Category: Uncategorized

  • Sony RX10 IV sample gallery updated

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    The Sony RX10 IV is among the most capable, all-in-one camera packages money can buy – read our full review. Earlier this week, we had the chance to spend a little more time shooting with it alongside Chris Niccolls and Jordan Drake as they filmed the DPReview TV RX10 IV video review. Check out both their video and the gallery for plenty of sand, surf and nice hair.

    See our updated Sony RX10 IV sample gallery

    Articles: Digital Photography Review (dpreview.com)

  • DPReview TV: Sony RX10 IV Review

    This week on DPReview TV, Chris and Jordan are off to the sunny shores of the Pacific Ocean in Monterey, California, where they review the Sony RX10 IV. Watch to find out how this all-in-one superzoom camera held up to the sun, surf and a challenging range of shooting scenarios.

    Read our in-depth RX10 IV review for even more analysis, and be sure to subscribe to our YouTube channel for more from Chris and Jordan!

    Read our RX10 IV review

    Subscribe to our YouTube channel

    Sony RX10 IV sample gallery

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    Articles: Digital Photography Review (dpreview.com)

  • Shooting Greenland in Winter: Part 2 – The Better Part of Winter

    In the previous article, I wrote about reaching Uummannaq and the relatively difficult conditions I found in the beginning. Luckily, the days after the gale had passed were much more comfortable, so I began scouting around and shooting, and continued to do so throughout my stay.

    The little guesthouse I stayed at was very well located—right next to the harbor. This was advantageous since, firstly, I didn’t have to walk too far to get to the sea ice (Uummannaq’s streets are steep and slippery in winter, not the best setting for a hike), and secondly, I had a very good point of view to judge the light and weather outside without having to dress up and walk out, which was quite a project.

    Sunrise at the harbor right next to my guesthouse

    Throughout my stay in Uummannaq, my guide Paaluk and I walked and snowmobiled all around the Fjord and took shots of beautiful icebergs in various conditions, from overcast to pink sunrise light. It was astounding to be able to walk right up to these gigantic icebergs and shoot them without the need for a boat.

    Note that the icebergs are mostly under the surface and since currents shift them, getting too close is dangerous and shouldn’t be done without a local expert. Paaluk was very experienced in checking the ice with his spear and deciding what distance was safe for me to stand, and I trusted his calls.

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    Once I was several kilometers away from town, I also used my drone to get aerials of the icebergs and of Uummannaq Island. There is something so incredibly iconic about Mount Uummannaq, it’s hard to look away. The scale can be very confusing—this mountain is 1,170 meters tall, and the island 7 km long!

    The cold conditions can be quite problematic for drone photography. Yours truly has previously lost a drone to cold weather and was determined not to do so again. To keep the batteries warm, I kept them next to the heater in the room, put them into the sort-of-insulating polystyrene box and went on the shoot. I then usually put a battery in my armpit for 10 minutes, after which it was warm enough to operate safely… if a bit stinky.

    Once the drone is up in the air the battery is kept warm on its own.

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    One of the definite highlights of this visit was shooting Mount Uummannaq in golden afternoon light, reflecting in the frozen lake Tasersuaq (Greenlandic for “big lake”).

    Paaluk drove me to the starting point of the hike and it wasn’t long before we were walking on scaringly-clear black ice with a million patterns, cracks and even Canadian-style methane bubbles! Walking on that lake was a surreal experience, since at some points you could see all the way down through the ice. Rest assured, it was so thick it could hold a semi-trailer, so there was no risk whatsoever.

    After shooting last light above the cracked lake Tasersuaq, I went back to the guesthouse and got updated with the Aurora situation. It appeared that a minor solar storm had happened, and that we were going to get some lights. The sky was totally clear and scheduled to remain so. The only question was when it would happen.

    I returned to the lake with Paaluk and took a few moonlight shots, before the sky began turning green. It was looking pretty good, so I quickly decided to hike back to the icebergs embedded in the sea ice. Paaluk had to switch back to the snowmobile, and by the time he found me I was shooting very strong Aurora above the icebergs.

    The lights gained more and more strength, and soon enough they were shining all around the sky, even to the north—quite a rare occurrence in Uummannaq, whose 70-degree latitude is too far north to be in the center of the party, figuratively speaking.

