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Nikon Japan officially lists the D5500 and D7200 as discontinued

20 Dec

The Nikon D5500 and D7200 DSLRs have officially been discontinued, according to the Nikon Japan website.

It’s been rumored for some time now, but as reported by Nikon Rumors, Nikon Japan has confirmed both APS-C cameras are discontinued on its website.

The D5500 and D7200 were launched in January and March 2015 and were superseded by the D5600 and D7500, respectively. Another fun bit of trivia is the D5500 was the first Nikon DSLR to feature a touchscreen when launched.

As Nikon’s APS-C lineup dwindles, it’ll be interesting to see how much Nikon invests into its crop sensor DSLRs going forward. Nikon Rumors also notes there hasn’t been much hearsay in the rumor mill regarding any potential APS-C mirrorless systems.

It’s also worth noting that while listed as discontinued by Nikon Japan, the D5500 is still available for purchase at Adorama and currently listed as back-ordered on B&H, while the D7200 is still in stock at both Adorama and B&H.

Articles: Digital Photography Review (dpreview.com)

 
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Lensrentals tears down the Canon 400mm F2.8L IS III

20 Dec
Photographs kindly provided by Lensrentals

Roger Cicala, founder of Lensrentals, has torn apart the 400mm F2.8L IS III to see what Canon has done to remove 2.2lbs of weight from the third-generation super telephoto lens.

It’s only been a few weeks since Cicala shared Lensrentals 50mm F1.2L RF lens teardown, but as he hinted at in that teardown, it’s time for Canon’s much larger larger lens to get the signature treatment.

‘We tend to not publish tear-downs of super-telephoto lenses. They’re big and heavy, always well made and well engineered, like you would expect in something that costs as much as a used car,’ says Cicala in the teardown post. ‘But when the new 400mm f/2.8 lenses were released we decided it was finally time to publish a teardown of one. Largely, because they are amazingly light (you see what I did there? largely light?) and we were really interested in how they did that.’

Cicala also says he’s interested in doing a direct comparison between Canon’s latest 400mm F2.8 lens and its Sony counterpart. So it’s safe to say a Sony 400mm F2.8 teardown is just around the corner as well.

The small spring-loaded mechanism used to help lock the lens in place while rotating inside its collar.

The first order of business for Cicala and team was to remove the lens collar. While it might seem like a small detail for such a massive — and expensive — lens, the collar itself is quite complicated in its own right and often one of the first things that can break, due to an internal clicking mechanism that helps lock the lens into place at 90-degree intervals while rotating it on a tripod. As expected, the tripod collar assembly was solid and fairly straightforward — good news for photographers who prefer a more DIY approach to fixing smaller issues like a stuck collar tripod.

From there, it was onto the drop-in filter, which was probably the easiest part of the lens to remove. Cicala says ‘we really, really, really like [the drop-in filter] Because instead of being a proprietary $ 200 filter, it’s a holder that you can attach any 52mm filter to.’

With the easy stuff out of the way, now it was onto the lens itself. Without giving away all of Lensrentals findings, it’s worth pointing out a few details discovered during the teardown.

One of the adjustable screws can be seen in the internal structure of the lens (surrounded by red)

Starting with build quality, Cicala says that despite being light, the ‘inner, weight-bearing barrel is very sturdy magnesium alloy.’ It was at this point in the teardown Cicala noticed two adjustable elements integrated into the lens. The first is a set of screws found just in front of the rear element group, while the other was a set of adjustable collars where the two halves of the lens are joined together.

Regarding the image above, Cicala says ‘a couple of interesting things are in this image […] First, you see the two barrel halves are joined without shimming and held tightly together with 12 large screws – it’s a very strong joint with interlocking pieces. Also, as we saw with the RF 50mm f1.2 teardown, there are springs going down to the focusing ring, we assumed to put tension on a ball bearing ring for a smooth focusing feel in this electronically focused lens. We assumed wrong.’

A little deeper into the build, Cicala and team come across the image stabilization unit. Cicala notes the unit is roughly 2cm thick and full of various electromagnets, springs, sensor inputs and optical elements.

A look inside the intricate image stabilization unit.

In his 50mm F1.2L RF teardown, Cicala said the USM motor used by Canon in its fast prime is the exact same one used in the 400mm F2.8L IS III. Sure enough, that’s been confirmed again with this teardown, complete with the tension spring that continues to leave Cicala and team bamboozled.

A profile view of the ultrasonic motor in all its glory.

