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The Xperia 1 is Sony’s first triple-cam phone and comes with a 21:9 display

26 Feb

Sony has unveiled the Xperia 1 at the Mobile World Congress in Barcelona and the new flagship is the Japanese manufacturer’s first device to offer a triple-camera setup. The rear camera comes with three 12MP modules. The primary camera uses a 1/2.6” image sensor and fast F1.6 lens with OIS and Dual-Pixel autofocus. There are also a tele-module with 1/3.4″ sensor, F2.4 aperture and 52mm equivalent focal length, and a 16mm ultra-wide with 1/3.4″ sensor and F2.4 aperture.

Eye autofocus, which tracks the eyes of a human subject in the frame, has been ported from Sony’s stand-alone cameras and the 1 is also capable of recording Raw image files.

In video mode the camera records 4K HDR footage in a 21:9 cinema aspect ratio. The new Cinema Pro App, which is based on technologies from Sony’s pro video division, allows manual control over some video parameters, such as color depth, aperture and focus. 24 fps recording for a more cinema-like look is on board as well.

In line with the new video mode the 6.5-inch CinemaWide display comes with a 21:9 aspect ration and offers a 3,840 x 1,644 pixel resolution as well as HDR support. Stereo speakers are coupled with Dolby Atmos sound.

The Android OS is powered by Qualcomm’s new Snapdragon 855 chipset and 6GB of RAM. Either 64 or 128GB of built-in storage are expandable by up to 512GB via microSD card. The 3,330mAh battery and all other components are built into a IP68 waterproof body with Gorilla Glass 6 at front and back. No pricing information has been revealed yet.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma to release eleven Art lenses for L-mount along with SA/EF-mount adapter

26 Feb

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Sigma has announced that eleven of its Art lenses will be making their way to the L-mount system this year. Soon, owners of the Leica SL and Panasonic S1 and S1R will be able to get their hands on these:

  • 14mm F1.8 DG HSM | Art
  • 20mm F1.4 DG HSM | Art
  • 24mm F1.4 DG HSM | Art
  • 28mm F1.4 DG HSM | Art
  • 35mm F1.4 DG HSM | Art
  • 40mm F1.4 DG HSM | Art
  • 50mm F1.4 DG HSM | Art
  • 70mm F2.8 DG Macro | Art
  • 85mm F1.4 DG HSM | Art
  • 105mm F1.4 DG HSM | Art
  • 135mm F1.8 DG HSM | Art

Pricing and availability for all of those lenses will be announced at a later date.

In addition, the company is releasing the MC-21 mount converter, which allows owners of select Sigma SA and EF-mount lenses to attach them to L-mount bodies. An LED on the adapter illuminates when a compatible lens is attached, and also notifies users when a firmware update is available. Data for the first set of lenses is built into the MC-21 and will be updated automatically when future lenses are released.

Note that the adapter does not support continuous autofocus.

Compatible full-frame lenses include:

  • 12-24mm F4 DG HSM | Art
  • 14-24mm F2.8 DG HSM | Art
  • 24-35mm F2 DG HSM | Art
  • 24-70mm F2.8 DG OS HSM | Art
  • 24-105mm F4 DG OS HSM | Art
  • 60-600mm F4.5-6.3 DG OS HSM | Sports
  • 70-200mm F2.8 DG OS HSM | Sports
  • 100-400mm F5-6.3 DG OS HSM | Contemporary
  • 120-300mm F2.8 DG OS HSM | Sports
  • 150-600mm F5-6.3 DG OS HSM | Sports
  • 150-600mm F5-6.3 DG OS HSM | Contemporary

APS-C lenses can also be used via the auto-crop functions in L-mount bodies. Those lenses include:

  • 17-70mm F2.8-4 DC MACRO OS HSM | Contemporary
  • 18-35mm F1.8 DC HSM | Art
  • 18-200mm F3.5-6.3 DC MACRO OS HSM | Contemporary
  • 18-300mm F3.5-6.3 DC MACRO OS HSM | Contemporary
  • 50-100mm F1.8 DC HSM | Art
  • 30mm F1.4 DC HSM | Art

Sigma hasn’t indicated when the MC-21 will be available for purchase.

Press Releases

{PressRelease}

Sigma Announces Art Prime Lenses in L-Mount & Mount Converter MC-21

The new products include 11 Art prime lenses for full-frame cameras in L-Mount and a converter for Sigma’s SA mount and Canon EF mount lenses on L-Mount camera bodies.

Ronkonkoma, NY – February 26, 2019 – Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced 11 of its Art prime lenses will soon be available in L-Mount. Sigma also announced the launch of the Sigma Mount Converter MC-21, which will allow Sigma’s SA mount and Canon EF mount lenses to be used on the L-Mount camera bodies. The expansion of the beloved Sigma prime lens line along with the MC-21 converter will increase the extensibility of the L-Mount system and further Sigma’s role in the strategic L-Mount Alliance alongside Leica and Panasonic.

Sigma Art Prime Lenses in L-Mount

Features:
The L-Mount lineup consists of 11 Art prime lenses for full-frame cameras ranging from 14mm to 135mm, allowing Sigma’s award-winning high-performance lenses to be enjoyed by even more shooters on L-Mount cameras. The lineup features high-speed AF and is fully compatible with AF-C mode, in-camera stabilization and in-camera aberration correction. The native L-mount allows for a much more stable feel than using an adaptor. Additionally, the lenses are equipped with a surface treatment to enhance strength, a brass bayonet mount offering exceptional durability, and rubber sealing at the mount connection for dust- and splash-proof construction.

