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Archive for December, 2010

Classic Game Room HD – MORTAL KOMBAT vs DC UNIVERSE review 2

25 Dec

Part 2 of 2. Watch in High Definition. Classic Game Room reviews MORTAL KOMBAT vs DC UNIVERSE for the Xbox 360 video game console, MK vs DC is also available for Sony Playstation 3 PS3. This Mortal Kombal vs DC Universe review features gameplay footage from the game in HD. This is an awesome fighting 3D fighting game, no way around it. From Midway, Warner Bros. and DC Comics comes this bizarre yet enjoyable combination of the Mortal Kombat franchise and the DC comic book characters like Superman, Batman, Lex Luther, Wonder Woman, Flash, Green Lantern and Catwoman. The Mortal Kombat characters that you know and love are here for mortal combat including Raiden, Sonya Blade, Jax, Scorpion, Sub Zero and Liu Chang. Which universe will you choose to fight in? That’s the beauty of this game, fight a parallel storyline with one of two opposing sides. The writing in this game is campy, impossible and awesome. Fatality moves for Mortal Kombat and DC characters are in the game, and although the violence has been toned down a bit with DC Heroic Brutality (seriously??), the Fatality moves are fun to watch and nicely rendered in 3D animation. In many ways this is a superior game, Mortal Kombat vs. Soul Calibur IV or Virtua Fighter 5… who wins? CGRHD likes this game better, short and easy to memorize button combos, great gameplay and that awesome mixture of DC and MK characters. One of the better fighting games out there for the 360 and PS3. Classic Game Room HD reviews new games with
Video Rating: 4 / 5

The Urban Planning Council of Abu Dhabi (UPC) appointed Squint Opera to create a short film illustrating their grand Urban Planning Guide for Abu Dhabi. The film is presented at Cityscape Abu Dhabi from the 13th to the 15th of May 2008. The film communicates the principles and visualises the UPC plans for the expansion of the city to attract investors, developers and architects. The UPC commissioned this film as an awe-inspiring vision demonstrating the scale, ambition and radical nature of the plan. Alice Scott directed the six-minute film that describes the plan on 3D, bringing life to certain aspects of the unique environment and a future evolving culture. Through 4 main key themes (Green — Live — Work — Connect) we are shown pedestrians walking the shaded sidewalks, using the world-class metro system and trams surrounded by green, energy saving residential townhouses, villas, high rises, offices and retail developments. The imagery shows desert landscaping, renewable energy measures and water-cooling canals in the streets of Abu Dhabi and demonstrates a efficient quality of life for the future population.

 

Now There’s a Face

24 Dec

Awww, why do all the creepy men who take photos of underage girls have to be taken? Gidget is hanging out at the beach, with her tongue out of course, when a fashion photographer named Peter spots her. It’s not long before the Gidge is his muse. Watch hundreds of free full-length streaming movies and TV shows on www.crackle.com Tags Gidget tv sally fields field don porter surfer beach surfing series lynette winter pete duel betty conner you really like me summer fun sitcom sixties 60’s minisode creepy photographer watch free streaming television video

 

Rechargeable Li-ion Battery for Nikon EN-EL9/EN-EL9A SLR Digital Camera D3X D40

24 Dec

Buy @ www.amazon.com Technical Details:BRAND NEW Rechargeable Li-ion Battery for Nikon EN-EL9/EN-EL9A SLR Digital Camera Battery * Compatible With Nikon: D3X D40 D40X D60 D3000 D5000 * Replacement for the original NIKON EN-EL9/EN-EL9A battery pack * Latest Lithium Ion battery technology gives the best performance possible compared to other battery technologies such as Nickel Metal Hydride (Ni-MH). * Integrated microchip prevents overcharging & lengthens battery life

 
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Posted in Nikon Videos

 

Cool Visual Art images

24 Dec

A few nice visual art images I found:

Thinker – Cantor Center for the Visual Arts
visual art
Image by Steve Rhodes
museum.stanford.edu

 
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Posted in Photographs

 

How to Photograph Fireworks Displays

24 Dec
FireworksPhoto by hupaishi

Do you want to know how to photograph fireworks? With 4th July just days away I thought I’d refresh this article in which I give 10 Fireworks Photography tips to help you get started.

Fireworks Displays are something that evoke a lot of emotion in people as they are not only beautiful and spectacular to watch but they also are often used to celebrate momentous occasions.

