RSS
 

Archive for the ‘Uncategorized’ Category

Nikon Z6 II and Z7 II: what you need to know

15 Oct

Intro

The Nikon Z6 II and Z7 II are the first time the company has used ‘Mark II’ branding and it makes sense: these are relatively subtle refreshes of already established cameras.

However, while the overall specs of the cameras don’t change dramatically, the updates and improvements address a number of key criticisms of the original models and will start to add up for some users. Both the Z6 and Z7 have benefited from fairly substantial firmware updates since their release, but the biggest changes in the Z6/7 II come courtesy of different hardware.

Dual card slots

One of the most obvious changes to the Mark II models is the provision of dual card slots. Both cameras gain a UHS-II SD card slot in addition to the XQD/CFexpress Type B socket. As you’d expect, there are options to have the two slots provide simultaneous backup, overflow capability or Raws to the primary card and JPEGs to the second. There’s no option to record stills to one card and video to the other.

The change won’t make a lot of difference to some people, but it may make the Z6 and Z7 II a lot more practical for some workflows.

Full vertical grip

Another much noted absence on the original Z cameras was the option for a grip with duplicate controls for portrait orientation shooting. The Z6 and Z7 do have a grip available, but it’s a simple battery grip with no duplicate controls.

The MB-N11 ($ 399) is a proper vertical grip, which duplicates the main control dials and AF positioning joystick for vertical shooting. The grip displaces the Z6/7 II’s in-body battery, effectively providing space for one additional battery. The outermost battery is hot-swappable, meaning you can replace it on-the-fly while recording video, without having to pull the whole battery tray out or stop recording. There’s an additional USB type C socket on the grip, meaning you could power the camera from one socket while sending data over the one on the camera body.

Both cameras bodies are identical in dimension to their predecessors, though, so can also use the older MB-N10 control-less battery grip or any other cage, bracket or accessory you might have for one of the older models.

Battery

The new cameras use the latest version of Nikon’s EN-EL15 battery. The EN-EL15c is a higher capacity version of the existing type ‘b’ battery and, like that unit, can be charged over USB. The cameras will work with all previous EN-EL15-pattern batteries but for best performance you’ll want one of the latest versions.

The battery is higher capacity but the dual processor designs mean both cameras deliver between five and ten percent mode shots. The Z6 II is rated at 410 shots per charge with the LCD, 340 through the viewfinder, while the Z7 II offers 420 and 360, respectively. Energy saving modes boost all these figures by a further 5 percent on the Z7 II and around 14 percent on the Z6 II.

Dual processors: faster shooting / more shots

Under the skin, the biggest change in the new Mark II cameras is the move to dual Expeed 6 processors. This doubling of the cameras’ processing power is what allows the Z6 II’s shooting rate to be expanded up to 14 frames per second from 12, while the Z7 II hits 10 fps, rather than nine. Note that these maximum framerates are only available if you’re shooting 12-bit Raw and using a single AF point.

The added processing power helps both cameras clear their buffers much faster, more than trebling the number of Raw files you can shoot in a burst, in some instances.

AF improvements

The new cameras have received a major update to the way their autofocus works, with human or animal eye/face detection now available in the cameras’ Wide area AF modes. The significance of this is that it lets you limit the zone of face/eye detection to the part of the frame you want to focus on, making it easier to select your subject.

Nikon says this feature is contingent on the additional processing power supplied by the dual processors, and so is unlikely to be extended to the original Z6 and Z7 via firmware. The company also claims that overall AF performance has been improved, specifically in terms of stickiness, when it comes to focus tracking.

The low-light capabilities of the cameras’ focus systems are also improved, with the Z7 II capable of achieving AF down to –3EV in standard AF mode and the Z6 II reaching –4.5EV with an F2.0 lens. This is a one stop improvement over the existing models and comes without engaging the slower, low-light AF mode for shooting in extreme low light.

Viewfinder improvements

The cameras continue to use the same 3.69M dot OLED viewfinder panels, but we’re told that blackout times between exposures have been improved.

Nikon also says the response lag of the finders have been improved but it hasn’t provided a number for this claim. It does point out that the EVF optics, which provide an impressive 0.8x magnification, are made from Nikon glass.

USB power

Another change from the older models is the ability to operate the cameras using USB power. A modern USB-C power supply should provide sufficient current (Nikon says the source must use a USB-C to USB-C cable). This comes on top of the ability to charge the camera over USB, and opens up the possibility of extended video or timelapse shoots.

Video updates internal

Nikon has made a series of improvements on the video side of things. The most significant for people using internal capture is the ability to shoot 60p 4K footage. The Z7 II will capture the higher frame rate footage from 93% of the width of the sensor, and will need to line-skip or pixel-bin to do so. The Z6 II instead uses a native 3840 x 2160 crop from the middle of its sensor, which is essentially an APS-C (‘DX’ in Nikon speak) region. Z6 II users will need to wait until February 2021, when 60p capability will be added as part of a free update.

60p can only be recorded internally, possibly held back by the cameras’ HDMI sockets.

Video updates external

There are a couple of significant improvements for anyone capturing video using an external recorder, too. The first is that, in addition to N-Log output, the Mark II cameras gain the ability to output ready-to-view Hybrid Log Gamma footage for viewing on HDR TV sets. This provides a way to deliver HDR content but it’s worth noting that Panasonic’s S5 can do this without the need for an external recorder. Both cameras will be limited to 4K/30p output.

The both cameras will have a paid upgrade option to output Raw video streams. In the case of the Z6 II, this will be like-skipped 4K from most of the width of the sensor, on the Z7 II will output Full HD (1080p) Raw from the full sensor area or 4K from an APS-C crop. Initially, there will be support for the Atomos Ninja V, which encodes the steam as ProRes RAW. In February 2021 a further update is promised, adding compatibility with Blackmagic recorders for encoding as Blackmagic Raw, opening up the ability to use Raw footage with DaVinci Resolve.

Minor updates

As well as the larger updates, both cameras also gain a series of small tweaks and improvements that Nikon is bringing to its latest models.

These include the option of exposure times as long as 900 seconds (15 minutes) rather than being limited to 30 seconds. The cameras also gain the ability to create videos from interval timer mode (which lets you also save JPEGs or Raws of every frame), rather than just from the simpler timelapse mode. These are both features we first saw on the D780.

Video shooters are also likely to appreciate the new (and overdue) option to reverse the direction of the focus ring when manual focusing. All Z-mount lenses are focus-by-wire, so can be programmed to respond in the same direction as most other brands, or remain Nikon-like, depending on your preference. It’s unclear whether this feature will come to the original Z6 and Z7 via firmware (but we hope so).

What’s the same?

The cameras’ ergonomics and handling are fundamentally unchanged, which we think is a welcome decision. Nikon has a history of putting well-designed hand grips and sensibly-positioned control dials into its medium / high-end cameras, and the Z6 and Z7 II are (literally) no different.

A few small adjustments have been made to the user interface though, including the addition of ‘Wide + Human Face/Eye detect’ and ‘Wide + Animal Face/Eye detect’ to the ‘i‘ quick menu, but most of the UI remains the same.

Overall

The Z6 and Z7 II are solid mid-life updates to the original Z6/7 which, on the face of it, make helps the Nikon Z-mount look a little more fresh alongside the latest cameras from Canon, Sony and Panasonic which have been released in the past two years. While some Z6/7 owners will find little reason to upgrade, these new Mark II versions should prove more attractive to some of Nikon’s DSLR customers who’ve been waiting to make the switch to mirrorless.

We can’t say yet how well the Z6/7 II compare to the best of their peers in terms of autofocus or video performance, but, on paper at least, they appear likely to to be competitive. An effective doubling of processor power opens up of potential for performance tweaks via firmware, too, going into the future.

So should you buy a Z6 or Z7 II? As always, that depends (and we’ll be breaking down the reasons for and against in another article coming soon). Upgrading from an original Z-series model will be unusually painless – they’re physically identical, and the interface is all-but unchanged. If you don’t need the extra power (or the extra card slot) and you’re not much of a video shooter, it’s a harder question to answer, especially given that the original Z6 and Z7 are continuing in Nikon’s product line, and are likely to get cheaper in the coming months.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Nikon Z6 II and Z7 II: what you need to know

Posted in Uncategorized

 

DJI releases RS 2, RSC 2 3-axis gimbals with higher payloads, new shooting modes and more

15 Oct

DJI has revealed a new pair of gimbals that are successors to the company’s popular Ronin-S and Ronin-SC stabilization systems. The new DJI RS 2 and RSC 2 are ‘redesigned and reimagined’ three-axis handheld gimbals for filmmakers of all types.

DJI RS 2

The DJI RS 2 is the successor to the Ronin-S and is made to be used with DSLR and compact cinema camera setups up to 4.5kg (10lbs). Despite the heavy payload, DJI claims the new RS 2 features up to 12 hours of battery life, as well as a new quick-charge function built into the handle for quickly adding two hours of use with just 15 minutes of charging.

DJI is using its ‘newly optimized’ Titan Stabilization Algorithm for driving the onboard brushless motors, which it claims ‘reduces the need for manual user input while compensating for user movement and optimizing the gimbal tilt and angle.’ Also new is a SuperSmooth mode that’s specifically tuned to compensate for movement when using longer focal lengths up to 100mm.

Like its predecessor, the RS 2 features axis locks for secure transport and a new dual-layer mounting plate that’s compatible with both Arca-Swiss and Manfrotto standards.

A new 1.4” color touchscreen on the rear of the RS 2 serves as a way to cycle through settings, camera data or even a live feed from the camera. Two onboard RSA ports can double as NATO ports, enabling the RS 2 to be used in conjunction with other DJI and third-party accessories, including jibs, car attachments, sliders, grips and remote controllers.

DJI RSC 2

Just as the the DJI RS 2 is a successor to the Ronin-S, the RSC 2 is a successor to DJI’s Ronin-SC. The updated gimbal is constructed of steel and aluminum, which work to increase rigidity while reducing the overall weight of the unit compared to the Ronin-SC by 35%. It also has a smaller physical footprint with a folded size of 180mm x 190mm (7” x 7.5”) — roughly the size of an A5 sheet of paper.

