Category: Uncategorized

  • Report: Samsung Galaxy S11 to come with 5x telescopic zoom and 108MP main camera

    Huawei with the P30 Pro and OPPO with the Reno are still the only manufacturers to offer folded-tele-optics in their respective smartphone camera systems. According to South Korean technology publication The Elec they might soon be joined by Samsung, though.

    The company started mass production of a 5x optical zoom camera module back in May. In in its report, The Elec claims the new tele camera will debut in the next generation Galaxy S11 device and will be accompanied by a 108MP main camera.

    Like other recent high-resolution smartphone sensors, the 108MP juggernaut will likely not be designed to output full resolution images but instead deliver image data that can be subjected to all sorts of computational imaging trickery, resulting in better detail, lower noise, a wider dynamic range and better zoom performance among others.

    Samsung Electro-Mechanics has released a video which shows the new lens design and how it works in detail. The module is only 5mm tall which means it fits even in thin smartphone bodies without protruding too much. Light is diverted onto the sensor via a prism. The latter is tilting to provide image stabilization which makes a lot of sense for the lens long maximum focal length.

    Samsung launched the Note 10 flagship series with a more conventional camera not too long ago but we should be able to see the new design in the S11 models which are expected to launch sometime next spring.

    Articles: Digital Photography Review (dpreview.com)

  • These are the best new photo features you’ll find in iOS and iPadOS 13.1

    Following the launch of its new iPhone 11 models and updated iPad, Apple has released iOS 13 and iPadOS 13, its latest mobile operating systems. Although iOS 13 was released last week, iOS 13.1 was only released yesterday and due to it being a substantial upgrade in terms of features and stability, we held off until now to post this overview.

    Summarized below are the new tools, features and functionality iOS 13 and iPadOS 13 bring to a lengthy list of iOS devices that support the latest operating systems.

    Update Photos app

    One of the first things you’ll notice with iPad and iOS 13 is the updated Photos app. Now, there’s a dedicated ‘Photos’ tab at the bottom of the app that splits your images up into ‘Years,’ ‘Months,’ ‘Days’ and ‘All Photos.’ You can tap on the individual timeframes or pinch in/out to expand and compress accordingly.

    It’s not a massive change, but it should simplify the process of finding older images if you know the rough timeframe they were captured.

    New photo editing tools

    Along with the new organization within the Photos app is an improved user interface and new editing tools.

    First and foremost, the interface for editing images has improved dramatically. Rather than the multiple layers of dials that were vaguely worded and unusually categorized, the editing interface now uses dedicated sections, each of which has individual adjustments displayed as circular tiles that can easily be swiped through and individually adjusted. Below is a list, in order, of the editing tools at hand:

    • Auto
    • Exposure
    • Brilliance
    • Highlights
    • Shadows
    • Contrast
    • Brightness
    • Black Point
    • Saturation
    • Vibrance
    • Warmth
    • tint
    • Sharpness
    • Definition
    • Noise Reduction
    • Vignette

    Portrait Mode photos have also had a bit of an update. You can now control the intensity of the light on Portrait Mode photos and with newer devices, there’s a Portrait Mode option called High-Key Light Mono.

    Video editing in Photos

    Another major improvement in iOS 13 is the ability to edit video. You can now crop, make image adjustments and even add filters to videos directly within the Photos app. Previously, video edits required third-party apps, which was anything but intuitive.

    New Shortcuts/Automations

    Apple has also added new functionality to its Shortcuts app called Automations. These are individual macros of sorts that can be used to trigger certain behaviors on your phone. The uses are seemingly endless, but a few notable examples include the ability to ‘change’ the default camera app, trigger the camera to open when you get a certain location or even upload your latest photos and videos to a backup location of your choice when you connect to your home Wi-Fi.

    Shortcuts and Automations are more directed towards power users who want the most from their phones, but Federico Viticci of MacStories has a wonderful rundown as part of his annual iOS and iPadOS 13 review to will help to get you started if it’s something you want to dive into.

    Desktop-class browsing

    As Apple demonstrated during its keynote, the iPad will now appear to websites as a standard computer rather than a mobile device. While this is overarching across the entire web, one area this could greatly benefit photographers is in regards to an online portfolio and photo blogging. Now, in iPadOS 13 you can use sites such as Squarespace, WordPress and other portfolio and blogging platforms as you would with a desktop computer.

