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AFP Kabul chief photographer among journalists killed by suicide bomber

02 May

AFP news agency’s Kabul Chief Photographer Shah Marai was one of several journalists killed by a suicide bomber in Afghanistan’s capital city, the agency has confirmed. The attack happened approximately 15 minutes after an initial suicide blast and specifically targeted journalists and aid workers who arrived on scene following the first attack. The second suicide bomber was disguised as a journalist, according to BBC.

The AFP, via Yahoo, has since reported that Marai and nine other journalists were killed in the attack, as well as ‘dozens’ of others in multiple blasts today. BBC further clarifies that four police officers were killed and at least 45 individuals were injured. Islamic State claims it was behind the attacks.

Marai, father of six including a newborn, began working as a photographer for the AFP in 1998. He described his experiences covering the region under Taliban rule in an essay published by the AFP, including the changes that came with their ousting in 2001 and their return in 2004, as well as the risks associated with carrying a camera.

The agency has issued statements on the tragedy and published a video showcasing some of Marai’s work:

Note: Comments on this article are open. Comments that do not adhere to our community posting rules will be deleted, and we reserve the right to close commenting entirely.

Articles: Digital Photography Review (dpreview.com)

 
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Corephotonics files patent infringement suit against Apple – again

02 May

In November 2017 we reported that Israel-based company Corephotonics—which is best known for its smartphone dual-camera systems—had filed a patent infringement case against Apple in federal court.

The company claimed that Apple had used Corephotonics’ dual-camera zoom technology in the iPhone 7 Plus without any authorization or licensing agreement. Previously Corephotonics had demoed its technology to Apple and received positive feedback. However, the iPhone makers refused a licensing deal, suggesting Corephotonics patents could be infringed with little consequence.

A second lawsuit has now been filed to also include the newer iPhone 8 Plus and iPhone X models. In addition it covers another patent that was only granted in January 2018, as Patently Apple reports. This makes the claim slightly confusing as both the iPhone 8 Plus and X were developed and released earlier than the patent was granted.

Things are made even more complicated by the fact that Corephotonics investors include Foxconn and chipmaker MediaTek, both of which are Apple suppliers. We’ll make sure to keep an eye on things and see how this case develops.

Articles: Digital Photography Review (dpreview.com)

 
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Halide update adds Apple Watch support, self-timer and more

01 May

The makers of Halide today released an update to version 1.8 of the iPhone camera app, introducing a number of major new features.

A new Apple Watch companion app gives you access to framing tools, lets you set the timer and trigger the camera remotely, all from your wrist. You get an image preview on the watch display and according to the developers the watch app has been designed for fast and responsive operation.

For those without an Apple Watch, there is now also a timer mode in the main app, which can be set to 3, 10, or 30 seconds and comes with a countdown on the display for front camera use. When shooting with the main camera, countdown progress is signaled by the flash LED.

In addition there is an updated image review module with a grid-style layout, support for Dynamic and Bold type and VoiceOver support for improved accessibility. For privacy purposes you can now also prevent location information from being embedded in your EXIF data and select options to limit location sharing with connected social apps.

The Halide 1.8 update is free to existing customers. Everyone else can download the latest version of the app from the App Store for $ 5.99.

Articles: Digital Photography Review (dpreview.com)

 
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SiOnyx Aurora action cam with color night vision blasts past Kickstarter funding goal

01 May

Kickstarter’s latest major funding success is a campaign for SiOnyx’s Aurora, an action cam said to be the first ever day/night camera of its kind offering “true night vision.” SiOnyx packed a 1-inch sensor into Aurora for low-light capabilities, using it to offer both night vision and color night vision recording options for twilight and night time settings.

