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Archive for January, 2014

High Security: 150 Creepy Cameras Installed on 1 Blank Wall

03 Jan

[ By WebUrbanist in Art & Installation & Sound. ]

wall camera full picture

If you ever get that feeling you are being watched, well, for once it really is just your imagination – this fleet of surveillance cams is inactive but still startling to anyone caught by surprise. All they are missing is some George Orwell birthday party hats.

wall camera big picture

wall camera relentless focus

wall camera 2d illusion

Street artist SpY, known for large and thought-provoking interventions, really lives up to his nom de plume in this installation set alongside a side street in Madrid, Spain.

wall camera artist shadow

wall camera close up

wall camera art array

Catching passers by off their guard, the neatly-arranged series features one hundred and fifty security cameras all pointed in roughly the same direction, all causing a cumulative sense of distinct unease that is only slightly irrational upon reflection.

wall camera one direction

wall art camera installation

wall camera full view

While the prop cams are both inactive in practice and redundant in theory (since they all appear to be looking at the same spot), the effect of feeling watched by many eyes is still disproportionately unsettling.

wall camera alley view

wall camera crane veritcal

The construction process was painstaking, involving a crane and the manual attachment and alignment of each camera along a carefully-planned grid.

wall camera installation process

wall security cams art

Aside from their uniform focus, the consistent color and style of each unit adds another level of discomfort to the mix, like a marching army of emotionless robotic agents in some dystopian science fiction film.

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[ By WebUrbanist in Art & Installation & Sound. ]

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Samsung adds premium and consumer 16-50mm lenses to NX system

02 Jan

16-50mm-F2-2.8-S-ED-OIS-Lens-2.png

Samsung added two new lenses to its NX mirrorless camera lineup, one for pros, and another designed to serve as a smaller alternative to the kit lens. Both lenses range from 16-50mm, but the first is a premium design with the ‘S’ designation, whose bulkier design accommodates an F2.0-F2.8 aperture and optical image stabilization. The second lens is a retractable F3.5-5.6 power zoom with OIS, which the company says offers improved performance over the 18-55mm kit lens. 

News: Digital Photography Review (dpreview.com)

 
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2. Januar 2014

02 Jan

Ein Beitrag von: the artist formerly known as knackwurst

Fussball, Tor, Schnee, Winter, Blau, Weiß


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Samsung NX30 adds tilting EVF, improved display, more Wi-Fi features

02 Jan

NX30-and-18-55mm-2.png

Samsung’s latest flagship mirrorless camera has arrived, in the form of the NX30. It borrows the 20 megapixel sensor and Hybrid AF system from the NX300, but has a more traditional design. The standout feature is the camera’s XGA electronic viewfinder, which can be pulled away from the camera and tilted up as much as 80 degrees. The fully articulated 3-inch AMOLED display is 70% brighter than the screen on the NX20. The Wi-Fi feature has been beefed up, adding NFC support and a more robust remote control app. Find out more about the NX30.

News: Digital Photography Review (dpreview.com)

 
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The 3Pod P5CRH Tripod – A Review

02 Jan
The 3Pod P5CRH tripod is a reliable option for photographers looking for an affordable carbon-fiber tripod system.

The 3Pod P5CRH tripod is a reliable option for photographers looking for an affordable carbon-fiber tripod system.

Sitting down to write a review of a tripod is actually more difficult that it sounds. When a new camera model hits the market, it often boasts significant changes over the model it’s replacing. Faster read and write speeds, or higher capacities set new memory cards apart from the old. These differences give us something to write about, and gear-heads something to argue about in photography forums. But when you’re staring at a row of new tripods standing on the other side of your desk, you realize that you have to take a closer look. After all, it’s a pretty basic concept, right? Three sturdy legs and a place to put your camera. Can it do that? Great. End of story.

Except we all know that’s not really the end of the story. If it was, companies like Manfrotto, Induro, Benro, 3 Legged Thing, and others would not be continuing to innovate the humble tripod year after year, elevating it beyond the simplicity of its three sturdy legs, and a place to put your camera.

3Pod by Flashpoint, a recent newcomer to the Tripod Wars, has a new line of six different tripods, designed around the needs of professional and hobbyist photographers and videographers. For this review, we are taking a look at the P5CRH Carbon Fiber Outdoor/Travel tripod with the K3 BallHead.

The Legs

Four-section legs that adjust to three different angle positions, and a retractable ballast hook for added weight are two of the useful features.

