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  • DPReview TV: Olympus E-M1X Review

    Olympus just announced its new flagship camera, the OM-D E-M1X, and Chris and Jordan are already here with their review. Tune in to see them put this new model to the test in the frozen north, and find out what they think of it.

    Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

    • Opening sequence
    • Introduction
    • Jordan's video settings
    • Ergonomics and controls
    • Live ND
    • Handheld high-resolution mode
    • Sunset shooting
    • Autofocus modes and performance
    • Weather sealing
    • EVF and LCD panel
    • Image stabilization
    • Final thoughts

    Images from this episode

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    Articles: Digital Photography Review (dpreview.com)

  • Olympus introduces durable, sports-oriented OM-D E-M1X

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    After three weeks of teasers, Olympus has revealed its sports-oriented, high-performance OM-D E-M1X to the world. The E-M1X is all about speed, with dual TruePic VIII processors, an all-cross-type 121-point hybrid AF system with ‘Intelligent Subject Detection’, and 60 fps continuous shooting (18 with continuous AF). Olympus has put all that (and much more) into a rugged, weather-resistant body that has in-body image stabilization that can reduce shake by up to 7 stops (7.5 stops with the 12-100mm lens under specific conditions).

    The E-M1X is all about speed

    Physically, the E-M1X resembles an E-M1 with a built-in battery grip. Its magnesium alloy body is designed to pass the IPX1 specification for water ingress, and its refined Supersonic Wave Filter shakes off 10% more dust from the sensor than on previous cameras, according to Olympus. An integrated ‘heat pipe’ helps keep the sensor cool while shooting bursts or videos for a long period of time. The shutter is rated to 400,000 shots.

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    Photos can be composed via a large EVF with 2.36 million dots (which seems low for a $ 3000 camera,) or on a 3″ rear touchscreen display. The built-in grip holds two BLH-1 batteries, which in combination should deliver 870 shots until they’re both exhausted (per CIPA rating). The E-M1X supports power delivery over USB-C, which lets users charge both batteries in-camera, in a total of about two hours using a laptop/tablet charger or portable power bank. There are two SD card slots on the camera, both supporting UHS-II media. The E-M1X also has a built-in GPS and compass, plus pressure, temperature and acceleration sensors.

    The autofocus system on the E-M1X is derived from the one on the E-M1 Mark II. It puts 121 all-cross-type phase detect points on top of a traditional contrast-detect system. The focus point can be set using the fully articulating touchscreen or 8-way joystick. The camera’s Intelligent Subject Detection system can detect and track your choice of trains, race cars and motorcycles, or aircraft of all types, in addition to faces and eyes. Sorry, no pet detection yet. As with the E-M1 II, the E-M1X can shoot at 18 fps with continuous autofocus and exposure or 60 fps with AE and AF locked, using its electronic shutter.

    The E-M1X offers the same High Res Shot mode as the E-M1 II, which creates 80MP equivalent images by shifting the sensor slightly. In addition, the E-M1X has a handheld mode, which attempts to do the same thing but without the tripod and with motion correction (check out our Review in Progress to see how well it performs). Another new feature is Live ND, which simulates the effect of up to a 5-stop neutral density filter by combining multiple exposures. The Pro Capture mode is still there, which saves up to 35 frames buffered before you fully press the shutter release button.

    The E-M1X can shoot at 18 fps with continuous autofocus

    The E-M1X has very good (but not class-leading) video specifications. You can capture DCI at up to 24p / 237Mbps and UHD 4K video at 30p / 102Mbps, using the full width of the sensor. Full HD recording at 60 fps is also available, with a top bit rate of 202Mbps. The camera supports time code, flat and OM-Log400 gamma curves and can output 8-bit 4:2:2 to an external recorder.

    The E-M1X will be available in late February for $ 2999.

    Read our E-M1X Review in Progress for much more

    Press Release:

    INTRODUCING THE OLYMPUS OM-D E-M1X® OFFERING UNRIVALED SPEED AND SYSTEM MOBILITY

    Latest OM-D Body Provides Absolute Confidence for Professional Photographers

    CENTER VALLEY, PA., January 24, 2019 – Today Olympus expands the OM-D series with the introduction of the OM-D E-M1X professional Micro Four Thirds® interchangeable lens camera. The Olympus OM-D E-M1X is packed with industry leading speed, performance, reliability and high-quality image output that rivals that of full-frame DSLRs. This new professional model, positioned alongside the award-winning Olympus OM-D E-M1 Mark II, incorporates an integrated vertical grip to provide a secure grip and superior operability, whether held horizontally or vertically, and offers the world’s highest[1] image stabilization performance with approximately 7.5 shutter speed steps of compensation. Zero-lag Pro Capture Mode[2] and 60 fps high-speed continuous shooting[3] ensures photographers never miss a shot. Its dual TruePic VIII Image Processors provide for high-speed responsiveness and a handheld High Res Shot Mode. The camera’s 121-point all-cross-type on-chip Phase Detection AF sensor and an AF Multi-Selector provides greater freedom over composition. When pairing the OM-D E-M1X with the versatile, excellent image quality of Olympus M.Zuiko lenses, this compact, lightweight, high quality camera system demonstrates its true capabilities in situations where portability is essential, including sports and wildlife photography.

    Main Features

    • Integrated Vertical Grip
    • Precise Autofocus system with AF Multi-Selector, All-Cross-Type On-Chip Phase Detection AF Sensor, and Intelligent Subject Detection AF
    • Pro Capture Mode[4] and 60 fps High-Speed Sequential Shooting[5]
    • Dual TruePic VIII Image Processors
    • The World’s Highest Image Stabilization Performance

    Integrated Vertical Grip Construction

    To meet demands from professional users who place importance on a secure grip during shooting, the OM-D E-M1X features integrated vertical grip construction, designed to provide an improved grip with a deep finger rest whether holding the camera horizontally or vertically. The ergonomic design reduces fatigue when shooting for long periods of time.