Product Lineup:

  • Sigma 14mm F1.8 DG HSM Art ($ 1,599.00) – World’s First and Only Full-Frame F1.8 Ultra-Wide-Angle
  • Sigma 20mm F1.4 DG HSM Art ($ 899.00) – Bright & Sharp Wide-Angle
  • Sigma 24mm F1.4 DG HSM Art ($ 849.00) – Front Filter Compatible, Fast-Aperture Wide-Angle
  • Sigma 28mm F1.4 DG HSM Art ($ 1,399.00) – Best in Class Performance
  • Sigma 35mm F1.4 DG HSM Art ($ 899.00) – Groundbreaking Flagship Wide-Angle
  • Sigma 40mm F1.4 DG HSM Art ($ 1,399.00) – Beyond Art Series Performance
  • Sigma 50mm F1.4 DG HSM Art ($ 949.00) – Redesigned for High Megapixel DSLRs
  • Sigma 70mm F2.8 DG Macro Art ($ 569.00) – First Macro to Join the Art Line
  • Sigma 85mm F1.4 DG HSM Art ($ 1,199.00) – Award-Winning Ultimate Portrait Lens
  • Sigma 105mm F1.4 DG HSM Art ($ 1,599.00) – The “Bokeh Master”
  • Sigma 135mm F1.5 DG HSM Art ($ 1,399.00) – Award-Winning Prime with Reach

Pricing and availability will be announced later.

Sigma Mount Converter MC-21

Features:
The Sigma Mount Converter MC-21 allows Sigma’s SA mount and Canon EF mount lenses to be used on L-Mount camera bodies, allowing more freedom of choice for L-Mount cameras from Sigma, Leica and Panasonic. The MC-21 increases the number of interchangeable lenses manufactured by Sigma to be used with the L-Mount system by 29 lenses.

Pricing and availability will be announced later.

{/PressRelease}

Articles: Digital Photography Review (dpreview.com)

 
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No Joke: Fujifilm paper and film products to get massive price increase on April 1st

26 Feb

Fujifilm plans to increase its prices substantially on a day when customers are least likely to believe it: April Fool’s Day. The price increase will affect the company’s film and paper products globally starting on April 1, Fujifilm announced on Monday. Though price increases will vary based on market, photographers can expect a minimum 30% increase in film cost and ‘double-digit percentage’ photographic paper price increases.

In the company’s announcement, Fujifilm President Kenji Sukeno explained:

Over the past several years, Fujifilm has faced the rising cost of raw materials and logistics. In the past Fujifilm has absorbed some of the costs by undertaking intensive structural reforms and communalization of production facilities, but as a responsible manufacturing company and to provide the high-quality products our customers expect, the company will institute a price increase.

The price increase will impact Fujifilm’s color negative, color reversal, quick snap, and control strips film products, as well as all of its photographic paper products.

Articles: Digital Photography Review (dpreview.com)

 
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Newly announced microSD Express format offers transfer speeds up to 950MBps

26 Feb

The SD Association has launched the microSD Express format, bringing extremely fast read speeds of up to 985 MBps to microSD cards — approximately 10 times faster than current high-end cards are capable of.

Like the SD Express format, microSD Express uses the NVMe 1.3 and PCIe 3.1 interfaces that are deployed in PC computers to power high-speed SSD drives. This technology is integrated into the second row of pins on the card. This means microSD Express cards will work at full speed on compatible devices but will also be backward compatible.

The new standard will not only provide much higher transfer speeds but also reduce power consumption compared to regular microSD cards, thanks to support for the low-power sub-states (L1.1 and L1.2) of PCIe v3.1.

High-speed and high-capacity microSD card could be very useful in all sorts of applications, from automotive to mobile, but in the imaging realm might provide most value to video shooters who need the capability to shoot 360-degree and/or Raw footage without being limited by storage.

That said, we are likely still some time away from manufacturers launching any microSD Express cards and compatible devices. In the meantime more information is available in the video above and the official press release on sdcard.org.

Articles: Digital Photography Review (dpreview.com)

 
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The Ricoh Theta Z1 is a $1K 360 camera with Raw capture, improved optics and more

25 Feb

Ricoh Imaging has announced the launch of the Theta Z1, its latest flagship model of its 360-degree camera system. The Ricoh Theta Z1 can capture 23MP (6720 x 3360 pixels) still images and 4K/30p (3840×1920 pixels) 360-degree video on its two 1″-type backside-illuminated CMOS sensor with a maximum sensitivity of ISO 6400.

Behind the sensor is a new image processing algorithm and improved image capture support. Specifically, Ricoh has added a new HDR Rendering mode, Interval Composite mode for recording star trails, and a multi-bracket mode for capturing the same scene with different settings. In addition to JPEG still image support, the Theta Z1 now supports Adobe DNG Raw capture for more post-processing flexibility.

To compliment the 4K/30p video capture, Ricoh has added a 4-channel microphone that supports 360-degree spatial audio recording. The lens itself has also been updated to reduce ghosting, flaring and purple fringing. An improved aperture mechanism makes it possible to choose between F2.1, F3.5 and F5.6. The Theta Z1 also features 3-axis stabilization to keep stills and video smooth.

The Ricoh Theta Z1 (the black camera) compared to Ricoh’s other 360-degree cameras. Note the much larger lens size and OLED screen.

The camera itself features a familiar two-lens design with a single button on the front of the device and three additional buttons on the side: one for power, one for Wi-Fi pairing and one for selecting the camera mode. A 0.93-inch OLED screen is used to show various settings and navigate through the shooting modes.

Ricoh has also added additional plug-in support thanks to the AndroidTM-based system, including a new ‘Time-Shift Shooting’ plug-in that makes it possible to remove the person capturing the image from the frame. As with past Theta devices, the Theta Z1 can post media directly to various social media platforms including Facebook, Twitter, Tumblr, YouTube and even Google Maps.

The Ricoh Theta Z1 is listed on Ricoh’s online shop for $ 999.95, but the ‘pre-order’ button only takes you to a sign-up page where Ricoh says you will be notified via email when the Theta Z1 becomes available for purchase.

Press release:

RICOH THETA Z1 — a camera that can shoot 360-degree spherical images in a single shot

Achieving 360-degree still image photo shooting in high-quality 23MP resolution

TOKYO, February 25, 2019 ?RICOH Imaging Americas Corporation announced today the launch of the RICOH THETA Z1, the latest model from the family of cutting-edge 360-degree cameras. The RICOH THETA Z1 supports approximately 23-megapixels resolution (6720 x 3360 pixels) 360-degree still image photo shooting as a high-end model of the RICOH THETA camera series, which can shoot spherical images in a single shot, giving consumers the opportunity to adventure, discover and capture life in 360.

