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Archive for the ‘Uncategorized’ Category

Oppo reveals world’s first smartphone with under-display front camera

27 Jun

Earlier this months both OPPO and Xiaomi teased technology that allows the front camera on a smartphone to be located under the display, avoiding any notches, pinholes or other screen interruptions.

Today OPPO has shown a first device with the feature at MWC Shanghai and provided more information about the under-display technology. In order to make things work both customized displays and camera modules are required.

The display section covering the camera is made of a highly-transparent material and features a redesigned pixel structure that is optimized for the transmittance of light. Still, some light will be absorbed by the display, so the camera comes with a bigger sensor with bigger pixels and a larger aperture than you’d find in conventional front cameras.

There are also customized white balance and HDR algorithms to help boost camera performance and to further reduce the transparent display’s unavoidable detrimental impact on image quality OPPO has developed a haze removal algorithm for sharper and clearer image output.

In its announcement OPPO said it is developing a “futuristic, notchless, unibody and highly-recognizable smartphone,” but has not provided any detailed specs or information on pricing or availability.

Articles: Digital Photography Review (dpreview.com)

 
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Loupedeck+ 2.7.0 update brings with it Adobe Camera Raw integration

26 Jun

Loupedeck has announced its latest editing console, Loupedeck+, now includes integration with Adobe Camera Raw, adding yet another program to its list of supported post-production applications.

The version 2.7.0 update, implemented via the Loupedeck desktop app, adds the ability to control the various editing tools within the Adobe Camera Raw workspace. Considering the Adobe Camera Raw workspace is at the core of Adobe Lightroom Classic, it shouldn’t come as a surprise that the various editing tools and adjustments are nearly identical on the Loupedeck+ console between the two programs.

As with the Lightroom Classic integration, the Loupedeck+ console offers Adobe Camera Raw users the ability to crop, make basic adjustments, color correct, add various details and more. If the default layout doesn’t fit your workflow, the Loupedeck app makes it easy to customize what the various dials and settings. Below is a video Loupedeck has posted to its YouTube channel that takes a look at the Adobe Camera Raw support with photographer and filmmaker Adam Karnacz.

The Adobe Camera Raw integration brings the total number of supported editing apps to eight. Loupedeck already supports Adobe Lightroom Classic CC, Final Cut Pro X, Adobe Premiere Pro CC, Adobe Photoshop CC, Adobe After Effects CC, Adobe Audition and Skylum’s Aurora HDR.

The 2.7.0 update is available on Loupdeck’s website for both macOS and Windows computers. If you already have the software installed, you can manually update the application from its settings menu.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix DC-S1 review

26 Jun

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Silver Award

88%
Overall score

The Panasonic Lumix DC-S1 is the company’s mid-level full-frame mirrorless camera, built around the L-mount developed by Leica and now supported by Sigma and Panasonic. It features an image-stabilized 24MP sensor and is capable of shooting at up to 9 frames per second. The S1 can also shoot 4K/60p video from an APS-C region of its sensor or oversampled 4K/30p from its full sensor width. A multi-shot high-res mode lets it create 96MP Raw files and a paid upgrade enables 10-bit V-Log shooting.

The S1, along its sibling the S1R, also features one of the highest-resolution electronic viewfinders on the market: a 5.7M-dot OLED panel that runs at 120Hz and promises very little lag.

Panasonic Lumix S1 Key Specifications

  • 24MP full-frame CMOS sensor
  • Depth from Defocus contrast-detect AF system
  • 5-axis in-body ‘Dual IS’ system
  • Fully weather-sealed
  • Multi-shot 96MP ‘High Res’ mode
  • 6 fps bursts with continuous AF
  • 5.76M-dot electronic viewfinder
  • Dual-hinged 2.1M-dot touchscreen LCD
  • UHD 4K/60p video capture (1.5x crop); Oversampled 4K/30p with no crop
  • 10-bit HLG built-in, optional 4:2:2 V-Log
  • One XQD and one SD card slot
  • 380 shots/charge using LCD
  • USB charging, including from laptop/tablet chargers and portable power banks

The complete Lumix S system at launch

The S1, with its large, magnesium alloy body, is being pitched at a higher price than the 24MP models from Nikon and Sony, with a list price of $ 2499.