I’ve had many emails from readers asking how to photograph fireworks displays, quite a few of whom have expressed concern that they might just be too hard to really photograph. My response is always the same – ‘give it a go – you might be surprised at what you end up with’.

My reason for this advice is that back when I bought my first ever SLR (a film one) one of the first things I photographed was fireworks and I was amazed by how easy it was and how spectacular the results were. I think it’s even easier with a digital camera as you can get immediate feedback as to whether the shots you’ve taken are good or not and then make adjustments.

Of course it’s not just a matter of going out finding a fireworks display – there are, as usual, things you can do to improve your results. With 4 July just around the corner I thought I’d share a few fireworks digital photography tips:

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1. Use a Tripod

Fireworks-1Photo by Piero Sierra

Perhaps the most important tip is to secure your digital camera to something that will ensure it doesn’t move during the taking of your shots. This is especially important in photographing fireworks simply because you’ll be using longer shutter speeds which will not only capture the movement of the fireworks but any movement of the camera itself. The best way to keep your camera still is with a tripod (read our series on tripods and how to use and buy them). Alternatively – keep in mind that there are other non Tripod options for beating camera shake.

2. Remote Release

One way to ensure your camera is completely still during fireworks shots is to invest in a remote release device. These will vary from camera to camera but most have some sort of accessory made for them. The other way of taking shots without touching your camera is to use the self timer. This can work but you really need to be able to anticipate shots well and its very very hit and miss (read more on remote shutter releases).

3. Framing Your Shot

One of the most difficult parts of photographing fireworks is working out where to aim your camera. The challenge you’ll face in doing this is that you generally need to aim your camera before the fireworks that you’ll be photographing goes off – anticipation is key. Here are a few points on getting your framing right.

FireworksPhoto by Stuck in Customs
  • Scope out the location early – Planning is important with fireworks and getting to the location early in order to get a good, unobstructed position is important. Think about what is in the foreground and background of your shots and make sure you won’t have people’s heads bobbing up into your shots (also consider what impact you’ll have on others around you also). Take note of where fireworks are being set up and what parts of the sky they are likely to be shot into – you might also want to try to ask some of those setting up the display for a little information on what they are planning. Also consider what focal lengths you might want to use and choose appropriate lenses at this time (rather than in the middle of the show).
  • Watch your Horizons – One thing that you should always consider when lining up fireworks shots is whether your camera is even or straight in it’s framing. This is especially important if you’re going to shooting with a wide focal length and will get other background elements in your shots (ie a cityscape). Keeping horizons straight is something we covered previously on this site and is important in fireworks shots also. As you get your camera on your tripod make sure it’s level right from the time you set up.
  • Vertical or Horizontal? – There are two main ways of framing shots in all types of photography, vertically (portrait) or horizontally (landscape). Both can work in fireworks photography but I personally find a vertical perspective is better – particularly as there is a lot of vertical motion in fireworks. Horizontal shots can work if you’re going for more of a landscape shot with a wider focal length of if you’re wanting to capture multiple bursts of fireworks in the one shot – but I don’t tend to go there that often.
  • Remember your framing – I find that when I photograph fireworks that I spend less time looking in my viewfinder and more looking at the sky directly. As a result it’s important to remember what framing you have and to watch that segment of the sky. Doing this will also help you to anticipate the right time for a shot as you’ll see the light trails of unexploded rockets shooting into the sky.

4. Focal Length?

How-To-Photograph-FireworksPhoto by asmundur

One of the hardest parts of photographing fireworks is having your camera trained on the right part of the sky at the right time. This is especially difficult if you’re shooting with a longer focal length and are trying to take more tightly cropped shots. I generally shoot at a wider focal length than a tight one but during a show will try a few tighter shots (I usually use a zoom lens to give me this option) to see if I can get lucky with them. Of course zoomed in shots like the one to the left can be quite effective also. They enable you to really fill the frame with great color. Keep in mind however that cropping of your wider angle fireworks shots can always be done later to get a similar impact in your photography.

5. Aperture

A common question around photographing fireworks displays is what aperture to use. Many people think you need a fast lens to get them but in reality it’s quite the opposite as the light that the fireworks emit is quite bright. I find that apertures in the mid to small range tend to work reasonably well and would usually shoot somewhere between f/8 to f/16.

