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DJI Mavic 2 drones leak with Zoom and Pro model variants

31 Jul

DJI will release two variants of its upcoming Mavic 2 drone, according to a leaked product listing. The Mavic 2, which hasn’t been officially announced, appeared in a catalog issued by UK retailer Argos, which lists two model variants: the Mavic 2 Pro and Mavic 2 Zoom.

The catalog listing, which was shared on Twitter by Brett Thake, describes the DJI Mavic 2 as a small drone with a 45mph / 72kph top speed, 31-minute max flight time, omni-directional obstacle sensing with APAS and Active Track 2.0, and an 8km / 5-mile transmission range, including 1080p video transmission. The Mavic 2 Pro is described as having a 1-inch CMOS Hasselblad camera, while the Mavic 2 Zoom variant advertises a 24-48mm equiv. 2x optical zoom.

DJI confirmed the leak in a statement to CNET, explaining that catalog was preprinted and scheduled before July 18, the date DJI originally planned to launch the Mavic 2

Assuming the catalog details are correct, this represents a significant upgrade from the original Mavic Pro and Pro Platinum. In particular, a 1-inch CMOS sensor should deliver significantly better performance than the 1/2.3″ sensor found in the earlier models, and has been one of the most frequently requested features from users.

Additionally, The Verge is reporting that users will be able to switch lenses on the camera.

The new models will also see an increase in flight time from 27 minutes to 31 minutes, as well as a top speed increase from 40mph to 45mph. Pricing information was not leaked by the catalog, but it does feature a partial image of the two drone variants.

DJI confirmed the leak in a statement to CNET, explaining that catalog was preprinted and scheduled before July 18, the date DJI originally planned to launch the Mavic 2. The event was ultimately postponed, but Argos apparently didn’t get the memo, proceeding with publication of the catalog including the Mavic 2 details. We’ve reached out to DJI for a statement and will update this article with any new information.

“This early look just hints at the many exciting features and capabilities DJI will announce at the proper time,” the company said in its statement.

Via: DroneDJ

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Entry-level APS-C shootout

29 Jul

In this week’s episode of DPReview TV we take a look at three entry-level APS-C mirrorless models: the Canon EOS M50, Sony a6000 and Fujifilm X-T100. Which one rises to the top of the class? Chris and Jordan walk us through each camera’s strengths and weaknesses in terms of key factors like autofocus, usability and JPEG image quality.

Be sure to subscribe to our YouTube channel to get new episodes of DPReview TV every week.

Read our Fujifilm X-T100 Review

Read our Sony a6000 Review

Read our Canon EOS M50 Review

Articles: Digital Photography Review (dpreview.com)

 
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Review: The Wandrd Prvke Backpack is one of the best multi-use camera bags you can buy

28 Jul

Wandrd Prvke 21L Backpack with Camera Cube
$ 264 | www.wandrd.com

The quest to find the perfect camera bag is never-ending. It’s not unusual for a photographer have a closet jammed full of various packs that work pretty well for most situations, but are not ideal for others. The classy looking packs often don’t hold enough gear while the ones with ample space often end up being too bulky for travel.

For my typical shooting needs the Prvke has proven to be nearly perfect, which is an incredible feat for a camera bag.

At first glance, I liked the design of the Prvke bag (pronounced Provoke) from Wandrd, but was concerned that it would be yet another backpack with understated urban looks that simply isn’t functional as a camera bag. But I can happily say that Wandrd won me over – for my typical shooting needs the Prvke has proven to be nearly perfect, which is an incredible feat for a camera bag.

Specifications

  • Exterior: 17 x 11 x 6.5in / 43 x 30 x 16.5cm
  • Interior Volume: 25L with roll-top expanded
  • Camera Cube Insert: 9 x 11 x 5in / 23 x 30 x 13cm
  • Laptop Sleeve: 14.5 x 9.5 x 1in / 37 x 24 x 2.5cm
  • Tablet Sleeve: 13 x 9 x 5 / 33 x 23 x 13cm
  • Weight: 2.8lbs / 1.3kg

Design & Construction

A look inside the Wandrd Prvke from the back entrance: The area where the camera gear is (called the Camera Cube) can be completely removed.