Alongside the S1 and its higher-resolution sibling, the S1R, Panasonic also announced 50mm F1.4, 24-105mm F4 and 70-200mm F4 lenses for the L system. They’re priced at $ 2299, $ 1299 and $ 1699, respectively. Both cameras are also compatible with existing Leica SL lenses as well as APS-C ‘TL’ glass.

A battery grip (DMW-BGS1) is available for around $ 350.


What’s new and how it compares

The S1 inherits (and improves upon) many of the features from Panasonic’s Micro Four Thirds cameras, while adding new full-frame sensors, a High Res mode, HLG photos and more.

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Body and handling

The S1/S1R have rugged bodies which can hold their own in the elements. The cameras have an incredibly high resolution EVF as well as a dual axis LCD.

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Operation and controls

The S1 and S1R have redesigned menus, plenty of customizable controls and a cool ‘image stabilization scope’.

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Is it right for you?

Find out what kinds of shooting the Lumix DC-S1 is best suited for.

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Shooting experience

Gothic streets and cured meats – check out DPR writer Dan Bracaglia’s experience of shooting the S1R at Panasonic’s launch event in Barcelona.

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Image quality

The S1 competes with the likes of the Canon EOS R, Nikon Z6 and Sony a7 III. See how its image quality stacks up.

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Autofocus

The S1 uses Panasonic’s familiar Depth from Defocus autofocus system. Can it keep up with the hybrid AF systems of its peers?

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Video performance

The S1 can capture 4K/60p video with a 1.5x crop as well as oversampled 4K/30p footage.

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DMW-SFU2 video upgrade

If you want pro-level features like 10-bit capture, V-Log and waveforms, then you’ll want this paid-for upgrade.

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Conclusion

How does the Panasonic S1 stack up against the competition, like the Sony a7 III, Nikon Z6 and Canon EOS R?

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Sample Galleries

View hundreds of photos taken with both pre- and final production Panasonic S1s.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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Report: Samsung’s upcoming Note 10 will have a ‘3-stage variable aperture’

26 Jun

Samsung guru and leaker Ice Universe claims Samsung China engineers have said the camera inside the upcoming Samsung Note 10 smartphone will feature a ‘three-stage variable aperture.’

As noted in the above tweet, Ice Universe says the camera on the Note 10 will offer three specific apertures as options: F1.5, F1.8 and F2.4.

Since the Galaxy S9, Samsung’s flagship lineups have featured dual-aperture camera systems, so it’s not new territory for Samsung. It is interesting though that Samsung is continuing to put an emphasis on the mechanical side of mobile photography when so many others, including Leica, are clearly doubling down on the computational side of it.

It’s unknown how the variable apertures will be implemented in the camera system, but the option alone is an improvement over other manufacturers and so far Samsung’s dual-aperture setup has proven itself.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm issues advisory after discovering counterfeit 35mm rolls of Fujifilm-branded film

26 Jun

Fujifilm Japan has issued an advisory (Japanese) warning customers that counterfeit 35mm film featuring the ‘Fujifilm’ brand has been found on the market. The fraudulent products were discovered when a customer took the counterfeit film to a photo developer in Japan, according to a statement from the company.

Fujifilm warns the counterfeit 35mm film products are packed with ‘movie film’ that can’t be developed using CN-16 and C-41 processes; attempting to develop these products may contaminate the developer, putting other customers’ film at risk. Shops that attempt to develop this counterfeit film are advised to change the developer solution and clean the machine.

It’s unclear how widely the counterfeit film products have been distributed. Fujifilm provides three sample images featuring the non-genuine ‘Fujifilm’ film. In addition to the 250D roll featured in the advisory, Fujifilm says there may be other counterfeit products including 250T and 64D.

Articles: Digital Photography Review (dpreview.com)

 
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DJI denies sending flight data to China, looks to manufacture in the U.S.