    Previously, it was possible to visit the likes of Squarespace and WordPress, but a lot of functionality was greatly limited or downright unattainable due to websites only recognizing the iPad, even the ‘Pro’ models, as mobile devices. Rene Ritchie of iMore has a great rundown on what the new functionality means.

    External storage

    As we addressed back with iPadOS 13 was first announced at WWDC in May 2019, one of the most significant additions is the ability to use external hard drives natively within the iPadOS 13 Files app. It’s now possible to import, export and transfer images and other content from USB thumb drives, external SSDs and other storage means.

    It’ll be up to the developers of third-party applications to make the most of it (we’re looking at you, Adobe), but having the option at all is a much-welcomed addition.

    Supported devices

    Below is a list of iPhone and iPod Touch models that support iOS 13:

    • iPhone 11 Pro Max
    • iPhone 11 Pro
    • iPhone 11
    • iPhone XS Max
    • iPhone XS
    • iPhone XR
    • iPhone X
    • iPhone 8 Plus
    • iPhone 8
    • iPhone 7 Plus
    • iPhone 7
    • iPhone 6s Plus
    • iPhone 6s
    • iPhone SE
    • iPod touch 7th generation

    Below is a list of iPad models that support iPadOS 13:

    • 12.9-inch iPad Pro 3rd generation
    • 12.9-inch iPad Pro 2nd generation
    • 12.9-inch iPad Pro 1st generation
    • 11-inch iPad Pro
    • 10.5-inch iPad Pro
    • 9.7-inch iPad Pro
    • iPad 6th generation
    • iPad 5th generation
    • iPad Air 3
    • iPad Air 2
    • iPad mini 5
    • iPad mini 4

    Wrapping up

    In conclusion, iOS 13 is well worth downloading if your device is supported. Even if you have iOS 13 installed, make sure you update to iOS 13.1 which should be available now as an over-the-air update, as it irons out a lot of issues found in the first public version of iOS 13.

    If you have an extended period of time on your hands and want to see nearly every new feature Apple has added to iOS 13, Jeff Benjamin of 9to5Mac has created this comprehensive video below:

    Likewise for iPadOS 13:

    If there’s a tip or trick you find that’s not mentioned in this list, let us know and we might add it. We would also love to see what Shortcuts and Automations you come up with for your photo workflow.

    Articles: Digital Photography Review (dpreview.com)

  • Nisi introduces the ‘Switch,’ a filter system with independently rotating holders

    Filter system manufacturer Nisi has introduced a new filter holder that allows photographers to rotate two filters independently of each other, in much the same way that Lee’s Tandem operates. The Nisi Switch attaches to the existing 82mm filter holder and provides an additional rotation point so that the forward filter can be twisted separately to filters in the main holder.

    The system is designed for those using graduated filters to make tackling mountainous horizons easier and so that graduated filters can be placed at more than a single angle to allow photographers to control different areas of the scene individually.

    The Switch is part of the company’s 100mm filter system and will cost around $ 99. Those without the current 82mm filter holder will also need to buy a V6, a V5Pro or a V5 kit as well. These kits start at $ 169. For more information see the Nisi website.

    Articles: Digital Photography Review (dpreview.com)

  • The iPhone 11 Pro Max gets the teardown treatment from iFixit

    As it does with nearly every Apple smartphone, tablet and computer that hits shelves, iFixit has torn down an iPhone 11 and iPhone 11 Pro Max to reveal what technological goodies are hidden within. The teardown didn’t reveal too many surprises, overall, but a few interesting things did pop up.

    From left to right: the iPhones XR, XS Max and 11 Pro Max.

    Before cracking into any of the devices, iFixit teamed up with Creative Electron to X-ray the phones before they were opened up. As seen above, there’s not a millimeter of free space within the frames and although the same general layout was used, there are a few noticeable differences between the iPhone 11 models and the iPhone XS models. Considering the iPhone 11 Pro Max is the most interesting of the devices from a photography standpoint, that’s the teardown we’ll be focusing on here, although the full teardown of the iPhone 11 is available on iFixit.

