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DPReview TV: What we’re hoping to see on the new Sony ‘a7S III’

08 Jul

Sony recently confirmed plans to launch a successor to the video-centric a7S II, expected this summer. We don’t even know the name of the camera, but Jordan already has a feature wish list for the new ‘a7S III’ – and it doesn’t include 8K.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Intro
  • The sensor
  • Memory cards
  • Display and video tools
  • Image stabilization
  • Autofocus and touch screen
  • What do you think? Tell us!

Read our recent interview with Sony about its a7 II successor

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS-1D X Mark III review

08 Jul

Introduction

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Gold Award

92%
Overall score

The EOS-1D X Mark III is the latest high-end, ultra-tough, hyper-fast DSLR from Canon. From the outside, it looks about the same as previous EOS-1D bodies dating back two decades. But on the inside, there are radical updates. And even though this is a big, double-grip DSLR, it functions as a highly capable mirrorless camera in Live View mode provided you’ve got the muscle to hold it out in front of you for extended periods of time.

This is also a camera that can take you beyond 8-bit JPEG shooting as your ‘finished image’, includes AF subject recognition based on machine learning in both OVF and live view shooting, and has some impressive video capabilities (including internal Raw video).

There’s a lot to cover on the EOS-1D X Mark III, so let’s get started with a rather lengthy list of key specifications before diving into just what this all means on the following pages.

Key specifications:

  • Updated 20.1MP CMOS sensor with Dual Pixel AF
  • Digic X processor
  • HEIF 10-bit recording (supports HDR display at smaller-than-JPEG sizes)
  • 16fps bursts (viewfinder), 20fps bursts (Live View) with autofocus
  • All-new mirror mechanism to reduce vibration and blackout
  • 191-pt viewfinder AF system with new ‘square pixel’ design, 155 cross-type points, Face + head detection, sensitivity to -4 EV, all points support F8 shooting
  • Live View AF system is now 90% horiz / 100% vertical coverage with enhanced eye detection, sensitivity down to -6 EV, supports F11 shooting
  • New AF ‘Smart Controller’ built into the AF-ON buttons
  • 5.5K/60p 12-bit Raw video recording, 4K/60p 4:2:2 10-bit H.265/HEVC recording
  • Dual CFExpress card slots for virtually unlimited buffer in most situations
  • CIPA rated to 2850 shots with the viewfinder, 610 with Live View using LP-E19 battery
  • Shutter rated to 500k shots
  • Weighs 1440g

And those are just the key specifications.

The EOS-1D X Mark III is likely to find its way into the hands of sports, wedding and event photographers, and remain there for years of use and hundreds of thousands of images. Out-of-camera JPEG.
EF 85mm F1.4L IS | ISO 3200 | 1/1000 sec | F1.4

Excepting landscape and studio specialists that need massive amounts of megapixels, the EOS-1D X Mark III is the most well-rounded, well-specced camera currently on the market for both stills and video shooters that have the requisite funds. It’s clear that Canon is aiming for the 1D X III to be relevant for professional users for years to come, despite the ever-increasing pace of innovation and ever-decreasing length of product cycles in the industry.

The EOS-1D X Mark III is scheduled to be available in mid-February 2020 for an estimated retail price of $ 6499 USD, body-only.


What’s new and how it compares

Find out what’s new under the hood of the EOS-1D X Mark III.

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What’s new: Autofocus

There have been so many updates to the 1D X III’s autofocus system that they get their own page.

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First impressions

From portraits to pounding white-hot metal, we’ve taken a look at how our pre-production EOS-1D X Mark III stacks up.

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Body, controls and handling

A mix of the new and the familiar will satisfy existing 1D-series users while offering some significant improvements.

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Image quality

The EOS-1D X Mark III shoots Canon’s best-ever JPEGs, and Raw performance is up there with the best.

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Dynamic range

The 1D X III has impressive dynamic range among its class of sports-shooting flagships.

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Autofocus performance

Autofocus has been extensively tweaked on the 1D X III – check out how it performs both in our more controlled testing and with team sports.

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Video

Raw and log recording, detailed footage and reliable autofocus make the 1D X III the best DSLR for video to date.

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Conclusion

The EOS-1D X Mark III gets high marks from us for being reliable, capable, future-proof. It’s also a joy to photograph with.

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Sample galleries

The EOS-1D X Mark III is capable of some seriously good image quality – take a look.

