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Nikon, Atomos team up to offer 4K Raw capture over HDMI to the Ninja V external recorder

11 Jan

Atomos has announced it’s working alongside Nikon to develop PreRes Raw recording with Nikon’s Z6 and Z7 mirrorless cameras. This marks the first time any mirrorless camera will be able to output 4K Raw video over HDMI to an external recorder, in this case the Atomos Ninja V.

‘Capturing Apple ProRes RAW video with the Ninja V unlocks complete control of the video image at the highest quality possible,’ says Atomos in the press release. ‘The maximum dynamic range, color accuracy and detail is preserved, while at the same time every aspect of the video image can be controlled with precision for maximum creativity.’

Atomos explains the Raw video capture works by streaming Raw data across an HDMI cable to the Ninja V external recorder. That footage is then repacked into the ProRes Raw format and stored to a removable SSD drive inside the Ninja V.

When the SSD drive is full or shooting is completed, the drive is then removed and connected to a computer for post-processing. The resulting footage is decoded (debayered) on the computer, as it’s quite a processor-intensive process, and ready to be edited accordingly.

As previously noted, this is the first time 4K Raw video over HDMI has been seen in a mirrorless camera. The Blackmagic Pocket Cinema Camera 4K offers Raw output both internally and over USB Type-C, but not over HDMI.

Atomos and Nikon are currently showing off the new 4K Raw recording feature at CES 2019 (Booth #14006), but there’s no official timeframe on when we’ll see this new capability publicly.

Articles: Digital Photography Review (dpreview.com)

 
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Vello LW-500 Extendá Plus wireless controller brings remote control to select pro cameras

11 Jan

Camera gear company Vello has announced its new LW-500 Extendá Plus Wi-Fi Camera Controller for remote camera control. The new controller supports select Canon and Nikon, as well as most Sony cameras, making it possible to wirelessly control them using a Windows, Mac, Android or iOS device from as far away as 60m / 197ft.

The Extendá Plus brings remote access to select cameras, enabling users to browse, select, stream and share content from a smartphone, tablet or Windows PC. As well, the controller provides remote access to camera settings, enabling photographers to adjust white balance, exposure, shutter speed, and more with a real-time preview from a distance.

The LW-500 has a 10MB/s transfer rate, rechargeable lithium-ion battery, intervalometer with bulb mode and support for touch focus and live view. The controller is compatible with the following Canon and Nikon cameras:

Canon 1Dx Mark II, 1D X, 5DS R*, 5DS*, 5D Mark IV, 5D Mark III, 5D Mark II, 6D Mark II*, 6D, 7D Mark II*, 7D, 80D, 70D, 60D, 50D, 77, T7i, T6s, T6i, T5i, T5, T4i, T3i, T3, T2i, T1i, SL2 and SL1

Nikon D5*, D4S, D4, D3x, D3s, D3, D850*, D810*, D800*, D800e*, D500*, D750*, D610, D600, Df*, D7500*, D7200*, D7100*, D7000*, D90, D5600, D5500*, D5300*, D5200*, D5100*, D3400, D3300* and D3200*

* Use the USB cable that is supplied with your camera

Though most Sony Alpha cameras are supported, Vello warns some cameras don’t support all of the controller’s functions. The company provides a list [PDF] with each model’s compatibility.

The Vello LW-500 Extendá Plus wireless camera controller is available to preorder for $ 299.99. B&H Photo currently shows an expected availability date of January 16.

Articles: Digital Photography Review (dpreview.com)

 
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Canon ranked in top five for US patent awards for 33 consecutive years

11 Jan
The Canon Sure Shot Delsol used solar panels on its front cover to power some of the camera’s functions. Solar power drove the AF system, the electro-magnetic shutter unit, film advance and even the flash. A secondary lithium battery was used as a back-up. C1995

Canon has proudly announced it ranked third in the world for the number of patents awarded to it by the US Patents Office during 2018. The company is quite used to being at the top of the table though, and has managed to remain in the top five every year for the last 33 – since 1985. The company also says that it has ranked as the number one Japanese company in the charts for the last 14 years.

