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Archive for April, 2018

Tamron launches 28-75mm F/2.8 Di III RXD lens for Sony FE, costs $800

28 Apr

In February, Tamron announced development of a 28-75mm F2.8 Di III RXD lens for Sony full-frame mirrorless cameras. We got our hands on a prototype at CP+, and spoke to Tamron about the lens in our CP+ interview, but we still didn’t have much in way of details about this exciting piece of Sony FE glass… until now.

Tamron officially launched the lens this morning, revealing full specs, release date, and pricing information for the first third-party standard zoom to be created natively for the Sony FE mount. Here’s a video introduction to the new zoom lens:

The lens was designed from the ground up for Sony full-frame mirrorless cameras, and engineers at Tamron focused on three main features: optical quality, portability, and silent autofocus. The lens weighs in at just 19.4oz (550g) and measures just 4.6in (11.6cm) long. And while the body was made of polycarbonate instead of metal (to save weight) the lens is still ‘moisture resistant’ so you can use it in inclement weather.

Optically, the lens is made up of 15 elements in 12 groups, including an XLD (eXtra Low Dispersion) element, a LD (Low Dispersion) element, a GM (Glass Molded Aspherical) element, and two hybrid aspherical elements that have been arranged “in the optimal arrangement to correct aberrations and reduce the overall lens size,” according to Tamron.

Finally, as the name suggests, the lens features Tamron’s new RXD (Rapid eXtra-silent stepping Drive) autofocus motor. This new stepping motor offers quick, precise, and “exceedingly quiet” autofocus that Tamron claims “virtually eliminat[es] extraneous AF drive sounds during video recording.”

ISO 100 | 1/40 sec | F4 | Tamron 28-75mm F2.8 Di III RXD lens @ 75mm
High resolution sample photo by Itsuka Yakumo, courtesy of Tamron

The Tamron 28-75mm F2.8 Di III RXD (Model A036) will be available starting on May 24th for $ 800 USD. To learn more about this lens, head over to the Tamron website or check out our hands-on with the lens from CP+.

Press Release

Tamron announces the launch of a high-performance high-speed zoom lens for full-frame Sony mirrorless cameras

28-75mm F/2.8 Di III RXD (Model A036)

April 27, 2018, Commack, New York – Tamron announces the launch of the 28-75mm F/2.8 Di III RXD (Model A036)- a high-speed standard zoom lens for Sony E-mount full-frame mirrorless cameras. This new zoom lens delivers superb optical performance, including both outstanding image quality and beautiful background blur effects (bokeh) only possible with a fast aperture, thanks to a new optical system designed specifically for mirrorless cameras. The lens will be available at Tamron’s authorized USA retailers on May 24th at $ 799.

The usefulness and versatility inherent in compact full-frame mirrorless cameras are enhanced by this new Tamron lens’ compact size and lightweight-it measures only 4.6 in. and weighs just 19.4 oz. The Model A036 incorporates an all-new high-speed and precise AF driving system. The RXD (Rapid eXtra-silent stepping Drive) strikes a balance between speed and silent operation, making it perfect for both video and still image capture.

In addition to shooting portraits with creative, defocused backgrounds, photographers can enjoy dynamic wide-angle expressions like never before thanks to a Minimum Object Distance (MOD) of 7.5 in. at the wide-angle zoom setting. The lens also features Moisture-Resistant Construction that is useful in outdoor photography, plus hydrophobic Fluorine Coating that is highly resistant to fingerprints and dirt. In addition, the Model A036 will fully match with various camera-specific features including the in-camera lens correction and Direct Manual Focus (DMF) system features of Sony cameras, enabling this new zoom to take full advantage of the advanced functions that ensure comfortable user experiences.

Product Highlights

1. Superb optical performance, including both outstanding image quality and beautiful background blur effects (bokeh), provided by fast F/2.8 aperture.

The Model A036 features a new design that leverages the advanced image quality of the latest full-frame mirrorless cameras. To balance beautiful bokeh with high image quality, the optical formula (15 elements in 12 groups) includes a special XLD (eXtra Low Dispersion) element, LD (Low Dispersion) element, GM (Glass Molded Aspherical) element and two hybrid aspherical lens elements in the optimal arrangement to correct aberrations and reduce the overall lens size. The lens also employs Tamron’s BBAR (Broad-Band Anti-Reflection) Coating that boasts exceptional anti-reflection performance throughout the entire zoom range, even when shooting in backlit conditions. In addition, incorporating the nine-blade circular diaphragm design, the lens will perform in versatile situation, providing beautiful soft portrayal at wide open aperture to a clear and sharp image when stopped down.

