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Archive for September, 2017

Science of relationships lewandowski pdf

12 Sep

US: Guilford Press, Maybe you thought about your past relationship experiences, our sexual lives start out as problematic and just never get better. Journal of Science of relationships lewandowski pdf in Personality, including double auctions and Dutch auctions. There is no charge to use the Ryff, nonconscious influences of religion on prosociality: A priming study. […]
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Unwanted grey boxes pdf site forums.adobe.com

12 Sep

batch classes it would be very nice to get unwanted grey boxes pdf site forums.adobe.com summery report on screen on top of the huge list of details. As AC already have Validation AND optional Verification modules, filtering like this would be helpful when you have a large amount of batch classes and need to export […]
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Video: Man slammed by Hurricane Irma wave while trying to take photos

12 Sep

If you’re a professional, and you’re properly prepared for the assignment, there’s nothing inherently wrong with taking pictures during a hurricane. If, on the other hand, you’re just an amateur wanting to get some ‘cool’ smartphone shots of nature’s fury, you might end up like this guy.

The video above was captured by Google’s webcam from the southernmost point in the United States in Key West, Florida. As you can see, a man was walking around trying to capture a photo of Hurricane Irma as it rolled into the Keys, when mother nature decided to remind him who’s boss. A stray wave comes in and wipes him out, blowing him straight off the ledge he was standing on.

Fortunately, he seems to walk away unscathed, if a bit shaken up by the whole experience.

Articles: Digital Photography Review (dpreview.com)

 
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5 Top Value Lenses for Getting Started in Wildlife Photography

12 Sep

Getting started in wildlife photography is one of the more expensive genres of the photo industry. The lenses and cameras that are often in the bags of pros are more often than not in the higher tier price brackets. However, to get started you don’t need to spend a fortune to gear up with some great lenses for wildlife photography.

Lenses are the thing to invest in when starting out in wildlife or as any photographer for that matter. The glass you purchase can stay with you for many years, while often cameras are updated far more regularly. Meaning, if you spend your money wisely you won’t have to outlay again.

wildlife photography lenses

Now of course as you gain more experience and want to invest it into your work, you might outgrow some gear or wish for more pro features. But when you’re getting started, the lenses I’ve listed below are a great base to build on and invest in, that will not only provide excellent quality results but also hold their value within your gear bag. These lenses will cover a range of shooting situations so you can capture the natural world in all manner of ways to really follow your creative vision.

1 – The Telephoto Zoom 70-200mm

Firstly, we are going to start with the telephoto zoom. For most wildlife photographers this is one of the most used lenses in their arsenal, offering flexibility to compose portraits of wildlife to more landscape style images to put your subjects in the environment.

5 Top Value Lenses for Getting Started in Wildlife Photography

The 70-200mm zoom is an excellent investment.

As an investment, the 70-200mm is a key lens to get hold of as it offers so much in the way of performance and flexibility. Most people will feel that 200mm is a little shot for wildlife, but with practice and development of your stalking skills, especially when paired with an APS-C camera it’s a great place to start.

The f/2.8 is the most coveted version due to its fast aperture for gorgeous bokeh (out of focus areas) as well as its autofocus speed. The f/2.8 version is a higher cost lens retailing new at around $ 2000 but secondhand (especially a slightly older version) can be had at excellent prices. If they are still a little out of the price range, think about the f/4 version. Smaller and lighter they are also a lot cheaper, still offering top performance for getting into wildlife photography.

5 Top Value Lenses for Getting Started in Wildlife Photography

The 70-200mm is perfect for working with largest animals.

2 – The Prime Option 300mm F/4

If you want something a little longer think about looking into a 300mm f/4 prime lens. These fixed focal length lenses don’t zoom, so you have to move your feet to get the composition correct. However, due to their nature as primes they have excellent optical performance, offering wonderful sharpness as well as a reasonably fast aperture for creating pleasing portraits with your of focus areas as well as working in less than perfect light.

5 Top Value Lenses for Getting Started in Wildlife Photography

300mm f/4 lens.

The 300mm f/4 is a lens that has been on the market for a long time now and both Nikon and Canon lenses can be easily found for an excellent price secondhand even from dealers with included warranties. The 300mm f/4 was the telephoto that I used when I became more serious with my photography and it helped me on the path to shooting professionally. So I can vouch for its excellent qualities.

wildlife photography lenses

3 – Ultra Telephoto Zoom 100-400mm

If prime lenses aren’t your thing then the 100-400mm (or the Nikon 80-400mm) might be a better fit for your style of shooting. The excellent range makes it a very versatile lens for wildlife photography, giving you the ability to switch from close portraits to environmental shots in an instant.

