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  • Tamron introduces affordable 17-35mm F2.8-4 full-frame lens for Canon and Nikon

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    Tamron has introduced its 17-35mm F2.8-4 Di OSD lens for full-frame Canon and Nikon bodies. This compact lens, which weighs just 460g (16.2oz), features 15 elements, including low-dispersion and glass-molded aspherical elements. Both ‘BBAR’ and fluorine coatings are employed, with the latter helping to fingerprints and moisture from adhering to this weather-sealed lens. The Optimized Silent Drive motor promises ‘excellent AF speed and drive noise reduction,’ according to Tamron.

    The 17-35mm F2.8-4 Di OSD will be available in early September for Nikon FX bodies, with a Canon EF model to follow later. It will be priced at a very reasonable $ 599.

    Tamron Announces the Smallest, Lightest Ultra-Wide-Angle Zoom Lens in its Class

    A sophisticated balance of outstanding optics and matchless mobility

    August 6, 2018, Commack, New York— Tamron announces the launch of a new ultra-wide-angle zoom lens, the 17-35mm F/2.8-4 Di OSD (Model A037), for 35mm full-frame DSLR cameras. The vision behind the Model A037 is that of an ultra-wide-angle zoom lens that has a separate concept from SP 15-30mm F/2.8 Di VC USD (Model A012), with superb image quality and easy portability. At just 3.5 in in length and 16.2 oz. in weight, it is the smallest and lightest in its class. The focal length ranges from an ultra-wide 17mm that is suitable for professional landscape photography to a standard 35mm perfect for snapshot photography. As for F-stops, the wide-angle end is a large aperture F/2.8, and at the telephoto end is a fast F/4. The Moisture-Resistant Construction and Fluorine Coating help to enhance the user’s photographic experience. For those looking to try out an ultra-wide-angle zoom lens for the first time, as well as having a lens that is easily portable, the A037 is the definitive choice. The lens will be available in Nikon mount on September 4, 2018 at a suggested retail price of $ 599. The launch of the Canon mount model will be announced at a later date.

    PRODUCT HIGHLIGHTS

    1. High-performance imaging for shooting vast landscapes in sharp detail
    The optical construction (15 elements in 10 groups) uses four LD (Low Dispersion) lens elements to minimize axial chromatic aberrations that can occur with ultra-wide-angle zoom lenses. With two properly positioned GM (Glass Molded Aspherical) lenses, distortion and other aberration can be satisfactorily corrected as well. Being the smallest and lightest in its class and dedicated to high quality imaging, the engineers have paid particular attention to size. The lens has also been carefully designed to allow peripheral point image reproducibility and thereby facilitate a high degree of sharpness and contrast. The Minimum Object Distance (MOD) for the entire zoom range is a short 11 in., so background blurring is still possible when opening the aperture and approaching the subject close-up with this ultra-wide-angle zoom.

    2. Advanced coating technology along with proprietary ghosting analysis simulation technology enabled the high level of backlighting control
    Resistance to backlighting is extremely important for wide-angle lenses as they are often subjected to strong light sources. The Model A037 has a high level optical construction that repeatedly employs comprehensive ghosting analysis simulation. The BBAR (Broad-Band Anti-Reflection) Coating is highly effective in reducing reflection, allowing ghosting and flare throughout the entire zoom range to be controlled.

    3. OSD (Optimized Silent Drive) enables both excellent AF speed and drive noise reduction
    The AF drive system employs an OSD (Optimized Silent Drive) to ensure quiet operation. Through the innovative optimization of the system that includes AF system speed reduction gear, Tamron could greatly reduce the drive noise in comparison to conventional AF types with built-in DC motors. AF performance and speed have also been vastly improved. Thus, even if silence is required, AF can be employed without having to worry at all about noise creation. The Model A037 can provide superlative AF precision for exact focus even when shooting moving objects, as well as outstanding trackability.

    4. Circular aperture to produce a smooth-edged bokeh
    A 7-blade diaphragm is configured to retain a smooth, circular-shaped aperture opening even when stopped down by two stops from the wide-open aperture. This produces a smooth-edged bokeh in background light spots and avoids rugged aperture geometry.

    5. Moisture-Resistant Construction
    Seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain drops to provide Moisture-Resistant Construction. This feature affords an additional layer of protection when shooting outdoors under adverse weather conditions.