Canon explains in a statement that the US is an important market not only for its products but also for its technologies. The company says its innovations ‘serve society’ as they lead to better products, more convenience and improved manufacturing techniques.

It is important to remember the photography is just a part of Canon’s business, but it would be interesting to know what proportion of its 3000+ awarded patents last year came from its photographic operations.

Press release

Canon places top five in U.S. patent rankings for 33 years running and first among Japanese companies for fourteen years running

TOKYO, January 8, 2019—Canon Inc. ranked third for the number of U.S. patents awarded in 2018, becoming the only company in the world to have ranked in the top five for 33 years running, according to the latest ranking of preliminary patent results issued by IFI CLAIMS Patent Services. What’s more, Canon once again ranked first among Japanese companies.

Canon actively promotes the globalization of its business and places great value on obtaining patents overseas, carefully adhering to a patent-filing strategy that pursues patents in essential countries and regions while taking into consideration the business strategies and technology and product trends unique to each location. Among these, the United States, with its many high-tech companies and large market scale, represents a particularly important region in terms of business expansion and technology alliances.

Canon promotes the acquisition and application of intellectual property rights, not only for fundamental technologies required for next-generation products, but also such technologies as the wireless communication and image compression technologies shared by next-generation social infrastructure. Canon contributes to the realization of technology that serves society by continuing to provide even better products, greater convenience and by contributing to the development of manufacturing.

Articles: Digital Photography Review (dpreview.com)

 
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Canon exec says an 8K mirrorless camera is on the ‘EOS R-series roadmap’

11 Jan

In an exclusive interview with Dave Etchells of Imaging Resource Canon’s top product-planning executive, Yoshiyuki Mizoguchi, shared a number of interesting details regarding the future of the Canon R series.

Considering his position in the company, Mizoguchi-san is the foremost expert in terms of understanding where Canon is currently at and where it anticipates on going with the EOS R lineup in the future.

The interview is full of smaller tid-bits regarding the Canon EOS R series, but the stand-out detail from the lengthy interview is the mention of an upcoming EOS R camera that’s capable of recording 8K video.

When inquired by Etchells as to how video plays a roll in the EOS R series — both in terms of lenses and cameras — and how important it will be within the product lineup, Mizoguchi-san had the following to say:

Video will play a huge role in the EOS R System for sure. For example, an 8K video capable camera is already in our EOS R-series roadmap. And we are not just looking at video from a camera perspective, we are also working on how to make RF lenses better for video capture as well. [Emphasis provided by Imaging Resource]

The answer continues on with Mizoguchi-san saying the RF 24-105mm F4L was designed, in part, with Nano USM technology due to its ‘silent and smooth autofocus while shooting video.’

Mizoguchi-san wraps up the answer saying ‘Paired with Dual Pixel CMOS AF, a wide range of Nano USM equipped RF lenses will promise video creators great image quality as well as impressive autofocus together in the R-series.’

As Imaging Resource pointed out in an editorial note underneath this specific question and response, the phrase ‘on the roadmap’ could mean later this year or within the next decade. However, the fact Mizoguchi-san even mentioned it shows it’s very likely a sooner-rather-than-later sort of deal considering how conservative and quiet Canon tends to be when talking about future technologies.

There is plenty to dig into within the full interview, but a few other notable mentions include Mizoguchi-san saying 4K without crop factor, faster frame rates, and in-body image stabilization (IBIS) are all features Canon ‘[is] aware of and are working on.’ Mizoguchi-san also confirms that Canon is very much focused on ‘satisfying’ both the DSLR and mirrorless market, at least for the time being.

To read the full interview, head on over to Imaging Resource. It’s a fantastic dive into the EOS R system and its future with the man who would know best.

Articles: Digital Photography Review (dpreview.com)

 
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Moza Mini-S 3-axis gimbal smartphone stabilizer revealed with advanced shooting modes

11 Jan

During CES 2019, Moza revealed Mini-S, a new compact, highly portable handheld 3-axis gimbal stabilizer designed for smartphones measuring 55mm to 88mm wide. The stabilizer can be extended up to 17.2in / 43.6cm and folded into a compact 5.12 x 2.68 x 7.68in / 13 x 6.8 x 19.5cm form-factor when not in use.

