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Adorama releases non-TTL Flashpoint XPLOR 600 Pro HSS studio flash head

16 Jan

Adorama has announced the availability of a new studio flash head from its own Flashpoint range. Designed for photographers who don’t want TTL control, the XPLOR 600 Pro HSS offers 600WS of power with wireless triggering.

With the standard reflector fitted the head has a guide number of 87m / 285ft @ ISO 100. Users can expect 360 full power bursts from a single charge of the head’s 2.6Ah lithium ion battery pack. An optional AC adapter is available, but even when powered by the battery recycle-times are between 0.01 and 0.9 seconds. The head uses a 2.4GHz wireless system making the XPLOR 600 Pro HHS compatible with the Godox X radio triggers, which are available for all the main camera brands.

Wireless control works across 32 channels and x-compatible flashes can be separated into five groups. Two optical slave modes are offered, with all settings dealt with on the large side-mounted LCD panel. The HSS in the name refers to the head’s ability to sync with shutter speeds of up to 1/8000sec, and the output can be varied across 9 stops to 1/256th in 25 steps. A battery and charger are included in the kit, along with a standard reflector in the Bowens S mount.

The head is the non-TTL version of the XPLOR 600 Pro TTL, and is priced $ 749 against the $ 899 charged for the TTL model. It is also a version of the Godox AD600 Pro head that has TTL. For more information see the Adorama website.

Articles: Digital Photography Review (dpreview.com)

 
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You can now post photos and videos to multiple Instagram accounts at once

16 Jan

Instagram has added the ability to simultaneously post photos and videos across multiple accounts.

The multi-post option appears during the process of adding the caption, location, and tags to images, above the options to share the image on other social networks. DPReview first became aware of the feature on Sunday, January 13th and contacted Instagram to confirm whether or not the feature was live across all users or only a particular subset as part of an A/B test, something Instagram is known for doing in the past.

DPReview has not heard back from Instagram, TechCrunch received confirmation of the feature via a company spokesperson that said ‘[Instagram is] rolling out this feature to provide a better experience for people who often post to multiple accounts.’

Currently, the feature appears to be limited to iOS devices, according to the Instagram spokesperson, with no details on when the feature might make its way to Android. Not all iOS devices will have it either and Instagram is yet to confirm a hard timeline on when the feature will be rolled out to all iOS users.

Articles: Digital Photography Review (dpreview.com)

 
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Sony announces a6400 midrange APS-C mirrorless camera

16 Jan

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Sony has announced the a6400, an updated 24.2MP mirrorless camera with a flip-up rear touchscreen and the processor and autofocus system ‘borrowed from the a9’.

In many respects the camera resembles an a6300 with a more powerful processor, enhanced autofocus and a more extensively articulated touchscreen, but launched at a slightly lower cost. It also adds the timelapse function that was lost when Sony moved away from offering in-camera apps.

Like previous models it can shoot at up to 11 fps or 8 fps in silent shutter mode, both with full autofocus and exposure capability, but not live view.

Enhanced AF

Most of the enhancements come in the form of autofocus improvements that have been developed for the a9. These include increased speed along with the enhanced ‘real-time tracking’ and animal Eye AF promised in a firmware update for its a9 pro-level sports camera.

Like recent APS-C Sony models it has 425 phase detection points spread out across its sensor. These, combined with the more powerful processor let Sony claim World’s fastest AF (with all the footnotes such claims usually entail). The most obvious differences are that Sony now says its subject recognition and tracking algorithms now include eye and pattern detection, in addition to the distance, color and face detection information they previously worked with. This should lead to more stable, persistent tracking, the company says.

Movie AF tracking is also improved, Sony says. Like the a6300, oversampled 4K video is taken from the full width of the sensor.

The camera also offers an 8-bit version of the Hybrid Log Gamma standard for simple capture of HDR video, allowing the capture and display of a wider range of tones in a natural manner, on the latest TVs. The company only promises compatibility with its own TVs.