    6. Fluorine Coating
    The surface of the front element is coated with a protective fluorine compound that has excellent water- and oil-repellant qualities. The front surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture or oily fingerprints, allowing for much easier maintenance. The coating also provides an enhanced level of durability, and will sustain its effectiveness for years.

    7. Compatible with TAMRON TAP-in ConsoleTM, an optional accessory
    The new A037 is compatible with the optional TAMRON TAP-in Console, an optional accessory product that provides a USB connection to a personal computer, enabling users to easily update a lens’s firmware as well as customize features including fine adjustments to the AF.

    Tamron 17-35mm F2.8-4 Di OSD specifications

    Principal specifications
    Lens type Zoom lens
    Max Format size 35mm FF
    Focal length 17–35 mm
    Image stabilization No
    Lens mount Canon EF, Nikon F (FX)
    Aperture
    Maximum aperture F2.8–4
    Minimum aperture F16–22
    Aperture ring No
    Number of diaphragm blades 7
    Optics
    Elements 15
    Groups 10
    Special elements / coatings LD/GM elements, BBAR/fluorine coatings
    Focus
    Minimum focus 0.28 m (11.02″)
    Maximum magnification 0.2×
    Autofocus Yes
    Motor type Micromotor
    Full time manual Yes
    Focus method Internal
    Distance scale No
    DoF scale No
    Physical
    Weight 460 g (1.01 lb)
    Diameter 84 mm (3.31″)
    Length 93 mm (3.66″)
    Sealing Yes
    Colour Black
    Zoom method Rotary (extending)
    Power zoom No
    Filter thread 77 mm
    Hood supplied Yes
    Tripod collar No

    Articles: Digital Photography Review (dpreview.com)

  • DPReview TV: the Laowa 24mm F14 Probe may look strange, but it sure is fun

    This week we take a look at one of the more unusual optics we’ve seen for quite a while. The Laowa 24mm F14 Macro Probe lens may look like something out of a science fiction movie, but as Chris and Jordan discover, it opens the door to some really interesting photo opportunities.

    Be sure to subscribe to our YouTube channel to get new episodes of DPReview TV every week.

    Articles: Digital Photography Review (dpreview.com)

  • Desert Oddity: Shooting Under Rare Conditions in Namibia

    Earlier this year I guided a group of photographers in Namibia. It had been some time since my last visit and I was very keen to return, but little did I know that this beautiful African country would see some very rare weather conditions during my visit. In this article I’ll describe what happened.

    It was a peculiar time in Namibia, with some very weird weather. A massive thunderstorm hit about 1500 km north of where that kind of thing normally happens, and bizarrely enough, it happened exactly when we were there. We were rained on during our entire visit to the ghost town of Kolmanskop, which my participants weren’t too happy about, since it meant they were missing the famous light coming out of the windows of the buildings.

    Kolmanskop on a normal sunny day. The light plays a significant role in the images usually produced here.
    The same room on a rainy day. The pockmarked dune was unique and visually quite interesting, but there was no light.

    Locals said the last time it had rained that hard was 12 years ago, and small children were panicking, having never experienced such a storm in their lifetimes! Several 100-year-old roofs collapsed, further restricting access.

    I, for one, enjoyed the rainy conditions. The dunes inside the rooms were all pocked with raindrops, which contributed a great deal to the uniqueness factor.

    But Kolmanskop was just the forerunner. After wrapping things up there, we headed to what was planned to be the highlight of the trip: Sossusvlei Desert. A local friend told me to watch the dunes upon arrival: if there were lines on the dunes, it meant that there was heavy rain in the desert. I have to admit I didn’t really understand what he was talking about – lines on the dunes? But upon seeing the dunes, I immediately got it.

    The rain had painted the dunes with wonderful dark brush strokes. Note how high the dunes are in comparison with the full size camel thorn trees!
    The dark lines completely transformed the red dunes.
    Flame-like patterns accentuated by the dark lines. Note that the blurred tree is due to heat-haze, not misfocusing.

    I could barely contain my excitement for the next morning shoot. We were scheduled to shoot in Deadvlei, and heavy rain over the Sossusvlei dunes meant a chance for water in the pan. Unfortunately the Namibian sun is hot, and most of the water had evaporated before our arrival. A very small number of tiny puddles remained, and my group and I took advantage and produced some unique shots.

