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Archive for October, 2017

How to Super-Charge the Spot Healing Brush Tool in Photoshop

28 Oct

The Spot Healing Brush Tool is often used in portrait photography to remove blemishes, wrinkles, and other distracting elements. By default, this tool works great, but sometimes you will need to add an extra level of control to get the results that you want.

In this tutorial, you will learn how to use the Spot Healing Brush Tool with Content-Aware to quickly remove blemishes and other imperfections from your photos.

Getting Started

First, create a new layer to work non-destructively (Shift + Ctrl/Command + N).

Then select the Spot Healing Brush from the Toolbar. Make sure that “Content-Aware” is the selected Type and that “Sample All Layers” is checked in the Options Bar.

How to Super-Charge the Spot Healing Brush Tool in Photoshop

Spot Healing Brush Tool – Normal Mode

With the Spot Healing Brush Tool active, just paint over any distraction to remove it. In most cases, the Spot Healing Brush Tool will do an excellent job in eliminating the problem.

02 spot healing comparison

However, there are times where the Spot Healing Brush Tool will destroy the original detail and texture found in the photo, giving you very unrealistic results.

In the example below, the Spot Healing Brush Tool removed the wrinkles under the eye by adding a skin texture that made the image and problem worse.

03 spot healing normal

Left before using the Spot Healing Brush. Right – after using it in Normal mode.

Using Modes to Enhance the Spot Healing Brush

For a more realistic result, you need to keep as much of the original detail as possible and only remove the distracting element.

To do so, first consider the blemish, wrinkle, or distraction you are trying to remove. Is it darker than the skin tone? Or is it brighter than the skin tone?

If the distraction is lighter, select Darken from the Mode in the Options bar. If the distraction is darker, select Lighten. In this case, the wrinkle is darker than the skin tone. That means that we want to lighten the wrinkles. So in the Options Bar, under Mode, select Lighten.

04 lighten

With the brush mode set to Lighten, Photoshop will only replace pixels that are darker than the good portion of the skin. Since the wrinkles and other skin distractions in this photo are darker than normal skin tone, only the distracting elements are removed, leaving more of the original texture surrounding it intact.

Notice that as you paint over a wrinkle, you don’t lose the original highlights and you keep a lot of detail. The example below shows the results between using Normal and Lighten to apply the same correction.

05 spot healing normal

Comparing results from different brush modes. Left: Spot Healing Brush in Normal Mode. Right: Spot Healing Brush in Lighten mode.

Additional Notes

To work faster, keep in mind that you can switch between Modes by holding the Shift key and pressing the + or – keys.

This technique also helps you remove blemishes in areas that contain detail that you would like to keep.

In the example, below you can see how by using the Lighten mode we were able to remove the skin blemishes while leaving the white hair strands intact.

06 spot healing forehead

This technique works in this case because the hair strands are lighter than the skin tone, and the blemishes are darker than the skin tone. The Lighten Mode makes the Spot Healing Brush target only darker pixels, so the fine white strands of hair are left intact.

This tutorial is part of my Content-Aware series on YouTube. There are more videos there if you would like to learn more about how content-aware works in Photoshop.

The post How to Super-Charge the Spot Healing Brush Tool in Photoshop by Jesus Ramirez appeared first on Digital Photography School.


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Video – How to Shoot Stunning Photos at Sunrise and Sunset

28 Oct

In another video from Practical Photography, get some really good tips on how to shoot at sunrise and sunset to get the most epic images.

Follow along as two photographers go head to head in a little friendly competition to get the best sunset and sunrise photos. Get some practical tips that you can use in your photography at these magic hours as well.

Need more sunrise and sunset tips? Try these dPS articles:

  • 4 Reasons Shooting at Sunrise and Sunset Will Help You Take Better Photos
  • 8 Simple Guidelines for Capturing Spectacular Sunrise and Sunset Images
  • 7 Uncommon Tips for Winter Sunrise Photos Near Water
  • Tips for Location Scouting to Get the Perfect Sunset Photograph
  • Tips for Doing More Spectacular Sunset Photography
  • 5 Tips to Take Better Sunset Photos – and Why Not to Photograph the Sunset Directly

The post Video – How to Shoot Stunning Photos at Sunrise and Sunset by Darlene Hildebrandt appeared first on Digital Photography School.


