RSS
 

Archive for the ‘Uncategorized’ Category

Sony replaces RX100 V with RX100 VA, bringing RX100 VI processor and firmware

14 Jul
Look familiar? The RX100 VA is a subtle refresh of the RX100 V with a change of processor the only hardware difference.

Sony has quietly updated its RX100 V, bringing a couple of the goodies from the RX100 VI travel zoom. The updated RX100 VA gains a new processor and various firmware tweaks but misses out on the VI’s other hardware improvements.

The updated processor brings some performance benefits but it also means the VA gains the latest Sony menu system, which has been restructured, has clearer indicators of where you are in the menu and, most significantly, has a customizable ‘My Menu’ tab. This allows you to group the settings you regularly change, rather than having to remember which sub-section of which tab they’re buried in.

On top of this, the camera’s Eye AF and subject tracking performance should be improved. The refresh rate of the viewfinder is also said to be uprated. In addition, these are some of the differences we found:

  • Deeper buffer (233 files, up from 150)
  • Proxy movie mode (captures 720p footage alongside 4K capture)
  • ‘Zone’ AF area mode
  • Variable size spot metering, Entire Screen Average and Highlight Spot metering
  • Add ratings to images (with ability to customize which ratings are available)
  • Three Auto WB options (Std, Ambience or White)

However, the RX100M5A does not get the improved one-touch viewfinder, nor the touchscreen added in the RX100M6. Its rear screen tilts down by 45°, not 90. Nor does the VA gain all the firmware improvements from the VI: there’s no sign of Hybrid Log Gamma or the ability to capture S-Log3 footage, for instance.

The RX100 VA also loses compatibility with Sony’s in-camera ‘PlayMemories Camera Apps.’

The updated Sony menus are a little easier to navigate and gain a custom ‘My Menu’ tab.

There’s been no press release from Sony of the changes but the VA appeared on Sony’s Japanese site last week and has replaced the RX100 V if you visit the Sony US website. This is the first time Sony has made any update to an RX100 model, rather than simply replacing it, perhaps offering hope that the company will continue to develop both the long-zoom and short, bright-zoom models in the lineup.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony replaces RX100 V with RX100 VA, bringing RX100 VI processor and firmware

Posted in Uncategorized

 

More powerful notebooks from Apple in the MacBook Pro line

14 Jul

Apple has updated its MacBook Pro series of notebooks with 15in and 13in models that are claimed to be better for intense image and video editing. The company says the new models are the most advanced ever, and that they feature 8th generation Intel Core processors for faster performance. The 15in model runs 70% faster than its predecessor with its new 6-core processor, while the 13in model sports a 4-core processor that makes it twice as fast as the previous generation.

The 15in model’s memory boosted to 32GB and can accommodate a 4TB SSD card for storage. The 13in model can cope with 2TB of SSD. Both models offer a 500-nit Retina screen that Apple says is the best MacBook display to date, and which is compatible with the P3 wide gamut color space.

The new MacBook Pro models will cost $ 1799 and $ 2399. For more information see the Apple website.

Press release

Apple updates MacBook Pro with faster performance and new features for pros

Now Featuring Up to 6-Core Processors and 32GB of Memory, True Tone Display and the Apple T2 Chip

The new 13-inch and 15-inch MacBook Pro models with Touch Bar deliver more power to pro users.

Cupertino, California — Apple today updated MacBook Pro with faster performance and new pro features, making it the most advanced Mac notebook ever. The new MacBook Pro models with Touch Bar feature 8th-generation Intel Core processors, with 6-core on the 15-inch model for up to 70 percent faster performance and quad-core on the 13-inch model for up to two times faster performance — ideal for manipulating large data sets, performing complex simulations, creating multi-track audio projects or doing advanced image processing or film editing.