On the left, legs that adjust to three different angle positions. On the right, a retractable ballast hook for adding weight and extra stability.

The best thing I can say about any product I review is that it does what it says it is supposed to do, and it does it well. That statement definitely applies to the P5CRH. It is a full-featured camera support, balancing streamlined design with carbon fiber construction to provide a great combination of strength and portability.

Carbon fiber tripods have become the gold standard for many photographers over the past several years. They are strong, generally well-made, and are so lightweight that traveling with them, or taking them on location, are no longer the hassles they once were. The only drawback to virtually every high-quality carbon-fiber tripod system on the market today is the cost. An outdoor/travel tripod from any of the other companies listed above will set you back anywhere from $ 250-$ 400 (USD). The P5CRH from 3Pod, however, comes in at only $ 125, including the K3 BallHead.

Unlike some tripods that make you swap out the rubber feet for the spikes, the 3Pod leaves the spikes on, covered with rubber grip caps.

Unlike some tripods that make you swap out the rubber feet for the spikes, the 3Pod leaves the spikes on, covered with rubber grip caps.

I can practically hear the outcry. “$ 125?!? Are you insane? Don’t you know that you get what you pay for?”

Slow down– I was skeptical, too. Thankfully, though, there are exceptions to every rule. Let’s take a look at some of the specs and what comes in the box.

  • CNC forged carbon fiber construction
  • 3 independently adjustable,lockable leg angles
  • Height: 56″ fully extended, approximately 12″ folded
  • Load bearing: holds 22 pounds, weighs 2.6 pounds
  • Extendable, detachable dual-section center column
  • Outdoor-ready spiked feet with removable rubber grip covers
  • Metal-jacketed, wear-resistant twist locks
  • Retractable hook under the center column, for adding weight
  • K3 hydraulic ball head with built-in bubble level
  • Allen wrench set for tightening connections
  • Padded carrying case
The P5CRH folds up to approximately 12 inches.

The P5CRH folds up to approximately 12 inches – ideal for travel!

This tripod is able to fold up so small because the legs fold back 180 degrees, coming up around the center column. In addition to the packing and travel convenience of this feature, it also provides easy configuration for a variety of camera angles and positions. Trying it with several different Think Tank camera bags, I was able to pack it comfortably inside, or tether it securely to the outside of the bag.

The BallHead

The K3 ball head provides secure, sturdy support.

The K3 BallHead provides a secure, sturdy platform for mounting your camera

The K3 BallHead is an Arca-Swiss compatible tripod head with a sliding quick-release plate and universal 1/4″ mounting screw, and appears to be well designed for optimal weight distribution. It’s made of scratch-resistant carbon, with a hard, protective finish for a (hopefully) wear-free appearance. Hydraulic damping for smooth, 360-degree rotation, and two bubble levels are features which are particularly helpful when shooting landscapes and panoramas.

Wrap-up and Recommendations

I haven’t been using this tripod for very long, but it appears to be sturdy, secure, and light-weight, with built-to-last, high-quality construction. I’m not sure how much more you can ask of a tripod, regardless of budget or price. I’m not trying to tell you that the 3Pod is a feature-for-feature match of the comparably sized tripods you’ve been lusting after from the big-name companies. What I can tell you with absolutely certainty, however, is that if you’ve been looking for a reliable, affordable, and compact carbon fiber tripod, the 3Pod P5CRH might just be that tripod.

3Pod-tripod-review-dps-004

The P5CRH fits comfortably inside the Think Tank Airport Commuter backpack, and the Think Tank City Walker 30 shoulder bag.

 

The post The 3Pod P5CRH Tripod – A Review by Jeff Guyer appeared first on Digital Photography School.


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Unaufgeregte Gedanken

02 Jan

Die Kamera ist schwer und metallen. Ihr Aufziehgeräusch mir wohlbekannt. Der Schachtsucher eckig und scharfkantig, die ausklappbare Lupe beim Komponieren mir immer eine Hilfe. Doch heute ist alles anders. Wir stehen uns gegenüber, sind getrennt und nur durch eine lange Schnur miteinander verbunden.

Ich befinde mich in einer Annäherung und einem Disput zugleich. Normalerweise fotografiere ich Menschen, seit nun drei Jahren ist das meine Hauptbeschäftigung, wenn ich eine Kamera in der Hand halte. Fremde Menschen, Freunde und manchmal auch die Familie.

