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Panasonic S1 10-bit and V-Log paid upgrade coming in July

28 Mar

Back when Panasonic announced its DC-S1 full-frame mirrorless camera the company said that a paid upgrade that would add some significant new video features was coming in the future. Today, the company said that videophiles will be able to purchase the upgrade this July, at a price to be determined later.

The features that the update brings are:

  • 4:2:2 10-bit 4K 24p/30p internal video recording
  • 4:2:2 10-bit 4K 60p HDMI output
  • Full V-Log recording

Prior to this upgrade, V-Log was only available on professional Panasonic video cameras, such as the EVA1. V-Log provides an extra 2-stops of dynamic range compared to V-Log L found on the GH5/GH5S, which should result in improved highlight retention in high dynamic range scenes.

As mentioned above, pricing has yet to be determined, though Panasonic says that it will be announced sooner than July.

Press Release

Panasonic Releases the Software Upgrade Program for LUMIX S1 in July 2019 to Expand Its Video Performance

Newark, NJ (March 28, 2019) – Panasonic has announced that the company will release a software upgrade key for the full-frame mirrorless camera LUMIX S1 in July 2019. As scheduled, this paid firmware upgrade is to further expand the video performance of the LUMIX S1 for advanced video recording. The optional Software Update Key will be available for purchase from authorized Panasonic dealers.

Functions available with the upgrade program are as follows.

– 4:2:2 10-bit 4K 24p/30p internal video recording

– 4:2:2 10-bit 4K 60p HDMI output

– Full V-Log recording

?Design and specifications are subject to change without notice.

To learn more about Panasonic’s line of LUMIX Digital Cameras and other consumer electronic products, please visit www.shop.panasonic.com and www.lumixlounge.com. You can also follow Panasonic on Twitter (@mypanasonicNA) and Facebook.

Articles: Digital Photography Review (dpreview.com)

 
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A closer look at the Huawei P30 Pro, a quad-camera smartphone with plenty of power

28 Mar

Hands-on with the Huawei P30 Pro

Huawei has launched the P30 Pro a new Android smartphone powered by a Kirin 980 chipset and 8GB of RAM — and we’ve gotten our hands on it for a closer look.

Images, which are captured on an impressive quad-camera array, can be viewed and composed on a 6.47-inch FHD+ OLED display with very thin bezels, keeping the overall dimensions of the IP68-certified device at bay. The large 4,200mAh battery packed inside should provide plenty of run time and comes with quick charging. The P30 Pro also features reverse wireless charging and an in-display fingerprint reader.

As impressive as all the specs are though, it’s the camera that has caught all of the attention, and rightly so — it’s packing a lot of camera tech into a considerably small package. Click through the gallery to dig through the details of the device and its imaging capabilities. In the coming days we’ll have a sample images and a follow-up article on the details of its photographic capabilities.

Quad-camera

The P30 Pro comes with three camera modules and a single time-of-flight (ToF) laser sensor — Huawei counts the ToF sensor when calling it a quad-camera. The ToF-sensor is used to measure subject distance for better AF performance and more precise depth maps in bokeh mode. The primary camera features a 1/1.7-inch 40MP sensor that puts out 10MP images.

The lens is optically stabilized and features a fast F1.6 aperture. The equivalent focal length is 27mm. The primary module is accompanied by a 20MP 16mm-equivalent super-wide-angle (not stabilized, F2.2) and a 125mm equivalent 8MP tele with folded optics, OIS and F3.4 aperture.

Folded optics

OPPO has been teasing a similar concept for a couple of years now but with the P30 Pro Huawei is the first manufacturer to bring folded optics in a smartphone to market. The system allows to squeeze a much longer zoom reach into a thin smartphone body than would be possible with a conventional lens design.

Like with OPPO, the image sensor is placed vertically in the phone and the optical axis of the lens runs across the phone body instead of outwards. A mirror is used to reflect incoming light into the lens and onto the sensor at the right angle. This allows for a 125mm equivalent focal length – more than any other current smartphone and approximately a 5x zoom factor over the primary camera. With the help of clever software this can be expanded to a whopping 50x magnification.

