club, why not take a leaf out of the bigger company’s book, and make a competition. A little competitive edge within your group can often be a great way of pushing you out of your comfort zone to help you produce even more amazing results.

How will you do your group photography?

There are many good ways to collaborate with others and do more group photography activities. Have you tried any of the ideas in this article before?

Perhaps you have a new more novel way to make a photography community that can be shared here. As always I’d love to get feedback from you, so leave your comments and I shall endeavor to respond.

The post 7 Great Ideas for Group Photography Events and Projects appeared first on Digital Photography School.


Digital Photography School

 
Comments Off on 7 Great Ideas for Group Photography Events and Projects

Posted in Photography

 

Rylo update adds 180° mode, bluetooth capture and motion blur timelapse effect

19 Apr
Credit: Rylo

The popular Rylo 360° camera—a camera we called the “360 degree camera done right” in our review—is receiving a major update today. The update adds two new features for both iOS and Android users of the Rylo camera and app, with a third feature available only to iOS users for now.

Let’s take them one by one.

180° Mode

The new 180° video mode shrinks the field of view, allowing you to capture 180° video at higher resolution and better image quality than 360° mode allows. According to Rylo, 180° mode “is especially useful for chest-mounted shots or activities/scenarios in which one lens is blocked.”

Bluetooth Remote Capture

The name kind of gives this one away. Remote capture lets you sync your phone to the Rylo camera via bluetooth, which allows you to: switch between recording modes, start or stop a video, and snap a photo, all from the app on your phone.

Obviously, this feature will help if you’ve got the camera mounted somewhere hard to reach.

Motion Blur

A new feature for timelapse shooting, Motion Blur adds a ‘cinematic’ motion blur effect that is actually synced up to the speed of your timelapse shots (more speed = more blur). The effect doesn’t show up while shooting, but will be viewable upon export.

All three features ship today, although Bluetooth Remote Capture is currently only available for iOS, with Android support “coming soon.”

If you own a Rylo 360-degree camera and want to try these features out, all you need to do is update your Rylo app via the App Store or Google Play, then update your camera’s software through the app. And if you haven’t heard about the Rylo and want to know what this camera is all about, check out our full review at the link below.

Review: Rylo is a 360° camera done right

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Rylo update adds 180° mode, bluetooth capture and motion blur timelapse effect

Posted in Uncategorized

 

Canon unveils compact, rechargeable IVY Mini Photo Printer

19 Apr
Credit: Canon

Canon has just released its smallest and lightest printer yet. The IVY Mini Photo Printer is a rechargeable battery-powered portable printer that uses ZINK Zero-Ink technology to create 2×3 prints and stickers of your smartphone photos from anywhere. The printer launches today, and offers some stiff competition to similar instant printers from Polaroid and Fujifilm.

Like all the other portable printers on the market, the IVY uses an app to sync with your smartphone. In this case it’s the Canon Mini Print App, which has been tricked out with a lot more than just a “print this photo” button. The app allows you to apply filters, frames, AR face distortion, and other photo-editing tools “including added text […] and the option to draw.”

If 2×3 is too small for you, the app also allows you to “tile print” images using either four or nine frames to create one larger collage. Alternatively, there are “over ten unique collage templates” you can print onto a single 2×3 sheet.

Here’s a closer look at the printer:

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1450176132″,”galleryId”:”1450176132″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

The IVY Mini Photo Printer is available starting today in Rose Gold, Mint Green and Slate Gray for $ 130. The printer comes with a 10-photo starter pack of ZINK paper, with refills costing $ 10 and $ 25 for the twenty- and fifty-sheet packs, respectively.

The Canon Mini Print App is available for free for both iOS and Android.

Press Release

#LiveIRL With Canon U.S.A.’s New IVY Mini Photo Printer

With the Push of a Smartphone Button through the Canon Mini Print App, Print Creative 2×3 Photos and Stickers in Seconds

MELVILLE, N.Y., April 19, 2018 – Today’s consumers are increasingly looking for unique ways to seamlessly blend their personal online brand and real life persona. With internet users having an average of seven social media accounts, products that support connections between people and technology have become ever more important. In that spirit,Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce the IVY Mini Photo Printer. Available in Rose Gold, Mint Green and Slate Gray, the IVY Mini Photo Printer empowers the next generation of creators to tell and share their story in real life (IRL) through the power of print in the digital age.

“The proverb ‘good things come in small packages’ couldn’t be more true for the first 2×3 photo printer from Canon U.S.A.” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “It’s our smallest and lightest printer yet, and the company is excited about giving customers more access to creatively connect and instantly share memories than ever before from the palm of their hand.”

BE CREATIVE IRL

For smartphone photographers seeking to stay portable and on the go with their devices, this sleek and compact portable printer has an extensive list of standout, user-friendly features through the Canon Mini Print app. The app includes creative filters, such as photo frames and stickers, augmented reality (AR) face distortion, as well as additional photo-editing tools including added text, fun frames and the option to draw. These features encourage users to creatively add fun enhancements and share those distinctive memories in real time in either a 2×3 print or sticker output option.

