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Archive for March, 2011

File Renamers – Freeware Panda Batch File Renamer for Windows

14 Mar

Panda Batch File Renamer offers a wide variety of rename options, and can show thumbnails of queued photos to help during the rename process.

Panda Batch File Renamer is a freeware (for non-commercial use) file rename utility for Windows. The software offers features standard in most renaming packages including adding, replacing, and deleting text. Additional functions include removing accents, reversing text, and regular expression support. File, image, music, and photo information can be added, allowing for filenames including image dimensions, parent folder names, and song artists, for example.

Files may be added to the rename queue via the menu bar, “Add files” button, or Explorer drag-and-drop. You can choose to rename all files in the queue or only selected files. If after the renaming you realize you made a mistake, the program supports an undo function. You can also choose to undo all or only a few renames, offering extra flexibility….

Read more at MalekTips.
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How To Get Someone To Take Your Photo

14 Mar

And don't forget to smile!

This post isn’t for everyone. I’ll admit there are a fair number of outgoing, gregarious extroverts out there who have no problem walking up to anyone in any country and asking for help. For those of you who fit that mold, you might want to consider skipping this post and forwarding it to a more shy friend. I know this may seem painfully obvious to some readers, but I have been asked this very question enough times to let me know others out there will benefit from a quick read.

For everyone else, this post will outline some simple tips to help you overcome the hesitation to hand your camera to someone to take your picture. Arm-length self portraits are fine up until a point. Even when traveling with someone else (otherwise known as your personal paparazzi) there comes a time when you both may want to be in a photo together. If there is nothing around to set your camera on for a self portrait, it’s time to ask for help.

Set Your Camera On Auto

Step one: make things easy for the photographer. All cameras have some type of auto feature, usually highlighted by a big green rectangle. This mode will be the easiest on an unsuspecting photographer because there is nothing they have to set. Further, if your camera has some type of face detection feature, turn it on as well to help insure your smiling face is not over or under exposed.

Scan The Crowd

Next, look around for your likely target. Some good candidates include:

  • Families (that aren’t over burdened)
  • Anyone not in a hurry
  • Someone who has just taken a photo themselves

Personally I get asked to take many photographs because I am lugging around professional gear. I look like I know how to take a photo and that is who you ideally want. The mere act of holding a camera in your hand and scanning a crowd will help point you to someone willing to help.

Make Eye Contact And Smile

Do you know how much easier life in general is when you follow this rule? Be open and friendly and make eye contact, good eye contact. The type of eye contact where you actually remember the person’s eye color. Why is this important? It helps weed out those who really don’t care to engage you or want to avoid you. It also makes you more likable.

Ask

All there is left to do is ask. “Excuse me. Would you mind taking my photo, please?” I know, horribly easy. If you don’t speak the language, consider learning the phrase (and others) before you leave. Google Translate is a good place to start although I can’t vouch for how accurate it is for each language listed. Or, if you really don’t know the language, sign language is your best bet. Raised eyebrows with a point to your camera is all it usually takes. Oh yeah, keep smiling. If your camera has a plethora of buttons, be sure to point out the shutter release when you get a taker.

Trust Your Instincts

Some people fear everyone while traveling. They hear the horror stories and that is their impression of any given location, even though they take the time to visit. While I’m not a fan of paranoia, it is important to trust your instincts while selecting a photographer. Not every stereotype out there is true, so I can’t even begin to list who to avoid. If you have even the least bit of hair standing up on the back of your neck, move on to someone else. Trust yourself.

Always Say Thank You

Sure there are a number of societies out there where thanking someone is not custom, but for the most part, a kind “Thank You” is always appreciated. Again, learn the phrase before you go. Here’s a fabulous list with 465 listed ways to thank someone.

For you introverts out there who despise asking for anything or disturbing others, I hope this post gives you a little push to get yourself in the photo the next time you travel. It really is this easy, just go do it!

Post from: Digital Photography School – Photography Tips. Check out our resources on Portrait Photography Tips, Travel Photography Tips and Understanding Digital Cameras.