Field-of-view fusion

The Huawei does not only rely on innovative hardware for zooming, however. Computational imaging methods play an important role as well. Field-of-view fusion combines the optical zoom with super-resolution algorithms that stack multiple frames for increased levels of detail.

The system intelligently adapts to the zoom factor selected by the user. Up to a 3x zoom factor it only uses super-resolution on the primary camera. At zoom factors between 3x and 5x an image is captured with the tele lens for best possible detail. The areas around the edges of the 5x frame are then filled in using image data recorded with the primary camera. Detail in those areas is improved by reconstructing textures and fine detail using a deep learning algorithm.

This is quite impressive as white balance, focus and other camera parameters have to be in perfect sync for good results. At a 5x zoom factor only the tele camera is used. For even longer reach super-resolution is applied to the tele camera for a maximum 50x zoom factor.

Low light capabilities

The image sensor in the primary camera is of the RYYB type and according to Huawei offers 40 percent better light sensitivity than a conventional RGB sensor. A fast F1.6 aperture and optical image stabilization, which is an industry-first for a sensor of this size in a smartphone, also allow for better light gathering in dim conditions. Huawei says in default mode the camera is capable of delivering good exposures at extremely low light levels of 1 lux and can reach astronomic equivalent ISO values of 409,600.

Improved bokeh mode

Like virtually all high-end smartphones these days the P30 Pro comes with a background-blurring portrait mode. Huawei’s camera engineers have implemented a couple of solutions that should provide better than usual results, however.

Super-resolution is used on the primary camera to capture good detail at a 2x zoom factor, providing a field of view that is more suitable to portraiture than the primary camera’s native 27mm.

An initial depth map of the scene is then generated using data from the primary and super-wide-angle cameras. The ToF-sensor, which can precisely measure subject distance in all light conditions, is then used to refine the depth map, providing better subject isolation and blur gradient and therefore a more realistic overall result.

Video improvements

There’s no 4k video recording at 60fps available on the P30 Pro but the device comes with a range of improvements for its video mode. Huawei says image stabilization has been improved significantly, making the phone usable as an action-cam replacement. Video capture in low light has been improved as well, with the P30 Pro achieving good video exposure at candle light.

There are a couple of other new video features as well. On the main camera adaptive frame rates have been implemented to ensure good sharpness and smooth footage in all conditions In bright light and when the device´s gyro detects camera motion footage is recorded at 60fps. In lower light, when longer shutter speeds are required, and/or the device is held in a very stable fashion, frame rates drop to 30 fps. We’ve previously seen a similar feature on the Google Pixel 3.

Additionally the 32MP front camera is capable of recording HDR video. Currently Apple’s iPhone XS Max is the only other device with this feature. The P30 Pro front camera used a quad-sensor and a single-frame HDR effect is achieved by using different exposures on different pixels on the sensor.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Fujifilm XF 16mm F2.8 quick review

27 Mar

Want a compact, wide angle prime for your X-mount camera? If so, Fujifilm’s new XF 16mm F2.8 might just be the lens for you. In this quick review, Chris and Jordan put it to the test – which, somehow, involved shooting through the glass floor of a skyscraper.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

  • Introduction
  • Perspective
  • Shooting from the Calgary Tower
  • Design
  • Autofocus
  • Close focus
  • Bokeh
  • CA and distortion
  • Wrap-up

Sample gallery from this week’s episode

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Articles: Digital Photography Review (dpreview.com)

 
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The Sony RX0 II offers internal 4K/30p recording, improved Eye AF and a flip-up LCD screen

27 Mar

Sony has announced the RXO II, an ultra-compact camera that packs a lot of tech and specs into tiny device that’s roughly the size of a GoPro camera.

At the heart of the second-generation device is a 1″-type Exmor RS CMOS sensor, powered by Sony’s BIONZ X image processing engine that features a sensitivity range of ISO 80-12800. The camera uses a 15.3-megapixel crop from a 20MP sensor.