    Redesigned Button Layout

    The layout, shape, and height of all buttons and levers have been completely redesigned to enable users to concentrate on shooting through the viewfinder. A multi-selector is included in both the horizontal and vertical positions so that users can quickly shift focus areas while looking through the viewfinder. A new C-LOCK lever allows the user to select and disable numerous buttons and dials on the camera when in the vertical or horizontal position to substantially mitigate any the risk of accidental changes in settings.

    High Magnification, High-Speed Viewfinder

    The viewfinder features a new optical design using an industry-leading magnification of 0.83x (35mm equivalent). This four-element configuration designed with aspherical and high reflective index lenses provides a clear, distortion-free display right up to the edge of the viewfinder. As found on the OM-D E-M1 Mark II, a 120 fps (progressive scan) high-speed frame rate with a 0.005 second latency are provided for stress-free moving subject photography.

    Advanced Durability and Reliability

    The OM-D E-M1X clears Olympus’ in-house splashproof tests that are far more rigorous than IPX1 water ingress testing. The body is designed for shooting in the severe conditions professional photographers often find themselves. Dustproof, splashproof, and freezeproof (14°F / -10°C) performance is maintained even when the remote cable, microphone, and headphone jacks are in use, enabling shooting that is not affected by poor weather. A new coating is used on the Super Sonic Wave Filter, which vibrates at 30,000 times per second to remove dust and dirt, boosting dust removal effectiveness by 10% compared to previous Olympus models. The OM-D E-M1X also features durability and reliability to put pro photographers’ minds at ease, including construction that dissipates heat when shooting video and during high speed shooting in very hot conditions, which can typically cause the temperature to rise and limit functionality, as well as a shutter life actuation counts of 400,000[6].

    High-Capacity Battery

    The OM-D E-M1X is equipped with a cartridge battery insertion system with the capacity for two BLH-1 lithium-ion batteries (also used in the OM-D E-M1 Mark II). Users can capture up to approximately 870 shots[7] and easily replace the batteries even when the camera is attached to a monopod or tripod. The camera also supports USB-C power delivery from a maximum 100 W USB-C standard power source with no special adapter required. This makes it possible to charge the two BLH-1 batteries in the camera body in approximately two hours.

    AF Area Multi Selector

    A multi selector is included in both the horizontal and vertical positions on the OM-D E-M1X allowing users to quickly shift the AF area while looking through the viewfinder. A distinctive attribute of this joystick is that it allows for diagonal movement of the AF point, where most other cameras only allow for left, right, up and down movement, and in only one direction at a time. This feature makes it possible to smoothly shift AF areas during sequential shooting and video recording.

    121-Point All-Cross-Type On-Chip Phase Detection AF Sensor The precise 121-point all-cross-type on-chip Phase Detection AF sensor currently available on the OM-D E-M1 Mark II is also featured on this model for more accurate and greater freedom for focusing in various situations. Olympus on-chip Phase Detection AF delivers Live View images and utilizes autofocus information from recorded images for quick tracking of unpredictable subject movement and changes in subject speed. The AF low-light limit when an F1.2 lens is attached[8] is -6 EV, allowing for high-precision focusing in both dark situations and low-contrast subjects.

    Various Autofocus Settings

    Various autofocus settings are available on the OM-D E-M1X to meet the needs of professional photographers, including multiple AF Target Modes, AF area position settings when holding the camera vertically or horizontally, and turning the focusing ring in C-AF AF to instantly switch to manual focus using C-AF+MF Mode. The new 25-Point Group Target and Custom AF Target have been added to the available AF Target Modes for greater operating freedom.

    High-Speed Sequential Shooting

    The OM-D E-M1X features high-speed sequential shooting at a maximum60 fps for capturing scenes in high definition that even the human eye cannot see. Both the 60 fps high-speed continuous shooting in AF/AE Lock, and maximum 18 fps continuous shooting with AF/AE Tracking can be used in Silent Mode for shooting a variety of activities, performances and events where the photographer does not want to disturb others with the sound of the shutter.

    Pro Capture Mode

    Pro Capture Mode records up to 35 frames retroactively from when the shutter button is released with no blackouts (image loss) during shooting, recording at 20 million pixels and offers support for RAW capture. This feature has received high praise from professional photographers since its introduction on the OM-D E-M1 Mark II, and is effective for capturing artistic images of subjects that move unpredictably.

    Dual TruePicVIII High-Speed Image Processors

    The OM-D E-M1X is equipped with two TruePic VIII Image Processors, providing quicker start-up times and recovery from sleep mode, and supporting the two high-speed UHS-II SD card slots for overall high-speed responsiveness. This not only contributes to a faster camera, but also supports new camera functionality, including Handheld High Res Shot Mode, Live ND, and Intelligent Subject Detection AF.

    Handheld High Res Shot

    In addition to ultra-high-resolution maximum 80M[9] High Res Shot images that can be captured using a tripod, Handheld High Res Shot Mode is now available on the OM-D E-M1X, in response to many requests received from professional photographers. This feature is particularly useful for capturing high-definition shots in locations where it is impossible to use a tripod, including when moving from place to place, such as hiking.

    Live ND

    Live ND is included on the OM-D E-M1X for slow shutter speed effects without the need for an ND filter. This new technology combines multiple exposed images in camera to attain slow shutter effects. It is also possible to check the slow shutter effects in the viewfinder before shooting for improved efficiency. Effects can be set in five levels: ND2 (equivalent to one shutter speed step), ND4 (2 steps), ND8 (3 steps), ND16 (4 steps), and ND32 (5 steps).