Already the most popular notebook for developers around the world, the new MacBook Pro can compile code faster and run multiple virtual machines and test environments easier than before. Additional updates include support for up to 32GB of memory, a True Tone display and an improved third-generation keyboard for quieter typing. And with its powerful Radeon Pro graphics, large Force Touch trackpad, revolutionary Touch Bar and Touch ID, dynamic stereo speakers, quiet Apple-designed cooling system and Thunderbolt 3 for data transfer, charging and connecting up to two 5K displays or four external GPUs, it’s the ultimate pro notebook.

MacBook Pro now delivers faster performance for complex simulations and data manipulation.

“The latest generation MacBook Pro is the fastest and most powerful notebook we’ve ever made,” said Philip Schiller, Apple’s senior vice president of Worldwide Marketing. “Now with 8th-generation 6-core processors, up to 32GB of system memory, up to 4TB of super fast SSD storage, new True Tone technology in its Retina display and Touch Bar, the Apple T2 chip for enhanced security and a third-generation quieter keyboard packed into its thin and light aluminum design with all-day battery life, it’s the best notebook for pro users.”
Faster, More Powerful Pro Notebook Computing

With the new MacBook Pro, developers can compile code faster and more easily run multiple virtual machines and test environments.

The new MacBook Pro is now faster and more powerful, with 8th-generation 6-core Intel Core processors on the 15-inch MacBook Pro for up to 70 percent faster performance and 8th-generation quad-core Intel Core processors on the 13-inch model for performance that’s up to twice as fast.1 With the option to add up to 32GB of memory on the 15-inch MacBook Pro, users can run more apps simultaneously or load larger files into memory. And with up to a 2TB SSD on the 13-inch model and up to a 4TB SSD on the 15-inch, MacBook Pro gives customers the flexibility to work with large asset libraries and projects wherever they go.

Best Mac notebook display ever now features True Tone technology for a more natural viewing experience.

With 500 nits of brightness and support for the P3 wide color gamut, the Retina display on MacBook Pro is the best Mac notebook display ever. Now with True Tone technology, the display and Touch Bar deliver a more natural viewing experience for design and editing workflows, as well as everyday tasks like browsing the web and writing email.

Apple T2 Chip Delivers Enhanced Security and “Hey Siri” on Mac

Also new to MacBook Pro is the Apple T2 chip, first introduced in iMac Pro. With the Apple T2 chip, MacBook Pro now delivers enhanced system security with support for secure boot and on-the-fly encrypted storage, and also brings “Hey Siri” to the Mac for the first time.

15-Inch MacBook Pro Highlights

  • 6-core Intel Core i7 and Core i9 processors up to 2.9 GHz with Turbo Boost up to 4.8 GHz
  • Up to 32GB of DDR4 memory
  • Powerful Radeon Pro discrete graphics with 4GB of video memory in every configuration
  • Up to 4TB of SSD storage2
  • True Tone display technology
  • Apple T2 Chip
  • Touch Bar and Touch ID

13-Inch MacBook Pro Highlights

  • Quad-core Intel Core i5 and i7 processors up to 2.7 GHz with Turbo Boost up to 4.5 GHz and double the eDRAM
  • Intel Iris Plus integrated graphics 655 with 128MB of eDRAM
  • Up to 2TB of SSD storage2
  • True Tone display technology
  • Apple T2 Chip
  • Touch Bar and Touch ID

Back to School with MacBook Pro

The new MacBook Pro is also part of Apple’s Back to School promotion starting today and available to college students, their parents, faculty and staff through the Apple Education Store. The promotion includes a pair of qualifying Beats headphones with the purchase of any eligible Mac or iPad Pro for college, as well as education pricing on Mac, iPad Pro, AppleCare, select accessories and more.