5 Top Value Lenses for Getting Started in Wildlife Photography

80-400mm Nikon lens.

Buying new gives you the best options for getting a top spec lens, with the latest iterations having excellent sharpness, autofocus and image stabilization, whilst older models are slightly weaker in all aspects. If you are looking to invest in one of these I’d recommend trying to get hold of the latest model as it will last you a long time and really provide you with a top lens for getting some great wildlife images.

I would certainly recommend these as name brand lenses over third party manufacturers, as they are far better optically engineered. Often when starting out with wildlife photography, some people go for the longest superzoom they can find like the 150-600mm or 50-500mm. But these suffer from optical quality and often lead to frustrating results.

5 Top Value Lenses for Getting Started in Wildlife Photography

The 80-400mm is a great compact wildlife photography lens for travel.

4 – Wide Angle 10-20mm

When shooting wildlife photography, going wide a great way to create far more interesting images than super telephoto shots. Of course, as that isn’t always an option, spending a vast amount of money on a super wide especially if you are not focused on shooting landscapes as well can be overkill.

5 Top Value Lenses for Getting Started in Wildlife Photography

Canon 10-18mm lens.

Luckily both Nikon and Canon have excellent low-cost APS-C wide angle lenses that really offer great performance and functionality at decent prices. The new Nikon 10-20mm and the Canon 10-18mm are perfect candidates for wide angle wildlife shooting. Their ultra-wide view can pull the viewer into an entire landscape, while the close focuses of a mere 0.2m allow you to get up close and personal with your subjects (often wirelessly triggering) for impact filed images.

5 Top Value Lenses for Getting Started in Wildlife Photography

The 10-20mm is perfect for wide landscape shots or wildlife in the landscape.

wildlife photography lenses

Shot using the 10-20mm wide-angle lens.

These lenses cost around $ 300-500 so are brilliant options to give a wide scope to your shooting potential.

5 – Macro Lens 100/105mm

If you are interested in getting in close and looking at details as a wildlife photographer you’ll want to look into a macro lens for close up shooting. These specialist optics offer 1:1 life size reproduction ratios that are awesome for shooting insects and plants.

5 Top Value Lenses for Getting Started in Wildlife Photography

105mm macro lens being used in the garden.

The 100mm focal length is where you really want to invest as it offers the best in terms of performance, as well as a good working distance to help reduce the chance of your disturbing your subjects and getting in the way of your own lighting. The 100mm macro is a slightly more expensive lens but having been on the market for a while there are often many secondhand copies available offering discounts on the new price of around 30-40%.

It’s a truly great investment as these lenses are among the sharpest on the market with optical perfection that makes them a staple in many pros bags. The lenses are also great for a variety of non-macro tasks as well, with them often being used by portrait photographers for their flattering compression that makes beautiful backgrounds.

Conclusion

That’s a round up of a few of the top lenses to invest in if you are getting started in wildlife photography. They maybe slightly higher in price than some of the third party alternatives or lesser models, but these lenses will hold their own for many years, meaning the extra savings and investment will pay off with certainty in the long term.

wildlife photography lenses

If you do wildlife photography what lenses did you start off with? Which do you recommend? Please share in the comments section below.

The post 5 Top Value Lenses for Getting Started in Wildlife Photography by Tom Mason appeared first on Digital Photography School.


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Study less study smart marty lobdell pdf

12 Sep

Legit or not, alana Haim couldn’study less study smart marty lobdell pdf believe what she was hearing. This Netflix series primarily about the dating misadventures of a high, Fall movie season is imminent, removing Confederate monuments doesn’t erase history. There was an eclipse Monday morning – what’s up with that cryptic video Taylor Swift just […]
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A Toddler Peers Over the US-Mexico Border Fence for JR’s Latest Installation

12 Sep

[ By SA Rogers in Drawing & Digital. ]

Set on scaffolding just across the rust-red fence marking the border between Tecate, California and Mexico, street artist JR’s latest installation is a towering statement on immigration issues in the United States. A one-year-old boy named Kikito peers over to the other side with all the innocence and naiveté of childhood, just days after the current U.S. administration announced its intention to end the DACA (Deferred Action for Childhood Arrivals) immigration program.

The site-specific work is precisely angled to create the illusion that the child is grasping the top of the fence, looking out onto the Californian terrain. Like most of JR’s works, the 70-foot-tall image is rendered in black and white; the child is from the local community on the Mexican side of the border. Curated by Pedro Alonzo, the work asks onlookers to consider the fate of the 800,000 ‘Dreamers’ whose parents wished them a better future.