The body-only price will be $ 900 in the US, CAN$ 1250 in Canada and €1050 in Europe. This is noticeably less expensive (by $ 100 and €200) than the a6300, which suggests it will sit a little lower in the lineup. Only time will tell whether this will also see it replace the low-cost a6000 model.

Official sample images:

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Sony Announces its Next-generation ?6400 Mirrorless Camera with Real-time Eye Autofocus, Real-time Tracking and World’s Fastest Autofocus

  • World’s Fastest 0.02 seconds AF acquisition speed plus 425 phase-detection and contrast-detection AF points covering approximately 84% of image area
  • Advanced Real-time Eye AF
  • New Real-time Tracking for object tracking
  • 2MP APS-C Exmor™ CMOS image sensor and latest-generation BIONZ X™ image processor
  • 180-degree fully tiltable LCD touch screen for self-recording
  • High-speed continuous shooting at up to 11 fps mechanical shutter / 8 fps silent shooting with continuous AF/AE tracking
  • High-resolution 4K movie recording with full pixel readout and no pixel binning, plus advanced AF speed and stability
  • Interval recording for time-lapse videos

SAN DIEGO — Jan. 15, 2019 — Sony Electronics Inc. today introduced an exciting new addition to its E-mount mirrorless camera lineup – the ?6400 (model ILCE-6400).

The ?6400 brings many of Sony’s most advanced technologies from their acclaimed full-frame lineup to a compact, lightweight APS-C camera. The speedy new camera boasts the world’s fastest1 autofocus (AF) acquisition of 0.02 seconds2, while also introducing the new advanced “Real-time Eye AF” and ”Real-time Tracking” capabilities. Also included are high-speed shooting at up to 11 fps4 with AF/AE tracking, a new-generation BIONZ X image processing engine that produces excellent image quality, 4K6 video recording, a fully 180-degree tiltable LCD touch screen and much more, making it the ultimate tool for all types of creators ranging from professionals to vloggers.

“The ?6400 represents another important step in the growth of Sony’s overall interchangeable lens camera lineup,” said Neal Manowitz, vice president of Imaging Solutions at Sony Electronics. “By bringing so many of our latest and most advanced technologies from full-frame cameras to a brand new APS-C model, we are giving today’s creators more options than ever to realize their vision.”

Speedy Performance that Captures Decisive Moments

The impressive autofocus system on the new ?6400 inherits many technologies from Sony’s newest line-up of full-frame cameras including the ?9, ?7R III and ?7 III models. The new a6400 features 425 phase-detection AF points and 425 contrast-detection AF points that are placed densely over the entire image area, covering approximately 84% of the image area. This high-speed, high-performance tracking AF system is paired with a new-generation BIONZ X image processing engine that together allow the camera to acquire focus in as little as 0.02 seconds2 and maintain subject lock extremely effectively, ensuring even the fastest moving subjects can be tracked and captured with ease.

The ?6400 introduces advanced “Real-time Eye AF,” the latest version of Sony’s acclaimed Eye AF technology. This exciting new capability employs artificial intelligence based object recognition to detect and process eye data in real time, resulting in improved accuracy, speed and tracking performance of Eye AF. In all autofocus modes, the camera now automatically detects the eyes of the subject and activates Eye AF with a half press of the shutter button, and when in AF-C or AF-A mode, the preferred eye (left or right) of your subject can be selected as the focus point. Choices include Auto / Right Eye / Left Eye, and a Switch Right / Left Eye function is able to be assigned to a custom function as well. This exciting new technology completely frees the photographer to focus solely on composition with full trust that focus will be tack sharp on the subject’s eye. Eye AF support for animals will be added in summer 2019 via a system software update, ideal for wildlife photographers.