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Articles: Digital Photography Review (dpreview.com)

 
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Pixii’s 12MP display-less M-mount rangefinder is now available to order

08 Jul

It’s been almost two years since the French startup Pixii announced its display-less digital M-mount rangefinder that uses your smartphone as both a screen and means of storage. Now, the niche camera is available to purchase, but don’t expect to pick it up for cheap.

To recap, the Pixii camera (Model A1112) is a digital M-mount rangefinder constructed of an aluminum frame that houses the 12MP (4080 x 2732 pixels) APS-C CMOS sensor. It features an electronic global shutter, Raw (DNG) capture and works with Leica M-mount lenses, as well as M39/LTM lenses when used with an adapter.

Similar to the Leica M-D, the Pixii camera eschews a rear LCD display and instead relies on being paired with a smartphone to review images captured through the 0.67x magnification optical viewfinder (53.6-degree FOV). The only display on the camera is a small OLED screen on the top of the camera that shows the basic image settings.

The Pixii camera also forgoes an SD card and instead stores images on 8GB of internal storage (4GB if you pick up the ‘launch edition’ model). Once filled, images can be transferred wirelessly to a paired mobile device via Wi-Fi or Bluetooth. The camera also uses a built-in 1,000mAh Li-ion battery that can be recharged via the onboard USB port.

While we haven’t taken it for a spin ourselves, our friend Hamish Gill of 35mmc fame spent some time with one of the units and wrote up a comprehensive review of his experience with one of the first units.

Pixii has also shared a number of sample photos captured with one of its cameras:

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The Pixii camera is available to purchase on the Pixii website. The 8GB model comes in ‘Space Gray’ and ‘Black Matte’ finishes and retails for €2,900 / ~$ 3,277, while the special ‘launch edition’ comes in at €2,900 / ~$ 3,259. There’s no information at this time on shipment timeframes, but we’ve contacted Pixii about the matter and will update accordingly when we receive a response.

Articles: Digital Photography Review (dpreview.com)

 
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Sony 12-24mm F2.8 GM sample gallery

08 Jul

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Take a look at the view from Sony’s new ultra-wide zoom, paired with the 60MP a7R IV. The 12-24mm F2.8 GM rounds out a series of F2.8 constant zooms, joining the existing 24-70mm and 70-200mm in the high-end ‘G Master’ lineup. It’s a touch wider than Sigma’s 14-24mm F2.8 but more than double the cost – check out our samples above and see what that extra-wide view looks like.

Articles: Digital Photography Review (dpreview.com)

 
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Sirui announces 35mm anamorphic lens is on the way

08 Jul

Sirui is teasing the launch of its next lens, which will be a 35mm 1.33x anamorphic with a maximum aperture of F1.8. Until recently, Surui was best known for making tripods, but it’s branched out into lenses, with this being the second released this year.

Like the 50mm 1.33x anamorphic that was launched in February, this new lens is designed for APS-C and MFT sensors. It will be only available in the MFT mount but there are adapters for Sony E, Canon EF-M and Nikon Z mount camera systems, according to a video placed on the company’s U.S. Facebook page. The lens will come with detachable geared rings for the focus and aperture rings, uses a 68mm front filter thread and has a minimum focus distance of 0.85m (2.8ft).

The lens is promoted as the wide-angle answer to the existing 50mm lens, and the company says it provides the viewing angle of a 26.3mm lens when used on an APS-C sensor. Sirui says that once de-squeezed, footage from a 16:9 area of the camera’s sensor will take on a 2.4:1 aspect ratio with characteristic oval bokeh and blue light streaks of flare.

The Sirui 35mm F1.8 1.33x anamorphic lens will be available for an early-bird price of $ 599 via an Indiegogo campaign page that goes live on August 3rd at 9am EST.
For more information on the company’s 50mm lens see the Sirui website.


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
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Sony 12-24mm F2.8 GM arrives in August for $3000

07 Jul

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Sony has announced a new member of its high-end ‘G Master’ full-frame lens series: the 12-24mm F2.8. It’s currently the widest F2.8 constant zoom offered for full-frame, with a hefty price tag to match: $ 3000.

The 12-24mm is dust and moisture-sealed and weighs in close to two pounds (847g / 1.9lb to be precise). It’s a bit larger than Sigma’s 14-24mm F2.8, measuring 97.6 x 137mm. With such a large front element, the 12-24 provides a rear filter holder.

Optical construction includes three XA Extreme Aspheric elements (including the largest that Sony’s ever made), two Super ED and three ED elements, as well as one aspherical lens element. Nano AR Coating II is used, along with a fluorine coating. Four XD linear motors move two focus groups – either together or independently – and focusing is silent. The lens uses a nine-blade aperture, and minimum focus distance is 28cm / 11in throughout the zoom range.