2. Comfortably lightweight (19.4 oz.) and compact (4.6 in).

Extra emphasis was placed on creating a high speed, fast aperture zoom lens in a compact and lightweight design because standard-range zooms are generally the most frequently used. Weighing only 19.4 oz. with a total length of just 4.6 in., the A036 enables photographers to enjoy the mobility provided by a compact, lightweight, full-frame mirrorless camera in all situations from casual snapshots to stunning portraits and dramatic landscape photography.

3. Minimum Object Distance of 7.5 in.; Working Distance 2.24 in.

The Model A036 breaks from the convention that the MOD of a zoom lens must be fixed throughout the focal range and achieves a MOD of 7.5 in. at the 28mm wide-angle end which delivers a maximum image magnification of 1:2.9. The working distance of just 2.24 in. from the front element allows photographers to enjoy close-up shooting that emphasizes the sense of perspective unique to wide angles. At the 75mm telephoto end, the 15.3 in. MOD provides an image magnification of 1:4, thereby enabling close-up shooting with a pleasantly blurred background similar to a macro lens.

4. All-new “RXD” stepping motor AF unit is excellently quiet and therefore perfect for video capture.

The AF drive incorporates a sensor that accurately detects the position of the lens and an RXD (Rapid eXtra-silent stepping Drive) stepping motor unit optimized for AF control. This achieves quick and precise AF operation, allowing users to maintain pin-sharp focus on continually moving subjects or when filming video. Additionally, the AF motor is exceedingly quiet, virtually eliminating extraneous AF drive sounds during video recording.

5. Consistent with Tamron’s exciting, ergonomically superb next-generation design.

The Model A036 features a mirrorless-oriented design that adheres to Tamron’s new “human touch” lens design concept. As signified by the Luminous Gold brand ring, careful attention to detail has produced an optimum shape reflecting the characteristic look of a Tamron-branded lens, whether on its own or attached to a camera body. This design emphasizes consistent brand identity combined with ease of operation.

6. Moisture-Resistant Construction and Fluorine Coating for weather protection.

Environmental seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain drops and afford Moisture-Resistant Construction. This feature provides an additional layer of protection when shooting outdoors under adverse weather conditions. Also, the front surface of the lens element is coated with a protective fluorine compound that has excellent water- and oil-repellant qualities. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, moisture or oily fingerprints, allowing for much easier maintenance.

7. Compatible with main camera-specific features and functions.

Tamron’s new 28-75mm zoom is compatible with many of the advanced features that are specific to certain mirrorless cameras. This includes the following*:

  • Fast Hybrid AF
  • Eye AF
  • Direct Manual Focus (DMF)
  • In-camera lens correction (shading, chromatic aberration, distortion)
  • Camera-based lens unit firmware updates

*Features vary by camera. Please consult your camera’s instruction manual for details. As of March 2018.

Specifications

  • Model: A036
  • Focal Length: 28-75mm
  • Maximum Aperture: F2.8
  • Angle of View (diagonal): 75°-32° for full-frame and 52°-21° for APS-C
  • Optical Construction: 15 elements in 12 groups
  • Minimum Object Distance: 7.5 in (wide) / 15.3 in (tele)
  • Maximum Magnification Ratio: 1:2.9 (wide) / 1:4 (tele)
  • Filter Size: 67mm
  • Maximum Diameter: 73mm
  • Length**: 4.6in
  • Weight: 19.4oz
  • Aperture Blades : 9 (circular diaphragm)
  • Minimum Aperture: F2.8-F22
  • Standard Accessories: Lens hood, Lens caps
  • Compatible Mounts: E-Mount

**Length is the distance from the front tip of the lens to the lens mount face

Articles: Digital Photography Review (dpreview.com)

 
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This AI-powered chatbot scores your Instagram photos on color, emotion, and more

28 Apr

Do you ever wonder just how ‘Instagram-worthy’ your latest photo is? If so, you might want to check out this chatbot. The team at BBC Tomorrow’s World have built a chatbot that uses artificial intelligence to tell you just how much potential your photo has in terms of attracting likes and comments.