‘This is really interesting information, that the same motor and electronic focusing system is used in both lenses,’ says Cicala in the blog post. ‘Obviously, there is a business advantage in using the same subsystem in several lenses. But putting the same electronic focusing system in this EF lens makes me think that going forward Canon lenses may have a lot of internal similarity in either RF or EF mount. Converting the Canon 400mm f/2.8 to an RF wouldn’t be quite as simple as a different rear element and an RF bayonet mount, of course. The additional electronics for the RF Control Ring would have to be stuffed in here and probably some optical tweaks made, but the core structure could be very similar.’

Further disassembly of the USM section also revealed it’s the section of the lens that contains the aperture assembly. From there, it was onto the front optical elements of the lens, some of which were held in place by another adjustable element, which included screws to account for centering and tilting.

The aperture assembly shows all nine aperture blades in action.

After a little more work, the focus ring comes off and bears the various springs and more adjustable components. Cicala and team come up with a theory or two as to why the tension spring is there and what it does, but a definitive purpose is still unknown. Cicala says ‘one day we’ll spend 4 or 5 hours playing with them and figure it out. But don’t tell Canon that; they get aggravated when we do void-the-warranty stuff.’

In the conclusion section titled “So What Did We Learn Today,’ Cicala shares a few of his final thoughts regarding the teardown. The first thing Cicala mentions is the movement of the optical elements inside the glass. Canon said when it announced the 400mm F2.8L IS III that it had moved elements more towards the mount of the lens to create a better center of gravity and that proved to be the case. Also, Cicala says that ‘Despite being far lighter, it’s still very solidly built with a very strong frame, tons of big screws holding everything together, and no weak joints that we can see […] It’s what we expected; Canon’s been building super telephotos for a long time.’

The USM is also elaborated on. Cicala says it’s a very likely possibility Canon will continue to use this motor for all electrically focused lenses, or at least in lenses with a hefty amount of glass in the focusing element.

Overall, it appears as though the 400mm F2.8L IS III is roughly what Cicala was expecting from Canon. A well-built lens with plenty of adjustments in a tightly packaged frame. As interesting of a teardown as this was though, Cicala says the more interesting teardown will be the Sony 400mm F2.8 G lens. ‘Hopefully, it is awesome and for once the Sonyfans* won’t line up 6 deep to explain how what I find is wrong again.’

To see the full teardown in all its glory (and to discover the footnotes on what Sonyfans* means), head over to the Lensrentals blog and take in every bit of detail.

Articles: Digital Photography Review (dpreview.com)

 
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Firmware update fixes AF-issue with Panasonic lenses on older OM-D and PEN cameras

19 Dec
Panasonic Leica DG Elmarit 200mm f/2.8 POWER OIS. lens

In these times of extremely fast product development cycles manufacturers often seem to forget about ongoing improvements and support for older models, instead trying to convince consumers to upgrade and spend their hard-earned cash on the the latest models.

Olympus is now showing that it is a company that is not ignoring its legacy customers. The camera maker has announced firmware updates for a whole bunch of older PEN and OM-D Micro Four Thirds cameras, the OM-D E-M5 and E-M10 as well as the PEN models E-P5, E-P3, E-PL6, E-PL5, EP-L3, E-PM2 and E-PM1.

The update fixes an AF-malfunction that could occur when using one of the cameras listed above with one of two Panasonic Micro Four Thirds lenses, the Leica DG Elmarit 200mm F2.8 POWER OIS and the Leica DG Vario-Elmarit 50-200mm F2.8-4 POWER OIS. If you own any of the affected Olympus/Panasonic camera/lens combinations you can find download links for the new firmware on the Olympus website.

Articles: Digital Photography Review (dpreview.com)

 
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Have your say: Best gear of 2018

19 Dec

Have your say: Best gear of 2018

For the past few weeks, our readers have been voting on their favorite photographic gear released in the past year in a wide range of categories. Now that the first round of voting is over, it’s time to reveal the winners.

Remember, it isn’t over just yet! It’s time now to pick an overall winner. Don’t miss your chance to cast your ballot – this one’s for all the marbles.

Best prime lens – Runner-up: Canon RF 50mm F1.2L USM

The 50mm F1.2 is a lovely, sharp lens for Canon’s fledgeling full-frame mirrorless lineup. It’s the lens we were most excited to get our hands on when the system made its debut, and it did not disappoint. Clearly, our readers agree that it’s a standout.