New Leather Sleeves for MacBook Pro

New MacBook Pro leather sleeves now available in Saddle Brown, Midnight Blue and Black.
First introduced with MacBook, Apple leather sleeves are now available for the 13-inch and 15-inch MacBook Pro in Saddle Brown, Midnight Blue and, for the first time, Black. Designed with high-quality leather and a soft microfiber lining for extra protection, the sleeves are a perfect complement to MacBook Pro for users on the go.

macOS Mojave Coming This Fall

This fall, MacBook Pro can be updated with macOS Mojave, the latest version of the world’s most advanced desktop operating system, with new features inspired by pros but designed for everyone. In macOS Mojave, a new Dark Mode transforms the desktop with a dramatic new look that puts the focus on user content. The new Stacks feature organizes messy desktops by automatically stacking files into neat groups. Familiar iOS apps, including News, Stocks, Voice Memos and Home, are now available on the Mac for the first time. FaceTime now adds support for group calling, and the Mac App Store gets a full redesign featuring rich editorial content and the addition of apps from top developers, including Microsoft and Adobe.

Pricing and Availability

Starting at $ 1,799 and $ 2,399 respectively, the updated 13-inch MacBook Pro models with Touch Bar and 15-inch MacBook Pro models with Touch Bar are available today through apple.com and in select Apple retail stores and Apple Authorized Resellers later this week. Additional technical specifications, configure-to-order options and accessories are available online at apple.com/mac.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on More powerful notebooks from Apple in the MacBook Pro line

Posted in Uncategorized

 

Adobe reportedly working on full Photoshop version for iPad

13 Jul

Software maker Adobe offers several Photoshop-branded apps for Apple’s iPad, for example Photoshop Express, Photoshop Lightroom, Photoshop Mix and Photoshop Fix. However, none of the mobile apps even come close to offering a the comprehensive feature set found in the Adobe Photoshop desktop application.

According to a report by Bloomberg, this appears to be about to change, though. Sources familiar with the matter have told the publication that Adobe will announce a full-fledged Photoshop version for the iPad at its annual conference in October and make it available sometime next year. That said, given the project is still in its early stages, deadlines could be moved.

The introduction of the iPad Pro and its popularity within the creative industry have likely changed Adobe’s mind and lead to the decision to rewrite its software for Apple’s underpowered tablet – compared to desktop computers anyway. When the app is available, Creative Cloud users will be able to seamlessly switch between the iPad and other devices they are using.

Would you use Photoshop on an iPad? Let is know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Adobe reportedly working on full Photoshop version for iPad

Posted in Uncategorized

 

The Kanton DX35 concept is an all-in-one film development machine the size of a coffee maker

13 Jul

Developing film isn’t necessarily a difficult task. But it is time-consuming and, generally speaking, it tends to require a decent bit of space and equipment to get started. Industrial designer Thomas Müller is hoping to change that, with a clever device he calls the Kanton DX35.

This tabletop device is a ‘smart home solution to develop your colour as well as black and white films in both 35mm and 120 [film] without the need of a darkroom.’ The Kanton DX35 is little more than a concept right now, but Müller hints it could become more by asking consumers to sign up for more information when ‘further progress’ is made. Whatever stage of development it’s in, it’s quite the setup.

To load film, it’s simply a matter of adjusting the reel to fit your roll of 35mm or 120 film and slipping it back into the container. Once it’s in the container, it’ll automatically unwind the film in complete darkness. Once unwound, it’s a quick cut of the film with the integrated cutter, and you’re on your way to the next step.

Development is aided by a dial and screen that automatically heats up the chemicals to the correct temperature and lets you know when you need to switch out the chemicals, pending your development method of choice. Step by step, the Kanton DX35 guides you through the process of adding the required chemicals to container and automatically agitating the film inside the container to get an even development.

Once the film is developed and chemicals are back in their places, it’s simply a matter of giving it a rinse and removing the reel from the container. Below is a visual step-by-step guide provided by Müller:

Sure, this concept doesn’t account for all of the intricacies of developing film, but for a device that doesn’t take up much more space than a coffee maker, it looks pretty impressive.

