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Archive for January, 2018

How to Take Better Sunset Photos

24 Jan

A beautiful sunset is one of the most desirable subjects for photographers to shoot and can be achieved any time of the year when the light is right. Most outdoor photographers will tell you that this is their favourite time of day to take photos when the landscape is bathed in golden light and the rich colours and last rays of the day can be magical. Photographing these moments can be truly satisfying so here are six useful tips to help you capture better sunset photos.

1 – Shoot into the light

Sunset photography tips 3F6A3213 HDRAB

You are more likely to snap a stronger image of the setting sun during the hour leading up to sunset, known as the golden hour. If you aim to shoot directly into the sun when it is low on the horizon you are more likely to capture a better scene than if you were to shoot into the light earlier in the day when the glow of the sun can be too strong and harsh.

That is when lens flare is likely to be present in the image due to the sun hitting the front of the lens element directly. It can sometimes, however, be used to your advantage.

Remember to take care when staring into the sun and don’t do this for too long to prevent damaging your eyes.

2 – Turn around (and shoot what’s behind you)

Have you ever been so focused on capturing the scene in front of you with the sun setting before your very eyes, to then notice that the view behind is just as spectacular? Novice photographers often make this mistake when starting out.

When you’re setting up the camera and composing for the shot in from of you, it is worth turning around to see whether the scene behind you offers any photographic potential. If it does, be sure to capture this alternative view as well.

Sunset photography tips 3F6A5279Deadvlei Namibia

3 – Hide the sun

If you have found a view you like and it is too bright shooting towards the sun, try hiding the sun behind an object to further improve the image. You can experiment by partially shielding the sun behind a tree, rock, or person, for example, to find different compositions.

This technique can result in striking images where you can create great silhouettes or even sun flares by partially masking the sun.

Sunset photography tips 3F6A3116 HDR

4 – Change focal length

Your focal length setting and choice of the composition will make a big difference to the overall picture. Experiment with different focal lengths and figure out what works well and what doesn’t.

If you want to photograph the setting sun in isolation and for it to be the main feature, zoom in and take close-ups. If you want to capture a broad and breathtaking landscape, choose a wider field of view to take in a larger area and include more elements that may provide a more visually pleasing scene.

Sunset photography tips 3F6A0444

5 – Experiment with the White Balance

You will find most cameras are set to Auto White Balance where the camera works out the color tone automatically and therefore sets the color of your photographs. This is the simple option and is great for capturing images where color shifts are not required.

However, if you want to change the color temperature of your image don’t be afraid to experiment with different White Balance settings to create a more interesting and visual image. To add warmth to your image, you will want to select a White Balance such as Cloudy or Shade, whereas if you want to create images with a cooler look and feel, try Tungsten or Fluorescent.

Sunset photography tips 4X8A4732

6 – Stick around after sunset

Once the sun disappears, don’t be tempted to pack up your camera bag and head home as you may get lucky with the light and witness a wonderful afterglow. Stay around after sunset, the sky will usually light up in color 25 minutes after the sun has set below the horizon, which can often give spectacular and colorful light.

Cloud formations can bring another dimension of beauty compared with clear skies especially when their colors start to pop and ignite.

Sunset photography tips 3F6A4514

Conclusion

Without a doubt, sunset photography can be very enjoyable. Using the techniques above may help you improve your pictures and capture a shot you like. Please share your sunset photos and tips in the comments below.

The post How to Take Better Sunset Photos by Jeremy Flint appeared first on Digital Photography School.


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Google Pixel 2 gallery updated

24 Jan

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The Google Pixel 2 represents truly impressive computational photography output. And while we’re currently hashing out a full review from a photographer’s perspective – to be published in the near future – we wanted to share this enormous update to our original Pixel 2 gallery.

Note: All images in this gallery have been shot using the stock camera app with auto HDR+, except where noted.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm introduces budget-friendly and rugged FinePix XP130

24 Jan

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Fujifilm has introduced the FinePix XP130, its latest inexpensive rugged camera. The XP130 is largely the same as the XP120 that came before it, with the addition of Bluetooth, Eye AF and an electronic level being the major changes.

The XP130 has a 16MP BSI-CMOS sensor, 28-140mm equiv. F3.9-4.9 stabilized lens, 3″ LCD and 1080/60p video capture. Bluetooth makes pairing camera and smartphone easier and also allows for instant photo transfer. The XP130 has 96MB of built-in memory plus an SD card slot and a battery that will last for around 240 shots.

You’ll have five colors of XP130 to choose from: black, blue, green, yellow and white. It will ship in March for $ 229.95.

Press Release

FUJIFILM INTRODUCES NEW RUGGED FINEPIX XP130, THE PERFECT COMPANION FOR ANY ADVENTURE

Featuring the latest Bluetooth® technology, four rugged protection features and versatile shooting functions in a compact, lightweight body

Valhalla, N.Y., January 24, 2018 – FUJIFILM North America Corporation has announced the FinePix XP130, the newest addition to the rugged XP series. The XP130 is the first in the line to feature the latest Bluetooth® technology for easy to use, instant image transfer, and is also equipped with new shooting functions such as an Electronic Level and Eye Detection to provide even greater versatility. Equipped with a FUJINON lens and four rugged protection features in a lightweight body, the new XP130 is durable and delivers high quality images, making it the perfect companion for any kind of adventure.

Four-Way Rugged Protection for Worry-Free Use

The XP130 is waterproof up to 65 feet / 20 meters, shockproof up to 5.7 feet / 1.75 meters, freeze proof to 14°F / -10°C and dustproof, and features a protective, double-locking mechanism for the battery compartment. With a grip design for firm one-handed grip, the new XP130 is designed for ease of use and is tough enough for shooting in all situations.