26 Jun
DJI’s Mavic Enterprise Dual is used by government agencies to aid in numerous efforts.

A little over a month ago, the U.S. Department of Homeland Security (USDHS) sent out an alert stating that drones manufactured in China presented a security risk. This past week, representatives from Da Jiang Innovations Science and Technology, better known as DJI, told a Senate subcommittee that the company does not automatically collect data, including flight logs and photos, from its users to share with the Chinese government.

In a letter addressing the Senate subcommittee, DJI’s Vice President and Regional Manager, Mario Rebello, outlined the numerous benefits drones provide both the private and public sectors. He also clearly stated that ‘DJI drones do not share flight logs, photos or videos unless the drone pilot deliberately chooses to do so […] this data stays solely on the drone and the pilot’s mobile device. DJI cannot share customer data it never receives.’

Rebello also warned of potential economic fallout should the Chinese company fall victim to speculation coupled with unverified information presented to the Senate subcommittee at a hearing called Drone Security: Enhancing Innovation and Mitigating Supply Chain Risks. ‘We believe industry and government have a shared responsibility to build on this momentum and keep our skies open for safe and secure commerce and innovation. Unfortunately, some witnesses who appeared before the Subcommittee want to limit competition, innovation, and the availability of drone technology based solely on its country of origin,’ the letter adds.

‘We believe industry and government have a shared responsibility to build on this momentum and keep our skies open for safe and secure commerce and innovation.’

DJI supplies roughly 70 percent of the drones in the U.S. market, according to recent estimates. It offers up a diverse range of models including the Mavic Air and now a Government Drone. The latter is currently being developed and will not be able to transfer any data collected during flight wirelessly or online.

Lightweight, compact, and versatile, the Mavic Air is popular among consumers.

Unlike most of Huawei’s business, DJI has not been put on the Trump administration’s blacklist. Nevertheless, by establishing a manufacturing base in California, they hope it enables them to continue selling products in the U.S.

In response to the Trump administration’s recent crackdown on technology manufactured in China and escalating trade war, the Shenzhen-based company, which is privately held, plans to repurpose a warehouse in Cerritos, California, to assemble a variety of drones in its product line. While production in the Cerritos facility, which was formerly used to store inventory, will only represent a small fraction of DJI’s overall production, the company hopes that manufacturing on U.S. shores will help it fulfill some necessary federal requirements.

DJI plans to assemble 60 percent of its new Government Drone in Cerritos once approval by the U.S. Customs and Border Protection is secured. Once verified, they can file for certification as the devices produced in the warehouse will satisfy the requirements set forth by the Trade Agreement Act. Under the Act, government agencies are required, by law, to purchase products made in the U.S.

‘This new investment will expand DJI’s footprint in the U.S. so we can better serve our customers, create U.S. jobs, and strengthen the U.S. drone economy,’ the company said in a statement. Building on this momentum, the company yesterday released its Government Edition hardware and software solutions aimed at local, state, and federal agencies.

Articles: Digital Photography Review (dpreview.com)

 
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Select Metabones adapters can now shoot up to 10 fps AF-C on Sony a7 III cameras

26 Jun

In 2017, Metabones released a firmware update for its EF-E Speed Booster and EF-E Smart Adapter lines that added a 10 fps maximum continuous autofocus (AF-C) frame rate to the Sony A9. In an announcement today, the company revealed it’s brought that same functionality to the Sony a7 III model.

The latest update brings 10 fps AF-C to the a7 III via firmware version 62 for the EF-E Speed Booster Ultra I and II, EF-E CINE Speed Booster Ultra, EF-E CINE Smart Adapter and the EF-E Smart Adapter IV and V. These products can be updated over USB with firmware version 62 available to download in the Metabones app.

Metabones explains the 10 fps in the ‘Advanced Mode’ is the theoretical maximum, with both subject movement and the lens AF speed both impacting the actual shooting speed. The company recommends users set the in-camera ‘Priority Set in AF-C’ to ‘AF’ for the best accuracy and hit rate, but warns that it will come with a decrease in frame rate.