Though designed exclusively for smartphones, the Moza Mini-S packs several advanced features, including numerous physical controls, support for vertical and horizontal orientations, multiple follow modes, and object tracking.

The stabilizer’s base, which has a 10-degree tilt for ergonomic reasons, includes a 1/4-20″ port and a removable miniature tripod. Physical controls include a joystick, dedicated playback and Inception Mode buttons, focus control, one-button zoom, and a recording button. The internal 2200mAh battery provides 8 hours of use per charge.

The Mini-S stabilizer’s shooting modes include support for tracking objects, time-lapse, a Vertigo Mode zooming effect, and an Inception Mode that imitates the world rotation seen in the movie Inception. When paired with the Moza Genie mobile app, the phone displays a mixture of controls and camera settings for enhanced usability.

Pricing and availability haven’t been revealed yet, though News Shooter reports that Moza expects to start shipping in March.

Articles: Digital Photography Review (dpreview.com)

 
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Lomography expands Kino Films line with new Potsdam 100 monochrome film

10 Jan

Lomography has expanded its Kino Films product line with its new Potsdam Kino 100 ISO 35mm black and white film. The new product joins the Berlin Kino 400 ISO B&W film Lomography introduced in November, its new Potsdam likewise inspired by the New German Cinema that experienced high popularity in 1960s Europe.

All of the maker’s Kino Films products are ‘extracted from rolls of cine film produced by a legendary German company that has been changing the face of cinema since the early 1900s,’ according to Lomography.

The triacetate-based Potsdam Kino Film is designed for scenes that require an attention to detail, as well as sunny environments. Resulting images have a fine grain structure coupled with ‘subtle contrast,’ making this what Lomography calls a ‘poetic film.’ The company promises Potsdam film development is ‘a breeze,’ but it has also launched the Lomography B&W Potsdam Kino Cookbook to help photographers get started with the film.

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Shipping won’t begin until April or May 2019, but Lomography is offering preorders through its online shop now. Each pack contains a single roll with 36 exposures for $ 7.90; buyers can also get a 5-roll bundle for $ 39.50 and a bundle of 10 rolls for $ 79.

Articles: Digital Photography Review (dpreview.com)

 
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Redmi 7 smartphone offers Sony 48MP Quad-Bayer sensor at budget price point

10 Jan

We’ve seen Sony’s IMX586 1/2-inch 48MP sensor appear in several higher-end devices in recent months but the Redmi 7 is now the first budget device to offer the chip. The sensor isn’t really meant for outputting medium-format image resolution image files. Instead a quad-Bayer filter array allows for high-quality 12MP images with low noise levels and real-time HDR processing. The main chip is accompanied by a 5MP depth sensor for bokeh and similar effects.

Redmi, which used to be the budget line within the Xiaomi smartphone portfolio, has now been promoted to a proper sub-brand, similar to what Honor is to Xiaomi competitor Huawei. The 7 is the first device launched under this new sub-brand and does not only offer impressively looking main camera specs for the money.

You also get a 13 MP front camera, 6.3-inch Full-HD+ LCD display, Snapdragon 660 chipset a massive 4,000 mAh battery with quick charge support and a microSD slot.

In terms of RAM and storage you can choose between 3/32 GB, 4/64 GB, and 6/64 GB combinations. and there is a microSD slot as well.

The cheapest option will set you back $ 150 (CNY999) and even the largest memory version is only $ 210 (CNY1,399). Pre-orders have already started in China and shipments are scheduled for January 15. We’d expect the Redmi 7 to make the jump into the US and other regions in the nearer future. We’ll have to wait for the first samples but it looks like the Redmi 7 should be high up the list of those who want good smartphone image quality at budget pricing in 2019.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Z7 and Sony a7R III offer similar results in our image stabilization test

10 Jan

Battle of the high-res mirrorless IS systems

Both the Nikon Z7 and Sony a7R III feature 5-axis in-body image stabilization. When tested against one another at 24mm, 55mm and 200mm both cameras’ IS systems proved similarly useful. Users can expect around 2 to 3-stops IS advantage when shooting with wide angle lenses, 3 to 4-stops when using normal lenses and 4 to 5-stops when shooting with telephotos (helped by both cameras making use of in-lens IS at 200mm).