    Intelligent Subject Detection AF

    Artificial Intelligence (AI) based Deep Learning technology was utilized to develop new algorithms for the Intelligent Subject Detection AF feature. It detects three different types of subjects, including motorsports, airplanes, and trains, focusing on and tracking the optimal area. For example, it sets pinpoint focus, locking onto the driver’s helmet during motorsports, automatically detecting the subject, enabling improved autofocus precision so users can focus on the composition.

    World’s Highest Image Stabilization

    The OM-D E-M1X’s new gyro sensor enables superior image stabilization performance, delivering a maximum of 7.0 shutter speed steps of compensation performance[10] when using the camera body stabilization alone, and the world’s highest 7.5 shutter speed steps of compensation when combined with the stabilized M.Zuiko Digital ED 12-100mm F4.0 IS PRO lens. This feature makes handheld shooting possible at lower shutter speeds than ever before, which is perfect for nighttime and indoor shooting.

    Other Features:

    • Field Sensor System and Built-In GPS: The OM-D E-M1X contains a built-in GPS® sensor, temperature sensor, manometer and compass, collectively known as ‘field sensors’. In addition to location information, including longitude and latitude, these sensors detect and record the temperature, elevation, and direction of the camera for adding detailed shooting information to images.
    • Anti-Flicker Shooting and Flicker Scan: With anti-flicker shooting, the camera detects the flicker frequency of artificial light sources, including fluorescent lighting and activates the shutter at peak brightness to eliminate uneven exposures and coloring between sequential frames. Flicker scan suppresses striped patterns that can occur when using Silent Mode (electronic shutter) and when shooting movies, so that users can fine tune the shutter speed.
    • Olympus Capture: Olympus Capture camera control software now supports the transfer of recorded images over Wi-Fi®. This new feature makes it possible to transfer images wirelessly to a computer when shooting in the studio without connecting a USB cable. Both 2.4 GHz and high-speed communication 5 GHz bandwidths are available.
    • Handheld 4K and Cinema 4K: Powerful 5-Axis Image Stabilization and electronic stabilization enable ultra-smooth handheld 4K and cinema 4K video recording, without the need for stabilizing gear. Image stabilization effect can be selected from three levels depending on the photographer’s posture and movement.
    • OM-Log400: The OM-D E-M1X supports OM-Log400 shooting, which allows for shooting without loss of details in shadows and highlights and without blowouts, along with color grading via a computer for a high degree of freedom over images.
    • High-Speed Movie (120 fps): 120 fps high-speed movies are now supported in Full HD. Slow-motion playback can make for more impressive imaging expressions.

    Separately Available Accessories:

    FL-700WR Electronic Flash

    FL-700WR Electronic Flash is a high-performance wireless radiowave shooting compatible electronic flash. During wireless shooting, it can function as a commander or flash with built-in receiver. The compact, lightweight design delivers excellent portability with high intensity at a maximum guide number of 42[11] (ISO 100/m). The dustproof, splashproof, and freezeproof (14°F / -10°C)[12] performance offers reliability when shooting in a variety of environments including rain, when paired with the OM-D E-M1X, and other splashproof and dustproof body and lens combinations. Full flash intensity is possible with an approximate 1.5 second[13] charging time for comfortable, easy shooting. Because charging time is short, sequential flash photography[14] at 10 fps is possible.

    Wireless Commander FC-WR & Wireless Receiver FR-WR:

    Wireless Commander FC-WR and Wireless Receiver FR-WR can control multiple flash units remotely from the camera, enabling versatile wireless flash photography. As is the case with the Electronic Flash FL-700WR, dustproof, splashproof, and freezeproof (14°F / -10°C) design allows use in a variety of fields. When paired with weathersealed cameras, lenses, and flash units including the FL-700WR or high-capacity Electronic Flash FL-900R, users can perform wireless flash photography comfortably even in the rain. The commander can connect to three groups and an unlimited number of flash units. Users can also select which group to fire and not fire and configure the flash intensity.

    Olympus Workspace image management software

    This new image management software delivers authentic image viewing and editing functions. RAW processing preview speed is now faster to streamline the post-shooting workflow. The rating function has also been improved for speedy selection of the best shots from large collections of images. A multi-window environment is now supported along with other comfortable controls for a more satisfying work process. Olympus Workspace can be downloaded free of charge for users who own an Olympus camera.

    U.S. Pricing and Availability

    The Olympus OM-D E-M1X (black) will begin shipping in late February 2019 for $ 2,999.99 (U.S.) and $ 3,899.99 (CAD).

    [1] Lens used: M.Zuiko Digital ED 12-100mm F4.0 IS PRO, at a focal distance of 100mm (35mm equivalent: 200mm), halfway release image stabilization: Off, conforms to CIPA standards, when corrected on 2 axes (Yaw and Pitch), current as of January 24, 2019.

    [2] During Pro Capture shooting, the shutter speed is limited to the maximum speed (1 fps or higher) and the flash is disabled.

    [3] AF and AE locked at first frame. Maximum of 18 fps during AF, AE operation.

    [4] During Pro Capture shooting, the shutter speed is limited to the maximum speed (1 fps or higher) and the flash is disabled.

    [5] AF and AE locked at first frame. Maximum of 18 fps during AF, AE operation.

    [6] According to Olympus tests.

    [7] When using two BLH-1 batteries. Shooting with a Toshiba SDXU-D032G, IS on, flash not attached, CIPA testing standards. When using power saving shooting mode, Olympus testing conditions show approximately 2,580 shots based on CIPA testing standards.

    [8] Lens used: M.Zuiko Digital ED 17mm F1.2 IS PRO, M.Zuiko Digital ED 25mm F1.2 IS PRO, and M.Zuiko Digital ED 45mm F1.2 IS PRO.

    [9] Up to 80M (50M for Handheld High Res Shot) supported during RAW shooting. Images must be processed using compatible software including Olympus Workspace.

    [10] Lens used: M.Zuiko Digital ED 12-40mm f2.8 PRO, at a focal distance of 40mm (35mm equivalent: 80mm). Conforms to CIPA standards, when corrected on 2 axes (Yaw and Pitch), current as of January 2019.

