RSS
 

Archive for the ‘Uncategorized’ Category

Sony announces world’s first CFExpress Type A cards and card reader

30 Jul

While the Sony a7S III rightly received most of the attention yesterday, Sony also announced it’s releasing the world’s first CFExpress Type A memory card and reader.

These new CFExpress Type A Tough cards offer max read and write speeds of 800MB/s and 700MB/s, respectively, and come in 80GB and 160GB capacities. While these cards will work in other cameras that offer CFExpress Type A slots, these are clearly designed to go hand-in-hand with Sony’s a7S III, which features dual hybrid card slots that can take UHS-II SD cards or CFExpress Type A cards.

New cards mean you’ll need a new way to get data off the cards, so Sony has also unveiled a USB 3.2 Gen 2 USB-C card reader that also accepts both SD cards and CFExpress Type A cards. The reader can transfer data at up to 10Gbps, which should leave more than enough overhead for even the fastest UHS-II SD cards as well as the new CFExpress Type A cards.

Both the CFExpress Type A Tough cards and SD/CFExpress Type A card reader are available to pre-order today. The 80GB (Adorama, B&H) and 160GB (Adorama, B&H) cards cost $ 200 and $ 400, respectively, while the card reader costs $ 120 (Adorama, B&H).

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony announces world’s first CFExpress Type A cards and card reader

Posted in Uncategorized

 

NASA’s Mars 2020 Perseverance mission to carry more cameras than any interplanetary mission in history

30 Jul

Tomorrow morning, NASA is expected to launch its Mars 2020 mission, which will take the Perseverance rover to the Red Planet to search for signs of ancient life, collect terrain samples for potential return to Earth and overall provide a better look at the Martian surface.

A United Launch Alliance Atlas V rocket with NASA’s Mars 2020 Perseverance rover onboard is seen on the launch pad at Space Launch Complex 41. Credit: NASA/Joel Kowsky

Amongst dozens of other pieces of equipment, the Perseverance rover features a record-breaking 19 cameras that NASA says ‘will deliver images of the [Martian] landscape in breathtaking detail.’ There are four additional cameras onboard other parts of the spacecraft that will be used for entry, descent and landing. These additional cameras will ‘potentially [allow] engineers to put together a high-definition view of the landing process after the rover safely touches down on Mars, according to NASA’s fact sheet.

An overview of the tools on board the Perseverance rover.

NASA breaks down how each of the cameras aboard the Perseverance rover will be used:

19 cameras total on the rover: 9 for engineering (color); 3 for entry, descent and landing (1 black-and-white dedicated to Terrain-Relative Navigation and 2 color for public engagement and engineering reconstruction of entry, descent and landing); 2 for Mastcam-Z (color with zoom); 1 for SuperCam (color); 2 for SHERLOC (color); 1 for PIXL (black-and-white with some color capabilities); and 1 for MEDA (black-and-white)

3 cameras on the back shell: all color, all looking up to capture parachute inflation

1 camera on the descent stage: color, looking down to view the rover from above

Students Alex Mather, at left, and Vaneeza Rupani, stand near the countdown clock at the News Center at NASA’s Kennedy Space Center in Florida on July 28, 2020. Mather named the Perseverance rover, and Rupani named the Ingenuity helicopter. Credit: NASA/Kim Shiflett

Hitching a ride with the Perseverance rover is Ingenuity, the Mars Helicopter, which NASA hopes will ‘be the first flyer on another world.’ The 1.8kg (4lb) helicopter is this mission’s technology demonstration, which is separate experiment designed to test interplanetary technology.

The UAV features two 1.2m (4ft) carbon-fiber blades that will spin at roughly 2,400rpm on counter-rotating motors — about eight times faster than the blades spin on a standard helicopter here on Earth. While Ingenuity is a separate experiment from the Mars 2020 Perseverance mission, the helicopter will have two cameras onboard: one color camera with ‘an oblique view for terrain images’ and one black-and-white camera for navigation.

As it has with previous Mars missions, NASA plans to make both raw and processed images captured during the mission available for the public to download on the mission’s website.

A ‘Quick Facts’ overview of the Mars 2020 mission.