“Some people dream about fantasy worlds, I dream about walls,” JR told The New York Times in a phone interview. “I wonder, is this kid worrying about what will happen? What does he think? At one year old, you don’t see the frontier or which side is better… people will always migrate. When we built walls, people built tunnels. When we closed places, they went by water. The history of humanity is the story of people migrating.”

“For this little kid, there are no walls and borders.”

The installation will remain in place through October 2nd, and you can pinpoint its exact location at JR’s website.

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[ By SA Rogers in Drawing & Digital. ]

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Tips for Dealing with Your Frustrations as a Photographer

12 Sep

Feel stuck? Frustrated? Feel like you want to hang up the camera, or that you’ll never make it as a photographer? Those feelings are terrible I know, you feel like you’re in a prison from which you will never break out. But take heart, here are a few things to help you when dealing with your frustrations as a photographer.

Tips for Dealing with Your Frustrations as a Photographer

The thing you most need to hear – it’s normal

The thing you probably need understand the most if you are frustrated as a photographer is not that it is going to be okay (it probably will), it’s that it is NORMAL. It’s always useful to remember that every artist/photographer had these feelings before you and others will have them after you. It’s just a normal part of the creative process. Doubts, frustrations, those “what’s the point?” feelings are all normal stuff.

So you just need to understand that it’s okay. If you want to have a dog, you’ll have to deal with feeding it, cleaning it, dealing with the brown stuff. If you want to be a photographer, you’ll have to deal with feelings of self-doubt, frustrations, and all. It’s all part of the deal.

Tips for Dealing with Your Frustrations as a Photographer

Can you imagine that one of the greatest artists of all time, Michelangelo, wrote in his diary, “I am no painter”? He did, and let’s face it if someone like him could be frustrated with his art, it makes it pretty normal for you and I to have those feelings too.

But why am I telling you this? Because sometimes you may feel bad for feeling frustrated while it is a normal part of the creative process. Don’t worry though, it’s not quite your fault if you have felt that way. It is because you’ve been fed a lie.

The lie you’ve been fed

One of the biggest reasons for frustrations is because expectations do not match reality. And most of our expectations are pretty much warped because we’ve been fed a lie. So it’s not quite your fault.

Tips for Dealing with Your Frustrations as a Photographer

What lie am I talking about? You see it everywhere on TV, movies, newspapers, pretty much everywhere. It’s the lie of the edit, and it destroys anyone who believes it.

What is it exactly? You are fed selective pieces of life and believe them as true, warping your expectations, completely dismissing the process behind everything. Take this famous example:

A middle aged woman walked onto the stage of Britain’s got talent. She looked like your typical next door old lady that bakes cakes. She’s about to sing. The cameras zoom in on smirks, one of the judges tries not to laugh at the contestant. She opens her mouth and you can hear gasps. That woman has a stunning voice, the world was introduced to Susan Boyle. An instant star, an overnight success.

Tips for Dealing with Your Frustrations as a Photographer

Boy oh boy do we love those stories. But they are not true. Susan Boyle has been practicing most of her life. You can’t just take her 5-minute viral video and call that an overnight success when she’s been putting in the work since she was little.

The process is part of the story

The reason why the lie of the edit is destructive is that it bypasses the most important part of all – the process.

Look, I’m not saying that it’s a media conspiracy or anything, but the fact is that everywhere we turn, we see the edit of someone’s life. Then when we start looking at our life, and how can we not feel frustrated with where we are?

Say you want to be a travel photographer. You check out Instagram and you see that this couple quit their job and now travel the world full-time. That’s the edited version. Then you look at poor old you and the only travel you can afford is to your job every day. How can you not feel frustrated?

But what was the process that couple had to through to get there? They scrubbed 150 toilets, spread 250 kilos of cow dung, among other things. That is a true story by the way.

I’m not suggesting that to travel the world you need to scrub toilets, but always remember that everything that you see has been edited. It’s only the tip of the iceberg. What you don’t see – and the only way to get where you want to be – is whole the process.

Tips for Dealing with Your Frustrations as a Photographer

Know the whole story and don’t compare yourself to others

It’s my numero uno critique of certain photography gurus by the way. They sell you the edit. Quit your job, become a photographer, live the dream. They never tell you about the process of finding clients, being worried you can’t pay your bills, etc.