    Most notably, the iPhone 11 Pro Max uses a single-cell L-shaped battery, instead of two separate batteries found inside previous Plus/Max models. Apple also dropped down the logic board, presumably to make room for the much larger three-camera array.

    In ‘Step 6,’ iFixit gets to the camera modules. The team at iFixit also had X-rays performed on the camera modules, which revealed the optical image stabilization on the wide and telephoto camera modules. According to the teardown, iFixit plans on doing a more detailed analysis of the camera unit, so when that goes live we’ll be sure to cover accordingly.

    The black bars in the two larger camera modules are the OIS units.

    Moving on, the iFixit team digs into the nitty-gritty details of the logic board and all of the individual chips, memory units and sensors within.

    At ‘Step 13’ the battery gets some attention and iFixit reveals it was ‘pleasantly surprised to find some relatively repair-friendly features.’ The battery analysis also reveals the battery inside the iPhone 11 Pro Max ‘pumps out 3969 mAh at 3.79 V, for a total of 15.04 Wh […] a whopping 2.96 Wh more than the XS Max battery, and 1.52 Wh less than the Galaxy Note 10+ 5G battery.’ Of course, this increased capacity comes with a slight size increase. The battery inside the iPhone 11 Pro Max is 4.6mm thick and weighs 59.6g, which is 0.7mm thicker and 13g heavier than the dual-cell battery arrangement inside the iPhone XS Max.

    The remainder of the teardown covers the bottom section of the devices, which includes speakers, microphones, charging ports, additional cables and more. iFixit gives the iPhone 11 Pro Max a repairability score of six out of ten, mostly due to the fact that if the back glass cracks the entire device essentially needs to be stripped away to repair it.


    Image credits: Courtesy of iFixit

    Articles: Digital Photography Review (dpreview.com)

  • Kenko’s new flash automatically moves its own head for optional bounce lighting

    Accessories manufacturer Kenko has introduced a flash unit that automatically rotates and tilts its own head to bounce its output from ceilings and walls to provide the ideal soft lighting. The Kenko AB600-R follows the lead of Canon’s Speedlite 470EX-AI by using motors to move its own head into the ideal position to suit the room and the subject, as well as the orientation of the camera.

    The new flash unit measures the distance between itself and the subject, as well as between itself and the bounce surface, and automatically calculates the best angle from which to direct its light. The user can also position the head manually and have the flash unit rotate itself when the camera is turned to be used in a different orientation or at an angle.

    Where the Kenko flash differs from the Canon model is that it has a guide number of 60m/197ft at ISO 100 (using the 200mm setting) and it offers radio control for wireless operation as well as optical. In wireless mode the unit can act as a master or slave, and can be controlled additionally via the WTR-1 wireless transceiver.

    The zoom head can track focal lengths of between 24mm and 200mm, and with the built-in diffuser lowered it will cover the angle of view of an 18mm lens. First and second curtain triggering options can be set, and strobe and high speed sync modes are also available.

    The head is powered by 4 AA batteries, but can also be powered by the BP-1 external battery pack and comes with a two-year guarantee. At the moment it comes with i-TTL compatibility for Nikon users (though B&H is advertising a Canon version – but showing the Nikon one), and costs $ 400 / £400. It is expected in stores in November. For more information see the Kenko website.

    Manufacturer information

    New: AI Flash AB600-R

    An electronic flash with Auto Bounce and Angle Lock functions.

    The Kenko AB600-R is a high-power, ‘Advanced Intelligence’ flashgun which enables photographers to raise their game to another level, helping them automate the lighting process and get the best results every time.

    Amongst its many features, the Kenko AI flash AB600-R incorporates an ‘AI’ Auto-Bounce function that takes care of the most difficult part in the shooting process: Bounce flash. By automatically calculating and moving to the optimum bounce angle, it enables the photographer to concentrate on the artistic part of the process, achieving better results in a more efficient way.