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In front of the sensor is a ZEISS Tessar T* 24mm-equivalent F4.0 fixed wide-angle lens that has a minimum focusing distance of 20cm. The device measures 59mm x 40.5mm x 35mm and weighs just 132g. Its ruggedized frame keeps the internals waterproof down to 10m (32.7ft), shockproof up to 2m (6.5ft), crushproof up to 200KG of force and rustproof.

One of the most interesting additions is an updated LCD screen that tilts upward 180-degrees, downward 90-degrees and even works underwater. This addition will be a welcomed addition for vloggers and the selfie-obsessed, but it should also prove useful when trying to get footage in hard-to-reach situations.

The RX0 II features internal 4K/30p internal recording with full pixel readout and no pixel binning. Sony says ‘by oversampling this data, the appearance of moiré and jaggies is reduced to deliver smooth, high-quality 4K footage with exceptional detail and depth.’ The camera also features high frame rate filming at up to 1,000 frames per second, uncompressed 4K HDMI output and simultaneous proxy movie recording. The RX0 II includes Picture Profile, S-Log2 and Time Code / User Bit functions for maximum post-production latitude.

On the photography front, the RX0 II includes an anti-distortion shutter up to 1/32,000th of a second and a maximum burst speed of 16 fps. Sony has improved the color reproduction from the original RX0 and included an optional Soft Skin Effect that can be used when taking portraits to help minimize blemishes.

Below is a sample gallery of images provided by Sony:

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Sony has also improved the Eye AF functionality of the RX0 II. Like the firmware version 5.0 update for the Sony a9, the RX0 II will now lock-on to the eye of a subject when the shutter is half-pressed.

Up to five RX0 II cameras can be synced together and controlled wirelessly using Sony’s Imaging Edge Mobile app. If five cameras isn’t enough an upcoming access point, due for a Summer 2019 release, will be able to control between five and fifty cameras at once. The RX0 II is also compatible with the Camera Control Box CCB-WD1, which is able to control up to 100 cameras.

The RX0 II will ship in April 2019 and be available at authorized Sony retailers for $ 700 / CAN$ 900.

Articles: Digital Photography Review (dpreview.com)

 
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US Supreme Court rejects request to hear ‘Jumpman’ copyright suit against Nike

27 Mar

The U.S. Supreme Court will not hear Jacobus ‘Co’ Willem Rentmeester’s copyright case involving the Nike ‘Jumpman’ logo, the high court has announced. The reason for the court’s decision remains unclear, but it leaves in place the 2018 ruling by an appeals court that found Nike hadn’t infringed upon Rentmeester’s image copyright with its iconic ‘Jumpman’ logo.

The legal matter began in 2015 when Rentmeester filed a copyright lawsuit against Nike over its ‘Jumpman’ logo featuring a silhouette of athlete Michael Jordan. The logo was based on an image of Michael Jordan produced by Nike in 1985, which was itself allegedly based on an image Rentmeester took of Jordan as a freelancer for Time Magazine. The two images, while expressing the same idea, are different.

Nike had originally paid Rentmeester $ 150 to license two of his 35mm transparencies featuring Jordan. Following that, the company paid Rentmeester $ 15,000 for a two-year license to use its own image based on the one Rentmeester took after he threatened litigation. In 1987, Nike then created the Jumpan silhouette logo based on its Michael Jordan image and it has used that logo in the years since.

Rentmeester’s January 2015 copyright infringement lawsuit was rejected by a federal court in Portland, Oregon, in June 2015. According to that court, Nike’s image presented a different expression of the idea behind the two images and copyright law only protects the expression of ideas.

The legal spat went to an appeals court, which ruled in 2018 that Nike’s image didn’t infringe upon the protected expression in Rentmeester’s image. The appeals court stated that the subject’s pose cannot be copyrighted, which would prevent other photographers from taking images of the person striking the same pose. Elements like shutter speed, camera angle, and timing all contribute to the expression of the idea in Rentmeester’s image, the court said.

