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Sony users are reporting issue using 128GB SanDisk Extreme SD cards with a7 III

18 Oct

According to multiple users on the Sony Alpha subreddit, Sony’s a7 III camera is having issues with a particular SanDisk SD card.

Reddit user “shadyashell” originally made a post regarding an issue they were having with their Sony a7 III camera and SanDisk Extreme Pro 128GB SDXC UHS-I Card (Class 3) memory card. In the text of the post, they wrote:

“Everytime I insert the card into slot 1 [I get] the error message ‘Unable to read memory card. Reinsert memory card. Slot 1’ appears. I’ve reset the camera multiple times, formatted the card both on slot 2 and my laptop. Any advice on solving this issue?”

Not long after posting, other Reddit users chimed in and echoed that they too had experienced an issue. Reddit user ‘iamtridluu3’ said “I’m having the same issue. All six cards. Identical 128gb Extreme Pro. I could use it in slot 2 fine. Just slot 1 of both my a7 III and all six cards. Something is wrong with these cards.”

Reddit user ‘dany74m’ claims to have contacted Sony and been told that “[Sony] officially recognize[s] the problem” and “the camera or the card are not defective [it’s] just an incompatibility with the SD extreme V.30 128GB.” Reddit user ‘dany74m’ added “[Sony] said they are aware and they are working to fix the issue with a firmware update in few weeks.”

DPReview contacted Sony regarding the issue. A spokesperson for the company kept it short and vague, saying “our team is currently investigating the claims.” We will update this article if any new information becomes available.

Articles: Digital Photography Review (dpreview.com)

 
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Don’t wait for Holga – this battery-free Instax printer is already on the market

18 Oct

Toy manufacturer Tomy has announced the KiiPix, a battery-free smartphone printer that’s remarkably similar to the one Holga has been promoting through its Kickstarter campaign. The biggest difference between the two is that you can get the KiiPix today, rather than having to wait for a Kickstarter.

The KiiPix is designed very much like the Holga version, other than the pull-up bellows, and uses the same principles for copying the screen of your smartphone onto Fujifilm Instax Mini instant film.

To make a print, users are encouraged to turn up the brightness of their screen and place the smartphone face down on a frame supported by a fold-out stand. The shutter is tripped using a nearly identical side-lever mechanism as the Holga Printer, and a winding crank draws the film from the cassette through the exit slot to trigger development.

The only thing the KiipIx needs to print photos is a steady supply of Instax film. It collapses down to 135x55x175mm/5.3×2.1×6.88in to stow away easily in a bag for carrying around. The printer has been available since August, and retails for$ 40/£39. It comes in a range of colors depending on your region. For more information see the Tomy website.

PRINT PICTURES ANYTIME, ANYWHERE WITH KIIPIX

KiiPix from TOMY is the new and innovative smartphone printer that instantly prints your favourite photos straight from your smartphone to create lasting memories.

Unlike many instant cameras or photo-printing devices, KiiPix does not require batteries, an app or Wi-Fi to use; simply open up the device, place your smartphone on top, press the button and rotate the dial to print out your photo. KiiPix’s compact design means it’s easily portable so you are ready to print photos anytime, anywhere. It comes in three colours: cherry blossom, sky blue and jet black and at an affordable price point of £39.99 is guaranteed to appeal to the masses.

As the revival of retro inspired products becomes more prominent in both the fashion and technology industries, Kiipix is tipped to be the must-have lifestyle product for millennials, students and young women in 2018. From fashion, to gaming systems, to food, consumer trends show that nostalgic brands are resonating with millennials as they embrace old favourites.

There has been a huge surge in the popularity of instant photography in the last number of years as consumers turn to analogue camera equipment and discover the joy of print photography in this digital age. KiiPix combines both the new and the old, as users can capture and modify photos on their smartphones before instantly printing, retro style.

Kiipix will be supported with a strong digital and social media campaign, as well as being present at experiential consumer events; influencer marketing will also be central to the product launch.

KiiPix – SRP: £39.99
The innovative KiiPix device is light and compact, and collapses into a peggable closed box making it easily portable measuring at 135 mm x 55 mm x 175 mm. KiiPix comes in three colours, cherry blossom, sky blue and jet black. Available in August 2018. Suitable for 10 years plus.

