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Archive for December, 2012

Get Your Photo Equipment Ready for Winter

08 Dec

Winter is coming, and unlike normal people, who rush to get new coats, sweaters and winter tires, geeky guys with photo cameras have some extra things to remember. Winter is, just like all other times of year, is great for photography. Even if it seems that the whole season is a dark eternal night, I think in every country and Continue Reading

The post Get Your Photo Equipment Ready for Winter appeared first on Photodoto.


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A Day in Kannur… by Jithesh

08 Dec

Hey there, This is a short documentary about Kannur, Kerala. It features tourist places, beaches and landmarks of Kannur. It gives ua good look at the main places and attractions of the place. Its includes videos and pictures which are shot with a DSLR (Nikon D5000) and a point n shoot camera (Nikon P100) . The “Behind the Shots” part at the end of the video will tell u about more about cameras n lenses. Its shot and edited in 3 months time. I am an amateur photographer, and I made this video to learn about Cinematography, Time-lapse Photography, Frame Composition, and Editing. And most of all I wanted it to do it with a still cam video,which is relatively low quality than Video cameras. Hope y’all like it and pls add ur comments n reviews. Pls dont use this video anywhere without my permission. Check my photographs in flickr www.flickr.com Thank you.

 
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The Atlantic’s In Focus publishes its Year in Photos 2012

08 Dec

TheAtlantic.jpg

The Atlantic’s excellent ‘In Focus’ photo blog has published the third and final part of its 2012 Year in Photos. The three-part series includes 135 images from around the world, covering a great breadth of events and subjects. As you’d expect of such a review, there are some occasionally graphic images that some readers may find disturbing but there are also some astonishing photos giving a surprising views of other countries and cultures.

News: Digital Photography Review (dpreview.com)

 
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FINAL FANTASY CUPCAKES – NERDY NUMMIES

08 Dec

Today my guest Jesse Cox helped me make Final Fantasy cupcakes! I really enjoy making nerdy themed goodies and decorating them. I’m not a pro, but I love baking as a hobby. Please let me know what kind of treat you would like me to make next! SPECIAL GUEST! Jesse Cox YouTube: www.youtube.com Jesse Cox Twitter: twitter.com Check out photos of my other Nerdy Nummie creations on facebook & Twitter. Facebook: www.facebook.com Twitter: twitter.com BIG THANK YOU TO: Monstercat Media for the song “Pump It” www.youtube.com AWESOME SAUCE CREW: Director of Photography: Mike Schmitt Editor: Michele Shelton Opening Credits: Michael Schroeder www.youtube.com

Aaron tries to find a way to pay for his Call of Duty: Black Ops 2 Care Package… Directed By: Jason Schnell Written By: Jason Schnell & Lindsey Reckis Produced By: Eric Pumphrey Starring: Eric Pumphrey Lynsey Bartilson Tommy Savas Travis Case Brandon Bell Carmen Faulkner Chaffee Graham James Crowder Ernesto Percaro Music By: Mfoe www.youtube.com Director of Photography: Clark Huff Production Assistant: Leo Roberts Website: bit.ly Main Channel: bit.ly Gaming Channel: bit.ly Behind the Scenes: bit.ly Merch Store: www.cafepress.com THIS VIDEO CAN NOT BE RE-UPLOADED OR USED IN ANY WAY WITHOUT WRITTEN PERMISSION FROM RECKLESS TORTUGA PRODS.
Video Rating: 4 / 5

 
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1 Subject 3 Shots: Weekly Photography Challenge

08 Dec

untitled.jpgThis week your photography challenge is to shoot the one subject in three different ways.

The idea came off the back of our recent post – Make Your Last Shot Your Best Shot – in which Anne McKinnell challenged us to not stop shooting after we get our first good shot but to look for new ways to photograph a scene or subject in the hope of making the followup shots even better than the first.

She showed some great examples (pictured) of how she went beyond the first ‘obvious’ shot in a scene to take some interesting shots from different angles and perspectives.

So here’s the challenge – choose a subject (it could be a portrait, landscape, cityscape, still life, glamour shot…. anything) and aim to take at least 3 different shots of the one subject.

You might like to add variety to your shots by:

  • shooting from a different angle or direction
  • shooting with a different focal length
  • changing up your settings
  • trying a new technique (panning, slow sync shutter etc)
  • changing the composition

Once you’ve taken your shots we’d LOVE to see them so please share 3 or so shots in your series and tell us a little about how you progressed them and changed things up!

Once you’ve taken and selected the ’1 Subject 3 Shots’ images that you’d like to share – upload them to your favourite photo sharing site or blog and either share a link to it or – embed them in the comments using our embed tool to do so.

