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Slideshow: Winners and finalists of the 2020 Ocean Photographer of the Year awards

23 Nov

Winners and finalists of the 2020 Ocean Photographer of the Year awards

Oceanographic Magazine announced the winners and finalists for its annual Ocean Photographer of the Year awards. Over 3,000 images were submitted to six categories. Canadian photographer Nadia Aly was named Ocean Photographer of the Year and also received the Collective Portfolio award.

‘The photograph is perfectly exposed, compellingly dramatic and deeply intriguing. I know from experience that this image was not easy to create. Nadia Aly’s acknowledgement as the Ocean Photographer of the Year is a testament not only to the sheer power and uniqueness of her imagery, but to her journey as a photographer as well,’ says awards judge Cristina Mittermeier.

This top-down image of crabeater seals resting on icebergs has won Florian Ledoux many accolades, from international photography competitions, throughout the year.

Florian Ledoux, who received a third place nod in the Conservation category for his image (above) of crabeater seals resting on icebergs, told DPReview: ‘It gives my work even more exposure and a deep sense to it, and a bigger commitment toward conservation of the oceans’ ecosystems that makes our life possible on Earth. It is an honor be amongst very talented photographers working in the same direction with love for the planet.’

All winners, and highly commended images, can be viewed here.

Winner, The Ocean Photographer of the Year: Nadia Aly

Artist Statement: An aggregation of mobula rays in clear waters off Baja California Sur, Mexico.

Runner-Up, The Ocean Photographer of the Year: Sacha Specker

Artist Statement: Between two realms. A surfer seemingly waves to the world below as he surfs a wave at Log Cabins, Oahu, Hawaii.

Third Place, The Ocean Photographer of the Year: Magnus Lundborg

Artist Statement: A rare white southern right whale photographed off Puerto Pirámides, Argentina.

Winner, Young Photographer of the Year: Cruz Erdmann

Artist Statement: The silky tentacles of a brightly coloured Magnificent Anemone sway in surging water, exposing Maldivian anemone fish. Laamu Atoll, South Maldives.

Runner-Up, Young Photographer of the Year: Ben Cammarata

Artist Statement: A juvenile black skimmer hunts for prey at the water’s surface. Martha’s Vineyard, USA.

Third Place, Young Photographer of the Year: Kyla McKlay

Artist Statement: A dolphin breaches the waterline, USA.

Winner, Community Choice Award: Tobias Baumgaertner

Artist Statement: Two penguins look out across the water, Melbourne’s lights in the distance. St Kilda, Australia.

Winner, Ocean Conservation Photographer of the Year: Matt Sharp

Artist Statement: A hermit crab crawls atop a pile of plastic in a shell made from manmade waste in the Maldives.

Runner-Up, Ocean Conservation Photographer of the Year: Andrea Benvenutti

Artist Statement: A plastic bottle lies amongst the nests of the world’s largest colony of imperial cormorants, 100km south of Puerto Madryn, Argentina.

Third Place, Ocean Conservation Photographer of the Year: Joe Daniels

Artist Statement: A diver’s regulator holder cuts into the flesh of an oceanic whitetip shark, damaging its gills. Photographed in the Red Sea, Egypt.

Winner, Ocean Exploration Photographer of the Year: Ben Cranke

Artist Statement: Penguins march through heavy snowfall and strong winds in St. Andrews Bay, South Georgia, Antarctica.

Runner-Up, Ocean Exploration Photographer of the Year: Karim Iliya

Artist Statement: A freediver explores a cave in Tonga.

Winner, Ocean Adventure Photographer of the Year: Jason Gulley

Artist Statement: A freediving instructor waits for their student to return from a dive below Cenote Angelita’s microbial cloud. Yucatan Peninsula, Mexico.

Runner-Up, Ocean Adventure Photographer of the Year: Sean Scott

Artist Statement: Two sharks surf a wave at Red Bluff, Quobba Station, in remote Western Australia.

Third Place, Ocean Adventure Photographer of the Year: Duncan Murrell

Artist Statement: Three spinetail devil rays engage in sexual courtship – a behavior rarely observed or photographed. Honda Bay, Philippines.

