Category: Uncategorized

  • Researchers have developed reset-counting pixel that promises near-limitless highlight capture

    Figure 4 (from the paper linked below): Realized CMOS test chip: (a) photograph of the packaged chip, (b) screenshot of the layout.

    German researchers have developed a pixel design with the potential for massively increased dynamic range. Their design, reported in the ‘Advances in Radio Science’ journal isn’t limited by the point at which it saturates, meaning it can continue to capture more highlight data when other sensors would become overwhelmed.

    Unlike conventional CMOS chips, their ‘self-resetting pixel’ doesn’t simply ‘clip’ when it becomes saturated, instead, it resets and has a circuit that counts how many times it’s had to reset during the exposure. It also contains a conventional analog-to-digital conversion circuit, so it is also able to measure the remaining charge at the end of the exposure.

    Figure 2 (from the linked paper above): The working principle of the self-reset pixel.

    This would mean that you don’t need to limit your exposure to protect highlight data and can instead set an optimal exposure for capturing your subject, safe in the knowledge that this won’t result in blown-out highlights. In their paper, the researchers from Institut für Mikroelektronik Stuttgart created a series of test pixels with different designs, and will now focus on the one that gave the most linear response to different light levels, both in terms of its reset characteristics and its conventional ADC mode.

    Figure 1 (from the linked paper): Schematics of the analog and digital parts of one pixel cell and a global control for all pixel cells.

    Before you get too excited, though, this work is still at a fairly early stage and is primarily focused on video for industrial applications, though lead researcher Stefan Hirsch tells us: ‘basically it should also be possible to use for still images.’

    At present, the additional counting circuitry ends up meaning the light-sensitive photodiode in each pixel is very small, making up just 13% of the surface area of huge 53?m pixels. A move to a stacked CMOS design, with the circuitry built as different layers, would increase this, with potential for 20?m pixels with more of the area being light-sensitive. A three-layer design could allow still smaller pixels. For perspective, the pixels in the 12MP Full-Frame a7S II are around 8.5?m, so there would need to be a lot of work done to find a way to produce a sensor useful as a consumer video or stills camera.

    Articles: Digital Photography Review (dpreview.com)

  • iOS 13.2 beta adds the ability to change resolution, frame rate of video in stock Camera app

    The latest developer beta of iOS (iOS 13.2 beta 2) adds a new feature to the latest iPhone 11 devices that should make shooting video a little easier.

    As of iOS 13.2 beta 2, iPhone 11, iPhone 11 Pro and iPhone 11 Pro Max users will have the option to change the resolution and frame rate of the video being captured with a simple tap. As shown in the below tweet from iOS developer Ryan Jones, the update makes it possible to switch between various video settings without the need to go back into the Settings app.

    As Jones showcases in the above screen capture, the setting changes are sequential, going from 720p to 1080p to 4K and from 24 to 30 to 60 frames per second.

    The lack of settings control from within the iOS Camera app has long been a sore spot of the stock Camera app. This update doesn’t address the issues with the still photography interface and is only a small step in the right direction, but it’s progress nonetheless. Hopefully, we’ll see Apple make it easier to control Raw capture, HDR settings and more still photography settings from directly inside the Camera app.

    Articles: Digital Photography Review (dpreview.com)

  • DPReview TV: Nikon 58mm F0.95 ‘Noct’ lens preview

    Nikon’s 58mm F0.95 ‘Noct’ lens could be the most impressive optic yet for Nikon’s Z-series mirrorless cameras. Find out what Chris and Jordan think of this flagship prime lens for Z-mount, and why it may become their new unit of measure.

    Also, subscribe to our YouTube channel to get new episodes of DPReview TV every week.

    Articles: Digital Photography Review (dpreview.com)

  • Nikon Z50 pre-production sample gallery

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    Nikon’s Z50 is the company’s first Z-mount camera that comes with an APS-C sensor. Though we weren’t allowed to shoot Raw files with our pre-production test model, take a look through our sample gallery of out-of-camera-JPEGs to get an idea of what Nikon’s newest mirrorless camera (and newest mirrorless camera lenses) can do.

    Articles: Digital Photography Review (dpreview.com)

  • DPReview TV: Nikon Z50 hands-on preview

    The Z50 is Nikon’s first Z-mount mirrorless camera with an APS-C sensor, and it launches alongside a pair of DX zoom lenses. Chris and Jordan had a chance to use a pre-production model and share their experience in this hands-on preview.

    For more detail, see our hands-on photos of the Z50 and new kit lenses.

    Also, subscribe to our YouTube channel to get new episodes of DPReview TV every week.

    • Introduction
    • Z-mount DX lenses
    • Design
    • Sensor
    • Displays
    • Battery life
    • Picture effects
    • Autofocus
    • Video capabilities
    • Pop-up flash
    • Low light performance
    • Wrap-up

    Sample gallery from this episode

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    Articles: Digital Photography Review (dpreview.com)

  • Nikon Z50 initial review: What’s new, how it compares

    The Nikon Z50 is a 20MP mirrorless camera: the first time the company has put an (unstabilized) APS-C sensor behind its new, larger ‘Z’ lens mount. The company says the camera is designed to attract a generation of users who don’t consider themselves to be photographers.