Despite the reduction in both size and weight, the RSC 2 features an increased maximum payload of 3kg (6.6lbs) over the Ronin-SC. DJI notes this makes it more than strong enough to carry a combination such as the Panasonic S1H with a 24–70mm lens attached.

It too features DJI’s improved Titan Stabilization Algorithm, dual-plate mount system and OLED screen, albeit slightly smaller at just 1”.

Other features and accessories

In addition to new hardware, both the RS 2 and RSC 2 have received a new pre-programmed movement mode — Time Tunnel. This new option is an inception-esque mode that performs a 360º roll while capturing a hyperlapse. This mode is in addition to other pre-programmed modes such as Flashlight, One-Tap Portrait Mode, Panorama, Roll 360, Timelapse and more.

Ronin RSC 2

The two gimbals also include an array of accessories for building out the gimbals to fit your needs. Optional accessories include a cheese plate, Focus Wheel, 3D Focus System, Twist Grip Dual Handle, RavenEye Image Transmission System, Tethered Control Handle, counterweight systems and more.

The DJI RS 2 is available starting today for $ 849 USD as a standalone unit and $ 999 in its Pro Combo configuration. The DJI RSC 2 is available starting today for $ 849 USD as a standalone unit and $ 999 in its Pro Combo configuration. Units are available through DJI’s online store and authorized DJI retailers.

Press release:

DJI’s Ronin Series Grows Stronger, Lighter, and Smarter with New DJI RS 2 and RSC 2 Gimbals

Two Stabilization Systems Offer Reworked Designs and New Creative Functions to Become Workhorses for Filmmakers and Content Creators

October 14, 2020 – DJI, the global leader in civilian drones and creative camera technology, today expands the legacy of the highly popular and prestigious DJI Ronin series, by introducing the rebranded DJI RS 2 and DJI RSC 2. Redesigned and reimagined, both systems offer the filmmaking and content creation community an extremely robust, versatile, and professional 3-axis camera gimbal for their various needs. DJI RS 2 brings added strength and agility to creators using heavier camera systems such as DSLR and compact cinema cameras. At the same time, DJI RSC 2 was created to be more portable, meeting the needs of mirrorless and more compact camera operators.

“DJI’s first Ronin-S and the original Ronin-SC created so much excitement when they launched that we immediately went back to the drawing board to figure out how to make our products even better,” said Paul Pan, Senior Product Line Manager. “Just like with the first version, we took time to research how our professional customers use their Ronin products and what new features they wanted in the next generation of a handheld gimbal. Yet again, the result is the culmination of user feedback, years of design and development, and significant advancements in stabilization technology. Now we are excited to showcase two new filmmaking tools designed to meet the needs of a wide array of filmmakers. From cinema cameras to mirrorless systems, we have a solution for you.”

DJI RS 2: Masterfully Crafted

Considering a tremendous amount of feedback from professional operators, DJI RS 2 incorporates carbon fiber in vital structural components, reducing weight down to 1.3 kg (2.86 lbs) while remaining highly durable. Pushing the innovation of single-handed gimbal technology even further, DJI RS 2 now supports a tested dynamic payload of 4.5 kg (10 lbs) for creators to use heavier camera and lens combinations while still achieving up to 12 hours of battery life. A new quick-charge function directly to the battery handle has been added for urgent situations, providing an extra two hours of battery life with just a 15-minute charge.

DJI RS 2 continues pushing gimbal technology forward with the ability to support heavier payloads while capturing ultra-smooth cinematic footage. Based on years of experience developing predictive technology, a newly optimized Titan Stabilization Algorithm reduces the need for manual user input while compensating for user movement and optimizing the gimbal tilt and angle. Additionally, a new SuperSmooth mode provides another level of camera stability, especially for compensating longer focal length lenses of up to 100mm.

Simple to set up, easy to operate, and highly customizable, DJI RS 2 was created to allow filmmakers to adapt their system to their filming needs while feeling confident it will easily integrate into their workflow. Axis locks enable easier transportation and balancing, while a dual-layer camera mounting plate is compatible with both the Arca-Swiss and Manfrotto standard. A fine-tune balancing knob allows for even more precise balancing of the camera payload. The built-in 1.4” color touchscreen can display camera data, gimbal settings, or a live feed from the camera. Supporting 11 different languages, the ultra-bright screen can also initiate key functions such as ActiveTrack and intelligent shooting modes. The built-in front dial above the trigger allows for precise focus control and complements a DJI Focus Wheel mounted on the RSA port to create two-channel focus and zoom.[] DJI RS 2 also turns into a versatile tool that can be attached and used with other systems such as jibs, car attachments, and sliders. Two RSA ports double as NATO ports so that users can mount accessories and attachments such as grips and a remote controller.

DJI RSC 2: Filmmaking Unfolds

A completely new and portable folding design makes DJI RSC 2 easy for creators to carry everywhere without adding additional weight to the gear list. Additionally, the folding design provides creative ways to use the gimbal such as vertical filming without additional accessories, as well as a new Briefcase mode, where the main gimbal arm can be loosened and slung forward to provide unique shooting angles. Durable materials like steel are used on vital and frequently used components, while lightweight materials such as aluminum reduce overall weight. DJI RSC 2 weighs in at 1.2 kg (2.65 lbs), nearly 35% less than the original Ronin-S, and has a folding footprint of 180×190 mm, the same size as a sheet of A5 paper. The built-in battery offers an impressive 12 hours of battery life and – like DJI RS 2 – the new quick-charge function directly to the battery handle has been added for urgent situations.

DJI RSC 2 remains lightweight and portable, featuring stronger motors to support a tested payload of up to 3 kg (6.6 lbs). This increased dynamic payload supports popular mirrorless cameras along with heavier combinations like the Panasonic S1H and a 24-70mm lens. Using the same advanced technology as DJI RS 2, the newly optimized Titan Stabilization Algorithm generates a new level of stability – smoothing out fine details in conjunction with the motorized gimbal for some of the most advanced stabilization on the market. DJI RSC 2 is compatible with a wide array of camera models so users can get the most out of the system. Axis locks enable easier transportation and balancing, while a dual-layer camera mounting plate is compatible with both the Arca-Swiss and Manfrotto standard. A 1” built-in OLED screen displays camera data with the ability to adjust settings directly.

Multifaceted Gimbals Supported by an Advanced App and Accessories
DJI RS 2 and RSC 2 were designed to expand beyond single-handed stabilization into tools that can be customized with additional accessories to achieve the desired shot. These accessories include a cheese plate, Focus Wheel, 3D Focus System, Twist Grip Dual Handle, RavenEye Image Transmission System, Tethered Control Handle, counterweight systems, and more.[] For remote operation, both DJI RS 2 and DJI RSC 2 can use ActiveTrack 3.0 when the RavenEye Image Transmission System is connected, sending a 1080p/30fps low-latency feed to a mobile device using the Ronin app from up to 200 meters away.

Vital features and functions can now be controlled and adjusted over long distances with the Ronin app such as gimbal movement using the virtual joystick and Force Mobile, where the gimbal mimics the mobile device’s movement. For solo operators using manual-focus lenses, the 3D Focus System uses state-of-the-art TOF sensors mounted above the camera to provide autofocus. This enables a single shooter to capture smooth and cinematic footage using a manual lens, without relying on a second camera operator or focus puller.

Pre-Programmed Movements and Features That Make Stories Come to Life

DJI RS 2 and RSC 2 expand on their predecessors’ suite of creative modes, movements, and features with tools to help capture content that stands out, including:

  • *New* Time Tunnel: The system performs a 360-degree roll while capturing a hyperlapse, adding a level of creativity to footage.[]
  • Flashlight: The system tilts the camera all the way forward so users can grip the base like a flashlight.
  • One-Tap Portrait Mode: The gimbal quickly orients the camera into vertical shooting for professional-level social media content.
  • Panorama: After configuring sensor and focal length, choose a start and stop point for panoramas up to gigapixel size.
  • Roll 360: The gimbal enters into the Flashlight position and rolls the camera system 360 degrees.
  • Timelapse: This classic feature shows subtle changes over durations of your choosing.

DJI Care Refresh
DJI Care Refresh is now available for both DJI RSC 2 and RS 2. For an additional charge, DJI Care Refresh offers comprehensive coverage as well as up to two replacement units within one year. Receive your replacement even sooner with DJI Care Refresh Express. DJI Care Refresh also includes VIP after-sales support and free two-way shipping. For a full list of details, please visit https://www.dji.com/service/djicare-refresh.

Price and Availability

DJI RS 2 and DJI RS 2 are available for purchase today from authorized retailers and on www.store.dji.com. Each product offers purchase options for a standalone gimbal and a combination pack that includes additional accessories. The standalone DJI RS 2 is available for the retail price of $ 849 USD, and the standalone DJI RSC 2 is available at the retail price of $ 499 USD. The Pro Combo includes additional accessories such as a phone holder, Focus Motor, RavenEye Image Transmitter, dedicated carrying case, and more. The DJI RS 2 Pro Combo is priced at $ 999 USD, and the DJI RSC 2 Pro Combo is priced at $ 739 USD. Full details on this can be found below.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on DJI releases RS 2, RSC 2 3-axis gimbals with higher payloads, new shooting modes and more

Posted in Uncategorized

 

Deals: Sony USA is offering steep discounts—including all-time lows—for select cameras, lenses and more

15 Oct

Sony has announced that throughout the remainder of this week, it is offering a series of discounts across a number of its popular Sony Alpha cameras and lenses, as well as bundles, the RX lineup and accessories. The deals, some of which have dropped certain gear to their lowest non-grey-market price, are taking place in the United States across all official Sony retailers, including Adorama, Amazon, B&H, Best Buy, Samy’s Camera and others.