Aurora records low-light scenes at 10x the brightness compared to standard CMOS sensors, according to SiOnyx, which claims there are no competing products with Aurora’s level of performance at a sub-$ 800 price point. SiOnyx provides multiple examples of Aurora in action on its YouTube channel, including the video below:

Aurora features a manual Day/Twilight/Night mode selector, as well as time lapse, still picture, and video recording options. The camera has an IP67 waterproof rating for submersion to depths down to 3ft / 1m for up to 30 minutes at a time.

Joining the large 1-inch sensor is an F1.4, 2.0, 5.6 selectable 16mm lens, 8 fps to 60 fps recording, 4x digital zoom, integrated compass/accelerometer/GPS, stereo audio, color/monochrome display, WiFi, a 32GB microSD card for storage and support for both iOS and Android.

SiOnyx has exceeded its $ 50,000 Kickstarter funding goal, so far raising about $ 200,000 with 24 days remaining in the campaign. The company is offering an Aurora Early Bird unit for backers who pledge at least $ 559 USD with shipping expected to start in July 2018, assuming everything goes according to plan. Aurora will have a $ 799 USD MSRP.

Via: PhotographyBLOG

Articles: Digital Photography Review (dpreview.com)

 
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Nikon manager confirms: New mirrorless system coming by spring 2019

01 May
Screen capture: Nikon Eye

In an interview with Japanese TV-channel NHK, a Nikon manager has confirmed the company’s new mirrorless camera system will be on the market by spring 2019. This is the first time we have given an approximate launch date after Nikon officially confirmed it was developing a new system back in July 2017.

Unfortunately, additional details are still scarce. According to the latest rumors, the new lens mount will be called the Z-mount and come with an external diameter of 49mm and a flange focal distance of 16mm.

Given the Nikon Director of Development publicly stated that any new Nikon mirrorless system would have to be full-frame, there’s good reason to assume the new cameras will indeed feature a full-frame sensor, putting Nikon in direct competition with Sony’s A7/A9 series of mirrorless full-frame cameras.

Articles: Digital Photography Review (dpreview.com)

 
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Instagram currently testing slow-motion video and mute features

01 May
Credit: Luke van Zyl

Instagram may be getting a few new features in the near future. As originally reported by The Verge, Twitter user Jane Manchun Wong (@wongmjane) managed to dig up a few interface changes that suggest new functionality is on the way.

Wong, a computer science major at UMass Dartmouth, came across the unreleased features by digging through the code in the Android version of the Instagram app. The two most significant features to be revealed are a new mute function, and the ability to shoot slow-motion video directly inside Instagram, shown below in screenshots from Wong’s Twitter.

The mute function would presumably work in the same way Twitter’s own mute button: effectively removing all content from a profile without the need to unfollow them. No need to unfollow that annoying friend who you want to keep up with, but whose photos you’re patently sick of.

Great way to save friendships and your sanity at the same time.

The slow-mo mode appears to be available only within the Stories section of Instagram, but it’s definitely possible we’ll see it as an integrated option within the standard video capture section as well. It’s unknown whether or not this would work with all devices or only on mobile devices that natively support slow-mo video capture.

In a statement to The Verge, an Instagram spokesperson said the company didn’t “have anything to share on this right now.” Not a confirmation, sure, but not a flat denial either—something Instagram has done when rumored features get out of hand.

These new features might never see the light of day, but it’s not unlike Instagram to randomly test new features with random users before making them public.

Articles: Digital Photography Review (dpreview.com)

 
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DxO Labs confirms bankruptcy, but promises updates to Nik Collection and DxO PhotoLab

01 May

DxO Labs has released an official update on its financial situation in the form of a blog post on its website, and it’s not as doom-and-gloom as it seems… or sounds. While the statement confirms DxO Labs has chosen “to file for Chapter 11 Bankruptcy Protection and is now in the process of restructuring the business,” it also says the restructuring “will not affect our customers in any way.”

In fact, DxO Labs says the process should take no more than a few weeks to complete. And not only should this news “not affect customers,” DxO Labs took the opportunity to confirm that a couple of new products are on the horizon.