Articles: Digital Photography Review (dpreview.com)

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Canon RF 85mm F2 Macro IS sample gallery

23 Nov

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Canon’s RF 85mm F2 Macro IS offers EOS R-series shooters an affordable, stabilized and fast-ish portrait prime. Its ‘Macro’ designation also reflects its close-focusing capabilities and while it falls short of true 1:1 reproduction, its 0.5X magnification gives this lens another layer of versatility. Take a look at how it handles subjects out in the real world.

Articles: Digital Photography Review (dpreview.com)

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Best gifts for photographers in 2020

22 Nov

Best gifts for photographers in 2020

First, an acknowledgement: this holiday season is unusual. It’s been a grim year to say the least, and it might seem a little frivolous to be recommending gadgets and stocking stuffers when many people are struggling.

The counter-argument is that in these difficult times, creative pursuits are more important than ever. For many of us, photography is therapeutic – something that invigorates us when we’re feeling depleted. If we can assist you in helping the photographer in your life find a little calm in the storm that is 2020, then we’ve done our job.

So in light of all of this, most of the gifts in this guide are well under $ 100, and many of them are geared towards enabling and enriching the experience of photography, rather than just adding to the world’s landfill sites. If you’re looking for camera cufflinks – and we advise against gifting them – you’ll need to look elsewhere.

Jump to:
Outdoor enthusiasts | Indoor enthusiasts | Creatives | Travelers | Stocking stuffers

For outdoor enthusiasts

If you’re shopping for someone whose photography takes them out into the elements, you really can’t go wrong with hand warmers ($ 24 for 40 pairs). They’re a wintertime wildlife or landscape photographer’s best friend. Plus, they’ll be great for all of those chilly outdoor hangouts with your COVID pod squad.

Outdoorsy types also tend to be early risers, so it’s a good idea to make sure they’re equipped with an excellent coffee tumbler. The Yeti Rambler ($ 35) is vacuum insulated, dishwasher-safe and uses a magnetic latch for easy opening and closing.

Also consider a membership or annual pass to a nearby park or wildlife preserve. In the US, an America the Beautiful interagency pass ($ 80) is like a golden ticket – it gets you into federally-managed sites including all national parks and national forests for a year from the time of purchase. Access to some federally-owned land has been tricky this year, but hopefully 2021 will be different.

For indoor enthusiasts

It’s a safe bet that many of us will be spending a lot of time in the great indoors over the next six months. With than in mind, we’ve got some ideas for photo-centric gifts to help curb cabin fever.

This deck of photography-themed playing cards ($ 35) has a couple of tricks up its sleeve. For starters, they’re gorgeously designed. They also serve a dual purpose with photography tips and techniques printed on each card. And of course, they function as regular ol’ playing cards, which will come in handy when every jigsaw puzzle in the house has been assembled and disassembled again.

Henry Carroll’s Photographers on Photography ($ 20) is another good bet for photographers of all skill levels and disciplines. It’s a collection of images and reflections on the photo-making process from a wide range of established photographers. It’s more thought-provoking and inspiring, less a technical guide or how-to.

For the truly ambitious tinkerer, consider a Raspberry Pi computer ($ 35 and up) and interchangeable lens camera module ($ 50). A helpful companion guide ($ 14) coaches the user as they build a working camera from scratch. Python coding experience is helpful, but not absolutely necessary – just ask The Verge’s Becca Farsace. And don’t forget a lens: Raspberry Pi offers two compatible lenses to choose from ($ 30/60).

For creatives

We’ve recommended an Instax Share instant printer in our gift guides several years in a row now, and for good reason: it’s really good! You’ll find lots of cheaper non-Instax options if you go looking for an instant smartphone photo printer, but you won’t necessarily find the quality of of Fujifilm’s instant prints in the lower priced alternatives. The Instax Share SP-3 ($ 100) uses Fuji’s slightly larger, more Polaroid-esque square format film. It’s a truly delightful way to share photos.

Capturing great-looking video clips starts with stabilization. The DJI OM 4 ($ 150) is smartphone gimbal that produces amazing results right out of the box with very little setup (its predecessor, the Osmo Mobile 3 is $ 30 cheaper and also a good buy while it’s still available). The included tripod accessory will also make it possible to shoot timelapses with movement. For the photographer who’s curious about video, or just wants to try something new, it’s a great low-cost tool that works with the camera they already have in their pocket: their smartphone.