Articles: Digital Photography Review (dpreview.com)

 
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SkyPixel Reveals Winners of its 2018 Storytelling Drone Photography Contest

27 Mar

SkyPixel Contest 2018 Winners

DJI’s SkyPixel, one of the world’s largest photography and videography communities, has announced the winners of its 2018 Aerial Storytelling Contest. Over 30,000 entries were submitted by professional videographers, photographers, and hobbyists from 141 countries.

The grand prize-winning entry in the photo category, pictured above, was taken in Northern France by Deryk Baumgartner. He used a Mavic Pro to capture the sunbathed Mont Saint Michel monastery, shrouded in a thin layer of fog, and framed with snaking ribbons of water.

“I was sitting on a rock fighting with stubborn wind and thick rain for the whole morning. The sun came up when I was just about to stand up and go home,” Baumgartner said. “This photo tells a simple story of you and me. Stick to it for a little longer in life when you are just about to fold, the silver lining would often unveil itself.”

In addition to the Grand Prize, First, Second, and Third prizes were awarded to images spanning four categories: Nature, Fun, Architecture, and Sport. A panel of six judges including Ben Nott, ACS, an award-winning cinematographer and Josh Raab, the Director of Instagram at National Geographic, selected the winners with the exception of People’s Choice Prize.

To view all the winners, nominees, and People’s Choice, for both photography and videography, visit the official SkyPixel Contest 2018 hub.

Hungry hippos

‘First Prize’ category winner, Nature: Hungry Hippos by Martin Sanchez (@zekedrone)

About the photo: “There’s no party like a hippo party” said photographer Martin Sanchez about this top-down perspective, taken in Tanzania, of a group of hippos convening in a small body of water. Sanchez used a DJI Mavic 2 Pro.

Alien footprints

‘Second Prize’ category winner, Nature: ????” by ? ??

About this photo: Snow in the Taklimakan desert, located between two mountain ranges in Northwest China, combined with ice formed a unique texture on the lake during the winter. The photographer captured this image at 400 meters AGL with a Mavic 2 Zoom and likened the patterns as “alien footprints.”

Nature Engraving

‘Third Prize’ category winner, Nature: “Nature Engraving” by ???

About this photo: Using a Phantom 4 Pro in the Utah desert, the photographer used golden hour light, the texture of the badlands, and the icy hues resulting from shadows cast against patches of snow to his advantage.

Flowers on the water

‘First Prize’ category winner, Fun: “Flowers on the Water” by Khánh Phan

About the photo: Using a Phantom 4 Pro V2.0, Phan created an aerial perspective of three women methodically cleaning gun flowers, arranged in a circle, for bundling to sell in the markets.

Salt harvest

‘Second Prize’ category winner, Fun: “Burden Salt Harvest” by Tu?n Nguy?n

About the photo: Hon Khoi is the largest salt field in Vietnam. Using a Phantom 4 Pro, this nadir perspective fixates on the shadows of workers carrying buckets of salt on one of their daily shifts that range from 3:00 to 7:00 am.

Ducks in black and white

‘Third Prize’ category winner, Fun: ???” by ? ??

About the photo: A Phantom 4 Pro was used to capture this black and white image containing dozens of white peking ducks clustering around piles of food.

Hong Kong small planet

‘First Prize’ category winner, Architecture: “Not a Small HK Island” by Panvelvet

About the photo: Panvelvet used a Phantom 4 Pro to create 43 images of Hong Kong. They were stitched together into a tiny planet sphere, and inverted for a visual effect of a city circling toward a bright orb.

Myanmar temples

‘Second Prize’ category winner, Architecture: “Bagan” by Witold Ziomek

About the photo: Bagan used a Mavic Pro to capture the sunrise reflecting off a temple in Bagan, Myanmar.

Golden hour in Macau

Third Prize’ category winner, Architecture:?????” by ??

About the photo: Golden hour light brightens up the Grand Lisboa hotel in Macau, China. The photographer used a Phantom 4 Pro.