Also debuting on the ?6400 is Sony’s newly developed “Real-time Tracking.” This mode utilizes Sony’s latest algorithm including artificial intelligence (AI) based object recognition and processes color, subject distance (depth), pattern (brightness) as spatial information to ensure that all subjects can be captured with excellent accuracy. Additionally, when photographing or videographing humans or animals, face and eye position information is recognized by AI and the subject’s eye7 is monitored in real time with extremely high tracking precision. This can be activated by a simple half press of the shutter button, or can be assigned to a custom function as well.

In terms of overall shooting speeds, the new camera can shoot at up to 11 fps4 with full AF/AE tracking while utilizing the mechanical shutter, and up to 8 fps5 with full AF/AE tracking while silent shooting. It can shoot at each of these speeds for up to 116 frames JPEG Standard / 46 frames RAW compressed, greatly increasing the chances of capturing the perfect moment.

All-around Advancements in Image Quality

Sony’s new ?6400 is equipped with a 24.2 MP3 APS-C sized image sensor with that is paired with an upgraded BIONZ X processor to deliver incredible advancements in image quality and color reproduction in all types of shooting conditions. Standard ISO ranges up to ISO 32000 for both still and movie, and is expandable up to ISO 102400 for still images, with excellent noise reduction at medium and high sensitivities.

The camera also inherits many of the image processing algorithms from Sony’s newest full-frame cameras, greatly suppressing noise while preserving resolution and improving texture depiction.

Advanced High-Resolution 4K6 Movie Recording with Fast Hybrid Autofocus

The versatile ?6400 is an exceptional video camera, offering internal 4K (QFHD: 3840 x 2160) movie recording with full pixel readout and no pixel binning to collect about 2.4x the amount of data required for 4K movies, and then oversamples it to produce high quality 4K footage with exceptional detail and depth. Focusing during movie shooting is fast and stable thanks to upgraded Fast Hybrid AF technology, which keeps the subject in constant smooth focus no matter the scene, and even if an object crosses in front of the camera. This advanced AF plus touch focus functionality make it an ideal camera choice for many vloggers and video creators that are regularly creating and uploading content online.

For time-lapse movie creation, the new camera features built-in interval recording that can be set anywhere between 1 and 60 seconds, with a total number of shots from 1 to 9999. AE tracking sensitivity can be adjusted to “High”, “Mid” or “Low” during interval shooting, allowing for reduced changes in exposure over the shooting interval.

Additionally, for the first time in Sony APS-C mirrorless camera, the new model includes an HLG (Hybrid Log-Gamma) picture profile, which supports an Instant HDR workflow, allowing HDR (HLG) compatible TV’s to playback beautiful, true-to-life 4K HDR imagery. Further, both S-Log2 and S-Log3 are available for increased color grading flexibility, as well as Zebra functionality, Gamma Display assist and proxy recording. The camera can also record Full HD at 120 fps at up to 100 Mbps, allowing footage to be reviewed and eventually edited into 4x or 5x slow-motion video files in Full HD resolution with AF tracking.

Upgraded Build to Maximize Versatility

The new camera is designed to offer a high level of functionality and customization to maximize shooting freedom. New on the ?6400 is a fully 180-degree tiltable, 3.0-type LCD flip screen with 921k-dots of resolution that allows for simple and effective framing of selfie-style shooting for both still and video capture. Utilizing this capability, vloggers will be able to check and monitor composition throughout their entire creative process. The LCD screen is also equipped with touch functionality, with options for Touch Pad, Touch Focus, Touch Shutter and new Touch Tracking which quickly activates “Real-time Tracking” through the touch screen.

The camera features a high quality XGA OLED Tru-finder™ viewfinder, extensive customization with 89 functions that are assignable to 8 custom keys, the new My Dial and My Menu functionality, enhanced overall menu usability, a help screen for menus, star rating for images, and many other features that allow for a seamless shooting experience. It is also built with a tough magnesium alloy design and has an extremely durable shutter that is rated for approximately 200,000 cycles. It also is capable of seamlessly transferring files to a smartphone or tablet when connected to the brand new Imaging Edge Mobile application.