The free Messenger is available for Facebook Messenger and ties directly into your Instagram account. After you’ve granted it permission to access your Instagram content, it’ll ask you to upload the next photo you plan on posting. Once it’s been uploaded, the Tomorrow’s World chatbot will take roughly five to ten minutes to analyze the image, taking into account the colors, composition, and even landmarks that may be in the image.

As it crunches the pixels—which can take upwards of fifteen minutes—the chatbot provides little nuggets of information on how you can make the most of Instagram. For example, it let us know that blue is a popular color on Instagram, due to its ability to ‘evoke feelings of serenity and calmness.’ It also informed us that ‘breakfast’ is the most popular hashtag on Instagram… which was news to us.

Once your image analysis is complete, you’ll get a notification and be shown a video that breaks down multiple components of your photos, scoring each section along the way. It grades the image based on color, the emotions the bot believes the snap will evoke, any landmarks that might be in the image, features within the image, and your Instagram following as a whole.

To test the chatbot, we used an image from the Lamborghini Huracan camera car article yesterday. It scored a +94. Not bad considering it received zeroes in emotions and landmarks.

Would we replace the judgement of our own two eyes with this chatbot to curate our Instagram feed? No chance. But it’s still fun to take it for a spin and see what the BBC’s ‘artificial intelligence algorithm’ thinks of various images we throw at it.

To take the BBC Tomorrow’s World for a spin, head on over to the chatbot’s page and get it installed.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm releases firmware updates for X-H1, X-E3, and X100F

28 Apr

It looks like Fujifilm’s software engineers have been working overtime the past few weeks. Today, the company has released firmware updates for three of its X-series cameras: the brand new X-H1, as well as the older X-E3 and X100F. In all cases, the new software addresses some user-reported bugs and improves camera performance.

Version 1.20 of the XE-3 firmware is the biggest of the three and comes with the following improvements:

  • Support for Fujifilm X Raw Studio: camera users can now convert Raw files, including batch processing, with the free Fujifilm X Raw Studio software.
  • Backup and restoring of camera settings via Fujifilm X Acquire: when connecting the camera to a computer via USB, photographers can now use the Fujifilm X Acquire software to backup camera settings to a file and restore them. It is also possible to copy settings from one camera to another.
  • Compatibility with the Fujinon XC15-45mm F3.5-5.6 OIS PZ lens: when using this lens the focus ring function now switches automatically. In focus modes S and C it is used for Fine Zoom adjustment. In focus mode M it controls the manual focus. In addition the zoom position of the lens is now memorized when the camera is powered off and maintained while switching into playback mode.
  • Improved radio flash controller operation: users can now shoot with compatible third party studio flash units in high speed sync. or TTL mode, using radio controllers.
  • Enlarged and customizable display indicators and information: users can now enlarge indicators and shooting information displayed in the viewfinder or on the LCD monitor. You will also be able to customize the location of the information on the display.
  • Enhanced Bluetooth connectivity via Camera Remote app: with the Fujifilm Camera Remote app user can now update the camera firmware via bluetooth and remote-trigger compatible cameras.

Version 2.10 of the X100F firmware offers the same capability to enlarge and customize display information and backup and restore of camera settings via X Acquire as the update for the XE-3.

The update to firmware version 1.02 for the Fuji X-H1 is fairly minor, simply fixing a bug that could cause image files to be overwritten when an image folder is selected through the Select Folder function in the Setup menu.

Follow the corresponding links above to get the latest versions for yourself.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Spring

28 Apr

It must be nice enough in your area to get out shooting again – so this week’s photography challenge is to go and photograph spring. What does it mean to you?

Spring is a good time to try a new technique or practice something you want to perfect or improve. Here are a few spring photography ideas to get you started:

  • Tips for Taking Better Flower Photos
  • How to Use Natural Light for Macro Photography
  • Intentional Blur- How to Create it and Why it’s Awesome
  • Tips for Better Forest Photography

Try some intentional camera movement.

Or practice with a depth of field exercise or shooting some macro photography.