To sign up for updates from Müller on the Kanton DX35, head on over to his product page and sign up. If he ever decides to bring it to life, you’ll be the first to know.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on The Kanton DX35 concept is an all-in-one film development machine the size of a coffee maker

Posted in Uncategorized

 

Manfrotto Noreg series launches with Backpack-30 and Messenger-30 bags

13 Jul

Manfrotto has launched its new Noreg camera bag series with the Backpack-30 and Messenger-30 models. Both bags are designed for premium mirrorless camera systems, each featuring internal camera units that can be removed and used independently of the larger bags. Additionally, both the backpack and messenger have connectors for carrying travel size tripods.

The Noreg series bags feature the same aesthetic and many mutual features, including enough room to accommodate up to a 15″ laptop and 9.7″ tablet, rain covers, interchangeable internal dividers, Flexi dividers, strap connectors for attaching the bags to luggage handles, and sizes that enable them to be used as carry-on bags with many airlines.

Both the messenger bag and backpack have a detachable rear compartment that can be used as a standalone laptop sleeve. The removable internal camera unit, meanwhile, doubles as a standalone shoulder bag with enough space for a premium mirrorless camera with an attached standard zoom lens and up to two extra lenses. The bag can also hold a DJI Mavic Pro combo kit, according to Manfrotto.

Likewise, both bags sport the Manfrotto Protection System for helping shield gear from shocks. The backpack also adds a quick access zippered opening on the top alongside a zippered top flap. Additional accessory items, such as keys and a wallet, can be stored in the backpack’s front multi-zippered pockets. The messenger bag features a bungee cord and pocket on the side for holding items, such as a monopod.

The Backpack-30 measures 29 x 18 x 47cm / 11.4 x 7 x 18.5in and the Messenger-30 measures 40 x 17 x 27cm / 15.7 x 6.7 x 10.6in.

Manfrotto is currently taking pre-orders for both the Noreg Backpack-30 and Messenger-30 bags on its website for $ 269.95 CAD / £159.95 and $ 229.95 CAD / £129.95, respectively. The Noreg bag series is not currently listed on Manfrotto’s US website.

Via: TechRadar

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Manfrotto Noreg series launches with Backpack-30 and Messenger-30 bags

Posted in Uncategorized

 

Sony Cyber-shot DSC RX100 VI review

12 Jul
Silver Award

83%
Overall score

The Sony Cyber-shot DSC RX100 VI is the latest pocketable compact camera to feature a 1″-type image sensor. Unlike existing models in the marketplace, the RX100 VI ventures into the do-everything/travel camera space, with the addition of a 24-200mm equivalent F2.8-4.5 lens.

Like its immediate predecessor, the Mark VI offers quick and accurate on-sensor phase detection autofocus, the ability to shoot at up to 24 frames per second and highly detailed 4K video taken from the full width of its sensor. It becomes the first RX100-series camera to offer a touchscreen and has a redesigned electronic viewfinder that can be activated or stowed-away with a single push.

Key features:

  • 20.1MP 1″-type stacked CMOS sensor
  • F2.8-4.5, 24-200mm equiv. zoom lens
  • Retractable 2.36M-dot EVF with 0.59x equiv. magnification
  • 24 fps burst shooting (with continuous autofocus)
  • UHD 4K video at 30p and 24p, 1080p slow-motion capture
  • 5-axis image stabilization
  • 3″ touchscreen LCD
  • On-sensor phase-detection autofocus
  • Wi-Fi with NFC for quick image transfer to mobile devices
  • USB charging

Despite the significantly increased lens range, the RX100 VI is less than 2mm (5/64″) thicker than the Mark V. The result is a camera that can lend itself to a wider range of photographic situations (making it a solid traveling companion) but with a less bright lens that means sacrificing some of the low-light capability of its sister models.