Bluetooth® Pairing and Wireless LAN Connectivity for Photo Transfer and Instax Printing

Now featuring the latest Bluetooth® technology, the XP130 can instantly transfer images to a smartphone or tablet, while syncing time and location information from the camera to the images. Utilizing the free “FUJIFILM Camera Remote” app, users can take advantage of this new feature to quickly and easily share photos and videos with family or friends. Images can even be transferred from the XP130 directly to an Instax SHARE™ Printer.

Premium Image Quality Achieved with High-Performance Sensor and Lens

The new XP130 is equipped with a 16.4 megapixel back-illuminated CMOS sensor and FUJINON 5x optical zoom lens that includes a 28mm wide-angle setting and provides unique color reproduction technology and advanced sharpness to deliver outstanding image quality. With Intelligent Digital Zoom technology, the optical zoom range can be doubled to 10x, and, utilizing optical image stabilization, the XP130 minimizes the effects of camera shake even in low light conditions.

Compact and lightweight with a Large LCD monitor and Ease of Use Design

Compact and lightweight, the new XP130 features a large 3.0-inch 920K-dot high definition LCD monitor with anti-reflective, enabling users to comfortably check composition and pictures taken in bright daylight or underwater. The operation buttons on the XP130 are of optimal size and positioned to enable smooth operation and ease of use even while wearing gloves or holding the camera with one hand.

Versatile Shooting Functions for Enhanced Photography

The XP130 features a new Electronic Level feature that is particularly useful when capturing horizontal subjects such as beautiful landscapes, scenery or architecture. There is also a new Eye Detection feature that is designed to focus on the eyes of the subject, enabling the user to capture portraits with ease. Additional features include Cinemagraph mode that produces still images with moving elements, the Time-Lapse Video function that automatically converts images to video format utilizing the interval timer, the Burst Mode that captures up to 10 fps and smooth HD video recording of 60 fps.

FinePix XP130 Key Features:

  • 16.4MP back-illuminated CMOS sensor and FUJINON 5x optical zoom lens with 28mm wide-angle setting
    • Intelligent Digital Zoom function extends zoom range up to 10x
  • Four-way protection:
    • Waterproof up to 65 feet/20 meters, shockproof to 5.7 feet/1.75 meters, freeze proof to 14°F/ -10°C and dust proof
  • Compact lightweight design with 3.0 inch 920K dot high definition LCD monitor with anti-reflective coating
  • Bluetooth® Pairing and Wireless LAN connectivity, Smartphone Transfer and the FUJIFILM Camera Remote app
    • Transfer photos and videos from the XP130 to your smartphone or tablet, or directly to the Instax SHARE SP-2 or SP-3 Printer for quick, high-quality prints
  • Scene Recognition Mode quickly determines the scene before optimizing focus, exposure and shutter speed for best possible results
    • Underwater and underwater macro functions available
  • Electronic Level Feature: Can be used to capture a horizontal subjects
    • Eye Detection feature helps to capture portraits easily by automatically focusing on subject’s eyes
  • Remote Shooting function: Allows for wireless connection from the XP130 to a smartphone or tablet for remote camera operations such as releasing the shutter or zooming in and out
  • Interval Timer Shooting: Automatically shoots any number of images in set intervals
    • Interval can be set to either 5 or 10 minutes, or 15, 30 or 60 seconds
  • Burst Mode up to 10 fps, and Advanced Burst Mode capable of shooting at up to 60 fps
  • TimeLapse Video: Automatically converts images taken with interval timer to video
    • Frame rates of 10fps, 30fps or 60 fps can be selected along with three different types of movie size, including full HD. Allows for capturing transitions in nature from a stationary point, such as sunsets or opening flowers
  • Cinemagraph mode: Produces still images with moving elements
  • Motion Panorama 360° function for superb panoramic shots, and the Advanced Filter function to create advanced artistic effects with ease
    • Select from 11 filters when taking pictures or 7 filters during video recording
  • Records smooth Full HD video at 1080/60p with a dedicated movie button
  • Wind Filter Setting: reduces wind noise which is often a problem with outdoor movie recording

Availability and Pricing

The FinePix XP130 will be released in March 2018 in the U.S. and Canada for USD$ 229.95 and CAD $ 239.99.

Fujifilm FinePix XP130 specifications

Price
MSRP $ 229
Body type
Body type Ultracompact
Body material Metal, composite
Sensor
Max resolution 4608 x 3456
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 16 megapixels
Sensor photo detectors 17 megapixels
Sensor size 1/2.3" (6.17 x 4.55 mm)
Sensor type BSI-CMOS
Color space sRGB
Color filter array Primary color filter
Image
ISO Auto, 100-3200 (6400 available at lower resolutions)
Boosted ISO (maximum) 6400
White balance presets 7
Custom white balance No
Image stabilization Sensor-shift
Uncompressed format No
JPEG quality levels Fine, normal
File format
  • JPEG (Exif v2.3)
Optics & Focus
Focal length (equiv.) 28–140 mm
Optical zoom 5×
Maximum aperture F3.9–4.9
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (2x)
Manual focus Yes
Normal focus range 60 cm (23.62)
Macro focus range 9 cm (3.54)
Screen / viewfinder
Articulated LCD Fixed
Screen size 3
Screen dots 920,000
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type None
Photography features
Minimum shutter speed 4 sec
Maximum shutter speed 1/2000 sec
Exposure modes
  • Program AE
Scene modes
  • Portrait
  • Landscape
  • Sport
  • Night
  • Night (Tripod)
  • Sunset
  • Snow
  • Beach
  • Under water
  • Under water (Macro)
  • Party
  • Flower
  • Text
Built-in flash Yes
Flash range 4.40 m (at Auto ISO)
External flash No
Flash modes Auto, Forced Flash, Suppressed Flash, Slow Synchro
Drive modes
  • Single
  • Continuous
  • Self-timer
  • Interval
Continuous drive 10.0 fps
Self-timer Yes (2 or 10 secs, group shot)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±2 (at 1/3 EV steps)
WB Bracketing No
Videography features
Format H.264
Modes
  • 1920 x 1080 @ 60p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p, MOV, H.264, Linear PCM
  • 1280 x 720 @ 60p, MOV, H.264, Linear PCM
Microphone Mono
Speaker Mono
Storage
Storage types Internal + SD/SDHC/SDXC card
Storage included 96MB
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes
HDMI Yes (micro-HDMI)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.0
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes
Durability Waterproof, Shockproof
Battery Battery Pack
Battery description NP-45S lithium-ion battery & charger
Battery Life (CIPA) 240
Weight (inc. batteries) 207 g (0.46 lb / 7.30 oz)
Dimensions 110 x 71 x 28 mm (4.33 x 2.8 x 1.1)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Photoshop CC update adds AI-powered subject selection tool and more

