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Archive for March, 2012

Samsung doesn’t deny Android-based camera

15 Mar

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Samsung has refused to confirm reports that it is working on an Android-based camera, only to say it is looking at the idea. The non-denial, which says ‘it is something we are monitoring,’ comes in response to reports from tech website Engadget that it is considering an ‘open’ camera operating system. However, while the site goes on to speculate that Android makes sense, based on its parent company’s use of the OS on its smartphones, we think there are other reasons for Samsung to use Android.

News: Digital Photography Review (dpreview.com)

 
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Q&A: Lighting Multiple People with Glasses

15 Mar

After reading the Lighting 101 post about lighting for glasses, Z9Girl asks:

"What if I were photographing an older couple for their 50th wedding anniversary and they both wear glasses? Of course there's always the natural light option, but if it has to be indoors with soft boxes or flash, what to do?"

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The Internet’s Most Talented Photographer ep. 7

15 Mar

In this episode the challenge is a Henri Cartier Bresson quote Photographers/Contestants’ sites: Charlie Atkinson 500px.com Michelle Cruz michellecruz.nu Max Delgado www.flickr.com Hessel Folkertsma www.misterfolkertsma.eu misterfolkertsma.500px.com misterfolkertsma.tumblr.com Brian Lewis www.brianlewisphotography.tumblr.com Eleanor Parkman-Mayne www.facebook.com/eleae.art Michael Meinhardt 500px.com www.flickr.com Orson Rout Myles: www.youtube.com/OrsonMyles Varzina Natalia varzina.me www.flickr.com www.facebook.com Harrison Sanborn harrisonsanborn.tumblr.com Michelle Shannen michellecruz.nu http facebook.com Chloë Faye Simons www.wix.com www.flickr.com twitter.com Forest Taber www.taber-photography.com taberphotography.exposuremanager.com www.facebook.com www.facebook.com Ty Yang: www.prettygeeky.com http Their blog: www.thedailyphotographer.com
Video Rating: 4 / 5

 

Panasonic GF1 first impressions

14 Mar

As anyone who’s been following this blog knows, I’ve been very excited about the whole inception of the new micro four thirds standard… I decided not to jump on the EP-1, waiting to see the developments from Panasonic etc…  With the release of the GF1 and the announcement of the EP-2, I finally decided to get myself a GF1 for my birthday.   Of course my B-day isn’t for another month, but given the impossibility of actually finding the stupid thing in stock, when I saw one available from amazon I jumped on it and received it last week.

Of course a week and a few shots are not nearly enough to get the real “feel” of a camera, but here are some initial thoughts:

  • I bought this camera as a replacement for my G9 (which I subsequently sold). my first thought was “this is just like my G9, only better”
  • Image quality is superb – particularly with the 20/1.7.  Plenty of detail, and the raw files hold up to processing well (using LR3 beta).  High ISO is perfectly adequate for me.  I’d use it comfortably up to 800/1250, and 1600/2500 are definitely usable with some NR/processing.  3200 is a bit noisy, but still seems perfectly usable for smaller prints etc… with some NR.
  • I don’t miss an OVF at all.  I don’t know why folks get hysterical about composing on a screen- to me it’s just another way of composing.  SLR finder, Rangefinder, Waist-level finder, ground glass… whatever.   as long as I can compose my image, it’s all good.
  • Much like the G9 it’s not truly “pocketable” it definitely needs a small bag or coat pocket.  To me this is basically a camera for “good pictures that’s lighter/easier to carry than an SLR”
  • Responsiveness is excellent.  Shutter lag is negligible, and focus is nice and snappy even in low light.  It’s not quite as good as my D700 (!) but it’s more than adequate.   I can’t see myself missing any shots due to lag (caveat: I don’t shoot kids or sports, so if you do YMMV!)
  • build quality is… decent… it’s not a leica, but it doesn’t feel like its going to fall apart either.  Probably the cheapest-feeling part of the whole thing is the zoom action on the 14-45 kit lens, but even that isn’t terrible (hey it’s a kit lens!)
  • Manual focus with the m4/3 lenses is actually not bad at all.  The “focus by wire” doesn’t bother me, and the focus rings (particularly on the 20/1.7) are surprisingly smooth and well damped, unlike many modern AF lenses.  I’m curious to try some real MF lenses on it with an adaptor.
  • I’m still getting a feel for the menus/controls, but they seem perfectly adequate.  I wasn’t sure about the whole “push-turn” control wheel but I actually really like it now.  All the necessary info is shown on screen, and all the settings I need to use regularly are easily accessible without digging through 27 menus (<cough> canon mirror lockup<cough>
  • I’m curious how the lack of a mirror will affect hand-holdability.  I know I can handhold a rangefinder at least a stop slower than an equivalent SLR, I wonder if the GF1 will have the same advantage…
  • So far the main “negative” I can find with the camera is that the grip on the front feels a little slippery (the rear has a nice rubber thumbpad, but the front “fingertip” area is too slick for me) Surprisingly this makes the grip less sure than my G9… it might be worth getting a little stick on pad for the front to alleviate this.