Ich lenke, rücke, definiere, gebe Anweisungen mit Worten oder Blicken. Ich beruhige, lächle und gebe Zuspruch. Verwickle mein Gegenüber in Gespräche, sage „Stopp“ oder „So bleiben!“

Heute stehe ich selbst vor der Kamera, doch niemand dahinter. Ich halte den Auslöser in der Hand. Stelle mir vor, was die Kamera sieht. Ich beobachte das Licht, komponiere im Kopf, drehe und schütze mich. Ich atme tief ein und wieder aus, zähle bis drei und denke „Jetzt!“

Selbstbild © Marit Beer

Das Klacken des Spiegels hallt in mir nach. Wie kam es eigentlich dazu, hier jetzt, Du und ich? Fotografieren ist wie atmen, habe ich einmal gesagt. Jedes Bild mein Atemzug.

Es sind die Tage danach. Stille und dunkle Tage, wenn man niemandes Fremde um einen erträgt. Wenn man nicht aussprechen kann, wenn Freunde fragen, wie es einem geht oder man sich fühlt und jeder Händedruck und jede Beileidsbekundung sich wie Blei auf der Zunge anfühlen.

Selbstbild © Marit Beer

Die Kamera ist mein Atemwerkzeug und ich der einzige Mensch in diesem Raum. Warum also nicht etwas Neues wagen? Der Gedanke stand schon öfter einmal zwischen uns, aber immer fand sich jemand, der schöner, spannender, interessanter und seltsamer war. Jemand, der meine wirren Gedanken ausdrücken konnte, jemand, der Lust hatte, mitzuspielen, jemand, der sich selbst genug war. Ich habe das immer bewundert.

Doch nun ist alles anders. Dem Zahnrad fehlt ein Zahn, die Karten wurden neu gemischt, rien ne va plus raunt das Schicksal. Ich drehe Karte um Karte um und blicke der Kamera ins Gesicht. Hier bin ich, so und nicht anders. Jetzt in diesem Moment.

Selbstbild © Marit Beer

Danach, beim Sortieren und Sichten war es gar nicht so schlimm. Die Furchen um den Mund sind annehmbar, der Blick nicht zu ändern, die Strenge des Mundes normal. Man hat mir schon als Kind gesagt, ich solle nicht immer so ernst gucken.

Nun ist es also soweit, nach gut dreißig Jahren schaue ich mich richtig an, nicht durch andere auf mich, nicht mit verkniffenen Augen, sondern geradewegs durch mich selbst, auf mich ohne Wimmern und Wehklagen.

Die seltsamen Gedanken sind nicht sichtbar, versteckt hinter der Stirn, pochen jedoch schon und bitten um Auslass. Und das innere Kind fängt an zu kichern beim bloßen Gedanken an das, was in Zukunft Du und ich noch von mir selbst zu sehen bekommen.


kwerfeldein – Fotografie Magazin

 
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Best Photos of 2013 by Jim M. Goldstein

02 Jan

2013 was a busy year all around and as such I focused primarily on personal projects and family.  I took about half as many photos as last year, 33,000 photos to be specific ( 18,000 DLR and 15,000 iPhone). My timelapse projects carried over into 2013 from 2012 and again I selectively (more than normal) chose my DSLR photo subjects. If there is one nice thing about shooting timelapse it is that you quickly become a more accurate and less wasteful photographer. In a strange paradox by taking more photographs overall thanks to my time-lapse efforts, I take less yet more focused (fewer sister shots)/better still photos (non-timelapse). One other interesting observation relates to what lenses I used most frequently in my final best of selections for  2013. As it turns out nearly half  of the photos were taken with the  Zeiss 15mm f/2.8 (5 of 11) and Canon 50mm f/1.0 (5 of 11) . The remaining photo was taken with the Canon 16-35mm f/2.8 Mark II.  As was the case in years past it is impossible to rank my best photos (best photos of 2012, best photos of 2011, best photos of 2010, best photos of 2009, best photos of 2008 and best photos of 2007). So in no particular order here are my 10 favorite photos taken in 2013. Enjoy and feel free to let me know if you have a favorite!

Before I forget if you haven’t submitted your best photos of 2013 for my Blog Project: Your Best Photos From 2013 be sure to do so. The deadline is Saturday January 4th midnight PST.

Transformation

Drab, gray, foggy and raining my day was on track to be a total bust the day I took this photo. Fortunately I knew better than to bail on my day of shooting and after a good nap I woke up to get in position for a sunset shoot. Still raining, a pipe of late sunset light helped create one of the most dramatic scenes I’ve ever witnessed in Yosemite National Park.