The Lensbaby Omni ($ 100) is a little sci-fi looking, but hear us out. It attaches to the front of a lens and provides adjustable, magnetic mounts that hold included pieces of glass and objects in front of the lens for creative effects. Resulting images will include dramatic flare and reflections of light in the scene, which make for interesting effects in portraits or landscapes. It’s a fun way to let loose a little more creative energy and capture familiar scenes in a different way. Be sure to purchase the right size Omni – the ‘small’ will fit most standard DSLR kit lenses.

For travelers

Fun trips to other parts of the world have been cancelled for the foreseeable future, but that doesn’t mean we have to stop planning or reminiscing about past trips – and that’s part of the fun. Moleskine’s travel journal ($ 30) is part planner, part memory keeper for short trips and long journeys alike. Sure, it’s a little twee in the year 2020, but sometimes it’s nice to do things with pen and paper and stop looking at screens for two seconds.

When it’s safe to hit the road again, a Tom Binh organizer ($ 30) is a great tool for packing all of the cords and chargers that keep smartphones and cameras powered. An organized carry-on is truly the gift that keeps on giving.

Stocking stuffers

If it’s that little extra something you’re after, here are a few inexpensive, useful items that you can’t go wrong with. For starters, extra micro fiber cleaning cloths ($ 10 for pack of two) are always welcome in a photographer’s life, and they’re especially nifty when they fold up into their own storage pouch.

Another helpful item is this photographer’s multi-tool ($ 10), with a 5/32″ (4mm) allen wrench on one end and a flat-head screwdriver on the other. Between the two, you should be able to tighten or loosen attachments on most camera supports, cages and tripod plates. This handy double-ended tool is attached to a key ring so it’s always close by. What could be handier than that?

Finally, for the family photographer a Shutter Hugger ($ 20) is a simple-yet-genius way to coax little ones into looking at the camera. These small stuffed animals fit around a camera lens and come in four adorable varieties: monkey, giraffe, dinosaur and Dalmatian. Cute, effective and inexpensive – a true triple threat.

Articles: Digital Photography Review (dpreview.com)

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Sony announces its new FX6 full-frame cinema camera with 10-bit 4:2:2 4K/120p internal recording

22 Nov

Sony has announced the launch of its new FX6 full-frame 4K cinema camera, which merges Sony’s cinema technology and form factor with advanced imaging technologies taken from its Alpha mirrorless camera systems.

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At the core of the camera is a 4K 10.2-megapixel full-frame backside-illuminated CMOS Exmor R sensor powered by a Sony Bionz XR image processing engine — likely the same setup used in the Sony a7S III. Sony notes the sensor offers 15+ stops of dynamic range and has a maximum ISO of 409,600 for ultra-low-light shooting.

The FX6 captures 10-bit 4:2:2 full-frame footage at 120 frames per second (fps) at 4K and 240 fps in 1080. If you use the onboard 12G-SDI port, the FX6 can output 16-bit SDI Raw 4K/60p video. Sony has also added its S-Cinetone look profile, which is inspired by its Venice colorimetry and also found in the company’s FX9 cinema camera.

Footage is stored to one or both of the camera’s dual CFexpress Type A card slots, which are also backwards compatible with SD UHS-II cards. It’s worth noting though that any recording over 100 fps will require the use of the faster CFExpress Type A cards, as even UHS-II SD cards won’t have the bandwidth to get the job done.

Below are still frames pulled from footage captured with the FX6:

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The FX6 uses Sony’s E-mount for attaching lenses, making it compatible with more than 50 native lenses and countless dozens third-party lenses. The FX6 features the same 627-point Fast Hybrid AF system found in the FX9 and Sony’s Alpha mirrorless cameras, including advanced Face Detection and Real-time Eye AF. The FX6 also has internal electronic variable ND filters, which can be manually adjusted ‘in smooth increments from 1/4 to 1/128.’ Below is a video demonstration of the FX6’s electronic ND filter at work:

The FX6 is constructed of a magnesium alloy chassis that measures 11.6cm (4.6”) x 15.3cm (6”) x 11.4cm (4.5”) and weighs 890g (1.96lbs). The included 3.5” LCD viewfinder can be attached to various locations on the body, thanks to its modular design.