Best prime lens – Winner: Sony FE 24mm F1.4 GM

As impressive as the RF 50mm F1.2L is, Sony ultimately came up with the prime lens that our readers liked the best this year. The FE 24mm F1.4 GM is truly worthy of its ‘G Master’ designation, and best of all – it’s lighter than Canon and Nikon’s equivalent offerings. Lighter in weight and big on optical performance turns out to be a real winning combination.

Best zoom lens – Runner-up: Canon RF 28-70mm F2L USM

The RF 28-70mm F2L is an ambitious lens – and likely a hint of things to come for Canon’s full-frame mirrorless system. In use the 28-70mm F2 has impressed us with excellent image quality throughout its range, and our readers were clearly impressed too.

Best zoom lens – Winner: Tamron 28-75mm F2.8 Di III RXD

Sure, the appeal of a massive, fast zoom like the RF 28-70mm F2L is hard to deny. But there’s a special place in our readers’ hearts (ours too) for a lens that’s versatile as well as small and lightweight. It’s not quite as fast as this category’s runner-up, but its combination of size and optical performance put it ahead of the competition.

Best compact / fixed-lens camera – Runner-up: Panasonic LX100 II

We’re putting the finishing touches on our full Panasonic LX100 II review, but we’ve seen enough already to know that its image quality is solid. We think the Mark II version builds on what we already liked about its predecessor, and it seems that plenty of our readers agree that it’s more of a good thing.

Best compact / fixed-lens camera – Winner: Sony Cyber-shot RX100 VI

While there was plenty of love for the LX100 II in our poll, the Sony RX100 VI just couldn’t be caught. It’s our pick for the best fixed-lens camera of the year too – the RX100 series’ strong feature set pairs nicely with a longer zoom lens, making it the first true ‘travel zoom’ compact in the lineup.

Best entry-level ILC – Runner-up: Canon EOS M50

The Canon M50 offers an appealing combination of size and capabilities, and though its heavily-cropped 4K video leaves something to be desired, it’s one of our top picks of the year and it’s a favorite among our readership too.

Best entry-level ILC – Winner: Fujifilm X-T100

Our readers’ top pick in the category is another camera with a strong still photography pedigree: the X-T100. It combines a built-in EVF, tilting touch-sensitive LCD and the Fujifilm JPEG image quality we know and love so well. It’s a total package with a lot of appeal for those inclined toward street shooting.

Best mid-range ILC – Runner-up: Fujifilm X-T3

This was one of the closest races in our 2018 polls, and really, we had no doubt it would be. Coming in just shy of the winning camera is the X-T3 – a fantastic stills camera that happens to record excellent video as well. We think it’s one of the best all-around performers in its crop frame class, and our readership seems to agree.

Best mid-range ILC – Winner: Sony a7 III

The Sony a7 III just edged out the X-T3 to take the category, winning by under 3% of the vote. But even in a category of high-quality, versatile cameras, the a7 III stands out. That’s because it represents Sony at its best – bringing several generations’ worth of features and improvements together in a highly impressive package. It wins a competitive category and is sure to be a front-runner for Product of the Year.

Best high-end ILC – Runner-up: Nikon Z7

Nikon’s first step into the high-end, full-frame mirrorless market was a solid one. The Z7 is well-rounded and capable of seriously impressive image quality. In some ways it feels like a first-generation camera, but ultimately it’s a highly capable tool and one of the highlights of the year in our readers’ eyes.

Best high-end ILC – Winner: Fujifilm GFX 50R

The allure of medium-format, the ergonomics of a rangefinder-style camera and Fujifilm’s irresistible film simulation modes likely helped put the GFX 50R at the top of this category. It’s smaller and less expensive than the existing GFX 50S, making it one of the most approachable entry points yet to the world of digital medium-format shooting.

Have your say

You helped determine the winners in these individual categories, so now’s the time to cast your vote in one last poll! Choose up to three favorites from this list of winners and runners-up between now and January 4th, 2019 at midnight PT when the final poll closes. Watch for an announcement of the winners soon after.

As always, thanks for casting your votes and being a part of our community throughout the year.

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Have your say

$ (document).ready(function() { Poll({“pollId”:”5001986557″,”openForVoting”:true,”mainElementId”:”poll0″,”slot”:null,”isSingleChoicePoll”:false,”minNumberOfChoices”:1,”maxNumberOfChoices”:3}); })

Have your say: Best product of 2018
Your answers
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Canon RF 50mm F1.2L

Sony FE 24mm F1.4 GM

Canon RF 28-70mm F2L USM

Tamron 28-75mm F2.8 Di III RXD

Panasonic LX100 II

Sony Cyber-shot RX100 VI

Canon EOS M50

Fujifilm X-T100

Fujifilm X-T3

Sony a7 III

Nikon Z7

Fujifilm GFX 50R

Voting is easy – you pick your favorite products by dragging and dropping. You can pick up to three, and rank them in order of priority.