If you tag your photos on Flickr, Instagram, Twitter or other sites with Tagging tag them as #DPS3SHOTS to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

Also – don’t forget to check out some of the great shots posted in last weeks challenge – Food challenge where there were some great shots submitted.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

1 Subject 3 Shots: Weekly Photography Challenge


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Canon 60D sample Video

08 Dec

Shot at 720p 60fps.
Video Rating: 5 / 5

Here is a Nikon D3s Review. This video is available in HD. In this video, I tell you all about the Nikon D3s and a lot of information about it…. Please subscribe !
Video Rating: 0 / 5

 
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7. Dezember 2012

08 Dec

Ein Beitrag von: Sandra Drljaca


kwerfeldein – Fotografie Magazin

 
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Learn Photography – The Exposure Triangle

08 Dec

This video explains the three basic camera controls. Shutter speed, ISO, and aperture.

 
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11 Tiny Houses With Huge Style

07 Dec

[ By Marc in Architecture & Houses & Residential. ]

Tiny houses are growing in popularity because of increasing environmental consciousness and a desire to reject unnecessary material goods. Transitioning from paper books and files to digital copies is a boon to those who want to make their life leaner, and is helping minimalist housing flourish.

(Images via tumbleweedhouses)

The Tumbleweed Tiny House Company is at the forefront of designers in the field, pumping out an amazing variety of tiny house designs. The house featured above is their Epu plan, a straightforward house design that is incredibly mobile and can comfortably house two people in a space that is 8 x 15 feet.

(Images via designboom)

This house is built primarily out of two shipping containers and can house up to 4 occupants. It’s not as small as many of the examples featured, but in terms of environmental impact, and in relation to the average home, it’s quite a step up.

(Images via tumbleweedhouses)

The Enesti is a tiny house plan that lays out a small, but permanent structure. At pricing around $ 60,000 for nearly 900 square feet, it is significantly less expensive than the typical home.

(Images via tinyhouseblog, tinyhouseblog, tinyhouseblog, idesignarch)

The top home is totally mobile and designed by Maximus Extreme Living Solutions to stand up to the toughest elements. This North Carolinian build was created during a tiny house workshop and has beautiful modern lines. This gypsy style buggy is the perfect place for two people to crash after a long day on the road. The final design is unusual, in that it actually opens up in the middle to give much more space to the occupants. In foul weather, it’s a simple fix to seal it up tight.

(Images via comingunmoored, tinyhousedesign, theinnovationdiaries, theatlanticcities)

These houses show the versatility of tiny house designs. With such little space to work with, creativity is a must, and builders are able to use the low cost to add deluxe features that would be prohibitively expensive in a full sized house. For example, a house shaped like a castle turret would cost a fortune, but that’s not the case when it’s this tiny. An entire house can fit in the backyard, as the perfect place for guests to spend the night. A curved house design gives the bottom right house a unique look, while the final house mixes modern elegance with cozy cabin stylings.


Want More? Click for Great Related Content on WebUrbanist:

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[ By Marc in Architecture & Houses & Residential. ]

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Tips for Great HDR Sunsets

07 Dec

HDR is a bit of a buzz word in photography in the last while and there is much debate about it, whether it’s good or bad, appropriate or not, or even real photography or not.  Even right here on Digital Photography School, you can find articles for, and against, doing HDR.   I’m not going to get into any of that today, I’m just going to speak to those of you that do enjoy doing it and would like some tips for doing HDR sunsets, which is one of the toughest subjects to handle with this technique.   So if you are anti HDR, just carry on, or perhaps this may sway you a little to want to try it.

HDR or High Dynamic Range, why it’s great for sunsets

When we talk about a scene having a High Dynamic Range, it simply means that there is wide range of contrast from the darkest area, to the brightest area.  Sunsets exemplify that because we are usually shooting into the sun, a bright light source, and the landscape is often so dark it’s in a silhouette.  By shooting correctly and processing well you can achieve a result that has detail in both those areas.

Tips for shooting the right images

There are a few things you need to get right in camera when you’re at the scene so follow these tips.

  • Make sure to bracket your images far enough on both ends of the exposure scale , but dark enough and bright enough.  What I mean by that is your darkest image should have a gap on the histogram to the right side (meaning there are no white areas, and no blinkies on your camera display) and your brightest image should have a gap on the histgram’s left edge (there are no black areas)

Your darkest image’s histogram should look something like this with a gap on the right side.

Your brightest image’s histogram should look something like this with a gap on the left side.