Since RICOH launched the world’s first 360-degree consumer camera*1 in 2013, the company has stayed at the forefront of this emerging technology as it continues to evolve, and become an integral tool for the burgeoning industries of virtual reality (VR), social media, business, real estate + more. Exceptional imaging and sleek design come together to deliver unique, expected visuals; a seamless integration into any element of everyday life – business or pleasure.

The RICOH THETA Z1 is the flagship model of this series, with RICOH deploying exceptional optical and image processing technologies, cultivated through years of high-performance camera development, to pursue its highest resolution and quality to date. The compact main body is equipped with a 1.0-inch back-illuminated CMOS image sensor, enabling approx. 23MP resolution 360-degree still images. It supports a diverse range of shooting modes, such as aperture priority, allowing users to take high-quality images regardless of the setting: outdoors, nighttime, indoors, tropical beaches or snowy mountain views – nothing is off limits. Moreover, it is possible to shoot considerably smooth and immersive 360-degree videos in 4K (3840×1920 pixels) and 30 frames per second (fps) thanks to powerful 3-axis rotational stabilization to compensate for rotational shake.

The main body of the camera, with a 0.93-inch organic EL monitor and a Function (Fn) button, grants users access to a multitude of information at a glance, including number of possible shots, exposure settings, and more, thus greatly improving the operability of the camera itself. In addition to JPEG, RICOH THETA Z1 now supports Adobe® DNG format (RAW) so that users can enjoy professional image editing as with a general digital SLR camera. Basic performance improvements are most evident in the AndroidTM-based system, which now offers flexibility in number of expansions one can add to the Z1 through the installation of additional plug-ins. The overall functionality of the latest model from RICOH not only meets the high demands of serious photographers, offers an optimal performance for professionals and amateurs alike.

Opportunities to use 360 images in innovative ways are increasing at a rapid pace. RICOH THETA is heavily utilized in business use cases around the world. Advanced services leveraging RICOH THETA V in real estate and construction are offered by Ricoh Tours, Zillow 3D Home, Matterport Capture, and HoloBuilder JobWalk, and future integrations with these partners services and the new RICOH THETA Z1 are planned.

RICOH’S THETA Z1 will be available to preview up ahead of its official release at the RICOH Imaging booth during CP+ 2019, the world’s premier show for Camera and Photo Imaging held at PACIFICO Yokohama this February 28, 2019.

*1 As a mass-produced consumer product capable of capturing the scene around, above and below the device in a fully spherical image (as of October, 2013, based on RICOH research).

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: World Press Photo announces nominees for its 2019 Photo Competition

25 Feb

2019 World Press Photo of the Year Nominees

Editors note: There are images in the above gallery that are considered graphic and explicit in nature. Keep this in mind while looking through the gallery.

World Press Photo has announced the nominees for its 2019 Photo Contest. The contest, which is in its 62nd year, celebrates the work of photojournalists around the world who have captured profound images that depict defining moments throughout the year.

78,801 photographs from 4,738 photographers were considered and the 43 nominees hail from 25 countries around the world.

The nominated photos fall under two headline awards: ‘World Press Photo of the Year’ and ‘World Press Photo Story of the Year,’ the latter of which showcases a series of images from a particular assignment or project from photojournalists around the world. There are eight additional categories, each of which has its own set of nominees: Contemporary Issues, Environment, General News, Long Term Projects, Nature, Portraits, Sports and Spot News. Each of these categories have the sub-categories of single picture entries and story entires with the exception of Long Term Projects, which is a series.

We’ve rounded up the single picture nominees for each category in the gallery above. Along with the image will be a caption and accompanying backstory provided by the photographers and edited for clarity and brevity by World Press Photo.

The winning photos and stories will be announced at the World Press Photo Award Show on April 11th in Amsterdam. All winners are chosen from an independent jury from a wide range of photo backgrounds.

2019 World Press Photo of the Year Nominees

Victims of an Alleged Gas Attack Receive Treatment in Eastern Ghouta | © Mohammed Badra, European Pressphoto Agency

Victims of an Alleged Gas Attack Receive Treatment in Eastern Ghouta | © Mohammed Badra, European Pressphoto Agency

Caption: A man and a child receive treatment after the suspected gas attack on al-Shifunieh, 25 February 2018.

Story: By February 2018, the people of Eastern Ghouta, a suburban district outside Damascus and one of the last rebel enclaves in the ongoing Syrian conflict, had been under siege by government forces for five years. During the final offensive, Eastern Ghouta came under rocket fire and air bombardment, including at least one alleged gas attack—on the village of al-Shifunieh, on 25 February 2018. Figures are difficult to verify, but Médecins Sans Fronti?res (MSF) reported 4,829 wounded and 1,005 killed between 18 February and 3 March 2018, according to data from medical facilities they supported alone. MSF also reported 13 hospitals and clinics damaged or destroyed in just three days. Reports on the end of the siege in Eastern Ghouta are conflicting, though the Syrian army appear to have recaptured most of the south of the country by July. UNICEF reported the siege of Eastern Ghouta to have ended by late-March, with limited humanitarian access becoming available.

2019 World Press Photo of the Year Nominees

Almajiri Boy | © Marco Gualazzini, Contrasto

Almajiri Boy | © Marco Gualazzini, Contrasto

Caption: An orphaned boy walks past a wall with drawings depicting rocket-propelled grenade launchers, in Bol, Chad.

Story: A humanitarian crisis is underway in the Chad Basin, caused by a complex combination of political conflict and environmental factors. Lake Chad—once one of Africa’s largest lakes and a lifeline to 40 million people—is experiencing massive desertification. As a result of unplanned irrigation, extended drought, deforestation and resource mismanagement, the size of the lake has decreased by 90 percent over the past 60 years. Traditional livelihoods such as fishing have withered, and water shortages are causing conflict between farmers and cattle herders. Jihadist group Boko Haram, which is active in the area, both benefits from the hardship and widespread hunger and contributes to it. The group uses local villages as a recruiting ground, and the protracted conflict has uprooted 2.5 million people, exacerbating food insecurity.