Transformation - Rainbow above Yosemite's iconic Half Dome

Transformation – Rainbow above Yosemite’s iconic Half Dome

Sky Rock and Milky Way III

Connecting Sky and Earth was a goal through out the year and this photo is one of many that fell into that body of work.

Sky Rock and Milky Way III

The Milky Way rises above ancient petroglyphs in the volcanic tablelands of the Owens Valley, California

Sunset Club – Haleakala Summit

One of the highlights of my year has been sharing the natural world with my 3 year old son, particularly the night sky. While my son was powering up with food for a late night of stargazing I took this quick shot of a growing crowd of people taking in sunset atop Haleakala.

Sunset Club - Haleakala Summit

A crowd gathers to watch the sunset atop the summit of Haleakala in Haleakala National Park – Maui, Hawaii

 

Sky Rock Under the Stars

This might be my favorite photo of the year. I really liked being able to see the entirety of the petroglyph panel in contrast to the entirety of the night sky above it. Check out my original post If you’re curious about technical photo details.

Sky Rock Under the Stars

Sky Rock Under the Stars 

Bar Legs I

I attended a good number of photo conferences this year providing me the opportunity to dabble in some experimental work on off hours. My photographer ways are nearly impossible to turn off even when lounging in a bar.

Bar Legs I

Bar Legs I 

All That Glitters – Milky Way Above Yosemite Forest

Photographing the stars has a tendency to be clinical with little variation. Amidst my running around in Yosemite I decided to stop in the middle of my drive back to camp, exhausted and cold, to experiment. This photo was my first foray into making my astrolandscapes a little more ethereal.

Bar Legs I

All That Glitters – Milky Way Above Yosemite Forest

Dogwoods, Yosemite National Park

“Macro”ish photography with a 50mm portrait lens? Indeed and I loved the outcome.

Dogwoods, Yosemite National Park

Dogwoods, Yosemite National Park

The Ancients

Believe it or not this was my throw away photo effort on my 3rd camera, while I operated 2 other cameras on a very adventurous night shoot. What is unique about this photos is that it’s a single uninterrupted exposure on a DSLR. Not the norm these days so be sure to check out my original post If you’re curious about technical photo details.

The Ancients

The Ancients – Bristlecone Pine National Forest

Stardust – Here & There

No technique was ignored in my year long effort to explore relationships between Sky and Earth.

Stardust - Here & There

Stardust – Here & There

Family Day at the Beach

Quite simply a fun family moment I could not let pass without capturing on camera. I really liked this photos sense of action, emotion and selective focus.

Family Day at the Beach

Family Day at the Beach

Honorable Mention: 1st Day of Preschool

Let’s not forget photography is great for documenting life’s milestones and this year my son started preschool. This was his first day and the excitement showed before he hopped in the car. Of all my “Dad” photos this was my favorite this year.

1st Day of Preschool

My son’s first day of preschool

Copyright Jim M. Goldstein, All Rights Reserved

Best Photos of 2013 by Jim M. Goldstein

The post Best Photos of 2013 by Jim M. Goldstein appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

       

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  • Best Photos of 2013 by Jim M. Goldstein – Enclosure
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  • The Old Guard – Bristlecone Pine Forest, California – Enclosure
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Pixelated Masterpieces: 3 Classic Paintings in LEGO Form

02 Jan

[ By Steph in Art & Sculpture & Craft. ]

Classic Paintings Legos 1

Chances are, you recognize these images, even though they’re simply arrangements of a few dozen colored LEGO bricks. Squint your eyes, and three of the world’s most famous masterpieces come into hazy pixelated focus, your memory filling in the details that can’t be rendered in this form.

Classic Paintings Legos 2

Italian designer Marco Soldano interpreted two works by Leonardo da Vinci and one by Johannes Vermeer using official LEGO blocks. “All the children are authentic artists with LEGO,” he says.

Classic Paintings Legos 3

The works, of course, are (from top to bottom) the Mona Lisa, The Girl with a Pearl Earring and Lady with an Ermine. Subtle variations in tone suggest the highlights and shadows, the folds of fabric, the mountain landscape, even the subtle twist of the third subject’s posture.

Classic Paintings Legos 4

LEGO bricks continue to be a favorite medium for designers, who have used them to recreate everything from a 500,000-piece working water-powered hot rod to the entire borough of Brooklyn. See 20 more works of LEGO art (including another LEGO Mona Lisa.)