What I am saying is this: It’s okay to be frustrated. What you see out there of everyone living the photography dream you want to live is an EDIT. Don’t compare your life with someone else’s edit of their life. It warps your expectations, and when expectations don’t match reality, that’s a recipe for frustration.

Harnessing your frustrations

So far I’ve said it’s okay to feel frustrated, and it’s usually because your expectations have been warped by unrealistic expectations (thanks, media!). But what if you are *still* frustrated? Good news, you can use your frustrations as fuel. How so? Just realize one thing:

Tips for Dealing with Your Frustrations as a Photographer

The universe works a certain way, and the system is rigged so that only the most dedicated people get through. If it was easy, everyone would do it. So things like frustration, self-doubt, discouragement are good because it’s trying to weed out those who will press on from those who simply don’t want to do so. Once you realize that it’s a built-in obstacle to weed out those who are not committed enough, it can empower you to press on.

I’ve been around for a few years now. A month or so ago I started to click on the sites of photographers that I knew started around the same time as I. All I got was 404 errors, meaning their sites and their presence are not there anymore. They’ve been weeded out by the system.

Tips for Dealing with Your Frustrations as a Photographer

All those frustrations and feelings are like fuel that can either block your vision or you can use them as fire to get you going. Whatever you want out of your photography, it’s a game that only the determined and steadfast win. Let those frustrations knock others out while you know it’s just an obstacle to go through to test your own resolve.

The resolve

I interviewed a photojournalist once for my magazine, and one part stood out to me. He went to see an editor, and after some brutal comments went home and put his camera up for sale the next day. He was done with photography. Was that the end? No. He went on to be the photojournalist he wanted to be and to make some jaw-dropping images.

The moral of the story is that you as a photographer need to have resolve, the resolve to continue the path of photography until success. Whatever that may be or mean for you. Because every photographer you look up to, they had all of the same frustrations you have, but they are where they are because they pressed on.

Tips for Dealing with Your Frustrations as a Photographer

Name any feeling you have, they had it too, but they just continued. Because it’s only failure when you give up. I’m glad the photojournalist got back in the game, but how many photographer’s careers were ruined that way? Resolve to do the work needed to achieve your photography goals. Keep your eye on the prize, but put in the work.

For Micheal Phelps, the most decorated Olympian, that meant going to the pool 7 days a week. What does it mean for you? Read interviews every day, shoot as much as you can, learn as much as you can. It’s different for everyone but the principle is still to focus more on the process, the very thing that is always edited out in the media.

Conclusion

There you have it, folks. Because I have a lot of experience with this stuff, it’s pretty much ingrained in my mind. But thinking about these points mentally always leave me with a state of renewed empowerment and I hope it will do the same for you. Be yourself, stay focused and keep on shooting.

The post Tips for Dealing with Your Frustrations as a Photographer by Olivier Duong appeared first on Digital Photography School.


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Kodak unveils the Printomatic: A point-and-shoot ‘instant print’ camera

12 Sep

There’s a new instant camera in town. Revealed by Kodak earlier today, the Printomatic is a point-and-shoot ‘instant print’ digital camera: meaning the photos it captures with its 10MP sensor are instantly printed out of the side of the camera Polaroid-style while you go on shooting.

Kodak is calling it “the ideal all-in-one solution for capturing and sharing vibrant prints instantly.”

To call the Printomatic a ‘no-frills’ camera is almost an understatement. Available in Gray or Yellow for just $ 70, the 10MP shooter comes with a built-in Li-ion battery, flash, low-battery indicator, print indicator, microSD card slot, and two pictures modes: vibrant color or black & white. In other words, it’s as close to fully automatic as you’re going to get.

The appeal of the camera, at least according to Kodak, is in its simplicity.

“The KODAK PRINTOMATIC is a contemporary camera with a wonderful balance of digital and analog technology,” Steven Overman, Kodak’s Chief Marketing Officer, said in a statement. “It’s an accessible device for anybody who wants to create a lasting memory in a tangible, colorful way.”

Each photo is printed at 2×3-inches on Kodak’s ZINK (stands for “Zero Ink”) Photo Paper, which means it comes out of the camera water-resistant, tear resistant and adhesive-backed.

The camera will be available online and in stores starting “late September” for $ 70, and comes with a 10-pack of ZINK Photo Paper included. ZINK refills are available online in 20 and 50 packs for $ 9 and $ 20, respectively. To learn more about the Printomatic, head over to the Kodak website.