The Wandrd Prvke bag is designed to be multi-functional for carrying both camera gear and personal items – something lots of packs try to do, but ultimately fail. The design was conceived by three photography-minded brothers and their attention to detail makes me think they too were tired of the ‘almost there, but not quite right’ camera backpacks.

The Prvke has an understated roll-top design with a fairly slim profile – it’s constructed from water-resistant tarpaulin and woven nylon and has a rain-fly with a dedicated pocket at the bottom of the bag. The roll-top opens and closes with high quality Velcro and is secured with a large metal hook. The removable Camera Cube comes with the Photography Bundle for $ 264 (or can be purchased individually for $ 39) and fits nicely into the bag’s back compartment. Velcro is used to secure it into place.

You can access the Camera Cube from a zipped entryway on the side of the pack. The roll-top is secured closed with Velcro and a big metal hook.

The Prvke has three points of entry: the roll-top, a left side pocket for camera access into the Cube while on the go (shown above) and a back entrance to completely open the pack. Above the Camera Cube there is a mesh zipper compartment that allows you to access anything that may have been stashed through the roll-top. On the left side of the bag you will find a small zipper pocket for memory cards and a separate Velcro pocket for other small camera accessories.

An internal laptop/tablet compartment keeps these devices flush against your back when wearing the pack. Two straps ensure the compartment doesn’t fly completely open when unzipped.

Once the bag is unzipped there are dedicated sleeves for both a laptop and a tablet (see above). And on the back of the Prvke there is a dedicated passport sleeve with a small mesh pocket (see below).

I was able to fit a 5D Mark IV body, a 70-200mm lens and a 24-70 lens in the cube without issue.

Although the removable Camera Cube was designed with a mirrorless system in mind (a body, plus a large and medium sized lens) the molded dividers make it possible to carry a full frame DSLR with lenses as well. I was able to fit a 5D Mark IV body, a 70-200mm F2.8 lens and a 24-70 F2.8 lens in the cube without any issues.

A small compartment on the back has space for a passport and other items, a nice touch for photographers on the fly. Magnetically-connecting carrying straps (located on top) are just one of many handy features of this pack.

Behind the roll-top there is a fleece lined pocket for a phone and on the side of the bag a small pocket with a clip for your keys. A large flat pocket runs the length of the bag’s front side – a great place for a notebook, magazine or other paperwork. On the right side of the bag there is an expandable pocket for a water bottle or a small tripod.

The Prvke has lots of pockets and areas to store both personal items and camera gear. The side pocket can be used to carry a water bottle or small tripod. And a zippered area on front is perfect for storing magazines, notebooks or a book. The other side of the pack offers a small storage pocket with a connector for keys. Camera gear can be accessed through the zippered area lower right.

The Prvke features a number of optional add ons too: a removable chest strap, a removable waist belt and an accessory strap system that can attach to six different points on the bag for carrying a larger tripod, lighting accessories, a jacket or even minimal camping gear.

The bag comes in three colors (classic black, wasatch green and aegean blue) and two sizes (21L and 31L). Our review bag is the 21L in wasatch green.

A removal waist belt adds another place to store small items. And accessory straps allow one to easily connect even bulky items, like camping gear, to the bottom of the pack.

In Use

I’ve used this bag in a variety of different situations and I’ve yet to notice anything major that I didn’t like about it. While it may not be the ideal bag for traveling with multiple camera bodies (although it isn’t impossible), for a one body, two lens shoot that requires me to bring a laptop along, it’s the closest to a perfect bag that I’ve found.

The lay-flat design of the bag makes it ideal for traveling through airport security – the Camera Cube and the laptop sleeve are both checkpoint friendly, so in theory, you won’t need to unpack your gear bag when flying.

For a one body, two lens shoot that requires me to bring a laptop along, it’s the closest to a perfect bag that I’ve found.

And the three different access points make this bag particularly user friendly. You can grab a camera body from the left side without removing the bag fully from your back, lenses and accessories are quickly accessed by unzipping the back panel and you can even access items in the roll-top through the back. The expandable roll-top on the bag is great for stashing any odds and ends that you might pick up.