    3D Auto Bounce function – The auto-bounce function of the Kenko AI flash AB600-R automatically calculates the most appropriate angle of light-bounce from the wall (left or right side) or from the ceiling. With the help of the auto bounce function, the photographer can accomplish a perfect shot with just a single shutter release; no more wasting time thinking and testing the optimal light path during the photo session. This function is invaluable for wedding photographers or anyone shooting portraits to a tight schedule, when the photographer has no time for failure. Auto Lock function – Allows the photographer to adjust the desired bounce angle, based on the automatically calculated one, in manual mode and lets the system remember this angle when the camera is turned from horizontal to vertical format. This allows the photographer to really focus on the artistic part of the shooting process, like composition and interaction with the model, making the process of getting the ideal shot so much quicker and easier.

    Guide number: 60 – With a maximum guide number 60 (ISO 100 at 200mm), the Kenko AI flash AB600-R has all the power it needs to deal with wide range of scenes and situations.

    Master to slave flash angle remote control – The built-in radio transmitting and receiving unit allows a master flash to control the bounce angle of the slave flash remotely.

    Optical and radio (2.4GHz) wireless control – For off-camera and multiple flash shooting. Sync terminal is also supported.

    Auto and manual zoom adjustment – Light coverage angle equal to the 18-200mm range (18mm achieved when used with the wide diffuser panel). External power supply – The optional BP-1 battery pack supports longer shooting sessions and delivers faster recycling times. Firmware updates – The Kenko AI Flash AB600-R firmware can be updated via micro USB port.

    • Zoom Range: 20-200mm (18mm using wide diffuser panel)
    • Flash Modes: i-TTL-BL / i-TTL / Manual / Strobe (1-200Hz), 1st/2nd curtain sync, high-speed sync
    • Power: 4x AA type batteries (alkaline / Nickel Metal Hydride), or external BP-1 battery pack
    • Recycling Time: Approx. 0.1-3.5 sec (using NiMH batteries)
    • AF beam assist: 29 point AF
    • Exposure adjustment: -3.0 to +3.0 stops (TTL mode), Full power to 1/128 power (Manual mode)
    • Wireless Communication Systems: Optical and Radio (2.4GHz)
    • Bounce Mode: AI Auto bounce / Manual bounce (both with angle lock function)
    • External Connections: Micro USB (for firmware updates) / Sync terminal / External power supply
    • Dimensions (HxWxD): 196 x 80 x 62mm

    Articles: Digital Photography Review (dpreview.com)

  • Nikon Z 85mm F1.8 S sample gallery

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    Nikon’s latest Z-series prime is one of its most impressive, offering very similar optical characteristics to the Z 50mm F1.8 S which we liked so much when we tested it back in January. Providing a traditional portrait focal length and moderately fast aperture, the Z 85mm is fairly pricey by the standards of an F1.8 prime, but it’s hard to argue with the image quality, at any price.

    We’ve been shooting with the Z 85mm F1.8 S for a few days, to see what it can do. Take a look through our full gallery of sample images.

    Is this our most dog-heavy sample gallery yet? it might just be.

    View our gallery of samples from the
    Nikon Z 85mm F1.8 S

    Articles: Digital Photography Review (dpreview.com)

  • DPReview TV: Is Jordan out of touch?

    In the most recent DPReview TV episode, Jordan quietly experimented with some filming and editing techniques employed by many-a YouTuber. Were the jump cuts and quirky transitions as jarring to the audience as Jordan thought they might be, or is he just out of touch and behind the times?

    In case you missed it, take a look at the ‘experimental’ Canon EOS 90D Review.

    Also, subscribe to our YouTube channel to get new episodes of DPReview TV every week.

    • Introduction
    • What we did differently
    • What Chris thought
    • What worked
    • What we still don't like
    • What our viewers thought
    • Conclusion

    Articles: Digital Photography Review (dpreview.com)

  • Canon’s entry-level EOS M200 offers eye detection and 4K video

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    Canon has introduced the EOS M200, an entry-level mirrorless camera. It’s a fairly modest upgrade to one of our favorite cameras, the EOS M100. Its new Digic 8 processor allows for Dual Pixel AF with eye detection, heavily cropped 4K/24p video and improved battery life.

    Everything else is the same as before: the M200 has a 24MP APS-C sensor, compact body with a selfie-friendly touchscreen and an easy-to-use interface.

    The EOS M200 will be available in October, bundled with the collapsable 15-45mm F3.5-6.3 IS STM lens for $ 549/£499/€569.