  • shoot raw files, they will give you the most amount of data to work with
  • bracket your images 2 stops apart, because assuming you followed the tip above and have shot raw files, they carry plenty of data at least 2 stops either direction so shooting 1 stop apart will cause you to shoot more images than you need and just end up bogging down your computer in processing, OR you won’t shoot enough range
  • shoot at low ISO, ideally 100.  HDR processing introduces a lot of noise into your image so start with a lower ISO to minimize that problem.
  • use a tripod as your shutter speeds will likely be fairly slow, and it also allows you to get all your bracketed shots perfectly aligned for a sharper final image.  For the image above my settings  are:  ISO 400 (I did that because the light was fading fast and I wanted to shoot a bit faster), f8 at 1/1000, 1/250, 1/60, and 1/15th of a second
  • use a remote trigger (cable release) to fire the camera, so you aren’t touching it during the exposures to reduce camera shake and a blurry image
  • change only the shutter speed, NEVER the aperture.  If you change the aperture in your bracketed images you are changing the focus from one to the next and your resulting blended HDR image will likely have some odd focus issues or halos.

This is what your bracketed set should look like.  Good coverage on both the dark and light ends of the light scale.  Notice the darkest image has lots of nice colour in the sky, whereas the brightest one has a ton of detail in the foreground area but none in the sky.  This is normal, and exactly what you want.

Tips for processing the bracketed images

I use Photomatix as my HDR tone mapping software of touch.  I find it gives me the flexibility to be able to produce both natural looking and surreal results.  Whatever software you use for your tone mapping, try some of these tips for better sunset results:

  • if there are moving clouds in the scene or trees blowing, use the software’s deghosting feature to remove of minimize those.  It will make the final result look much sharper.
  • when adjusting the tones in your software of choice keep your saturation settings low, don’t overdo it.  In Photomatix I always (let me repeat that word), ALWAYS, keep my saturday under 50!  When I pull it back into Lightroom afterwards and punch my blacks and contrast up the saturation increases with it, so it’s really easy to take it too far.
  • watch the sky for halos (white areas glowing around the edges of things) especially if the sky cloud free against something dark like a tree or building.  Halos are generally an affect that is thought of as poorly done HDR and why many people do not like the technique.  Sure you can create a surreal look but I do think you can take it too far.  Just as an example, here’s what “too far” looks like in my opinion. Do NOT make something that looks like this. Notice the extreme noise and graininess in the sky? This is caused by pushing too far.

This is straight out of Photomatix. Notice how flat and drab looking it is?

Often when shooting a landscape in HDR you’ll find that one area looks good if you push it a little further, but the other half doesn’t.  Such is the case here.  I find that I can push the land and foreground area a bit further to get more detail out, but then the sky looks bad or has halos.  So you can mask back in one image of the sky if necessary, or blend the two together using Photoshop and pick which areas are best from each version.  See below for an example. Version #1 processed for a nicely blended sky.

Version #2 in the middle is our over processed one from above but the foreground land looks pretty good.

The final version above is #1 and 2 above blended together using layers and masks in Photoshop. Notice how it takes the best of both images and combines them.

HDR sunset with a person?

Let’s look at another example.  Some people say you can’t do HDR when you have a person in the shot.  Can you?   Take a look at the images below and you tell me if it works or not.

There has been no image blending on this final version, just tone mapped and tweaked in Lightroom. I do confess though that this is not  sunset, it is in fact a sunrise.  But you get the idea, it’s the same because the sun is on the horizon in both cases.

How to handle a sky with lots of fluffy clouds

Another common problem when doing HDR for landscapes is when there are lots of big white fluffy clouds, they often tend to come out looking rather dark and foreboding.  This is another good time to use the masking technique.  In the images below I’ve processed the HDR how I like it for the foreground, nice and crisp.  But my clouds have gone too dark.  If I choose to pull back on the surreal look I lose that nice detail in the grass and pyramids.  So I’ve taken the best of both and combined them once again.

Version #1 above, processed for detail in the grass, but notice how dark the clouds are.  They were not storm clouds but they sure look like it now.   I want to get those soft fluffy ones back so I took one of the original single images from my bracketed series and combined it with this one to get the following final image which I think is much softer looking.

Final blended version above.  See the difference?  It’s subtle but I think it makes a huge difference to the final appearance and feel of the image.

Summary and action plan

So where to go from here is to get out and try this for yourself.  If you have some bracketed series that you’ve already shot you can go back and try processing them with these tips and see if it makes a difference.   Or better yet, get out there and go shoot tonight’s sunset or tomorrow’s sunrise if you’re a morning person.

One other unrelated tip I’ll leave you to get better sunsets in general is to find an interesting subject in front of your sunset.  Notice in these cases I have a great scene or something with a great foreground or shape (pyramids) to add some interest to the scene.  A plain old sunset on a flat horizon is really not that interesting no matter how great the colours are.  So find a suitable scene during the daytime and come back at dusk and work your magic on it.

If you want some other HDR tips you can read 10 Tips on how to do HDR photos without a tripod, for those times when you don’t have one with you, or you aren’t allowed to use it.

Have you got other little secrets or tips for creating HDR sunsets?   I’d love it if you shared with in the comments below and as always if you have a question please ask as I read and answer ALL the comments.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Tips for Great HDR Sunsets


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