Weekly Photography Challenge – Spring

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

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Wildlife Photographer of the Year winner disqualified for using stuffed animal

28 Apr

The winner of the Environment category of the prestigious Wildlife Photographer of the Year competition has been disqualified after the competition’s organizers discovered the anteater starring in his dramatic nighttime image is stuffed. According to the competition, photographer Marcio Cabral—who had won £1,250 and a place in the awards exhibition in London’s Natural History Museum with his image ‘Night Raider’—was found to have included a ‘taxidermy specimen’ taken from the entrance to the park in which his picture was created.

Organizers’ suspicions were raised after an anonymous tip off that came supported by a picture of the anteater in question occupying its usual role as a greeter at the Portão do Bandeira gate of the Emas National Park in Brazil. Five independent science experts were called in to conduct a ‘thorough investigation’, and they concluded that the pose, markings, shape and fur patterns of the stuffed creature and the subject of Cabral’s picture were simply too similar—they had to be one and the same animal.

Cabral continues to plead his innocence, despite not being able to show a raw file that includes the anteater other than the shot he entered in the competition. Cabral provided a witness who testified that they saw the live animal, but the organizers were not convinced. Cabral had his award removed and is banned from entering ever again.

This isn’t the first time the competition has been struck by such circumstances. In 2009, the overall winning image was found to include a zoo wolf called Ossian being passed off as a wild animal. The photographer on that occasion, Jose Luis Rodriguez, also claimed he hadn’t cheated, but the judges concluded it was likely the wolf had been hired for the shot and the photographer was disqualified, leaving the competition with no winner for that year.

For more information on the disqualification, read the press statement below. And if you want to see the other, legitimate winners of this year’s WPotY, visit the competition’s website.

Press Statement

Press statement: Wildlife Photographer of the Year image disqualified

After a careful and thorough investigation into the image ‘The night raider’, taken by Marcio Cabral, the Natural History Museum, owner of the Wildlife Photographer of the Year competition, has disqualified the photograph, which was selected as winner of the 2017 Animals in Their Environment category.

Evidence was presented to the Museum by third parties that it is highly likely the animal in the awarded photograph is a taxidermy specimen. After a thorough investigation taking just over three weeks, the Museum has concluded that the available evidence points to this allegation being true. As a result, the Museum believes that the image breaches the competition rules. The rules clearly state that ‘entries must not deceive the viewer or attempt to misrepresent the reality of nature.’

The Natural History Museum is a world-leading scientific research institution. The team of scientists involved in the investigation comprised of two mammals experts and a taxidermy specialist at the Museum, plus two external experts; a South American mammals expert and an expert anteater researcher.

Evidence examined included high resolution photographs of a taxidermy anteater that is kept on open display in the educational collection at a visitor centre located at the Portão do Bandeira gate, one of the entrances of the Emas National Park – the large park where ‘The night raider’ was taken.

The anteater in the awarded image was compared to the taxidermy anteater depicted in the photographs received by the Museum. The five scientists, working independently of each other, all reached the same conclusion that there are elements in overall posture, morphology, the position of raised tufts of fur and in the patterning on the neck and the top of the head that are too similar for the images to depict two different animals. The experts would have expected some variation between two individuals of the same species.

The Museum also considered the responses to specific questions put to the photographer Marcio Cabral, who cooperated fully in the investigation, and who supplied RAW image files he claims were taken of ‘before’ and ‘after’ the winning shot was taken – none of which included the anteater. Mr Cabral did provide an explanation as to why he had no other images of the anteater. He also provided a witness who claims he saw the live anteater.

Mr Cabral strongly denies that the anteater in the image is a taxidermy specimen.

The competition rules clearly state that photographs achieved through unethical practices will be disqualified. The competition rules are available to all entrants including versions translated into several languages, including Brazilian Portuguese.

Wildlife Photographer of the Year is the world’s most prestigious photography competition of its kind and any transgression of the competition rules is taken very seriously. The image will be removed from the exhibition and tour.

Articles: Digital Photography Review (dpreview.com)

 
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This rare 14 karat gold ring doubles as a spy camera

27 Apr

If you love unusual cameras and happen to have $ 20,000 burning a hole in your pocket, you’ll definitely want to pop over to eBay and check out this fascinating gold ring/spy camera. That’s right. The ornate 14-karat solid gold ring you see above is actually a camera in disguise.

Spotted on eBay by The Phoblographer, the ring is believed to be one of only two in existence, and stands out for the fact that it’s made of solid gold. The other known model, which was sold by Christie’s auctions in 1991 to a jewelry collector for $ 25,000, was merely gold-plated.

