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Archive for June, 2017

23 Remarkable Mirror Images of Reflections

08 Jun

Mirrors are not the only things that can provide a good reflection. Look around and see what other things can provide a good mirror image.

These 23 images are great examples of how to photograph a reflective surface and reflections creatively. Enjoy.

By Jacob Surland

By Glenn Simmons

By M.G.N. – Marcel

By Pablo Fernández

By Bruce Irschick

By Elizabeth Haslam

By Rüdiger Stehn

By Jim Choate

By Michael Levine-Clark

By Ken Douglas

By Chris Sorge

By josef.stuefer

By Bernat Casero

By Ramesh SA

By Dianne Lacourciere

By Chrissy Wainwright

By Arild Storaas

By Max Milkovitsch

By Theophilos Papadopoulos

By Mario

By Susanne Nilsson

By Laurent Ribot

By ANDY ARCIGA ( www.arcigaandy.com )

The post 23 Remarkable Mirror Images of Reflections by Darlene Hildebrandt appeared first on Digital Photography School.


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Latest “Shot on iPhone” commercial puts focus on iPhone video capabilities

08 Jun
After previously mostly concentrating on still imagery Apple’s latest iPhone commercial showcases the iPhones video mode by combining several clips that were shot by iPhone owners. There are nature scenes, including beaches, mountains, animals, insects, and ice floes, but also some scenes that feature human subjects.
The soundtrack draws a thematic link by using a recording of astronomer Carl Sagan reading an excerpt from Pale Blue Dot, warning about the fragility of human existence and the importance of protecting the Earth.
While the footage looks impressive it’s important to mention that a footnote at the end of the video says that “additional equipment and software” were used in some or all of the featured videos.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Reflections

08 Jun

Reflective surfaces can be difficult to photograph – a “challenge” even! Here are a few examples of images of reflections to get you started.

By Theophilos Papadopoulos

Weekly Photography Challenge – Reflections

Your challenge this week is to find some reflective surfaces and photograph them in a creative way. Some sources for reflections might include:

  • Windows
  • Puddles
  • Lakes and rivers
  • Chrome (fenders and car parts)
  • Actual mirrors
  • Sunglasses
  • Roads and sidewalks after the rain
  • Plexiglass or shine countertops

By Jeff Wallace

By Gavin Golden

By Jamie McCaffrey

By Dan Masa

By Vince Young

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Share in the dPS Facebook Group

You can also share your images on the dPS Facebook group as the challenge is posted there each week as well.

The post Weekly Photography Challenge – Reflections by Darlene Hildebrandt appeared first on Digital Photography School.


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How to Make and Apply a Bokeh Overlay Using Photoshop

08 Jun

Bokeh overlays are an excellent way to add a trendy stylized look to your portraits. You can purchase overlays, but I would instead suggest making your own. It’s easy, fun, and best of all, it’s free!

In this video, I take you through the process of making and applying a bokeh overlay to a portrait using Photoshop. You will also learn to how to color tone your image to create a stylized look.

How to Make Your Own Bokeh Overlays

You can create bokeh overlays from almost any photo that is not too bright, and which has good contrast. The photos themselves do not have to be great photos at all; they can even have boring subjects and be totally out of focus.

To demonstrate the power of this technique, we will work with two bad cell phone pictures; a photo of a hamburger and a photo of a street.

How to Make and Apply a Bokeh Overlay Using Photoshop

It’s a good idea to look through your phone and experiment with the photos that you already have.

To create a bokeh overlay, place the image into your working document by going to File > Place Embedded. Once the image is in the Layers panel, right-click on it and select Convert to Smart Object. This will make it so that any filter that you apply is non-destructive and you can edit it later if you need to.

To blur the image, and get the bokeh effect, go to Filter > Blur Gallery > Field Blur.

Start by dragging the Blur slider to the right to make the image blurrier. In most cases, you’re going to want to keep the bokeh small, so don’t take the blur slider past 200px.