All TOMY toys are cleverly designed to develop children’s core skills whilst they play. Manufactured to the highest standards, this collection of reliable toys continues to be a family favourite, building on the heritage and core values, which parents associate with TOMY. For more information on TOMY please visit www.tomy.com, become a fan at Facebook.com/tomy.toy.uk or follow us on @TomyToysUK.

Articles: Digital Photography Review (dpreview.com)

 
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PhotoDirector 10 released with AI styles, new layer features, and tethered shooting

18 Oct

CyberLink has released PhotoDirector 10, the newest version of its PhotoDirector image editing and design software. The latest installment brings a number of new features, including tethered shooting and an AI Style Engine. CyberLink has also made a number of improvements to layer editing.

PhotoDirector 10 brings users workflow improvements, according to CyberLink, that are designed for “advanced photographers.” The inclusion of tethered shooting enables users to directly connect a camera to their PC, shoot images, and instantly preview them on the computer.

The newest upgrade also brings Soft Proofing for previewing a printer’s tone and color rendering, as well as improvements to layer editing. The latter change includes the ability to add empty layers to projects, use clipping masks, and group layers together.

Other features include the addition of integrated Express Layer Templates, additional template packs that can be purchased through CyberLink Store, AI Style Packs that use deep learning to be “more than just photo filters,” one-clicked keystone correction, advanced layer text editing, adjustment layers, and content-aware editing for moving, removing, and copying image elements.

PhotoDirector 10 is available now from CyberLink’s website for $ 99.99 USD for new customers, or starting at $ 69.99 USD as an upgrade for existing customers.

Articles: Digital Photography Review (dpreview.com)

 
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How Google developed the Pixel 3’s Super Res Zoom technology

18 Oct

In a blog post on its Google AI Blog, Google engineers have laid out how they created the new Super Res Zoom technology inside the Pixel 3 and Pixel 3 XL.

Over the past year or so, several smartphone manufacturers have added multiple cameras to their phones with 2x or even 3x optical zoom lenses. Google, however, has taken a different path, deciding instead to stick with a single main camera in its new Pixel 3 models and implementing a new feature it is calling Super Res Zoom.

Unlike conventional digital zoom, Super Res Zoom technology isn’t simply upscaling a crop from a single image. Instead, the technology merges many slightly offset frames to create a higher resolution image. Google claims the end results are roughly on par with 2x optical zoom lenses on other smartphones.

Compared to the standard demosaicing pipeline that needs to interpolate missing colors due to the Bayer color filter array (top), gaps can be filled by shifting multiple images one pixel horizontally or vertically. Some dedicated cameras implement this by physically shifting the sensor in one pixel increments, but the Pixel 3 does it cleverly by essentially finding the correct alignment in software after collecting multiple, randomly shifted samples. Illustration: Google

The Google engineers are using the photographer’s hand motion – and the resulting movement between individual frames of a burst – to their advantage. Google says this natural hand tremor occurs for everyone, even those users with “steady hands”, and has a magnitude of just a few pixels when shooting with a high-resolution sensor.

The pictures in a burst are aligned by choosing a reference frame and then aligning all other frames relative to it to sub-pixel precision in software. When the device is mounted on a tripod or otherwise stabilized natural hand motion is simulated by slightly moving the camera’s OIS module between shots.

As a bonus there’s no more need to demosaic, resulting in even more image detail. With enough frames in a burst any scene element will have fallen on a red, green, and blue pixel on the image sensor. After alignment R, G, and B information is then available for any scene element, removing the need for demosaicing.

For full technical detail of Google’s Super Res Zoom technology head over to the Google Blog. More information on the Pixel 3’s computational imaging features can be found here.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X-T3’s video lives up to impressive specifications

17 Oct

The Fujifilm X-T3’s 4K video more than lives up to its impressive specification, making it one of the most capable video cameras we’ve ever tested.

Articles: Digital Photography Review (dpreview.com)

 
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VSCO adds new ‘Preset Views’ to its Android and iOS apps

17 Oct

Today, VSCO introduced Preset Views, an interface change within its mobile application that makes it easier to see how presets look on your photos.