    Alongside the camera, Nikon has announced two lenses designed for this sensor size: a 16-50mm F3.5-6.3 collapsible standard zoom and a 50-250mm F4.5-6.3 telephoto zoom – both with built-in image stabilization (which Nikon calls Vibration Reduction).

    Key specifications

    • 20.7MP CMOS sensor
    • Twin control dial interface
    • Up to 11 fps shooting with AE/AF, 5 fps with live view
    • 4K video at up to 30p
    • 2.36M-dot OLED viewfinder
    • Rear touchscreen tilts up by 90° or down by 180°
    • Bluetooth-enabled Wi-Fi (via Snapbridge app)
    • Creative Picture Control effects

    Correction: The original version of this article stated the 4K video would be cropped. We are told this won’t be the case on production cameras.

    The Z50 will be available for sale from November, with an MSRP of $ 860, body-only. Adding the 16-50mm zoom takes the price to $ 1000 and a two-lens kit with both DX zooms takes the list price to $ 1350.

    The Z50 is compatible with the FTZ mount adapter, allowing it to use F-mount DSLR lenses. The adapter is not included in any of the kits announced so far.


    What’s new and how it compares

    The Z50 is Nikon’s first APS-C mirrorless camera. We take a look at what it offers and how it squares up to its rivals.

    Read more

    Body and controls

    We take a look at the new camera and how it operates.

    Read more

    First Impressions / Shooting Experience

    Reviews editor Carey Rose spent a couple of hours shooting with a near-final Nikon Z50.

    Read more

    Sample Gallery

    We’ve shot a series of images using a pre-production Nikon Z50 with a variety of lenses.

    View gallery

    Articles: Digital Photography Review (dpreview.com)

  • Nikon Z50 pre-production sample gallery (DPReview TV)

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    This gallery of photos was captured using a pre-production Nikon Z50 while filming this week’s episode of DPReview TV.

    Articles: Digital Photography Review (dpreview.com)

  • Report: The camera components inside the iPhone 11 Pro Max cost $73.50

    Technology analyst firm TechInsights has started its teardown of Apple’s latest flagship smartphone, the iPhone 11 Pro Max which features a triple-camera setup, including an ultra-wide angle and 2x tele lens.

    The analysis of the camera components is still in progress (check back to the TechInsights website for updates) but the team has already been able to compile a cost estimate for all component groups used in the device. At $ 73.50 the camera and imaging components add the biggest chunk to the overall bill, highlighting how important the camera is these days on smartphones.

    Apple iPhone 11 Pro Max (512GB) cost analysis (source: TechInsights)

    Only the applications processor ($ 64), display (66.50) and non-electronic components, such as the housing ($ 61) come close. The overall bill is $ 490.50 which, at a $ 1449 retail price for the torn down 512GB model, should leave a sizeable profit margin for Apple, even after adding overhead expenses into the calculation.

    Incidentally the cost of the iPhone 11 Pro Max camera components is only $ 0.50 more than what UBS found for the Samsung Galaxy S10 5G. For the full iPhone 11 Pro Max teardown head over to the TechInsights website.

    Articles: Digital Photography Review (dpreview.com)

  • Sigma announces pricing and availability of its fp camera

    Sigma has announced the pricing and availability of its L-mount full-frame mirrorless camera, the Sigma fp.

    The compact 24MP video/stills camera can shoot 4K video at up to 30p, 1080 footage at up to 120p and can shoot 14-bit DNG stills, all using electronic shutter.

    The Sigma fp will cost $ 1,899 for the body-only and $ 2,199 as a kit with the Sigma 45mm F2.8 DG DN Contemporary lens. Sigma says the camera will start shipping on October 25th.

    This price matches the pricing previously leaked on Sigma Global’s website, which was hidden within the source code of the Sigma fp product page. To understand more about the Sigma fp, read our hands-on explainer and take an inside look at the Aizu factory where the fp is assembled.

    Articles: Digital Photography Review (dpreview.com)

  • Lomography launches preorders for Berlin Kino B&W 2019 Edition film

    Lomography has released its new Berlin Kino B&W Formula 2019 35mm ISO 400 film product. The new model follows the company’s previously released Berlin Kino Film, which it described as being inspired by the New German Cinema movement. The new film, Lomography says, offers photographers ‘an upgrade in their freedom of creative choice, no matter if they shoot with 35mm or 120 format.’

    The most notable aspect of Lomography’s ‘refined’ Berlin Kino formula is its ability to offer ‘huge amounts of photographic details’ in heavily shadowed and bright environments, the company explains. The film has an ISO 400 native sensitivity but can be pushed to 800, 1600, or 3200 without compromising detail levels or tonal range, according to Lomography.

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    The 2019 Edition of Lomography’s Berlin Kino B&W film can be preordered for $ 8.90 USD per roll or in a 5-roll bundle for $ 44.50 USD. The company currently estimates that its new film will start shipping next month.

    Articles: Digital Photography Review (dpreview.com)