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Much-anticipated Panasonic DC-LX100 II features 17MP multi-aspect sensor

22 Aug

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Panasonic has finally replaced its venerable LX100 enthusiast compact with the new DC-LX100 II. The big change here is the 17 megapixel multi-aspect Four Thirds sensor, up from 12.8MP on the original model. The higher-res sensor, borrowed from the GX9, and new image processor produce improved fine detail capture and better color rendition, according to Panasonic.

The LX100 II has the same (excellent) 24-75mm equivalent F1.7-2.8 lens, which features five aspherical and two ED elements, a minimum focus distance of 3cm (1.2″) and a leaf shutter. The design of the camera is almost identical, save for a ‘grippier’ grip and additional custom buttons. The LX100 II continues to offer the analog controls that made its predecessor so appealing. There are dials for exposure compensation and shutter speed, plus aperture and custom control rings. A switch on top of the lens barrel lets you quickly toggle between 1:1, 4:3, 3:2 and 16:9 aspect ratios. The field-of-view is maintained at the last three of those aspect ratios, a hallmark feature of Panasonic’s LX-series cameras.

The design of the camera is almost identical, save for a ‘grippier’ grip and additional custom buttons

The LCD resolution has been bumped to 1.24 million dots and the display is fully touch-enabled, as well. The 2.76M-dot equivalent field sequential electronic viewfinder is unchanged. Users will find that the menu system has been updated to match Panasonic’s latest cameras.

The buffer on the camera has been increased, allowing for up to 33 Raw images to be captured at 11 fps (5.5 fps with C-AF). Two of Panasonic’s latest Picture Styles have also been added: L. Monochrome and the high contrast L. Monochrome D. A ‘grain effect’ mode can be applied to either of those modes for a film-like effect.

The 4K Photo feature has been enhanced, with support for Post Focus, Focus Stacking and Sequence Composition. Bluetooth has also been added, allowing for remote wake-up, auto transfer and a simple remote shutter release. Panasonic also added the ability to charge the camera over USB to the LX100 II.

You can pick up a DC-LX100 II (with a small external flash) in October for $ 999.

Official sample photos

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Press Release

LUMIX LX100 II: New 17-Megapixel Multi Aspect 4/3-type (inch) Sensor

Featuring F1.7 LEICA DC VARIO-SUMMILUX Lens and 4K Video

Newark, NJ (August 22, 2018) – Panasonic is proud to introduce the LUMIX LX100 II with a large, 4/3-inch High Sensitivity MOS Sensor for the seventh generation model of Panasonic’s world-renowned LX high-end compact camera series.

The LUMIX LX100 II newly integrates a total 21.77-megapixel sensor to achieve an effective 17.0 megapixels in 4:3 aspect ratio. Even the finest details can be precisely captured with the increased resolution of this new sensor. Together with a high-speed, high-performance Venus Engine image processor, it achieves superb image quality with natural, true-to-life description.

The included LEICA DC VARIO-SUMMILUX lens (35mm camera equivalent: 24-75mm) boasts a high-speed of F1.7-F2.8, and high descriptiveness in detail and resolution corner-to-corner. And, together with the large MOS Sensor, the lens also produces a stunningly beautiful defocus. At the same time, a nine-blade aperture diaphragm helps produce bokeh with smooth, circular shapes. The versatile zoom range of 24-75mm (35mm camera equivalent) is ideal for wide-ranging photography from snapshots to portraits. Notably, landscapes can be captured in dynamic 24mm ultra-wide angle in any of 4:3, 3:2 or 16:9 aspect ratios, thanks to the multi-aspect capability. An aperture ring allows direct, intuitive aperture control to take maximum advantage of this high-speed lens. A minimum working distance of 3cm is all that is required to take stunning macro shots with intricate detail.

The LUMIX LX100 II integrates an LVF (Live View Finder) with approximately 2760K-dot equivalent resolution and approximately 100percent color reproduction. This 16:9 Wide Screen LVF boasts approximately 1.39x / 0.7x (35mm camera equivalent) magnification and 100percent field of view. The new 3.0-type (inch) rear monitor increases resolution to approximately 1240K-dot, enabling touch control. A variety of advanced functions are featured on the LUMIX LX100 II to inspire and accommodate the potential of advanced photographers. It allows direct, intuitive control with dedicated rings and dials, such as an aperture ring, control ring, shutter speed dial and exposure compensation dial.

The LUMIX LX100 II capably records smooth, high-resolution 4K video in 3840×2160 at 30p or 24p in MP4. Taking full advantage of 4K technology, users can capture fleeting photo opportunities at 30 fps in 8-megapixel equivalent resolution to save as a 4K PHOTO. Auto Marking, Sequence Composition, Post Focus, Focus Stacking and Light Composition are newly added to make 4K PHOTO even easier to use in more creative ways.