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    I shot the lights for several hours, and even took a few shots of Mount Uummannaq with Aurora above it. Even though the moon was a bit brighter than optimal, this had turned out to be the very best day of the trip.

    In the next part of the series, I will tell you about my visit to Ilulissat.


    Erez Marom is a professional nature photographer, photography guide and traveler based in Israel. You can follow Erez’s work on Instagram and Facebook, and subscribe to his mailing list for updates.

    If you’d like to experience and shoot some of the most fascinating landscapes on earth with Erez as your guide, take a look at his unique photography workshops in Southern Iceland, Northern Iceland, The Lofoten Islands, Patagonia, Greenland in summer, Greenland in winter, Namibia and the Faroe Islands.

    Erez offers video tutorials discussing his images and explaining how he achieved them.

    More in this Series:

    Part 1: Uummannaq Whiteout

    Selected Articles by Erez Marom:

    • Parallelism in Landscape Photography
    • Winds of Change: Shooting changing landscapes
    • Behind the Shot: Dark Matter
    • On the Importance of Naming Images
    • On Causality in Landscape Photography
    • Behind the Shot: Lost in Space
    • The Art of the Unforeground
    • Whatever it Doesn’t Take

    Articles: Digital Photography Review (dpreview.com)

  • Trint’s AI-powered plug-in automatically creates captions for Premiere Pro CC

    We’re a little late to this one, but it’s an interesting option for video editors that is worth sharing all the same. Last month, transcription company Trint launched a new Adobe Premiere Pro CC plug-in that uses artificial intelligence to automatically create captions in Adobe Premiere Pro. Called Trint for Premiere, the new plug-in allows Premiere Pro CC users to upload videos to Trint’s system directly from Adobe’s application. Trint’s speech-to-text tech then automatically transcribes the audio and generates captions.

    According to Trint, its system creates a draft transcript that the user refines in the Trint Editor. These corrected transcriptions are made available in the plug-in’s panel, providing direct SRT access within Premiere. The software also supports Edit Decision Lists (EDLs), simplifying soundbite creation.

    Trint’s new plug-in is available from Adobe Exchange with a free trial. After the trial period ends, users have the option of paying a fee per-hour of transcribed video, or signing up for a monthly subscription. The free trial signup and more information is available on Trint’s website.

    Press Release

    Trint’s AI transcription software to add integrated panel for Adobe Premiere Pro CC in Enterprise Offering

    London (April 4, 2018) – Customers of Adobe® Premiere® Pro CC, part of the Adobe Creative Cloud®, will now have the opportunity to make their workflow even more seamless using Trint’s automatic speech-to-text technologies.

    Trint for Premiere, Trint’s new panel for Adobe Premiere Pro CC enables direct upload of footage to Trint for fast automated transcription. This gives users a quick and integrated flow for making audio searchable and for creating captions for their media. Using Trint’s automated speech-to-text technologies, editors quickly get a machine-generated draft transcript that they can easily polish to perfect in the Trint Editor. Transcriptions corrected in Trint will be available in the panel, giving editors direct access to SRTs from within Premiere Pro CC.

    Highlighted selections of Trint transcripts will be available as EDLs, making it fast and simple to find key soundbites and the editing process much quicker for users. EDLs for videos can be exported from the panel and can be seamlessly used in the Timeline.

    “Our customers have been asking us for an Adobe Premiere Pro CC integration for some time,” says Jeff Kofman, CEO of Trint. “We know that many of our users are video editors, and it’s exciting to be able to streamline their captioning and editing workflows.”

    Building on its strong transcription toolkit, the company is also releasing additional enterprise features which will make it the leading transcription service for organizations.

    Trint has also released the new Trint mobile iOS app that lets users record interviews and meetings on their iPhone and upload them to Trint for fast transcription and collaboration from anywhere.

    Articles: Digital Photography Review (dpreview.com)

  • Qualcomm’s 700-series chipset will bring triple-cameras to mid-range smartphones

    With the Huawei P20 Pro there is still only one triple-camera smartphone currently available on the market. We have already heard that Apple might be launching a third generation iPhone X with triple-camera in 2019, but now it seems the technology could trickle down to mid-range devices even before that.