24 Jan

The AI-powered Select Subject feature that Adobe demoed back in November has finally arrived in Photoshop CC! The feature was officially released just minutes ago in Photoshop CC version 19.1, which also includes the addition of a Decontamination slider to the Select and Mask workspace and some significant compatibility updates for Windows users.

The major update is, obviously, the arrival of Select Subject to Photoshop CC. When it was first demoed in November, the Photoshop team touted the tool—which is powered by Adobe Sensei AI technology—as a way to “select prominent subjects in an image with one click.” That’s what they hope to deliver today.

A single click of the Select Subject button in the Quick Select tool should easily isolate your subject in images like the one below:

Of course, more difficult scenarios where the subject isn’t so obviously delineated against the background will give Select Subject more trouble—the original demo video, embedded below, showed that—but it promises to “let you get started with your selections faster than ever before.”

In addition to Select Subject, Adobe also added a Decontamination slider to the Select and Mask workspace that allows you to select the amount of color decontamination applied to an image:

For Windows users, version 19.1 brings much-requested support for Windows High Density Monitors—allowing you to switch between displays of varying resolutions and sizes seamlessly. Jerry Harris, principal scientist on the Photoshop team and himself a Windows user, explains what this means in the Adobe blog post:

With this release, Photoshop on Windows 10 Creator’s Edition now offers a full range of choices for UI scale factors from 100% through 400%, in 25% increments. This means that the Photoshop user interface will look crisp, beautiful, and the right size no matter the density of your monitor. Photoshop will now automatically adjust itself based on your Windows settings, making it simple to set up.

[…]

In addition, we worked very closely with Microsoft to provide per-monitor scaling across monitors with different scale factors. This means that a high resolution (HiDPI) laptop now works seamlessly alongside a lower resolution desktop monitor (or vice versa). One monitor can have a scale factor of 175% and another a scale factor of 400%.

And finally, Windows users also get advanced support for the Windows dial, which can now adjust brush settings while you paint. Before this, you could only adjust settings between brush strokes, but you can now adjust brush size, opacity, and other settings as you draw:

As of publication, this update should be live and ready to download if you’re already a Creative Cloud subscriber. If you want to learn more about any of the features above, or dive into bug fixes and other minutia, head over to the Adobe blog. Otherwise, just update your copy through the Creative Cloud app and you’re ready to go.

Articles: Digital Photography Review (dpreview.com)

 
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Review of the Nikon D850 DSLR

24 Jan

The latest addition to the Nikon line up has been a highly anticipated full frame camera. While many other cameras were being updated rumors started circulating 12 months ago that the D810 would be updated. Finally, the news came that the Nikon D850 was being released. It seemed like everyone in the photography industry was looking forward to it. So much speculation – what will it have, and how will it perform?

Review of the Nikon D850 DSLR

The Nikon D850 with the 14-24mm lens.

The Hype

There was similar hype around 5 years ago when Nikon released the D800. It was almost 12 months before I was able to get one, and when the talk started on this one I knew that I would be getting one. The D800 has been an amazing camera and by far the best I’ve ever owned. But it is showing its age and doing long exposures with it was becoming harder. The logical update was always going to be the replacement for the D810.

What I needed was a camera capable of taking long exposures without the problem of dead or hot pixels. I wanted a touchscreen as others I’ve used have been fantastic. I had hoped that with Live View it would be possible to see through ND Filters without having to remove them all the time. While it wasn’t necessary, being able to transfer photos from the camera to the phone would be handy as well.

Once the camera was released and I finally got my hands on one, there was nothing to be disappointed about. It lived up to my expectations, perhaps even more. It is a complicated camera, and the phrase being used, “A game changer” is true. It does a lot and it is going to take some time to learn all that my new camera can do.

Nikon D850 cityscape

An early morning image of the city with reflections.

First impressions of the D850

For most people, it will seem like a gigantic camera. However, those that have been using the D800 or D810 will not be surprised. It is slightly bigger, but not a lot. The weight is around the same as well. Overall it looks almost the same. As you start to study the D850 you can see how some functions have changed positions. I keep pressing the mode button now to change the ISO.

Nikon D850 long exposure

Doing a long exposure on the top of a cliff with the Nikon D850.

45.7 MP Sensor

The big thing to test was going to be the massive 45.7-megapixel sensor. In most of the other Nikon cameras Sony sensors have been used, however, Nikon has developed their own for the D850. It is said to be sharp and create very crisp images. That would appear to be true so far. There is a warning about using low-quality lenses on it, which can create a lot of chromatic aberration. So far, I have noticed that.