The LUMIX LX100 II is also superior in response. With DFD (Depth from Defocus) technology, accuracy and speed are improved to achieve Light Speed AF of approx. 0.10 sec* to capture fleeting photo opportunities. High-speed burst shooting is possible at 11 fps in full resolution.

For more creative freedom, Filter, Creative Panorama and Photo Style are available. L.Monochrome and L.Monochrome D mode are also added to Photo Style, making it possible to shoot dynamic monochrome photos with emphasized highlights and shadows while preserving the details. Plus, grain effect can now be adjusted in all monochrome modes in Photo Style. Other practical functions include Focus Peaking, Level Gauge, Aperture bracket, Focus bracket, WB (white balance) bracket and highlight/shadow control. The LUMIX LX100 II can also develop RAW images into JPEG in-camera.

The LUMIX LX100 II includes Bluetooth® and Wi-Fi® connectivity to offer a more flexible shooting experience and instant image sharing with easy operation. Bluetooth 4.2 (called BLE: Bluetooth Low Energy) compatibility enables constant connection with a smartphone or tablet with minimum power consumption. It also complies with convenient USB/AC power charging.

* Based on the CIPA standard. At wide-end, when using Live View Finder at 60 fps.

  1. New, Large 4/3-inch High Sensitivity MOS Sensor and Venus Engine

The LUMIX LX100 II incorporates a new 4/3-type (inch) total 21.77-megapixel*1 High Sensitivity MOS Sensor to acquire even higher resolution than its predecessor, the LX100. It boasts multiple aspect ratios (4:3/3:2/16:9) and the effective area in the 4:3 aspect ratio is 17.0-megapixel*, which is more than approx. 1.6x larger than that of a 1-inch sensor. This new high-resolution MOS Sensor maintains an excellent S/N ratio for a dramatic reduction in noise, even when shooting at a high ISO setting at max. ISO 25600 corner-to-corner reproduces the finest details, and an impressive defocus with a shallow depth of field from wide to tele-end, making the subject stand out.

The Venus Engine renders vibrant, high-quality, true-to-life images with excellent resolution, high contrast and impressive color reproduction. The advanced Multi-process NR (Noise Reduction) applies effective noise reduction and detail processing according to each component frequency. Plus, Random Filter granulates chromatic noise to blend into the image even more naturally. As a result, the maximum ISO 25600 (Extended) is achieved. A sharpening engine controls over wider frequency range by adjusting the amount of sharpness according to the frequency level, resulting in a faithful stereoscopic effect. The Venus Engine also excels in color reproduction with accurate evaluation of each color, similar in color phase, i saturation, and luminosity. With its 1728-zone metering, more precise WB adjustment and natural image rendering are available.

The combination of the High Sensitivity MOS Sensor and the Venus Engine achieves stunning picture quality that rivals that of DSLRs.

* Multi-aspect count

  1. F1.7-2.8 / 24-75mm LEICA DC VARIO-SUMMILUX lens and 3cm macro shot

The LUMIX LX100 II incorporates a LEICA DC VARIO-SUMMILUX lens system (F1.7-F2.8), providing 3.1x optical zoom (35mm camera equivalent: 24-75mm) with POWER O.I.S.(Optical Image Stabilizer). Comprising 11 elements in eight groups, including two ED lenses and five aspherical lenses with eight aspherical surfaces, this advanced lens unit achieves remarkably high contrast and resolution. The lens unit boasts F2.8 high speed, even at the tele-end, allowing handheld shooting in low-lit situations or adding beautifully defocused background on both photo and video. To achieve further downsizing to fit the large 4/3-inch sensor in the camera body, every lens group is now designed to move while Panasonic’s original centering technology is applied to the lens alignment to enhance sharpness. Adoption of five aspherical glass lenses and optical design optimization achieve beautiful, evenly smooth defocus with an invisible edge line; the “onion ring effect” is suppressed by Panasonic’s unique aspherical lens mold technology. In addition, a nine- aperture diaphragm helps produce bokeh with smooth, circular shapes.

The versatile zoom range of 24-75mm (35mm camera equivalent) is suitable for wide-ranging photography from snap to portrait. Notably, landscapes can be captured in dynamic 24mm ultra-wide angle in any of 4:3, 3:2 or 16:9 aspect thanks to the multi-aspect capability. The aspect can be set quickly with the aspect switch on the lens barrel. A Multi-Aspect Bracket allows shooting still images in 4:3, 3:2, 16:9 and 1:1 aspect ratios simultaneously with a single shutter release.

Stunning macro shots can be shot with minimum working distance of 3cm (wide) and 30cm (tele) to describe the detail of the subject, despite its large-sized sensor. It also complies with maximum 1/4000 (mechanical) and 1/16000 (electronic) high shutter speed.