The RX100 VI has a recommended selling price of around $ 1,200 before sales tax, or £1,150/€1,299 in Europe, including VAT.


What’s new and how it compares

The RX100 VI is more of a travel zoom than an enthusiast compact. We see how it compares with Panasonic’s TZ / ZS models, as well as its immediate predecessor.

Read more

Body and design

The RX100 VI incorprorates a touchscreen but it’s still most satisfying if you don’t try to get too involved.

Read more

What’s it like to use

The RX100 VI is a very powerful travel camera and highly capable for family photography, but it’s not as good in low light as some of its peers.

Read more

Autofocus

Autofocus is very impressive: delivering a very high hit-rate even when you shoot 24 times per second. Eye AF is also hugely valuable. The design of the autofocus system is a little convoluted, though.

Read more

Video

The RX100 VI can shoot some very attractive, detailed video and has an extensive feature set to support this. There are also significant limitations in terms of time and absent features.

Read more

Image quality

The RX100 VI produces some of Sony’s nicest JPEGs yet and, on our sample at least, the lens looks excellent.

Read more

Conclusion

The RX100 VI is a hugely capable camera. It trades some of its predecessors’ low light performance for greater daytime flexibility, though the price tag is steep.

Read more

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Sony Cyber-shot DSC RX100 VI review

Posted in Uncategorized

 

Nikon Inc confirms the Nikon 1 system is officially discontinued

12 Jul

Almost a year after we first heard whispers of its demise, Nikon has quietly killed off its Nikon 1 series cameras, lenses and accessories.

First noted on Nikon Japan’s http://www.nikon-image.com/products/acil/discontinue_lineup/, Nikon Inc. has since confirmed in an email to DPReview that ‘The Nikon 1 series cameras, lenses and accessories are no longer in production.’

Nikon Inc. also confirmed via email that ‘The Nikon 1 J5 and other Nikon 1 products are [still] available at select retailers in some regions.’ As of publication of this article, Nikon still has the Nikon 1 J5, Nikon 1 V3 and Nikon 1 AW1 listed on its website and available for purchase. As for other retailers, B&H has all Nikon 1 J5 listings ‘currently unavailable’ and Adorama has both the Nikon 1 J5 and Nikon 1 V3 available for purchase, with the former being listed as a ‘closeout.’

The move to kill off the Nikon 1 line shouldn’t come as a surprise. The newest camera in the lineup was launched more than three years ago

The Nikon 1 series came to life on September 21, 2011, with the release of the Nikon 1 J1 and Nikon 1 V1 cameras. Since then, there have been 11 different cameras and 12 different lenses released for the Nikon 1 system, as well as a collection of accessories including flashes, cases, GPS units and more.

The move to kill off the Nikon 1 line shouldn’t come as a surprise. In addition to the rumors flying around, the newest camera in the lineup was launched more than three years ago on April 2, 2015.

Add to that last year’s statement from Tetsuro Goto, Director of Laboratory Research and Development at Nikon Japan, who told Chinese website Xitek, ‘full frame is the trend […] if Nikon will go mirrorless it must be full frame,’ the writing has been on the wall for some time.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Nikon Inc confirms the Nikon 1 system is officially discontinued

Posted in Uncategorized

 

Canon EOS 6D Mark II firmware 1.0.4 update fixes ‘rare’ operational bugs

12 Jul

Canon has released firmware update 1.0.4 for the EOS 6D Mark II, adding important bug fixes for “rare instances” of issues with the touch panel and operation buttons. The update, which is available from Canon’s support website here, is about 30MB in size and includes the following changelog:

Firmware Version 1.0.4 incorporates the following fixes:

1. Corrects a phenomenon in which in rare instances, the operation buttons and some touch panel functions do not respond.