Pricing and Availability

The ?6400 will ship in February 2019 for a suggested retail price of $ 900 USD and $ 1,250 CAD. It will also be offered as a kit with the 16-50mm F3.5 – 5.6 lens for a suggested retail price of $ 1,000 USD and $ 1,350 CAD, or in a kit with the 18-135mm F3.5 – 5.6 lens for a suggested retail price of $ 1,300 USD and $ 1,750 CAD. The camera and kits will be sold at a variety of Sony authorized dealers throughout North America.

A variety of exclusive stories and exciting new content shot with the new camera and other Sony ? products can be found at www.alphauniverse.com, a site built to educate and inspire all fans and customers of the Sony ? brand.

The new content will also be posted directly at the Sony Photo Gallery and the Sony Camera Channel on YouTube. Detailed information pages within Sony.com for the new products can be found at:

(US) – LINK

(CA) – LINK

Footnotes

1 Among interchangeable-lens digital cameras equipped with an APS-C image sensor as of January 2019, based on Sony research
2 CIPA-compliant, internal measurement method with an E 18-135mm F3.5-5.6 OSS lens mounted, Pre-AF off and viewfinder in use
3 Approximate effective megapixels
4 In “Hi+” continuous shooting mode. Maximum fps will depend on camera settings
5 Maximum fps will depend on camera settings. Some distortion may occur with fast-moving subjects or if the camera is moved sideways rapidly while shooting
6 A Class 10 or higher SDHC/SDXC card is required for XAVC S format movie recording. UHS speed Class 3 or higher is required for 100Mbps recording
7 Accurate focus may not be achieved with certain subjects in certain situations
8 “Tracking” must be enabled via the menu beforehand
9 The latest version of Imaging Edge “Viewer” and PlayMemories Home desktop applications is required
10 Connect this product to an HDR (HLG) compatible Sony TV via USB cable when displaying HDR (HLG) movies
11 S-Log2 and S-Log3 are premised on processing pictures
12 Pixels to be read are limited to the sensor area that is required for Full HD movies
13 Sony internal tests with electronic front curtain shutter
14 Availability of transfer / playback depends on the performance of the smartphone and tablet

Sony a6400 specifications

Price
MSRP $ 900 (body only), $ 1000 (w/16-50mm lens), $ 1300 (w/18-135 lens)
Body type
Body type Rangefinder-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6000 x 4000
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 24 megapixels
Sensor photo detectors 25 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-32000 (expands to 102800)
Boosted ISO (maximum) 102800
White balance presets 10
Custom white balance Yes
Image stabilization No
File format
  • JPEG (Exif v2.31)
  • Raw (Sony ARW)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 425
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Built-in flash Yes
Flash range 6.00 m (at ISO 100)
External flash Yes (via hot shoe)
Flash modes Off, auto, on, slow sync, rear sync, redeye reduction, wireless, hi-speed sync
Flash X sync speed 1/160 sec
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (3, 5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes

Articles: Digital Photography Review (dpreview.com)

 
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CamFi Pro Plus brings wireless tethering to 3rd party apps

15 Jan

Wireless camera controller maker CamFi has launched an improved version of its CamFi Pro model, the CamFi Pro Plus. Like the Pro, the new model offers wireless tethering for more than 500 camera models from all major brands.

In addition you can now directly tether to your favorite third-party applications, such as Capture One, Lightroom, EOS utility, Sony Pixel and others, all via WiFi. As before, the camera is controlled remotely via the native CamFi app.

In its own tests, CamFi found the maximum Wi-Fi speed to be approximately 10MB/sec. 20MP Raw files need approximately three seconds to transfer from your camera to the computer using the Capture One software,

Third party tethering works with Windows and Mac computers. A full list of supported cameras is available here. The new CamFi Pro Plus will set you back $ 339 but existing Pro users will be able to upgrade for $ 40 from the 18th of January. More information is available on the CamFi website.