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How To Get Someone To Take Your Photo



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Implied Doodle

14 Mar

styling-team-February-127-2
styling-team-February-271-2
styling-team-February-32-2

Hair: Steven Robertson & Vince Hernandez
Makeup: Paula Dahlberg
Models: Mckenna Kimball, Christie Iba, Kelli Mallory
Photography: Jake Garn
Photo Assistant: Tiffany Sanchez

Equipment used to achieve these images

Light setup was simple, two lights, each on either side of the model.  Click each item for more details at B&H.

  • Camera: Canon 5D Mark II
  • Lens: Canon 70-200 f/2.8L IS USM
  • Strobes: One Elinchrom 600RX Monolights
  • Strobes: Two Elinchrom 300RX Monolights
  • Light Modifier: Large Photoflex Softbox with grid
  • Light Modifier: Medium Photoflex Softbox with grid
  • Tripod: Manfrotto 190XPROB
  • Tripod Grip: Manfrotto Ballhead (322RC2)
  • Memory Card: SanDisk Extreme 16GB
  • Software: Adobe Lightroom


Jake Garn Photography

 
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photo post-production masterclass #1: retouching

14 Mar

The first in our photo post-production masterclass series reveals the various methods of photo retouching. Stanislav Petera guides you through the tools and techniques used to achieve the most exciting, desired effects in fashion and advertising photography. Using only basic Adobe Photoshop® tools (software is not included), you will learn how to create flawless skin, make eyes gleam and hair glow. stanislavpetera.net
Video Rating: 3 / 5

 

‘Despicable Me’ Featurette

14 Mar

For more info on ‘Despicable Me’ visit: www.hollywood.com
Video Rating: 5 / 5

www.A3Network.com. Funny People -Film Trailer. A3 Network is a group of online TV channels that reflect the modern lifestyle, featuring Bikini Girls, Sexy Pool Parties, Nightlife, Clubs, DJ’s, Music Video’s, Style, Art and Fashion. Whatever the flavor, the most exciting video’s on the web! Original A3 Network content is produced by http
Video Rating: 4 / 5

 

Meet The Sinister Spy

14 Mar

TRANCE AMBIENT GOA
Video Rating: 5 / 5

 

Where Kindness is a Card Game

14 Mar

Where Kindness is a Card Game

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DSLR Exposure Modes Part #2 – Photography Tips.

14 Mar

www.clickherephotographytips.com – Part #2 Please watch the Part #1 Video before watching Part #2, as; Its only natural to start with Part #1 Would you like to learn more about the settings on your digital camera? There are simply too many setting on a digital camera for the beginner photographer to choose without becoming somewhat confused, particularly when you consider the fact that many of us are so excited to have a new camera All many of us want to do is to take it out of the box and start taking photographs! Unfortunately, the need to start taking photographs can be too much of an attraction when in reality we really should be learning from our camera manufacturers manual about all of the settings and functions within our camera. This is a vital step toward becoming a better photographer, regardless of the fact that it may take a little time to complete. The time and effort that you take as soon as you have purchased your new camera to learn about things like Auto, Aperture Priority, Shutter Speed Priority and Manual Settings will be beneficial to your photography in the future guaranteed So, this video has been produced to assist the photographers that choose to cheat the system, you know; the photographers that simply couldnt be bothered to read their camera manufacturers instruction book Thanks for watching my videos and I hope that you appreciate them. Best of luck with your photography Regards Dean.
Video Rating: 4 / 5

Music : Angel on my Shoulder by Kaskade Photographer: Filbert Kung and Glenn Peter Perez of Blackfox www.the-blackfox.com Make up:Albert Kurniawan Hair: Arjieh Smith Jumao Styling: Ryuji Shiomitsu & Kaye Villasenor Style Weekend, available 2nd week of August. Shoot date July 31, 2010

 

Katherine: My first muse.

08 Mar

What is your Secret?

The secret is this.  Fall in love often and recklessly.  Fall in love with your camera, fall in love with natural light, fall in love with the Elinchrom Octa, fall in love with your film but most of all… fall in love with your muse. Rinse and repeat for years, maybe even a decade.