The new feature provides three new viewing options when adding presets to your photos. In addition to the standard view, VSCO now lets you see previews of each preset in various sizes, from small thumbnail to full-width photos.

“The feature is designed to help creators continue to evolve their creativity by encouraging them to step outside of their comfort zones and experiment with different presets,” says VSCO.

VSCO also added a new grouping function that makes it easier to see what presets work best with certain types of photo. Until now, presets were only grouped in the various collections VSCO introduced. You could rearrange them as your needs desired, but it’s a time-consuming process. And you still have to know what presets work best for various types of photos.

Now, you can get a better feel for what filters work best for portraits compared to those more suited for landscapes or urban environments. It also includes groupings of filters such as “monochrome” or “vibrant” for images that would look better as black and white or those that could use a little saturation.

The new features should be live across VSCO for both Android and iOS smartphones. If you don’t have VSCO, you can download it for free for both Android and iOS.

Articles: Digital Photography Review (dpreview.com)

 
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TinyMOS unveils ultra-portable NANO1 astrophotography camera

17 Oct

TinyMOS, the company behind the TINY1 astrophotography camera introduced in 2015, is back with a successor. The newly unveiled NANO1 is only one-third the size of the TINY1 and offers multiple improvements over the original model, including greater portability, increased resolution, and a dual-mount lens system.

The NANO1 is highly portable, weighing in at less than 100g/3.5oz with a size considerably smaller than the TINY1. Despite the size reduction, the NANO1 astronomy camera will offer triple the resolution of the original model, featuring a Sony BSI sensor capable of capturing 12MP still images and 4K Ultra HD videos.

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TinyMOS packed a dual-mount system into the NANO1, one capable of supporting both “very small” M12 lenses, as well as larger C-mount lenses. Users will be able to control the camera using an iPhone or Android smartphone running a companion app. The apps will also support downloading and sharing images.

Joining the NANO1 camera will be a product line of accessories designed to pack flat, according to TinyMOS, including a miniature Z-tripod mount. The new astrophotography camera model will be launching this fall with deliveries expected to start in April 2019. The NANO1’s price hasn’t been revealed, but interested buyers can sign up for future news about the model here.

Articles: Digital Photography Review (dpreview.com)

 
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Huawei Mate 20 Pro triple cam offers focal lengths from 16 to 80mm

16 Oct
Huawei Mate 20 Pro

Huawei launched its latest flagship smartphone Mate 20 Pro at an event in London today. Like the P20 Pro, the new device comes with a triple-camera setup on the rear but replaces the P20 Pro’s monochrome camera with a super-wide-angle unit, offering the widest range of focal lengths of all current smartphones. Using a combination of optical and digital zoom the new Huawei offers a zoom range from 16 to 270mm equiv.

The 40MP main camera is the same as on the P20 Pro and comes with large 1/1.7″ sensor, F1.8 aperture and 27mm equivalent focal length. The 8MP tele-camera features a F2.4 aperture and 80mm equivalent focal length.

The new super-wide-angle offers a 16mm equivalent focal length and uses a 20MP sensor with F2.2 aperture lens. A minimum focus distance of 2.5cm allows for better macro performance.

Very high ISO values up to 51200 allow for photography in very dark conditions and a new Super HDR mode that fuses 10 frames at Raw level offers improved dynamic range. New AI features include a Portrait Color video mode that isolates human subjects by desaturating the colors around them in real-time. Spotlight Reel identifies clips with a shared theme and auto-generates a highlight montage.

The 24MP front camera support 3D Face Unlock and can also be used for the authorization of mobile payments.

In terms of non-camera specs and features the Huawei Mate 20 Pro offers everything you would expect from a high-end smartphone in 2018. Google’s Android Pie OS is powered by a Kirin 980 chipset and 6GB of RAM. 128GB of built-in memory can be expanded via a new memory card format: Huawei’s new Nano-SD is 45% smaller than a MicroSD card.

The body offers IP86 water and dust protection and houses a 6.39-inch curved OLED display with 3120 x 1440 resolution and very thin bezels. DCI-P3 HDR is supported as well.