Press Release:

CamFi Announces CamFi Pro Plus, Adding Fast Wireless Tethering for 500+ Cameras

Guangdong, CHINA—DECEMBER 18, 2018—CamFi, maker of wireless camera controllers, announced the release of CamFi Pro Plus today. This new product adds the wireless tethering feature for 500+ cameras, including Canon, Nikon, Sony, Fuji, Pentax and more. All DSLR cameras which support USB tethering can be supported by CamFi Pro Plus.

“This is a big step for tethering technology,” said Mark Ma, the CEO of CamFi Limited. “It will improve the productivity for the professional photographers greatly, without any study cost.” With wireless tethering, there is need for a USB cable to connect the camera and computer. CamFi Pro Plus also allows photographers to keep using familiar tools, such as Capture One, Lightroom, EOS utility, Sony Pixel and so forth, directly via WiFi.

CamFi Pro Plus adds the third party tethering service. It can send USB data to the client device directly through a WiFi connection. When a camera is connected with CamFi Pro Plus, the laptop which connects to it will act as if the USB device plugged into it directly. In tests, the maximum Wi-Fi speed can achieve 10M Bytes/second. For a 20M raw photo, for example, this translates into need only about three seconds to transfer with Capture One.

The third party tethering service of CamFi Pro Plus supports Windows and Mac. The price of CamFi Pro Plus is $ 339. It can be ordered via CamFi web site. All the existing customers of CamFi Pro can order the upgrade service for $ 40.

For more information, visit http://cam-fi.com/en/product/camfi-pro-plus.html

Articles: Digital Photography Review (dpreview.com)

 
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Proposed rule changes would make it easier for drones to fly at night, above crowds

15 Jan

Despite a partial government shutdown in the United States, Transportation Secretary Elaine Chao announced a new proposed rule that would simplify the process of flying drones at night and over crowds of people by removing the need for waivers.

The proposed rule, which can be read as a draft (PDF), would remove the need for commercial drone operators to file for waivers granting them permission to fly both at night and over large gatherings of people. It would also drones to have ‘an anti-collision light illuminated and visible for at least 3 statute miles, according to the document proposal.

‘This will help communities reap the considerable economic benefits of this growing industry, and help our country remain a global technology leader,’ said Chao in her statement to the nonprofit Transportation Research Board.

DJI chimed in on the proposed rule change with a blog post on its website that begins by stating:

DJI, the world’s leader in civilian drones and aerial imaging technology, welcomes the U.S. Department of Transportation’s proposals announced today to help expand the use of drones in America, and looks forward to a substantive discussion that balances the requirements of the proposed rules with the benefits they would achieve.

The proposed rule change also lists out new rules for smaller drones. Specifically, drones weighing less than .55lbs / 250g would be able to fly over crowds without any new restrictions. However, drones weighing more would need their manufacturers to prove that if the drone ‘crashed into a person, the resulting injury would be below a certain severity threshold,’

The proposed rule change will be open for public comment for 60 days before anything can be set in stone.

Articles: Digital Photography Review (dpreview.com)

 
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Miami Beach police use camera blimp to get around drone surveillance ban

15 Jan

The Miami Beach Police Department found a loophole to circumvent Florida’s 2015 ban on police drone surveillance — a tethered, relatively immobile blimp with a camera attached to the underside. Officially called a ‘tethered aerostat,’ the helium-filled vehicle was used to monitor the approximately 15,000 people who attended the Capital One Beach Bash over the New Year’s holiday.

In 2015, Florida passed the Freedom From Unwanted Surveillance Act, which banned the use of drones for police surveillance. In a letter to the city commission on January 3, City Manager Jimmy Morales explained the police department’s use of the camera blimp, citing necessity due in part to ‘the legal restrictions on police departments under Florida law and because of limited battery life and flight time’ associated with drones.