6. Shutter Speed

How-To-Photograph-Fireworks-3Photo by *vlad*

Probably more important to get right than aperture is shutter speed. Fireworks move and as a result the best photographs of them capture this movement meaning you need a nice long exposure. The technique that I developed when I first photographed fireworks was to shoot in ‘bulb’ mode. This is a mode that allows you to keep the shutter open for as long as you hold down the shutter (preferably using a remote shutter release of some type). Using this technique you hit the shutter as the firework is about to explode and hold it down until it’s finished exploding (generally a few seconds).

You can also experiment with set shutter speeds to see what impact it will have but I find that unless you’re holding the shutter open for very long exposures that the bulb technique works pretty well.

Don’t keep your shutter open too long. The temptation is to think that because it’s dark that you can leave it open as long as you like. The problem with this is that fireworks are bright and it doesn’t take too much to over expose them, especially if your shutter is open for multiple bursts in the one area of the sky. By all means experiment with multiple burst shots – but most people end up finding that the simpler one burst shots can be best.

7. ISO

Fireworks-2-1Photo by Mr Magoo ICU

Shooting at a low ISO is preferable to ensure the cleanest shots possible. Stick to ISO 100 and you should be fine.

8. Switch off your Flash

Shooting with a flash will have no impact upon your shots except to trick your camera into thinking it needs a short exposure time. Keep in mind that your camera’s flash will only have a reach of a few meters and in the case of fireworks even if they were this close a flash wouldn’t really have anything to light except for some smoke which would distract from the real action (the flashing lights).Switch your flash off.

9. Shoot in Manual Mode

I find I get the best results when shooting in manual exposure and manual focus modes. Auto focusing in low light can be very difficult for many cameras and you’ll end up missing a lot of shots. Once your focusing is set you’ll find you don’t really need to change it during the fireworks display – especially if you’re using a small aperture which increases depth of field. Keep in mind that changing focal lengths will mean you need to need to adjust your focusing on most lenses.

10. Experiment and Track Results

Watching-FireworksPhoto by y entonces

Throughout the fireworks display periodically check your results. I generally will take a few shots at the start and do a quick check to see that they are OK before shooting any more. Don’t check after every shot once you’ve got things set up OK (or you’ll miss the action) but do monitor yours shots occasionally to ensure you’re not taking a completely bad batch.

Also experiment with taking shots that include a wider perspective, silhouettes and people around you watching the display. Having your camera pointed at the sky can get you some wonderful shots but sometimes if you look for different perspectives you can get a few shots that are a little less cliche and just as spectacular. Most of the best shots that I’ve seen in the researching of this article have included some other element than the fireworks themselves – whether it be people, buildings, landmarks or wider cityscape perspectives.

More Tips from DPS Readers

  • “Find Out the Direction of the Wind – You want to shoot up wind, so it goes Camera, Fireworks, Smoke. Otherwise they’ll come out REALLY hazy.”
  • “Also, I find that if you shoot from a little further back and with a little more lens, you can set the lens to manual focus, focus it at infinity and not have to worry about it after that.”
  • “Remember to take advantage of a zero processing costs and take as many pictures as possible (more than you’d normally think necessary). That way, you’ll up your chances of getting that “perfect” shot.”
  • “Make sure you are ready to take pictures of the first fireworks. If there isn’t much wind, you are going to end up with a lot of smoke in your shot. The first explosions are usually the sharpest one.”
  • “Get some black foam core and set your camera to bulb. Start the exposure when the fireworks start with the piece of foam core in front of the lens. Every time a burst happens move the foam core out of the way. You will get multiple firework bursts in one exposure”
  • “Another tip I would add to this is pre-focus if possible (need to be able to manually focus or lock down focus for good) before the show starts so other elements in the frame are sharp They did mention that you only need to focus once but its a lot easier to take a few shots before the show starts and check them carefully rather than wait until the show has begun and you are fiddling with focus instead of watching fireworks!”

Tell us your fireworks display photography tips in comments below. Don’t forget to tell us which city you’re in and what the fireworks are like there!

We post tutorials like this every day – Get more via email with our free weekly newsletter.

PS: Got some fireworks photos to share with us? Head over to our forum where there are a few fireworks photography discussions taking place.