Touchscreen

Nikon has given the D850 a touch screen, and I am so happy. Touchscreens make navigating around the menu so much easier. You can flick through your photos very easily, or change a setting in the menu.

With the touchscreen activated, you can also focus the camera and take your photos, whether you are using a tripod or not. With the Bulb setting, you can now touch the screen to open the shutter, and then tap again to close it. This means that when you go out to take long exposures you don’t have to worry so much about a remote shutter release or intervalometer. It doesn’t have a timer or display how much time has elapsed, but there are always ways around that, like using your phone.

Nikon D850 night photography

Capturing a single light trail from a bicycle along Southbank at night.

The LCD Screen can be manipulated

Like other models, you can now manipulate the screen so you can move it to help you take photos in Live Mode, or when using the playback function. If you like taking photos close to the ground you can do that now without having to get on the ground yourself or having to guess at the composition. I’m getting too old to get down on the ground, getting back up isn’t so easy, so this function is one that I’ve been eagerly awaiting.

Nikon D850

The front of the D850, set up for a long exposure.

Using Live View for Long Exposures

One of the frustrating things about doing long exposures with the D800 was having to constantly remove the filters every time you wanted to recompose your image. They were too dark for the camera to see through. The Canon 5D Mark IV is capable of seeing through the filters in Live View, so I was really hoping the Nikon D850 would have that capability as well. I’m happy to report that it does.

It doesn’t quite work the same way, you do have to open the aperture up a bit, but you don’t have to remove the filters. If you can open it up to f/2.8 then it is like there are no filters there at all. It will also make it easier to use graduated filters and polarizers when doing long exposure photography.

Nikon D850 Seascape

The camera photographing the Dragon’s Head.

As someone who loves doing long exposures, this new feature is a very welcome addition to the camera. It is something that I will use a lot. My workflow when shooting has changed from never using Live View, to using it constantly.

One of the major advantages of shooting with Live View is that your mirror is up, so you don’t get those minute vibrations when you are taking an image.

ISO

One of the biggest problems with photography is low light. While in most situations you can use a tripod, there are some situations that mean it is just isn’t possible. With an ISO rating up to 25,600, you can take photos easily without a tripod.

Nikon D850 high ISO

Capturing Christmas windows using ISO 25600.

There will be noise in the images, that is one thing you can’t avoid. However, compared with what you got with the earlier models in the D800 series it’s a big improvement. You could comfortably go up to ISO 2000, perhaps even higher and get images that you would be happy with.

At the other end of the scale, you can go to ISO 64 when you want the best quality images in the right lighting conditions or when using your tripod. Most cameras only go to 100, so having that extra step means finer grain or almost no noise in your images.

Some of the controls are in different places

While the basic setup is very similar to all Nikon cameras, there are some things that have changed from previous models (for me, that is compared to the D800). The Mode button is on the left top buttons with the WB and QUAL. ISO is now over near the Shutter button. The Bracket feature is now set where the flash button used to be.

Overall, the camera is much the same. The menu system remains very similar to previous models and is easy to understand. It is one thing that has always been good with Nikon, you can go from one model to another and still be able to figure out how it works.

Late afternoon in the city of Melbourne.

No flash

One major change from the D800 and D810 is the removal of the built-in flash. For most users, it was not necessary and the flash popping up could create problems. You can still attach an external flash to it, so for most this isn’t going to be a problem as they would use that option anyway.

3 Different RAW sizes

One the main concerns with the camera was the 45.7-megapixel sensor. The more MPs it has the larger the images will be. Storage can become a problem, especially when shooting in RAW. The D850 now comes with three different sizes of RAW files. You can choose to shoot RAW images in Large, Medium or Small. The large will take images that are 8256 x 5504 pixels, while the small will take images that are 4128 x 2752 pixels, similar to a cropped sensor.

Having the choice of deciding how big your image will be is a good function to add. If you know you are going to take a photo for social media, with no intention of doing anything else, then using the small option makes sense. However, if you are going to be taking photos for a client or for printing on a big scale then the large size is the best choice.

Nikon D850 seascape

Doing a long exposure of the Dragon’s Head on the Rye back beach.

Fast frames per second burst mode

I went from a Nikon D300s, that could shoot 6-7 frames per second to the D800 which was capable of only four. It was a shock and possibly one of the biggest disappointments with that camera. It always seemed clunky when you were taking several images at once, especially for bracketing.

It’s good to see they have sped up the frame rate in the D850. It will take around 6 images a second, so it is reasonably fast. When you are bracketing there is less chance of a mistake when taking a series of images. It is great to hear how fast it shoots the frames.

Nikon D850 Bird photography.

Using the Nikon D850 at the zoo to capture birds.

The XQD card

With the release of the Nikon D850, we also see that it has two memory card slots; one for an SD card, and the other for an XQD card. As the file sizes are large, and you can take many images per second, you also need a card that can keep up. The XQD cards are good for writing your images quickly so you shouldn’t have moments where you can’t shoot because the camera is saving your images onto the card.

These cards are quite expensive. Not many manufacturers are making them, the one I got was made by Sony. You also need to get a memory card reader for these as well. I purchased mine from B&H, it was 128GB and cost almost $ 200.

Nikon D850 Waterfall

Capturing a waterfall with a long exposure.

Wifi and Snapbridge

Nikon cameras that have Snapbridge allow you to use your phone with the camera. You can download images to it, for easy loading to social media when you are out and about. There is also the option for your phone to capture GPS data for future reference.

When Snapbridge was first released there was a lot of negative publicity about it. People said it didn’t work properly, and if we are being honest, it wasn’t great. But it has improved a lot. It is now easier to connect your camera to your phone to look at photos. You can have it set up so it automatically transfers the images to your phone. They go into the cloud, so they don’t take up any room on your phone.