While Sony has posted a full rundown of all the sales currently available, we’ve rounded up a few of the best deals from the bunch (links go to their respective reviews/product pages on DPReview):

  • Sony a9 (body only) — $ 3,000 ($ 1,000 off retail, ~$ 500 recent street prices)
  • Sony a7R IV (body only) — $ 3,000 ($ 500 off retail, ~$ 300 off recent street prices)
  • Sony a7R III (body only) — $ 2,300 ($ 500 off retail, ~$ 300 off recent street prices)
  • Sony ?6000 kit with 16–50mm & 55–210mm lenses — $ 700 ($ 300 off retail)
  • Sony FE 16–35mm F2.8 GM — $ 2,000 ($ 200 off retail, same for street prices)
  • Sony FE 24–70 mm F2.8 GM — $ 2,000 ($ 200 off retail, same for street prices)
  • Sony VARIO-TESSAR T* FE 16–35mm F4 ZA OSS — $ 1,100 ($ 250 off retail, ~$ 150 off recent street prices)
  • Sony FE 70–200mm F2.8 GM OSS — $ 2,400 ($ 200 off retail, same for street prices)
  • Sony RX100 III — $ 650 ($ 100 off retail, roughly the same price as other recent deals)

There are other bundles, action cams, accessories and more on sale worth checking out. Head on over to Sony USA’s website for the complete list.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Deals: Sony USA is offering steep discounts—including all-time lows—for select cameras, lenses and more

Posted in Uncategorized

 

Vivo shows off award-winning concept smartphone with removable pop-up camera

15 Oct

As the comments under yesterday’s iPhone 12 articles can attest to, there are still consumers who don’t appreciate seeing a notch at the top of their mobile devices. To rid the world of large notches, some companies have shrunk the front-facing to the size of a ‘hole punch’ design; others have managed to hide it almost entirely beneath the display. But electronics manufacturer Vivo is determined to take an entirely different approach, if its new Red Dot Award-winning IFEA concept smartphone is anything to go by.

Based on the renderings provided by Vivo, this concept smartphone would feature not only a pop-up camera — something other manufacturers have already done — but one that can be removed and used independently of the phone. Again, this is a concept phone, so it’s very possible we’ll never see a real-world device with this camera setup, but even at the concept stage, it doesn’t take much to see how poorly such a design could turn out, despite the obvious benefits.

Such a design would not only clear the main screen from any notches or holes, but also make it possible to hold or mount the camera array in any direction. This would mean you could always use the higher-res camera modules within the array and also open up the possibility of using your phone’s screen as a live view display when taking photos. There’s also the possibility you could attach the camera array to additional accessories, such as flash modules, battery packs or even wearable accessories, not unlike the dozens of GoPro mounts you can purchase.

Of course, all of that becomes irrelevant and incredibly expensive if you manage to lose the detachable camera array — something that seems all too likely given the size of of the array shown in the mockups.

The renderings also show off a triple-camera array on the back of the smartphone, with specs suggesting there could be a 64MP camera module with a 15mm-26mm focal length range.

Only time will tell whether or not we see an actual device from Vivo that uses this technology, but for now it’s a concept and little more.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Vivo shows off award-winning concept smartphone with removable pop-up camera

Posted in Uncategorized

 

The new Canon EOS M50 Mark II brings autofocus and video refinements

14 Oct

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_3152685850″,”galleryId”:”3152685850″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Canon has just announced the EOS M50 Mark II, a relatively minor update to one of its most popular mirrorless models. The M50 Mark II shares the same 24MP APS-C sensor with its predecessor, and the same Digic 8 image processor. The Dual Pixel autofocus system has been updated to allow for eye tracking in both stills and video, and users can now capture vertical video and stream to YouTube Live over a smartphone internet connection.

The rest of the camera’s specs are largely unchanged. Video tops out at 4K/24p with a heavy 1.5x crop, and autofocus in 4K is contrast-detect only. Full HD comes with Dual Pixel autofocus, and you can capture slow-motion up to 120p. On the stills side, a new electronic shutter option is available and burst speeds top out at 7.4fps with continuous autofocus. The camera is CIPA-rated to capture 305 images on a charge, but of course, you can expect much more in general use.

The EOS M50 Mark II will be available in late November 2020 for $ 599 USD body-only, $ 699 USD as a kit with the 15-45mm F3.5-6.3, and $ 929 USD as a kit with the 15-45mm and 55-200mm F4.5-6.3 lenses.

Press release:

Improved eye autofocus paired with new video and streaming functions make the new Canon EOS M50 Mark II camera a strong imaging tool for content creators and imaging storytellers

MELVILLE, N.Y., October 14, 2020 –– Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the EOS M50 Mark II Interchangeable Lens Camera, the successor to the #1 selling mirrorless camera in the U.S. market – the EOS M50*. An all-in-one product for content creators with improved video features and autofocus capabilities, the EOS M50 Mark II is the latest, high-quality digital imaging camera in the notable EOS lineup.

“Our customer base includes future content creators and imaging storytellers; it’s in our best interest to continuously provide high-quality products that are easy to use in the creative world of photography and video content creation, as well as streaming,” said Tatsuro “Tony” Kano, executive vice president and general manager of the Canon U.S.A., Inc. Imaging Technologies & Communications Group. “The EOS M50 Mark II continues to pave the way for photography and video enthusiasts to experience a lightweight interchangeable lens camera with many similar features as our full-frame professional mirrorless cameras.”

For the family who strives for high-quality output when capturing their precious moments or for the budding social media creator, the added and improved capabilities of the EOS M50 Mark II camera make the upgrade to an ILC extremely appealing. The new features include:

  • Improved autofocus including eye autofocus for stills and video
  • Vertical video shooting support
  • Vari-angle touchscreen LCD with newly added tap video record button and movie self-timer for better vlogging experience
  • High quality webcam capability, when used with compatible services, with the free EOS Webcam Utility software or Clean HDMI output
  • Wireless YouTube Live streaming capability**
  • The ability to tap the screen to auto focus on your subject while looking through the EVF, helping to control who the main focus of the image is

The EOS M50 Mark II camera is inclusive of many of the beloved features of its predecessor. Overall, the EOS M50 Mark II is a well-balanced package deal for those interested in both still photography and videography – including those with sparks of social media content creation, thanks to the 4K UHD 24p. Providing a 24.1MP APS-C CMOS sensor, DIGIC 8 image processor and built in Wi-Fi® and Bluetooth® technology, as well as access to image.canon cloud service for better workflow, the EOS M50 Mark II camera remains compact and a lightweight addition to your carry bag.

Pricing and Availability

The Canon EOS M50 Mark II camera is scheduled to be available in Late November 2020 at an estimated retail price of $ 599.99 – body only, $ 699.99 for the camera body plus EF-M 15-45mm lens kit and $ 929.99 for the camera body plus EF-M 15-45mm and EF-M55-200mm double zoom lens kit.

* Source: The NPD Group, Inc. U.S. Retail Tracking Service, Mirrorless Detachable Lens Cameras, Based on camera family unit sales, Jan. 2020 – Aug. 2020 combined.

** The live streaming service available with this product is for live streaming on YouTube only. To use live streaming, you need to have an active YouTube account and an image.canon account. Please be aware that YouTube may change, stop, or terminate its services, including live streaming, at any time without notice. In accordance with YouTube’s “Restrictions on live streaming” users must have a minimum of 1,000 channel subscribers in order to live stream from a mobile device (including camera products with live streaming capability). For up-to-date information from YouTube on restrictions, please visit https://support.google.com/youtube/answer/2853834?hl=en. Canon makes no representations or warranties with respect to any third party product or service, including live streaming.

Canon EOS M50 II specifications

Price
MSRP $ 599 (body only), $ 699 (w/15-45mm lens), $ 929 (w/15-45 and 55-200mm lenses)
Body type
Body type SLR-style mirrorless
Body material Composite
Sensor
Max resolution 6000 x 4000
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 24 megapixels
Sensor photo detectors 26 megapixels
Sensor size APS-C (22.3 x 14.9 mm)
Sensor type CMOS
Processor Digic 8
Color space sRGB
Color filter array Primary color filter
Image
ISO Auto, 100-25600 (expands to 51200)
Boosted ISO (maximum) 51200
White balance presets 7
Custom white balance Yes
Image stabilization No
Uncompressed format RAW
File format
  • JPEG (Exif v2.31)
  • Raw (Canon CR3 14-bit)
  • C-Raw (Canon .CR3)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 143
Lens mount Canon EF-M
Focal length multiplier 1.6×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3″
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash Yes
Flash range 5.00 m (at ISO 100)
External flash Yes
Flash modes Evaluative (face priority), Evaluative, Average
Flash X sync speed 1/200 sec
Drive modes
  • Single
  • Continuous
  • Self-timer
Continuous drive 10.0 fps
Self-timer Yes (2 or 10 secs, custom)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±3 (at 1/3 EV steps)
AE Bracketing ±2 (3 frames at 1/3 EV steps)
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 23.98p / 120 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60p / 60 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 30p / 30 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 23.98p / 30 Mbps, MP4, H.264, AAC
  • 1280 x 720 @ 120p / 52 Mbps, MP4, H.264, AAC
  • 1280 x 720 @ 60p / 26 Mbps, MP4, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC slot (UHS-I compatible)
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging No
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description LP-E12 lithium-ion battery & charger
Battery Life (CIPA) 305
Weight (inc. batteries) 387 g (0.85 lb / 13.65 oz)
Dimensions 116 x 88 x 59 mm (4.57 x 3.46 x 2.32″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on The new Canon EOS M50 Mark II brings autofocus and video refinements

Posted in Uncategorized

 

The Canon PowerShot Zoom fits in your pocket and zooms to 400mm

14 Oct

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1510356824″,”galleryId”:”1510356824″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Canon has just released the details on the PowerShot Zoom, an extremely compact digital monocular. Users can view scenes through an electronic viewfinder at switchable 100mm or 400mm focal lengths, and then digitally zoom to 800mm (all 35mm-equivalent).

Of course, a modest sensor and aperture make it possible to cram all that reach into your pocket, and the Zoom has a 1/3″ sensor capable of taking 12MP JPEG images (no Raw capture is supported) or 1080/30p video through the F5.6-6.3 lens. The ISO ranges from 100 to 3200, and we’d expect the Zoom to be best-suited for daytime use with plenty of light. There’s also optical image stabilization and AF tracking with face detection, and the Zoom will focus down to 1m (3.28ft) at 100mm and 4.5m (14.76ft) at 400mm.

Sample images

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_5907135940″,”galleryId”:”5907135940″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Given the stills and video specs, it’s not surprising that Canon is pitching the Zoom mostly as a ‘viewer,’ allowing users up-close and personal looks at wildlife, sports matches, live music or general travel use. However, a familiar PowerShot user interface and wireless connectivity do make it easy to send supertelephoto images to your phone for quick sharing. You can also save them to a MicroSD card.