The Perseverance rover and Ingenuity helicopter are set to land on Mars on February 18, 2021, after which its primary mission will last ‘at least’ one Mars year (approximately 687 Earth days). You can find out more about the Mars 2020 mission on the NASA website and watch the launch live tomorrow if all goes to plan.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on NASA’s Mars 2020 Perseverance mission to carry more cameras than any interplanetary mission in history

Posted in Uncategorized

 

Sony a7S III 4K sample reel

29 Jul

In our first few days with the Sony a7S III, we shot 4K video samples in both daylight and low light. This sample reel includes examples all the way up to ISO 409,600.

Want to view the video without YouTube compression? Download the ProRes version.

For more video content from DPReview, subscribe to our YouTube channel to get new episodes of DPReview TV every week.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony a7S III 4K sample reel

Posted in Uncategorized

 

DPReview TV: Sony a7S III hands-on preview

29 Jul

The a7S III promises to be Sony’s best mirrorless camera for video to date. Instead of winning a battle of spec sheets, it focuses on delivering robust, high quality 4K video. What do we think so far? Watch our hands-on preview to find out.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Intro
  • Design and handling
  • Sample photos
  • LCD display
  • EVF
  • New menus
  • Card slots and media
  • Photography features
  • 12MP sensor advantages
  • Color profiles
  • Codecs and compression
  • Rolling shutter
  • Active Steadyshot
  • Raw video
  • Autofocus
  • LCD design
  • Punch-in for manual focus
  • Compared to the Canon EOS R5
  • Compared to the Panasonic S1H
  • Who's it for?

Sample gallery from this episode

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_4910796063″,”galleryId”:”4910796063″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });
Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DPReview TV: Sony a7S III hands-on preview

Posted in Uncategorized

 

CES is going all-digital for 2021 due to COVID-19 health concerns

29 Jul

The Consumer Technology Association (CTA), the organizer behind the annual Consumer Entertainment Show (CES), has announced its 2021 show is going all-digital, due to the COVID-19 pandemic.

CES usually takes place in Las Vegas, Nevada, United States every January. But ‘with the growing global health concerns about the spread of COVID-19, it is not possible to safely convene tens of thousands of people,’ says CTA in its announcement post (embedded below). In place of the in-person event, which typically hosts over 180,000 attendees, CES 2021 will offer a ‘unique’ online experience.

Specifically, the CTA says there will be media events where ‘the world’s leading brands [will host] exclusive digital press events,’ product showcases where live demos and product showcases will show off new tech, as well as livestreamed keynotes and conferences for the latest announcements from technology companies from around the world.

While CES 2021 isn’t the first trade show affected by the COVID-19, it is one of the largest and longest-running, and is the first trade show, to our knowledge, of 2021 that’s been altered due to the COVID-19 pandemic. In addition to photography accessories, camera makers have been known to show off prototypes and offer hands-on at CES events in the past. Time will tell what photo companies have a presence at the all-digital event in 2021.

Announcement:

CES 2021 is All-Digital

The Consumer Technology Association (CTA)® is reimagining how to connect exhibitors, customers, thought leaders and media from around the world while prioritizing health and safety. We are excited to share that CES® 2021 will be an all-digital experience.

For more than 50 years, CES has been the global stage for innovation. And CES 2021 will continue to be a platform to launch products, engage with global brands and define the future of the tech industry.

With the growing global health concerns about the spread of COVID-19, it is not possible to safely convene tens of thousands of people in Las Vegas in early January 2021 to meet and do business in person.

An all-digital CES 2021 will allow the entire tech community to safely share ideas and introduce the products that will shape our future. You’ll be able to participate in all the awe-inspiring moments of CES wherever you are in the world. We are designing a unique experience for the tech industry.

CES 2021 will offer a highly personalized experience:

  • Keynotes and conferences. Now you’ll have a front-row seat for groundbreaking announcements and insights from the world’s tech leaders completely online.

  • Product showcase. With this digital evolution of the CES show floor, you’ll be able to explore products and services, based on your interests and business, through dynamic product showcases or live demos.

  • Meetings and networking. You’ll be able to engage with the brands, thought leaders and business connections you care about with live interactions, meetups or roundtable discussions.

Technology has helped us all work, learn and connect during the coronavirus pandemic, and it has presented real solutions to help solve complex global challenges. We recognize that, particularly in these uncertain times, it is the partnerships of some of the most creative minds that bring the best solutions to life.

We’re looking forward to welcoming the global tech industry, from international brands to budding startups, to kick off the year with the world’s most influential digital technology event.