    [11] Firing angle of 75mm / standard light distribution mode, ISO 100/m.

    [12] Batteries may not withstand lower temperatures. In such environments, keep batteries warm prior to use.

    [13] When using rechargeable nickel-metal hydride (Ni-MH) batteries. Approximately 2.5 s when using alkaline batteries.

    [14] Only when using OM-D E-M1X and OM-D E-M1 Mark II mechanical shutter. At a firing ratio of 1/16.

    Olympus OM-D E-M1X specifications

    Price
    MSRP $ 2999
    Body type
    Body type SLR-style mirrorless
    Body material Magnesium alloy
    Sensor
    Max resolution 5184 x 3888
    Image ratio w:h 4:3
    Effective pixels 20 megapixels
    Sensor photo detectors 22 megapixels
    Sensor size Four Thirds (17.4 x 13 mm)
    Sensor type CMOS
    Processor Dual TruePic VIII
    Color space sRGB, Adobe RGB
    Color filter array Primary color filter
    Image
    ISO Auto, 200-25600 (expands down to 64)
    Boosted ISO (minimum) 64
    White balance presets 7
    Custom white balance Yes (4 slots)
    Image stabilization Sensor-shift
    Image stabilization notes 7.5 stops with 12-100mm lens at 100mm. Otherwise 7 stops
    CIPA image stabilization rating 7.5 stop(s)
    Uncompressed format RAW
    JPEG quality levels Super fine, fine, normal
    File format
    • JPEG (Exif v2.31)
    • Raw (12-bit ORF)
    Optics & Focus
    Autofocus
    • Contrast Detect (sensor)
    • Phase Detect
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Touch
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Manual focus Yes
    Number of focus points 121
    Lens mount Micro Four Thirds
    Focal length multiplier 2×
    Screen / viewfinder
    Articulated LCD Fully articulated
    Screen size 3″
    Screen dots 1,037,000
    Touch screen Yes
    Screen type TFT LCD
    Live view Yes
    Viewfinder type Electronic
    Viewfinder coverage 100%
    Viewfinder magnification 1.48× (0.74× 35mm equiv.)
    Viewfinder resolution 2,360,000
    Photography features
    Minimum shutter speed 60 sec
    Maximum shutter speed 1/8000 sec
    Maximum shutter speed (electronic) 1/32000 sec
    Exposure modes
    • Program
    • Aperture priority
    • Shutter priority
    • Manual
    Built-in flash No
    External flash Yes (via hot shoe or flash sync port)
    Flash modes Redeye, Fill-in, Flash Off, Red-eye Slow sync (1st curtain), Slow sync.(1st curtain), Slow sync (2nd curtain), manual
    Flash X sync speed 1/250 sec
    Drive modes
    • Single
    • Continuous
    • Bracketing
    • Self-timer
    Continuous drive 60.0 fps
    Self-timer Yes (2 or 12 secs, custom)
    Metering modes
    • Multi
    • Center-weighted
    • Highlight-weighted
    • Spot
    • Spot AF-area
    Exposure compensation ±5 (at 1/3 EV, 1/2 EV, 1 EV steps)
    AE Bracketing ±5 (5, 7 frames at 1/3 EV, 1 EV steps)
    WB Bracketing Yes
    Videography features
    Format MPEG-4, H.264
    Modes
    • 4096 x 2160 @ 24p / 237 Mbps, MOV, H.264, Linear PCM
    • 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PCM
    • 3840 x 2160 @ 25p / 102 Mbps, MOV, H.264, Linear PCM
    • 3840 x 2160 @ 24p / 102 Mbps, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 60p / 52 Mbps, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 50p / 52 Mbps, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 30p / 202 Mbps, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 25p / 202 Mbps, MOV, H.264, Linear PCM
    • 1920 x 1080 @ 23.98p / 202 Mbps, MOV, H.264, Linear PCM
    Microphone Stereo
    Speaker Mono
    Storage
    Storage included Dual SD/SDHC/SDXC cards
    Connectivity
    USB USB 3.1 Gen 1 (5 GBit/sec)
    USB charging Yes (USB-PD allows charging by laptop or external power bank)
    HDMI Yes (micro-HDMI)
    Microphone port Yes
    Headphone port Yes
    Wireless Built-In
    Wireless notes 802.11ac + Bluetooth
    Remote control Yes (via smartphone or wired remote)
    Physical
    Environmentally sealed Yes (to IPX1 standards)
    Battery Built-in
    Battery description Two BLH-1 lithium-ion batteries
    Battery Life (CIPA) 870
    Weight (inc. batteries) 997 g (2.20 lb / 35.17 oz)
    Dimensions 144 x 147 x 75 mm (5.67 x 5.79 x 2.95″)
    Other features
    Orientation sensor Yes
    Timelapse recording Yes
    GPS Built-in
    GPS notes Also captures direction, temperature, pressure and acceleration

    Articles: Digital Photography Review (dpreview.com)

  • Huawei P30 Pro could come with periscope-style zoom lens

    There’s a good chance we’ll see a periscope-design 10x zoom smartphone camera from Chinese manufacturer OPPO at MWC this year. However, it looks like rival Huawei could follow soon after.

    According to reports from people using engineering samples, Huawei’s upcoming P-series flagship model, the P30 Pro, could come with a periscope zoom module for large optical magnification. The primary camera will likely use a new 6-series image sensor from Sony, possibly the 1/1.8″ 38MP IMX607 model.

    Its sister model, the P30, is said to keep the existing triple-camera setup of the current Mate 20 Pro.

    The rumors also say that both phones will now feature an OLED display, insteaf of only the Pro version. This is necessitated by a move to optical in-display fingerprint readers. Both devices will be powered by Huawei’s Kirin 980 chipset with 8GB of RAM on the standard model and 12GB on the Pro.