According to the statement, DXO Labs plans to release a free update (version 1.2) to its flagship program DxO PhotoLab sometime in June. The update will add improved local correction features and support for seen new cameras ‘including the Canon EOS 2000D and the Sony A7 III.’

In a quick swipe at Adobe, DxO writes that this impending update will serve as:

…an opportunity for us to reiterate our commitment to the ‘perpetual license’ model (as opposed to a subscription model) that allows our customers to update their products according to their needs, rather than in a constrained manner.

And if that’s not enough good news to distract you from the Chapter 11 talk, DxO Labs also confirmed plans to update the Nik Software Collection.

In June, the Nik Software Collection will receive its first update since being bought from Google in December of 2017. The update is said to focus on fixing bugs and to make sure the plug-ins and standalone programs work smoothly on both PC and MacOS computers.

Official Statement:

Greetings,

On March 7, 2018, DxO Labs chose to file for Chapter 11 Bankruptcy Protection and is now in the process of restructuring the business.

We are very confident that this procedure, which should not last for more than a few more weeks, will not affect our customers in any way. In fact, we are pleased to announce the following upcoming product releases:

  • In June, we will release a free update (version 1.2) of our flagship software, DxO PhotoLab. Recently awarded the TIPA 2018 Award for Best Image Processing Software, this latest version of DxO PhotoLab will include improved local correction features, and will add support for 7 cameras, including the Canon EOS 2000D and the Sony A7 III. This release will also be an opportunity for us to reiterate our commitment to the “perpetual license” model (as opposed to a subscription model) that allows our customers to update their products according to their needs, rather than in a constrained manner.
  • In June, we will release the new version of the Nik Software Collection, which DxO acquired from Google at the end of 2017. Much awaited by the Nik software community, this first “by DxO” version focuses on fixing bugs that up until now could disrupt the user experience, as well as on ensuring full compatibility with the latest Mac OS and PC platforms.

Thank you for your understanding and confidence,

The DxO Team

Articles: Digital Photography Review (dpreview.com)

 
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GIMP 2.10.0 released: Features 32-bit support, new UI and more

01 May

Open-source image editor GIMP has been updated to version 2.10.0, its first major update in six years. In this new version, GIMP has been “nearly” fully ported to the GEGL image processing engine, which brings support for up to 32-bit images, multi-threaded processing, and optional GPU-side processing for systems with stable OpenCL drivers.

According to the team, GIMP 2.10.0 uses GEGL for all of its tile management and to build an acyclic graph for each project. That satisfies the prerequisites for eventually adding non-destructive editing, a future feature slated for version 3.2.

The new image processing engine aside, GIMP 2.10 brings an updated UI with a new default dark theme; the symbolic icons are also now enabled by default. This gives users a total of four theme option: Dark, Light, Gray, and System. However, themes and icons have been separated so that users can choose them independently for better customization.

Additionally, there are now four icon sizes to improve their look on HiDPI displays. The software automatically detects the best size for the display; however, since it may not always be accurate, users can manually change the size if necessary.

Many new features and improvements, as well as expanded support, have arrived in 2.10.0—complete details of the changes are available in the full release notes. Notable among the changes is support for multiple new formats (including OpenEXR, WebP, RGBE, and HGT) on-canvas previews for filters ported to GEGL, improved warp tools, color management has been revamped as a core feature, and the digital painting experience has been enhanced.

GIMP 2.10.0 can be downloaded now for Windows, macOS, Linux, BSD, and Solaris.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe is now making ‘Lightroom Coffee Break’ videos for Lightroom CC

01 May

For a while now, the official Adobe Photoshop Lightroom YouTube channel has produced a series titled ‘Lightroom Coffee Break.’ The collection of videos provides quick (~60 seconds) tips on how to make the most of Lightroom, and after 56 episodes, the creators have finally started to include tips specifically for Adobe’s cloud-centric Lightroom CC.