The company says older adapter models can be updated to firmware version 62, as well, including the original EF-E Smart Adapter I and II launched in 2012 and the EF-E Speed Booster launched in 2013. These older models don’t feature USB ports, however, so customers will require factory service to get the upgrade. As well, these models will only work in APS-C mode.

Owners of these discontinued products must contact Metabones customer service about upgrading. The company’s firmware downloads can be found here.

Press release:

Metabones® Firmware Pushes A7 Mark III Maximum AF-C Frame Rate up to 10 fps

Vancouver, Canada, June 24, 2019 – Two years ago, Metabones® added support for Sony A9 with a maximum continuous autofocus (AF-C) frame rate of 10 fps by firmware to its EF-E Speed Booster® and EF-E Smart Adapter™ lines of fully-electronic adapters. Today, the same feat is extended to A7 Mark III.

How to upgrade:

  • EF-E Speed Booster ULTRA I/II, EF-E CINE Speed Booster ULTRA, EF-E Smart Adapter IV/V and EF-E CINE Smart Adapter are equipped with USB ports and they can be upgraded to firmware v62 by downloading the latest Metabones App. Choose the “Advanced Mode” checkbox before clicking the “Update” button. To encourage new firmware adoption, the user is assured that the upgrade is reversible to any previous version released in the last 2 years.
  • New customers may set the adapter to “Advanced Mode” with Metabones App or by following the procedure in the online user manual.
  • Even the original EF-E Smart Adapter I/II from 2012 and the original EF-E Speed Booster from 2013 can be updated to v62 and benefit from 10 fps AF-C with A9 and A7 Mark III, but without any USB ports, factory service is required to upgrade the firmware of these discontinued products, and they work only in APS-C mode. EF-E Smart Adapter III (2013) can also be factory-serviced to v62 and is the earliest adapter with full-frame camera support. Please contact Metabones customer service for details.

To achieve the highest possible AF-C frame rate on A7 Mark III, the adapter is set to “Advanced Mode”. On the camera we recommend setting “Priority Set in AF-C” to “AF” for the best accuracy and the highest hit rate, even though that will decrease the frame rate. 10 fps is the theoretical maximum and just how close we get to that is highly dependent upon the AF speed of the lens used and the speed of subject movement.

The fastest frame rate is achieved when the subject is at or near the center where phase-detection autofocus (PDAF) is used. Unfortunately only the central PDAF points are effective, because using all of the PDAF points of the camera would have required metadata about the optical formula of the specific lens used, which we do not have. All the PDAF points can be used by setting the Speed Booster or Smart Adapter to “Green Mode”, although the periphery points will still not be as effective as the central ones.

Some older lenses may have reduced accuracy and/or speed in “Advanced Mode”, but they can still be used in “Green Mode” on A7 Mark III at a lower frame rate (3 fps). “Green Mode” is also faster at single autofocus (AF-S).

With Speed Boosters and Smart Adapters breaking down compatibility barriers, Metabones believes that the products themselves need to be continuously updated with new firmware to cope with new technologies, new cameras and new lenses. Patrons see value in Metabones products in the long term for compatibility with the broadest range of cameras and lenses and for the firmware updates. Leverage the 10 fps continuous autofocus feature of the best-selling full-frame mirrorless camera today using 32 years’ worth of EF Mount lenses.

Download and support page: https://www.metabones.com/article/of/contact-us

Articles: Digital Photography Review (dpreview.com)

 
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The Lumecube Strobe is an anti-collision light for drones

25 Jun

Lumecube, a company known for its ultra-portable lighting solutions, has released a new product in the shape of an anti-collision light for drones.

The Lumecube Strobe can be attached to any drone using 3M Dual Lock technology and weighs only ten grams, minimizing the impact on flight performance and time. It’s designed in line with all FAA guidelines for anti-collision lighting and, according to Lumecube, is visible from more than three miles away.

The light is visible from 360 degrees and can flash white, red or green, depending on the color filter attached. There are also multiple light modes, including a fast speed of 60 strobes per second. The Stobe uses a micro-USB cable for charging and, according to Lumecube, provides more than two hours of run time in fast strobe mode. A button lets you cycle through various strobe modes, including a continuous lighting mode.