    With its triple-cam models P20 Pro and Mate 20 Pro Huawei has released two of the best camera phones in 2018 and it looks like the company has no intentions to slow down. We’ll know more in a few weeks time around MWC in Barcelona.

    Articles: Digital Photography Review (dpreview.com)

  • Q&A with DPReview editors about the Olympus E-M1X

    We were live this morning discussing the Olympus E-M1X and answering questions from our community. You can re-watch the video here, and we’ll try to address those questions we couldn’t get to, in the comments below.

    Articles: Digital Photography Review (dpreview.com)

  • Astro HQ releases Liquid 3.0 video engine for Luna Display and Astropad Studio

    Astro HQ has announced the release of Liquid 3.0, the latest version of its video engine for Luna Display, Astropad Standard and Astropad Studio. The updated software brings accelerated GPU support with up to four times better GPU performance over the previous version. As well, Liquid 3.0 slashes latency and screen refresh rates for up to two times faster responsiveness.

    Astropad is a product that comes in Standard and Studio variants, both designed to transform an iPad into a full graphics tablet compatible with a Mac computer and any macOS app. Luna Display, meanwhile, is a small dongle-based system that turns an iPad into a small, portable second screen for Mac computers.

    Both products utilize Astro’s Liquid video engine, which is Astro’s own proprietary technology. The company said in its announcement today that it focused on GPU performance optimization and latency reduction in its latest engine update. Product owners must update both the Mac and iPad software from their respective app stores to use the new engine.

    Articles: Digital Photography Review (dpreview.com)

  • Sigma releases firmware updates for Canon EF and Nikon F lenses, MC-11 mount converter

    Sigma has released multiple firmware updates for Nikon F-mount and Canon EF-mount interchangeable lenses. The new lens firmware updates bring a number of changes to a total of seven lenses, adding support for Canon’s Lens Aberration Correction function and multiple bug fixes, which were addressed in a recent compatibility notice.

    The firmware update for Canon EF-mount brings the new Lens Aberration Correction function support for the following lenses:

    • SIGMA 24-35mm F2 DG HSM | Art
    • SIGMA 500mm F4 DG OS HSM | Sports
    • SIGMA 18-300 mm F3.5-6.3 DC MACRO OS HSM | Contemporary

    In addition, the update improves the AF speed for the 500mm lens when it is used with select camera models, and also adds compatibility with the EOS R’s ‘Scene Intelligent Auto Mode’ and automatic ‘1.6x (Crop)’ to the 18-300mm lens.

    Sigma has also released a firmware update for Nikon F-Mount lenses that exclusively brings bug fixes. The software corrects problems that could impact video recording, AF, and overexposure involving the following lenses:

    • SIGMA 24-35mm F2 DG HSM | Art
    • SIGMA 50mm F1.4 DG HSM | Art
    • SIGMA 85mm F1.4 DG HSM | Art
    • SIGMA 135mm F1.8 DG HSM | Art

    Joining the lens updates is a firmware release for Sigma Mount Converter MC-11 SA-E and EF-E. The update adds compatibility with the newest interchangeable lenses firmware updates.

    The products can be updated using the Sigma Optimization Pro software, which is available to download on Windows and macOS for free. The full firmware update change-logs are below.

    [CANON UPDATE]

    We would like to announce that a new firmware update for SIGMA’s interchangeable lenses for CANON EF mount listed below is now available.

    This firmware allows compatibility with Canon’s in-camera Lens Aberration Correction function to enable correction matching the optical characteristics of each lens. It also corrects the phenomenon that abnormal images appear or operation errors occur when the function is enabled. In addition, it improves the functionality. Furthermore, phenomena particular to some lenses when they are used in combination with the Canon “EOS R” and their “Mount Adapter EF-EOS R” or “Control Ring Mount Adapter EF-EOS R” that we announced on January 16th, 2019 are also improved on by this firmware.

    For customers who own the SIGMA USB DOCK and applicable products listed below, please update the firmware via SIGMA Optimization Pro.*

    * Before updating the firmware using the SIGMA USB DOCK, please ensure to update SIGMA Optimization Pro to Ver. 1.5.0. or later.

    SIGMA 24-35mm F2 DG HSM | Art for CANON EF mount

    Benefits of the update:

    • It has ensured compatibility with Canon’s in-camera Lens Aberration Correction function, which enables correction matching the optical characteristics of the attached lens.*
    • It has corrected the phenomenon that abnormal images appear or operation errors occur when Canon’s in-camera Lens Aberration Correction function is enabled.

    SIGMA 500mm F4 DG OS HSM | Sports for CANON EF mount

    Benefits of the update:

    • It has ensured compatibility with Canon’s in-camera Lens Aberration Correction function, which enables correction matching the optical characteristics of the attached lens.*
    • It has corrected the phenomenon that abnormal images appear or operation errors occur when Canon’s in-camera Lens Aberration Correction function is enabled.
    • It has improved the AF speed when the lens is used in combination with some cameras.

    SIGMA 18-300 mm F3.5-6.3 DC MACRO OS HSM | Contemporary for CANON EF mount

    Benefits of the update:

    • It has ensured compatibility with Canon’s in-camera Lens Aberration Correction function, which enables correction matching the optical characteristics of the attached lens.*
    • It has corrected the phenomenon that abnormal images appear or operation errors occur when Canon’s in-camera Lens Aberration Correction function is enabled.
    • It has become compatible with EOS R’s “1.6x (Crop)” to be set automatically as well as with “Scene Intelligent Auto Mode”.