On its built-in USB-C chargeable battery, the PowerShot Zoom will run for around 70 minutes as a viewer and capture around 150 images before running out of power. Movie clips top out at 9:59 before needing to restart a new clip. The PowerShot Zoom comes with no claims of environmental sealing.

The PowerShot Zoom will be available in November 2020 for $ 299 USD.

Press release:

Canon debuts the company’s first-ever, Compact Telephoto Monocular, the PowerShot ZOOM

MELVILLE, N.Y., October 14, 2020 –– Hiking, birdwatching and nature gazing, consumers are embracing the beauty of the outdoors this season and beyond. With this in mind, it is important to have a convenient and intuitive imaging tool to explore the world. Developed to showcase an impressive telephoto reach in a user friendly, compact design, Canon U.S.A., Inc., a leader in digital imaging solutions, today launches the PowerShot ZOOM, the company’s first telephoto monocular.

The lightweight telephoto monocular sports 100mm, 400mm and 800mm telephoto viewing capability1 with a one-touch switch, and is equipped with impressive instant zoom capability to help users view distant subjects. Additionally, the monocular can capture images and videos to a micro SD card, and by pairing it with a compatible smart device2 and the Canon Camera Connect app3, these files can easily be downloaded. This pairing feature transforms the PowerShot ZOOM monocular into a friendly companion to compatible smartphones for viewing and capturing super-telephoto scenes.

“In today’s ever-changing world, consumers are looking for intuitive and portable imaging tools to view telephoto scenes up close and with ease,” said Tatsuro “Tony” Kano, executive vice president and general manager of the Imaging Technologies & Communications Group of Canon U.S.A., Inc. “Built for those users who enjoy outdoor activities, the PowerShot ZOOM monocular delivers a small, compact viewer with a long focal length. We are eager to see how consumers use this tool and the convenience it will add to their daily lives.”

In addition to its zoom capability, compact size and ability to pair with compatible smartphones, the PowerShot ZOOM telephoto monocular also features:

  • Auto focus when viewing through the electronic viewfinder (EVF) and recording images and video with face tracking
  • Optical Image Stabilization for shake correction
  • 39 inches, 2.36 million dots EVF
  • 12-megapixel still-image capture
  • Full HD video capture up to 30p (29.97)
  • Wi-Fi®, Bluetooth® connection with the Canon Camera Connect app and use of compatible mobile devices2
  • Live view and download of photos and videos with the use of the Canon Camera Connect app3
  • USB C terminal for charging and supplying power
  • Micro SD memory card slot

???Price & Availability

???????Available in white, the Canon PowerShot ZOOM compact telephoto monocular is scheduled to be available in late November 2020 for an estimated retail price of $ 299.99*. For more information, please visit usa.canon.com.

*Availability and specifications are subject to change without notice.

1 35mm film equivalent focal length. Both 100mm and 400mm uses optical lens and 800mm uses 2x digital zoom.

2 Compatible with iOS® versions 12.4/13.7, Android™ smartphone and tablet versions 6.0/7.0/7.1/8.0/8.1/9.0/10. Data charges may apply with the download of the free Canon Camera Connect app.

3 This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app. Compatible with select smartphone and tablet devices (Android™ version 5.0 or later and the following iOS® devices: iPhone 4s or later, iPad 3rd gen. or later, iPod Touch 5th gen.or later) equipped with Bluetooth® version 4.1 or later and the Camera Connect App Ver. 2.7.10. This application is not guaranteed to operate on all listed devices, even if minimum requirements are met.

Canon PowerShot Zoom specifications

Price
MSRP $ 299
Body type
Body type Compact
Sensor
Max resolution 4000 x 3000
Image ratio w:h 4:3
Effective pixels 12 megapixels
Sensor size 1/3" (4.8 x 3.6 mm)
Sensor type CMOS
Image
Image stabilization Optical
Uncompressed format No
File format
  • JPEG
Optics & Focus
Focal length (equiv.) 100–400 mm
Optical zoom 4×
Maximum aperture F5.6–6.3
Digital zoom Yes (2x)
Normal focus range 100 cm (39.37″)
Screen / viewfinder
Articulated LCD No
Viewfinder type Electronic
Videography features
Format MPEG-4, H.264
Modes
  • 1920 x 1080 @ 30p / 30 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 23.98p / 30 Mbps, MP4, H.264, AAC
Microphone Stereo
Storage
Storage types MicroSD
Connectivity
USB USB 2.0 (480 Mbit/sec)
Wireless Built-In
Physical
Environmentally sealed No
Battery Built-in
Battery description 800 mAh rechargeable lithium-ion battery
Battery Life (CIPA) 150
Weight (inc. batteries) 145 g (0.32 lb / 5.11 oz)
Dimensions 33 x 51 x 103 mm (1.31 x 2 x 4.06″)

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on The Canon PowerShot Zoom fits in your pocket and zooms to 400mm

Posted in Uncategorized

 

Hands-on with the the Canon PowerShot Zoom

14 Oct

Hands-on with the Canon PowerShot Zoom

From clunky concept mockup to final shipping product, the Canon PowerShot Zoom has been a long time coming. We first saw an early working sample at the CP+ show in Japan, last February. Back then it was a boxy, colorful camera with a simple button-driven interface, which evolved over the course of a year into a slimmer, subtler and much more rounded design, last seen at CES 2020. The final product looks a lot like that last concept, but with some subtle changes.

Read on to learn more about this unusual camera.

Hands-on with the Canon PowerShot Zoom

The PowerShot Zoom is a 12MP compact camera, which can capture stills (JPEG only) and video (Full HD up to 30p.)

Where the last working concept of what is now called the PowerShot Zoom featured five buttons, all on the top, the final shipping camera (Canon is calling it a ‘monocular’) simplifies the top layout even further to just three buttons, none of which is a shutter control. The lozenge-shaped button is the zoom toggle, and sits perilously close to the power and menu buttons. I say ‘perilously’ because with your eye to the finder, they’re so close together that it’s easy to accidentally press the wrong one. Ask me how I know.

The Zoom can be used one-handed, but is more stable (and a little more usable) with two.

Hands-on with the Canon PowerShot Zoom

The shutter and movie-record buttons are positioned below the EVF, adjacent to a diopter control. Unusually (but logically) the shutter button is labeled ‘PHOTO’. The shutter button can be half-pressed to focus, and takes a picture when fully depressed. The shutter is electronic, and a brief flash of the outline around the EVF image is your only indication that a picture has been taken.

In use, I’ve found it easiest to use these controls with the thumb of my right hand (which holds the camera), with my left hand reserved for toggling the zoom control on the top of the camera.

The controls themselves are adequate, but the control interface (when you need to use it) is hard to get used to. When I unpacked the PowerShot Zoom for the first time I was really hoping that the diopter wheel was a control wheel, but sadly not. Menus are navigated and options selected using the buttons alone. The hardest thing is setting the date – I challenge anyone to do it without turning the camera off accidentally at least a couple of times (I did it five times, but perhaps I’m unusually stupid).

Hands-on with the Canon PowerShot Zoom

At the heart of the PowerShot Zoom is a 12MP 1/3in sensor, behind a 2-position zoom lens, which can be used at either 100mm or 400mm (equivalent). Early concepts included an intermediate 200mm position, but in the end Canon went with a simple 100/400mm toggle.

The lens is pretty complex, being made up of no fewer than 11 elements in eight groups, but there’s no specialty glass or aspherical elements. It is optically stabilized, and while Canon does not quote a figure for the exact amount of stabilization, it was easily capable of steadying compositions at 400mm on a very windy day here in Seattle.

Hands-on with the Canon PowerShot Zoom

Slightly surprisingly, the PowerShot Zoom records pictures and videos to a physical memory card. I rummaged around in my drawers for this fairly old 8GB Micro SD (good for almost 1,000 images according to the camera’s info display). Using the Canon Camera Connect app, images can be downloaded to a smart device and edited, shared or saved to your camera roll.

Hands-on with the Canon PowerShot Zoom

The battery, however, is non-removable, and is charged over USB C (a cable is included). The 800 mAh battery is good for 150 images (CIPA). A full charge from empty takes just under two hours.

Hands-on with the Canon PowerShot Zoom

Despite its tiny size, the PowerShot Zoom features a decent electronic viewfinder, featuring 2.36 million dots and an automatic switch to turn off the display when you take the camera away from your eye. The view is crisp and clear, but in common with a lot of cheaper compact cameras, the preview image doesn’t always match the final picture once you’re able to get it off the camera and take a closer look. Typically, I’ve found that captured images lack a little of the ‘bite’ of the preview image in the EVF.

100mm

When you first turn on the PowerShot Zoom, the lens is set to 100mm (equivalent). While technically this is the ‘wide’ setting, 100mm is still pretty long, and the minimum focus of 1m (3.3 ft) precludes closeup work. There is no macro setting, either.

400mm

Image quality at 400mm is slightly lower than it is at 100mm, but when shooting distant objects, as always, air quality and thermal haze can also be a factor when it comes to sharpness. At 400mm minimum focus is 4.5m (14.6 ft)

Autofocus performance is pretty good with decent light, but prone to hunting in lower light levels. You have two AF modes: face detection + tracking (a sensible default, which works reliably well for most subjects) and single point AF as an option. Continuous AF can also be toggled on/off.

800mm (digital zoom)

Like all digital zoom options, the Zoom’s ‘800mm’ setting is handy, but not great from a critical image quality point of view. It’s basically just a crop, upsized in-camera to 12MP. Convenient (and good enough for sharing over a text message or on Facebook) but nothing special.

Final thoughts

With an MSRP of $ 299, the PowerShot Zoom falls outside of the realm of ‘impulse buy’ for most people, but there are some definite use-cases. I can see it being a hit among birders, for example, and for casual documentation of garden wildlife. Similarly, if package cruises ever become a thing again, I can imagine a pocketable 400mm lens being pretty handy for taking pictures of penguins on melting ice sheets etc., from the comfort of a 7-story high floating hotel.