The Sony 12-24mm F2.8 GM is slated to arrive mid-August and will sell for $ 3000.

Press release

Sony Electronics Grows Lens Line-up with Launch of 12-24mm G Master, the World’s Widest Full-frame Zoom with a Constant F2.8 Aperture

SAN DIEGO – July 7, 2020 – Sony Electronics Inc. today announced an exciting new addition to its full-frame lens line-up with the introduction of the FE 12-24mm F2.8 GM (model SEL1224GM) Large-aperture Ultra-wide Zoom lens. This compact and versatile lens is ideal for shooting landscapes, astrophotography and architecture while providing extra mobility for active sports shooters who want to capture ultra-wide perspectives. As part of Sony’s flagship G Master series lenses, users can be completely confident that it delivers outstanding image quality up to an ultra-wide 12mm angle of view with F2.8 constant aperture and beautiful bokeh effects.

The introduction of the FE 12-24mm F2.8 GM now extends the F2.8 range of Sony’s G Master series zoom lenses all the way from 12mm to 200mm[ii] and at 12mm, offers the world’s widest range of zoom at F2.8. At this focal length, it is possible to emphasize distance and create dynamic perspectives that are beyond the scope of the human eye, opening the door to new avenues of creative expression.

“We are excited to introduce the new FE 12-24mm F2.8 GM as the 57th lens in Sony’s E-mount line-up”, said Neal Manowitz, deputy president of Imaging Products and Solutions Americas, Sony Electronics. “It is important for us to continue to push boundaries in the industry to develop the best tools for our customers. By extending our range of G Master constant F2.8 zoom lenses out to 12mm, we are excited to see how these new innovations will help our customers create like never before.”

The FE 12-24mm F2.8 GM benefits from innovative construction that delivers outstanding corner-to-corner image quality throughout the entire zoom range. It features three precise XA (extreme aspherical) elements including the largest XA element ever made for an ? – Alpha brand lens. These XA elements, with an additional aspherical element, effectively suppress astigmatism, coma and field curvature right out to the image edges. Furthermore, three ED (Extra-low Dispersion) glass elements plus two Super ED glass elements, powerfully control chromatic aberration and combine to deliver corner-to-corner clarity while minimizing color fringing.

An extremely effective floating focus mechanism divides the lens’s focus group into two independently controllable groups, ensuring both outstanding close-up performance and maximum sharpness at any distance. The two independently controlled groups help realize a constant 11” (28 cm) minimum focusing distance throughout the zoom range, and because it is an internal focus lens, its length remains constant, so its center of gravity varies very little and is always optimally balanced in the hand.

The signature bokeh effects of Sony’s G Master series lens are achieved through the fine tuning of the lens’s spherical aberration characteristics during both the design and manufacturing process. At the same time, the extremely high surface precision of the lens’s XA elements effectively suppresses spherical aberration and, in combination with a 9-blade circular aperture, further enhances its exquisite bokeh.

The FE 12-24mm F2.8 GM employs four original high-speed, high-thrust XD (extreme dynamic) Linear Motors to ensure that it is compatible with the speed performance of both current and future camera bodies. With two XD Linear Motors for each of the lens’s focus groups, autofocus is fast and precise. New control algorithms maximize the response of the system while achieving flawless synchronization between the two focus groups. Further benefits include extremely quiet operation with minimal vibration and lower power consumption.

A brand-new Nano AR Coating II that can be evenly applied to large lens elements or highly curved element surfaces has been used for the first time on the FE 12-24mm F2.8 GM. It suppresses internal reflections, minimizes flare and ghosting for clear, crisp imagery and despite the lens’s wide angle of view, Nano AR Coating II maintains high clarity and contrast throughout the entire image, even in difficult light.

Moviemaking
The constant F2.8 maximum aperture at all focal lengths ensures that exposure is stable when zooming. As a result, this means that shutter speed and ISO sensitivity can remain constant while shooting movies. The creative opportunities afforded by shooting movies at a 12mm angle of view with F2.8 constant aperture in full-frame are boundless, and when used on an APS-C or Super 35 camera, the wide end of the zoom range becomes equivalent to 18mm, providing a useful zoom range for moviemaking.