Huawei also launched the Mate 20 which comes with a 6.53-inch LCD display and a 12MP main camera but otherwise very similar specs to its top-end cousin. The Huawei Mate 20 Pro will be available from October 16 for approximately $ 1200 (EUR 1049). The Mate 20 is slightly more affordable at approximately $ 1040 (EUR 899).

Huawei Mate 20

A Higher Intelligence: Huawei Unveils HUAWEI Mate 20 Series

LONDON, United Kingdom—October 16, 2018—Huawei Consumer Business Group (BG) today unveiled the HUAWEI Mate 20 Series, one of the most highly anticipated smartphone series of the year. Representing a momentous milestone in the history of the HUAWEI Mate Series, the HUAWEI Mate 20 Series embodies the pinnacle of innovation.

Designed with the industry’s most powerful and sophisticated process technology, the latest Huawei flagship devices set a new bar by which all 2018 smartphones will be measured.

The HUAWEI Mate 20 Series is powered by Huawei’s densest and highest performing system on chip (SoC) to date—the Kirin 980. Manufactured with the advanced 7nm process incorporating the powerful Cortex-A76-based CPU and Mali-G76 GPU, the SoC offers improved performance and an unprecedented smooth user experience. The new 40W HUAWEI SuperCharge, 15W HUAWEI Wireless Quick Charge and large batteries work in tandem to provide users with the best battery life. The Matrix Camera System includes Leica Ultra Wide Angle Lens that lets users not only see wider, but also closer with its new macro distance capability. The Hyper Optical Pattern on the glass back plays with light and shadows, producing an iridescent optical effect that is immediately captivating. The Matrix Camera System adopts the iconic Four-Point Design that exudes personality, giving the device a unique visual identity that is recognizable even at a distance. The HUAWEI Mate 20 Series is shipped with the highly customized Android P-based EMUI 9 operating system, on which consumers can enjoy all productivity and entertainment features easily and conveniently with a few simple taps and swipes.

Available in 6.53-inch, 6.39-inch and 7.2-inch sizes, the HUAWEI Mate 20 Series encompasses four devices: HUAWEI Mate 20, HUAWEI Mate 20 Pro, HUAWEI Mate 20 X and PORSCHE DESIGN HUAWEI Mate 20 RS. “Smartphones are an important entrance to the digital world.

The HUAWEI Mate 20 Series is designed to be the best ‘mate’ of consumers, accompanying and empowering them to enjoy a richer, more fulfilled life with their higher intelligence, unparalleled battery lives and powerful camera performance,” said Richard Yu, CEO of Huawei Consumer BG

Ultimate Performance and Battery Life

The SoC at the core of smartphones has a determining factor in a device’s performance and efficiency. Manufactured with the cutting-edge 7nm technology process, the SoC fits 6.9 billion transistors within a die the size of a fingernail. Compared to Kirin 970, the latest chipset is equipped with CPU that is 75 percent more powerful, GPU that is 46 percent more powerful and NPU that is 226 percent more powerful. Furthermore, the efficiency of the components has also been elevated: the CPU is 58 percent more efficient, GPU is 178 percent more efficient, and the NPU is 182 percent more efficient. The Kirin 980 is the world’s first commercial SoC to use the Cortex-A76-based cores. Huawei has

innovatively designed a three-tier architecture that consists of two ultra-large cores, two large cores and four small cores. This grants the CPU the flexibility to allocate the optimal amount of resources to heavy, medium and light tasks for unprecedented levels of efficiency, simultaneously improving the performance of the SoC while enhancing the battery life.

The Kirin 980 is also the industry’s first SoC to be equipped with Dual-NPU, granting it higher On-Device AI processing capability to support any and all AI applications. HUAWEI Mate 20 Pro is the world’s first smartphone to support the 4.5G LTE Cat. 21 standard, allowing consumers to experience download speeds of up to 1.4Gbps. It also supports the world’s fastest WiFi connection speeds–2GB footage requires only 10 seconds to download. The top-end flagship also supports dual-band (L1+L5) GPS positioning technology.