The still image quality of the PowerShot Zoom is no match for a more conventional camera, or even for a smartphone, but that’s really not the point. What it offers is a telephoto lens in a small, lightweight and hand-holdable form factor. No current smartphone can offer true telephoto without a digital zoom, making the PowerShot Zoom a powerful companion for anyone who regularly wants to share images of (for example) birds, boats or aircraft without the need for bulky, expensive gear.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Hands-on with the the Canon PowerShot Zoom

Posted in Uncategorized

 

Nikon Z6 II and Z7 II boast dual processors and gain a second card slot

14 Oct

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_7261514434″,”galleryId”:”7261514434″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Nikon has updated its full-frame mirrorless Z series with two second-gen camera bodies: the Z6 II and Z7 II. Both will offer dual Expeed 6 processors to boost buffer performance and top continuous shooting speeds, and each camera gains a second UHS-II SD card slot to complement the existing CFexpress/XQD slot. They’re scheduled to arrive at the end of this year.

With the additional processing power, the Z7 II can shoot at up to 10 fps (compared to 9 fps in the Z7) and the Z6 II shoots at up to 14 fps (up from 12 fps in the Z6). Each camera’s buffer capacity is improved substantially as well: in the Z7 II’s case it can capture around three times as many images as the Z7. Maximum frame rate for internally recorded 4K gets a boost to 60p; a feature that will be included in the Z7 II when it ships, but will come to the Z6 II in an early 2021 firmware update.

Each camera gains a second UHS-II SD card slot to complement the existing CFexpress/XQD slot

Autofocus gets an update with better low light subject acquisition and Eye/Face detection added as an option in Wide area mode. The Z6 II and Z7 II will also offer Eye and Animal detection AF while shooting video.

A new MB-N11 vertical battery grip offers controls for shooting in portrait orientation, with a battery chamber that allows for hot swapping. Both cameras can also be powered as well as charged via USB-C.

The Nikon Z6 II and Z7 II will ship in November and December 2020, respectively. The Z7 II will sell for $ 3000 body-only or $ 3600 kitted with the Nikkor Z 24-70mm F4. The Z6 II will be priced at $ 2000 body-only or $ 2600 with Z 24-70mm F4. The MB-N11 battery pack will go on sale in November 2020 for $ 400.

Press release

THE NEXT CHAPTER OF Z IS HERE: NIKON DELIVERS MORE OF EVERYTHING WITH THE NEW Z 7II AND Z 6II FULL-FRAME MIRRORLESS CAMERAS

The High-Resolution, High Performance Z 7II and the Versatile, Multimedia Powerhouse Z 6II Offer More Innovation, Power, Speed and Precision to Step into a New Era of Creative Freedom

MELVILLE, NY (October 14, 2020) – Today, Nikon Inc. unveiled the next chapter of the Z series with the arrival of two new full-frame mirrorless cameras that significantly improve upon the previous generation by adding more power, more features and more of what users want. The ultra-high-resolution Z 7II is for those with an eye for impeccable details, offering professionals and advanced photographers a powerful tool to capture immense resolution in every shot. For dynamic creators who need a device as versatile as they are, the Z 6II balances powerful performance and an expert-level multimedia feature set to bring any creative vision to life. Together, the Z 7II and Z 6II, along with new accessories, expand the Z series into a more robust mirrorless platform, incorporating many performance and design upgrades while maintaining the most popular features of their award-winning predecessors.

“As we evolve the Nikon Z series into the future, we continue to strengthen the platform, keeping the needs of our customers at the center of every new innovation and added feature,” said Jay Vannatter, Executive Vice President, Nikon Inc. “These are the cameras that many have been waiting for from Nikon. The new Z 7II and Z 6II demonstrate our commitment to listening to customer feedback, while also establishing the new standard for performance, quality and versatility for every type of creator, photographer or filmmaker.”

The Nikon Z Mount – The Most Light Means the Best Images
The Nikon Z mount is larger than any other full-frame mount, letting in significantly more light for the best possible image quality. The wider mount also allows for radical new concepts in optical design, giving lens designers the flexibility to create NIKKOR Z lenses with more edge-to-edge sharpness than ever thought possible. These new cameras expand the possibilities of the superior Z mount with performance upgrades designed to improve the quality, workflow and shooting experience for Nikon Z series users.

New Features and Upgrades: Customer-Focused Innovation Drives Creativity

  • Dual EXPEED 6 Processors for Twice the Power: At the heart of the new Z 7II and Z 6II is the implementation of two EXPEED 6 image processors, turbocharging performance to improve processing speed and increasing burst capability for stills — all while increasing power efficiency.
  • Built for Confidence, Built for Creators: The cameras retain robust weather sealing, user-focused ergonomics and an intuitive interface– distinctions that Nikon users have come to rely on. The new models also offer improvements such as dual memory card slots, with one CFexpress (type B)/XQD slot and one SD card slot (UHS-II), for maximum versatility and peace of mind. Users will also benefit from more power and comfortable vertical shooting with the addition of the optional new MB-N11 battery pack with vertical grip.
  • Enhanced Focus System: With an updated, feature-rich autofocus system, the Z 7II and Z 6II quickly acquire focus and track subjects throughout the frame. For more precise autofocusing, Eye and Face-Detection AF is now available in the Wide-Area AF (L) mode, which works to avoid focusing on distracting elements by isolating selected portions of an image. Additionally, both models have an improved low-light AF detection range that is capable of acquiring subjects in challenging lighting.
  • Advanced Video Capabilities: Expanding the boundaries of 4K UHD video, the Z 7II and Z 6II enhance video output with an increased frame rate of 4K (UHD) 60p, plus Eye-Detection AF mode when recording video. While currently available in the Z 7II, the 4K 60p option is planned to be available in a free firmware upgrade for the Z 6II in February 2021. As a result of pro user feedback, the models also allow users to reverse the focus ring orientation on the fly, benefitting those who are used to manual focusing using traditional cine lenses on set. For added flexibility in post-production, 10-bit N-Log and HDR (HLG)1 output offers more detail, dynamic range and contrast in captured footage, while the optional 12-bit ProRes RAW upgrade2 delivers greater creative control for professionals and advanced videographers.

Nikon Z 7II: Absolute Immersive Masterpiece
The Z 7II promises high-resolution stills and video for discerning users who need ultimate performance to achieve exceptional image quality in every shot. A powerful upgrade to the Nikon Z 7, the Z 7II is the ideal camera for capturing highly detailed portraits, landscapes, weddings, events, and commercial photography when there is no compromise on image quality.

  • The Z 7II features a 45.7-megapixel backside-illuminated (BSI) CMOS sensor to help capture intense detail, ultra-shallow depth of field and clarity that overwhelms. The exceptionally clean native ISO range from ISO 64 to 25,600 offers the functional freedom to shoot at wide apertures in bright light or in-studio with minimal noise.
  • With up to 10 fps maximum shooting speed at full resolution in Continuous H (extended)3, the Z 7II can handle fast burst rates with more than triple (3.3x)4 the buffer capacity of the Z 7 (in 12-bit lossless compressed RAW).
  • The Z 7II’s 493 on-sensor phase-detect autofocus points cover 90 percent of the frame, quickly and accurately acquiring subjects, even at its far edges. The Z 7II is capable of acquiring focus in half the light (as low as -3 EV5), making it the reliable tool for low-light scenes such as weddings and indoor events.

Nikon Z 6II: True Multimedia Powerhouse
The Z 6II is the most versatile Z series camera yet, balancing speed, power, low-light ability, and advanced video features for dynamic creators who need pro-level performance and reliability.

  • Building on the vast pro-caliber video capabilities of the Z 6, the Z 6II is capable of recording 4K UHD video quality with full pixel readout, demonstrating the advantages of mirrorless technology. The camera is capable of a variety of frame rates, including 4K UHD 60p6 with full pixel readout, which is planned to be available in February 2021 via a firmware update. It is also capable of 4K 30p, as well as Full HD 120p for slow motion.
    o Built with videographers in mind, the Z 6II’s AF speed and tracking sensitivity is adjustable to meet creative needs, while the focus ring is also reversible. Useful indicators for focus peaking, zebra stripes and timecodes help capture the best possible footage in-camera and simplify workflow.
    o For both models, 10-bit output to an external recorder with N-Log is possible as well as the capture of new HDR (HLG) video and output in 12-bit ProRes RAW with the optional upgrade. For upgrade customers, additional support will also be included for Blackmagic RAW when using the Blackmagic Design Video Assist 12G HDR recorder. This upgrade will also be provided for existing customers who have already purchased a ProRes RAW upgrade for the Nikon Z 6 or Z 77.
    o The Z 6II and Z 7II are the first Nikon cameras to support Eye-Detection AF and Animal-Detection AF with video recording, enabling continuous focus on the eyes of humans, dogs, and cats.
  • The Z 6II features a 24.5-megapixel BSI CMOS sensor for crisp stills and video capture with impressive detail, ultra-shallow depth of field and impressive low light performance. To confidently shoot in challenging light, the camera has an impressive ISO range from ISO 100–51,200, expandable up to ISO 204,800 equivalent.
  • Thanks to the addition of dual EXPEED 6 Processors, the Z 6II boasts a fast 14 fps3 continuous shooting speed, providing quick performance for capturing action, with more than 3.5x the buffer capacity of the Z 64.
  • The Z 6II’s enhanced AF system features 273 on-sensor phase-detect autofocus points for easy subject acquisition and tracking throughout the frame, including at the edges. Capable of focusing in half the light (down to -4.5 EV5), the Z 6II easily acquires focus in extreme low light scenarios, making it an ideal option for capturing nightscapes and events.

The Nikon Experience: Reliability & Workflow
Both the Z 7II and Z 6II adopt the Z series’ durable Magnesium Alloy build and extensive weather-sealed design for all-around protection in rugged environments. Both models focus on improved workflow with intuitive features and controls that enhance the creative process.