Until now, all of the videos have been based on Lightroom Classic CC. Now, the minute-long videos will include tips and tricks specifically created for Lightroom CC users—a welcomed change considering it’s becoming the go-to choice for many photographers, and there aren’t a lot of resources out there as of right now.

The first video, presented by Lightroom team members Michelle Wei and Josh Haftel, details how easy it is to salvage an underexposed Raw photograph using only four sliders: exposure, highlights, shadows, and contrast. It might seem a bit basic, but you can count on future episodes to dive into more complicated adjustments.

Even though Adobe is just now getting around to making tutorials specifically for Lightroom CC, many of the previous videos made for Lightroom Classic CC still apply, so take some time and look at the archive. At one minute each, you could get through all 57 episodes in an hour—less time than it takes to watch an episode of Game of Thrones.

And if you want to keep up with future videos, be sure to subscribe to the Adobe Photoshop Lightroom YouTube channel.

Articles: Digital Photography Review (dpreview.com)

 
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Hex Raven DSLR Bag Review

29 Apr

Hex Raven DSLR Bag
$ 239.95 | HexBrand.com

Finding a backpack that doesn’t scream “I’m a camera bag,” but can still hold all of my gear while not killing my back has long been a struggle for me. I’m 5’3″ and most backpacks that can hold a lot of equipment are impossible for me to carry for any extended period of time. Living in a city, typically when I head out for an assignment close to home I’ll opt to bring less gear so that it will fit into a smaller, understated backpack. But for assignments that require more gear or travel, a smaller bag just won’t cut it.

The design looks different than your typical padded camera backpack

That’s why I was immediately intrigued by the Hex Raven DSLR bag – although I had never heard of the company before – as the design looks different than your typical padded camera backpack. The Hex’s square shape and matte black material were particularly appealing to me. It also looked like it could hold a ton of equipment – a very good thing considering I’d be spending a week in Austin, Texas covering SXSW and a short time later a week on the road touring with a band from Brooklyn. I knew that my typical one body, two lens, one speedlight setup just wasn’t going to cut it for these two jobs.

Specifications

  • Exterior: 20 x 12 x 8in / 50 x 30.5 x 20cm
  • Interior: 20 x 12 x 4in / 50 x 30.5 x 10cm
  • Laptop Compartment: 20 x 12 x 3in / 50 x 30.5 x 8cm
  • Weight: 5lbs / 2.3kg

Design & Construction

The Hex Raven DSLR bag’s exterior is made of matte black tarpaulin with waterproof zippers. The straps are thick, air-mesh padded. The front of the bag has two compartments. The top one is accessed by undoing the buckles. Beneath the flap is a zippered compartment that is fleece-lined and can hold up to a 17″ laptop as well as a small tablet. This section of the Hex is easily accessed, making it convenient to remove these larger items in the rush to get through airport security.

Top front storage

Undoing the bag’s buckles reveals a zippered compartment that offers a fleece-lined laptop sleeve and separate space for a tablet.

Lower front storage

There are two lower zippered pockets. The main space offers room to organize and store items you might want quick access to.

There are two zippered areas on the lower front of the bag, which are great for stashing keys, pens, notebooks, spare batteries or memory cards.

On the right side of the bag you’ll find two more small flat zippered pockets, which are fairly easy to access when the thing is on your back – they’re great for holding any odds and ends that you might need such as chapstick, business cards, a small wallet or your phone. On the opposite side of the bag there are straps to attach a tripod.

You can attach a tripod to the side of the backpack using the two straps. The opposite side has two very small zippered pockets.

Camera equipment is accessed through the bag’s back panel which is made of EVA foam and air-mesh. The back panel zips along three sides of the bag. The inside features padded partitions that are customizable depending on the amount of gear inside. There are also two zippered back pockets and a velcro pouch on the inside for even more storage options.