Running through sand dunes

‘First Prize’ category winner, Sport: “Running Through the Sand Dunes” by Trung Pham

About the photo: Pham used a Mavic 2 Pro to get an aerial perspective of children running through sand dunes in Phan Rang, Vietnam, early in the morning. The black and white image accentuates the vastness of the dunes in relation to the children.

Shadow skier

‘Second Prize’ category winner, sport: “Shadow Skier #5” by Christoph Oberschneider

About the photo: A Mavic 2 Pro was used to capture a lone skier gliding down a slope in Austria.

Hammer throwing

‘Third Prize’ category winner, Sport: “Throwing IT to the Moon” by Taavi Purtsak

About the photo: Purtsak used a Mavic Pro and set the shutter speed at 1/2500s to freeze the motion of Estonian hammer throw champion Kati Ojaloo mid rotation.

Articles: Digital Photography Review (dpreview.com)

 
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Huawei P30 Pro features super-wide-angle, 5x optical zoom and ISO 409,600

27 Mar

One year after launching the P20, Huawei has announced its new P-series high-end smartphone models: the P30 and P30 Pro. As usual, the Chinese manufacturer is at the forefront of smartphone camera development and the P30 Pro in particular has some real innovation to offer in the camera department.

The top-of-the-line device comes with a triple-camera setup (Huawei calls it a quad-camera, counting the time-of-flight (ToF) sensor), covering a focal length range that has previously been unheard of on a smartphone. The primary camera features a 1/1.7 40MP quad sensor that puts out 10MP images. The optically stabilized lens comes with an 27mm-equivalent focal length and F1.6 aperture. If you want to go wider there is also a 20MP 16mm-equivalent super-wide-angle option but the P30 Pro’s real highlight is the stabilized 5x (125mm-equivalent) periscope-style tele-camera with folded optics.

Huawei P30 Pro

The concept is very similar to OPPO’s prototype zoom system and allows for a much longer reach than would be possible with a conventional lens in a thin smartphone body. In addition Huawei also uses clever software algorithms to further enhance the P30 Pro’s zoom performance. In combination with a super resolution algorithm which merges several RAW frames into one high-resolution image that is then cropped to produce a zoomed image, a maximum zoom factor of 50x can be reached.

During the presentation Huawei CEO Richard Yu also put a lot of emphasis on the the camera´s low light capability, claiming a maximum ISO of 409,600 and the capability to capture well-exposed images in near darkness (1 Lux). This is made possible through the use of an RYYB sensor in the primary camera. According to Huawei the chip is 40 percent more light sensitive than a conventional RGB sensor. Combined with OIS and a fast F1.6 aperture the new Huawei should be one of the best performing smartphone cameras in low light we have seen.

There is also an improved portrait mode that creates a background-blurring bokeh effect. A first depth-map is created using data from the super-wide and primary cameras. It is then refined with the help of the ToF-laser that can precisely measure subject distance in all ligh conditions. Other imaging innovations include adaptive frame rates in video mode – the camera shoots at 60fps in bright light and with camera motion and reduces to 30fps in lower light or when the camera is held still – and HDR video recording on the front camera.

Other key specs include a Kirin 980 chipset, 8GB RAM, a 6.47-inch display with minimal bezels and FHD+ resolution as well as a 4,200mAh battery with fast charging. The Huawei P30 Pro is available from today but unfortunately isn’t quite a bargain. Pricing ranges from 999 ($ 1130) Euros for the 128GB version. You’ll have to invest 1249 Euros ($ 1410) for the 512GB top-of-the-range model.