Morales went on to call the blimp ‘a new technological solution for aerial monitoring,’ one the police department felt was necessary due to “the emergence of new threats of terrorism seen around the world in such large gatherings…”

A Miami Beach Police Department spokesperson told the Miami New Times the department doesn’t believe its tethered aerostat violates state law. Use of a lighter-than-air vehicle for aerial surveillance has proven controversial, however, with critics saying there is little difference between a stationary floating camera and a remote-controlled flying camera.

The region’s law enforcement has repeatedly demonstrated interest in camera-based surveillance, including the Miami-Dade Police Department’s attempt in 2017 to deploy a wide-area surveillance system involving Cessna planes equipped with cameras. That plan, which was abandoned following heavy criticism, would have monitored the entire county using technology developed by the U.S. Air Force for use in combat zones.

Articles: Digital Photography Review (dpreview.com)

 
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SmugMug Films: An inspiring BTS look at photographing the autumn beauty of Slovenia

15 Jan

SmugMug Films has released ‘Framing the Journey,’ a short film that follows photographer Karen Hutton around the landscapes and cityscapes of Slovenia.

The seven minute film, which was made in partnership with Fujifilm, ‘unveils both the epic beauty of a charming country tucked between Italy and Croatia and the wonder of the artist experiencing it all for the first time.’

Hutton, whose past careers have included acting, singing, voiceover work, figure skating and horseback riding, says her ‘photography is about a philosophy […] It’s about the world, about life, and all the possibilities that exist in between.’

The short film does a great job highlighting the fantastic work of Hutton and showcasing the seemingly endless beauty across Slovenia. Sure it’s effectively a glorified ad for both SmugMug and Fujifilm (as well as DJI whose Mavic Pro 2 drone was used to capture much of the 4K footage), but that doesn’t take away from the inspiring and informative narration provided by Hutton nor the stunning scenery.

To see more work from Karen Hutton, visit her website. To see other SmugMug Films, head to the SmugMug Films’ YouTube Channel.

Articles: Digital Photography Review (dpreview.com)

 
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Timelapse+ VIEW Intervalometer now supports select Fujifilm, Panasonic cameras

15 Jan

Timelapse+ has announced support for select Fuji X series cameras and Panasonic cameras with its Timelapse+ VIEW Intervalometer, which went on sale to the public in January 2017.

Until now, the Timelapse+ VIEW Intervalometer only supported select Nikon, Canon, Sony and Olympus cameras. Now it’s capable of triggering the following camera systems from Fujifilm and Panasonic:

Fujifilm:
• Fujifilm X-T1
• Fujifilm X-T2
• Fujifilm X-T3
• Fujifilm GFX 50S

Panasonic:
• Panasonic GH3
• Panasonic GH4
• Panasonic GH5

The Timelapse+ VIEW is a powerful intervalometer with features including an OLED color screen, automatic exposure ramping, gesture controls, live preview and an accompanying smartphone app for wireless control of the settings. It features a 15+ hour battery life according to Timelapse+ and also has the option to be powered externally using a Micro USB cable.

More information is available on the Timelapse+ website. The Timelapse+ VIEW Intervalometer retails for $ 399.

Articles: Digital Photography Review (dpreview.com)

 
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OPPO to announce 10x lossless smartphone zoom camera

15 Jan

At MWC 2017 Chinese smartphone maker OPPO showed a prototype device at its booth that featured a dual-camera setup with 5x optical zoom in a normally-sized smartphone body. The zoom lens design had been developed in cooperation with CorePhotonics and used a 90-degree angular prism to direct the light to a vertically positioned stabilized camera sensor.

The prototype never made it into a production series but now it seems OPPO is going to skip the 5x zoom entirely and make a direct jump to a device with a 10x zoom lens that is based on the same principles. The company is currently sending out media invites for the presentation of a 10x lossless zoom solution in Beijing, China, on January 16.