Mark your calendars for the first week in January and be on the lookout for more exciting news about CES 2021. We plan to return to Las Vegas for CES 2022, combining the best elements of a physical and digital show.

Thank you for your continued support. Please stay healthy and safe.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on CES is going all-digital for 2021 due to COVID-19 health concerns

Posted in Uncategorized

 

Fujifilm announces new EF-60 speedlight, EF-W1 wireless trigger for X, GFX System cameras

29 Jul

Fujifilm has announced a new speedlight and wireless trigger for its X Series and GFX System cameras.

The Fujifilm EF-60 is a compact radio-controlled speedlight with a hot-shoe mount. It features 60 guide number at 200mm, has a 24mm to 200mm zoom range and features a built-in LED modeling light.

The flash can be controlled in 1/3 stop increments and when paired with Fujifilm’s new wireless trigger, all of these settings can be changed from the trigger. The speedlight is also compatible with the Nissin Air System (NAS).

The partnering product is the EF-W1 Wireless Commander, which appears to be a Nissin Air10s Remote trigger with some Fujifilm branding on top. The 2.4GHz trigger offers TTL, manual and FP High-Speed Sync modes. It can control the EF-60 and other NAS strobes. The remote can handle up to three groups and eight channels.

Both the EF-30 and EF-W1 are compatible with the GFX100, GFX 50S, GFX 50R, X-H1, X-Pro2, X-Pro3, X-T1, X-T2, X-T3, X-T4, X-T20, X-T30, X- E3, X100F and X100V.

Both the EF-30 and EF-W1 are compatible with the GFX100, GFX 50S, GFX 50R, X-H1, X-Pro2, X-Pro3, X-T1, X-T2, X-T3, X-T4, X-T20, X-T30, X- E3, X100F and X100V.

The EF-60 speedlight (Adorama, B&H) and EF-W1 wireless commander (Adorama, B&H) are currently available to pre-order for $ 400 and $ 200, respectively. The first units should be available in ‘late August 2020.’

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Fujifilm announces new EF-60 speedlight, EF-W1 wireless trigger for X, GFX System cameras

Posted in Uncategorized

 

Gotta Have Faith

29 Jul

Creating for the sake of creating is like oxygen to an artist, these are our breaths!
Jake Garn Photography

 
Comments Off on Gotta Have Faith

Posted in Uncategorized

 

Open-source photo management app digiKam gets major update to version 7.0.0

29 Jul

Open source photo management software digiKam has been updated to version 7.0.0, an update that has been a full year in the making. The updated digiKam adds a number of new features and bug fixes, according to the team behind the software, including an important update to the software’s face-detection capability, which now utilizes deep learning technology to better detect both human and animal faces.

The neural network model now used for digiKam’s face detection feature can detect faces in a variety of states and arrangements, including profile shots, burred faces, faces partially obstructed by other objects like sunglasses and more. The digiKam team says that testing the updated feature with ‘huge collections’ revealed a high level of accuracy resulting in few false positives.

Though the workflow for this updated face recognition function remains the same, the digiKam team notes that users will need to train the neural network to recognize the faces of the people they often photograph by tagging them in multiple images. In cases where the algorithm isn’t trained, detected faces are instead marked as ‘unknown.’

Other improvements are coming to the face detection tool and related workflow, as well. Users will soon be able to tell digiKam to ignore certain faces using the Reject button. The software will pin Important face tags in the sidebar and automatically assign face tag icons for a faster, more visual workflow. These features, as well as a handful of others, are being worked on over this summer.

Another project underway for digiKam is improvements to the software’s face recognition neural network engine. The algorithm will be updated to implement new face classifiers for faster and more accurate facial recognition, plus it will receive a new face embedding database and more. The code with these changes is expected to arrive sometime this summer, according to the team, which says that’ll likely drop with digiKam version 7.2.0.

Beyond those face recognition changes and planned changes, digiKam 7.0.0 brings LibRaw 0.20, the new version of this library that enables the software to post-process a variety of raw camera files.

With this update, digiKam has gained support for more than 40 additional raw image formats, including ones from cameras like the Sony A7R4, DJI Mavic Air, Ricoh GR III, PhaseOne IQ4 150MP, GoPro HERO7, and more, including several smartphone models. Users can find the full list of supported formats, including the 0.20 additions, on the LibRaw website.