Nikon Z7 vs a7R III IS test results:

24mm 55mm 200mm
Nikon Z7 2.3-stops 4-stops 4-stops
Sony a7 R III 2.6-stops 3.3-stops 4.6-stops

These results correlate pretty similarly to our Sony a7 III IS test. That camera is rated as being 0.5EV less well corrected than the a7R III, so it’s not surprising to see that it performed about 1 stop behind its high-res counterpart at 200mm.

How we test and why

Our standard image stabilization test is performed by shooting 10 frames of our test target, starting with a shutter speed of 1/focal length and working our way downward in intervals of 2/3-stops using a neutral density filter (to maintain the same aperture). The test is done at 24mm, 55mm and 200mm, since the challenges of stabilization change with focal length and exposure duration.

We first do this with IS on, and then with IS off. The images for both are then assessed to the following standard:

Excellent Some softness
Noticeable blur Unusable

1) Excellent – the best the camera is capable of
2) Some softness – only distinguishable from Excellent by comparison
3) Noticeable blur – blur can be perceived without reference to another image
4) Unusable – significant motion perceptible

After each frame is assessed, we plot the results in the graphs you see below. We then compare the lowest shutter speed at which the camera was able to maintain a 50% or greater hit rate with IS on and off at a given focal length (images that are acceptably sharp are those rated ‘Excellent’ or ‘Some softness’). This allows us to determine how effective the IS system is in real world shooting.

Our results compared to CIPA

CIPA offers a good baseline to compare cameras, but CIPA tests tend to use focal lengths around 50mm (which are relatively easy to stabilize) and do not include any rolling motion, which can give very high numbers. For instance, the Sony a7R III’s in-body stabilization is quoted as offering a ‘5.5-stop shutter speed advantage,’ according to CIPA testing (the Nikon was rated at 5-stops). That suggests you can get usable shots, consistently, at 0.8 secs (5.3-stops below one over focal length), which we could not reproduce: at 1/2 sec (4.6-stops below) we were only about to get one usable shot in ten with IS on.

Nikon results

24mm Equivalent
55mm Equivalent
200mm Equivalent
Stabilization On Stabilization On Stabilization On
Stabilization Off Stabilization Off Stabilization Off

For 24mm and 55mm we tested the Z7 using the Z 24-70mm F4. At 200mm we used used an adapted Nikon 70-200m F2.8E FL ED VR.

At 24mm with IS on, the Z7 maintains a 60% acceptable hit rate at 1/5 sec and a 40% at 1/3 sec, which indicates 1/4 sec would likely be where it’d hit the 50% acceptable threshold. With IS off, the acceptable rate is 60% at 1/20 sec and plummets to 10% thereafter. The results indicate about a 2.3-stop IS advantage at 24mm.

With IS on, the 50% acceptable hit rate at 55mm should be 1/4 sec – the Z7 maintains an 80% acceptable rate at 1/5 sec and a 40% at 1/3 sec. With IS off, we weren’t able to hit the 50% acceptable threshold at 1 over the focal length (40%), but it’s safe to assume at a third a stop faster (1/60 sec), 50% should be manageable. 1/60 sec off vs 1/4 sec results in a 4-stop IS advantage at 55mm.

At 200mm, the Z7 maintained a 50% or greater hit rate down to 1/8 sec, our lowest speed on the graph. We pushed it an additional 2/3rds stop slower in testing (down to 1/5 sec) and found it dropped to a 30% hit rate. With IS off we were able to get 50% or greater usable down to 1/125 sec. The result is a 4-stop IS advantage at 200mm. This is helped by the use of a VR lens: Nikon says the pitch and yaw corrections are handled by the lens, where possible.