BE UNIQUE IRL

With customization at the foundation, this printer, through the Canon Mini Printer App, offers the option to print not only individual smudge-free and water-resistant 2×3 prints or stickers, but also a tile print that is made up of four or nine prints, as well as over ten unique collage templates that print on one 2×3 photo. From selfies to sunsets, this output option offers the freedom of expression for a wide variety of consumers.

BE TECH-SAVVY IRL

The IVY printer utilizes ZINK Zero Ink™ Technology from ZINK™, an amazing way to print in full color without the need of ink cartridges. Additionally, each pack of paper comes with one blue ZINK SMART SHEET™; calibrating your IVY printer to the photo paper in that pack to produce an image that meets Canon’s high-quality image standards.

The Canon IVY Mini Photo Printer is currently available for an estimated retail price of $ 129.99, which includes the printer body and a starter pack of ten sheets of photo paper. Twenty-sheet and fifty-sheet packs of photo paper will also be available for an estimated retail price of $ 9.99 and $ 24.99, respectively.

For more information, please visit shop.usa.canon.com.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon unveils compact, rechargeable IVY Mini Photo Printer

Posted in Uncategorized

 

GoPro will now accept almost any digital camera for trade-in, even ‘destroyed’

19 Apr

GoPro has relaunched its Trade-Up program, this time as a permanent option for customers located in the United States. The program first launched last year, but only as a temporary promotion limited to previous-generation GoPro cameras exchanged for discounts on current-generation models. This time around, GoPro is accepting nearly any digital camera in any condition.

The company says it will accept any GoPro or non-GoPro digital camera under the program, and that any condition is acceptable, including “destroyed.” To participate, customers must use the Trade-Up website to purchase either a Fusion or HERO6 Black, where they’ll receive a $ 50 discount on the HERO6 Black (bringing the price down to $ 350) and/or a $ 100 discount on the Fusion (bringing the price down to $ 600).

GoPro provides the customer with a prepaid shipping label to send the company their trade-in camera; once the trade-in is verified, GoPro ships the newly purchased camera to the customer.

According to the program’s FAQ, the trade-in camera must have a new value of at least $ 100 USD, and while multiple cameras can be traded-in, only one discount can be applied per camera purchase. Customers have 45 days to ship the trade-in to GoPro; once received, the company will charge their payment card for the new device.

Explaining why it decided to expand the program to cover any digital camera, GoPro says, “It’s not so much that we want your old camera. We just want to make it easy for you to get your hands on the latest and greatest GoPro.”

Press Release

GoPro Launches Camera Trade-Up Program for HERO6 Black and Fusion Cameras

Send in Any Older-Generation GoPro – or Any Other Digital Camera – and Receive $ 50 off HERO6 Black and $ 100 off Fusion at GoPro.com

SAN MATEO, Calif., April 18, 2018 – GoPro, Inc. today announced the launch of its camera Trade-Up program, offering users in the United States the ability to trade up from any previous-generation GoPro, or any other digital camera, to experience its latest and greatest products. Starting today, anyone in the U.S. can receive $ 50 off a new HERO6 Black or $ 100 off Fusion by participating in the program at GoPro.com.

GoPro first introduced its Trade-Up program for a limited time in 2017, which only accepted previous-generation GoPro models in exchange for a discounted upgrade to a current model. Nearly 12,000 customers participated in the 60-day promotion. The new and improved Trade-Up program brings back the initiative with major enhancements, including the acceptance of any digital camera and making it an everyday offer.

“The Trade-Up program is a great way for our fans and customers to upgrade to our newest products and experience how fun and convenient GoPro has become,” said Meghan Laffey, senior vice president of product at GoPro.

To participate in GoPro’s Trade-Up Program, customers should visit the Trade-Up website, select the new camera of their choice, and follow the instructions to return their old GoPro or digital camera. Upon receiving the returned camera, GoPro will process the discounted order and ship the new HERO6 Black or Fusion to the customer. Returned cameras will be recycled responsibly via zero landfill and recycling methods appropriate to material type.

To learn more about GoPro’s Trade-Up Program, visit https://shop.gopro.com/tradeup.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on GoPro will now accept almost any digital camera for trade-in, even ‘destroyed’

Posted in Uncategorized

 

Samsung Galaxy S9+ sample gallery

19 Apr

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_4795242505″,”galleryId”:”4795242505″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

We recently got a hold of Samsung’s latest and greatest smartphone, the Galaxy S9+. Like the Note 8, the S9+ has dual cameras (one wide, one telephoto,) but this time one of them can switch between F1.5 and F2.4 automatically or on demand.

We took the S9+ on a recent trip to Southern California and returned with a nice selection of photos taken under both sun and clouds. Watch this space for a full review very soon.

See our Samsung Galaxy S9+ sample gallery

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Samsung Galaxy S9+ sample gallery

Posted in Uncategorized