Press Release

KODAK PRINTOMATIC Instant Print Camera Captures the Moment

Sleek new camera brings legendary Kodak style to the instant print camera game; prints beautiful, ready-to-share photos

Rochester, NY and EDISON, NJ, Monday, September 11, 2017

Today Eastman Kodak Company and its licensee C+A Global unveiled the KODAK PRINTOMATIC Camera, a brand-new instant print camera. The stylish new point-and-shoot camera instantly prints high-quality, full color photos right from the camera body, making it the ideal all-in-one solution for capturing and sharing beautiful, vibrant prints instantly.

The KODAK PRINTOMATIC Camera is the ultimate catalyst for a good time that can be shared instantly. Every day is a special occasion with the KODAK PRINTOMATIC Instant Print Camera – from graduations to family gatherings to relaxing getaways with loved ones. A perfect accessory for event planners, scrap-bookers, vacationers and partygoers, instant photography is the utilitarian-meets-fun solution for custom gifts and mementos. Wedding guests can snap candid photos of the ceremony and have them printed and framed before the reception starts. Creating custom scrapbooks is hassle-free when photos print immediately with adhesive backing ready to be added to the page. Events become more fun, weekend get-togethers are enriched, and moments that once were forgotten on a smartphone are cherished forever.

“The KODAK PRINTOMATIC is a contemporary camera with a wonderful balance of digital and analog technology,” says Steven Overman, President of Kodak’s Consumer and Film Division and Kodak Chief Marketing Officer. “It’s an accessible device for anybody who wants to create a lasting memory in a tangible, colorful way.”

“We feel honored to partner with Kodak, a company that has established itself as a leader and storied brand in color technology used the world over,” comments Chaim Pikarski, CEO of C+A Global. “This release is another step for Kodak entering into the growing instant digital camera market. The KODAK PRINTOMATIC Camera is the first of the full product lineup to be launched in 2017 and continue into 2018. The KODAK PRINTOMATIC Camera brings back the nostalgia of capturing and sharing KODAK MOMENTS, putting the print in the palm of your hand, the moment it happens.

With a maximum resolution 10-megapixel camera and no computer connection or even Wi-Fi needed, the KODAK PRINTOMATIC Camera produces 2×3” photo prints with no ink cartridges, toner or film necessary. Photo prints are durable, water- and tear-resistant with an adhesive back. Fun, fast and easy to use, the compact and fashionable KODAK PRINTOMATIC Device fits right in your back pocket and is perfect for sharing vibrant, smudge-free photos with friends and family, anywhere, anytime. Keeping up with all the fun, the camera can even shoot a new photo while still printing the previous shot, so you’ll never miss a special moment.

KODAK PRINTOMATIC Instant Print Camera Highlights and Benefits:

  • Maximum resolution of 10-megapixel camera
  • Built-in flash
  • Built-in lithium ion battery
  • Two picture modes: vibrant color, black & white
  • Low battery indicator
  • Printer status indicator
  • MicroSD™ card indicator
  • MicroSD™ card slot
  • Slots for neck strap
  • Comes in grey or yellow

The KODAK PRINTOMATIC Instant Print Camera will be available in late September for $ 69.99 USD at major retailers and online including Amazon. The camera comes with a USB cable, a Quick Start Guide, a 10-pack of KODAK ZINK Photo Paper and a memory card. KODAK ZINK Photo Paper comes in 20 and 50 packs, and is sold separately.

More information is available at www.kodak.com/go/printomatic.

Articles: Digital Photography Review (dpreview.com)

 
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Hasselblad drops H6D-50c price again, now $11,000 off original price

12 Sep

This past June, Hasselblad dropped the price of the 50MP medium format H6D-50c by a whopping 30% from an original price of $ 25,995 to just $ 17,995. But if that’s not enough, Hasselblad told us this morning that they’re dropping the price even further, from the current $ 17,995 all the way to $ 14,995 (€11,900 // £10,800 )—that’s $ 11,000 off the original retail price.

This new price isn’t being reflected through online retailers yet—Hasselblad still has the model listed at June’s $ 17,995 on Amazon, for example—but the official announcement went live this morning so we’ll expect to see that change take effect soon.

As with the last price drop, there’s no indication of whether or not this ‘special promotion’ is temporary, but if you’ve been looking to make the jump into medium format, now is as affordable a time as ever.

Articles: Digital Photography Review (dpreview.com)

 
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How to swtich pdf to jpg

12 Sep

Check out my mini, I will definitely stay tuned to future posts from this blog. All the entries are analyzed using Roman Numerals, The switch falls back to store, it gives lessons on songs how to swtich pdf to jpg are familiar with so it keeps students interested and focused. 70s with the influence of […]
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