    Go hands-on with the EOS M200


    Press release

    DOCUMENT YOUR DAY AND EFFORTLESSLY SHARE YOUR PHOTOS AND VIDEOS WITH NEW CANON EOS M200 CAMERA

    The Newest Compact Interchangeable-Lens Camera is Perfectly Positioned to be Your Next Travel Buddy

    MELVILLE, N.Y., September 25, 2019 – Whether you’re planning a weekend getaway or revel in documenting everyday moments, memories should be captured and easily shared. Offering social media enthusiast high image quality, Canon U.S.A., Inc., a leader in digital imaging solutions, introduces the EOS M200 camera. Great for those with wanderlust in their hearts, this camera ushers in a variety of new features, such as vertical video1, for those looking to step up from smartphone photography and enter the realm of interchangeable-lens cameras.

    “Ease of use, convenience and shareability are imperatives for consumers today, especially when introducing new imaging products into an ever-changing market place,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “The new EOS M200 camera is a mix of tried and true Canon features as well as new ones, and combined they create a non-intimidating mirrorless camera for the experienced photographer – yet it is approachable for someone beginning their visual storytelling journey.”

    Standout Attributes of the EOS M200 Camera

    Designed to capture life’s special moments in vibrant color and clarity, the EOS M200 camera is built with quality and connectivity at its core. Key components include:

    • DIGIC 8 Imaging Processor
    • 4K UHD, Full HD up to 60p, Vertical video support1
    • Dual Pixel CMOS AF
    • Eye Detection Auto-focus
    • Convenient Wi-Fi®2 and Bluetooth®3 Technology
    • Capable of Sharing Photos and Videos to Social Media Platforms
    • Compact and Lightweight Design
    • Compatible with Extensive Line of EF-M, Canon EF4 and EF-S4 lenses

    Thanks to an impressive 24.1 Megapixel CMOS (APS-C) sensor, the EOS M200 camera is capable of rendering detailed images of your travel escapades or your family milestones. The tilting LCD with touch screen allows for artistic expression when shooting subjects from a variety of angles, including selfies. Understanding the importance of sharing photos and videos, this camera is capable of transferring files directly to compatible smart devices using the Canon Camera Connect app. Images can then be seamlessly shared on social media platforms and web services or printed directly to compatible wireless Canon printers.

    Pricing and Availability of the EOS M200

    The EOS M200 camera has an estimated retail price of $ 599.99*, and is currently expected to be available in October 2019. For more information and the full list of product specifications, visit http://shop.usa.canon.com/

    Canon EOS M200 specifications

    Price
    MSRP $ 599 (w/15-45mm lens)
    Body type
    Body type Rangefinder-style mirrorless
    Body material Composite
    Sensor
    Max resolution 6000 x 4000
    Image ratio w:h 1:1, 4:3, 3:2, 16:9
    Effective pixels 24 megapixels
    Sensor photo detectors 26 megapixels
    Sensor size APS-C (22.3 x 14.9 mm)
    Sensor type CMOS
    Processor DIGIC 8
    Color space sRGB
    Color filter array Primary color filter
    Image
    ISO Auto, 100-25600
    White balance presets 6
    Custom white balance Yes
    Image stabilization No
    Uncompressed format RAW
    JPEG quality levels Fine, normal
    File format
    • JPEG (Exif v2.31)
    • Raw (Canon 14-bit CR3)
    Optics & Focus
    Autofocus
    • Contrast Detect (sensor)
    • Phase Detect
    • Multi-area
    • Center
    • Selective single-point
    • Tracking
    • Single
    • Continuous
    • Touch
    • Face Detection
    • Live View
    Autofocus assist lamp Yes
    Manual focus Yes
    Number of focus points 143
    Lens mount Canon EF-M
    Focal length multiplier 1.6×
    Screen / viewfinder
    Articulated LCD Tilting
    Screen size 3
    Screen dots 1,040,000
    Touch screen Yes
    Screen type TFT LCD
    Live view Yes
    Viewfinder type None
    Photography features
    Minimum shutter speed 30 sec
    Maximum shutter speed 1/4000 sec
    Exposure modes
    • Program
    • Shutter priority
    • Aperture priority
    • Manual
    Built-in flash Yes
    Flash range 5.00 m (at ISO 100)
    External flash No
    Flash X sync speed 1/200 sec
    Drive modes
    • Single
    • Continuous
    • Self-timer/remote control
    Continuous drive 6.1 fps
    Self-timer Yes (2 or 10 secs, custom)
    Metering modes
    • Multi
    • Center-weighted
    • Spot
    • Partial
    Exposure compensation ±3 (at 1/3 EV steps)
    Videography features
    Format MPEG-4, H.264
    Modes
    • 3840 x 2160 @ 23.98p / 120 Mbps, MP4, H.264, AAC
    • 1920 x 1080 @ 60p / 60 Mbps, MP4, H.264, AAC
    • 1920 x 1080 @ 30p / 30 Mbps, MP4, H.264, AAC
    Microphone Stereo
    Speaker Mono
    Storage
    Storage types SD/SDHC/SDXC card (UHS-I compatible)
    Connectivity
    USB USB 2.0 (480 Mbit/sec)
    USB charging Yes
    HDMI Yes (micro HDMI)
    Microphone port No
    Headphone port No
    Wireless Built-In
    Wireless notes 802.11b/g/n + Bluetooth 4.2
    Remote control Yes (via smartphone)
    Physical
    Environmentally sealed No
    Battery Battery Pack
    Battery description LP-E12 lithium-ion battery & charger
    Battery Life (CIPA) 315
    Weight (inc. batteries) 299 g (0.66 lb / 10.55 oz)
    Dimensions 108 x 67 x 35 mm (4.25 x 2.64 x 1.38)
    Other features
    Orientation sensor Yes
    GPS None