Via: CanonRumors

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Canon EOS 6D Mark II firmware 1.0.4 update fixes ‘rare’ operational bugs

Posted in Uncategorized

 

Mastin Labs’ new ‘Kodak Everyday’ preset pack includes Ektar 100, Gold 200 & Tri-X 400

12 Jul
Gold 200 preset photographed by Marco Govel

Mastin Labs has released a new collection of presets for Adobe Lightroom and Photoshop that aim to emulate the look of three iconic Kodak film stocks.

Titled ‘Kodak Everyday,’ this new preset pack includes film emulations for Kodak Ektar 100, Kodak Gold 200 and Kodak Tri-X 400 film stocks. In Mastin Labs’ words, this ‘pack has three distinct looks: bright and vivid, gold and lush, or rich black and white tones.’

Tri-X 400 preset photographed by Quinton Cawthon

In addition to the base presets that come in the pack, Mastin Labs also includes toning profiles, custom white balance settings, and grain settings that replicate 35mm and medium format film grain structure. ‘Our color science recreates the micro-contrast of real film for a clean, three-dimensional look,’ says Mastin Labs on its product page.

Ektar 100 preset photographed by Bisual Studio

Mastin Labs says the presets are color-calibrated for Canon, Nikon, Sony, and Fujifilm X-series cameras (except for the X100). If you’re using another brand camera, Mastin Labs suggests using the Canon preset, which will give you similar results with only a ‘slight reduction in accuracy.’

The ‘Kodak Everyday’ preset pack is the fifth set Mastin Labs has put out to date, including its Ilford, Fujicolor, Fujicolor Pushed, Portra and Portra Pushed packs.

Gold 200 preset photographed by Santi Nunez

At $ 99, the ‘Kodak Everyday’ pack is identical in price to DxO FilmPack 5 Elite Edition and a bit steeper than Visual Supply Company preset packs, which run $ 59 a piece.

The Kodak Everyday pack requires Adobe Lightroom 7.3 or Adobe Camera Raw 10.4 or later and work with both MacOS and Windows computers. RAW, NEF and RAF RAW files are all supported.

To find more examples and to purchase the ‘Kodak Everyday’ preset pack, head on over to Mastin Labs’ product page.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Mastin Labs’ new ‘Kodak Everyday’ preset pack includes Ektar 100, Gold 200 & Tri-X 400

Posted in Uncategorized

 

Nikon Coolpix P1000: what you need to know

11 Jul

Nikon Coolpix P1000: what you need to know

Nikon’s new Coolpix P1000 boasts an extraordinary zoom range and a suite of powerful stills and video features in a (relatively) compact body. We loved the original P900 for its sharp lens and effective stabilization, but its unimpressive EVF and lack of Raw capture mode made it less fun to use than it could have been.

The P1000 addresses both issues and greatly expands the zoom range, which now caps out at 3000mm (equivalent). Take a look through this slideshow for a detailed overview of this powerful compact’s key features.

All images supplied by Nikon and used with permission.

125X optical zoom (24-3000mm equivalent)

The headline feature of the P1000 is undoubtedly its zoom lens, which covers an astonishing (but no longer incredible) range of 24-3000mm (equiv). That’s wide enough to capture landscapes or interiors at the wide end, and closeup shots of the moon at the telephoto setting.

Notice we said closeups of the moon. The shot above (supplied by Nikon) was taken at ~2600mm (equiv) and as you can see, the moon almost fills the frame, even before the zoom is racked in to its maximum extent. Just to really hammer the point home, Nikon has even included a dedicated ‘moon mode’ on the main exposure mode dial.

125X optical zoom (24-3000mm equivalent)

Optical construction of this complex zoom is composed of 17 elements in 12 groups (including five ED lens elements and one super ED lens element) but there are tradeoffs. A decidedly slow maximum aperture of F8 at the long end is the most obvious one, and we’d also expect diffraction to take a significant bite out of sharpness towards the long end of the zoom (alongside heat haze and the effects of atmospheric pollutants when shooting distant objects).

Still though – the moon. That’s pretty cool.