The zippers were easy to manipulate and none of the dedicated sleeves or pockets suffer from the stiffness that new camera bags sometimes have. Everything fits where it’s supposed to and does so with ease.

The straps are a comfortable amount of thickness and the bag distributes weight nicely – even when fully loaded with gear it didn’t hurt my shoulders. The waist belt and chest strap are nice touches, and might be appreciated if you were taking the Prvke on a long outdoor adventure.

The Prvke is the best camera bag I’ve used in a long time.

I found the various small pockets within the Prvk very useful: the fleece lined top pocket was a great place for storing my shades and that side key pocket gave me peace of mind as I traveled away from New York City with the bag.

We’re big fans of the removal Camera Cube.

My complaints about this bag are minor. The zippers around the Camera Cube can occasionally get tangled with the zippers within the back compartment that cover the cube – a minor annoyance, considering sometimes it just took a few additional seconds to zip everything together. Some might say that the second zippered flap might be unnecessary, but the additional layer of protection of my lenses gave me peace of mind while using the bag.

The bag was also a little snug when traveling with two bodies and two small lenses – although it should be noted that I was testing out the 21L version and I’m guessing these issues would be resolved if I’d been using the 31L model.

What’s the Bottom Line

The Prvke is the best camera bag I’ve used in a long time. It has a durable build, it is functional as both a camera backpack and an everyday backpack and it looks nice. It hits the trifecta of sought-after qualities in a camera bag. Also important, it feels like it will hold up over time. And for the quality that you are getting, the $ 264 price tag (which includes the Camera Cube, waist strap, accessory straps and rain-fly) it doesn’t feel excessive. We also like that the Camera Cube can be removed and used in a different bag allowing you to use The Prvke as a place to store clothing and personal items while you are on the road.

What We Like:

  • Durable build
  • Functional as a multi-use bag and a dedicated camera bag
  • Removable Camera Cube
  • Utilitarian design
  • Small organizational pockets
  • Back mesh pocket with entry to roll-top
  • Nice weight distribution, comfortable to carry
  • Holds the gear necessary for an average shoot

What We Don’t Like:

  • Zippers around the Camera Cube and the zippers within the back of the bag getting tangled together
  • The, at first glace, difficult to pronounce name of the bag

Articles: Digital Photography Review (dpreview.com)

 
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Nikon counts down to new mirrorless

28 Jul

Following an earlier leak, Nikon has officially started the clock on a countdown to its upcoming ‘special event’, widely assumed to be the launch of a new mirrorless system. The timer is counting down to 1pm, on the 23rd of August (Tokyo time). That’s midnight in New York, 5pm in London and 9pm on the previous day for the DPReview office here in Seattle.

What are you hoping to see announced? Let us know in the comments, and don’t forget to vote in our ongoing poll.

Visit Nikon’s ‘special event’ site

Vote in our poll

Articles: Digital Photography Review (dpreview.com)

 
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SiOnyx Aurora camera shoots color video even by moonlight

27 Jul

US-based night vision tech company SiOnyx has introduced an action cam that it claims can shoot color footage and stills in the dark as well as in normal daylight conditions. The Aurora uses infrared technology and a specially developed sensor with large pixels to shoot in conditions as dim as 0.001lux.

SiOnxy says the camera’s performance compares to night vision optics that cost ‘tens of thousands of dollars’ and that this is the first time such night-vision capabilities have been available to the consumer.

The Aurora uses a 1in sensor with 0.9 million large pixels that are created using what the company describes as a proprietary laser process. The process creates ‘the ultimate light-trapping pixels’ that have increased quantum efficiency and so avoid excessive noise and restricted dynamic range while producing images 10x brighter than a standard CMOS sensor. The sensor design is based on military-grade IR sensors that the company usually makes only for the defence market.

The Aurora can produce viewable images even in what would appear to the human eye to be darkness

The pixels have extended sensitivity to light between 850 and 940nm in the near-infrared area of the spectrum, and a maximum ANSI of 820,000 – and so can produce viewable images even in what would appear to the human eye to be darkness. The camera can also shoot still images (albeit it obviously at a very low resolution), as well as timelapse sequences and 720p video.