  • The Z 6II and Z 7II enable convenient iMenu access for autofocus modes such as the new Wide-Area AF (L) mode for people or animals, with built-in Eye and Face-Detect autofocus, allowing users to quickly switch between controls while shooting.
  • USB power delivery can be enabled while the cameras are in use, drawing power from the USB source first, to preserve camera battery8 or charging while the camera is turned off (when using the EN-EL15b or EN-EL15c battery).
  • The Z 6II and Z 7II also include in-camera exposure choices for up to 900 seconds for capturing super slow-shutter nighttime cityscapes and astrophotography.
  • Both the Z 6II and Z 7II are compatible with the Nikon Webcam Utility software beta, ensuring seamless webcam functionality for all occasions. When using this function with a USB-C cable, power can be supplied to the camera to power it while using it as a webcam, making turnkey webcam functionality as easy as plugging in a USB-C cable.
  • In addition to its seamless file transfer and remote camera control, the Nikon SnapBridge app can be used to streamline the firmware update process by wirelessly sending the latest firmware file directly to the Z 7II or Z 6II for updating, no card reader or computer necessary.
  • Portions of the information display can be hidden with still-image shooting and video recording, allowing an unobstructed view of the scene.
  • In-camera vibration reduction (VR) provides camera-shake compensation equivalent to 5-stops9.

A Rapidly Expanding Ecosystem
Nikon is committed to expanding the NIKKOR Z lens lineup to complement the exceptional power of these latest mirrorless cameras, with 16 NIKKOR Z lenses currently available, including the recently announced NIKKOR Z 50mm f/1.2 S and 14-24mm f/2.8 S. The lineup will expand to include a total of 24 innovative optics by the end of 2021, providing Z series users with the tools to achieve the highest level of optical excellence.

The ecosystem is also expanding with more accessories, including the addition of the new MB-N11 Power Battery Pack with vertical grip for the Z 6II and Z 7II. This new grip features convenient external controls for additional manual operation and customization, along with more comfortable portrait orientation shooting. While battery life is extended up to 1.9x10 (CIPA standard), the battery grip also includes a hot-swappable chamber, granting users the ability to remove or replace one battery while shooting for uninterrupted power – a true benefit for content creation. The vertical grip also adds a secondary USB-C port for standalone charging and simultaneous communication with other devices.

Additionally, Nikon has announced new wireless transceivers for remote triggering and radio-controlled lighting, the WR-R11a and WR-R11b. The new wireless transceiver units use radio frequencies to communicate and are designed for users who need minimal release lag when shooting wirelessly, or those that use one or more remote flashes (AWL). The user can control additional remote cameras simultaneously using the WR-T10 remote, or via a main camera equipped with the WR-R11a/b. The WR-R11a uses a 10-pin connector, while the WR-R11b connects through the accessory terminal that can be found on Z series mirrorless cameras and select DSLRs. The units can also trigger Nikon radio-controlled flash units, such as the popular SB-5000 Speedlight, without the need for an additional receiver unit. Engineered with a new hinged design, the WR-R11a increases durability when attached to a camera.

Pricing and Availability
The Nikon Z 7II will be available in December 2020 in two configurations, body-only for a suggested retail price (SRP) of $ 2,999.95* and a one-lens kit with the NIKKOR Z 24-70mm f/4 for an SRP of $ 3,599.95*. The Nikon Z 6II will be available in November 2020 and will also be available in two configurations, body-only for an SRP of $ 1,999.95*, and a one-lens kit with the NIKKOR Z 24-70mm f/4 for an SRP of $ 2,599.95*. The MB-N11 Battery Pack with vertical grip will be available in November 2020 for an SRP of $ 399.95. The WR-R11a and WR-R11b (sold separately) will be available in November 2020, and each will have an SRP of $ 199.95 for the controller only. They will also be available as a set including the controller and the WR-T10 wireless remote controller for an SRP of $ 279.95.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
Other trade names mentioned in this document are trademarks or registered trademarks of their respective holders.

1. Footage is recorded only to the external device; it cannot be recorded to the memory card inserted in the camera.
2. The RAW video output function can be enabled by a Nikon service facility for a fee. This firmware upgrade is part of the paid ProRes Raw upgrade. The Atomos Ninja V supports Nikon RAW video output, and records videos in ProRes RAW format. Operation is not guaranteed with recorders other than the Ninja V. On Z 7II, RAW video output is possible only with full-HD videos recorded in the FX-based video format and 4K UHD videos recorded in the DX-based video format.
3. When shooting in Continuous H (extended) using single-point AF, with AF/AE tracking. 12-bit lossless compressed RAW, with a 128GB CFexpress (Type B) memory card.
4. 12-bit lossless compressed RAW, with a 128GB CF express (Type B) memory card
5. Using AF-S at f/2.0, ISO 100 and 20°C/68°F with the center focus point selected in single-point AF area mode
6. With Full-pixel readout, when shot in DX image area
7. Planned for February 2021
8. Requires optional UC-E25 USB cable.
9. Measured in accordance with CIPA standards (using the NIKKOR Z 24-70mm f/4 S at the maximum telephoto position).
10. With an optional battery pack attached with two fully charged EN-EL15c Rechargeable Li-ion batteries. Endurance varies with the condition of the battery, the temperature, the interval between shots, and the length of time menus are displayed.

Nikon Z6 II and Z7 II specifications

  Nikon Z6 II Nikon Z7 II
Price
MSRP $ 1995 (body only), $ 2599 (w/24-70 F4 lens) $ 2999 (body only), $ 3499 (w/24-70 F4 lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6048 x 4024 8256 x 5504
Other resolutions 3936 x 2624 (DX crop), 4016 x 4016 (1:1), 6048 x 3400 (16:9) 5408 x 3600 (DX crop), 6880 x 5504 (5:4), 5504 x 5504 (1:1), 8256 x 4640 (16:9)
Image ratio w:h 1:1, 5:4, 3:2, 16:9
Effective pixels 25 megapixels 46 megapixels
Sensor photo detectors 25 megapixels 47 megapixels
Sensor size Full frame (35.9 x 23.9 mm)
Sensor type BSI-CMOS CMOS
Processor Dual Expeed 6
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-51200 (expands to 50-204800) Auto, 64-25600 (expands to 32-102400)
Boosted ISO (minimum) 50 32
Boosted ISO (maximum) 204800 102400
White balance presets 12
Custom white balance Yes (6 slots)
Image stabilization Sensor-shift
Image stabilization notes 5-axis
CIPA image stabilization rating 5 stop(s)
Uncompressed format RAW + TIFF RAW
JPEG quality levels Fine, normal, basic
File format
  • JPEG
  • Raw (NEF, 12 or 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom No
Manual focus Yes
Number of focus points 273 493
Lens mount Nikon Z
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2″
Screen dots 2,100,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.8×
Viewfinder resolution 3,690,000
Photography features
Minimum shutter speed 900 sec 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe)
Flash modes Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off
Flash X sync speed 1/200 sec
Continuous drive 14.0 fps 10.0 fps
Self-timer Yes (2, 5, 10 or 20 secs)
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 60p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 50p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types CFexpress Type B / XQD CFexpress (Type B), XQD, SD (UHS-II)
Connectivity
USB USB 3.2 Gen 1 (5 GBit/sec)
USB charging Yes
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac + Bluetooth
Remote control Yes (via MC-DC2 or smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description EN-EL15c lithium-ion battery & charger
Battery Life (CIPA) 410 420
Weight (inc. batteries) 705 g (1.55 lb / 24.87 oz)
Dimensions 134 x 101 x 70 mm (5.28 x 3.98 x 2.76″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Nikon Z6 II and Z7 II boast dual processors and gain a second card slot

Posted in Uncategorized

 

Nikon Z6 II initial review

14 Oct

The Nikon Z6 II is an updated version of the company’s 24MP multimedia full frame mirrorless camera. It gains more processing power to add improved autofocus and a few other tweaks to an already well-rounded feature set.

Key specifications

  • 24MP full frame BSI CMOS sensor
  • Continuous shooting at up to 14 fps (in 12-bit Raw with single AF point)
  • Full-sensor UHD 4K video at up to 30p
  • UHD 60p from an APS-C crop promised in future firmware update
  • Two card slots (1x CFexpress/XQD, 1x UHS-II SD)
  • 3.69M-dot EVF with improved blackout times
  • Tilting 2.1M dot read touchscreen
  • USB-C socket for recharging or powering the camera
  • Battery rating of 410 (LCD) and 340 (EVF) shots per charge
  • Connectors to allow battery grip with portrait orientation controls

The Z6 II launches at the same price as its predecessor, with a recommended selling price of $ 1999 body-only or $ 2599 with the Z 24-70mm F4 S lens. It will be available from November 2020.

  • What’s new and how it compares
  • Body and handling
  • Initial impressions
  • Nikon official sample images
  • Specifications

What’s new and how it compares

The addition of a second card slot will be a hugely welcomed change for some photographers.

The Z6 II is a subtle refresh of the existing Z6, extending the capabilities a little, but offering a mostly similar, well-rounded stills and video feature set. In terms of hardware, the main difference is that the Mark II gains a second Expeed 6 processor, with most of the performance and feature improvements stemming from this additional processing power.

Autofocus

Nikon says the autofocus performance has been incrementally improved over the original Z6, but the most notable feature change is the addition of face and eye detection (both human and animal) to the wide area AF mode. Previously these features were only available in ‘Auto’ area AF, meaning the camera decided where to focus. By adding them to wide area, you are able to narrow-down the region in which that camera hunts for faces, giving you a way of pre-selecting the face you wish to focus on.

The variants of Wide Area AF with human and animal face/eye AF have been added to the list of AF modes accessible from the ‘i‘ quick menu, meaning you don’t have to separately engage those functions.

Nikon says the focusing system now works in light as low as –4.5EV (a one stop improvement), when using an F2.0 lens (or faster). And that’s without using the slower low light AF mode, which extends a further two stops.

Shooting rate

The Z6 II’s maximum burst speed increases to an impressive 14 frames per second, but only if you use a single AF point and you’re willing to take the slight dynamic range hit of shooting 12-bit Raws. If you want the camera to choose an AF point or track a subject, it shoots at a still very respectable 12 frames per second.

Video

The (paid) Raw upgrade will allow an output that an Atomos recorder can encode as ProRes RAW or, after February 2021, a Blackmagic Video Assist to encode as Blackmagic Raw.

The Z6 II builds on the Z6’s already pretty strong video feature set, with the promise of UHD 4K 60p in a free firmware update due in February 2021. This higher rate footage will come from an APS-C crop of the sensor, and will only be available for internal capture.

In addition, the camera’s video output options have increased, with the Mark II able to output 10-bit HLG HDR footage, in addition to N-Log, to an external recorder. An optional paid upgrade enables a 12-bit line-skipped 4K Raw stream can be sent to an external recorder to be encoded as ProRes Raw or, after a February 2021 firmware update, as Blackmagic Raw.