Other features include built-in Wi-Fi, four-channel audio recording and compatibility with Sony’s Catalyst Browse/Prepare software as well as Sony’s Content Browser mobile app that can be used to monitor video and control focus, iris and even zoom remotely.

The FX6 full-frame cinema camera from Sony will be available for $ 6,000 in December through Sony and authorized retailers. It will also be available as a kit with Sony’s FE 24–105mm F4 G E-mount lens for $ 7,200. Sony is also releasing a new FE C 16–35mm T3.1 G lens in December that will retail for $ 5,500.

Press release:

Sony Electronics Launches FX6 Full-frame Professional Camera to Expand its Cinema Line

FX6 Combines the Best of Sony’s Industry-leading Digital Cinema Technology with Advanced Imaging Features from Alpha™ Mirrorless Cameras

FX6 Product Highlights:

4K 10.2 megapixel full-frame back-illuminated CMOS Exmor R™ sensor
Compact and lightweight body design for on-the-go shooting
Ultra-high sensitivity with ISO expandable up to 409,600 for very low light conditions
15+ stops of dynamic range^[i]
S-Cinetone^TM look profile, also used in FX9 and inspired by VENICE colorimetry
BIONZ XR™ image processing engine, first used in Alpha 7S III
Fast Hybrid Auto Focus, also used in Alpha cameras and FX9
Recording up to 4K 120p / HD 240p, 10-bit 4:2:2 color depth in full-frame^[ii]
Support for up to 12G-SDI and 4K at up to 60p 16-bit SDI RAW output
Compatible with more than 50 native E-mount lenses

SAN DIEGO – November 17, 2020 – Sony Electronics Inc. today officially announced the FX6 (model ILME-FX6V) camera, the latest addition to Sony’s Cinema Line, a series of products that brings the company’s expertise in imaging technology to a broad range of filmmakers and content creators.

Sony’s Cinema Line, which also includes the VENICE and FX9 cameras, delivers a coveted filmic look cultivated from extensive experience in digital cinema production, as well as enhanced operability thanks to an innovative body design, extensive durability and intuitive customizability.

As part of the Cinema Line, the all-new FX6 incorporates Sony’s core technologies of image sensor, processing engine, and AF (autofocus) performance. FX6 is also compatible with the wide range of Sony E-mount lenses for creative flexibility.

“The new FX6 is the latest example of Sony’s drive to continuously push the boundaries of imaging technology based on the needs of our customers,” said Neal Manowitz, deputy president of Imaging Products and Solutions Americas, Sony Electronics. “With the advancement of our Cinema Line, we are dedicated to enabling the extraordinary skills and talent of today’s content creators and cinematographers. The FX6 leverages technology from Sony’s industry-leading VENICE cinema camera and marries it with the best of Sony’s innovative Alpha mirrorless camera technology.”

Full-frame Cinematic Image Quality

The new camera features a 10.2 MP^[iii] full-frame back-illuminated Exmor R™ CMOS sensor that delivers a 15+ stop wide dynamic range^[iv] with high sensitivity and low noise. FX6’s base sensitivity is ISO 800 with an enhanced sensitivity setting of ISO 12,800^[v] – expandable up to 409,600^[vi] – for shooting in low and very low light conditions. It is capable of recording in XAVC All Intra 4:2:2 10-bit depth with stunning image quality in DCI 4K (4096 x 2160 – up to 60p), QFHD 4K (3840 x 2160 – up to 120p^[vii]) and FHD (1920×1080 – up to 240p) for incredibly detailed slow motion. When more convenient file sizes are needed, FX6 can record in XAVC Long GOP 4:2:0 8-bit QFHD 4K (3840 x 2160 – up to 120p^vii) and 4:2:2 10-bit FHD (1920×1080 – up to 240p). FX6 also includes a BIONZ XR™ image processing engine, first used in the new Sony Alpha 7S III camera, providing up to four times faster processing performance compared to the FS5 II.

Developed with the same expertise as Sony’s world-leading VENICE cinema camera, FX6 offers advanced cinematic color science including S-Cinetone^TM for richer tonal reproduction right out of the box as well as S-Log3, S-Gamut3 and S-Gamut3.Cine for post-production flexibility. FX6’s cinematic color science is optimized for premium applications by capturing the maximum dynamic range from the sensor and providing creative freedom. Leveraging the color science of VENICE, FX6 also allows productions to easily match footage with other cameras in the Cinema Line.