The camera is also fitted with GPS, an accelerometer and a compass for adventurers, and can be used underwater for 30 minutes to a depth of 3ft.

The Aurora will cost $ 799. For more information see the SiOnxy website.

Press release

SiOnyx Announces World’s First Day/Night Action Camera For Consumer Market, Turns Night Into Full-Color Daylight

Aurora Features OLED Display, Ip67-Grade Waterproofing and AR-Compatibility; Compass, GPS & WiFi Built-In With iOS and Android Apps, Retails at $ 799

SiOnyxTM (Beverly, MA), a leader in infrared imaging technology – today announced the official launch for the SiOnyx AuroraTM, the only HD action video camera with true day and night color imaging. SiOnyx Aurora is just under 8 ounces and sized to fit comfortably in one hand for easy operation.

Available in August direct from SiOnyx at sionyx.com at a retail price of $ 799, Aurora is based on the SiOnyx Ultra Low Light technology that is protected by more than 40 patents and until now was only available in the highest-end night vision optics costing tens of thousands of dollars. This identical technology has now been cost-reduced for use in Aurora and other upcoming devices from SiOnyx and its partners.

SiOnyx has developed a new semiconductor process that dramatically enhances the infrared sensitivity of silicon-based imaging. Its ultra low-light technology enables richly-defined color images and video during the day and twilight, combined with unmatched high-resolution viewing in near total darkness. Sample videos as well as images may be found at www.sionyx.com

Through the free companion apps on iOSTM and Android®, you can review your experiences in real-time or control the Aurora directly from your phone. Designed for an active outdoor lifestyle, Aurora is also fully certified with an IP67 waterproof rating.

Aurora offers transformative night video for a wide range of uses including boating, hunting, fishing, nature watching, emergency response and other activities where clear night-vision is of importance. A removable neck strap allows you to keep it accessible on any adventure. Aurora uses GPS combined with an accelerometer and compass to accurately guide your way, day or night.

“Outdoor enthusiasts play day and night; capturing those adventures doesn’t need to stop when the sun goes down,” said Stephen Saylor, President and CEO of SiOnyx. “Aurora’s unique Ultra Low Light technology enables night video that people will swear was taken in full daylight.”

About SiOnyx:

Founded in 2006 by Professor Eric Mazur and Dr. James Carey of Harvard University, SiOnyxTM has commercialized a patented semiconductor process that dramatically enhances the sensitivity of silicon-based photonics. SiOnyx’s platform represents a significant breakthrough in the development of smaller, lower cost, high-performing photonic devices in applications ranging from simple light detection to advanced digital imaging and more. The company markets its low-light technology under the XQETM family of CMOS images sensors and has also entered the consumer electronics market with the launch of the Aurora day/night action camera.

Articles: Digital Photography Review (dpreview.com)

 
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SKOUT is a hands-free camera carrying solution that unlocks with a twist

27 Jul

Vancouver-based camera harness manufacturer Cotton Carrier has launched a Kickstarter campaign to crowdfund a new chest-style camera mounting system called SKOUT.

The design, which looks like a lightweight version of Cotton Carrier’s current offerings, is a one-size-fits all solution that’s said to be ‘the world’s most comfortable, secure, and accessible, Sling-Style camera [harness].’

The standout feature of the SKOUT is its patented ‘Twist & Lock’ mount that attaches and detaches your camera from the anodized aluminum hub with a simple twist.

Attaching the SKOUT seems fairly simple. After wrapping it over one shoulder, there’s a single strap that wraps around your torso and snaps into place on the front, securing the entire system. The shoulder strap is padded, so even heavier camera systems shouldn’t put too much stress on your body.

Hidden inside the system is an internal stash pocket that could fit a small phone or a few credit cards. There’s also an included weather guard so your gear stays safe and dry in less than ideal environments.

The Kickstarter campaign still has 13 days to go, but it’s already beat its CA$ 8,000 (approximately USD$ 6,135) goal five times over. There are still a few early bird specials available, which will get you a single SKOUT system for CA$ 64 (approximately US$ 49). The first batch is expected to ship out November 2018.