Poll Rules:

This poll is meant to be a bit of fun. It’s not sponsored, promoted or paid for in any way and DPReview doesn’t care how you vote, so please don’t start a flame-war in the comments. Our readers’ polls are run on the basis of trust. As such, we ask that you only vote once, from a single account, and don’t vote purely just to sandbag another product or brand. Don’t be that guy.

Articles: Digital Photography Review (dpreview.com)

 
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This macOS app creates HTML galleries from your Photos library

19 Dec

A new macOS app called photos2webgallery lets you create HTML web galleries from your Photos library. The resulting HTML output can be shared in many ways, including via upload to your own web server or shared via USB-drive.

Thanks to HTML5 support photos2webgallery works with all modern browsers. An integrated HEIC to JPG image format converter makes sure even images captured in the Apple-specific format will be displayed. Videos are embedded as well.

Alongside the images and videos the output galleries also display metadata information, such as date and time as well as the capture location with a Google Maps link. In the user interface users can select the albums they want to share and a range of slideshow effects is available, too.

The app is now available for download at the photos2webgallery website for a reduced price of $ 31.99.

Articles: Digital Photography Review (dpreview.com)

 
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NVIDIA researchers create AI that generates photo-realistic portraits

19 Dec

NVIDIA researchers have published a new paper detailing their latest artificial intelligence work, which involves generating photo-realistic portraits of humans that are indistinguishable from images of real people. The technology revolves around an alternative generator architecture for generative adversarial networks (GANs) that utilizes style transfer for producing the final result.

Though GANs have improved substantially in only a few years, the researchers say in their paper that the generators ‘continue to operate as black boxes, and despite recent efforts, the understanding of various aspects of the image synthesis process, e.g., the origin of stochastic features, is still lacking.’ That’s where the newly developed alternative architecture comes in.

The team’s style-based architecture enables GANs to generate new images based on photos of real subjects, but with a twist: their generator learns to distinguish between separate elements in the images on its own. In the video above, NVIDIA’s researchers demonstrate this technology by generating portraits based on separate elements from images of real people.

“Our generator thinks of an image as a collection of ‘styles,’ where each style controls the effects at a particular scale,” the team explains.

Image elements are split into three style categories: “Coarse,” “Middle,” and “Fine.” In terms of portraits, these categories include elements like facial features, hair, colors, eyes, the subject’s face shape, and more. The system is also able to target inconsequential variations, including elements like texture and hair curls/direction.

The video above demonstrates changes involving inconsequential variation on non-portrait images, which includes generating different patterns on a blanket, altering the hair on a cat, and subtly changing the background behind a car. The style-transfer GANs offer superior results to traditional GAN generator architecture, the researchers conclude, with the photo-realistic results underscoring their assessment.

The latest work further refines a technology that has been growing rapidly over only a few years. Though GANs have been used in the past to generate portraits, the results were far from photo-realistic. It’s possible that technology like this could one day be offered as a consumer or enterprise product for generating on-demand life-like images.

Articles: Digital Photography Review (dpreview.com)

 
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RawTherapee v5.5 released with Haze Removal, improved curves tool and much more

19 Dec

Free Raw photo-processing software RawTherapee has been updated to version 5.5, gaining a new Shadows/Highlights tool, a striping and banding tool, unbounded processing and numerous other updates. In addition to the new features, RawTherapee 5.5 brings a number of bug fixes, feature improvements, and speed enhancements.

RawTherapee 5.5 includes a Haze Removal tool that strips haze from images and a new Soft Light tool for boosting saturation and contrast in images. The old Shadows/Highlights tool was removed and replaced with an updated version and users now have Grid and Regions color toning options. The main histogram has three scaling methods now as well, and there’s a new Flexible tone curve type.