The only downside seems to be that to get your images to your phone you have to shoot in jpeg format. Considering the target market of who will be using the D850 (mostly pros), it is a bit disappointing. Most users will be taking their photos in RAW format and won’t be able to do that.

To overcome this, I decided to shoot in RAW and basic JPG. You don’t need high-quality JPGs to share, and basic is fine for social media. Once the files are all downloaded to my computer I select all the jpegs and delete them. It does mean that you will be using more memory on your cards, but I have 128GB cards, so it isn’t going to be an issue that often. I would also only use this selection if I knew that I wanted to capture an image to share, otherwise I would choose RAW only.

Snapbridge will keep the firmware on your camera up to date which is great, otherwise, it only happens if you get it serviced. One thing that is a definitely a plus for someone like me is that the app will also make sure the time and date are correct on your camera by syncing it with your phone. You don’t have to worry about daylight savings and changing the camera settings for it anymore (or when you travel and change time zones).

Nikon D850 macro

The D850 with the Lensbaby Velvet 56 photographing macro flowers.

Battery life

The experience of other cameras has shown that using Live View can drain your battery. Earlier this year I had an opportunity to try out the Canon 5D Mark IV and when using Live View for long exposures the battery did drain very quickly. You would get maybe three hours with it when using that mode. With the Nikon D850, using Live View it doesn’t drain the battery as quickly.

A fully charged battery for normal use will last a few days, with heavy use a day or so. The Nikon batteries are very good, and if you want spares, it is advisable to go for regular Nikon ones over third-party options.

Nikon D850 City image

An image taken at sunrise with the Nikon D850.

Conclusion

Without a doubt, those who described the Nikon D850 as a game changer were not lying. It’s one of the most sophisticated cameras on the market. While hailed as a great camera for landscape photographers, it is also suitable for many other genres of photography as well. One has to wonder what they will do to the next generation of the D5 to make it better than the D850.

For more information on the specifications, click here to go to Nikon. The camera retails on Amazon for $ 3,295.

I would give the camera a rating of 9.9 out of 10, maybe even a 10. I love the Nikon D850, it is the best camera I’ve ever used

The post Review of the Nikon D850 DSLR by Leanne Cole appeared first on Digital Photography School.


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Nikon claimed the #1 spot in the full-frame camera market for December 2017

24 Jan
Nikon says the jump to #1 was due to ‘exceptional demand’ for the D850.

Nikon made a major sales announcement today, revealing that the company achieved the #1 spot in the full-frame camera market for December 2017. More specifically, the company “attained the #1 position for both market share and revenue for December 2017, in the full-frame digital camera with interchangeable lens (DCIL) category in the U.S.” That DCIL term is what we refer to as just ILC here at DPReview, and yes, that includes full-frame mirrorless.

The numbers come from the US retail tracking group The NPD Group Inc., and the result is due largely to what Nikon calls “exceptional demand” for the Nikon D850 DSLR, which launched in August of last year and went on to be one of the most highly demanded cameras of the 2017 holiday season.

Admittedly, the result only covers a single month’s worth of sales, but Nikon is quick to point out that it is the most important sales month of the year.

“December is a significant month for sales because of the large volume of units sold during the holidays,” reads the press release. “Industry-wide, DCIL full-frame unit sales for the month of December 2017 were almost equal to unit sales from January through March of 2017.”

Interestingly, it’s not just the D850 that propelled Nikon into the #1 spot. According to the Japanese camera giant, the top two cameras in the full-frame ILC segment during December were the Nikon D850 at #1 and the Nikon D750 at #2.

This announcement comes hot on the heels of the 2018 BCN camera rankings that had Canon users so excited, and less than a year after Sony announced that it had claimed the #2 spot in the full-frame ILC market from Nikon for the period from January to February of 2017.


Correction: An earlier version of this article said that the D750 probably wasn’t the #2 best-selling full-frame ILC overall, since Nikon specifically used the term ‘DSLR’ in that section of the press release. However, Nikon has since confirmed that the D850 and the D750 were the #1 and #2 best-selling full-frame ILCs for December 2017.


Press Release

Nikon Inc. Achieves #1 Spot in full-frame Camera Market During Important 2017 Holiday Selling Season

Market Bolstered by Exceptional Demand for the Award-Winning full-frame (FX-format) D850 DSLR

Melville, NY (January 23, 2018) – Imaging leader Nikon attained the #1 position for both market share and revenue for December 2017, in the full-frame digital camera with interchangeable lens (DCIL) category in the U.S.1 The overwhelming success of the powerful new Nikon D850 DSLR as well as the acclaimed D750 DSLR helped contribute to the brand’s strong growth within the full-frame camera segment for December 2017. According to The NPD Group, Nikon achieved double-digit unit and dollar sales growth within the full-frame camera segment in December 2017 vs. December 2016.2

This market category comprises all full-frame digital cameras with interchangeable lenses (DCIL), including DSLR and mirrorless cameras. December is a significant month for sales because of the large volume of units sold during the holidays; industry-wide, DCIL full-frame unit sales for the month of December 2017 were almost equal to unit sales from January through March of 2017, according to The NPD Group.3

“Nikon has returned to an emphasis on high-end products for advanced and professional users. These users appreciate Nikon’s full-frame offerings because of their amazing image quality, reliability, low-light capability and high-speed performance,” said Bo Kajiwara, President and CEO, Nikon Inc. “Nikon is an innovative, diversified company with a clear, long-term strategy to thrive into 2018 and beyond.”