  1. Intuitive control and quick response

The LUMIX LX100 II integrates a LVF (Live View Finder) with 2764K-dot equivalent high resolution and approximately 100percent color reproduction. This 16:9 Wide Screen LVF boasts approximately 1.39x / 0.7x (35mm camera equivalent.) magnification and 100percent field-of-view. It comes with the Eye Sensor that automatically turns ON/OFF according to the photographer’s action. The Eye Sensor AF starts auto focusing immediately when the photographer looks into the LVF to prevent missing the shooting opportunity. The image output between the LVF and the rear monitor is switched automatically with the eye sensor on the LVF, which features options of sensitivity – high, low and off – to reduce false operation caused by touching the rear monitor.

The LUMIX LX100 II is equipped with a variety of advanced functions to spur potential of advanced photographers. It allows direct, intuitive control with dedicated rings and dials, such as aperture ring, control ring, shutter speed dial or exposure compensation dial. For example, controls including manual focus, zoom and step zoom can be operated with the control ring. An ergonomically designed synthetic leather grip ensures a stable hold.

The new 3.0-type (inch) large rear monitor increases resolution to approximately 1240K-dot, enabling touch control. Direct operation is made possible with Touch AF or Touch Pad AF while enhancing the operability of 4K PHOTO.

DFD (Depth from Defocus) technology calculates the distance to the subject by evaluating two images with different sharpness levels, while consulting the data of optical characteristics of the current lens in a moment. As a result, the LUMIX LX100 II achieves high-speed AF of approximately 0.10 sec* and high-speed burst shooting at 11 fps (AFS) / 5.5 fps (AFC) to capture fast-moving subject just in-focus. The LUMIX LX100 II integrates Starlight AF to allow users to shoot a star in the sky at night with auto focus. This can be achieved by accurate calculation of contrast value in a smaller AF zone.

* Based on the CIPA standard. At wide-end, when using Live View Finder at 60 fps.

  1. Ultra high-definition 4K video and 4K PHOTO for unmissable moments

With its high-speed signal readout of the sensor and engine processing, the LUMIX LX100 II records smooth, high-resolution 4K videos in 3840×2160 resolution at 30p or 24p.

Taking full advantage of 4K technology, users can enjoy 4K PHOTO to capture fleeting photo opportunities at 30 fps in eight-megapixel equivalent resolution by extracting a frame of the most photogenic timing out of the 4K burst file to save as a photo. Three exclusive functions are integrated into the LUMIX LX100 II to make 4K photography even easier: 4K Burst Shooting, 4K Burst (Start/Stop) and 4K Pre-burst. The 4K Burst shooting allows consecutive shooting at 30 fps*1, which can be used just like photo burst shooting. Users can also choose either 4:3, 3:2 or 1:1 in addition to 16:9 with the aspect switch.

Choosing the best shot out of hundreds of frames recorded with 4K PHOTO is now easier with the newly-added Auto Marking function. It lets users jump to the nearest frame where differences are obvious between consecutive frames to minimize the time it takes to choose the best shot. With Sequence Composition, it is possible to make a stromotion image by synthesizing multiple images shot at a fixed frame with 4K PHOTO. A unique image reflecting the subject’s motion can be easily produced in-camera without a special retouching process.

The LUMIX LX100 II also comes with a Post Focus function to select the in-focus area even after shooting. This is particularly helpful in situations like macro shooting, where strict focusing is required or for changing expressions by changing the focused subject. This function was developed by combining the high-speed, high-precision DFD (Depth from Defocus) auto-focus technology and 4K technology. The Focus Stacking function enables users to adjust the depth of field after shooting by combining multiple images shot with the Post Focus function in the camera. Users do not need to focus strictly while shooting as they can obtain the image with the defocus level they want or pan-focus the image by simply selecting the focus area after shooting. This is beneficial when shooting macro shots of insects, small accessories and similar subjects

In addition, the LUMIX LX100 II incorporates Light Composition function as a new option of 4K PHOTO mode. The camera synthesizes images by choosing and saving a brighter pixel. This makes it possible to produce more luxurious, dramatic images of situations such as fireworks or night scenery in-camera with ease.

*1 About 4K motion picture recording / 4K Photo recording:

– Use a card with SD Speed Class with “UHS-I UHS Speed Class 3 (U3)” when recording motion pictures with [MP4] in [4K] or [4K PHOTO].
(SD speed class is the speed standard regarding continuous writing.)

– Recording stops when the continuous recording time exceeds 15 minutes with [MP4] in [4K].

– When using an SDHC memory card: Users may continue recording without interruption, even if the file size exceeds 4GB, but the motion picture file will be divided and recorded/played back separately.

– When using an SDXC memory card: Record a motion picture in a single file.

– When the ambient temperature is high or continuous recording is performed, the camera may stop the recording to protect itself. Wait until the camera cools down.

*2 For [4K] video output, use a HDMI cable that has the HDMI logo on it, and is described as “4K compatible.”