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[ By Steph in Art & Sculpture & Craft. ]

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Die wichtigsten Fotos 2013

02 Jan

Liebe Leser, ich möchte heute einen fotografischen Rückblick auf das vergangene Jahr werfen. Dafür habe ich nochmals alle Artikel durchgeschaut und die Fotos herausgezupft, die für mich persönlich ganz besonders wichtig waren.

Vielleicht habt Ihr den einen oder anderen dieser Artikel verpasst und werden nun darauf aufmerksam. Nehmt Euch ruhig etwas Zeit dafür, in aller Ruhe die fotografischen Arbeiten durchzusehen. Es sind sehr viele Bilder geworden, die alle nicht nur technische, sondern insbesondere inhaltliche Dichte auszeichnet.

Nazis © Andreas Herzau
Aus dem Artikel: Was ist guter Fotojournalismus?

05-Pffft © Elke Vogelsang
Aus dem Artikel: Schnauuuze!!!

© Sabina Abakovic
Aus dem Artikel: Marianne

© profan und morphium
Aus dem Artikel: Gedanken zu kombinierten Bildern

© Ken Hermann
Aus dem Artikel: Ein explosives Projekt

© Laura Zalenga
Aus dem Artikel: Die Redaktion stellt sich vor – Laura Zalenga

© Maximilian Rempe
Aus dem Artikel: Für eine Handvoll Dollar

Vertrauen © Hermann Hirsch
Aus dem Artikel: Der Fuchs: bejagt, verdrängt und wunderschön

swansneck © Marina Refur
Aus dem Artikel: Phantásien. (One-way)

© Mike Peters
Aus dem Artikel: Was für mich wichtig ist

© Peter Kool
Aus dem Artikel: Straßenfotografie und Präsenz

© Stavros Stamatiou,2
Aus dem Artikel: Vom Lesen des Lichts

© Jarek Kubicki
Aus dem Artikel: Die surrealen Gesichter des Jarek Kubicki

© Helen Warner
Aus dem Artikel: Entzückungen einer Tagträumerin

© Alain Labliole
Aus dem Artikel: Im Gespräch mich Alain Laboile

© Kirsty Mitchell
Aus dem Artikel: Kirsty Mitchells Wunderland

© Frank Machalowski
Aus dem Artikel: Tierwald

© Andreas Franke
Aus dem Artikel: Die versunkene Welt

©  Aliza Razell
Aus dem Artikel: Die Büchse der Pandora

© Alessandro Polia
Aus dem Artikel: Verbunden

© Christoph
Aus dem Artikel: Ergebnisse der Leseraktion: Bearbeitungsexperimente

© Jesús Pastor
Aus dem Artikel: Amador Rabal, Totengräber

Windy Sleepwalk © Alex Bamford
Aus dem Artikel: Schlafwandeln im Mondlicht

© Andrea Penisto
Aus dem Artikel: War das Absicht?

© Hermann Hirsch
Aus dem Artikel: Der Frühling: Neues Leben überall

© Gabriele Galimberti
Aus dem Artikel: Toy Stories

© Rupert Vandervell
Aus dem Artikel: Stille und Isolation

Fighting Ladies © Paul Russell
Aus dem Artikel: Nein, nein, nein – ja!

© Ljuba Gonchar
Aus dem Artikel: Sanft, zart und mit viel Gefühl

100 yards from september ground zero © Justin Vogel
Aus dem Artikel: Mit der Straßenfotografie Geschichten erzählen

© Kramer O'Neill
Aus dem Artikel: Es ist nur schwer zu erkennen

Moewen © Jana Mänz
Aus dem Artikel: Rügen, eine Winterreise

Parrot ©  Julian Schulze
Aus dem Artikel: Linie gefällig?

Ich hoffe, dass Euch der Rückblick gefallen und das Betrachten der Bilder Eurer Inspiration gedient hat. Bei geneauerem Hinsehen könnte Euch das eine oder andere Bild ja auch direkt als Sprungbrett zu einer Bildidee behilflich sein, oder?

In diesem Sinne beginnen wir das angebrochene Jahr 2014 mit genauso viel Elan und Ideen wie 2013. Wir freuen uns darauf – und haben jetzt schon einige neue Perlen für Euch in petto.


kwerfeldein – Fotografie Magazin

 
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1. Januar 2014

02 Jan

Ein Beitrag von: Ronald Schill

In safe hands © Ronald Schill


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