The changes in digiKam 7.0.0 continue from there, including the addition of improved support for the HEIF image format via the use of the libheif shared library, new support for Microsoft Visual C++ with the goal of an eventual Windows Store release, official support for FlatPak Linux bundle, expanded metadata options, a new ‘HTML5Responsive’ theme for the HTMLGallery plugin, new settings for the SlideShow tool and much more.

Ultimately, the digiKam team explains that over the past year, they reached a new and ‘impressive’ level of development for the software beyond what they have achieved in the past. The update is extensive, adding considerable support and new features to what remains a very powerful open-source alternative to commercial photo management software.

As expected, digiKam 7.0.0 is available to download for free with support for Windows, macOS and Linux.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Open-source photo management app digiKam gets major update to version 7.0.0

Posted in Uncategorized

 

Sony a7S III initial review

29 Jul

$ (document).ready(function() { SampleGalleryStripV2({“galleryId”:”5089929548″,”isMobile”:false}) })

Sample photoSample photoSample photoSample photoSample photo

Sony’s alpha 7S Mark III is the third iteration in the most video-focused of the company’s a7 series of full frame cameras. It’s essentially a native 4K camera with impressive video specs and a revised user interface. It can capture UHD 4K footage at up to 120p in 10-bit 4:2:2 encoding and promises 16-bit Raw video output.

  • 12MP BSI CMOS sensor
  • Bionz XR processor
  • On-sensor phase detection
  • ISO 80-102,400 (expandable to 40-409,600)
  • 9.44M dot EVF with 0.91x magnification
  • 4K video at up to 120p, 60p for ‘at least an hour’
  • 16-bit Raw video output at up to 60p
  • 10-bit 4:2:2 internal capture (in codecs including H.265 and All-I H.264)
  • Fully articulating LCD
  • 5-axis in-body stabilization with Steady shot active mode
  • Twin card slots that each accept either SD or CFexpress Type A

The Sony a7S III will sell for around $ 3500. This is a $ 500 premium over 2015’s Mark II but still $ 500 lower than the launch price of the Panasonic Lumix DC-S1H, which is arguably its closest competitor.


What’s new and how it compares

The a7S III offers a series of new features such as 10-bit internal video and Raw video output but the changes go much deeper.

Read more

Body, controls and handling

Alongside a host of ergonomic improvements, which includes greater use of the touchscreen, Sony has significantly redesigned its menu system.

Read more

Initial impressions

The a7S III looks to be a workhorse camera for amateur and independent production teams, but it also offers insights into what future alpha cameras will be like.

Read more

Sample gallery

We’ve prepared a sample gallery of images using a near-final a7S III.

See the images

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony a7S III initial review

Posted in Uncategorized

 

Sony a7S III to get 4K/60p ProRes Raw capture over HDMI with Atomos’ Ninja V monitor/recorder

28 Jul

To coincide with the announcement of Sony’s a7S III, Atomos has announced it will release a firmware update for its Ninja V recorder/monitor that will enable it to record 4K/60p ProRes Raw video over HDMI.

The 16-bit linear Raw video output of the a7S III is sent via HDMI to the Ninja V recorder, which then compresses and records the video as 12-bit ProRes Raw at up to 4K/60p. The Ninja V will also be able to record the a7S III’s 10-bit 4:2:2 HDMI video output as 10-bit 4:2:2 Log or Rec.709 video at up to 4K/60p in ProRes or DNx codecs.

Atomos has shared the following video from Phillip Bloom, shot on the Alpha 7S III and Ninja V in ProRes RAW:

Atomos expects the firmware update to be available in September of this year.

Press release:

Atomos to record 4Kp60 ProRes RAW over HDMI from Sony’s Alpha 7S III

Melbourne, Australia – July 28, 2020 – Atomos are today announcing RAW recording at up to 4Kp60 via HDMI from Sony’s new Alpha 7S III (ILCE-7SM3) full-frame mirrorless camera to the Ninja V HDR monitor-recorder.

The Alpha 7S III has a state-of-the-art CMOS image sensor and the Ninja V can record its full dynamic range in Apple ProRes RAW for maximum detail and latitude in post-production. The RAW files are optimal for HDR finishing, or for greater flexibility in SDR (Rec.709), giving stunning results in either. Images are recorded directly to affordable, reliable AtomX SSDmini or other compatible SSD drives for quick transfer to your editing system.