Since the beginning of 2017, the camera industry has seen strong growth in the full-frame segment, with consumers gravitating toward Nikon’s innovative offerings for advanced and professional photographers. The month of December alone saw an overall increase of 69% in units and 59% in dollars compared to the same period in 2016.2 Nikon specifically experienced an 81% increase in units, and 88% growth in dollars for this segment.2

For the month of December, the top two selling DSLR cameras in this segment were the Nikon D750 and the Nikon D850.4There has been exceptional demand for the extremely versatile, highly acclaimed D850, which is the ultimate combination of speed and resolution. This 45.7-megapixel full-frame DSLR is a tool for serious photographers with robust construction, unparalleled imaged quality and proven reliability. Both the D850 and the D750 have won a myriad of industry and consumer accolades, and both are perfectly complemented by the vast NIKKOR lens system, which offers the best in optical excellence.

“Premium segments are leading the imaging market, as consumer demand for features like full-frame are on the rise,” said Ben Arnold, executive director, industry analyst for The NPD Group.

Kajiwara also added, “We want to sincerely thank our customers and our fans for making this achievement possible.”

1- The NPD Group Inc., U.S. Retail Tracking Service, Detachable Lens Camera, full-frame, Based on unit and dollar sales, Dec 2017
2- The NPD Group Inc., U.S. Retail Tracking Service, Detachable Lens Camera, full-frame, Based on unit and dollar sales, Dec 2017 vs. Dec 2016
3- The NPD Group Inc., U.S. Retail Tracking Service, Detachable Lens Camera, full-frame, Based on unit sales, Dec 2017 vs. Jan- March 2017
4-The NPD Group Inc., U.S. Retail Tracking Service, Detachable Lens Camera, full-frame, Based on unit sales, Dec 2017

Articles: Digital Photography Review (dpreview.com)

 
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Ultra-rare Konica Rokuoh-Sha Type 89 ‘Machine Gun’ camera pops up on eBay

24 Jan
Photos: eBay

For you collectors out there, a very rare piece of photographic equipment just popped up on eBay. Officially dubbed the Rokuoh-Sha Type 89 “Machine Gun” Military Training Camera, this camera was made by Konishoruko (which later became Konica) for training Japanese airplane gunners during World War II.

According to International Military Antiques and Photo Gear-Heads, these cameras would be mounted in airplanes instead of the real thing as a way to train new gunners. When the trigger is pressed, the camera would begin snapping 18x24mm pictures on 35mm cine film loaded in 2.5m strips. The photos captured whatever the “gun” was aimed at, while an optical stopwatch (placed in the yellow tube up top) was recorded onto the photos using a prism. These images would be examined later to help improve the gunner’s accuracy.

The piece is highly prized by collectors, and there’s a nearly identical model in the permanent collection at the Smithsonian National Air and Space Museum, which would make this a Model 2 with (possibly) the same 75mm Hexar lens.

Photos: eBay

The version on eBay looks a bit more beat up than the Smithsonian’s camera, but still in great shape. The seller, Westborn Camera Co, claims the camera “is in overall excellent condition, especially considering it was used during war-time,” and still works as far as they can tell. In the listing, Westborn writes:

This has been tested to my best ability, and everything seems to check out good: The winder holds firm tension and releases when fired. The shutter can be heard -AND- film transport responds properly.

The camera is going for a Buy It Now price of $ 4,500, which seems a tiny bit high based on the limited research we’ve done. Then again, the price varies a great deal. Closed eBay listings from the past few years went for anywhere between $ 795 and $ 4,100, and a similar model auctioned in 2014 went for 1,600 Euro (~$ 2,100 USD by the average 2014 exchange rate).

To find out more about this crazy camera, or if you wanna go ahead and pick up a very rare piece of military and photographic memorabilia, head on over to the eBay auction. And if you have more information about this very interesting bit of kit, drop us a line in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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Red’s Hydrogen One holographic super-phone to ship this summer

24 Jan

Red, best known for its high-end video products, has dripped out some pre-order and release date information about its Hydrogen One super-smartphone, which was announced last July and first demoed IRL in August.

The most notable feature of this phone is its 5.7″ 1440p display, which can display 2D and “better than 3D” holographic images. It can also shoot 3D or 4V (holographic) content using its onboard cameras, and stereo sound is converted to spatial audio when played back. The One uses Qualcomm’s new Snapdragon 835x processor, dual SIM card slots, a monster 4500 mAh battery and support for add-on modules like external batteries and a ‘cinema-grade’ camera.

The new info came via Red’s forums, where the company revealed that pre-orders for the Hydrogen One are expected to begin in April, with ship dates sometime this summer. The aluminum model will be priced at $ 1195, while the titanium version will set you back $ 1595.

Articles: Digital Photography Review (dpreview.com)

 
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DJI unveils the Mavic Air: Mavic Pro specs in a Spark-sized body

24 Jan

DPReview was on hand in New York City as DJI unveiled its newest drone, the Mavic Air, which fuses enthusiast-oriented features and foldable design from the company’s Mavic Pro line of drones with the compact form factor if its Spark model. The Mavic Air also introduces some exciting new technologies that should make drone flying safer, easier, and more creative.

Key features include:

  • A 1/2.3″ CMOS sensor
  • 3-axis gimbal
  • 24mm (equiv.) F2.8 lens
  • 12MP still images w/ Raw support
  • 4K/30p video with 100 Mbps H.264 codec
  • Full HD video up to 120fps
  • 32-megapixel spherical panorama mode
  • HDR capture mode
  • 8GB internal storage in addition to MicroSD card
  • Foldable legs with integrated omnidirectional antenna
  • Updated flight autonomy system with 3D modeling
  • Improved ActiveTrack technology
  • New ‘Asteroid’ and ‘Boomerang’ intelligent flight modes
  • Obstacle-avoidance sensors in the front, back, and bottom
  • Advanced pilot awareness system (APAS)
  • Visual positioning system for better control, hovering and indoor flying
  • 2.5 mile range with controller
  • 42.5 Mph in Sport Mode
  • Flight ceiling of 16,404 ft.
  • 21-minute flight time
  • USB-C port
  • Compatible with DJI’s SDK for third party applications

DJI has clearly aimed the Mavic Air at travelers, outdoor photographers, and particularly adventurers who may go off the beaten track. It’s small size is impressive, as DJI’s Michael Perry demonstrated by pulling three of them out of his pockets on stage, and its rich feature set is sure to appeal to people like adventure filmmakers.