    Articles: Digital Photography Review (dpreview.com)

  • Hands-on with the Canon EOS M200

    Meet the Canon EOS M200

    The Canon EOS M200 is a modest update to the M100 that was announced in August 2017. Most of the changes are courtesy of the new Digic 8 processor, which allows for 4K video capture, eye detection autofocus and improved battery life.

    Canon didn’t change the design of the camera because, frankly, this entry-level, selfie-friendly camera didn’t need it. But more about that in the slides ahead.

    The M200 will be available in October in your choice of white or black for $ 549/£499/€569, which includes the EF-M 15-45mm F4.5-6.3 IS STM lens.

    Same ol’ sensor?

    From what we can tell, the M200’s 24.1 effective Megapixel APS-C CMOS sensor is the same as the one on the M100. The M100 has very good image quality, with really nice color and Raw detail capture in-line with the competition, though noise levels were slightly higher in our testing. The Digic 8 processor may affect JPEG image quality, which we’ll evaluate once we get hold of a final sample of the camera.

    While the M200 uses Canon’s familiar (and very good) Dual Pixel AF system, some improvements have been made since the M100 was released. First off, there’s now eye detection, which we found to be reliable on the EOS M6 II that we’ve been testing more recently.

    The other change is the number of selectable AF points, which has increased from 49 to 123. This may be due to having better Dual Pixel coverage compared to the M100, and we’ve reached out to Canon to confirm.

    Flip-up display

    Being a lower-end, consumer-friendly camera means that, of course, the M200 comes with an LCD that can flip upward for selfies. The display is 3″ in size and sports 1.04 million dots: the same as before. When the screen is flipped all the way up, you can turn on a self-portrait mode, which lets you blur the background, brighten the image and retouch your skin.

    The flash can be popped up with the LCD in this position, though it will block the right side of the LCD. Speaking of the flash, it can be manually bounced for softer light, if you’d like.

    Light on controls

    The M200 isn’t loaded with buttons, which is probably a good thing for those looking for an easy-to-use camera. You’ve got three buttons and the four-way controller on the back, a single control dial and a simple shooting mode switch on the top. M200 users can choose from fully automatic, program mode and movie mode – and that’s it. The camera can almost be controlled by the touchscreen alone.

    Like most Canon cameras, there’s a Scene Intelligent Auto mode, which picks the right settings for the situation, or you can select a scene preset manually when in Program mode. By putting the camera into the ‘Creative Assist’ mode you can use sliders to adjust background blur, color, brightness and contrast.