    * Compatible Canon camera models: EOS R1, EOS-1D X mark II, EOS 5Ds, EOS 5Ds R, EOS 5D mark IV, EOS 6D mark II, EOS 80D, EOS 8000D (EOS Rebel T6s, EOS 760D), EOS 9000D (EOS 77D) , EOS Kiss x8i (EOS Rebel T6i, EOS 750D), EOS Kiss x9i (EOS Rebel T7i, EOS 800D), EOS Kiss x9 (EOS Rebel SL2, EOS 200D)

    1 When the Digital Lens Optimizer is switched [OFF], but “Peripheral illumination correction”, “Chromatic aberration correction” and “Distortion correction”, located within the in-camera Lens Aberration Correction function is switched [ON], the appropriate corrections can be achieved in accordance with the optical characteristics of each lens.

    [NIKON UPDATE]

    We would like to announce that a new firmware update for SIGMA’s interchangeable lenses for NIKON F mount listed below is now available.

    Phenomena particular to some lenses when they are used in combination with the Nikon “Z 7” and their “Mount Adapter FTZ” that we announced on October 26th, 2018 are improved on by this firmware.

    For customers who own the SIGMA USB DOCK and applicable product listed below, please update the firmware via SIGMA Optimization Pro*

    * Before updating the firmware using the SIGMA USB DOCK, please ensure to update SIGMA Optimization Pro to Ver. 1.5.0. or later.

    SIGMA 24-35mm F2 DG HSM | Art for NIKON F mount

    Benefit of the update:

    When the lens is used in combination with the Nikon “Z 7” and their “Mount Adapter FTZ”, it has corrected the phenomenon whereby it may occasionally stop recording while shooting video.

    SIGMA 50mm F1.4 DG HSM | Art for NIKON F mount

    Benefit of the update:

    When the lens is used in combination with the Nikon “Z 7” and their “Mount Adapter FTZ”, it has corrected the phenomenon whereby the response to the AF operation is intermittent when starting to shoot with the subject completely out of focus.

    SIGMA 85mm F1.4 DG HSM | Art & SIGMA 135mm F1.8 DG HSM | Art for NIKON F mount

    Benefit of the update:

    When the lens is used in combination with the Nikon “Z 7” and their “Mount Adapter FTZ”, it has corrected the phenomenon whereby it may occasionally show overexposure when narrowing down the aperture from F5.6 while shooting.

    [SIGMA MOUNT CONVERTER MC-11 UPDATE]

    We are pleased to announce that a firmware update for the SIGMA MOUNT CONVERTER MC-11 SA-E and EF-E is now available. This firmware makes the SIGMA MOUNT CONVERTER MC-11 compatible with the latest firmware of SIGMA interchangeable lenses. For customers who own the SIGMA MOUNT CONVERTER MC-11, please update the firmware via SIGMA Optimization Pro* by connecting it to a computer using the supplied USB Cable.

    * Before updating the SIGMA MOUNT CONVERTER MC-11 firmware, please ensure SIGMA Optimization Pro has been updated to ver. 1.5.0 or later.

    SIGMA MOUNT CONVERTER MC-11 SA-E

    Benefit of the update:

    It has become compatible with the SIGMA 28mm F1.4 DG HSM | Art for SIGMA.

    SIGMA MOUNT CONVERTER MC-11 EF-E

    Benefits of the update:

    • It has become compatible with the SIGMA 500mm F4 DG OS HSM | Sports for CANON EF mount, that has the latest firmware Ver.2.00.
    • It has become compatible with the SIGMA 24-35mm F2 DG HSM | Art for CANON EF mount, that has the latest firmware Ver.2.00.
    • It has become compatible with the SIGMA 18-300mm F3.5-6.3 DC MACRO OS HSM | Contemporary for CANON EF mount, that has the latest firmware Ver.2.00.
    • It has become compatible with the SIGMA 28mm F1.4 DG HSM | Art for CANON EF mount.
    • It has become compatible with the SIGMA CINE LENS FF High Speed Prime Line 28mm T1.5 FF for CANON EF mount and 40mm T1.5 FF for CANON EF mount.

    Articles: Digital Photography Review (dpreview.com)

  • Video: Old projector lens adapter to A7 III body surprisingly makes for beautiful photos, bokeh

    In pursuit of something different Mathieu Stern, who runs the Weird Lens Museum website, has adapted an old projector lens to fit on the front of his Sony a7 lll.

    The lens he used is a Rollei 90mm f/2.4 MC that would have originally been fitted to a 35mm slide projector. Mathieu says he found the lens without its projector in a yard sale, and paid $ 5 for it. In the three minute video above Mathieu shows the lens in action and a number of photos captured in the sun that seem to have well controlled flare and low contrast.

    As the lens has no iris the aperture can’t be varied from F2.4, but based on the results he attained, that doesn’t appear to be a problem. Mathieu discovered the lens fit perfectly into a M52 helicoidal tube which then allowed him to vary the apparent length of the lens so he could focus at a normal range of distances.

    The helicoidal tube has an M42 screw mount, so all he needed to do then was find an M42 to Sony E mount adapter so the whole kit would fit on his a7 lll. Sure, it’s not the most elegant solution, but it got the job done. Below is a gallery of images captured with the setup and shared with permission from Mathieu.

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    To find more of Mathieu’s work, head over to his website and YouTube Channel.

    Articles: Digital Photography Review (dpreview.com)

  • Olympus announces limited edition OM-D E-M1 Mark II camera to celebrate 100th anniversary

    In addition to a barrage of other products launched earlier today, Olympus has also unveiled a limited edition Silver OM-D E-M1 Mark II to commemorate Olympus’ 100th anniversary.

    As tends to be the case with many limited edition cameras, nothing changes on the inside. This special edition OM-D E-M1 Mark II still features the same 20.4-megapixel MOS sensor with Olympus’ TruePic VIII image processor to power it all. Also identical to the standard version is the 5-axis image stabilization.

    The special edition OM-D E-M1 Mark II will be limited to only 2,000 units worldwide and is set to ship in February 2019 for $ 1.699.99 USD and $ 1,999.99 CAD.