The Strobe is available now for $ 49.95. More information can be found on the Lumecube website.

Articles: Digital Photography Review (dpreview.com)

 
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Phase One to introduce multi-frame Raw capture for its IQ4 camera system

25 Jun

Phase One has announced the impending arrival of its first Creative Control Enhancement update for its IQ4 Infinity Platform. The update offers new multi-frame Raw capture capabilities and other new features to improve photographer’s workflows.

At the core of the Creative Control Package update for the IQ4 Infinity Platform is Automated Frame Averaging, a new Raw capture mode that combines multiple frames together to create a final image with better image quality. Similar to Sigma’s Super Fine Detail mode, which shoots and averages seven images, Phase One’s new Automated Frame Averaging function ‘combines multiple sensor readouts during the capture process to reduce noise, strengthen dynamic range and protect highlights.’

Phase One has also updated Capture One Inside (version 12.1), adding new Clarity and HDR options, as well as the ability to create your own Capture One Styles and upload them directly to the IQ4 system. Direct Image Transfer is included in the update as well.

Capture One says the update will be available for download ‘next week’ on its Creative Control Enhancement webpage.

Press release:

Phase One Advances IQ4 Infinity Platform
– Enhances Photographers’ Creative Control

COPENHAGEN, June 25, 2019 – Phase One today announced its first IQ4 Infinity Platform enhancement – with powerfully redefined RAW capture functionality and new features that boost the photographer’s creative control.

With a focus on dynamically improving image quality, Phase One has innovated RAW image data creation with a new approach to reading, recording, and processing RAW captures. The new Automated Frame Averaging function of the IQ4 Camera System combines multiple sensor readouts during the capture process to reduce noise, strengthen dynamic range, and protect highlights. This process is expected to raise the bar by which image quality is measured, and open new creative opportunities.

“With Automated Frame Averaging, Phase One have adapted and further developed advances in technology, pushing the envelope of what’s possible to achieve in a camera system.” said Paul Reiffer, Professional Landscape Photographer. ”In doing so, yet again, they’ve pushed the industry forward while investing in our development as photographers along with the art of photography itself.”

Additionally, the Creative Control Enhancement for IQ4 Camera Systems offers many more features and functionality, to streamline and advance the photographers’ workflow. Capture One Inside now enables photographers to load their own custom styles into the IQ4, so captured images can reflect their own unique vision and style.

My style is central to my art. With the XF IQ4 Camera System and Capture One Inside, I am able to advance my creativity in the capture process,” said Gemmy Woud Binnendijk, Fine Art Photographer. “For me, the Phase One Camera System becomes central to my entire photographic process and not just a singular step.”

More information about the IQ4 Infinity Platform Creative Control Enhancement is available here: www.phaseone.com/IQ4-Creative-Control

Creative Control Package for the IQ4 Infinity Platform includes:

  • Automated Frame Averaging
    • Capturing and processing numerous consecutive images into one
  • Capture One Inside (v.12.1)
    • Introducing Clarity & HDR
    • Custom IQ Styles
  • Workflow and Storage Flexibility
    • Direct Image Transfer

Update (June 25, 2019): The original version of this article compared the technology to pixel-shift technology. It has been corrected to more accurate compare the averaging technology to Sigma’s Super Fine Detail mode.

Articles: Digital Photography Review (dpreview.com)

 
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Shopping for a lens? Our buyers guides list our top picks

25 Jun

Looking for a lens for your Canon or Nikon DSLR, or Fujifilm or Sony mirrorless camera? You’re in luck, as we have four buying guides to help you pick out the best lens for your shooting situation, whether it’s landscape, macro or travel.

Best lenses for Canon DSLRs

Best lenses for Fujifilm X-mount mirrorless

Best lenses for Sony mirrorlessOur Micro Four Thirds buying guide is currently in development and will be published in the new few weeks.


View all our buying guides

Articles: Digital Photography Review (dpreview.com)

 
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