Post from: Digital Photography School



Digital Photography School

 
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Testing the new C4D plugin “Xplode”, against applesoldier

24 Dec

I recently got the new plugin Xplode for Cinema 4D. It allows you to cut up any object into pieces. Then the pieces can be used with modynamics. I wanted to see how well a video could be placed on an object, then cut up using the plugin, then blow it up. I used applesoldier’s video to blow up…. as I think its best fitting for it. lol In the end, its just me playing around with some random ideas…. and seeing as how I already have modeled a BOXX and a Mac Pro, why not use them?? lol This plugin has a lot of potential. I have only begun to scratch the surface of what it can do. And yes, my favorite is the minigun.. 🙂 All modeled, animated, blown up, textured, lit, and rendered by me using Cinema 4D.

 

Learn Photoshop – Background Removal

24 Dec

photographybiz.blogspot.com Photoshop Tutorial. Learning to remove the background in an image. Become proficient in Photoshop. http

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Video Rating: 4 / 5

 

Samsung announces NX11 mirrorless camera with i-Function

24 Dec

Pre-CES 2011: Samsung has announced the NX11 large-sensor mirrorless interchangeable lens camera. The update to its existing NX10 model features support for its i-Function feature, introduced with the NX100. The camera will come bundled with an updated version of the company’s 18-55mm kit lens, now featuring an i-Fn button. The company also says it has updated the camera’s grip.
News: Digital Photography Review (dpreview.com)

 
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Mika in French with Grace Kelly in 3-D powered by mixedmultimediaâ„¢ (3-D Red/Blue glasses required)

24 Dec

NOTE: 3-D Red/Blue-Cyan anaglyph cinema glasses are required to watch MIKA performing his “Grace Kelly” French version video clip. © 2006-2010 All rights reserved » Sound and video owned & licensed by UMG, Island Records & Casablanca Music, LLC © 2010 Created under license by mixedmultimediaâ„¢ » 3-D Design by M. Daniëls » mixedmultimedia.com 3-D Music video by MIKA performing Grace Kelly. © 2006-2010 UMG, Island, Casablanca Music LLC & mixedmultimediaâ„¢ Label UMG, Island & Casablanca Music, LLC Writer(s) : Mika (Mica Penniman), Jodi Marr, John Merchant, Dan Warner Producer : Greg Wells 3-D Producer : Mark Daniëls & mixedmultimediaâ„¢ studio Ownership & License: UMG Please do not copy, reproduce or distribute this video clip, including sound, without the written approval of UMG. “Grace Kelly” is a song by English singer, Mika, released for download on January 9, 2007. It also appears on Mika’s 2007 album Life in Cartoon Motion. Produced and mixed by Greg Wells, the song entered the UK Singles Chart at number three (#3) and the UK Official Download Chart at number one (#1). One week later, it jumped to the top of the UK Singles Chart, despite still being available on downloads only. The track was number one in the UK Singles Chart for five weeks, and ended 2007 as the year’s third biggest-selling single in that country. In the US, “Grace Kelly” was made available for digital download on January 16,2007. This song was also #89 on MTV Asia’s list of Top 100 Hits of 2007. It was
Video Rating: 5 / 5

 
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Inside Gaming Awards 2010: Bungie Studio Interview | Pre-Show Red Carpet – Part 3

23 Dec

www.youtube.com Click here to watch Inside Gaming Awards 2010: Winners Recap! Inside Gaming Awards 2010: Bungie Studio Interview | Pre-Show Red Carpet – Part 3 Part 3 of our Inside Gaming Awards 2010 Pre Show Coverage! Join us on the red carpet! – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – Follow Machinima on Twitter! Machinima twitter.com Inside Gaming twitter.com Machinima Respawn twitter.com Machinima Entertainment, Technology, Culture twitter.com FOR MORE MACHINIMA, GO TO: www.youtube.com FOR MORE GAMEPLAY, GO TO: www.youtube.com FOR MORE SPORTS GAMEPLAY, GO TO: www.youtube.com FOR MORE MMO & RPG GAMEPLAY, GO TO: www.youtube.com FOR MORE TRAILERS, GO TO: www.youtube.com TAGS: Inside Gaming IG news machinima dead pixel Kovic twitter youtube facebook yt:quality=high Sark Awards Winners Recap Viewers Choice Best Animation God War Weapon Just Cause Grappling Hook Music Score Red Dead Redemption Innovation In Game Design Reach Halo Hutch Seananners Elissa Pre Show Red Carpet
Video Rating: 4 / 5