How to Make and Apply a Bokeh Overlay Using Photoshop - field blur

You can then fine-tune the effect by adjusting the Light Bokeh, and the black and white points in the Light Range. You can introduce more colors to your bokeh effect by dragging the Bokeh Color slider to the right.

Here are my results:

How to Make and Apply a Bokeh Overlay Using Photoshop

How to Applying a Bokeh Overlay to Your Photo

Once you have made your bokeh overlays, you can apply them to any image by using layer Blending Modes.

For this type of effect, the Screen Blending Mode will be the best to use in most cases. But you can try any of the Blending Modes in the Lighten Category to see if they can give you a result that works better for your image. If you’re not familiar with Blending Modes and how they work, then check out this comprehensive look at Blending Modes where I explain each one in detail.

The Screen Blending Mode allows you to keep the bright pixels of an image and hide the dark ones. In this case, the bokeh is bright, so it will stay, and it will hide the darker background.

How to Make and Apply a Bokeh Overlay Using Photoshop

How to Use Layer Masks to Hide Problematic Areas

Some overlays will not be perfect matches for your photos. Sometimes the bokeh may cover up important parts of the portrait, such as the eyes or even the entire face. Create a layer mask and paint on the mask with black to hide those problematic areas.

When you paint with black on a layer mask, you hide pixels. To reveal them again paint on the mask with white. Painting with different levels of gray will give you different levels of transparency.

How to Make and Apply a Bokeh Overlay Using Photoshop

Use Levels to Change How the Bokeh Blends

The bokeh overlay may not give you the best results by simply changing the Blending Mode to Screen. In many cases, you will have to modify the luminosity of the layer to change how the bokeh blends. Remember, the Screen Blending Mode reveals bright pixels and hides dark pixels.

By using a Levels or Curves Adjustment Layer, you can control the brightness of the layer which will control how much of the bokeh is revealed. When using an Adjustment Layer add a Clipping Mask to make sure that the changes only affect the bokeh layer. To clip an Adjustment Layer to the layer blow it, you can press Command/Control+Option+G.

How to Make and Apply a Bokeh Overlay Using Photoshop

Apply a Color Tone to the Image

To finalize the stylized effect, you can color tone your image by using a Selective Color Adjustment Layer.

Under the Colors dropdown menu select Blacks and slide the Cyan slider to the right, and move the Yellow slider to the left to subtract yellow. Doing so will add a blue tint to the shadows, and it will give your image a retro feel.

How to Make and Apply a Bokeh Overlay Using Photoshop

You can watch a video of the whole process below:

Conclusion

Here is the before and after comparison of the image.

Before tutorial

Before

Finished tutorial

After

There it is, a quick and easy way to make and apply your own bokeh overlays. Try it and please share your images in the comments below.

The post How to Make and Apply a Bokeh Overlay Using Photoshop by Jesus Ramirez appeared first on Digital Photography School.


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Phase One introduces ‘Styles Packs’ for Capture One

08 Jun

Phase One will begin offering image adjustment presets for its Capture One Pro editing software. Presets will be sold in Styles Packs, each with 15 to 18 individual Styles. Each Style applies automatic adjustments to an image without touching parameters like white balance and exposure – Phase One emphasizes there’s plenty of latitude for the user to adjust an image to taste before and after a Style is applied.

Phase One is offering a bundle of five styles free of charge if you’d like to try before you buy. The full list of Style bundles are listed in the press release below; head to phaseone.com/styles for more information.

Press release

Phase One Releases Capture One Styles Packs

Designed to accelerate the creative process

COPENHAGEN, June 8, 2017 — Phase One today announced Capture One Styles Packs. Applying a specific Capture One Style to a selected image transforms its ‘look and feel’ by implementing multiple image adjustments, without affecting key capture parameters such as exposure, white balance or levels. Each Style offers users plenty of scope – both before and after applying it – to further edit the image. One click offers Capture One Style users the opportunity to accelerate their creativity and improve their image editing process.