  1. More options for creative freedom

?Filters and Creative Panorama

The LUMIX LX100 II integrates a variety of artistic functions that adds fun to digital photography. A total of 22 filters are available to take pictures with and without filter effect simultaneously, so that users can compare them to choose later. With the Creative Panorama function, it is possible to shoot a horizontal / vertical panoramic image with consequent shots taken by overlaying the previous picture and adding 18 filter effects.

?Photo Style with new L.Monochrome D mode

Photo Style, which changes the texture of the photo, is also upgraded. L.Monochrome mode and L.Monochrome D mode are newly added to Photo Style, making it possible to shoot dynamic monochrome photos with emphasized highlights and shadows while preserving the details. All three monochrome modes, Monochrome, L.Monochrome and L.Monochrome D, allow the user to adjust the grain effect between High/Standard/Low for more creative monochrome photo shooting.

?Exposure / WB / Focus / Aperture Bracket

In the LUMIX LX100 II, Focus Bracket and Aperture Bracket are additions to conventional Exposure Bracket and WB Brackets for users to choose the best shot later. In Focus Bracket, a maximum of 999 images can be shot with different focus points. The Aperture Bracket lets users have multiple shots with different depth of field.

?RAW data development in-camera

?Highlight / Shadow Control

-Focus Peaking

-Level Gauge

  1. Other features

?Bluetooth® 4.2 and Wi-Fi® 2.4GHz (IEEE802.11b/g/n)

The LUMIX LX100 II integrates Bluetooth® and Wi-Fi® connectivity to provide a more flexible shooting experience and instant image sharing with easy operation. Once the camera is connected to a smartphone or tablet installed with Panasonic’s dedicated application software (Panasonic Image App for iOS / Android), users can shoot, browse and share images remotely. Compatibility with Bluetooth 4.2 (called BLE: Bluetooth Low Energy) enables constant connection with a smartphone/tablet with minimum power consumption. This enables the camera to activate by simply using a smartphone/tablet or to add a GPS geotag on the photos automatically.

?AC/USB Power Charging

The camera’s battery can be recharged either via AC or USB according to the users’ convenience.

Panasonic Lumix DC-LX100 II specifications

Price
MSRP $ 999
Body type
Body type Large sensor compact
Body material Magnesium alloy
Sensor
Max resolution 4736 x 3552
Other resolutions 4928 x 3288 (3:2), 5152 x 2904 (16:9), 3552 x 3552 (1:1)
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 17 megapixels
Sensor photo detectors 22 megapixels
Sensor size Four Thirds (17.3 x 13 mm)
Sensor type CMOS
Processor Venus Engine
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 200-25600 (expands down to 100)
Boosted ISO (minimum) 100
White balance presets 5
Custom white balance Yes (4 slots)
Image stabilization Optical
Uncompressed format RAW
JPEG quality levels Fine, standard
File format
  • JPEG (Exif v.2.31)
  • Raw (Panasonic RW2)
Optics & Focus
Focal length (equiv.) 24–75 mm
Optical zoom 3.1×
Maximum aperture F1.7–2.8
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (4.3x – 6.2x)
Manual focus Yes
Normal focus range 50 cm (19.69)
Macro focus range 3 cm (1.18)
Number of focus points 49
Screen / viewfinder
Articulated LCD Fixed
Screen size 3
Screen dots 1,240,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.7×
Viewfinder resolution 2,760,000
Photography features
Minimum shutter speed 1800 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes
Flash X sync speed 1/4000 sec
Drive modes
  • Single
  • Continuous (H/M/L)
  • Self-timer
Continuous drive 11.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±3 (3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, AVCHD, H.264
Modes
  • 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC
  • 3840 x 2160 @ 24p / 100 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1920 x 1080 @ 30p / 20 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 30p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
  • 1280 x 720 @ 30p / 10 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (UHS-I supported)
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes
HDMI Yes (micro HDMI)
Microphone port No
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.2 LE
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description DMW-BLE9 lithium-ion battery & USB charger
Battery Life (CIPA) 340
Weight (inc. batteries) 392 g (0.86 lb / 13.83 oz)
Dimensions 115 x 66 x 64 mm (4.53 x 2.6 x 2.52)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic DC-LX100 II First Impressions Review

22 Aug

Panasonic Lumix LX100 II First Impressions Review

The Panasonic Lumix LX100 II is a 17 megapixel enthusiast zoom compact with a 24-75mm equivalent F1.7-2.8 lens. It uses up to ~85% of the area of a Four Thirds-sized sensor to give a choice of aspect ratios without narrowing the field of view.

Like the Mark I, the LX100 II features extensive external control points but it now also gains a touchscreen to speed up processes such as AF point positioning and interacting with the customizable function menu.