Overall, the “gestalt” of this camera is the same to me as the G9 – not a “pocket camera” per-se, but a “real camera” that I can carry around more easily than a full SLR.  In this regard it succeeds superbly.   For my purposes, the GF1 realizes the dream of “SLR image quality in a compact body” perfectly, particularly with the superb 20/1.7.   I’m actually toying with using it fom a couple of “real” shoots coming up, to see if the ability to go ultralight/minimalist will give added freedom in location shooting.

more to come…

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Fashion, Passion and History: Hand in Hand

06 Mar
Yves Saint Laurent and Model Karen Mulder. Photo by: Helmut Newton

All three of these are fundamentals needed in fashion photography. Yet these are often missed or overlooked by new photographers in the field or those fresh out of school. I’ll never forget my first photography class, we were asked to to give a reason why we decided to pursue fashion photography.  Many students couldn’t come up with a reason. The most common one was “oh fashion photography seems cool”, or “I get to shoot beautiful models and do whatever I want”. Needless to say after the first three weeks into our semester half the class dropped out after finding out that fashion photography isn’t all that meets the eye. A lot of hard work goes into making that ever so perfect image which master photographers make seem all too easy .


Photo by: Helmut Newton

To me it’s very important for young fashion photographers to be aware of the work of their predecessors and also study the impact that such work can have on our field today. Great artists and photographers often refer back to their mentors and famous images that helped shape their creative eye. Fashion is ever so changing and so is fashion photography,  many new photographers I talk to give me blank stares when I mention names such as Horst P. Horst, Avedon or Newton. It always baffles me when young photographers don’t know the work of such masters and the fact that their work helped shape the very field we all want to work in. Avedon brought movement to the pages of fashion magazines which were so posed and stiff before he came along and Helmut, well, Helmut brought out the kink and free spirit in everyday fashion. Being knowledgeable about such work and photographers in my opinion helps greatly in shaping and molding a brand new photographer. After all,  how can we move forward in a medium where everything has been done at least once already?


Photo by: Paolo Riversi

The historical aspect aside , fashion photographers should love fashion! Live it, love it, and dream about it. I mean why else would you want to be a fashion photographer? You can always find photographers such as Mario Testino and Patrick Demarchelier front row during fashion week. These photographers shoot countless fashion spreads and editorials, and they immerse themselves in every aspect of it and it shows in their work. Fashion photographers have to be aware of a lot of things; you’re photographing garments that need to grab the viewer’s attention, you need to know how to photograph them well and may even have to lend your eye in styling them to make an image. Even Paolo Roversi has occasionally styled his own editorials!  Obviously, a strong background in fashion is a must for this. It’s not something I wish on anyone, but there will always be one of those days where you need a stylist and the only person that can come through is you, so you better know how to put an outfit together !

Mario Testino at Burberry Fashion Show. Photo by: Chris Jackson

The point I’m trying to make here is that many new and upcoming photographers seem to lack a strong background in the history of and passion for fashion photography and it shows in their work. How else are you supposed to stand out in an industry where anyone who has access to a camera pretty much calls themselves a photographer?

This post was written by William David Walsh who is a Fashion Photographer based in San Francisco.


Fashion Photography Blog – A Resource for Fashion Photographers, Created by One.

 
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Just Posted: Adobe Photoshop Lightroom 4 review

06 Mar

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Just posted: Our six page review of the now-less-expensive Adobe Photoshop Lightroom 4. Adobe has released and halved the price of the latest version of its workflow and image editing software, and we’ve prepared an in-depth review exploring the changes. Along with Book and Map modules, and a revised editing workflow, Lightroom 4 brings Raw file support for a number of recently announced cameras, including the Canon EOS-1D X and Nikon D4. Are the changes in Lightroom 4 worth the upgrade for current users? Find out in our detailed review.