The Lake Chad Crisis was funded by InsideOver.

2019 World Press Photo of the Year Nominees

Being Pregnant After FARC Child-Bearing Ban | © Catalina Martin-Chico, Panos

Being Pregnant After FARC Child-Bearing Ban | © Catalina Martin-Chico, Panos

Caption: Yorladis is pregnant for the sixth time, after five other pregnancies were terminated during her FARC years. She says she managed to hide the fifth pregnancy from her commander until the sixth month by wearing loose clothes.

Story: Since the signing of a peace agreement between the Colombian government and the FARC rebel movement in 2016, there has been a baby boom among former female guerillas. Pregnancy was thought incompatible with guerrilla life. Women were obliged to put war before children, leaving babies with relatives or, some say, undergoing forced abortions—a charge FARC denies.

2019 World Press Photo of the Year Nominees

The Disappearance of Jamal Kashoggi | © Chris McGrath, Getty Images

The Disappearance of Jamal Kashoggi | © Chris McGrath, Getty Images

Caption: An unidentified man tries to hold back the press on 15 October, as Saudi investigators arrive at the Saudi Arabian Consulate in Istanbul, Turkey, amid a growing international backlash to the disappearance of journalist Jamal Khashoggi.

Story: A critic of the Saudi regime, Khashoggi had been missing since entering the consulate on 2 October to obtain documents. After weeks of rumor and false information, Riyadh announced that Khashoggi had been killed accidentally during an altercation. Turkish authorities and the CIA claimed he had been murdered by Saudi intelligence operatives, working under high Saudi authority.

2019 World Press Photo of the Year Nominees

Crying Girl on the Border | © John Moore, Getty Images

Crying Girl on the Border | © John Moore, Getty Images

Caption: Honduran toddler Yanela Sanchez cries as she and her mother, Sandra Sanchez, are taken into custody by US border officials in McAllen, Texas, USA, on 12 June.

Story: Immigrant families had rafted across the Rio Grande from Mexico and were then detained by US authorities. Sandra Sanchez said that she and her daughter had been traveling for a month through Central America and Mexico before reaching the US to seek asylum. The Trump Administration had announced a ‘zero tolerance’ policy at the border under which immigrants caught entering the US could be criminally prosecuted. As a result, many apprehended parents were separated from their children, often sent to different detention facilities. After this picture was published worldwide, US Customs and Border Protection confirmed that Yanela and her mother had not been among the thousands who had been separated by US officials. Nevertheless, public outcry over the controversial practice resulted in President Donald Trump reversing the policy on 20 June.

2019 World Press Photo of the Year Nominees

Akashinga – the Brave Ones | © Brent Stirton, Getty Images

Akashinga – the Brave Ones | © Brent Stirton, Getty Images

Caption: Petronella Chigumbura (30), a member of an all-female anti-poaching unit called Akashinga, participates in stealth and concealment training in the Phundundu Wildlife Park, Zimbabwe.

Story: Akashinga (‘The Brave Ones’) is a ranger force established as an alternative conservation model. It aims to work with, rather than against local populations, for the long-term benefits of their communities and the environment. Akashinga comprises women from disadvantaged backgrounds, empowering them, offering jobs, and helping local people to benefit directly from the preservation of wildlife. Other strategies—such as using fees from trophy hunting to fund conservation—have been criticized for imposing solutions from the outside and excluding the needs of local people.

2019 World Press Photo Contemporary Issues Single Nominees

Afghan Refugees Waiting to Cross the Iranian Border | © Enayat Asadi

Afghan Refugees Waiting to Cross the Iranian Border | © Enayat Asadi

Caption: An Afghan refugee comforts his companion while waiting for transport across the eastern border of Iran, on 27 July.

Story: UNHCR reports that Iran has almost one million registered refugees, the vast majority from Afghanistan. In addition, more than 1.5 million undocumented Afghans are estimated to be present in the country. Many people fleeing violence, insecurity and poverty in Afghanistan find no alternative but to use illegal traffickers, along routes where they are exposed to robbery, kidnapping and death. Their aim is to pass through Iran and Turkey or Greece to seek a better life elsewhere, but trafficked refugees are highly vulnerable to forced labor, debt bondage, forced marriage, or work in the sex trade.

2019 World Press Photo Contemporary Issues Single Nominees

Male Rape | © Mary F. Calvert

Male Rape | © Mary F. Calvert

Caption: Former US marine Ethan Hanson bathes at home in Austin, Minnesota, USA, after a sexual trauma experienced during his military service left him unable to take showers.

Story: During a boot camp, Ethan and fellow recruits were ordered to walk naked through a communal shower while pressed together. Ethan reported the incident, but was harassed by the other men for doing so. Nightmares and panic attacks later forced him to resign. Recent Defense Department figures show sexual assault in the military to be on the increase. Servicemen are less likely than women to report sexual trauma, fearing retaliation or stigma.

2019 World Press Photo Contemporary Issues Single Nominees

The Cubanitas | © Diana Markosian, Magnum Photos

The Cubanitas | © Diana Markosian, Magnum Photos

Caption: Pura rides around her neighborhood in a pink 1950s convertible, as the community gathers to celebrate her fifteenth birthday, in Havana, Cuba.

Story: A girl’s quinceañera (fifteenth birthday) is a Latino coming-of-age tradition marking transition into womanhood. It is a gender-specific rite of passage, traditionally showcasing a girl’s purity and readiness for marriage. Families go to great expense, often celebrating with a lavish party. The girl dresses as a princess, living out a fantasy and perceived idea of femininity. In Cuba, the tradition has transformed into a performance involving photo and video shoots, often documented in a photobook. Pura’s quinceañera had a special poignancy, as some years earlier, having been diagnosed with a brain tumor, she was told she would not live beyond the age of 13.

2019 World Press Photo Environment Single Nominees

Living Among What’s Left Behind | © Mário Cruz

Living Among What’s Left Behind | © Mário Cruz

Caption: A child who collects recyclable material lies on a mattress surrounded by garbage floating on the Pasig River, in Manila, Philippines.