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Hands-on with Zeiss Milvus 25mm F1.4

28 Oct

Hands-on with Zeiss Milvus 25mm F1.4

Zeiss just announced a new prime lens for full-frame Canon and Nikon DSLRs: The Milvus 25mm F1.4 is very big, very heavy, and should be very high-performing – and we just got our hands on one.

Hands-on with Zeiss Milvus 25mm F1.4

The new Milvus 25mm F1.4 is the fourth widest lens in the family – which ranges from 15mm to 135mm – and brings the total number to Milvus lenses to 11, four of which boast fast F1.4 apertures. As we’d expect from previous lenses in this series, build quality is extraordinarily good. If you can handle the size and weight, the experience of using a Milvus is nothing short of luxurious.

Hands-on with Zeiss Milvus 25mm F1.4

Optical construction comprises 15 elements in 13 groups, including a grand total of six aspherical elements, for a (claimed) almost total reduction of CA. If that sounds like an expensive way to make a lens, it is. The Milvus will cost $ 2400 (but that’s still a lot less than a new Leica Thambar).

Hands-on with Zeiss Milvus 25mm F1.4

At 123mm (4.8 inches) long and 1225 g (43.20 oz), the Milvus 25mm F1.4 is a large, heavy lens. The Canon EOS 5D Mark IV shown here is a pretty chunky camera, but the Milvus makes it look like an Olympus OM-D E-M10 III…

Hands-on with Zeiss Milvus 25mm F1.4

Announced earlier this year, the Milvus 35mm F1.4 is similarly tank-like, weighing in at 1174 g (41.40 oz).

Hands-on with Zeiss Milvus 25mm F1.4

As well as being slightly lighter, the Milvus 35mm F1.4 is a little less expensive than the 25mm too, at $ 2228.

Articles: Digital Photography Review (dpreview.com)

 
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Sony a7R III sample gallery

28 Oct

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The Sony a7R Mark III is here and we get our hands on one for a few hours while at a press event in New York City. First impressions are positive – The camera’s Eye AF function seems reliable – which we used for quite a few images in this gallery, as well as the lock on AF. Also everything here was shot using the new 24-105mm F4 G OSS lens. We’ll update with more images soon when we get one in the office and can process Raw files.

Articles: Digital Photography Review (dpreview.com)

 
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Terry Richardson banned by major magazine publisher, according to leaked email

28 Oct
Photo by Christopher Macsurak (cc-by-2.0)

Following a scathing piece by The Times, a leaked Conde Nast email reveals that controversial photographer Terry Richardson has been banned from working with the company’s many publications—including major names like Vogue, Vanity Fair, Glamour, and GQ. The leak comes via The Telegraph, which claims that the email was “circulated within the media group Conde Nast International”, and follows years of sexual misconduct allegations against Richardson.

Richardson has long been one of the photographers of choice in the fashion industry for his ‘raw’ style, this despite the allegations against him. Entities working with Richardson were recently called out by The Times, which asked why the photographer is still ‘feted by fashionistas’ despite being known as ‘the Harvey Weinstein of fashion.’

The leaked Conde Nest email mentions neither The Times’ piece nor the allegations, instead reportedly stating:

I am writing to you on an important matter. Condé Nast would like to no longer work with the photographer Terry Richardson. Any shoots that have been commission[ed] or any shoots that have been completed but not yet published, should be killed and substituted with other material.

The Telegraph claims the email was signed by Conde Nast International Executive VP James Woolhouse.

The publication itself has not made any official comments about the matter; however, a representative for Richardson issued a statement about the report to the Huffington Post, saying:

Terry is disappointed to hear about this email especially because he has previously addressed these old stories. He is an artist who has been known for his sexually explicit work so many of his professional interactions with subjects were sexual and explicit in nature but all of the subjects of his work participated consensually.

Articles: Digital Photography Review (dpreview.com)

 
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FLM unveils Berlin 38.4 carbon tripod on Indiegogo

28 Oct

The US and Canada arm of tripod manufacturer FLM is planning to introduce a new carbon fibre tripod with a maximum load capacity of 40kg/88.18lbs, but that that weighs only 2.25kg/4.96lbs itself. The forthcoming Berlin 38.4 has four-section legs made from 10-layer carbon fibre and an apex that accepts a flat screw plate or two sizes of leveling bowl.

FLM has launched the Berlin 38.4 on Indiegogo in the second of its crowdfunded projects—the company has already successfully launched the CP26-Travel tripod this same way. It hopes to raise $ 9,500 to get production underway, and says it has already completed prototyping for the legs.