The Mavic Air is reminiscent of DJI’s tiny Spark drone, but packs in all the features found on the Mavic Pro.

With a weight of 430 grams, the Mavic Air is heavier than the diminutive Spark (300 grams), yet substantially lighter than the Mavic Pro (734 grams), demonstrating just how much technology DJI has been able to cram into a very small package.

It uses the same 12MP 1/2.3” CMOS sensor found in the Mavic Pro, so it’s fair to expect similar image quality. The camera is mounted on a compact 3-axis gimbal, a welcome improvement over the 2-axis gimbal found on the Spark.

Imaging features

Videographers will be happy to learn that the Mavic Air captures 4K/30p video at bit rates up to 100Mbps using the H.264 codec, though it doesn’t shoot 4K/60p as some rumors had suggested. Additionally, full HD capture is now supported at 120 fps.

In addition to 12MP Raw image capture, DJI has added new features for still photographers as well. In addition to vertical, horizontal, and 180º panoramas, the Mavic Air can create 32MP spherical panoramas by automatically shooting 25 still images and stitching them together in under 8 seconds. There’s also a built-in HDR function which should help to better capture scenes with high dynamic range.

Anyone who flies drones regularly has probably had at least one experience where they arrived on site only to realize that they left their memory card at home. In a nod to forgetful pilots everywhere, the Mavic Air includes 8GB of on-board storage – something that may be particularly helpful for adventurers far from the car.

Controls

Taking a popular gesture from the Spark, the Mavic Air includes gesture controls, allowing users to control the drone’s movements and certain functions (such as taking a photo) using their hands. This can be particularly useful to anyone trying to film themselves, such as a climber on a rock wall. Also, thanks to a rear obstacle avoidance system, the drone will sense if you’re trying to back it into an object.

In our review of the Spark we noted that its gesture controls were often far from reliable, however DJI tells us that the system on the Air has been ’significantly improved’ for more precision and reliability. Based on our hands-on experience with the Air at the launch event we’re inclined to believe this. The air seemed much more responsive to our gestures, and we didn’t notice any hesitation when directing it to move. Gestures will work up to a distance of 19 ft.

Also included is a compact controller that’s visually similar to that of the Mavic Pro, however it’s now possible to detach the sticks to make it as compact as possible for travel. Using the controller the Mavic Air can be controlled at a range of up to 2.5 miles, likely more than enough when operating with visual line of sight.

Obstacle avoidance and intelligent flight modes

A very useful feature on a drone is obstacle avoidance, and the Mavic Air is full of it. It includes seven onboard cameras for sensing and avoidance, including dual forward, downward, and backward cameras. Also included is a feature DJI is calling ‘Flight Autonomy 2.0’, which conducts real-time positioning by building a 3D map of the environment around the aircraft.

Thanks to this 3D mapping, the Mavic Air also includes an ‘advanced pilot awareness system’ (APAS) for advanced obstacle avoidance. Instead of simply stopping when an obstacle is detected, APAS will plan a path to bypass or go around obstacles, allowing the drone to continue on its course.

DJI has also added two new intelligent flight modes, ‘Asteroid Mode’ and ‘Boomerang Mode’. Asteroid mode creates a sort of hybrid clip in which a spherical panorama zooms into a short video clip. Boomerang does more or less what the name suggests, flying up and away from a subject before coming back to create an interesting cinematic effect. Additionally, DJI claims to have improved its ActiveTrack technology, giving it more precise tracking as well as the ability to detect multiple subjects simultaneously.

These animated GIFs illustrate the Mavic Air’s new ‘Asteroid’ (top) and ‘Boomerang’ (bottom) intelligent flight modes. (Courtesy of DJI)

Performance

There are some notable performance improvements as well. With a top speed of 42.5 Mph in Sport mode, the Air is the fastest Mavic to date, and it has an operational ceiling of 16,404 ft. Some drone users may be disappointed with the 21-minute flight time. We suspect it’s a necessary tradeoff in order to achieve the Mavic Air’s compact size, and it’s still 5 minutes more than you’ll get from the Spark.

DJI says the Mavic Air will also be compatible with a wide range of accessories including a car charger, ND filters, and DJI’s flight goggles for a first person view flying experience.

Price and availability

The Mavic Air will be available for $ 799. The standard package includes a protective case, propeller guards, and the newly designed remote control. A ‘Fly More’ combo that includes an additional set of propellers, 2 extra batteries, a folding charging hub that charges two batteries, and a shoulder bag will be available for $ 999. It’s available in three impressively descriptive colors: Arctic White, Onyx Black, and Flame Red.

Preorders begin today through DJI.com and other retailers, with shipments and retail availability beginning on January 28.

Editor’s note: This story is developing, refresh for updates.

Articles: Digital Photography Review (dpreview.com)

 
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How to Make your Winter Images Pop with Luminar

23 Jan

For those of us in the northern hemisphere, it’s that time of year again. It’s cold, windy, snowy and very, very white. Winter wonderlands are the ideal things to shoot this time of year. When everything around you is frosted with snow and ice, even everyday things take on a magical feel.