I’ve been thinking a lot about muses lately. Muse is defined as “the source of an artist’s inspiration” which means it could be just about anything. I think models have always been a huge source of inspiration, historically and personally. For me being a muse is more than just beauty, more than just being talented, and more than being able to help create amazing images. A muse needs to make me struggle, to suffer, to really, really feel things I don’t want to feel.

The best of friends in life are the ones that push you the most I think, and by that same token the best muses for my photography have been models that made me work harder. Emotionally and artistically. I’ve had dozens of favorite models over the years but there are only a handful that have transcended to a muse.

Katherine Franco

My first muse, we met in 2001 – almost ten years ago. I met Katherine before I knew much of anything about photography, all I knew was I was interested in it and I wanted to know more. Over the years we have yelled at each other, she has made me cry, I’m sure I’ve made her cry, we’ve gone months without speaking, we’ve been on road trips, we’ve laughed until we were out of breath, we’ve talked for hours about boys, girls, love, life, pain and most of all I’ve tried to convince Katherine (over and over) that she is as close to perfect as anyone ever needs to be.

All the while my photography evolved (and for some years revolved) around her.

I’ve known Katherine longer than I’ve known my wife. She has always been a friend, never a potential girlfriend (even when we were both single) and that is important I think, at least for me. One of my favorite things about our relationship is the proof that you can be close to someone without letting it get complicated with… well, you know. Heather Hankins left a comment on my facebook page that perfectly describes this, “The inspiration from a muse transcends the natural instinct of sexual expression.” So well said.

If you want to become a better photographer and a better person, find a muse and shoot. I shoot a lot of people, and I’m always looking for my next 10 year model… but they’d have a lot to live up to because I absolutely love this one.

The greatest hits of the last ten years with my original muse. You’ll notice her change and my photography style change… over and over. This is important too.

Music courtesy of the INSANELY talented group Mountain Hymns.  Listen to them for free at http://soundcloud.com/mountainhymns – by the way, the singer is also my cousin, Seaver Yates, of Farmington, Utah.  He’s a pretty cool guy, but he sure bugs me about giving him a free steak a lot…  :-)


Jake Garn Photography

 
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Nikon D3100 Review

08 Mar

This review got off to a bad start: the DX format camera arrived just before a long holiday break… without a battery and fitted with a less than ideal (for review purposes) f4.5/55-300mm lens (equivalent to 82.5-450mm on an SLR). So it just sat on the review bench for nearly two weeks, uncared for and bereft of admirers.

Nikon D3100_18_55_front34l_l.jpg

But once the power cell was fitted and the Nikon D3100’s neurons started surging through its circuitry, the little beast rapidly assumed a compelling appeal.

First up, the price: I figure it would tickle the tendrils of newcomers to the DSLR level of photography, those who have tired of compact digicams and their limitations but who don’t want to be bamboozled by the hard edged technicalities of upper level reflex models.

Nikon D3100_18_55_SLup_fr34r_l.jpg

So what you get is a responsive camera that can fire its first shot barely a second after startup. And heh! It’s small! Whilst only a few mill smaller than its earlier sibling the D3000, its stocky body sits well within an average male hand. Weight? With battery and card it tips the scales at a measly 500 grams.

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Nikon D3100 Features

The 14.2 megapixel CMOS sensor captures a maximum image size of 4608×3072 pixels. That means a print of 39×26cm can be made at 300 dpi.

Kuan Yin 3.JPG

In the movie department it can shoot at levels up there with the best: 1920×1080 at 24p in MPEG4 with mono sound; maximum shooting time is 10 minutes. Movie mode is well served in that you can select continuous auto focus while you shoot; in this I was a bit hampered by the 55-300mm review lens, with its narrow depth of field band and the challenge of using it handheld, but patience eventually triumphed.

The D3100 also offers in-camera movie editing that lets you save a single frame as a still image or delete unwanted slices from either end of movie clips. Note: when shooting movies you do get a fair bit of handling noise if you move the zoom in the middle of a recording.