Articles: Digital Photography Review (dpreview.com)

 
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Xperia XZ3 likely to come with Sony’s new 48MP Quad-Bayer sensor

27 Jul

Only a few days ago Sony announced its latest smartphone sensor, a 1/2″ stacked 48MP beast with Quad-Bayer design for improved low light performance at 12MP output size. And if rumors turn out to be true, we won’t have to wait long before the chip is available in a production smartphone.

Renders of the upcoming Sony Xperia XZ3 flagship smartphone that are floating around the internet show the new device with just one rear camera, as distinct from the dual-camera setup used by the Xperia XZ2 Premium.

This one-camera design has been confirmed by a benchmark listing, showing only one rear camera sensor with a 47MP output size. As those benchmark listings are created using pre-production models some of the specifications could still change before the launch but it’s highly likely we are looking at Sony’s new IMX586 sensor here.

We’ll know more on August 30 when the Xperia XZ3 will be officially launched at IFA and we’re looking forward to evaluating camera performance when the device is available for testing.

Articles: Digital Photography Review (dpreview.com)

 
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Leica APO-Summicron-SL 75mm F2 ASPH sample gallery

26 Jul

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The Leica SL 75mm F2 was launched alongside the SL 90mm F2 earlier this year, and the pair of lenses share identical dimensions. The 75mm F2 is ever-so-slightly cheaper than its 90mm counterpart, but still impressively sharp on the SL’s 24MP full-frame sensor. We’ve been shooting with Leica’s latest short telephoto prime for a little while, and we’ve put together a gallery of real-world samples.

To get a sense of its performance, we hauled the 75mm F2 from sea-level urban portrait sessions all the way up to 6400 ft in Mt. Rainier National Park.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm plans to increase interchangeable lens production capacity as demand grows

26 Jul

Increased mirrorless digital camera demand has prompted Fujifilm to ramp up its interchangeable lens production capacity, the company has announced. New facilities at its existing Taiwa Factory in Miyagi prefecture, Japan will start in September, the ultimate goal being a 70% production capacity increase by 2020, the year when Fujifilm expects all of the new facilities to be fully operational.

Fujifilm reports that its annual interchangeable lens sales are growing by more than 20% per year. The company currently offers 36 interchangeable lenses for its X and G mounts, including its newly announced XF 8-16mm F2.8 ultra-wide zoom scheduled to launch in November.

Fujifilm reports that its annual interchangeable lens sales are growing by more than
20% per year

The company revealed plans to install a large-scale cleanroom facility with a “cutting-edge” analyzer, as well as other facilities that will include AI-based optical adjustment technologies. The launch of these facilities, says Fujifilm, will increase lens production efficiency while maintaining a high level of quality. Fujifilm says the Taiwa Factory’s “Made in Japan” interchangeable lenses will be distributed globally.

Via: Fujifilm

Articles: Digital Photography Review (dpreview.com)

 
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Apple patents correction system for smartphone accessory lenses

26 Jul

Accessory lenses for smartphones can be useful tools for expanding the photographic capabilities of your device. However, the process of physically attaching these lenses to the smartphone and centering them above the camera lens is prone to minor but important error as even a slight misalignment can result in a drop in image quality. Additionally, the accessory lens’ optical design can have a detrimental effect on the image output.

Apple has now been granted a patent that aims to fix the problem using a two-pronged approach: by using correction software and a movable built-in camera lens.

The document describes camera hardware and an analysis and processing software that can be used to analyze image quality and detect problems potentially caused by add-on lenses. By looking at certain image metrics, the system could compare image quality before and after attaching an accessory lens and then use software algorithms to correct accordingly.

Additionally, actuators would allow to change the position of the built-in camera lens on multiple axes, in order to correct for any misalignment of the accessory lens. This could include tilting the camera and varying the distance between the built-in lens and accessory lens.

The patent suggests electronics, magnets and radio sensing among other methods to detect if an accessory lens has been attached. If the smartphone knows what exact accessory is being used, additional options in the camera app could be utilized as well.

As usual, there is no way of knowing if and when this system will make it into a production device but it certainly looks like it could make the use of accessory lenses more appealing to many of us.

You can find the complete patent document on the USPTO website.

Articles: Digital Photography Review (dpreview.com)

 
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