Unrestricted RAW recording
RAW recording with the Ninja V from the Alpha 7S III is only limited by your imagination. The combination will record ProRes RAW video for as long as you have disk space on your SSD and power for the camera and recorder. The active cooling employed means that internal record time limitations can be bypassed making a perfect setup for performances and long interviews. Optionally, RAW video can also be captured on the Ninja V at the same time as compressed video is recorded internally to memory card on the Alpha 7S III, providing several workflow options and a useful backup

Making low light RAW video a reality
Alpha 7S III low light performance is especially impressive, with the data from the camera’s large photosites making recording RAW in dim conditions a practical option. The Alpha 7S III also has 5-axis optical image stabilisation that is available while shooting RAW video, allowing for amazingly stable and detailed handheld RAW shots.

16-bit Linear RAW perfectly captured as 12-bit Log RAW
The data-rich 16-bit linear RAW output of the Alpha 7S III is compressed and recorded in the Ninja V as 12-bit ProRes RAW at up to 4Kp60. The result is a high quality ProRes RAW file that combines the superb visual quality of the Alpha 7S III with the workflow advantages of RAW and the incredible real-time performance of ProRes. One key benefit, especially in low light, is that the ProRes RAW files allow you to take fine control of how noise reduction and sharpening is applied to images, tuning these precisely for each shot.

A defined standard
Atomos believes ProRes RAW is the new standard for RAW video capture, which is supported by an ever growing number of cameras outputting RAW over HDMI to the Ninja V. The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported. Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is supported in Final Cut Pro X, Adobe Premiere and Grass Valley Edius, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront and FilmLight Baselight.

10-bit 4kp60 Apple ProRes or Avid DNx for extended recording
For the first time in a mirrorless camera from Sony there is also a 10-bit 422 HDMI video output option available. The Ninja V and other current Atomos monitor-recorders can record this as 10-bit 422 Log or Rec.709 video at up to 4Kp60 into production ready ProRes or DNx codecs. These provide long record times and practical data rates when the additional flexibility of RAW is not required. This is ideal for situations where the camera needs to integrate into an established post workflow, or a fast turnaround is needed.

HDR monitoring perfection
The accurate 5” 1000nit HDR high brightness display of the Ninja V allows users to view the Alpha 7S III RAW signal in HDR in a choice of HLG and PQ (HDR10) formats or view natively in Sony’s S-Log profile and used with LUTs. The monitor offers touchscreen access to tools like waveform, magnification and peaking so users can check focus and make adjustments to get the perfect HDR or SDR shot.

Launch film from filmmaker Philip Bloom
Renowned filmmaker Philip Bloom has shot a short film titled ‘The Paddleboarder’ to test the ProRes RAW capabilities of the Alpha 7S III with the Ninja V. Shot on the river Thames in just one day it clearly demonstrates just how filmic the RAW images look. In his time with the camera he has also shot ProRes RAW in various lighting conditions including near darkness.

He said: “Sony’s Alpha 7S III is incredibly powerful and does pretty much everything I need from a camera. Having the ability to record RAW over HDMI to the Atomos Ninja V is the icing on the cake. Not only can I record at full quality 10-bit 4K internally to the camera’s memory cards, I can simultaneously record 12-bit ProRes RAW to an SSD which gives me more flexibility to grade and bypass things like the in-camera sharpening and noise reduction. This is especially invaluable when shooting at very high ISO where working with RAW allows me to adjust the noise in post processing with much more precision.”

Atomos and ProRes RAW
Jeromy Young, Atomos CEO, said: “What Sony have done with the Alpha 7S III for RAW recording to the Ninja V is truly amazing. I’m delighted that together we are able to bring this first Sony’s Alpha™ into the Atomos RAW ecosystem. Sony’s engineers have delivered an amazing quality RAW over HDMI output to the Ninja V that will open up countless creative opportunities. The detail, dynamic range and especially low light performance is outstanding in RAW. The stable operation and long RAW record times that the Ninja V brings to the Alpha 7S III make it a brilliant tool for almost any production.”

Ninja V users will receive a free AtomOS update to enable RAW recording over HDMI from the Alpha 7S III. This is set to be available in September 2020.

To learn more about the Ninja V and Sony’s Alpha 7S III visit www.atomos.com

VIEW: See the launch film The Paddleboarder” shot on the Alpha 7S III and Ninja V in ProRes RAW by DP Philip Bloom here

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony a7S III to get 4K/60p ProRes Raw capture over HDMI with Atomos’ Ninja V monitor/recorder

Posted in Uncategorized