This bag features ample storage, has the ability to hold a ton of gear and its construction feels like it can handle life on the road while keeping your camera equipment safe. The zippers on the Hex bag were a little stiff right out of the box, but after a few weeks of use that stiffness has disappeared—I no longer feel like I have to fight with the Hex bag to access my gear.

A zipper on the very top of the Hex bag makes it easy to access your primary camera without having to open the main gear section.

Although the bag was quite flat when it was empty as I filled it up with my equipment to prepare for my trip to Austin I became skeptical—I wasn’t sure whether its bulk would become overwhelming.

In Use

I was thoroughly impressed by the amount of gear I was able to fit into the Hex: two bodies (a Canon 5D IV and a 5D III), four lenses (35mm, 50mm, 24-70mm and a 70-200mm), a speedlight, an LED on camera light, four batteries, two chargers, a point and shoot film camera, portable HD, a laptop, a laptop charger and an iPad. That being said, as I prepared to head to the airport and catch my flight to Austin I wasn’t sure that the monster would actually be able to fit under my seat (fully loaded the Hex was almost as large as my carry on roller bag).

The bag distributed the weight quite nicely

Although the Hex was certainly heavy with all of this gear, the bag distributed the weight quite nicely. Like many photographers, I’m used to feeling an acute amount of shoulder pain while carrying gear around; I didn’t notice this with the Hex bag.

The various storage options within the bag also made it easy to access the pieces of gear I needed, both while going through security and while waiting for my flight – without pulling everything out. Although getting the Hex under the seat in front of me (really my biggest concern in using the bag as a carry on for my flight) was a bit of a struggle, it wasn’t impossible. However, someone with longer legs might find the situation untenable. Here, the amount of individual storage spaces within the bag also made a big difference, as it was easy to grab what I wanted when I wanted it without unpacking the whole thing.

The Hex was great for safely and comfortably transporting and later storing large amounts of valuable camera equipment

Although having a bag with room for so many lenses and a backup body is a plus, realistically the Hex is just too oversized to make sense in the small music venues bands play during SXSW or a cramped photo pit at a larger show—but the Hex was great for safely and comfortably transporting and later storing large amounts of valuable camera equipment while I was traveling.

A few weeks later I was prepping to hit the road for a week with a touring band from Brooklyn. My gear storage needs were more or less the same but because we would be traveling by van, space was limited. My photo gear needed to take up way less space than the band’s gear, but still be easy to access so I could edit as we drove from city to city.

Its shape and style don’t make it immediately clear that it’s a camera bag

Although the Hex was still too bulky to be a good fit for inside the small venues where the band was playing, its non-descript look made me feel okay about leaving it inside the locked van in numerous cities with my back up equipment still inside. Its shape and style don’t make it immediately clear that it’s a camera bag, which I’d like to think makes it a little less of a target.

Bottom Line

The Hex Raven is well designed and feels like it is built to last. The amount of pockets make it easy to organize a large amount of equipment, and they’re functional when it comes to finding specific items in a hurry. It’s certainly a little pricey for a camera backpack, but considering the sheer amount of gear that it can accommodate, its durable construction and the classy design, it seems worth the price tag.

I would be interested in checking out a scaled-down version of the Hex for day-to-day use.

Although the bag is too bulky to be good for everyday use, as a travel bag I appreciate its understated design, storage options and the way in which it evenly distributed weight. I would certainly be interested in checking out a scaled-down version of the Hex for day-to-day use.

What We Like:

  • Ample organizational pockets for camera equipment and other odds and end
  • Understated design
  • Doesn’t scream ‘camera bag’
  • Padded shoulder straps + good weight distribution
  • Durable construction
  • Good travel bag

What We Don’t Like:

  • High price for a camera backpack
  • Not great for everyday use
  • On the bulky side when fully loaded with gear

Articles: Digital Photography Review (dpreview.com)

 
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