Viewfinder

The viewfinder in the Z6 II is the same 3.68M dot OLED as in the original model. Nikon points out that the optics and coatings are of its own design and says it’s decreased both the refresh lag and the blackout time between shots. However, the company hasn’t put a number on either improvement.

Compared to…

Despite being a relatively subtle update, the Z6 II remains broadly competitive with the other cameras with launch prices around $ 2000. The Canon EOS R6 is the outlier: priced at a higher level but offering better specifications (though it can’t always deliver the full promise of its video capabilities).

We haven’t included the Sony a7C here, since it seems more focused on compactness than being an enthusiast’s main camera, but its specs are similar to the a7 III’s, just without the AF joystick.

Nikon Z6 Canon EOS R6 Panasonic S5 Sony a7 III
MSRP (body) $ 1999 $ 2499 $ 1999 $ 1999
Pixel count 24MP 20MP 24MP 24MP
Sensor tech BSI-CMOS CMOS CMOS BSI-CMOS
AF system On-sensor PDAF

Dual Pixel
(On-sensor PDAF)

 Depth from Defocus
(Contrast Detection-based)		 On-sensor PDAF
Image stabilization 5-axis 5-axis + sync with lens IS 5-axis + sync with lens IS 5-axis
CIPA rating Up to 5EV Up to 8EV Up to 6.5EV Up to 5EV
Maximum frame rate 12 fps
(14 fps*)		 12 fps mech shutter
20 fps electronic

7 fps (AF-S)
5 fps (AF-C)

 10 fps
Flash Sync speed 1/200 sec 1/250 sec** 1/250 sec 1/250 sec
High Res mode No No Yes No
Viewfinder
res / mag		 3.68M dots
/ 0.80x		 3.68M dots
/ 0.76x		 2.36M dots / 0.74x 2.36M dots / 0.78x
Rear screen 2.1M-dot tilting touchscreen 1.62M-dot fully articulated touchscreen 1.84M-dot fully articulated touchscreen 921k-dot tilting touchscreen
AF joystick Yes Yes Yes Yes
Top-plate settings display Yes No No No
Video capture UHD 4K 30p
(full sensor)
UHD 4K 60p
(1.5x Crop)***		 UHD 4K 60p
(1.05x crop)

 UHD 4K 30p
(full sensor)
UHD 4K 60p
(1.5x Crop)		 UHD 4K 24p
(full sensor)
UHD 4K 30p
(1.2x Crop)
Log/HDR modes

N-Log
HLG
10-bit (HDMI)

C-Log
HDR PQ
10-bit Internal

 V-Log/V-Gamut
HLG
10-bit Internal		 S-Log2 / 3 / HLG
8-bit Internal
Memory cards 1x CFexpress B
1x SD (UHS-II)		 Dual UHS-II SD Dual UHS-II SD 1x UHS-II SD
1x UHS-I SD
Battery life (CIPA) LCD/EVF 410 / 340 510 / 380 440 / 470 710 / 610
USB-charging Yes Yes Yes Yes
Dimensions 134 x 101 x 68 mm 138 x 98 x 88 mm 133 x 97 x 82 mm 127 x 96 x 74 mm
Weight (CIPA) 675 g 680 g 714 g 650 g

* When shooting 12-bit Raw using a single AF point
** In electronic first-curtain mode: 1/200th with mechanical shutter
*** Promised in Feb 2021 f/w update

Return to index

Body and handling

The camera’s ergonomics are essentially the same as the original Z6, which is a good thing.

The body and handling of the Z6 II is basically the same as its predecessor, which means it remains a solidly-built camera with a comfortable grip. The body is primarily constructed from magnesium alloy, providing a good balance of weight and solidity.

The grip itself is comfortable and the front and rear dials very well positioned so that they are readily accessible when you’re holding the camera. There are two customizable Fn buttons next to the lens mount, which can be configured independently or set to perform paired functions (such as aperture open and close during video capture).

Viewfinder and screens

Although the spec of the Z6 II’s viewfinder isn’t particularly stellar by 2020 standards, the camera does at least use it to its full potential (there are rival cameras with high dot-count finders that then drive the screen at lower resolutions). We’ve not had a chance to test the effects of lag and improved blackout with fast-moving subjects but will do so as soon as we can.

The rear screen is also unchanged, meaning it has a decent resolution but only a tilt up/down design. We find we prefer the two-axis screens used by the likes of the Fujifilm X-T3 for stills or a fully articulated screen for video.

Menus and interface

The camera’s menus are consistent with most Nikon cameras made over the last decade or so. This means the menus are quite dense with options but the key ‘Customs Settings’ section is well arranged and color-coded, which makes it easy to navigate. A My Menu tab can be configured with either your preferred options or a list of your most recently used options.

In terms of the user interface, the main change is the addition of Wide Area + face detect and Wide Area + animal detect to the ‘i‘ quick menu, meaning that you can more quickly engage human face or animal face detection as part of your AF mode selection.

Battery

The Z6 Mark II comes with the latest EN-EL15c battery. It’s 20% higher-capacity version of the 15b that came with the previous model. The camera is compatible with earlier EN-EL15 batteries but will perform much better with the more recent versions. USB-charging is only available with the type b and c units.

The camera is rated as delivering 410 shots per charge if you use the rear LCD and 340 shots per charge if you use the viewfinder. As always, these ratings are based on very challenging usage, and it’s not uncommon to get at least twice as many shots per charge in practice, depending on how you use the camera. We tend to find a rating of around 400 is sufficient for a day’s committed shooting or a weekend of fairly active photography, but not enough for something as photographically intense as a wedding.

Return to index

Initial impressions

My initial impression of the Nikon Z6 II is of a credible but not terribly far-reaching update to the original camera. That’s no bad thing: the latest updates to the Mark I have meant it remains competitive, so even a small step forward is valuable, but it might leave the Mark II with a fairly short shelf life.

What’s interesting is (on the face of it) how little the application of dual processors brings to the camera: the extra power has allowed Nikon to significantly improve the buffer clearing rate, boosting the number of shots in a burst, and it’s opened-up the possibility of 60p capture, but there’s not much more to show for that added grunt. The top burst rate has increased a little but only with 12-bit output and with a single AF point, which doesn’t exactly tell a tale of abundant processing resource.

The extra power has allowed Nikon to significantly improve the buffer clearing rate, boosting the number of shots in a burst

Overall, I wonder whether it’s simply too challenging to wring much more out of the IMX410 sensor that the Z6 II (and the majority of its rivals) appears to be using. The APS-C crop is the largest region that sensor can produce 60p 4K from, so there’s not much Nikon can do on that front. Capturing 10-bit video internally and outputting 60p over HDMI should be possible, though: Panasonic’s S5 manages both.

Personally I wonder whether Nikon concluded there was only so far it could push the current sensor and decided to focus R&D resources on what might be possible with a next-gen chip in a future model (hence the use of two existing processors, rather than the development of a new one for this camera). That’s speculation, of course, but other than the video improvements, it’s hard to see what more Nikon could do with the current sensor.

It’s only really the Canon EOS R6 that pushes beyond what the Z6 II offers, and that’s a significantly more expensive camera

Other than a handful of pros and power users who really need the reliability that a vertical control battery grip or redundancy of twin card slots bring, it’s hard to see much motivation for existing Z6 owners to upgrade, but the improved AF behavior, operation under USB power, grip option and twin slots should make it pretty appealing for buyers just moving to Z. To be clear, it’s only really the Canon EOS R6 that pushes beyond what the Z6 II offers, and the R6 is a significantly more expensive camera, and one that – in some respects – struggles to deliver all it promises.

My main hope is that Nikon continues to develop the Mark II throughout its lifetime, as it did with the original, and that we see more ways of exploiting its added processing power over the coming months and years.

Return to index

Official sample images

All sample images provided by Nikon

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_8977977326″,”galleryId”:”8977977326″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Return to index

Specifications

Price
MSRP $ 1995 (body only), $ 2599 (w/24-70 F4 lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6048 x 4024
Other resolutions 3936 x 2624 (DX crop), 4016 x 4016 (1:1), 6048 x 3400 (16:9)
Image ratio w:h 1:1, 5:4, 3:2, 16:9
Effective pixels 25 megapixels
Sensor photo detectors 25 megapixels
Sensor size Full frame (35.9 x 23.9 mm)
Sensor type BSI-CMOS
Processor Dual Expeed 6
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-51200 (expands to 50-204800)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 204800
White balance presets 12
Custom white balance Yes (6 slots)
Image stabilization Sensor-shift
Image stabilization notes 5-axis
CIPA image stabilization rating 5 stop(s)
Uncompressed format RAW + TIFF
JPEG quality levels Fine, normal, basic
File format
  • JPEG
  • Raw (NEF, 12 or 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom No
Manual focus Yes
Number of focus points 273
Lens mount Nikon Z
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2″
Screen dots 2,100,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.8×
Viewfinder resolution 3,690,000
Photography features
Minimum shutter speed 900 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe)
Flash modes Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off
Flash X sync speed 1/200 sec
Continuous drive 14.0 fps
Self-timer Yes (2, 5, 10 or 20 secs)
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types CFexpress Type B / XQD
Connectivity
USB USB 3.2 Gen 1 (5 GBit/sec)
USB charging Yes
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac + Bluetooth
Remote control Yes (via MC-DC2 or smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description EN-EL15c lithium-ion battery & charger
Battery Life (CIPA) 410
Weight (inc. batteries) 705 g (1.55 lb / 24.87 oz)
Dimensions 134 x 101 x 70 mm (5.28 x 3.98 x 2.76″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Return to index

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Nikon Z6 II initial review

Posted in Uncategorized

 

Nikon Z7 II initial review

14 Oct

Introduction

Nikon has just announced the Z7 II, the second iteration of its high-resolution full-frame mirrorless camera. As the name implies, this is a refinement rather than a reimagining; so while the updates may not knock your socks off, we really enjoyed the original Z7 and this new model builds on an already successful formula.