Advanced Video Features

Pulling from Sony Alpha’s impressive AF features, FX6 offers Fast Hybrid AF by combining 627-point^[viii] focal plane phase-detection AF with advanced Face Detection and Real-time Eye AF in high frame rates with continuous AF, allowing camera operators to effortlessly and precisely track fast-moving subjects in slow motion without losing focus. Fast Hybrid AF works with over 50 native E-mount lenses. The camera can also capture up to five times slow-motion with 4K (QFHD) 120fps.

The new FX6 also offers internal electronic variable ND filters for easy and seamless control of the camera’s filter density. Users can set variable ND to auto or adjust the filter density manually in smooth increments from 1/4 to 1/128 for perfectly exposed images without affecting the depth of field or shutter angle, even during changing lighting conditions. Combined with the camera’s ultra-high sensitivity, the electronic variable ND filter provides users with outstanding creative control in almost any shooting environment.

Made for Content Creators on the Go

Outstanding Mobility and Operability

Built with a durable magnesium alloy chassis, measuring just 4.6 inches x 6 inches x 4.5 inches (116 millimeters x 153 millimeters x 114 millimeters) and weighing just 1.96 pounds (0.89 kilograms), FX6 has a compact and lightweight design making it easy for users to grab and shoot at any time. The new camera includes a heat dissipating structure to keep the camera’s components within their normal operating ranges to prevent overheating, even during extended recording times. FX6 also features a modular design allowing users to easily pair accessories, such as grips and viewfinders, or attach the camera to other mechanisms, such as gimbals and drones.

FX6’s 3.5-inch LCD Viewfinder can be attached on multiple locations of the camera body for added freedom and easy menu control with touch operation. Using a quick access control menu for commonly accessed features, camera operators can change key settings with a single touch – including Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO and Sensitivity, Shooting Mode and Audio Levels.

Professional-level Reliability

In line with professional workflows, FX6 includes a 12G-SDI output that also supports 16-bit RAW, HDMI output, timecode in/out, built-in Wi-Fi and four channel audio recording (via XLR Interface, Multi-Interface Shoe and built-in Stereo Mic). The new camera also features two media slots compatible with CFexpress Type A cards^[ix] for higher overall capacity and faster read and write speeds in addition to SDXC UHS-II/UHS-I cards.

Additionally, Sony’s Catalyst Browse/Prepare^[x] software facilitates fast and easy editing. Users can import FX6’s image stabilization metadata into Catalyst Browse/Prepare to transform handheld footage into incredibly smooth and stable visuals. FX6 also has a dedicated Clip Flag button to easily filter and locate preferred takes using Catalyst Browse/Prepare. This software also reflects metadata indicating when FX6 is rotated or in its normal position, eliminating the need to rotate footage beforehand. FX6 is also compatible with Sony’s Content Browser Mobile App to easily monitor and control focus, iris, and zoom remotely^[xi].

About Cinema Line

Cinema Line is series of professional cameras that have a filmic look, cultivated from Sony’s long experience in digital cinema production, and enhanced operability and reliability that responds to the wide variety of creator’s high demands.

Cinema Line includes the digital cinema camera VENICE, which is highly acclaimed in the feature and episodic production industry, and the professional camera FX9, which is has been popular for documentary and drama production. With the new FX6, Sony brings versatile creative tools to all types of visual storytellers.

FE C 16-35mm T3.1 G E-mount Cinema Lens

The FE C 16-35mm T3.1 G (model SELC1635G) lens, announced at IBC 2019, will be available in December 2020 to pair with FX6, FX9 and other full-frame Sony cameras. This new lens supports intelligent shooting functions unique to E-mount cameras – such as fast and accurate AF within shallow depth of field – while also offering manual focus options in a form factor familiar to professional cinema creators.

The FE C 16-35mm T3.1 G delivers stunning bokeh and corner-to-corner resolution thanks to two XA (Extreme Aspherical) elements with extreme surface precision of 0.01-micron, circular 11-blade apertures in addition to three aspheric lenses that are positioned in a way that effectively reduces field curvature, astigmatism and, in combination with two ED (Extra-low Dispersion) glass elements, reduces color distortion. Additionally, floating focus provides outstanding resolution at every zoom position. The new lens also features Nano AR (Anti Reflection) coating, to reduce flare.