News: Digital Photography Review (dpreview.com)

 
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VTC Photoshop Tutorial – Masking Techniques pt. 1

06 Mar

For the full sized video visit www.vtc.com. Adobe Photoshop Advanced Artistry II, is a course designed for professional designers and photographers who use Adobe Photoshop CS2. The course is designed to showcase cutting-edge creative techniques in many artistic disciplines such as digital imaging, color correction and manipulation, photo retouching, advanced production techniques and other popular graphic effects. This practical step-by-step tutorial by certified Photoshop Trainer Rita Amladi, is guaranteed to raise your knowledge level, and it will inspire you to apply these successful techniques in your own projects right away. In addition, several “Mini-Tutorials” shed light on key concepts and tools covered in each section. An entire section is devoted to teaching you about color management, which will ensure that you get the best possible results on screen and when printed. Work files are provided.

 

C4DTEAM ::: GRENDIZER ARCH ENEMY :::

06 Mar

Grendizer Arch Enemy ::: A movie test of C4DTeam Animation Studio ::: Tributo NO Profit ::: Go-Nagai Toei Animation D-Visual :::
Video Rating: 4 / 5

 
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” Food For Thoughts, Delivered Through The Visual Arts “

05 Mar

Check out these visual art images:

” Food For Thoughts, Delivered Through The Visual Arts “
visual art
Image by UggBoy?UggGirl [ PHOTO // WORLD // TRAVEL ]
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THE LAST OF THE RED WINE (THE PREQUEL/SEQUEL)

“Oh come on Simon, he’s made some good projects. Remember the hedge fund he did at the ICA managed by monkeys? He earned two million pounds! Didn’t even have to pay the monkeys!…”

Early in 2011 an unlikely group of artists, comedians and writers worked together on The Last of the Red Wine, a radio sitcom set in the artworld. Used to being the subject of their own work, the collaborators instead cast themselves in a collective farce, written and performed in the course of one week.

The next instalment of the sitcom at Project Arts Centre, The Last of the Red Wine (the prequel/sequel), dissects the mix of people and personalities involved in the original project and examines the processes of self-representation in their individual practices. Presented as a selection of videos and installations, it reveals the further absurdities of art and the artworld, as experienced by serious artists with ridiculous ideas.

Location: Project Arts Centre, Dublin, Ireland

Camera: Leica Camera AG X1

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” Food For Thoughts, Delivered Through The Visual Arts “
visual art
Image by UggBoy?UggGirl [ PHOTO // WORLD // TRAVEL ]
=

THE LAST OF THE RED WINE (THE PREQUEL/SEQUEL)

“Oh come on Simon, he’s made some good projects. Remember the hedge fund he did at the ICA managed by monkeys? He earned two million pounds! Didn’t even have to pay the monkeys!…”

Early in 2011 an unlikely group of artists, comedians and writers worked together on The Last of the Red Wine, a radio sitcom set in the artworld. Used to being the subject of their own work, the collaborators instead cast themselves in a collective farce, written and performed in the course of one week.

The next instalment of the sitcom at Project Arts Centre, The Last of the Red Wine (the prequel/sequel), dissects the mix of people and personalities involved in the original project and examines the processes of self-representation in their individual practices. Presented as a selection of videos and installations, it reveals the further absurdities of art and the artworld, as experienced by serious artists with ridiculous ideas.

Location: Project Arts Centre, Dublin, Ireland

Camera: Leica Camera AG X1

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Canon announces EOS 5D Mark III 22MP full-frame DSLR

05 Mar

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Canon has announced the Canon EOS 5D Mark III, the latest in its enthusiast full-frame 5D series and successor to the popular EOS 5D Mark II. Based around a 22MP full-frame sensor, it can shoot 6 frames per second and features a 61-point AF system much like the EOS-1D X. It can capture 1080p movies at 24, 25 or 30 fps and offers high quality intraframe (All-I) video compression amongst a host of movie-related improvements. It will be available from the end of March with an MSRP of $ 3499 / €3299 / £2999.99.

News: Digital Photography Review (dpreview.com)

 
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