A Capture One Styles Pack contains up to 18 different Styles focused on a specific theme. This flexible offering builds on recent enhancements in Capture One Pro 10.1, such as an easier preview of large style collections and nested style collections. It is designed to deliver greater speed and efficiency when editing multiple images.

Ease of use has been a central design consideration for Capture One Styles Packs, which make them suitable for all photographers – from experienced users to those who are just beginning to work with Capture One.

Capture One Styles Packs released today include:

  • Cinematic – 18 unique Styles
  • B&W – 15 unique Styles
  • Matte – 16 unique Styles
  • Seasonal – 15 unique Styles
  • Essentials – 16 Styles compiled from the above Styles Packs
  • 5 Styles are available for download as a free sample package

For Styles examples and usage guidelines, please see: phaseone.com/styles

Pricing and Availability
Styles Packs for Capture One Pro 10.1 are available now at the Phase One e-store: phaseone.com/styles-store

Each Styles Pack, containing 15-20 styles, for Windows and Mac operating systems is priced at 69 USD. A basic Styles Pack containing 5 Styles is available as a free trial.

Capture One version 10.1 or newer is recommended for the best user experience. Version 10.1.2 is necessary for Capture One Express (for Sony) users. The packs are simply installed with a double-click, importing via the new and improved Styles and Presets tool, or by dragging-and-dropping the Pack to the Capture One menu icon.

Articles: Digital Photography Review (dpreview.com)

 
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How To Do Freelensing – Budget Tilt-Shift Photography

08 Jun

Photographers are always looking for new and interesting ways to create images. But even as a hobby, photography can be a very expensive venture. Camera bodies, memory cards, bags, tripods, lenses, it can all add up to one seriously prohibitive price tag. But all is not lost! We photographers are a clever bunch, good at developing DIY tricks to minimize costs. One of these is a handy little trick I discovered for budget tilt-shift photography. While it’s not perfect, the technique does work pretty well in simulating a tilt-shift lens without the price of an actual tilt-shift lens.

How to do Freelensing for Budget Tilt-Shift Photography

How to do Freelensing for Budget Tilt-Shift Photography

How to do Freelensing for Budget Tilt-Shift Photography

I knew keeping around an old graphics card would have its uses. The freelensing effect gives the impression that the little nodes on the computer board are buildings in a city.

Tilt-shift…what?

Tilt-shift photography is used to control the part of an image that appears sharp. By adjusting the knobs on the barrel of tilt-shift lens upward/downward (tilt) and side to side (shift) you can be extremely select about the area of focus, allowing for only a very small portion of the photograph to be sharp. By changing the angle of the lens relative to the camera body, you also have greater control in changing the perspective in an image too.

Tilt-shift lenses are often used in architectural photography. For example, if you take a photograph of a building from below, the lines of the building will appear to converge, and it will look as if it is leaning away from the viewer. A tilt-shift lens realigns convergence by moving the lens parallel to the sensor, without having to physically move the camera much further back.

So what is freelensing?

How to do Freelensing for Budget Tilt-Shift Photography

Freelensing is a technique of letting your lens run free of the camera body! Tilting an unattached lens in front of the camera’s docking point simulates the selective focus of a tilt-shift lens. But first things first.

As the proud owner of a camera baby, you may be thinking to yourself, “Is it actually safe to remove the lens from a camera for extended periods?” The answer is yes… and no. While the camera will function fine without a lens attached, there is a greater chance of dust entering the body and ending up on your sensor. That’s why I strongly recommend trying this project out on a spare or old camera you may not use anymore. Sensor cleaning is expensive so proceed at your own risk.