Huawei P30 Pro key camera specifications:

  • Triple-camera setup
  • Primary: 40MP, 1/1.7-inch quad sensor; F1.6 aperture, OIS, 27mm-equivalent
  • Tele: 8MP sensor, folded optics with F3.4 aperture, OIS, 125mm-equivalent
  • Super-wide: 20MP, F2.2 aperture, 16mm-equivalent
  • PDAF/Time-of-flight (ToF) autofocus
  • LED flash
  • 32MP front camera, 26mm equivalent, F2 aperture, HDR video
Huawei P30

The P30 is the Pro version’s mode affordable cousin. In the camera department it lacks the 5x optical zoom and comes with a similar camera setup to last year’s Mate 20 Pro. The primary camera uses the same sensor as the Pro but has to make do without an OIS system. The super-wide comes with a lower 16MP resolution and the conventional tele ‘only’ offers an 80mm equivalent focal length.

Other differences include a smaller 6.1-inch OLED display and a lower capacity 3650 mAh battery. The Huawei P30 comes with 6>GB of RAM and 128GB of storage and will set you back 799 Euros ($ 900).

Huawei P30 key camera specifications:

  • Triple-camera setup
  • Primary: 40MP, 1/1.7-inch quad sensor; F1.8 aperture, 27mm-equivalent
  • Tele: 8MP sensor, F2.4 aperture, OIS, 80mm-equivalent
  • Super-wide: 16MP sensor, F2.2-aperture, 16mm-equivalent
  • PDAF/Time-of-flight (ToF) autofocus
  • LED flash

Articles: Digital Photography Review (dpreview.com)

 
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Review: Langly Alpha Globetrotter Backpack is more style than substance

26 Mar

Langly Alpha Globetrotter backpack
$ 249 | Langly.co

Langly’s Alpha Globetrotter Backpack.

It seems that nostalgia for classic designs continues to be an obsession in the photography world and beyond. Cameras like the Nikon Df and much of Fujifilm’s X Series exemplify this. It’s no surprise that this same retro-ism has found its way to camera accessories – a perfect example of this is Langly’s Alpha Globetrotter backpack (hereafter referred to as “The Alpha”)

The Alpha is a bit like if your average front-loading Lowepro backpack had a baby with a classicly-designed Fjallraven backpack – and this cross-over comes with a high price tag. You can pick Forest Green for $ 249 or Slate Black with either Brown or Black leather trim options for $ 269.

Key specifications:

  • Dimensions: 18 x 14 x 8in /45 x 29.5 x 20cm
  • Weight: 4lbs / 1814g
  • Water resistant, TPU-coated canvas exterior
  • Waterproof zippers
  • 15in Laptop Sleeve
  • Gear storage for DSLR body and 3-5 lenses (lens size dependent)
  • 3 exterior pockets with pin-buckle snap closures
  • Tripod holding straps on bottom of bag

Compared to Other Bags

The Alpha’s price tag puts it in the same bracket as bags like Peak Design’s Everyday Backpack and Mindshift’s Backlight and Firstlight. Both of Mindshift’s bags carry a good deal more gear and have more of an outdoor focus. Despite Langly’s outdoor-focused aesthetic, Mindshift’s bags win in this category due to similar levels of weather-resistant materials and a harness design more akin to hiking backpacks, including padded hip straps. That said, neither of Mindshift’s bags have very solid compartment sections for everyday items.

Alpha’s style is really what’s going to separate it from other bags

The Alpha’s style is really what’s going to separate it from other bags. Classic and retro are the ideas here; if that’s not your thing and you like a more technical/futuristic design, then look to Peak Design’s Everyday Backpack or Tenba’s DNA 15 Backpack. The Peak Design bag is essentially the same price and offers a bit more storage between its side panels and expandable top compartment. Meanwhile the Tenba also has an expandable top compartment, but like the Alpha has a front loading gear compartment and for only $ 199.

Design and Construction

The lower portion of the bag is the gear storage compartment, the upper portion is for personal items. The Alpha’s straps are not as padded as we’d like to see in a premium backpack and hip straps offer no padding.

The Alpha looks a lot like Fjallraven’s bags, featuring a single color with a leather-like insignia. Its shape also resembles old hiking backpacks a bit. Make no mistake, it looks good. I actually got a compliment or two on the bag when I was out wearing it. Again, the style is definitely a huge selling point here.