Story: The Pasig River was declared biologically dead in the 1990s, due to a combination of industrial pollution and waste being dumped by nearby communities living without adequate sanitation infrastructure. A 2017 report by Nature Communications cites the Pasig as one of 20 most polluted rivers in the world, with up to 63,700 tons of plastic deposited into the ocean each year. Considerable efforts are being made to clean up the Pasig, which were recognized by an international prize in 2018, but in some parts of the river the waste is still so dense that it is possible to walk on top of the garbage.

2019 World Press Photo Environment Single Nominees

Evacuated | © Wally Skalij, Los Angeles Times

Evacuated | © Wally Skalij, Los Angeles Times

Caption: Evacuated horses stand tied to a pole, as smoke from a wildfire billows above them, on Zuma Beach, in Malibu, California, USA, on 10 November.

Story: The 2018 wildfire season in California was the deadliest and most destructive on record, burning an area of more than 676,000 hectares. While scientists pointed to the vegetation-drying effects of climate change as a cause, US President Donald Trump blamed forest management.

2019 World Press Photo Environment Single Nominees

Akashinga – the Brave Ones | © Brent Stirton, Getty Images

Akashinga – the Brave Ones | © Brent Stirton, Getty Images

Caption: Petronella Chigumbura (30), a member of an all-female anti-poaching unit called Akashinga, participates in stealth and concealment training in the Phundundu Wildlife Park, Zimbabwe.

Story: Akashinga (‘The Brave Ones’) is a ranger force established as an alternative conservation model. It aims to work with, rather than against local populations, for the long-term benefits of their communities and the environment. Akashinga comprises women from disadvantaged backgrounds, empowering them, offering jobs, and helping local people to benefit directly from the preservation of wildlife. Other strategies—such as using fees from trophy hunting to fund conservation—have been criticized for imposing solutions from the outside and excluding the needs of local people.

2019 World Press Photo General News Single Nominees

The Disappearance of Jamal Kashoggi | © Chris McGrath, Getty Images

The Disappearance of Jamal Kashoggi | © Chris McGrath, Getty Images

Caption: An unidentified man tries to hold back the press on 15 October, as Saudi investigators arrive at the Saudi Arabian Consulate in Istanbul, Turkey, amid a growing international backlash to the disappearance of journalist Jamal Khashoggi.

Story: A critic of the Saudi regime, Khashoggi had been missing since entering the consulate on 2 October to obtain documents. After weeks of rumor and false information, Riyadh announced that Khashoggi had been killed accidentally during an altercation. Turkish authorities and the CIA claimed he had been murdered by Saudi intelligence operatives, working under high Saudi authority.

2019 World Press Photo General News Single Nominees

Unilateral | © Brendan Smialowski, Agence France-Presse

Unilateral | © Brendan Smialowski, Agence France-Presse

Caption: US President Donald Trump leads France’s President Emmanuel Macron by the hand while walking to the Oval Office of the White House, in Washington DC, on 24 April 2018.

Story: President Macron’s three-day visit to the United States was the first official state visit of the Trump administration. Unexpectedly, the two presidents’ body language went beyond the norm for such visits, bordering on the intimate. The leaders also praised each other effusively. The 2015 international nuclear agreement with Iran was one of the main topics under discussion. Macron aimed to persuade Trump to adhere to the deal, which limited Iran’s nuclear program in return for a lifting of sanctions, but failed. On 8 May 2018, President Trump withdrew from the agreement, breaking with European allies. The relationship between the two leaders appears to have soured, with Trump later attacking Macron on Twitter.

2019 World Press Photo General News Single Nominees

Still Life Volcano | © Daniele Volpe

Still Life Volcano | © Daniele Volpe

Caption: The living-room of an abandoned home in San Miguel Los Lotes, Guatemala, lies covered in ash after the eruption of Volcán de Fuego on 3 June 2018.

Story: Fuego, around 40 km southwest of the capital Guatemala City, is one of Latin America’s most active volcanoes, and has been erupting periodically since 2002. It is monitored by volcanologists, but this eruption came without warning. People living around the volcano, many at Sunday lunch, were surprised by the suddenness of the event, as Fuego spewed red-hot lava, ash, poisonous gases and flaming debris onto villages below. The eruption was one of the deadliest in Guatemala for over a century. Guatemala’s National Institute of Forensic Sciences reported the recovery of 318 bodies, over a third of them unidentified.

2019 World Press Photo Nature Single Nominees

Flamingo Socks | © Jasper Doest

Flamingo Socks | © Jasper Doest

Caption: A Caribbean flamingo inspects the improvised socks created to help heal its severe foot lesions, at the Fundashon Dier en Onderwijs Cariben, Curaçao.

Story: The bird was brought by plane from neighboring island Bonaire, after spending a few weeks in a local rehabilitation facility. Such lesions are common among captive flamingos, as they have very sensitive feet and are used to walking on soft ground. After a few weeks of care the bird was transported back to Bonaire There are around 3,000 breeding pairs of Caribbean flamingos on Bonaire, and a further 200 to 300 birds on Curaçao.

2019 World Press Photo Nature Single Nominees

Glass Butterfly | © Angel Fitor

Glass Butterfly | © Angel Fitor

Caption: A winged comb jelly, Leucothea multicornis, its wings widely opened, propels itself through waters off Alicante, Spain.

Story: Leucothea multicornis, like other comb jellies, is a voracious predator, capturing its prey using sticky cells rather than by stinging. Little is currently known about the biology of comb jellies. Because the creatures are so fragile and fold their wings in reaction to the slightest vibration, they are extremely difficult to study and to photograph.

2019 World Press Photo Nature Single Nominees

Survival Instinct | © Bence Máté

Survival Instinct | © Bence Máté

Caption: Frogs with their legs severed and surrounded by frogspawn struggle to the surface, after being thrown back into the water in Covasna, Eastern Carpathians, Romania, in April 2018.

Story: Frogs legs are frequently harvested for food in the spring, when males and females gather to mate and spawn. Legs are sometimes severed while the animal is still living. Each year, about US$ 40 million worth are sold annually, with countries across the world participating in the trade.