    Video

    The M200 gains the ability to shoot 4K/24p video (23.98fps, to be exact), but there’s a catch: When shooting 4K there’s a 1.6x crop and, when combined with the 1.6x crop of APS-C, this adds up to 2.56x. The bundled 15-45mm zoom thus becomes a 38-115mm equivalent lens when you shoot 4K. The widest Canon EF-M lens is 11-22mm, which turns into 28-56mm equivalent. That’s still wide-ish, but be aware that if you’re vlogging, or just want to shoot wide-angle, you might find that compound crop effect very limiting.

    If you drop down to 1080 the crop disappears, and frame rates of 30p and 60p become available. If you want to shoot at 120 fps you’ll need to shoot at 1280 x 720 resolution – which is still fine for sharing on social media.

    One of the M200’s new party tricks is the ability to record vertical videos, much like the PowerShot G7 X Mark III. Unlike that camera though, the M200 cannot stream live video to YouTube.

    Ins and outs

    The EOS M200 has a minimal set of inputs and outputs: just micro USB and micro HDMI. The camera can be charged over the USB port, and Canon is kind enough to include an external charger with the camera.

    Speaking of batteries, the M200 uses the familiar LP-E12 and can take up to 315 shots per charge (by CIPA testing) – up from 295 on the M100. Canon says that if you put the camera into Eco mode you can take 485 photos before you run out of juice. Unless you’re using the flash or Wi-Fi a lot, you should find that you can easily exceed those numbers.

    The M200 offers Wi-Fi and Bluetooth, and Canon’s Camera Connect app supports auto image transfer, sharing location data with the camera and, of course, remote control.

    Wrap-up

    The Canon EOS M100 was one of our favorite entry-level mirrorless cameras when it was released, with an easy-to-use interface and solid image quality. While the EOS M200 isn’t a huge upgrade, nobody’s going to complain about improved autofocus and better battery life.

    Some may complain about the M200’s 4K video feature though, due to the restrictive 2.56x crop (relative to full-frame) that puts wide-angle shooting out of reach with the bundled kit lens. That’s too bad, since crop-less 4K and a microphone input would make the M200 a pretty compelling vlogging camera. That said, 4K is nice to have, and 28mm equiv., from the (admittedly not bundled) 11-22mm zoom is still likely to be wide enough in a lot of situations.

    That aside, if you’re after an accessible camera with robust underpinnings and don’t mind the 4K crop, we think that the M200 will be a good choice. For those who wish that the M200 had an electronic viewfinder, let us direct you to the EOS M50, which is essentially the same camera with an EVF.

    Articles: Digital Photography Review (dpreview.com)

  • Xiaomi Mi Mix Alpha 5G will pack a 108MP camera and wrap-around ‘Surround Screen’

    Xiaomi has officially introduced its Mi Mix Alpha, a 5G concept phone featuring a ‘true’ bezel-free experience. The phone has a massive 180.6% screen-to-body ratio, meaning the display wraps around the edges of the phone and covers the majority of the device’s rear panel. Similarly impressive is the device’s 108MP camera with its 12032 x 9024 pixel resolution.

    Xiaomi teased the Mi Mix Alpha’s existence in early August at its Future Image Technology Communications Conference in Beijing. At the time, the company said it would be the first company to pack Samsung’s 108MP ISOCELL sensor into a smartphone, though it didn’t provide any other details at the time.

    During its latest event today, Xiaomi introduced the camera that packs that sensor, its new Mix Mix Alpha with Surround Screen. This phone features aerospace titanium, a single power button on the top, pressure-sensitive sides, and a fingerprint sensor hidden underneath the display.

    The Mi Mix Alpha is powered by a Qualcomm Snapdragon 855+ chipset alongside 512GB of storage and 12GB of RAM. Joining the 108MP sensor is a secondary rear 12MP telephoto camera with dual PD focus and 2x optical zoom. The phone doesn’t feature a traditional front ‘selfie’ camera due also having a display on the back of the handset — the rear camera is, technically speaking, a front camera as well.

    Xiaomi describes the Mi Mix Alpha as a ‘5G concept smartphone.’ According to Engadget, the company plans to produce a small number of units for sale in China at 19,999 yuan (approx. $ 2800 / €2,550) starting in December, but the company’s broader plans for the model, including international availability, are unclear at this time.

    Articles: Digital Photography Review (dpreview.com)