Key features:

  • Up to 17MP (from 20MP Four Thirds CMOS sensor)
  • 24-75mm equivalent F1.7-2.8 zoom
  • 4:3, 3:2, 16:9 and 1:1 aspect ratios using selector switch on lens
  • 4K video at up to 30p
  • 2.76M-dot equiv. electronic viewfinder
  • 1.24M-dot rear touchscreen
  • Wi-Fi with always-connected Bluetooth

Along with the higher-resolution sensor, the LX100 II gains a host of clever features the company has developed since the launch of the original model. But, perhaps more importantly, it also gains the improved color rendering Panasonic introduced with the GH5, which should mean more attractive JPEG output.

While we’ve yet to put the LX100 II through our full suite of tests, we have gotten hands-on time with a pre-production unit to get a feel for the improvements Panasonic’s brought to the table. Read on to find out what we think.

The LX100 II is expected to ship in October at an MSRP of $ 999.


What’s new and how it compares

The LX100 II gets an updated Four Thirds sensor, all of Panasonic’s latest 4K photo features and more.

Read more

First impressions

DPReview editor Jeff Keller was a big fan of the original LX100 and finds the updates in the LX100 II make it an even more compelling offering.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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Leica M10-P sample gallery

22 Aug

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The Leica M10-P is a new, stealthier version of the standard M10 rangefinder, offering a quieter shutter, touchscreen and no red dot. We spent a few weekends taking it for a spin around town – from the neighborhood block party to balcony portrait sessions. Take a look at our first sample images.

Articles: Digital Photography Review (dpreview.com)

 
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Leica M10-P adds a touchscreen and removes the red dot

22 Aug

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Leica has introduced the M10-P, a higher-priced version of the M10 that removes the famous red dot and adds a quieter shutter in order to make the camera ‘the stealthiest M ever’. Though ironically, if stealth is its aim, Leica has also added its trademark script to the top plate, which is hard to miss.

A more significant addition is a touchscreen LCD: the first to grace an M-series camera. This lets you position the area to magnify in live view or double-tap to jump straight to an enlarged view. You can also swipe and pinch-to-zoom in playback mode. There’s also a new spirit level on the LCD and in the viewfinder.

As with the M10, the M10-P has a 24MP CMOS sensor with an ISO range of 100-50,000, a 3″ LCD, Wi-Fi and – of course – the M’s timeless styling. Neither camera has I/O ports: not even USB.

The M10-P comes in black or silver and black and will be available today for $ 7995.

Photos by Mathieu Bitton taken with the M10-P

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Press Release:

The Leica M10-P, A New Level of Understated Excellence

Exceptionally discreet, the new Leica M10-P allows photographers to see and not be seen

August 21, 2018 — Go unnoticed with the Leica M10-P, the newest, most inconspicuous addition to the Leica M series. Exceptionally discreet, the M10-P embodies the essence of the M philosophy and raises the traditional subtlety of the M series to an unprecedented level. The new Leica M10-P separates itself from other digital cameras with its almost inaudible mechanical shutter release and omission of the classic red-dot logo to covertly capture candid moments.

The most notable feature of the Leica M10-P speaks volumes to the core philosophy of the M series, yet it is virtually silent to the ear. At the heart of this camera is its newly designed shutter, making the M10-P the quietest of all digital and analog M cameras ever made. Moments requiring utmost discretion can be captured unobtrusively with the nearly silent, fast and slim M10-P. The design of the Leica M10-P is classically minimalist, featuring only subtle Leica lettering on its top plate, and omitting the Leica red dot logo or any branding on the front.

With the M10-P, Leica debuts a touch-function for the M-System, enabling faster checking of focus in Live-View and Playback modes and convenient contemporary touchscreen controls such as swiping and pinch-to-zoom. The M10-P further assists photographers in capturing a perfectly framed and level shot, thanks to its built-in Level Gauge. This time-saving feature helps photographers get their perfect shot, right at the press of the shutter. All other features, functions, build quality and finishing of the Leica M10-P match the same high standards of its sibling model, the Leica M10. Rounding out that high-level design, the M10-P also comes with a color-matched metal hot shoe cover, giving the top plate a seamless look and sleek style.

Compact, pared down and discrete, the M10-P’s design perfectly reflects the ethos of M cameras: provide photographers the right tools to unobtrusively capture important moments from the rich tapestry of life.

“Never before have I shot with a more discreet camera,” says Grammy Award-nominated photographer Mathieu Bitton. “The M10-P feels like stealth version of my beloved M film cameras. It fully retains that signature M nature, while being so quiet and unobtrusive that my subjects barely realize I’m photographing them. That’s such an important thing in the type of photography I do. The less I distract my subjects, the more genuine moments I’m able to capture.”

The Leica M10-P is available today in Leica Stores, Boutiques and Dealers, offered in a choice of black chrome and silver chrome finishes. This new release from Leica will coexist with the current Leica M10.