Professional Control
Weighing only 1.87 lbs (847 g), the FE 12-24mm F2.8 GM offers numerous features for full professional control of shots. These include a customizable focus-hold button, focus-mode switch, zooming ring and focusing ring that are positioned for easy operation while shooting. The Linear Response MF ensures that the focus ring responds directly to the most subtle adjustments when focusing manually so control feels immediate and precise. It is dust and moisture resistant[iii] and the front lens element features a fluorine coating that repels water, oil, and other contaminants, making it easier to wipe off any fingerprints from the lens surface. The rear filter holder accommodates standard sheet-type ND, color correction and other filters for expanded expressive capability. A cutting template for sheet filters is supplied.

Pricing and Availability
The FE 12-24mm F2.8 GM is available in in August 2020 for a suggested retail price of $ 2,999.99 USD and $ 3,999.99 CAD.

Articles: Digital Photography Review (dpreview.com)

 
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Report: Nikon rumored to be announcing Z6s, Z7s mirrorless cameras by year’s end

07 Jul

Nikon Rumors is reporting that Nikon will be announcing two new mirrorless cameras this year, the Z6s and Z7s. As the names suggest, these alleged models will be incremental updates to the current Z6 and Z7 models.

According to Nikon Rumors’ report, the two rumored cameras will use the same sensors as their respective predecessors but feature dual Expeed processors. Other rumored specifications include a new EN-EL15c battery, USB-C powering, dual memory card slots (assumed to be dual CFexpress), 4K60p video and have the option to use an add-on vertical grip, which would be sold as an optional accessory.

Nikon Rumors says it expects the announcement to be made in October 2020, but as with all things this year, there’s the chance it could be pushed back to a further date.

Articles: Digital Photography Review (dpreview.com)

 
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Canon confirms ‘Reimagine’ product launch, Q&A livestream for July 9

07 Jul

Canon UK has confirmed it will be hosting a livestream event for what it calls its ‘biggest product launch yet.

According to the microsite on Canon UK’s website, the ‘Reimagine’ event will take place at 14:00 CEST on July 9. In addition to the vague ‘product launch’ teaser, Canon Ambassadors and experts will also be hosting a Q&A during the event to talk about ‘Canon’s latest additions to its product range.’

The sign-up form, which appears as a pop-up dialog box on Canon UK’s microsite for the event.

The event will be livestreamed on YouTube, where Canon suggests it will be taking questions from the live comments feed. You can sign up to be notified of the event on Canon UK’s microsite.

Articles: Digital Photography Review (dpreview.com)

 
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Video: How to build a custom Raspberry Pi ‘Becca Cam’ with zero coding experience

06 Jul

Becca Farsace, Video Director at The Verge, has shared a video detailing how she built her own Raspberry Pi camera with no coding experience.

The nine-minute video is a fun overview of what it took to turn a Raspberry Pi 4 computer into a fully-functioning interchangeable-lens camera with the help of Raspberry Pi’s new HQ Camera add-on, a three-inch touchscreen, a spare lens or two from Becca’s 16mm Bolex camera and a sacrificial Ninoka nk-700 film camera.

Since Becca isn’t too familiar with Python, the coding language needed to build apps for the Raspberry Pi 4 computer, she had more than a few hurdles to clear before she could get shooting. However, with the help of her Instagram followers, the camera’s manual and plenty of perseverance over the course of a few days, she was able to get a program up and running that allowed her to capture images.

The resulting ‘Becca Cam’ is far from intuitive (particularly when the keyboard is required) and quality of images captured with the camera isn’t going to blow anyone away, but for a 1.0 product built with zero coding knowledge, it’s impressive.

Becca shared links to all of the materials and code used to create the camera (aside from the frame, which was hacked together from an old film camera), so if you’re feeling like making your own camera, follow the video link and pick up the required components.

Articles: Digital Photography Review (dpreview.com)

 
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The Canon EOS R5 is coming soon – what are you hoping for?

06 Jul

This past February, Canon announced the development of its next full-frame mirrorless camera, the EOS R5. At the time, details were scarce, but a month later Canon followed up with new information confirming the forthcoming camera will offer 8K/30p video as well as ‘advanced animal AF.’

Despite the initial and additional information, plenty remains unknown about exactly what features and specifications the EOS R5 will offer, as well as how the specifications provided by Canon will actually be implemented (i.e. what codec will the 8K/30p video use and what’s the bitrate?).

A Canon EOS R5 under glass at WPPI earlier this year.

As you might expect, the rumor mill has been churning away, with whispers of more detailed specifications and even some suggestions that further hardware might be on the way in addition to the EOS R5. With all of that in mind, what are you hoping to see from Canon when the official launch takes place? Leave a comment and let us know, and we’ll publish a roundup of the most-requested features soon.

Articles: Digital Photography Review (dpreview.com)

 
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