According to the seller, the previous owner of this subminiature spy camera was a gentleman who goes by the name Mr. Shibata—a Japanese camera collector. As for who actually made the ring, no one seems to know. Its origins remain a mystery. Here’s a closer look at this extremely unusual ring:

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The ring weighs approximately 44 grams and has a ‘585’ stamp on the inside, certifying it as a solid gold piece. The ornate hand-engraved details appear impressively sharp for its age and, aside from a few scuffs, it looks to be in good condition.

As for the camera tucked away inside, the seller notes that it still functions. It features a variable aperture, a guillotine shutter, clean optics, and uses 8mm film wrapped around a custom film holder as its medium. The ring includes the film holder and a matching 14-karat solid gold cover to help it blend in—although you’ll have to source your own film.

Screenshot of the eBay listing, with a Buy It Now price of just under $ 20,000 USD.

Considering the gold-plated version of this ring sold for roughly $ 5,000 more than this version is priced at, it could be considered a bargain. That said, the lack of history on who created it and where it came from might hurt its resale value if you were considering “flipping” it for a profit through an official auction house.

Regardless, if you find this piece fascinating and have money to spare, or even if you simply want to find out more information, head on over to the eBay listing.

Articles: Digital Photography Review (dpreview.com)

 
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Two Videos With Photography Ideas to do at Home and Outdoors

27 Apr

Whether the temperature outside is not cooperating and you’re stuck at home, or it’s warm enough to get outside to shoot – here are some photography ideas for both occasions. We got you covered with these two video tips!

Get outdoors

Time to get outside with these creative photography ideas.

Stuck inside?

Never fear, here are seven ideas of what to shoot when you’re stuck at home.

Do you have any other creative photography ideas you can share with us? Please tell us in the comments below.

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ARRI starts certified pre-owned program for second hand cinema cameras

27 Apr

Filmmakers on a budget who prefer using second hand kit will soon have a great certified option at their disposal, as cinema camera manufacturer Arri has started a certified sales program for used Alexa bodies. The company says these pre-owned Alexa Plus and Classic models have gone through extensive servicing and testing before being put on sale, and for additional peace of mind, all of them will come with a one year warranty.

Before you get too excited, you are still going to need at least €9,900 (~$ 12,000 USD) plus tax to get yourself started… and that’s without a lens. So far the company has just eight cameras for sale, including Alexa Plus 4:3 and 16:9 models and a Classic EV, none of which are in the current production line-up.

Still, as the program grows, it will offer more affordable (if not exactly affordable) options for filmmakers with medium-deep pockets and extremely high standards.

To get ARRI’s Approved Certificate, the second hand bodies are checked, serviced, fixed and tested by the company’s service engineers. According to the website, this includes “a thorough check of parameters, including image sensor quality, recording functions, connectors, flange focal distance, audio system, and ARRI Lens Control System.” Furthermore:

The overhaul also includes an update to the latest Software Update Packet (SUP) of the respective model. Repairs are performed as required if any malfunctions are detected. Before the ARRI Certificate of Approval is issued, the equipment goes through the same Final Function Test as new cameras, ensuring it meets the high standards expected of it.

For more information, visit the pre-owned pages on the Arri website.

Press Release

Announcing the ARRI Approved Certified Pre-Owned Program

  • Selected ARRI ALEXA cameras available
  • Comprehensive check and overhaul of all components
  • All cameras subjected to final function test
  • Certified cameras come with one-year warranty

April 24, 2018; Munich, Germany – ARRI announces the introduction of the Certified Pre-Owned Program. The motion picture equipment manufacturer is now offering selected pre-owned and refurbished camera systems of the ALEXA series for sale. “We are excited to offer the ARRI Approved Certified Pre-Owned Program,” says Stephan Schenk, Managing Director of ARRI Cine Technik and General Manager of the Business Unit Camera Systems. “It’s a global initiative which adds a new tier to our products, allowing more filmmakers access to our technology. It also gives educational institutions a cost-effective way of providing high-quality equipment for their students.”

ARRI’s attention to detail and intimate knowledge of conditions on set for over one hundred years have resulted in generations of cameras that are robust, reliable, and simple to operate. Under the ARRI Approved Certified Pre-Owned Program selected ALEXA Plus and ALEXA Classic EVs undergo thorough assessments, are given thorough overhauls, and are recalibrated.