Leica M10-P specifications

Price
MSRP $ 7995
Body type
Body type Rangefinder-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 5952 x 3992
Other resolutions 5952 x 3968 (JPEG, 24MP), 4256 x 2932 (12MP), 2976 x 1984 (6MP)
Image ratio w:h 3:2
Effective pixels 24 megapixels
Sensor size Full frame (35.8 x 23.9 mm)
Sensor type CMOS
Processor Maestro II
Color space sRGB
Color filter array Primary color filter
Image
ISO Auto, 100-50000
White balance presets 8
Custom white balance Yes
Image stabilization No
Uncompressed format RAW
File format
  • JPEG
  • Raw (DNG)
Optics & Focus
Autofocus
  • Touch
  • Live View
Manual focus Yes
Lens mount Leica M
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Fixed
Screen size 3
Screen dots 1,036,800
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (rangefinder)
Viewfinder coverage 100%
Viewfinder magnification 0.73×
Photography features
Minimum shutter speed 8 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes
Flash X sync speed 1/180 sec
Drive modes
  • Single
  • Continuous
  • Interval
  • Exposure bracketing
  • Self-timer
Continuous drive 5.0 fps
Self-timer Yes (2 or 12 secs)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±3 (at 1/3 EV steps)
AE Bracketing ±3 (3, 5 frames at 1/3 EV, 2/3 EV, 1 EV, 2 EV steps)
Videography features
Microphone None
Speaker None
Storage
Storage types SD/SDHC/SDXC
Connectivity
HDMI No
Microphone port No
Headphone port No
Wireless Built-In
Remote control Yes (via cable trigger)
Physical
Battery Battery Pack
Battery description BP-SCL5 lithium-ion battery & charger
Battery Life (CIPA) 210
Weight (inc. batteries) 660 g (1.46 lb / 23.28 oz)
Dimensions 139 x 39 x 80 mm (5.47 x 1.54 x 3.15)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS Optional
GPS notes via optional Visoflex EVF

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Rokinon AF 14mm F2.8 launches in September for Nikon F-mount

22 Aug

Rokinon has announced that its ultra-wide AF 14mm F2.8 lens will arrive for Nikon F-mount in September. The lens, which is already available for Canon EF, is the maker’s first auto focus lens for Nikon. The model features 15 glass elements in 10 groups, including two aspherical lenses, four high refractive index lenses, and one extra-low dispersion lens. The glass has Ultra Multi-Coating (UMC) anti-reflective coatings.

The lens features a Manual / Auto Focus switch and an aluminum alloy housing, as well as a 7.8″ / 0.20m minimum focusing distance, weather sealing, and a 16.7oz / 474 grams weight. According to Rokinon, the AF 14mm F2.8 “meets or exceeds the performance characteristics” of similar ultra-wide lenses.

The Rokinon AF 14mm F2.8 for Nikon F will be available in September for $ 799 USD.

Via: Imaging Resource

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The Insta360 Pro 2 is an 8K 3D 360-degree camera

22 Aug

Insta360 is probably best known for its smartphone 360-degree cameras, but the company is also very active in the professional space. Today it underlined its ambitions in the market for professional 360-degree imaging equipment by launching the Insta360 Pro 2, a six-lens 8K 3D professional VR camera.

The Insta360 Pro 2 uses six cameras to capture a scene, fusing the image data into two 8K photos or videos to create 3D VR image output. Available shooting modes include 8K 3D at 30 fps, 8K monoscopic at 60 fps, 6K 3D at 60 fps, and 4K 3D at 120 fps.

In-camera HDR allows for capturing highlight and shadow detail, even in difficult lighting situations, and i-Log mode offers flexibility in post-production coloring. The camera also features Insta360’s FlowState stabilization. The software-based system uses data from a gyroscope and the company says it offers gimbal-like performance, doing away with the need for bulky stabilizing gear that would possibly be visible in the footage.

For monitoring the Pro 2 comes with a 360-degree live monitoring system that, according to Insta360, offers a high-definition, low-latency video stream that is optimized for long-distance previewing. Thanks to a transmitter and receiver, the camera can be controlled and footage previewed from a distance of roughly 300 meters ground-to-ground, and 1 kilometer ground-to-air.

In addition the camera features four built-in mics for 360 audio, a pair of USB and 3.5 mm audio inputs, and six MicroSD card slots for recording at the maximum possible bit rate. A seventh SD card is reserved for recording stabilization data and low-res proxy files that can be used for editing in Adobe Premiere Pro.

The Insta360 Pro 2 can now be preordered at the Insta360 Store and other retailers for $ 4999.95 USD. The package includes the Farsight transmitter system and an additional battery. Shipping is scheduled for September. Sample footage can be viewed on the Insta360 Youtube channel.

Press Release:

Insta360 Pro 2 Launches with 8K 3D, FlowState Stabilization, Simplified VR Workflow

Insta360 today launched the Insta360 Pro 2, a groundbreaking six-lens professional VR camera. Ready to shoot 8K-per-eye 3D 360 video, the Pro 2 innovates the entire professional VR production workflow – offering effortless FlowState stabilization, long-range live monitoring, simplified post-production in partnership with Adobe, and a new technology that delivers 8K VR to viewers regardless of whether they have high-end playback devices.