2019 World Press Photo Portrait Single Nominees

Black Birds | © Heba Khamis

Black Birds | © Heba Khamis

Caption: Jochen (71) and Mohamed (21; not his real name) sit in the Tiergarten, Berlin. Jochen fell in love after meeting Mohamed, then a sex worker in the park. They have been dating for 19 months.

Story: Prostitution between consenting adults is legal in Germany, and German aid charities have reported a marked increase in the number of young migrants turning to sex work. While they wait for their documents, refugees are not allowed to work legally or attend school. The German government prioritizes assistance to refugees from countries with an ongoing war; those seeking asylum from countries without war are placed in a second category, where papers take longer to complete. This lack of employment opportunity creates a severe lack of choice for many, with some young men becoming sex workers, sometimes to fund a heroin addiction. The Tiergarten, a large park in central Berlin, is a popular meeting spot for male sex workers and older clients. Mohamed now works in a gay bar, and is quitting heroin.

2019 World Press Photo Portrait Single Nominees

When I Was Ill | © Alyona Kochetkova

When I Was Ill | © Alyona Kochetkova

Caption: Alyona Kochetkova sits at home, unable to face borscht (beet soup), her favorite food, during treatment for cancer.

Story: Alyona shot this self-portrait following surgery and chemotherapy, when, although she knew the vital importance of food, she struggled to eat. Taking photos was not only a way of sharing a difficult and personal story in the hope that it might support others with a cancer diagnosis, it was also a means of accepting her ordeal by doing what she loved.

2019 World Press Photo Portrait Single Nominees

Dakar Fashion | © Finbarr O’Reilly

Dakar Fashion | © Finbarr O’Reilly

Caption: Diarra Ndiaye, Ndeye Fatou Mbaye and Mariz Sakho model outfits by designer Adama Paris, in the Medina neighborhood of the Senegalese capital, Dakar, as curious residents look on.

Story: Dakar is a growing hub of Franco-African fashion, and is home to Fashion Africa TV, the first station entirely dedicated to fashion on the continent. The annual Dakar Fashion Week includes an extravagant street show that is open to all and attended by thousands from all corners of the capital. Adama Paris (who has a namesake brand) is a driving force behind the fashion week, and much else on the design scene.

2019 World Press Photo Sports Single Nominees

Sunlight Serve | © David Gray, Reuters

Sunlight Serve | © David Gray, Reuters

Caption: Naomi Osaka serves during her match against Simona Halep from Romania during the Australian Open tennis tournament, at Margaret Court Arena, Melbourne, Australia, on 22 January.

Story: Osaka, who was born to a Japanese mother and Haitian father is now based in Florida, USA, went on to win the tournament. In September, she won the US Open women’s singles, defeating Serena Williams. Over the course of 2018, Osaka rose from number 72 in world rankings to number one.

2019 World Press Photo Sports Single Nominees

Shields Strikes Back | © Terrell Groggins

Shields Strikes Back | © Terrell Groggins

Caption: Olympic champion Claressa Shields (right) meets Hanna Gabriels in a boxing match at the Masonic Temple in Detroit, Michigan, USA, on 22 June.

Story: Shields suffered a second-round knock down by Gabriels—the first in her career—but went on to win the match by unanimous decision. Shields is the first American woman to win an Olympic gold medal in boxing, and the first (male or female) to win a gold back-to-back in successive Olympic Games. She has had only one loss in her career, against British World Champion Savannah Marshal, in 2012.

2019 World Press Photo Sports Single Nominees

Boxing in Katanga | © John T. Pedersen

Boxing in Katanga | © John T. Pedersen

Caption: Boxer Morin Ajambo (30) trains in Katanga, a large slum settlement in Kampala, Uganda, on 24 March.

Story: More than 20,000 people live in Katanga, crowded together and often in extreme poverty. The boxing club receives no outside funding. From these disadvantaged beginnings, Ajambo, a mother of seven, went on to box in the Ugandan women’s team. Men’s boxing has a long history in Uganda, bur women boxers are often frustrated by the few opportunities to compete at an international level.

2019 World Press Photo Spot News Single Nominees

Warning: the above image is graphic in nature. Click here to see the original photo. The Death of Michael Nadayo | © Ezra Acayan

Warning: the above image is graphic in nature. Click here to see the original photo. The Death of Michael Nadayo | © Ezra Acayan

The Death of Michael Nadayo | © Ezra Acayan

Caption: The body of Michael Nadayao lies in the street after he was shot dead by unidentified men in front of mourners at a wake, in Quezon City, Philippines, on 31 August 2018.

Story: President Rodrigo Duterte began a concerted anti-drug offensive soon after taking office in June 2016, repeatedly ordering increased attacks against suspects. Amnesty International reports that this led to human rights violations, including extrajudicial killings by both civilians and police. A spokesman for the Philippine Drug Enforcement Agency said the campaign had led to 5,050 deaths by December 2018, with Human Rights Watch citing over 12,000. In June, 38 UN member states called on President Duterte to end the killings and probe the causes of the drug war.

2019 World Press Photo Spot News Single Nominees

Crying Girl on the Border | © John Moore, Getty Images

Crying Girl on the Border | © John Moore, Getty Images

Caption: Honduran toddler Yanela Sanchez cries as she and her mother, Sandra Sanchez, are taken into custody by US border officials in McAllen, Texas, USA, on 12 June.

Story: Immigrant families had rafted across the Rio Grande from Mexico and were then detained by US authorities. Sandra Sanchez said that she and her daughter had been traveling for a month through Central America and Mexico before reaching the US to seek asylum. The Trump Administration had announced a ‘zero tolerance’ policy at the border under which immigrants caught entering the US could be criminally prosecuted. As a result, many apprehended parents were separated from their children, often sent to different detention facilities. After this picture was published worldwide, US Customs and Border Protection confirmed that Yanela and her mother had not been among the thousands who had been separated by US officials. Nevertheless, public outcry over the controversial practice resulted in President Donald Trump reversing the policy on 20 June.