It is unusual for a tripod apex to be able to handle more than one size of leveling bowl, but FLM says the Berlin 38.4 can be used with both 75mm and 100mm bowls via adapters. Leveling bowls are ideal for video users, while most stills shooters will want the flat base plate so a normal tripod head can be attached.

With no centre column, the Berlin 38.4 stands at a maximum height of 143mm/56.29in, but can support the camera from 8cm/3.14in off the ground via the three-position legs. It folds to 52cm/20.47in and the widest leg has a diameter of 38mm.

FLM expects the Berlin 38.4 to retail for $ 809, but is offering it to crowdfunding backers for packages starting as cheap as $ 558. For more information, visit the Berlin 38.4 Indiegogo campaign page.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Sunrise Sunset

28 Oct

Shooting the sunset or sunrise is a great way to come back with spectacular images. This week it’s time to get out there at dawn or dusk and make some magic.

Sunset in Nicaragua.

If you need some tips to help you on this one you can find a good video here and links to several articles on shooting the sunrise and sunset.

Remember you don’t have to have the sun in your photo to make it an effective shot. Use the nice soft directional light at these times of day to your advantage.

Sunrise in the beach in a fishing village in Nicaragua. I used the soft warm light to show the subject – this young girl taking home a fish for her efforts helping the fishermen on the boats coming in.

Another Nicaraguan sunset. Add an interesting subject in front of your sunset for a more dramatic photo.

Weekly Photography Challenge – Sunrise Sunset

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images on the dPS Facebook group as the challenge is posted there each week as well.

The post Weekly Photography Challenge – Sunrise Sunset by Darlene Hildebrandt appeared first on Digital Photography School.


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Leica’s ‘new’ Thambar-M 90mm F2.2 costs $325 per aperture blade

28 Oct

Hands-on with Leica’s new classic 90mm Thambar

Leica’s newest lens is actually one of its oldest. The Leica Thambar-M 90mm F2.2 is a (slightly) modernized recreation of a classic 1930s design, famed for decades thanks to its unique soft focus rendering for portraits. At $ 6500 it costs a pretty penny too, which for our own amusement we figured works out to $ 325 for each of its 20 aperture blades.

We’re at the Photo Plus Expo show in New York, where we just got our hands on Leica’s latest crazy diamond. Click through for a closer look.

Hands-on with Leica’s new classic 90mm Thambar

Cosmetically, the new Thambar is virtually identical to the original. The biggest difference is that now, it’s designed natively for the M-mount rather than the original screw-mount (and 6-bit coded). As such, it can be used on modern rangefinders (like the M10 pictured above) without adaptation.

Sorry about the weird color balance in this image by the way. I have no excuse.

Hands-on with Leica’s new classic 90mm Thambar

Yes, that is a 20-bladed aperture. The optical construction of the new lens is the same as the original – four elements in three groups – but in a concession to the needs of 20th Century photographers, the elements are now single-coated.

Hands-on with Leica’s new classic 90mm Thambar

There are two reasons the original Thambar is famed among Leica collectors. One is its scarcity, and the other is its unique rendering. ‘Soft-focus’ would be a bit of an oversimplification – its more of an ethereal glow. I can’t describe the appearance very well in words, but people who love it really love it. The effect can be varied by stopping down the aperture. There are some sample images at the end of this writeup.

Note the twin stepless aperture scales – that will be explained a minute.

Hands-on with Leica’s new classic 90mm Thambar

The white aperture ring refers to the effective aperture when the special ‘center-spot’ filter is attached. This filter allows photographers to modify the unique rendition of the Thambar.

Hands-on with Leica’s new classic 90mm Thambar

A dedicated screw-in hood can be reversed on the lens for storage. Without the hood or filter, the new Thambar weighs in at a respectable 500g (1.1lb) and is available now, for $ 6500.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma 16mm F1.4 DC DN ‘C’: hands-on and additional details

28 Oct

Hands-on with new Sigma 16mm F1.4 DC DN | Contemporary

Sigma has used the Photo Plus Expo show in New York as a launchpad for an all-new lens – the 16mm F1.4 DC DN | Contemporary is a fast, high-quality prime for cropped-sensor Sony E-mount and M43 cameras.