Introducing the Insta360 Pro 2: https://www.youtube.com/watch?v=wjM3wS68cYo

Every Detail. From Every Angle.

The Insta360 Pro 2 uses six cameras to capture every angle of a scene at once. The resulting videos or photos are then fused into two 8K 360 images, one per eye, to create immersive, beautifully detailed 3D VR.

Available shooting modes include 8K 3D at 30 FPS, 8K monoscopic at 60 FPS, 6K 3D at 60 FPS, and 4K 3D at 120 FPS, among others. New in-camera HDR keeps lighting natural even when it varies in every direction, and i-Log mode is optimized for maximum flexibility in post-production coloring.

Make Your Move

The Pro 2 features Insta360’s proprietary FlowState stabilization, bringing a high-quality in-camera stabilization system to professional VR for the first time ever. Until now, VR creators have faced a grim choice: Make their audience sick with poorly stabilized footage, or use bulky stabilizing gear that would show up in scene and create a post-production headache.

FlowState solves this, achieving gimbal-level, pro-quality stabilization with no gear necessary. The Pro 2 uses an ultra-precise gyroscope that tracks motion on nine axes, and then – when paired with Insta360’s software innovations – allows creators to stabilize their footage down to a hair, fully automatically.

The dynamic, moving shots that filmmakers rely on to tell good stories are now possible in VR, along with a new language of dynamic 360 shots waiting to be created.

Action at a Distance

VR creators struggle with a fundamental challenge of the medium. How do you direct a shot when you can’t be on-set? The common solution – Wi-Fi monitoring – is notorious for being unreliable, short-range and prone to delay and interference.

The Pro 2 comes paired with all-new Farsight technology, a 360° live monitoring system that offers a high-definition, low-latency video stream that’s optimized for long-distance previewing.

With a transmitter and receiver, creators can effortlessly direct and control their scene from a distance of roughly 300 meters ground-to-ground, and 1 kilometer ground-to-air. Transmitting at 5.18Ghz, the Farsight uses smart channel switching to ensure it always cuts through the noise.

“No-Stitch” Editing in Adobe Premiere Pro

The Pro 2 is tailored for convenient stitching and editing using Insta360’s integrated Adobe Premiere Pro workflow. Every time the Pro 2 captures a video, it automatically saves a low-res proxy version in addition to the full-quality footage.

All a creator needs to do when they finish a shoot is directly import their footage into Adobe Premiere Pro. The proxy files will be automatically recognized and stitched instantly to let creators preview their final project.

This proxy version can be used to edit the project as usual. Then, when users are ready to export, Insta360’s algorithm will take over and stitch together exactly the footage they used in the final project, at full quality. There’s no wasted time, processing power, or effort. Creators stitch only what they use.

Ready for Anything

The Pro 2 weighs in at a handy 3.42 pounds (including a battery and antennae), making it easy to carry on remote shoots or send up on a drone, and its hot-swap battery dock ensures that it stays powered-up out in the field.

It sports four built-in mics for 360 audio, plus a pair of USB and 3.5 mm audio inputs on its top and bottom – allowing creators to add a custom audio setup or other add-ons as their shoots demand.

Six MicroSD card slots, one per each camera, allow the Pro 2 to record at the maximum possible bitrate, ensuring optimal image quality and post-production flexibility. A seventh Full SD card captures stabilization data and low-res proxy files optimized for editing in Adobe Premiere Pro.

Clear as Crystal

There’s a drawback to creating a beautiful, high-res VR project: You have to figure out how to deliver it to an audience — most of whom are going to be using either a smartphone or a popular headset like the Oculus Go or Samsung Gear VR, both of which max out at 4K.

Using Insta360’s proprietary CrystalView technology, Pro 2 content can be quickly converted into a format that’s ready to play back – at full 8K quality – on any mainstream smartphone or headset. Insta360’s free playback apps (such as Insta360 Moment) will dynamically render these files, displaying in full quality the exact segment of a scene that a user is looking at.

Live In the Moment. But Capture It.

The Insta360 supports 360 live-streaming at 4K resolution — in both 3D and monoscopic formats. The best part: Creators can save full-quality 8K footage at the same time that they broadcast in 4K, giving them the flexibility to turn their live recording into a polished edit later on.

Perfect Sense of Direction

The Insta360 Pro 2 sports a built-in GPS module, enhanced with a top-mounted antenna to improve signal strength. Creators can automatically append GPS data to their captures, allowing for easy contributions to Google Maps Street View and other precision-mapping projects.