    The dead camel thorn trees of Deadvlei reflecting in rainwater. The puddle was actually tiny, and to get the image to look like this I had to shoot at water level, getting mud all over the bottom of my camera.

    I returned to the lodge quite happy with my results, but I knew that by the next day there would be no water left. In the morning I woke up expecting a standard Deadvlei shoot. But when we reached the end of the short hike, something marvelous appeared before us. The pan was absolutely full of mist!

    I quickly pulled myself together and informed my participants that we needed to make very good use of the mist. It could dissipate before sunrise or even in a few minutes, and so deep focus and efficiency was needed to capture as many good images as possible.

    We kept shooting, and the mist was moving back and forth in the pan, but it was still there. In fact, at times it seemed to be getting thicker! When the sun started hitting the dunes, I knew it was money time.

    This isn’t a unique composition by any means, but the heavy mist made it exceptional. Note the figures being lit by early sunlight on top of the dune to the left.

    As the sunrise progressed, I tried to utilize the mist to my advantage, and used it to create depth in my images but including trees in different distances. The further trees were deeper in the mist.

    Many more compositions presented themselves, some more unusual, some less so. But all were beautifully enhanced by the mist.

    A misty twist on a well known composition. Note the dark lines on the background dune.

    As the sunlight began moving across the pan, I could incorporate the lines it created in the images, to create even more interest.

    When the mist finally dissipated, we could all take a breath and digest what had happened. That once-per-decade storm that left enough water to allow reflections had also left a large amount of moisture in the air, creating the mist. We couldn’t help feeling incredibly fortunate to have witnessed this special combination of circumstances.

    Luck is a major factor in nature photography. While a good photographer can create good imagery in sub-optimal conditions, there are times when it all comes together, and the photographer who is ready – and focused – will reap the rewards.

    Erez Marom is a professional nature photographer, photography guide and traveler based in Israel. You can follow Erez’s work on Instagram and Facebook, and subscribe to his mailing list for updates.

    If you’d like to experience and shoot some of the most fascinating landscapes on earth with Erez as your guide, take a look at his unique photography workshops in Southern Iceland, Northern Iceland, The Lofoten Islands, Patagonia, Greenland, Namibia the Faroe Islands and Ethiopia.

    Erez offers video tutorials discussing his images and explaining how he achieved them.

    More Namibia:

    • Behind the Shot: Dali’s Dream

    Selected Articles by Erez Marom:

    • Parallelism in Landscape Photography
    • Winds of Change: Shooting changing landscapes
    • Behind the Shot: Dark Matter
    • On the Importance of Naming Images
    • On Causality in Landscape Photography
    • Behind the Shot: Lost in Space
    • The Art of the Unforeground
    • Whatever it Doesn’t Take

    Articles: Digital Photography Review (dpreview.com)

  • GoPro Q2 2018 results show improvement: new products promised for late 2018

    GoPro has revealed its Q2 2018 financial results, boasting a massive 40% quarter-over-quarter revenue increase to $ 283 million and net loss of $ 32 million, which the company says is a 51% sequential improvement. This marks two consecutive positive quarters for GoPro, which has historically struggled and taken various actions, including multiple layoffs, in an effort to survive.

    GoPro saw its inventory drop $ 47 million from its first to second 2018 quarters, reaching the company’s lowest inventory level since early 2014. Year-over-year, GoPro also reduced its operating expenses by $ 16 million and increased its paying Plus subscriber numbers by 9% quarter-over-quarter.

    GoPro says it took 97% dollar share of the action camera market in the US, with its Fusion model taking 48% of the nation’s spherical camera category

    GoPro claims its 18th straight quarter of having the #1 selling camera in North America, also citing a strong presence in the spherical camera, European, and Asian markets. Based on data from NPD Group, GoPro says it took 97% dollar share of the action camera market in the US, with its Fusion model taking 48% of the nation’s spherical camera category.

    During the company’s earnings call with investors yesterday, GoPro CEO Nicholas Woodman revealed that the company will release three new products later this year. Details on those three products were not provided, but it’s likely one will be the company’s upcoming flagship Hero 7, an update to the Hero 6 action camera released late last year.

    Catch up on GoPro’s Q2 investors’ call

    Via: GoPro

    Articles: Digital Photography Review (dpreview.com)

  • Motorola launches Moto Z3 with optional 5G module

    Motorola has announced its 2018 flagship smartphone, the Moto Z3, which, like previous Z-series models, is compatible with Motorola’s Moto Mod magnetically attachable expansion modules, including the 10x zoom Hasselblad TrueZoom.