All components—starting with the sensor—are checked to confirm they are fully functioning, and that all systems work as they should. Any parts that require replacement are exchanged.

Christian Richter, Manager Certified Pre-Owned Camera Systems at ARRI, says the program delivers reliability, affordability, and dependability. “It will give more filmmakers access to tools that will enable them to capture stunning images,” he says. “They can be sure that they are not sacrificing performance for price, because the selected ALEXA cameras come directly from the manufacturer and are backed by ARRI’s warranty.”

Before the ARRI Certificate of Approval is issued, the equipment goes through the same final function test as new cameras, ensuring it meets the high standards expected of it. The ARRI approved and certified cameras are also covered by a one-year warranty.

Articles: Digital Photography Review (dpreview.com)

 
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Sample gallery and impressions: the Panasonic ZS200 goes to Hogwarts

27 Apr
Ravenclaw and Gryffindor students heading to Hogwarts
ISO 3200 | 1/250 sec | F3.3 | 24mm

When I travel with my kids, a few things differ from my child-free traveling experiences:

  • I can expect to carry a lot of things that don’t belong to me;
  • Plans can and will change at the drop of a meltdown;
  • I will see and do things that I might not normally choose; and
  • My travel companions will have the attention span of a gnat combined with the impatience of a… well, a child.

As a photographer, this means I need a camera that is small enough to stash in my pocket or purse, versatile enough to handle everything from relaxing moments at a pool to all-day treks through a theme park to sleep-deprived shenanigans at a family restaurant, and “smart” enough to take the pictures I want with very little input from me. Not only are my kids less generous about waiting for me to take photos, but the other guests/tourists have absolutely no time for that nonsense.

No patience
ISO 125 | 1/500 sec | F3.3 | 24mm

For a recent trip to the Universal theme parks in Orlando, Florida, I decided to bring along the Panasonic Lumix ZS200. Its small size meant I could carry it in the purse I stashed at my feet on rides (or in a temporary locker for particularly aggressive rides). The 1”-type sensor meant it would likely outperform my iPhone in low light. And the 24-360mm equivalent 15x optical zoom gave me the flexibility to get the whole scene from the middle of the action or to step away to focus on details.

Waiting for Gringott’s Dragon to breathe fire
ISO 125 | 1/320 sec | F6.3 | ~274mm

Since there were other tourists vying for the same views and rushing to get to the same attractions, I didn’t have much time to frame shots or get my settings right. For the most part, I trusted the ZS200 to figure things out and set it to “P” mode (or “S” mode if I knew my subject was moving and I wanted to control for movement). I also used the touch screen almost exclusively, as it was easier, faster, and often safer to hold the camera up and quickly frame and take a shot rather than put the EVF to my eye and possibly run into a small child covered in ice cream.

Days are long and hot at Orlando theme parks
ISO 125 | 1/1250 sec | F5.6 | 24mm

A feature I did wish for on the ZS200 was an articulated LCD screen. One of the advantages of using the LCD screen is to frame shots from a vantage point I wouldn’t have with the EVF — holding the camera high over my head, low to the ground, or off the edge of a boat, for example. But without an articulated screen, I couldn’t see what I was framing and I had to guess and hope for the best.

In use, I was pretty happy with the Panasonic ZS200. Sure, the low-light performance wasn’t as good as I’d expect on a larger sensor camera, focus got a bit soft at the long end, and the JPEG conversion could be a little crunchy, but I was on vacation. This was a time for me to enjoy an experience with my family while getting a few photos to document the memories. For that purpose, it served me well – I carried it with me the entire trip and was always ready to capture a moment when it arose.

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Articles: Digital Photography Review (dpreview.com)

 
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New 2018 dPS Reader Survey – Tell Us More About You

27 Apr

At dPS we value you, our readers, above all else. We want to help you take better pictures.

By doing this survey you will be helping dPS serve you better. By knowing what kinds of things are you struggling with, and the types of articles you want to see we can work toward providing more of what you need to move your photography forward.

We value your time, and you, as our regular reader and always strive to improve – you will help us by completing this form, for which we will be especially grateful.

Click on this link, or the image below to start the survey.

dPS-annual-reader-survey

Thank you for your continued support and being a dPS reader. We wish you all the success on your photography journey.

The dPS Team

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