The lens can be zoomed with a conventional W-T rocker switch surrounding the shutter release, or with a video camera-style switch on the lens housing itself (not visible in this image). This shot shots off the P1000’s generously-sized grip – a near-necessity for a camera with such a long zoom. At full extension, the P1000’s lens almost doubles the total length of the camera.

1cm macro focus

As well as the ability to shoot celestial bodies, the P1000 offers a 1cm minimum focus distance for macro shots. Such a short minimum distance is of limited use in most situations (the shadow of the lens becomes an issue at very close distances) but such a close focusing range should open up some fun creative possibilities for closeups.

Dual Detect Optical VR

You can’t really have a 24-3000mm equivalent zoom without stabilization, and the P1000 boasts a claimed 5 stops of stabilization thanks to its Dual Detect Optical VR (Vibration Reduction) system, inherited from the P900. Dual Detect Optical VR uses accelerometers and corrective elements in the lens and analyzes the scene recorded by the camera’s sensor to reduce the effect of camera shake.

16-megapixel BSI-CMOS 1/2.3″ sensor

Like the P900, the Coolpix P1000 uses a small, 1/2.3″-type BSI-CMOS sensor. We don’t expect miracles from sensors this small (1/2.3″ used to be the standard format for pocket and travel-zoom compact cameras) but image quality from the P900 wasn’t bad, and aside from the possibly issues caused by an even longer lens, we’d expect the P1000 to be capable of delivering decent images in favorable conditions.

The addition of Raw mode (using the .NRW format) to the P1000 is very welcome, but it remains to be seen just how much extra resolution it’s possible to eke out of the camera’s Raw files. It’s likely that all of that glass – especially diffraction and haze-related issues at the long end of the zoom – will place a hard limit on absolute sharpness.

4K UHD video

The P1000 can shoot video as well as stills, at a maximum resolution of 4K UHD (3840 x 2160 pixels) at 30p. A stereo microphone is built in, and there’s a socket for an accessory mic if you need better sound.

Video can be recorded in clips up to 4GB in size or 29 minutes in length – whichever comes first. If a clip exceeds 4GB, another will be created, allowing uninterrupted filming (up to a total of 29 minutes), though Nikon warns there’s a possibility the camera may overheat before that 29 minute limit is reached.

EVF and LCD

The Nikon Coolpix P1000 is a DSLR-style compact, of the kind that we used to call ‘bridge cameras’ (since they represented a ‘bridge’ between conventional compact cameras and SLRs). As such, it features a 2.3 million-dot OLED electronic viewfinder in addition to a rear-mounted, 3.2″ 921k-dot LCD.

The EVF is a significant upgrade compared to the 921k-dot viewfinder of the older P900, but the P1000’s rear screen is unchanged compared to its predecessor. It’s fully articulated, which should prove very handy for all those macro and astro shots you’ll be taking, but it is not touch-sensitive. Also visible in this shot is the P1000’s conventional cluster of rear controls, and the shoulder-mounted rear control dial.

Size, weight and battery life

Despite its tiny sensor, the Coolpix P1000 is a big camera, even alongside its predecessor (shown here on the right). Weighing in at 1,415g (3 lb, 2 oz) it’s pretty weighty, too, tipping the scales at about nearly half a kilo (~one pound) heavier than the older P900 (and around $ 400 pricier at launch). That’s reassuring in a way (clearly there’s a lot of expensive and heavy glass inside that massive lens!) but it could make the P1000 a less enjoyable travel companion unless you really need its extraordinary zoom range.

A CIPA rating of 250 shots per charge is about what we’d expect from a camera of this type, and USB charging is always a welcome feature.

We’re looking forward to getting hold of a reviewable P1000 in the coming weeks, and in the meantime we’d be interested in hearing your thoughts – let us know what you think in the comments.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Nikon Coolpix P1000: what you need to know

Posted in Uncategorized