    Specifications for Qualcomm’s upcoming 700 series mobile chipset have leaked on Suggestphone.com, and the documents indicate the new chipset will support triple-cameras as well as AI processing accelerators. The latter should come in handy for all sorts of AI-powered imaging tasks, such as scene and object identification. The former… well that one’s obvious.

    The Snapdragon 700 series should slot in nicely between the current SD600 series (which powers mid-range smartphones up to around the $ 500 price point) and the Snapdragon 800 line (which is reserved for high-end models).

    Image: Suggestphone.com

    The Snapdragon 710 was allegedly designed using a Samsung 10nm LPE process for low power consumption and higher performance than previous 14nm chipsets. The Snapdragon 730, meanwhile, builds on the newer Samsung 8nm LPP process, resulting in a 10% smaller surface area and 10% lower power consumption than the 10LPP process. It’ll also provide more oomph than the SD710.

    The first smartphones with the SD710 chipset are expected to hit the shelves in early 2019; we’ll have to wait a little longer until later in 2019 for the SD730. Hopefully we’ll see a few SD8xx-powered triple-cameras before then, but it’s reassuring to know more affordable triple-camera will be available in the foreseeable future.

    Articles: Digital Photography Review (dpreview.com)

  • Tamron 70-210mm F4 Di VC USD sample gallery

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    Tamron’s 70-210mm F4 VC, released in April, is a decent bit cheaper than similar on-brand Canon and Nikon offerings. For $ 800 it includes Tamron’s well-regarded image stabilization, rated to four stops, as well as overall moisture resistance. Take a look at our initial sample gallery, and stay tuned for more as we continue testing Tamron’s newest tele-zoom.

    See our Tamron 70-210mm F4
    sample gallery

    Articles: Digital Photography Review (dpreview.com)

  • The Yongnuo YN43 is a Four Thirds smartphone clip-on camera with Canon lens mount

    Yesterday, affordable photography accessory maker Yongnuo unveiled a 60mm F2 macro lens, and they’ve also taken the wraps off a YN43 camera module, a clip-on camera for smartphones in the spirit of Sony’s QX-cameras, the Olympus Air, DxO One, and the Kodak PixPro models.

    Unfortunately, at this point there are no specifications available on the site. Looking at the images and model name it’s fair to assume the device will feature a Four Thirds sensor. Curiously the lens mount appears to be of the Canon variant, though. On the product images we can see a Yongnuo 14mm F2.8 wide angle lens for Canon mounted to the module. The choice of lens mount is likely due to the fact that Yongnuo only makes lenses for Canon and Nikon, but no Micro Four Thirds glass.

    The camera is pictured with an Apple iPhone and an app is already available in the App Store which suggests it will definitely work with Apple devices, but one would assume it’ll be compatible with at least the most popular Android phones as well.

    With its unusual sensor/lens mount combination the YN43 looks like a slightly odd product to put it mildly. It also doesn’t bode well that all the similar products mentioned above have disappeared from the market and the built-in cameras in smartphones have improved drastically, almost nullifying the need for bulky clip-on modules.

    That said, Yongnuo is known for its budget pricing and while no price information is available yet for the YN43 we’d expect it to be quite affordable. This could make it worth a closer look to anyone who has a few Canon lenses lying around and likes tinkering with photo equipment.

    We’ll let you know as soon as more information and specs become available.

    Articles: Digital Photography Review (dpreview.com)

  • Meike introduces full-frame Sony edition of its 50mm F1.7 lens

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    Chinese lens manufacturer Meike has added a new version of its existing 50mm F1.7 lens to its range, but this time for full-frame Sony users. The existing model, introduced in February, was aimed at users of mirrorless cameras systems and comes in APS-C and MFT mounts. The newly released version features a wider covering circle meant for larger sensors – at the moment those in Sony E-Mount cameras.

    As before, this new model is manual focus only and has a minimum focus distance of 50cm. It uses 6 elements in 5 groups and has a filter thread that measures 52mm. Meike says it weighs 310g, measures 61×54.5mm, and that it uses a metal mount and barrel. Although the spec sheet doesn’t mention the number of blades in the iris, the product shots show 12 edges on the aperture—the same as in the existing model.

    The lens is listed on Amazon USA for $ 130, and for €131.50 in some parts of Europe. It is listed as unavailable in the UK and no price is given. For more information, visit the Meike website.