OPPO/CorePhotonics 5x optical zoom design

According to Chinese sources it is not clear if OPPO will present a production device or yet another prototype. In any case it looks like we’ll see zoom factors on smartphone cameras grow rapidly in the near future.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Z6 Review

14 Jan
Silver Award

88%
Overall score

The Nikon Z6 is one of two full-frame mirrorless cameras introduced by Nikon in August of 2018. It’s very similar to its big brother, the Z7, with the main differences being the sensor (24MP vs 46MP) and the decrease in resolution that comes along with it. The Z6 also has fewer phase-detect autofocus points (273 vs 493) due to the lower-res sensor. Otherwise, you’re getting the same rugged body, the same (mostly) familiar controls and access to a small but soon-to-grow collection of Z-mount lenses.

Specs aside, the Z6 is for a very different audience than the Z7. The latter is for those seeking ultra-high resolution and would also be considering cameras like the Sony a7R III and Nikon D850. The Z6, on the other hand, is intended to be be more appealing to those looking to upgrade from crop-sensor cameras or previous-generation full-frame DSLRs.

The Z6 will ultimately be compared to its DSLR sibling, the D750 (which is getting on in years, but still very capable). While the two cameras have different designs, they operate similarly, with autofocus modes and video being the the most significant differences.

Key specifications:

  • 24.5MP full-frame BSI-CMOS sensor
  • Hybrid autofocus system w/273 phase-detect points
  • Up to 12 fps burst shooting (Raw + JPEG)
  • 3.69M-dot OLED viewfinder
  • 2.1M-dot tilting touch LCD
  • OLED top plate display
  • Single XQD card slot
  • UHD 4K capture up to 30p
  • 10-bit 4:2:2 N-Log output over HDMI
  • Up to 100Mbps H.264 8-bit internal video capture
  • SnapBridge Wi-Fi system with Bluetooth
Out of camera JPEG | ISO 7200 | 1/250 sec | F1.8 | Nikkor Z 50mm lens
Photo by Dan Bracaglia

If those specs look familiar, it’s because they’re almost identical to that of the Z7, with resolution and the number of AF points being the main differences. You do reap the benefits of the lower resolution sensor when shooting bursts, with a top frame rate of 12 fps (versus 9) and the ability to capture more photos per burst. Otherwise, you’re getting the same design and innovations found the Z6’s big brother, which is significantly more expensive.

The Z6 is sold body-only for $ 1999 or with the Nikkor Z 24-70mm F4 S lens for $ 2599. If you buy the $ 249 FTZ (F-to-Z mount) adapter at the same time, Nikon will knock $ 100 off of the price.


What’s new and how it compares

The Z6 uses the all-new Z-mount along with a full-frame 24MP sensor with 5-axis image stabilization built in, along with a hybrid AF system and oversampled 4K video.

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Body and handling

The Z6 has excellent build quality, familiar controls and a lot of customizability, though some favorites from Nikon DSLRs didn’t make the cut.

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Operation and controls

The Z6 can be customized in numerous ways, and we appreciate its ability to have separate settings for stills and video.

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What it’s like to use

The Z6 is extremely versatile and can handle nearly any shooting situation that comes up.

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Image quality

The Z6’s 24MP sensor has excellent resolution and high ISO performance, though on rare occasions you may see banding if shadow areas are brightened.

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Autofocus

Nikon has put a lot of work into the hybrid AF system on the Z6, and the results are impressive for both still and video shooting.

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Video

The Z6 offers the best video quality and capability of any Nikon camera to date.

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Conclusion

While not a perfect camera, the Nikon Z6’s design and build along with superb image and video quality make it strongly worth your consideration.

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Sample Gallery

See how the Z6’s photos look in our extensive sample gallery.

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Articles: Digital Photography Review (dpreview.com)

 
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