2019 World Press Photo Spot News Single Nominees

Climbing the Border Fence | © Pedro Pardo, Agence France-Presse

Climbing the Border Fence | © Pedro Pardo, Agence France-Presse

Caption: Central American migrants climb the border fence between Mexico and the United States, near El Chaparral border crossing, Tijuana, Baja California, Mexico, on 25 November 2018.

Story: Refugees who were part of a caravan that originated in Honduras in October 2018, began arriving at the border in November 2018 to find a backlog of some 3,000 people waiting to be processed into the United States, and a potential delay of months. This led to rising tensions, and to people breaking away from the caravan to attempt their own entry.

Articles: Digital Photography Review (dpreview.com)

 
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Skylum announces development of AirMagic drone imaging software

25 Feb

Skylum software, the company behind the Luminar and Aurora HDR applications has announced it is developing a dedicated software for enhancement of aerial images captured with drones.

The application for Windows and Mac will be called AirMagic and is AI powered “to transform photos made with a drone from great to breathtaking.” It will become available sometime in spring.

Looking at the teaser video above AitMagic is capable of detecting what drone camera an image has been captured with. It can then scan the scene for haze, skies, and presumably other image elements and artifacts, before automatically adjusting exposure, color and other parameters for an optimized end result.

It looks like AirMagic will be targeted at users who prefer automated enhancement over manual optimization but we’ll hopefully know more in the near future. No information on pricing has been released yet.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus E-M1X versus the E-M1 II, Panasonic G9, Fujifilm X-T3 and Nikon D500

24 Feb

Introduction

With ‘Deep Learning’ autofocus, crazy-fast burst speeds and refined ergonomics, the Olympus E-M1X is the most focused action and sports shooting camera that Olympus has ever made. And though it retains a Four Thirds sensor like the E-M1 II, Olympus is touting the X as a credible alternative to the flagship Nikon D5’s and Canon EOS-1D X II’s of the world: in the right circumstances.

We’ll look at comparisons against the D5 and 1D X II in a future article, but for now, we wanted to take a closer look at how the E-M1X stacks up against other Four Thirds and APS-C cameras with sports-shooting chops. It’s true that the E-M1X is the only camera in this comparison with a true double-grip chassis, but its competition is fierce nonetheless.

Against the E-M1 Mark II

Olympus has been clear that the E-M1X does not replace the existing E-M1 II, and both will live alongside each other in their lineup. But since the E-M1 II was already such a capable camera and you can get one at a steep discount compared to the X, we figured we’d start with a look at how these two stack up against each other.

The most immediate change is obviously the body. Not only in terms of size, but also battery life (doubled on the X, since it has…double the batteries). There are also significant differences between the two in terms of their controls. By and large, there are more buttons on the X that are dedicated to a single purpose, and the dual 8-way joysticks free up the four-way controller to act as four distinct custom buttons.

Against the E-M1 Mark II

Another benefit of the larger body on the E-M1X is that it makes room for an all new in-body image stabilizer, now rated at up to 7 stops without a stabilized lens, and up to 7.5 stops with certain lenses such as the Olympus 12-100mm F4 Pro. The E-M1X is also officially rated to IPX1 standards; the E-M1 II is certainly a well sealed camera, but Olympus makes no claims regarding formal ratings for it.

Both cameras have the same viewfinders, the same rear screens and the same
(or very similar) sensors

Olympus also doubled the processors in the X relative to the Mark II, enabling not only the ‘Deep Learning’ autofocus that detects motorsport vehicles, aircraft and trains, but also the hand-held high-resolution mode that spits out 50MB files. And Olympus has told us that it’s tweaked its C-AF algorithm in the X (note, this is not the C-AF + Tracking algorithm) to allow for better autofocus performance when you keep an AF area over your subject.

As for the rest, well, there’s not much to tell. Both cameras have the same viewfinders, same screens and the same (or very similar) sensors and very similar menu systems. For all intents and purposes, unless you need a tougher camera, want a beefier camera to use with bigger lenses or are in love with the Olympus ecosystem and want the best possible autofocus performance your bucks can buy, it’s probably best to just stick with the E-M1 II for now.

Against the Panasonic Lumix DC-G9

Let’s start with Panasonic’s Four Thirds stills-shooting flagship, the G9. Although at first glance there doesn’t appear to be much between the two in terms of core specs, the experiences of actually using each of them are more disparate than you might expect.

But let’s start with those specs, just ’cause. While the E-M1X shoots at 18fps with autofocus, the G9 ups the ante with 20fps. But they both have 20MP Four Thirds sensors with native ISO ranges of 200-25600, they both have fully articulating rear touchscreens, AF joysticks and in-body image stabilization.

But whereas the E-M1X has an on-sensor phase detection autofocus system that is able to recognize subjects like aircraft, trains and automobiles, Panasonic has stuck with its Depth from Defocus technology in the G9’s contrast-detection autofocus system. The result is that there is ‘flutter’ in the G9’s EVF when shooting moving subjects, as the lens rapidly wobbles in and out of focus to reconfirm critical focus. The ‘keeper rate’ of in-focus shots on the G9 is actually quite good, but it can be difficult to see while shooting if your subject is in focus at all. It’s a bit disconcerting until you get used to it.

Against the Panasonic Lumix DC-G9

There are other considerations, such as the G9’s top-plate LCD that displays shooting settings, something missing on the Olympus. Both cameras have high-resolution modes, but only the Olympus lets you hand-hold the E-M1X to get those extra pixels. The G9′ s video spec is rather more impressive too. It shoots 4K/60p, while the Olympus tops out at 4K/30p. Missing a built-in battery grip, the Panasonic is of course smaller, and with around half the rated battery life of the Olympus.

Both cameras give great results from their Four Thirds sensors given enough light. In the end, we lean towards the Olympus for outright autofocus performance, but the Panasonic is the stronger option for those who also dabble in video.

Against the Nikon D500

Okay, with the E-M1X’s main Four Thirds competitor out of the way, let’s look at how it stacks up against Nikon’s APS-C flagship, the D500.