    This is Motorola’s third and last generation of Moto Mod-compatible devices

    At this point in time the Moto Z3 is a Verizon-exclusive device and once the carrier’s 5G network is available next year, you’ll be able to purchase a brand new Moto Mod: A 5G module that comes with a Qualcomm’s X50 modem and an additional 2,000 mAh of battery capacity, allowing you to send and receive data via a 5G connection. This could make the new Moto an enticing option for anyone sending large image files from the field.

    The bad news is that this is Motorola’s third and last generation of Moto Mod-compatible devices, meaning that from next year the modular system is going to be history.

    Moto Z3 with 5G Moto Mod accessory

    The actual device is quite similar to the already released Moto Z3 Play but comes with a more powerful chipset and a different camera setup. The latter offers a dual-camera on the back, which combines a 12MP RGB sensor with 1.25um pixels and F2.0 aperture with a 12MP monochrome chip for wider dynamic range and lower noise levels. A dual-LED flash is included as well. The front camera unit uses an 8 MP sensor and F2.0 aperture.

    The ability to attach a 10x zoom camera module makes the Z3 attractive from a photographic point of view

    The Android OS is powered by last year’s Snapdragon 835 chipset instead of the current Snapdragon 840 which can be found in most rival flagships. The battery offers a 3,000 mAh capacity and images can be viewed and composed on a 6-inch Super AMOLED display with 1080 x 2160 resolution and 18:9 aspect ratio.

    Overall the new Moto’s spec sheet doesn’t look too impressive when compared to some high-end rivals. However, specs aren’t everything and the ability to attach a 10x zoom camera module makes the Z3 attractive from a photographic point of view. The moderate price point of $ 480 is another plus point.

    Articles: Digital Photography Review (dpreview.com)

  • The Canon Zoemini is a small and lightweight portable photo printer

    Despite most images existing exclusively in digital format these days, there is a good choice of portable photo printers available in the market and Canon has just added a brand new option to the segment in the shape of the Zoemini.

    At 160 g and measuring only 118 x 82 x 19 mm, the Canon Zoemini is lighter and smaller than most comparable products and very similar in size to the smartphone you would typically pair it with, making it easily storable in any bag.

    Like most printers of this type, the Zoemini uses ZINK printing technology – ink is stored in water- and tear-resistant 2” x 3” photo paper. Larger output sizes can be achieved through the Canon Mini Print app that allows you to “spread” images across four or nine of the self-adhesive sheets.

    The Canon Zoemini and the corresponding mobile app for Android and iOS will launch on September 5th. In Europe it will retail at €140 (approximately $ 160). No information on pricing and availability in other regions has been provided yet.

    Articles: Digital Photography Review (dpreview.com)

  • Venus Optics launches ‘weird but revolutionary’ macro probe lens

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    Venus Optics has announced a new probe-shaped macro lens that captures 2x life size images down a 40cm/15.7in barrel. The Laowa 24mm f/14 Macro Probe lens is designed to produce extreme macro on full frame bodies, and to reach subjects that are hard to approach with conventional macro lenses.

    The tip of the lens measures just 2cm across and houses a ring of USB-powered LED lights for focus assistance and for lighting the subject. Animals in burrows and underwater can be photographed as the end of the probe lens is water and dust proof, and the LED lights can be used in those conditions. The closest focus-distance is 2cm at which distance the maximum reproduction ratio of 2:1 is achieved.

    Constructed using 27 elements in 19 groups this is quite a complex optical arrangement

    A wide angle focal length has been chosen to deliver more depth of field and more environment, while the size of the front element allows users to get truly ground-level view.

    Constructed using 27 elements in 19 groups this is quite a complex optical arrangement and, according to Venus Optics, the first time such a probe lens has been available on a consumer level. It uses a 7-bladed aperture and offers apertures of F14 to F40. Although obviously designed for macro work the focus range covers 470mm / 18.5in to infinity. The whole unit measures 38 x 408mm / 1.5 x 16in, weighs 474g / 16.7oz and will be available in Canon EF, Nikon F and Sony E mounts. An Arri PL model will also be available via special order.

    The lens will cost $ 1,499 and is being launched via Kickstarter – where early birds can get discounted deals.