RawTherapee 5.5’s new artifact filter removes the striping artifacts that result from Sony’s Phase Detection Auto Focus, as well as the banding artifacts resulting from Nikon’s in-camera PDAF correction. At this time, the filter supports the Nikon Z6 / Z7 and the following eight Sony cameras:

  • Sony DSC-RX1RM2
  • Sony ILCE-6000
  • Sony ILCE-6300
  • Sony ILCE-6500
  • Sony ILCE-7M3
  • Sony ILCE-7RM2
  • Sony ILCE-7RM3
  • Sony ILCE-9

As always, RawTherapee is free to download on Mac, Windows, and Linux. The full v5.5 changelog detailing the new features and improvements is available here.

Articles: Digital Photography Review (dpreview.com)

 
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These LEGO Leica M cameras are tiny, blocky versions of iconic rangefinders

18 Dec

Over the years, Leica has partnered with LEGO multiple times to create brick-made versions of its popular rangefinder cameras. Now, a new set is available, a pair of LEGO Leica M camera sets.

The LEGO Leica M cameras come in a black and brown variety. Like their respective real-life counterparts, the cameras feature all of the important details you’d expect from a Leica rangefinder: a clear viewfinder, various dials, a shutter, a rear display and even camera strap mounts.

All that’s missing is the iconic red dot. But a red permanent marker would get the job done. Alternatively, these could be the LEGO equivalent of Leica’s P-series cameras, which forgo the iconic red dot for a more subtle approach.

The cameras are currently listed on the Leica Store Miami website. Both sets retail for $ 45 USD. The Black/Gray version is available for pre-order while the Brown/Gray version is available for purchase.

Articles: Digital Photography Review (dpreview.com)

 
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China confirms photojournalist Lu Guang’s arrest near Xinjiang

18 Dec
Screenshot from World Press Photo’s video interview, embedded in full below.
Award-winning photojournalist Lu Guang, 57, was arrested near China’s far western region Xinjiang, Chinese police officials have confirmed to the photographer’s family. News of Lu’s disappearance first surfaced last month via his wife, Xu Xiaoli, who told the New York Times she had lost contact with him around November 3, the day he was travelling to Xinjiang.

As reported last month, Lu, who lives in New York with his wife and son, was invited to visit Xinjiang’s capital Urumqi to lead a week-long photography workshop. Xu lost contact with Lu around November 3, and the New York Times cited “local sources” who claimed he and his local host were detained by security services around the same time.

Weeks had passed without official information about the photographer’s location, but a new report from the New York Times states Lu’s family was given confirmation of his arrest. Neither written confirmation nor the reason for Lu’s arrest were provided, however. The friend who invited Lu to Xinjiang was reportedly also arrested.

Xinjiang has been subjected to intense surveillance and police activity in recent years as the Chinese government attempts to crackdown on what it claims are terrorist threats from the region’s Muslim Kazakh and Uighur populations. A recent report revealed the existence of forced labor within Xinjiang’s re-education and ‘training’ camps, fueling international condemnation.

Below is a video interview conducted by World Press Photo back in 2011.

Though Lu’s past work has included documenting China’s marginalized groups and the issues they face, Xu told the New York Times that she doesn’t believe her husband was in Xinjiang to cover its ongoing problems. Rather, Lu was reportedly touring the region as a first-time visitor with plans to hold a workshop for local photographers.

Lu’s condition remains unknown.

Articles: Digital Photography Review (dpreview.com)

 
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DJI launches ‘Pro’ website for creative photographers, videographers

18 Dec

In September, DJI introduced a new Pro brand targeted at professional photographers and videographers. Details about the brand were slim when it was first revealed, but the company is back with more information on its newly launched DJI Pro website.

‘DJI Pro is dedicated to professionals using DJI’s advanced aerial and gimbal technologies, such as the Inspire and the Ronin series,’ the company said in a statement today.

A screenshot from the website showing off a few of the BTS videos detailing DJI products in action.

The new DJI Pro website offers content across five categories, including product education, product information, examples of DJI’s hardware being used on film sets, information on workshops and events and the DJI Masters Program. Under the program, users are given the opportunity to learn from experts, including Tom Fitz, Hoonigan Media Machine, and Rufus Blackwell.

Ti Xie, DJI’s director of public relations had the following to say about the new website and platform:

Since the creation of the first Phantom to the Inspire and Ronin series, DJI has been dedicated to creating intuitive tools for every level of filmmaker. With the launch of the DJI Pro website, we now have a dedicated location where customers can learn about the application of our professional products and we also provide a learning-based platform for users to receive the latest information. We will continue to make more reliable, industry-leading tools for our growing customer base.

Tour the website at pro.dji.com to find out more and browse through the content.

Articles: Digital Photography Review (dpreview.com)

 
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