When you step outdoors to shoot this winter, however, an icy fairytale landscape might not be exactly what you get. Here in Chicago if it’s not white, it’s pretty darn grey. That doesn’t make for very pretty pictures. Grey weather days look really blah in 2-D. Actually, even an amazing landscape filled with sparkling snow can make a surprisingly flat image. Let’s break down a few ways that you can process your winter images in Luminar to really make them pop.

How to Make your Winter Images Pop with Luminar - Running horses

My final version of wild horses running through a white-out snowstorm in northern Nevada. I adjusted the black point to -20 by dragging the slider until the histogram just touched the left side. I also made a few more adjustments in Luminar, including boosting the Shadows, reducing the Highlights and enhancing Vibrance. Canon 7DII with 100-400mm II plus 1.4x III extender @ 560mm, f/8, 1/1000th, ISO 400.

Adjust Your Whites and Blacks

In Luminar, you adjust the White and Black points in the RAW Develop Filter (if you’re adjusting a JPG it’s just called “Develop”), or in the dedicated Whites/Blacks Filter. These adjustments are an important first step for images with snow. By shifting the Blacks and Whites, you maximize the range of light and dark tones in your image. That helps give white snow texture and depth.

How to Make your Winter Images Pop with Luminar - running horses raw image

The unprocessed RAW file of the above image. Compare it to the lead image and look at the difference just a few adjustments made.

Adjust your Whites so that your snow isn’t “blown out” (which means it won’t show any detail). Usually, you’ll need to drag the Whites slider to the left. The histogram should just be touching the right side. Now grab your Blacks and drag it so that the histogram just touches the left side.

Fine-Tune Your White Balance

The White Balance setting is also in the Develop Filter. To help add pop to your winter images, adjust the Temperature of your image to be either warmer (more yellow) or cooler (more blue). You can also make a separate adjustment to the Tint, adjusting it to reflect more green or magenta. Be forewarned though, Temperature and Tint adjustments get tricky when dealing with white snow.

How to Make your Winter Images Pop with Luminar - Paint Pots

In this image of one of the paint pots at Yellowstone National Park, just after a light snow, I’ve adjusted the White Balance to a cooler/more blue Temperature of -5, and a more magenta Tint of +2. These very slight shifts, along with Contrast, Clarity and Vibrance adjustments make a big difference in this image’s feel. Canon 5DIV with 24-105mm II lens @ 24mm, f/10, 1/320th, ISO 1250.

Often, if you look at your favorite landscape and wildlife images, they have a warm, yellow glow to them. Warm colors tend to make us happy so we gravitate to them when we post-process. However, snow that is too yellow often looks wrong because we rarely have a full-on snowy landscape in bright, golden sun.

Be careful adjusting Tint too. Pink snow isn’t any more appealing or realistic than yellow snow. Ultimately though, these adjustments are up to you. Experiment to find a wintery look that’s right for your photography style.

How to Make your Winter Images Pop with Luminar

Here’s the original RAW file of that same paint pot at Yellowstone National Park. You can see the original White Balance and the huge difference that simple change made to make the image above feel colder.

Boost Saturation for Eye-Catching Color

One exception to having vibrantly-colored snow is when an image has colored light reflecting from the sky. In the paint pots image above, you can see that the snow has a bit of a grey-blue cast. That looks natural to me because the snow would reflect the cast of the grey-blue sky.

How to Make your Winter Images Pop with Luminar - Old Faithful

Old Faithful steaming away at dawn one very cold morning. In this final image, I’ve boosted the colors quite a bit. Saturation +30, Vibrance +20 and Contrast +20. Canon 5DIV with 24-105mm II lens @ 56mm, f/13, 1/125th, ISO 800.

Sometimes, cold wintery images aren’t as much about the snow, either. In this Old Faithful landscape, the story is the drama of the winter sky. My instinct was to amp up the blues in this image, and also the golden grass, to create a striking, complementary color scheme.

When you try this, play around with the color sliders a bit (Vibrance and Saturation are great starting points) and see what works best. Strong color can be gorgeous but doesn’t work for every winter image.

How to Make your Winter Images Pop with Luminar - Old Faithful

Here’s the RAW, unprocessed file of Old Faithful. The original image is composed well and exposed properly, but very flat. Luminar does an excellent job bringing it to life.

Convert to Monochrome for Stark Drama

Sometimes winter scenes don’t lend themselves well to color images at all. This wild horse running on the snowy ridge in front of the mountain was spectacular in real life. The RAW file wasn’t much to look at though. See for yourself.

How to Make your Winter Images Pop with Luminar - Wild Stallion

Wild horse running along the snowy ridge in northern Nevada. Canon 5DIII with 100-400mm II lens @ 255mm, f/5.6, 1/1000th, ISO 1000.

What is nice about the image is that the bay-colored horse makes an incredible silhouette against all that white snow. Monochrome tends to work well with silhouettes, especially when you boost the contrast.

With their cool grey and white tones, monochrome images can make bland winter images spectacular. Remember to give it a try if experimenting with the color options we discussed above doesn’t work for your image.

How to Make your Winter Images Pop with Luminar - Stallion Silhouette

Isn’t that an amazing change for the better? Look how that silhouette just pops out of the snowy mountain backdrop now.

Share your Winter Image Post-Processing Tips

These are my four favorite ways to make my winter images pop using Luminar. Bundle up, head on out to the great wintry outdoors, shoot a few frames and give them a try yourself.

And hey, share with the dPS community too. What are your favorite post-processing tips for editing gorgeous winter images?

Disclaimer: Macphun, soon to be Skylum, is a dPS advertising partner.

The post How to Make your Winter Images Pop with Luminar by Lara Joy Brynildssen appeared first on Digital Photography School.


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