    For more information visit the Venus Optics website

    Press release:

    Venus Optics officially announces the Laowa 24mm f/14 2x Macro Probe lens, a weird but revolutionary lens for macro videography

    Tubular barrel, Waterproof & built-in LED design unlock shooting possibilities.

    Venus Optics, the camera lenses manufacturer who had previously launched a number of unique Laowa camera lenses, are proud to announce the Laowa 24mm f/14 2x Macro Probe Lens, a unique & revolutionary macro tool.

    Laowa 24mm f/14 2x Macro Probe is the world’s first consumer-grade probe lens that was developed to provide photographers and videographers with a new perspective and remove their shooting barriers while using conventional macro lenses. Below are the key features of this lens.

    Bug-Eye Perspective
    The new Laowa 24mm Probe lens can create a Bug-Eye perspective that cannot be done by conventional macro lens. Not only can it focus really close (2cm @ 2:1) and show a great amount of detail and texture, but also achieve a compelling wide angle ‘Bug Eye’ view (84.1°). More background details can then be included into the shots to create a very informative and stunning macro bug-eye perspective. For telephoto macro lenses, the subject will fill most of the frame and appear isolated from the surrounding environment instead.

    2:1 Magnification to Infinity Focus
    The new Laowa Probe covers a focusing range from 2:1 macro magnification to Infinity Focus. Photographers can take advantage of the 2:1 maximum magnification to shoot really small bugs/objects and reveal details that cannot be seen by naked eye. The wide focusing range (from Macro to infinity) is also particularly useful for videography as both finer details and environmental background can be captured in one shot.

    Deep Depth-of-Field
    The wide angle design also means much more depth of field at close distance (compared to the telephoto macro lens) so that more background details will now be visible. Being able to focus so close but still having a deep depth of field is a BIG advantage for both studio and wildlife shooting. The less blurry background allows the habitat of the subject to be visible in your photo.

    Waterproof front lens barrel
    The front barrel of the lens is waterproof and it can be used to shoot in any environment. This makes shooting in liquid no longer a limitation. The waterproof design also implies that shooting in super dusty environment or with fine powders are not going to be a problem.

    40cm long & Tubular Lens Barrel
    Thanks to the 40cm (15.7″) long barrel, photographers can focus really close to the subject but still keep themselves and cameras distance away. This unlocks the possibility of shooting in areas which were not accessible in the past. E.g. Shooting a frog hiding in the bushes using our Probe lens, compared to getting a telephoto macro lens super close to avoid leaves blocking your subject. The long lens barrel also allows photographers to keep a safe distance away when shooting lethal animals. The big camera body and lens will no longer ‘alert’ the subject too.

    Tiny 2cm lens tip
    The tiny 0.2cm-in-diameter lens tip unlocks the possibility to get very low to the ground level to capture a ‘delicious’ perspective and maximize the visual impact. The viewers will be like walking on your shooting subject (e.g. Pizza) now. Moreover, you can insert the lens into tiny caves, bottle or burrows to shoot. The smaller lens tip also enables proper lighting hitting onto the subject whereas typical macro lenses with larger lens barrels will block most of the light.

    LED Ring Light at the tip
    A LED ring light (powered through the micro-USB slot on the barrel) is mounted at the tip of the lens to provide additional lighting for focus assistance and video shooting.

    Full frame coverage
    The Laowa 24mm f/14 Probe can cover both the standard 35mm full frame and Super35 image sensor.

    Lightweight
    The new Laowa weighs only 1.04 pounds (474 grams) and it’s super light and easy to carry.

    The lens has one of the most complicated optics design and houses with 27 elements in 19 groups to deliver the exceptional image quality. Canon EF, Nikon F and Sony FE mounts are currently available for standard version. A cine version with click-less aperture and focus gears in Arri PL mount is also available to order.

    Availability
    The lens is expected to retail at USD 1,499/pc (ex-VAT). It is currently available to pre- order via Kickstarter at a discounted price. The earliest expected delivery date is September. The lens will also be available via authorized resellers from October onwards.

    Articles: Digital Photography Review (dpreview.com)

  • Moment Pro adds HDR+ with support for Pixel 2’s Visual Core hardware

    Moment has released an update for its Moment Pro camera app that gives Pixel 2 smartphone owners access to the same HDR+ shooting mode available in the Google Camera app. The third-party shooting mode utilizes the Pixel Visual Core co-processor hardware Google built into the Pixel 2 smartphones, which Google activated for third-party apps via a software update issue in February.