The AI GPS Satellite Selection technology enhances the positioning accuracy across a wide range of scenarios. Besides superb performance, the HUAWEI Mate 20 Series also features groundbreaking improvement on battery life. The HUAWEI Mate 20 Pro houses a large, high-density 4200mAh battery, and supports 40W HUAWEI SuperCharge, which gives the device 70 percent charge in 30 minutes. The safety of the technology is certified by TÜV Rheinland.

Moreover, HUAWEI Mate 20 Pro supports 15W HUAWEI Wireless Quick Charge, the industry’s fastest wireless charging solution, and Wireless Reverse Charge, which enables the device to work as a power bank for selected electronic devices supporting wireless charging. The HUAWEI Mate 20 X supports an ultra-large 5000mAh battery, and is equipped with a revolutionary HUAWEI super cool system that uses a combination of graphene film and vapor chamber to deliver outstanding cooling performance. With the cooling system in place, the CPU and GPU embedded in HUAWEI Mate 20 X can remain at full throttle for an extended period of time and deliver the smoothest and most satisfying gaming experience to consumers. The HUAWEI super cool system also marks the first time graphene is utilized to cool smartphones.

Matrix Camera System

Building on the foundation of HUAWEI P20 Series’ camera system, Huawei augmented the HUAWEI Mate 20 with a powerful addition—16mm Leica Ultra Wide Angle Lens. This wider perspective creates a sense of spaciousness and a three dimensional effect to the images. The new camera system also supports macro distance, which produces crisp images of objects that are placed as close as 2.5cm from the lens.

The added ultra-wide angle lens and macro support completes the feature set of the camera system, elevating it to a truly all-round camera that is ready to capture any and all action. The HUAWEI Mate 20 Pro is equipped with a 40MP main camera, a 20MP ultra wideangle camera, and an 8MP telephoto camera.

Together, the trio of lenses supports a wide range of focal lengths (equivalent to the performance of a 16-270mm zoom lens), enabling it to mimic the results from professional cameras. The HUAWEI Mate 20 Series also features an AI Portrait Color video mode. Using AI, the HUAWEI Mate 20 Series can isolate human subjects and desaturate the colors around them to dramatically highlight the person.

AI Spotlight Reel identifies clips with a shared theme and auto-generates a montage, made entirely of highlights. HUAWEI Mate 20 Pro and PORSCHE DESIGN HUAWEI Mate 20 RS both support 3D Face Unlock. The solution quickly and securely authenticates users within 0.6s at a false acceptance rate of below 1/1,000,000. Using the 3D Depth Sensing Camera System located at the front, the two devices can accurately read the facial features of a subject and recognize even small details. Besides user authentication, this suite of sensors also enables the portrait beautification effects to be realized in a more natural and effective way.

EMUI 9 Enables a Quality Life

The HUAWEI Mate 20 Series comes with EMUI 9.0, a smart operating system based on Android P. Through AI self-learning algorithms, an integrated and granular resource allocation system, and a highly optimized Android environment, EMUI 9 delivers an “evergreen” experience—it remains smooth even through extended use. EMUI 9.0 incorporates a unified, ergonomic design and a streamlined settings menu.

The new gesture navigation support allows users to effortlessly interact with their devices using just taps and swipes. It also introduces new AI features that enable the HUAWEI Mate 20 Series to perform or enhance a range of tasks from object identification to food calorie counting12 . Using 3D Live Object Modeling, consumers can even create a fun digital avatar to dance or interact with.

As a key pillar supporting Huawei’s all-connected, all-scenario ecosystem, HUAWEI Share 3.0 delivers a revolutionary improvement in device interconnection, allowing users to transfer files between smartphones and PC. This is an innovative, Huawei-proprietary solution that enables device interconnectivity. It revolutionizes the way people transfer images and videos: all it takes is one tap to establish a connection between a smartphone and PC for easy and fast file sharing3 .

Futuristic Design

As an expression of the HUAWEI Mate Series DNA, all devices carry a FullView display with a high screen-to-body ratio. Compactly engineered, every device from the 6.39-inch HUAWEI Mate 20 Pro to the 7.2-inch HUAWEI Mate 20 X can be comfortably used with a single hand. The grace of natural elements is captured on the design of the HUAWEI Mate 20 Series. In particular the HUAWEI Mate 20 Pro’s chassis is curved on all eight sides—a marvel to behold, and a pleasure to hold in the hand. For the PORSCHE DESIGN HUAWEI Mate 20 RS, Huawei and Porsche Design ingeniously combined race track elements with premium materials to create a device that exudes elegance and offers a firm, ergonomic grip.