I normally go for black in almost everything, but I enjoyed having something with a solid earth tone like the Alpha’s forest green.

The TPU-coated canvas exterior feels sturdy and truly weather-resistant. A flap over the top compartment provides an additional barrier to keep water out, though it feels somewhat redundant. The two main zippers (one for the gear compartment and one for the top compartment) are weatherproof, while all the other pockets are enclosed with a pin-buckle system.

The Alpha’s pin-buckles snap and lock into place, securing the flaps they’re attached to.

The weather-proofing is definitely welcome but while Langly advertises itself as an outdoor-oriented brand, I’m a bit disappointed by the relatively simple nature of the Alpha’s harness system. The shoulder straps are only slightly-padded and the hip straps have no padding at all.

Another odd design choice here is the shoulder straps have plastic buckles you can undo, presumably for the purpose of storing them behind the large velcro strap in the middle of the back of the bag. There isn’t really any issue here but it seems weird that the shoulder straps are storable but the hip straps really aren’t.

Straps, everywhere.

The Alpha also features straps on the bottom to use as a tripod holder (or to hold a sleeping bag – though I’d be surprised if anyone was taking this on extended hiking adventures). They’re definitely useful for their intended function, but with all the other straps for the harness, plus the straps used for the pin-buckles, the Alpha feels way too ‘strappy’ for my taste. Some people like to have a lot of stuff dangling from their bags and that’s fine, but I found it to be distracting and annoying more than anything else.

My basic organization for the gear compartment allowed me to fit a DSLR, four lenses and a flash.

The Alpha includes 6 dividers in 3 different sizes. You likely won’t need them all at once.

The gear compartment also feels sturdy and the included dividers do their job. There’s not much to note here other than the fact that the dividers don’t come installed in any way. If you really like a blank slate to start from you might appreciate this but I definitely prefer to have some kind of organization in place that I can build from, mainly because I found getting the dividers to fit was just kind of a hassle. That said, once they were in there they feel snug and secure.

In use

Despite my gripes with the design of the Alpha, I enjoyed using it. Everything felt secure, the zippers were fairly smooth, and I was able to carry a pretty solid kit plus a book, some snacks, an extra sweater, etc. I was convinced I would hate the pin-buckles but actually found them super satisfying to use and had confidence in their staying locked.

I found the weatherproof zipper plus double pin-buckles for the top compartment flap to be a bit confusing. It works just fine and protects everything but the flap just feels unnecessary. It’s made of the same weatherproof material that’s underneath, so other than giving the zipper a bit of added protection it’s just added weight and bulk.

Comfort-wise, I felt good about wearing this bag for a bit, but I doubt it would be all that fun to lug on a hike

The top flap also makes me think that the top compartment would be expandable, but because of the zipper, it isn’t. Granted, it is plenty big for carrying your everyday essentials, so no complaint in terms of size. I’m just hung up on some of these odd design choices that feel counter-intuitive to what Langly seems to be aiming to accomplish with its bags.

The non-expandable side pockets are my least favorite aspect of The Alpha.

Comfort-wise, I felt good about wearing this bag for a bit, but I doubt it would be all that fun to lug on a hike. While Langly is clearly trying to carve out an audience in the outdoor photography community, the Alpha feels pretty lacking when it comes to the sorts of things I’d expect to see in a hiking/shooting backpack.

The only thing about the Alpha I strongly dislike is the design of the side pockets – they’re fine for carrying additional items that might not fit in the other compartments. But the flap flops about when using them to carry a water bottle – they’re also too snug to fit larger containers like a 32oz Nalgene. I definitely would have preferred an expandable mesh pocket or something similar with a breathable bottom.

Bottom line

To sum up the Alpha in a simple phrase, I’d choose: ‘style over substance’. This bag looks great and would feel extremely appropriate in any #PNW #GetOutside #Adventure -tagged Instagram post, but anyone that’s spent a lot of time in the outdoors would know that this bag isn’t really any better-suited for that sort of thing than most other camera bags. It feels like it was designed for people to look like they spend time outdoors, rather than being designed for anyone to actually spend time shooting the outdoors.