Method

The method for tilt-shifting with a detached lens is fairly straight forward but takes a little preparation. I recommend using a prime lens, because it’s lighter and simpler, with less moving parts. Before detaching your lens, line up the shot and set the camera to manual mode. You may want to use a tripod to reduce camera shake. Meter and adjust your exposure settings and switch the lens to manual focus. Now, detach the lens and hold it about a centimeter (1/2 inch) from the lens cradle.

Have a look through the viewfinder. At first, you may only see blurry versions of the subject, that’s normal! Keeping the lens close to the camera body, and slowly begin tilting the angle of the lens from side to side. Tilting the lens to the right means that the left side of the image retains the most focus, and vice versa.

Take advantage of the light peeking into the gap between the camera and the lens. Achieving atmospheric bokeh and soft light effects are another great reason to try out freelensing. Try taking photographs at different times of the day and under different lighting conditions.

One of the downsides of this method is that achieving perfect focus is almost impossible, but with a bit of adjusting, you can come pretty close. Even the slightest of movements can affect the outcome of the image dramatically, but you will get a feel for it sooner than you might think.

The light leaks peeking through the gap between the lens and the camera body make for some beautiful atmospheric images

Here’s a blast from the past! The contrasting colors and textures of the Tamagotchi and the fluffy blanket make a dynamic juxtaposition enhanced by the freelensing technique.

Conclusion and give it a try

Freelensing is a fun and simple way of experimenting with tilt-shift photography. Once you have a handle on the technique, head out into the world!

Aim to photograph scenes that have a variety of depth. Tilt-shift photography isn’t as effective when used to photograph a scene that is consistently the same distance from the camera. Try looking for subjects that trail off into the distance. Good examples are densely wooded forests, long, straight streets populated with people, fields of flowers or a line-up of dominoes.

Give it a try and share your images in the comments below. I look forward to seeing them. Happy freelensing!

The post How To Do Freelensing – Budget Tilt-Shift Photography by Megan Kennedy appeared first on Digital Photography School.


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Worth a Thousand Words: The Story of a Photograph

08 Jun

Whether an image is spectacular or otherwise, a photograph is a representation of all the words that we choose to say…or not say. Photography is a medium, unique to perhaps all other mediums, which has the potential to convey thoughts and feelings without saying a word. You might say it’s worth a thousand words.

In today’s current photographic climate which is saturated with selfies, cellphone snaps, and impromptu portraits, have we forgotten the weight a photograph can carry? It’s an easy mistake to make and also a crime that we all commit from time to time. In case you have managed to forget, allow me to remind you of just how important the photographs you make can truly be.

Worth a Thousand Words: The Story of a Photograph

Photographs represent ourselves and how we see the world

The images that spew forth from our cameras are more than just bits of film or clusters of ones and zeros. Photographs are representations. Not just representations of time and events, of light and shadows, and splashes of vibrant colors. No, a photograph speaks to our own emotions and to the thoughts and emotions of others. They allow us to express our own feelings and inner workings in a uniquely personal way.

The photo could be a portrait that snatches a piece of the person’s elation or sorrow. It could be a photo of a morning sunrise reaching up over a snow covered mountain. Whatever the image is, there lives inside it the potential power to unveil a moment of emotionalism that may otherwise have remained covered.

Worth a Thousand Words: The Story of a Photograph

Like all forms of art, that power connects our mind (or even our soul) to that of the viewer, however briefly.

Photographs are records of reality

I’m about to say something that is completely arguable, non-provable, and likely inflammatory – even though it’s not intended to start a debate. Brace yourselves because here it goes….

Photography is one of the only artistic mediums that can portray the static reality of time and events fluidly mixed with personal expression.

Worth a Thousand Words: The Story of a Photograph

What I mean is that a painting displays a world that is filtered through the artist’s physical movements. The same is true for sculpture and other tactile forms of art. While the beauty and emotive content are absolutely the same in these other mediums, photography differs immensely in that it records the same world we all see, free of physical (usually) interruptions brought on by the photographer.