The Matrix Camera array on the back of the HUAWEI Mate 20 Series features a four-point design with the three cameras and sensor encircled in a polished metal frame, producing an avant-garde look that is both bold and distinct. The flagship series comes in a new Emerald Green colorway, which is as brilliant as its namesake gemstone. The Hyper Optical Pattern on the glass back uses a complex hairline pattern to produce an iridescent effect that is not only highly durable, but also makes the device easy to grip and fingerprint resistant. The devices retain a clean look even when they have been used extensively.

The new HUAWEI Mate 20 Series, as well as HUAWEI WATCH GT, HUAWEI Band 3 Pro will go on sale in countries including the U.K., France, Italy and United Arab Emirates soon. The HUAWEI Mate 20 (4GB + 128GB configuration) will have a MSRP of EUR799 and the HUAWEI Mate 20 (6GB + 128GB configuration) will have a MSRP of EUR849 from 16th October, 2018.

The HUAWEI Mate 20 Pro (6GB + 128GB configuration) will have a MSRP of EUR1049 from 16th October, 2018. The HUAWEI Mate 20 X (6GB + 128GB configuration) will have a MSRP of EUR899 from 26th October, 2018. The PORSCHE DESIGN HUAWEI Mate 20 RS (8GB + 256GB configuration) will have a MSRP of EUR1695, and the PORSCHE DESIGN HUAWEI Mate 20 RS (8GB + 512GB configuration) will have a MSRP of EUR2095 from 16th November, 2018.

Embodying exquisite design, powerful performance, extraordinary capturing capabilities and nextgeneration intelligence, the new HUAWEI Mate 20 Series is the partner of choice for professionals pursuing quality of life. For more information, please visit: http://consumer.huawei.com/en

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Z7 AF tested: Tracking lags behind the D850, mirrorless competition

16 Oct

The Nikon Z7 is slated as a mirrorless equivalent to the D850, but it can’t subject track with the same reliability as its DSLR counterpart. AF performance is otherwise good, except in low light where hunting can lead to missed shots.

Articles: Digital Photography Review (dpreview.com)

 
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Lightroom CC 2.0: What’s new, and where is it headed?

16 Oct

Last year, Adobe shook up its Lightroom ecosystem – and quite a lot of its longtime customers – by announcing Lightroom CC 1.0, a completely new desktop photo management and editing app focused on Creative Cloud integration. The previous version lost its name to the upstart and was rebranded Lightroom Classic CC, leading many people to think, over Adobe’s sudden strenuous objections, that Classic was soon headed for the rejects bin.

Today, Adobe released Lightroom CC 2.0 and Lightroom Classic CC 8.0, both still breathing and both with additional features. In this article I’m specifically looking at what’s new in Lightroom CC and how it fits into the greater Lightroom lineup (which includes mobile versions for iOS and Android), but it’s worth mentioning up front that photographers using Lightroom Classic shouldn’t feel anxious about the immediate future.

Lightroom CC 2.0 Gets More Cloud-y

One of the primary reasons for building a cloud-focused version of Lightroom is to be able to share an entire photo library among multiple devices. Lightroom CC uploads everything to Creative Cloud by default, even Raw files, and from that high perch it can ensure that the images and edits are in sync in Lightroom clients on the desktop, tablets, and phones. (You can also optionally store your photos on a local drive; the cloud isn’t the only repository, but it acts as the master record.)

In Lightroom CC 2.0, Adobe’s Sensei machine-learning technology is responsible for many of the marquee new features

Having a photo library in the cloud opens up possibilities for working with the image data on Adobe’s servers. The company already uses it to deliver better results when clicking the Auto button in Edit mode, and to search for objects and scenes based on visual recognition. In Lightroom CC 2.0, Adobe’s Sensei machine-learning technology is responsible for many of the marquee new features.