With a resolution of 21MP, the D500 is only slightly above the E-M1X in this regard – but the larger sensor will come with less noise, more dynamic range and better low light performance than the E-M1X. Physics is physics, simple as that.

The larger sensor in the D500 will have less noise, more dynamic range, and better low light performance

And while the D500 comes without any form of ‘Deep Learning’ in its autofocus system, it does have a highly capable 3D Tracking mode to track moving subjects. So it won’t automatically detect, say, a car, but if you manually tell the camera what to track, the D500 will stick to it with remarkable tenacity. By contrast, Olympus’ non-subject specific tracking is nowhere near as ‘sticky’ as the Nikon.

Against the Nikon D500

The viewfinder experience differs from one camera to the next, and not just because one is optical (Nikon) and one is electronic (Olympus). The Olympus’ viewfinder is noticeably larger than that on the D500, but because it uses LCD technology, contrast is lacking and blacks can appear somewhat ‘washed out.’

The D500 also tops out at 10fps, slower than the E-M1X but still respectable. Despite only having a single battery, the D500 is rated for more shots per charge than the E-M1X, in part because it doesn’t have to power its viewfinder. But the Olympus has incredible image stabilization, and Nikon’s lens lineup offers limited solutions for getting near the reach of the Olympus lineup without spending more money and carrying more weight.

In the end, both cameras will reward you with an insane number of in-focus ‘keepers’ and good image quality – but the Nikon will handily beat the Olympus as light levels drop and ISO values rise, while Olympus gives you more reach in a smaller overall package.

Against the Fujifilm X-T3

Aha! You weren’t expecting Fujifilm to make an appearance, were you? But the X-T3 is a credible contender, offering further evidence that Fujifilm is quickly learning from both its past and its competitors. It wasn’t that long ago that Fujifilm offered dismal video and slow autofocus, yet now the X-T3 is a stills / video hybrid camera that is among the best APS-C cameras we’ve ever used. So how does the E-M1X look against it?

The X-T3 has the highest resolution of any camera in this slideshow

With a new sensor offering 26 megapixels of resolution, the X-T3 will have the highest resolution of any camera in this slideshow. It also reads out very fast, allowing for 20fps burst shooting using the electronic shutter, and 30fps with an added 1.25x crop that yields 16MP images.

But what good are burst speeds if your subject is out of focus? Good thing the latest autofocus system in the X-T3 is really good, with a solidly capable tracking mode that works similarly to Nikon’s 3D Tracking. Also like the Olympus, there’s no top-plate LCD to check your settings, but that may not matter if you make use of the analog dials. And one last small-but-significant distinction: the E-M1X has a large AF-L / AE-L button that can be assigned to AF-ON for back-button shooters, and the X-T3’s AF-L and AE-L buttons are comparatively small and placed less conveniently.

Against the Fujifilm X-T3

Despite its relatively large sensor, the X-T3 will also be the smallest camera in this comparison – but that portability comes with compromises. The Fujifilm’s smaller grip is less well-suited to large lenses than the Olympus, and battery life is comparatively poor. But build quality is excellent, even if Fujifilm won’t commit to an ingress protection rating like Olympus will. Despite having excellent video capabilities, the Fujifilm has no in-body stabilization, limiting video shooting possibilities for some users, though it has a much nicer electronic viewfinder and zero-blackout shooting in those electronic bursts.

Like Panasonic’s G9, the Fujifilm X-T3 may be best seen as a more appropriate all-rounder for most people. But Olympus should be concerned about the little Fujifilm, particularly as the system has some excellent lens support that signals how seriously the company is taking sports and action shooting (see the XF 100-400mm zoom and the 200mm F2 prime). Fuji also offers – arguably – some of the best JPEG color in the business, which is not only an Olympus strong suit but also very important to action shooters that don’t have time to process thousands of Raw files.

The wrap

In looking at the E-M1X in comparison to these excellent crop-sensor cameras on the market today, you can’t help but wonder if Olympus really has their work cut out for them.

It occupies an interesting niche in the market. Olympus is clearly catering to users that may either aspire to own a professional double-grip DSLR, or perhaps already own an SLR of some sort but are tired of carrying it around. These users must be shooting in pretty decent light to avoid ultra high ISO values compromising image quality on the Four Thirds sensor and yet, these users must not want to compromise at all on autofocus capability.

There’s no denying that the E-M1X is an amazing piece of technology wrapped in what is perhaps the best-built camera body any of us have laid our hands on. In the right hands and in the right circumstances, it’s capable of astounding imagery. We’ll continue to put the camera through its paces as we press on with our final review.

What do you think of the E-M1X? Do you own any of the other cameras mentioned in this comparison? Do you want to pick up a copy of the Olympus for your very own? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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Sony is hiring engineers to help strengthen its image sensor business

24 Feb

Reuters reports that Sony is planning to deploy 40 percent of its new engineer hires in Japan at its chip business which also includes the manufacturing of image sensors. The company is hoping to grow the division with more demand coming from a range of sectors, including mobile and automotive.

Overall Sony is projecting to hire 320 new engineers in Japan in 2019 and the same number again the next year, which is an increase of 70 from 2018. These numbers are Japan-only, so don’t take into account new engineering positions at international locations.

The hiring plans align with Sony’s investment of approximately $ 5.4 billion into its image sensor business over the next three years, which accounts for half of of the group’s planned capital expenditures.

Sony is already the market leader for image sensors by quite some margin, controlling more than half of the imaging sensor market for smartphones. The division is also an important contributor to profit within Sony, despite the company cutting its annual profit outlook for imaging sensors this month to 130 billion yen due to weakening global demand for smartphones. This figure still accounts for 15 percent of the Sony group’s overall profit.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic S1R sample gallery updated with Raw conversions

23 Feb

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_9045823839″,”galleryId”:”9045823839″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

We’ve had a little more time to shoot around with Panasonic’s high-resolution full-framer and thus, top off our sample gallery. We’ve also had the chance to add a whole lot of Raw conversions, which should give a better idea of image quality compared to the out-of-camera JPEGs. So have a peek and let us know what you think.

See our Panasonic S1R gallery

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