In person, the new lens is a relatively small, but beautifully well-made prime that fills a useful gap in focal lengths for both systems. On a Sony E-mount APS-C format camera, it is equivalent to 24mm, while on a Micro Four Thirds ILC it becomes an effective 32mm medium-wide.

Hands-on with new Sigma 16mm F1.4 DC DN | Contemporary

Sigma claims that despite being a ‘C’ (Contemporary) class lens, the new 16mm should have performance in line with the company’s premier ‘Art’ series. As far as build quality is concerned, that’s definitely true. Mechanically, this lens is gorgeous – something that is exemplified in the large, very smooth manual focusing ring.

Hands-on with new Sigma 16mm F1.4 DC DN | Contemporary

At 92.3mm (3.6 inches) long, the 16mm is relatively compact, but becomes a lot bigger with the included hood attached, beginning to dwarf the Sony a6300 shown in this image. But at 405g (14 oz) it’s relatively heavy for its size.

Hands-on with new Sigma 16mm F1.4 DC DN | Contemporary

Optical construction comprises 16 elements in 13 groups, including two aspherical, two SLD (super-low dispersion) and three FLD (“F” low dispersion) elements. That’s an impressive number of specialized elements and the just-published MTF graphs suggest that sharpness at optimal apertures will be impressive.

Nine rounded aperture blades should ensure pleasant bokeh at wide apertures.

Hands-on with new Sigma 16mm F1.4 DC DN | Contemporary

While Sigma typically doesn’t make any specific claims about weather-sealing, a thin rubber ring around the lens throat should help keep dust and moisture from entering the camera. As you can see from the engraved text in this shot, minimum focus is 0.25m (about 10 inches).

Hands-on with new Sigma 16mm F1.4 DC DN | Contemporary

No details on pricing and availability of the 16mm F1.4 have yet been released, but we’re looking forward to trying out a production sample as soon as they become available.

Articles: Digital Photography Review (dpreview.com)

 
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Hands-on with new Fujifilm X and GF lenses

27 Oct

Hands-on with new Fujifilm X and GF lenses

We’re at the Photo Plus Expo show in New York, where Fujifilm is showing off its new XF 80mm F2.8 R LM OIS WR and GF 45mm F2.8 R WR prime lenses.

First up is the snappily-named XF 80mm F2.8 R LM OIS WR. It’s equivalent to a 122mm prime on X-series bodies, and as you can see, it’s a big lens. It also fills an appropriately big gap in Fujifilm’s historical lens lineup, being the first of Fuji’s X-mount lenses to give full 1:1 macro reproduction.

Hands-on with new Fujifilm X and GF lenses

As usual for Fujifilm’s current lenses, the 80mm offers the option of manual aperture control via a dedicated dial, and a large focusing ring provides very fine control over focus, if required.

Hands-on with new Fujifilm X and GF lenses

The XF 80mm F2.8 R LM OIS WR is optically stabilized, and is rated to provide around 5 stops of correction. This should help greatly in the macro focusing range, as well as making the lens more usable in general, in lower lighting conditions.

Hands-on with new Fujifilm X and GF lenses

Toggle switches on the lens barrel allow the photographer to restrict the lens’s focusing range, as well as activate / deactivate the OIS stabilization system. The XF 80mm F2.8 R LM OIS WR is weather sealed (that’s what the ‘WR’ means) and like all of Fujifilm’s high-end lenses, it’s built to a very high standard of construction.

The Fujifilm XF 80mm F2.8 R LM OIS WR will be available next month for $ 1200.

Hands-on with new Fujifilm X and GF lenses

The Fujinon GF 45mm F2.8 R WR is a very different beast. Designed for Fujifilm’s medium-format GFX 50S, it offers an equivalent field of view to 36mm on a full-frame camera.

Hands-on with new Fujifilm X and GF lenses

At 490g (1.08 lb) the 45mm F2.8 is small and light by the standards of medium format lenses, and should be a useful prime lens for everyday shooting. A broad focusing ring and dedicated aperture control dial allow for manual control if desired.

Hands-on with new Fujifilm X and GF lenses

Optical construction comprises 11 elements in eight groups, including one aspherical and two ED elements. Again, the ‘WR’ designation means that this lens is sealed against dust and moisture incursion – just like the GFX 50S.

The Fujinon GF 45mm F2.8 R WR will be available next month for $ 1700.

Articles: Digital Photography Review (dpreview.com)

 
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