People View

Facial recognition is a processor-intensive task, as anyone who’s waited for Lightroom Classic to churn through a local library knows. In the new Lightroom CC People View, the library is indexed and analyzed in data centers instead of your computer. It appears as a category under My Photos, along with the All Photos, Recently Added, and By Date categories.

The People View in Lightroom CC 2.0.
Viewing photos where Lightroom – actually, Adobe Sensei – has identified a person.

Lightroom CC presents a circle for every person it’s identified, so you can assign names; it doesn’t tie into your contacts database or anything outside Lightroom. Since inevitably some photos of the same person don’t get matched, a merge feature lets you combine them. You can also hide people from the list, such as when it pulls unknown individuals out of group shots or public scenes that you don’t want to see all the time.

Search Improvements

When you type within the Search bar, Lightroom presents possible metadata matches as you type, including camera, lens, and shooting data. Each term you add stands on its own, so to find boats at sunset, you’d type “boat,” press Return, and type “sunset” and press Return again. However, there’s no AND/OR/NOT logic to the field; typing “boat” and “sunset” brings up images of boats and images of sunsets, not necessarily boats at sunset. Oddly, folks you’ve identified in the People view are not included in text searches, but a new People filter presents named people as a way to narrow the results.

A search for “boat” and “sunset” has brought up photos that include one or both terms. Or maybe Lightroom assumes a boat owner lurks somewhere in that forest at the top right.

Tying search to Sensei, however, means there’s no local search capability. If your laptop is offline, the Search field doesn’t even work (but the Filter options do). Or, if you do have Internet access, but you’ve paused the sync feature, the search feature won’t pick up any photos you’ve imported that aren’t yet copied to Creative Cloud.

Share Tab

The web component of Lightroom at lightroom.adobe.com lets you view and edit your library in any web browser. It’s also the heart of Lightroom’s options for sharing albums or individual photos via a link, versus transmitting image files themselves. The new Share tab collects shared items in one central place.

The Share tab collects the albums and individual images you’ve shared via the web. At lightroom.adobe.com, you can also apply filters (such as showing only photos marked three stars and higher, for example) and preview the display of the page before it’s shared.

On the Mac and Windows versions of Lightroom CC 2.0, a new Connections feature is the foundation for sharing photos to third-party services. Right now the only option is to tie Lightroom to an Adobe Portfolio site, but the company hopes to add vendors such as photo labs or photo book printers.

One annoyance with the Share tab is that its button is an icon that looks like two people, which is where folks are going to click when attempting to open the People view. I’ve been using the beta for a while and I still do it.

Apple Photos Migration

If you’ve decided that the Lightroom CC ecosystem is the way forward, and you use a Mac, a new Apple Photos Migration tool can copy the contents of an Apple Photos library into Lightroom. It applies only to the system library, not any separate libraries you may have created. Any photos stored in iCloud Photo Library that aren’t on the local disk when the migration happens are not included; for example, if Photos is set to optimize the library, some images are deleted and replaced with proxies to free up disk space until the originals are needed again.

The People view, search improvements, and Share tab features also appear in the iOS, Android and Chrome OS versions of Lightroom.

Thoughts on Lightroom CC a Year On

When Lightroom CC first appeared, I used it almost exclusively for several months because I was writing a book about it. Since then, I’ve stuck with it, for a few reasons:

  • I like having my photo library available on my iPad Pro and iPhone. I find myself often making edits or culling photos on the iPad when I don’t want to bring out my laptop. It’s also convenient to edit photos and share them directly to Instagram or Facebook. Although I still use Lightroom Classic as well, it’s not designed for sharing among devices as well. When you import photos into Lightroom CC, the originals are uploaded to Creative Cloud to sync to other devices. If you import into Lightroom Classic, you must specify which collections will sync, and then the images are converted to lower-resolution Smart Previews before being uploaded. In terms of image quality and making edits, Smart Previews are perfectly workable: edits are synced back to the original images in Lightroom Classic. However, if you’re editing them in Lightroom CC and export the shots to Photoshop for any extra adjustment work (the retouching tools, for instance, are still better in Photoshop), you’re starting with a lower-resolution copy to work with.
  • The performance of Lightroom Classic has improved over the year, but working in Lightroom CC is faster, plain and simple. For some people, this is reason enough to switch.
  • One of my favorite features of Lightroom CC is how it handles images on disk. My MacBook Pro doesn’t have enough storage for my entire library, so Lightroom invisibly removes older originals to conserve disk space, and downloads them on demand from the cloud when needed. But I also save original copies of each image to an external drive in my office. When that disk is not connected, newly-imported photos are kept on the laptop’s storage; as soon as I connect that external drive, Lightroom automatically moves the files from the MacBook Pro to the external. In Lightroom Classic, you have to manually move and copy images. Lightroom CC also supports storing your library on a NAS (network-attached storage) device.