    Moment Pro’s new HDR+ feature takes advantage of the Pixel 2’s image processing hardware to rapidly capture high dynamic range images

    As with Instagram, Snapchat, and WhatsApp, Moment Pro’s new HDR+ feature takes advantage of the Pixel 2’s image processing hardware to rapidly capture high dynamic range images, which are processed in the background. As Google previously explained, the Pixel Visual Core efficiently uses power to reduce battery drain while processing the HDR+ content.

    In addition to the Pixel 2 HDR+ support, Moment Pro’s update adds a map with location data in detailed view, assuming location info is available, as well as the option to make Motion Pro the device’s default camera, performance improvements, and bug fixes. The camera app is available from Google Play Store for $ 1.99 USD.

    Via: Engadget

    Articles: Digital Photography Review (dpreview.com)

  • Steadify wearable camera stabilizer features a hip-mounted monopod

    Just launched on crowdfunding site Kickstarter, Steadify enables photographers to keep their camera steady using a wearable hip-based stabilizer rather than a tripod. The wearable device features a telescoping monopod attached to a three-axis ball-head on a base plate. That base plate is stabilized against the wearer’s hips, where it is carried using a strap around the waist.

    Steadify has an anticipated $ 159 USD MSRP with shipping scheduled to start in October

    Steadify is secured with a magnet when not in use, and features a universal mount that can be swapped out with a quick release ball-head. Users have the option of attaching a zip pocket to the base plate for storing batteries and other small items. The team behind Steadify bills their product as a highly portable, easily deployed alternative to tripods that can be used with a single hand.

    Steadify is being offered to Kickstarter backers who pledge at least $ 99 USD; the device has an anticipated $ 159 USD MSRP with shipping scheduled to start in October. Assuming the campaign earns enough money to reach its stretch goal, the team also expects to release a smartphone adapter for the monopod.

    Via: Kickstarter

    Articles: Digital Photography Review (dpreview.com)

  • The Samsung Galaxy Tab S4 takes aim at the iPad Pro

    If you’re in the market for an Android tablet you’ll have fewer devices to choose from today than you did a few years ago. However, if it’s a device that offers enough power to get your daily work done and help with image processing on the go you are after, Samsung has just launched an interesting new option.

    With a 10.5″ 2560 x 1600 Super AMOLED display, Snapdragon 835 chipset and 4GB of RAM the Samsung Galaxy Tab S4 is aimed at the productivity market and squarely competing with Apple’s iPad Pro.

    The Tab S4 comes with an S-Pen stylus and supports Samsung’s DeX platform that replaces the conventional Android UI with something much closer to a desktop OS including multiple windows, drag and drop, improved file access and keyboard shortcuts.

    The new tablet can be unlocked via iris scanning or facial unlock but does not offer a fingerprint reader

    DeX can be activated manually but also launches automatically when the Book Cover Keyboard accessory is attached. The latter offers a laptop-like writing experience while also protecting the device when closed. In addition you have the option to attach an external monitor via an HDMI to USB-C multi-port adapter.

    In terms of security the new tablet can be unlocked via iris scanning or facial unlock but unusually does not offer a fingerprint reader. You can choose between 64 or 256GB of internal memory and can expand the capacity via microSD card which should be useful for anybody dealing with large media files.

    According to Samsung the 7,300 mAh battery offers 16 hours of video playback time. 4 AKG-tuned speakers with Dolby surround sound and a 3.5mm headphone jack are on board as well.

    With a 13MP resolution and fast F1.9 aperture the built-in camera is not quite on the same level as Samsung’s recent smartphones

    With a 13MP resolution (1.12µm pixel size) and fast F1.9 aperture the built-in camera is not quite on the same level as Samsung’s recent smartphones but should allow for the occasional emergency shot with decent image quality when no other camera is to hand.

    You can already preorder the new tablet, with shipments starting August 10th. The 64GB version will set you back $ 650, the 256GB version is $ 750. The keyboard cover is a hefty $ 149.99 on its own but thankfully you get 50% off if you order it in a bundle with the Tab 4 between now and and September 8th on Samsung’s website.

    Articles: Digital Photography Review (dpreview.com)