The Z7 II still has a 45.7MP full-frame BSI sensor, but it’s now backed up by dual processors compared to the single processor in its predecessor. The exterior of the camera is largely unchanged, which is fine by us – Nikon’s Z-series cameras have some of our favorite ergonomics on the mirrorless camera market. Blessedly, though (especially for those of us that moderate online comment sections), Nikon has included dual card slots in the Z7 II for users that need immediate backup or want to easily separate their still images and video clips. See? Something good has come out of 2020 after all.

Key specifications:

  • 45.7MP BSI sensor with native ISO 64
  • 4K/60p video with 93% coverage of the sensor, or a ~1.08x crop
  • 5-axis in-body stabilization (3-axis with adapted F-mount lenses)
  • 10fps burst shooting with single-point AF
  • 3.69M-dot EVF, 3.2″ 2.1k-dot rear screen
  • -3EV focusing with F2.0 lens
  • 1 CFExpress / XQD card slot, 1 UHS-II SD card slot
  • New EN-EL15c battery, CIPA rated to 420 shots (LCD), 360 shots (EVF)
  • Compatible with new MB-N11 battery grip with vertical controls

The Z7 II, being the high-resolution model in Nikon’s mirrorless lineup, is all about outright image quality. It remains one of the only cameras on the market that provides a low native ISO of 64 – this helps maximize dynamic range for high-contrast scenes like sunset or sunrise landscapes.

The Z7 II will be available in December 2020 for $ 2999 body-only, or $ 3599 with a 24-70mm F4 lens. The new MB-N11 battery grip with duplicate vertical controls will be available in November 2020 for $ 399.

  • What’s new and how it compares
  • Body and handling
  • Initial impressions
  • Nikon official sample images
  • Specifications

What’s new and how it compares

Ask, and ye shall (sometimes) receive: The Z7 II now has one SD card slot and one CFExpress / XQD card slot. All control points shown are identical to those on the original Z7.

The big story in the Z7 II (if you don’t count the new card slot) is its dual Expeed 6 processors – so what exactly do those get you?

To start with, the Z7 II is a more credible action camera than its predecessor. Its burst speed tops out at 10fps with continuous autofocus instead of 9fps (albeit with a single AF area, and not subject tracking), and the buffer is up to three times deeper, giving you a total of 77 12-bit Raw images before slowing down. Helping you follow the action is a claimed reduction in blackout in the viewfinder, which is welcome, though we would have liked to see a boost in EVF resolution as well. Maybe next time.

Autofocus

New AF modes have been added and are accessible in the main and ‘i‘ menus. They include the addition of face / eye detection in the ‘Wide area AF’ mode instead of just ‘Auto Area AF’; this means you can place an AF box over a person’s face to tell the camera to focus on that particular person’s eyes, which is especially handy if there are multiple people in a scene. An equivalent mode is available that prioritizes animals.

The new processors also allow the camera to focus in light as low as -3EV with a lens at F2 (and you can still push this even lower for static subjects by enabling the ‘Low Light AF’ feature).

Video and other updates

The new MB-N11 battery grip will double your battery life and also (yes!) includes controls for portrait-orientation shooting.

For video, the Z7 II is rather more competent than its predecessor, and now includes 4K/60p capture with a slight (1.08x) crop. It will also output 10-bit N-Log or HDR (HLG) footage to a compatible external recorder, and you can output Raw video in 1080p if you’re using the full sensor and 4K if you’re using a cropped APS-C sized region. We’d expect good video quality, but hardcore video shooters should set their sights on the Z6 II and its oversampled 4K video which should offer much better fine detail.

And of course, there’s those dual card slots. One supports CFExpress (Type B) and XQD cards, and the other is a UHS-II compatible SD slot. The Z7 II also includes a new EN-EL15c battery, with boosts battery life to a CIPA-rated 420 shots using the rear LCD with energy saving modes disabled. In response to customer feedback, the Z7 II is compatible with a new MB-N11 battery grip, which has portrait-orientation controls built-in, and you can now power the camera over its USB-C port.

Lastly, we’re pleased to see that Nikon has added support for firmware updates over Wi-Fi through its Snapbridge app. This will make it easier for everyday users to get the most out of their cameras, as Nikon has been diligent about updating its camera in the past with new functionality and features.

Compared to…

Let’s take a look at how the Nikon Z7 II stacks up against some other stabilized, full-frame cameras on the market. Of particular note is just how competitive the Z7 II’s MSRP is right at launch.

Nikon Z7 II Canon EOS R5 Sony a7R IV Panasonic Lumix S1R
MSRP (body) $ 2999 $ 3899 $ 3500 $ 3699
Sensor res. 45.6MP 45MP 61MP 47MP
Image stab. 5 stops 8 stops 5.5 stops 6 stops
LCD type Tilting Fully articulating Tilting Two-way tilting
LCD size/res 3.2″ / 2.1M-dot 3.2″ / 2.1M-dot 3″ 1.44M-dot 3.2″ 2.1M-dot
EVF res / mag
(equiv.)		 3.69M-dot
0.8x		 5.76M-dot
0.76x		 5.76M-dot
0.78x		 5.76M-dot
0.78x
Burst w/AF 10 fps (single AF area only) 12fps / 20fps mech/
e-shutter		 10 fps 6 fps
Video res. 4K/60p
(1.08x crop)		 8K/30p 4K/30p 4K/60p
(1.09x crop)
Mic / headphone socket Yes / Yes Yes / Yes Yes / Yes Yes / Yes
Battery life (rear LCD) 420/360 shots 320/220 shots 670/530 shots 380/360 shots
Weight 675g (23.81oz) 738g (26.03oz) 665g (23.46oz) 898g (31.68oz)

Return to index

Body and handling

Put the Z7 II next to the original Z7 and you’d be hard-pressed to tell the difference between them. Indeed, the only differences of any consequence are the slightly taller memory card door to accommodate the dual slots and the small ‘II’ on the front plate.

But we’re not going to complain too much, because we really didn’t find much fault with how the original camera handled. And you can expect the same experience from the Z7 II: a deep, very comfortable grip, well-placed buttons and control dials, an easily readable top display and a satisfyingly clicky mode dial.

Okay, but we’re going to nitpick a bit just because we can. Being the high-res, stills-focused camera in the range, the Z7 II wouldn’t necessarily benefit from a fully-articulating mechanism that video shooters prefer, but perhaps a ‘two-way tilting’ design from the Fujifilm X-T3 or Panasonic S1R would have been welcome. And though the front two function buttons are well-placed, some of us on staff find them a bit ‘mushy’.

Other than that, though, the Z7 II feels incredibly solid in the hand and is a supremely comfortable camera to hold and use for extended periods of time. The touchscreen interface is responsive, and it’s easy to switch between stills and video quickly. The arrival of a new battery grip with duplicate controls (!) will make for a more comfortable experience for use with larger lenses, like the Z 70-200mm F2.8.

Return to index

Initial impressions

Well, has the Z7 II knocked your socks off? Personally, my socks (or at least, my house slippers… covid times, after all) are still firmly on my feet, but that doesn’t mean that the Z7 II isn’t an excellent camera. Take another look at that comparison table earlier and you’ll find that in almost every respect, the Z7 II is not just a credible contender to the other options there, but it’s the cheapest by a good margin. Not too shabby.

On the face of it (pending testing), that makes the Z7 II an easy camera to recommend, though with the caveat that we still have yet to fully analyze its image quality and autofocus performance. The former should be familiar, while Nikon promises that AF should be improved compared to the previous model.

The Z7 II could be what DSLR users from Nikon and other systems have been waiting for

Could Nikon have gone further with this update? It certainly addressed a couple of the big items from our wish list, but something like a new, higher-resolution or better-performing sensor would never be a bad thing. Truth be told, though, the real-world difference between 45.7MP and, say, 61MP isn’t likely to be a deal-breaker; the extra dynamic range from the Nikon’s ISO 64 mode, though, may be. And what is perhaps our most significant request – that Nikon separates autofocus subject tracking into its own mode, rather than as a layer on top of the ‘Auto Area’ mode – remains unaddressed, but is still conceivably fixable through a firmware update.

In the end, should Z7 users upgrade to the Z7 II? I would wager that only a small population of pros that really need dual card slots or a battery grip might consider it. But those very updates might also be what users of Nikon’s high-end D850 DSLR, or users from other DSLR systems thinking about making the switch to mirrorless, have been waiting for.

Return to index

Nikon official sample images

All sample images provided by Nikon.

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1267140438″,”galleryId”:”1267140438″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

Return to index

Nikon Z7 II Specifications

Price
MSRP $ 3399 (body only), $ 3999 (w/24-70 F4 lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 8256 x 5504
Other resolutions 5408 x 3600 (DX crop), 6880 x 5504 (5:4), 5504 x 5504 (1:1), 8256 x 4640 (16:9)
Image ratio w:h 1:1, 5:4, 3:2, 16:9
Effective pixels 46 megapixels
Sensor photo detectors 47 megapixels
Sensor size Full frame (35.9 x 23.9 mm)
Sensor type CMOS
Processor Dual Expeed 6
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 64-25600 (expands to 32-102400)
Boosted ISO (minimum) 32
Boosted ISO (maximum) 102400
White balance presets 12
Custom white balance Yes (6 slots)
Image stabilization Sensor-shift
Image stabilization notes 5-axis
CIPA image stabilization rating 5 stop(s)
Uncompressed format RAW
JPEG quality levels Fine, normal, basic
File format
  • JPEG
  • Raw (NEF, 12 or 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 493
Lens mount Nikon Z
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2″
Screen dots 2,100,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.8×
Viewfinder resolution 3,690,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe)
Flash modes Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off
Flash X sync speed 1/200 sec
Continuous drive 10.0 fps
Self-timer Yes (2, 5, 10 or 20 secs)
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 60p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 50p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types CFexpress (Type B), XQD, SD (UHS-II)
Connectivity
USB USB 3.2 Gen 1 (5 GBit/sec)
USB charging Yes
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac + Bluetooth
Remote control Yes (via MC-DC2 or smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description EN-EL15c lithium-ion battery & charger
Battery Life (CIPA) 420
Weight (inc. batteries) 705 g (1.55 lb / 24.87 oz)
Dimensions 134 x 101 x 70 mm (5.28 x 3.98 x 2.76″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Return to index

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Nikon Z7 II initial review

Posted in Uncategorized

 
« Older Entries
Newer Entries »