    OLYMPUS ANNOUNCES LIMITED EDITION

    OM-D® E-M1 MARK II SILVER

    2,000 Units Available Worldwide in Commemoration of Olympus’ 100th Anniversary

    CENTER VALLEY, PA., January 24, 2019 – Olympus is pleased to announce a special edition of the OM-D E-M1 Mark II, the OM-D E-M1 Mark II Silver. This limited edition model, of which only 2,000 units will be available worldwide, will be available at the end of February 2019, in commemoration of Olympus’ 100th anniversary.

    From Olympus President Hiroyuki Sasa:
    We are sincerely grateful to all customers and other stakeholders who have supported Olympus since its founding 100 years ago. Being true to our purpose of “making people’s lives healthier, safer, and more fulfilling,” we shall continue to contribute to photographic culture and deliver the joy of capturing and expressing special moments to photography lovers worldwide.

    TruePic VIII Image Processor and 20.4 Megapixel Live MOS Sensor
    The OM-D E-M1 Mark II features the TruePic VIII Image Processor, which makes it possible to capture images with minimal noise while retaining details. Furthermore, the 20.4 Megapixel Live MOS sensor with 121 points of cross-type on-chip phase detection improves resolution without the need for a low-pass filter. This synergy maintains the full 20.4 Megapixel image while offering up to 18 fps high-speed sequential shooting performance in AF/AE tracking. It also enhances gradation through pixel characteristic improvement for a wide dynamic range that rivals that of cameras with larger sized APS-C sensors. Pro Capture Mode is also included and allows lag-free shooting of split-second moments as full resolution images, attaining both high-speed and excellent image quality.

    In-Body 5-Axis Image Stabilization
    The OM-D E-M1 Mark II is equipped with built-in 5-Axis Image Stabilization to compensate for camera shake. Through an optimized correction algorithm, this model boasts 5.5 shutter speed steps of compensation performance. Furthermore, when combined with an M.Zuiko lens containing in-lens image stabilization2, 5-Axis Sync IS provides up to 6.5 shutter speed steps of compensation performance for hand-held shooting capabilities.

    A Compact, Lightweight, Durable System Offering Unparalleled Reliability
    The OM-D E-M1 Mark II features sealing throughout the camera for a highly reliable dustproof, splashproof and freezeproof (14°F / -10°C) design so that the camera performs even in the harshest outdoor conditions, such as snow or rain.

    Premium Silver Body
    The OM-D E-M1 Mark II is a dependable camera that meets the needs of the professional photographer and is capable of shooting in the harshest of environments. The black body embraces functional beauty while the new silver body provides a classic, quality camera look.

    Articles: Digital Photography Review (dpreview.com)

  • Olympus E-M1X shooting experience

    Introduction

    Out-of-camera JPEG.
    ISO 1600 | 1/1000 sec | F4.5 | Olympus 40-150mm F2.8 + 1.4x teleconverter

    As water pooled on the camera, I held my composition. A motorcyclist rocketed into the frame and I watched as the camera immediately drew a box around the rider’s helmet and began focusing as I half-pressed the shutter. As he screamed through the scene, leaving chunks of flying red mud in his wake, I fired off a burst at 15 frames per second.

    Thanks to the Olympus E-M1X’s new ‘Deep Learning’ autofocus, well, I didn’t need to think about autofocus. I didn’t need to follow the motorcyclist with a group of points, or time a half-press just right as he entered a pre-selected zone. I didn’t even have to place a focus point over him and initiate tracking.

    The camera immediately drew a box around the rider’s helmet and began focusing

    With so much less to think about, I found myself shooting with tighter framing than I normally would. That’s crucial for sports and action, because tighter framing means less cropping in ‘post’ and better overall image quality. And considering that I was shooting at a fairly high ISO value on a Four Thirds sensor, I wanted to maintain the best image quality I could get.

    There’s no doubt that between Nikon, Canon and Panasonic’s product announcements, 2018 was the year of the full-frame mirrorless camera. But with the E-M1X and its 20MP Four Thirds sensor, Olympus is taking a different approach. Many will cry foul, saying that this sizable, double-grip sports camera is evidence of Olympus losing their way.

    Image processed in-camera from Raw.
    ISO 200 | 1/80 sec | F5.6 | Olympus M.Zuiko 40-150mm F2.8 + MC-14 1.4x teleconverter

    On the contrary, I think the E-M1 X is evidence of Olympus charting a new path in this ever-more-competitive world occupied by computationally capable smartphones and the inescapable allure of full-frame sensors and optics. And I think that new path shows a lot of promise.

    Full disclosure: Olympus flew me down to Orlando, put me up in a nice hotel, fed me some tasty meals and handed me a pre-production E-M1X to test out. All images and impressions here are based on that pre-production camera, and performance and image quality may change with final production firmware.

    What is the E-M1X?

    The E-M1X is aimed straight at sports and action-shooting professionals, particularly those looking for lots of reach but not wanting to haul huge full-frame telephoto lenses around. In addition, it offers lots of direct control, durability, and highly configurable autofocus.

    But there’s no question: that Four Thirds sensor, inside this large camera body, looks a little silly. And though it offers great image quality for its size, you’ll have noisier images and deeper depth-of-field than you would with a larger APS-C or full-frame sensor given the same exposure parameters. That’s just the way it is.

    On the other hand, between its new hand-held high-resolution mode, crazy effective image stabilization and new autofocus tricks, the E-MX is an exciting piece of innovation.

    You see, the E-M1X is among the first ‘traditional’ cameras from a ‘traditional’ camera manufacturer to make use of use ‘deep learning’ and true computational photography techniques like we’ve been seeing on high-end smartphones (Sony’s latest Real-time Tracking AF is similar…but different). And that is exactly what traditional camera manufacturers need to stay relevant in today’s shifting market.