Temple arch 1.jpg

Temple arch 2.JPG

If you want an alternative to the reflex finder, you’ll enjoy Nikon’s Live View mode, accessed by single-touch lever. In still capture mode it is live for only 30 seconds.

What sets the D3100 apart from most other DSLRs is its opening LCD screen which displays a guide that, in some ways, resembles an instruction manual built into the camera. For example: select Program AE for your exposure mode, then revolve the command dial, a graphic display shows how the lens aperture diminishes as the shutter speed increases… and vice versa. The really neat thing about this guide is that, when you revolve the camera, so the display pivots 90 degrees!

On the mode dial is the usual selection of Program, shutter and aperture priority plus manual and auto exposure options. Scene modes include portraits, landscapes, macro etc.

A novel Guide setting opens the door to suggestions as to how to shoot subjects in a more adventurous manner: challenges such as softening backgrounds, freezing motion are explained on screen… IMHO an encouraging way to advance your photographic skills.

The flash variations include auto, red eye reduction, flash forced off as well as the choice of front or rear curtain sync.

If you’re into mass portraits, hang onto this: the camera’s face detection system can pick up 35 faces!
You can shoot a burst of stills at a rate of three per second, the setting easily accessed via a four position lever that also silences the shutter sound for single frame shooting.

And here’s one I haven’t seen before! If you’ve shot an image and want to match the white balance in a subsequent shot, you simply select the stored shot and capture a new one that matches.

Sat nav-ready: an optional GPS unit can be attached which records the camera’s current position.

Nikon D3100 ISO 100.JPG

Nikon D3100 ISO 400.JPG

Nikon D3100 ISO 1600.JPG

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Nikon D3100 ISO Tests

A pretty good performance up to ISO1600, with sharp image and low noise. At ISO3200 noise is slightly up. At ISO6400 even more so but not objectionable. AT ISO12,800 noise is up even more and definition is well down: ideal for night shooting.

Lantern 12800.jpg

A good idea of the camera’s low light performance is this shot taken at ISO12,800. Aperture: f4.5 at 1/4000 second.

Comment

Prowling through the 200 plus page manual, I found a number of other features that I consider are photographer friendly helpers that would be of prime use to the enthusiastic, novice photographer. And not just for the sake of clever technology.

And that just about sums up the camera itself: it’s photographer-friendly! I have rarely come across a DSLR that was easier to use, immediately after opening the box. Go! Enjoy!

Why you would buy it: you hanker for an entry level DSLR; you’re keen but a bit lacking in skills; you crave Full HD video capture.

Why you wouldn’t: you’d like a tilting/swivelling LCD screen.

Nikon D3100_ambience_1_l.jpg

Nikon D3100 Specifications

Image Sensor: 14.2 million effective pixels.
Metering: Matrix, centre-weighted metering and spot.
Effective Sensor Size: 23.1×15.4mm CMOS.
A/D processing: 12-bit.
35 SLR Lens Factor: 1:5x.
Compatible lenses: Nikon F mount (with AF contacts).
Exposure Modes: Auto, Program AE, shutter and aperture priority, manual.
Shutter Speed: Bulb, 30 to 1/4000 second, Bulb. Flash sync: 1/200 sec.
Memory: SD/SDHC/SDXC cards.
Image Sizes (pixels): 4608×3072 to 2304×1536. Movies: 1920×1080 to 640×480 at 24/25/30fps.
Viewfinders: Eye level pentaprism, 7.5cm LCD (230,000 pixels).
File Formats: NEF (RAW), NEF (RAW)+JPEG, JPEG, MPEG4.
Colour Space: Adobe RGB, sRGB.
ISO Sensitivity: Auto, 100 to 12,800.
Interface: USB 2.0, AV, HDMI mini, DC input, remote.
Power: Rechargeable lithium ion battery, AC adaptor.
Dimensions: 124×96×74.5 WHDmm.
Weight: Approx. 500 g (with memory card and battery).
Price: Get a price on the Nikon D3100 with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens at Amazon.

Post from: Digital Photography School – Photography Tips. Check out our resources on Portrait Photography Tips, Travel Photography Tips and Understanding Digital Cameras.

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