Worth a Thousand Words: The Story of a Photograph

The inherent merits of photography are that our images capture still moments of reality which is readily viewed all around us. A photograph, after all, is just a picture of “something.” Hence, it’s simply a record of different points of reality. The magic happens, and thus the art, when the image is captured in such a way that it become more than just the sum of its parts.

Worth a Thousand Words: The Story of a Photograph

It transcends the simple nature of being just a picture. If that sounds a little deep that’s because it is – but it’s also true. Making an image is more than just pressing a button. It’s a capture of a moment in time that will never come again. Always remember that every photograph you make has the ability to transport a viewer to a place and time they have never been and could never have witnessed otherwise.

Photographs are mechanisms of change

Photographs show what is good and right with our world. Just as true, photographs document what is all too often ugly, cruel, and evil as well. This duality itself is beautiful because it means that photography can be a powerful conduit for change. As first-hand accounts of events and human nature, photographs are visceral mechanisms that can spur awareness and make people take notice.

Worth a Thousand Words: The Story of a Photograph

Photos help in raising political advocacy which can affect the policies of entire nations and governments. They show the wonders of our natural world so that those places can be protected for the countless generations which will come after we are gone. They demonstrate the determinants of pollution, climate change, and species degradation that might otherwise have gone unnoticed.

Worth a Thousand Words: The Story of a Photograph

Seeing, after all, is believing. And nothing makes people see more than does a strong photograph.

Never forget…

Not all photographs have to be powerful expressions for social change or be plastered on the covers of national magazines in order to be important. I mean, making photographs is just plain fun…especially to fellow photo geeks like me. Sometimes we make images that are only meaningful to us and eventually end up in the trash bin.

Worth a Thousand Words: The Story of a Photograph

Still, we should never forget the weight that our work can and does carry. Our photographs speak loudly and sometimes they whisper. But they do speak. Always remember that. Be mindful of what your photographs might say…and just as importantly, the words they leave out.

The post Worth a Thousand Words: The Story of a Photograph by Adam Welch appeared first on Digital Photography School.


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Gallery: Shooting a music festival with the Nikon D7500

08 Jun

The Nikon D7500 uses the same sensor and processor as the APS-C flagship D500, as well as the same high-res metering sensor. Though the 51-point AF system is unchanged from the D7200, the camera is seriously capable when it comes to photographing quickly moving subjects: It can shoot as fast as 8 fps with continuous autofocus and has an impressive buffer of up to 50 continuous Raw files.

We brought it along to an all day music festival in Seattle’s SoDo neighborhood where challenging lighting coupled with lively musicians thrashing around gave us the perfect chance to push the camera’s abilities. We mostly shot using 3D tracking in various auto exposure modes and initial impressions are positive.

Of course, these images could benefit from a little time in ACR. Once we get Raw support, we’ll add conversions as well as more samples.

See our Nikon D7500 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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How To Choose Gear For Travel Photography

08 Jun

Changing and missing flights, running to catch buses or hiking mountains is part of any beautiful trip story. But what can we do when we have at least 5 kilos in our backpack and we need all of it? You might already know what I am talking about. This is our HOLY photography gear. We can’t make compromises. We need Continue Reading

The post How To Choose Gear For Travel Photography appeared first on Photodoto.


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New Sony a9 firmware fixes overheating warning

08 Jun

Over the last few days we have seen reports from photographers who had an overheating warning icon appear on the camera display when shooting with the Sony a9 in warmer weather or indoors. It appears that in none of the reported cases the camera actually overheated and shut down and it’s Sony’s overheating warning function that is a little bit overzealous.

Sony has now fixed the problem with firmware version 1.01 for the Sony Alpha A9. In the change log it simply says ‘This utility updates the camera firmware to version 1.01 and improves the overheating warning functionality.’ You can select your operating system and download the firmware from the Sony support website now.

Have you had issues with the a9’s overheating warning? Has the problem been solved by the new firmware? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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