    Deep learning autofocus

    Out-of-camera JPEG.
    ISO 200 | 1/60 sec | F5 | Olympus M.Zuiko 40-150mm F2.8 Pro

    Does this new intelligent autofocus actually work? Yes and no. Let’s start with the ‘yes’ bit.

    With the ‘Motorsport’ setting enabled, the camera would reliably detect both cars and motorcycles in a given scene. If you set the camera up to have a single autofocus area, you can place that area over a particular subject to manually choose which car or motorcycle you want the camera to focus on.

    As I said earlier, this has the potential to be an incredibly powerful tool. I am by no means an experienced sports shooter, but this new autofocus system really did leave my mind free to focus more on composition, anticipating subject movement, and improving my panning technique.

    Happy with the pan, less happy with the rain on the lens. Processed in-camera from Raw.
    ISO 200 | 1/50 sec | F16 | Olympus M.Zuiko 12-100mm F4 Pro

    Now for the ‘no’ bit. This is a pre-production camera, of course, but there are bursts where the camera positively identified a subject, indicated it was tracking, and then I ended up with soft or out-of-focus shots. Also, I found when shooting NASCAR that if the car is temporarily blocked by an object, the camera effectively gives up and you have to re-engage tracking when it appears again. Engineers told me that adjusting my C-AF Sensitivity may help combat this, but we’ll have to confirm that when we get final firmware.

    But my biggest gripe concerns usability. The function lever to the right of the viewfinder allows you to switch between AF modes (single, continuous, etc) and/or AF areas with one flick. But it doesn’t allow you to switch between face detection or deep-learning settings.

    While you can at least change face detection if you assign a button to AF area, you must enter the menus to enable or disable the deep learning autofocus. This strikes me as something of an oversight, particularly since Face Detect overrides all other settings and the deep learning modes sometimes ‘see’ motorcycles and cars in everyday objects. In any case, I hope this gets fixed in subsequent firmware revisions.

    The rest

    Out-of-camera JPEG, hand-held high-res shot. Notice how the palms lose some detail due to motion, and the ghosting of the individual in the lower right.
    ISO 200 | 1/250 sec | F5.6 | Olympus M.Zuiko 12-100mm F4 Pro

    The other feature I’d like to touch on is the hand-held high-res shot. It really, actually, works. It aligns and stacks a total of 16 images, giving you more resolution and lower noise levels. And unfortunately, you get ghosting and / or a loss of detail on moving subjects.

    Because you can’t use it on moving subjects, it’s less robust than, say, the Google Pixel 3, which stacks up to 12 images each time you press the shutter and has no shutter lag. But hey, this is Olympus taking a step in the right direction, and it’s only going to improve.

    Olympus is thinking of computational applications for ‘real’ cameras

    And this is the big takeaway. Not only is the hand-held high-res shot showing Olympus moving toward offering you bigger-sensor image quality, but the deep-learning autofocus shows that they are thinking of computational applications for experienced users of ‘real’ cameras. They’re actively looking at ways to improve the experience of using a traditional camera through software.

    Olympus could have jumped on the full-frame bandwagon and called it good (the marketing would likely have been easier). But I honestly think this path they’ve chosen is the braver, if riskier, one, and I’m looking forward to seeing how it pushes the rest of the market forward.

    Read our Olympus E-M1X Review in Progress

    Articles: Digital Photography Review (dpreview.com)

  • Olympus E-M1X review in progress

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    The Olympus OM-D E-M1X is a dual grip Micro Four Thirds mirrorless camera aimed at pro sports and action photographers. It’s designed to be rugged, durable, fast and capable, and has a price tag to match that ambition.

    The EM1X uses fast readout and fast processing both to provide high-level AF performance and a range of novel modes and features. It also promises new levels of performance in terms of weather resistance and image stabilization.

    Key Specifications

    • 20MP Four Thirds sensor
    • 121-point autofocus system with deep learning-based subject recognition
    • Hand-held high-res shot mode
    • Up to 60 fps Raw + JPEG capture (up to 18 fps with autofocus)
    • Pro Capture mode records frames before you hit the shutter
    • Up 7.5EV of image stabilization with supported lenses
    • ‘Live ND’ multi-shot mode simulates ND filters
    • Large 2.36M-dot LCD viewfinder able to work at up to 120fps
    • Dual BLH-1 batteries giving 870 shots per charge (CIPA)
    • Dual UHS-II SD memory card slots
    • Extensive direct control, dual AF joysticks, articulating touchscreen
    • UHD 4K/30p video and DCI 24p at up to 237Mbps
    • Extensive, IPX1-rated weather sealing
    • USB charging

    To a degree the E-M1X resembles a twin-grip E-M1 II with more powerful processors and two batteries. What makes the camera interesting is what it does with that extra power.

    The E-M1X will go on sale in February at an MSRP of $ 2999, CAN $ 3899, €2999 and £2799.

    What’s new and how it compares

    The E-M1X brings improved AF, a hand-held high res mode and Live ND as the headline updates.

    Click here to see what’s new

    Body and Handling

    The E-M1X is the first Olympus digital camera to offer the dual-grip design favored by pro sports cameras. It’s also one of the few to receive a formal rating of its environmental sealing.

    Click here for more

    Controls and Operation

    There are plenty of direct control points on the E-M1X but also a lot that can be customized.

    Click here for details

    Video overview

    The E-M1X’s video spec is very similar to that of the E-M1 Mark II, which means high bitrate DCI 4K but only at 24p

    Click here to read about the camera’s video

    Shooting Experience

    Carey Rose was impressed by the performance of the E-M1X at a pre-launch shooting event, but there are some things he’d like to see improved.

    Read about shooting with the E-M1X

    Sample gallery

    We’ve been shooting extensively with the OM-D E-M1X: here are the images we’ve got so far:

    Click here for samples

    Specifications

    See a breakdown of what the Olympus OM-D E-M1X offers.

    Click here for specifications

    Articles: Digital Photography Review (dpreview.com)