    Articles: Digital Photography Review (dpreview.com)

  • Apple patent describes dual-live-view for dual-camera smartphones

    A new patent application from Apple describes an interesting, alternative approach to displaying live view images from dual-camera-equipped smartphones when you’re trying to frame a shot.

    On Apple’s current dual-camera phones—the iPhones 7 Plus, 8 Plus and X—the image data from both sensors is merged computationally to provide a seamless zoom experience. The end user can’t tell if they’re looking at a live-view image captured by the main camera, by the tele-camera, or a combination of both. The concept is the same for tele-camera phones from most other manufacturers.

    The system described in the patent works differently. It shows the images from both cameras simultaneously, side-by-side. This would allow users to compare the field-of-view of both lenses, and pick the one they prefer.

    According to the patent, the dual-view mode would allow for independent zooming and panning of each camera view. In theory, the photographer could take two photos simultaneously, each with different zoom factor and framing. The system would work in the same way in video mode, letting the shooter focus on a particular detail of a scene while simultaneously recording the wider context.

    As usual, there is no way of knowing if this idea will ever make it into a production device, especially since the current way of dealing with dual-camera live images is arguably easier and clearer to most users. But as a user-selectable alternative mode, the system described in the patent application actually makes a lot of sense.

    Let us know what you think of this idea in the comments.

    Articles: Digital Photography Review (dpreview.com)

  • Sigma’s 70mm F2.8 DG Macro Art lens costs $570, ships this month

    Back in February, Sigma introduced the first Macro lens to join the company’s high-end line of “Art” series lenses: the Sigma 70mm F2.8 DG MACRO Art. And today, after keeping us in the dark for a few months, the company has finally revealed the lens’ pricing and availability.

    According to Sigma, you’ll be able to pick up the new lens in Canon EF mount starting at the end of this month for a suggested retail price of $ 570. Additionally, the Sigma mount is expected to ship in June, and the Sony E-Mount version “will be announced later.”

    As we mentioned above, this 70mm F2.8 is the first macro lens to join Sigma’s “Global Vision Art Line,” a lineup of lenses touted for its exceptional optical quality (usually at a very reasonable price). The new MACRO Art is said to deliver “stunning resolution and incredible clarity, while at the same time offering extremely smooth autofocus performance for a weightier, high-performance lens.”

    In order to achieve this “extremely smooth” AF performance, Sigma has equipped the lens with an extending, floating, two-group focusing mechanism that the company says “minimizes aberration at all focal lengths,” whether you’re shooting at 1:10, 1:5, or the maximum magnification ratio of 1:1. Additionally, a new focus-by-wire system paired with a newly-developed “coreless DC motor” promises precise focusing—a must for macro shooters.

    To learn more about this lens, head over to the Sigma website.

    Press Release

    Sigma Announces Pricing & Availability for Its 70mm F2.8 DG MACRO Art Lens

    Ronkonkoma, NY – May 11, 2018 – Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced that its 70mm F2.8 DG MACRO Art, the first prime macro lens to be adorned with the Art badge, will be available in Canon mount in the end of May for $ 569.00 USD through authorized US retailers. The Sigma mount model is expected to ship in June. The release of the Sony E-Mount version will be announced later.

    The First Macro Lens in the Sigma Global Vision Art Line

    Elevating the legendary Sigma 70mm F2.8 EX DG to the Art line, the brand new Sigma 70mm F2.8 DG MACRO Art prioritizes optical performance that defines the Sigma Art line, delivering stunning resolution and incredible clarity, while at the same time offering extremely smooth autofocus performance for a weightier, high-performance lens.

    To achieve optimal results at every shooting distance, the lens features an extending, floating, two-group focus mechanism, which minimizes aberration at all focal lengths. In addition, the lens’ optical elements design increases resolution at close shooting distances, allowing for a razor-sharp in-focus area contrasted with a bokeh area free of color streaking.

    Other feature highlights include focus-by-wire system featuring newly developed coreless DC motor for comfortable and precise focusing typically required for macro photography; compatibility of the Canon mount lens with the Canon Lens Aberration Correction function; and compatibility with Sigma Electronic Flash Macro EM-140 DG and Sigma Teleconverters.

    Full technical specifications can be found on the Sigma website at: https://www.sigmaphoto.com/70mm-f2-8-dg-macro-a.

    Articles: Digital Photography Review (dpreview.com)