Sony results

24mm Equivalent
55mm Equivalent
200mm Equivalent
Stabilization On Stabilization On Stabilization On
Stabilization Off Stabilization Off Stabilization Off

At 24mm we tested using the Sony 24-70 F4 OSS, at 55mm we used the Sony 55mm F1.8 and at 200mm we used the Sony 70-200mm F2.8 GM OSS.

At 24mm with IS on, the a7R III maintains a 60% hit rate down to 1/5 sec and 40% hit rate at 1/3 sec, meaning 1/4 sec is where it’s likely to hit the 50% threshold. With IS off this threshold is reached around 1/25 sec. This gives the a7R III about a 2.6-stop advantage at 24mm. Note that this result includes the use of a lens with its own stabilization (though sensor shift is usually better-suited to the corrections needed for wide-angle lenses).

At 55mm we opted to de-couple the Sony’s sensor IS from lens IS by using a non-stabilized lens (the same we tested on the a7 III). With stabilization on, the hit rate was 60% at 1/8 sec and 40% at 1/4 sec meaning 1/6 sec is the likely 50% point. We weren’t able to get a 50% hit rate with IS off at one over the focal length, but it’s safe to assume we would have by 1/60 sec (and surely by 1/80 sec). This gives us at least a 3.3-stop advantage at 55mm using sensor IS alone.

Like the Z7, we tested the a7R III at 200mm with IS on down to 1/5 sec. Good thing we did: it’s not until this speed that a7R III’s IS system also drops below the 50% acceptable threshold with 2 images rated ‘some softness.’ This means you can expect a 50% or greater hit rate down to 1/8 sec with IS on vs 1/200 sec with IS off, providing a 4.6-stops advantage at 200mm. Like the Nikon, this is helped by the use of a lens with IS, which is able to provide the large movements needed to correct long focal lengths.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview Readers’ Choice Awards 2018: the winners

10 Jan

DPReview Readers’ Choice Awards 2018: the winners

The votes have been tallied and final results are in! After first picking winners in six sub-categories, DPReview readers voted for their top gear of 2018 from a final selection of twelve outstanding lenses and cameras. Without further ado, here are the results of that selection process.

Third place: Nikon Z7

With the third-highest number of votes, the Nikon Z7 earns a place as one of DPR readers’ favorite cameras of the year. It’s easy to see why: while there’s a little room for improvement, the Z7 packs excellent image quality and solid 4K video into a well-built package that’s a pleasure to shoot with.

Find out why it’s Barney’s
Gear of the Year too

Second place: Fujifilm X-T3

Fujifilm impressed a lot of folks with the X-T3 this year, ourselves included. Simply put, it’s one of the best hybrid stills/video cameras we’ve ever tested, and it clearly made an impression on a lot of our readers too as it earned the second-place position in our year-end poll.

Find out why we gave the Fujifilm X-T3 a Gold Award

Winner: Sony a7 III

The third-generation of Sony’s entry-level full framer is a huge leap forward for the system. Autofocus has been improved, with Eye-AF in continuous AF a stand-out feature, and Sony has even tried to make sense of its menus at last. But overall it’s the all-round capability that makes the a7 III so good: it’ll turn its hand to almost anything that’s asked of it, meaning it’s an excellent camera almost regardless of your needs. We’re not surprised so many of you were as impressed as we were.

See how the a7 III stacks up against the Nikon Z6 and Canon EOS R

Articles: Digital Photography Review (dpreview.com)

 
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Olympus posts second teaser for upcoming sports camera

10 Jan

Last week, Olympus published a teaser about a sports-oriented mirrorless camera set to launch on January 24th. The video didn’t reveal much, giving just a quick glimpse of a DSLR-shaped body with a built-in battery grip taking photos at volleyball and water polo matches.

There’s not a whole lot new in this video, aside from someone taking photos at an auto race. The camera is still well-hidden, with Olympus offering a very quick glimpse of the back.

Articles: Digital Photography Review (dpreview.com)

 
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