That said, a year on, Lightroom CC 2.0 still presents some significant hurdles for some people.

  • It’s still missing features from Lightroom Classic that I pine for on occasion, such as creating HDR images and panoramas. You can send images to Photoshop for those tasks, but the tools in Lightroom Classic are faster and more straightforward. There’s no option for printing or making books, so if that’s important, you want to stick with Classic. And the metadata support is still bare-bones, with just a basic keywords field and most IPTC fields hidden from view.
  • This is perhaps one of the biggest limiters for many people: To really take advantage of Lightroom CC, you need a robust, always-on Internet connection. If you’re on a low-bandwidth connection, it’s impractical to upload gigabytes of data in any reasonable amount of time; and some service providers limit the amount of data you can transfer every month. And although it is possible to use Lightroom CC without syncing, many features rely on Sensei. If your library isn’t synced to Creative Cloud, you miss out.
  • Even if you do have a good Internet connection, Adobe charges for additional cloud storage. The Creative Cloud Photography plan starts at $ 9.99 per month, which includes 20 GB of storage. That plan, which includes Lightroom CC, Lightroom Classic CC, and Photoshop CC, goes up to $ 19.99 per month for 1 TB of storage. Beyond 1 TB, there are 2 TB, 5 TB, and 10 TB upgrades that cost an extra $ 9.99 per month per terabyte. So, moving up to 2 TB of storage ends up costing about $ 30 per month, and 10 TB costs about $ 120 per month. (There’s also an option to get just Lightroom CC and 1 TB of storage for $ 9.99 per month.) And to reiterate a common complaint, those are subscription prices to rent digital storage, an approach many people don’t like.
  • To dovetail with the topic of being online, as I mentioned earlier, you must be connected to use some features. The one that gets me every time is the lack of local search: it’s unacceptable that my laptop needs to be connected to the Internet to perform even a keyword search of the photos in my library. Even recently-imported photos aren’t searchable until they’ve been uploaded and indexed by Creative Cloud.

The Future of Lightroom CC

Last year I said that I believe Lightroom CC is the future of Lightroom, and that at some point, but not soon, Classic will be replaced by CC. Predictably, some people thought this meant Classic is on its last legs, and the software they’ve invested large numbers of photos and hours was about to pull a swift disappearing act. The photographers who use Lightroom Classic saw what happened when Apple dropped Aperture, and were no doubt aware of Apple’s even more abrupt abandonment of Final Cut Pro in favor of the dramatically redesigned Final Cut Pro X. Those are actions that continue to reverberate among the people who were impacted by them.

Will Lightroom CC ultimately become the one true Lightroom in the future? I believe so, but Adobe doesn’t seem to be in a hurry to get there

Adobe is wisely undertaking a more gradual transition, continuing to develop both Lightroom CC and Lightroom Classic simultaneously without an apparent rush to supplant the latter. In fact, the inclusion of the People view, and not the tools for working with HDR and panorama images – which Adobe representatives confirmed last year were on the roadmap for Lightroom CC updates – points to a measured approach to the software’s development.

Will Lightroom CC ultimately become the one true Lightroom in the future? I believe so, but Adobe doesn’t seem to be in a hurry to get there yet. In the meantime, I think Lightroom CC is becoming more compelling, but Lightroom Classic photographers, especially if they rely on Classic-only features, will continue to watch for it to get more interesting.

Disclosure: Jeff Carlson has done contract work for Adobe in the past.

Articles: Digital Photography Review (dpreview.com)

 
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