With that said, that’s not such a bad thing. If you’re into the style, it feels perfectly at home as an everyday shooting backpack to use in the city as well. It’s probably not applicable to anyone shooting real professional stuff (photojournalism, sports, weddings, etc) but for engagement sessions out in the park? Sure. Actor head-shots downtown? You bet. If you like the style of this bag and your gear-carrying needs are pretty straightforward, then it will probably suit you well.

If you’re into the style, it feels perfectly at home as an everyday shooting backpack for the city

The design flaws here aren’t really deal breakers, they just feel like crossed wires in regards to what’s important in a bag. Assuming you’re okay with ~$ 250 of ‘looks cool’ on your back, get it, but I would at least consider some of the other options listed above if you’re looking for something of a different style.

What we like:

  • Looks stylish
  • Sturdy and made from solid materials that feel truly weather-resistant
  • Lots of space to pack gear, personal items in main compartments

What we don’t:

  • Pricey
  • Minimal padding on shoulder straps
  • No padding on hip straps
  • Redundant design elements lead to bulk
  • No convenient way to carry a water bottle
  • Too many straps dangling about

Articles: Digital Photography Review (dpreview.com)

 
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‘Streets in Mind’ shows NYC through the eyes of B&W street photographer Alan Schaller

26 Mar

SmugMug Films has released Streets in Mind, its latest film that follows London-based street photographer Alan Schaller around the busy streets of New York City.

The film comes in at five-and-a-half minutes and takes a wonderful look into the life and work of Schaller. As narrator, Schaller explains how he came to be a street photographer after a career in music.

In the words of SmugMug Films, Schaller’s ‘surrealist, geometric eye reveals the hauntingly intimate beauty which exists in the hustle of every day life in the Big Apple.’

You can find more of Schaller’s work on his Flickr photo stream and purchase a print through his online shop.

Articles: Digital Photography Review (dpreview.com)

 
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Photo Mechanic 6 launches with 64-bit support, selectable ingestion and more

26 Mar

As promised earlier this month, Camera Bits has released Photo Mechanic 6, a major update to the company’s image ingestion software. A free trial is available to download for new users on Windows and macOS, while ‘qualified’ existing customers can upgrade for $ 89 USD. A new software license is priced at $ 139 USD. For users who purchased Photo Mechanic 5 in 2018 will receive a license key for Photo Mechanic 6 for free.

Photo Mechanic 6 brings a large number of big and small improvements, including the previously announced 64-bit support, the ability to ingest images from selection, better image caching, full-screen support for Preview and Contact Sheet windows, and reverse geocoding.

As part of the initial release, Photo Mechanic 6 brings new elements including a new render cache and image gallery exporter. In addition to new features, version 6 also adds improvements to existing tools, including crop, slideshow, and the Find and Replace panel, plus new support for Blu-ray disc burning and much more.

The software enables photographers to rapidly ingest images, organize, and manage them at faster speeds than catalogue-based competitors. Users have the ability to cull, tag, view, organize and export their images from a single application. This is the first major update to Photo Mechanic since the release of version 5 in 2012.

Mac users must be running at least Mac OS X 10.10 or higher to use Photo Mechanic 6; Windows users must be running a 64-bit version of either Windows 7, 8, or 10.

In addition to the release of Photo Mechanic 6, Camera Bits has also announced Photo Mechanic Plus, a premium upgrade version of Photo Mechanic that will include the much-anticipated Catalog feature. A limited beta of Photo Mechanic Plus will be launched on April 22nd to Photo Mechanic 6 owners at no extra cost and will be launched alongside a dedicated forum where beta testers can share feedback.

In Camera Bits’ own words, the upcoming Catalog feature ‘is an image database for managing large numbers of image files across multiple locations.’ After the beta period is over Photo Mechanic Plus will be offered as a paid upgrade over Photo Mechanic 6 at a price that’s yet to be announced.

Articles: Digital Photography Review (dpreview.com)

 
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