Tools for Any Job

Insta360 Pro 2 customers will also have access to some of the premiere post-production tools in the VR industry. Included in the purchase of the Pro 2 is a 3-month license for Mistika VR Professional Edition ($ 236 USD value), offering customizable stitching controls, integrated with Insta360’s official stitching libraries. Also included is a 3-month license for Blend Media’s 360 Stories Pro software ($ 745 USD value), letting users easily create and publish virtual tours and other interactive 360 experiences.

Preorder Open

Preorders for the Insta360 Pro 2 are open now via Insta360 Store, B&H Photo Video and select retailers worldwide. It’s priced at $ 4999.95 USD, and includes the Farsight transmitter system, plus one battery. Cameras are set to ship in September.

Pre-order Now:

https://store.insta360.com/

Sample Footage – 8K 2D H265

https://www.youtube.com/watch?v=rjES6kpciWY

https://www.youtube.com/watch?v=Jb700lV7oLc


Sample Footage – FlowState

https://www.youtube.com/watch?v=WPlpTvutqzs

https://www.youtube.com/watch?v=bQKHZFn5A_c

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Yongnuo releases 50mm F1.4 for Nikon F-mount

21 Aug

Lens and camera accessory manufacturer Yongnuo has announced the availability of the new YN 50mm F1.4N E II lens for Nikon F-mount cameras. This announcement comes roughly three months after Yongnuo released the same lens for Canon EF-mount cameras.

As is to be expected, the YN 50mm F1.4N E II lens for Nikon F-mount is identical to its Canon equivalent in every way aside from the metal lens mount. It features an electromagnetic aperture with full shooting mode support, a 7-blade aperture diaphragm and a built-in USB port for on-the-fly firmware updating.

The nine optical elements in seven groups feature a multi-layer coating for reducing glare and ghosting while simultaneously letting in more light. The front filter is 58mm in diameter and the lens weighs 577g/20.35oz.

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The YN 50mm F1.4N E II lens for Nikon F-mount is currently available through multiple sellers on eBay for roughly $ 175. The lens will likely make its way to other retailers, such as Amazon and B&H, in the coming weeks.

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Smartphone image sensors are low in supply

21 Aug

In May we reported that CMOS sensor sales were at an all time high and record numbers were expected for 2018.

It appears the strong sales have not slowed down at all over the summer, and we’re now in a situation where CMOS sensors are in short supply. Industry news publication IFNews quotes a number of Chinese sources that refer to an article in the Taiwan Economic Times, reporting that image sensors are now in short supply.

Big suppliers like Sony and Omnivision are increasing their prices for image sensors

This is largely due to dual and triple cameras becoming more commonplace on smartphones, with even mid-range models often featuring dual-setups now, sometimes at front and back.

As a result big suppliers like Sony and Omnivision are increasing their prices for image sensors. Smaller smartphone manufacturers who don’t get the same priority access to the big suppliers as major manufacturers are diverting orders to smaller sensor makers, such as Pixart and Silicon Optronics (SOI) to keep component cost under control.

The trend for multiple cameras and sensors on smartphones is unlikely to stop any time soon, so be prepared for increased sensor prices having a minor knock-on effect on final device retail pricing. On the plus side, as this development mainly affects the smaller sensor implemented in smartphone cameras, the impact on the market for the larger units used in DLSRs and most mirrorless system cameras should be minimal.

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Huawei caught trying to pass off DSLR images as smartphone photos…again

20 Aug

It appears Huawei hasn’t learned its lesson. Two years after the Chinese smartphone manufacturer was busted for trying to pass off a DSLR image as a photograph captured with its P9 smartphone, it’s under scrutiny yet again.

Huawei is now taking heat over a recent advertisement for its Nova 3 and 3i smartphones, wherein Huawei insinuates certain photos were captured with a smartphone when a behind-the-scenes photo proves that’s not the case.

The video, which is 30 seconds long, shows various scenes in which the subjects snap photos using various built-in camera features, including beauty, HDR and AI modes. Although the video never explicitly states the images were captured with a Huawei smartphone, it’s very much implied that’s the case.

A critical eye would instantly realize the images weren’t captured with the phone. But for the sake of empirical evidence, we’ll reference the above image uploaded to Instagram (and subsequently deleted) by Sarah Elshamy, the actress in the ad. In the behind-the-scenes still, pictured above, it’s clear the main actor was holding his hand out to make it appear as though he’s holding a phone, when in reality the scene was being shot with a Canon DSLR.

Again, Huawei never specifically mentions what the ad was shot with, leaving a bit of room for leniency. But it’s misleading at best, and downright false advertising at worst. We’ve reached out to Huawei for an official comment and will update this article accordingly if we hear back.

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Nikon mirrorless system beta testers share first impressions in latest teaser

20 Aug

Nikon has posted teaser number five for its full-frame mirrorless system that will be announced in just three days. In this one, early users of the camera share their first impressions, and there’s also a quick glimpse of an F-mount adapter.

You can find the rest of Nikon’s teaser videos here.

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