The focus ring offers a 140-degree large angle of rotation for fine control, with distance scale markers for consistent focus reset during multiple takes. Linear Response MF enables smooth manual focus, allowing users to adjust focus accurately and intuitively. Three independent rings for focus, iris and zoom enable users to get the exact creative results they desire. Each ring has the industry standard 0.8mm pitch gear for use of follow focus accessories, and the 114mm barrel diameter is compatible with industry standard matte box accessories. A two-speed servo provides smooth, accurate control of focal length and can be activated from a switch on the lens or a lever on the FX6 Smart Grip.

Pricing and Availability

The new FX6 full-frame Cinema Line camera will be available in December and will be sold for approximately $ 5,999.99 USD and $ 8,048.99 CAD, at a variety of Sony’s authorized dealers throughout North America.

A new kit featuring the FX6 full-frame Cinema Line camera and FE 24-105mm F4 G E-mount Lens will also be available in December and will be sold for approximately $ 7,199.99 USD and $ 9,658.99 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

The FE C 16-35mm T3.1 G lens will be available in December and will be sold for approximately $ 5,499.99 USD and $ 7,199.99 CAD, at a variety of Sony’s authorized dealers throughout North America.

Exclusive stories about Cinema Line, FX6, FE C 16-35mm T3.1 G and Sony’s other imaging products can be found at www.sonycine.com and www.alphauniverse.com, resources designed to educate and inspire all fans of Sony’s technology for content creation and photography.

Articles: Digital Photography Review (dpreview.com)

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VALOI 360 Kickstarter campaign promises affordable way to digitize film

22 Nov

A new Kickstarter campaign for VALOI 360 promises to deliver an affordable, high-quality way to digitize rolls of 35mm and medium format film.

VALOI 360, which is over halfway toward its roughly $ 74,000 USD goal, is a system of modular physical components you can use to digitize 35mm and 120mm film negatives using a digital camera. There are three main components in the 360 system. There is the VALOI 360 35mm Holder. The holder keeps 35mm film flat while allowing for a backlight to shine through. It is constructed of injection-molded plastic and has an S-curve film path to flatten the film without touching the image area.

Prototype VALOI 35mm Holder

The other holder, the VALOI 360 120 Holder, holds 120 medium format film up to 6 x 9cm frames. Like the 35mm holder, it allows light to shine through, is made of injection-molded plastic, and has an S-curve film path. Both holders also include rubber dome feet to make sure the holder sits flat on the light source underneath.

Prototype VALOI 120 Holder

The third component is the VALOI 360 Film Advancer upgrade. You place a film holder inside the Film Advancer and the advancer allows you to quickly forward to the next frame by rotating a knob. The frame and axle are made of steel and the rollers are rubber. It comes with screw-in rubber feet with long threads which can be used for leveling. As part of the Kickstarter campaign, the Film Advancer upgrade is only available alongside holders, but VALOI plans to sell it separately later.

To use the VALOI 360, you must have a digital camera (or, in a pinch, even a smartphone) and a light source. An ideal setup involves a digital camera, tripod, and a stable, color-consistent light source. The VALOI 360 holds your film flat, you capture an image of the film and if you’re digitizing a negative, you use a computer to invert and process it. There is additional information about digitizing best practices on the Kickstarter page.

Prototype VALOI 360 Film Advancer

The primary challenge that VALOI hopes to overcome with its 360 system is how to hold film flat and stable in front of a light source. This is the problem that VALOI founder, Arild, first tried to address with various prototypes. Arild used plywood, acrylics, LEGO components and more in pursuit of building something affordable and easy to use when digitizing film. He even learned how to build 3D CAD designs. Mechanical engineer Wicher van Lambalgen, VALOI co-founder, came on board to turn Arild’s ideas and early designs into a commercially viable prototype.

Assuming the campaign reaches its funding goal, by pledging €19 backers will receive the VALOI 35mm Holder. For €29, you can select the 120 Holder. The €44 pledge includes the VALOI Holder Pack, which includes both the 35mm and 120 film holders. For photographers wanting the VALOI 360 Film Advancer, you must step up to the VALOI 35mm Kit at €129 (the €139 kit includes the 120 Holder instead). A full kit with all three components is also available for €179. All pledge options include a scanning tutorial to help beginners learn how to best use the VALOI 360 system to scan their film. Products are expected to begin shipping to backers in April 2021. For full details about the VALOI 360 system and the available backer options, click here.

Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

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ON1 announces ON1 Professional Plugin Series, including new versions of 4 plugins

21 Nov

ON1 has announced its all-new ON1 Professional Plugin Series. The suite includes new versions of ON1 HDR, ON1 Effects, ON1 Resize and ON1 Portrait AI. ON1 states, ‘The ON1 Professional Plugin Series is a new product line focusing on bringing ON1’s editing technologies into existing professional photo workflows with a more integrated experience.’

The ON1 plugins work with an expanded set of host applications, including Adobe Lightroom Classic, Adobe Photoshop, Affinity Photo, Corel Paintshop Pro, Apple Photos and Capture One (coming soon). ON1 says, ‘We were founded on creating plugins for Adobe Photoshop and later the Lightroom workflow. Back then, it was all about saving photographers time by making things easier to do in our plugins, which would make their workflows much faster. Today, it’s about how ON1 software can tightly integrate our newest technologies from ON1 Photo Raw into more workflows to produce better results.’

ON1 HDR 2021 includes improved performance and control over your images. Image credit: ON1

ON1 HDR 2021 promises ‘natural HDR photos’ that combine highlight and shadow details from bracketed exposures. It includes de-ghosting controls for reducing movement in a scene, such as clouds in the sky or moving water, and promises fast previews. ON1 says the software is up to 7x faster than ‘leading HDR apps.’ You can also adjust tone and color while working with layers and applying special effects. ON1 HDR includes noise reduction and lens corrections as well.

ON1 Effects 2021 features filters and presets crafted by ON1’s team of experts. New features in the 2021 version include a replace color filter, non-destructive Spot Healing Brush and Color-Sensitive Gradient Masks. ON1 states that the new custom brush shapes ‘give customers a quantum-leap in new ways to add creative edits.’ Further, the latest version includes a new full-screen preview option.

ON1 Effects 2021 features filters and presets designed by ON1’s team of experts. The plugin includes a non-destructive spot healing brush, among other features. Image credit: ON1

When you need to enlarge your images, ON1 Resize 2021 delivers ‘industry-leading Genuine Fractals technology’ to make it simpler and quicker to enlarge image files without sacrificing sharpness and detail.

Finally, ON1 Portrait AI 2021 relies upon machine learning to automatically find and retouch each face in an image. The plugin analyzes the image, locates the faces and adds ‘just the right amount’ of retouching to each person’s skin, eyes and mouth. The plugin includes a spot healing brush, custom brush shapes and full-screen preview as well.

ON1 Portrait AI 2021 uses machine learning to automatically retouch each face in a portrait. Image credit: ON1

ON1 is looking forward as well, promising that the company is working hard to introduce better integration with each host application. Future updates will also include better options for non-destructive workflows between plugins and host applications, such that your photos will remain re-editable.

Dan Harlacher, VP of Product, says, ‘One of the biggest challenges plugins face today is the walled gardens created by host applications. It makes it very difficult to re-edit your adjustments. We have a powerful solution for this common complaint that will maintain flexibility and your creativity on both sides, and we can’t wait to unveil this in the coming months.’

‘We have a powerful solution for this common complaint that will maintain flexibility and your creativity on both sides, and we can’t wait to unveil this in the coming months.’ -ON1’s Dan Harlacher

ON1 is also working ‘to improve on working with multiple photos between plugin and host application and quick access to features and functionality from ON1 within the host application itself.’ As part of the ongoing development, ON1 is investing in new AI technologies and solutions, with the goal of removing repetitive manual tasks. Improved AI-based solutions will result in faster culling of images, improved noise reduction and better batch image processing.

ON1 has also announced a partnership with photo and software educator, Matt Kloskowski. Matt K’s Corner is a new resource center for photographers using ON1 alongside Adobe products. Kloskowski will provide tutorial videos and articles each month and recommend workflows for users.

Click to enlarge

You can try each of the new plugins with a free 14-day trial. Each plugin is available for $ 59.99 USD each (regularly $ 69.99), or you can purchase the bundle of ON1 HDR 2021, ON1 Effects 2021, ON1 Resize 2021 and ON1 Portrait AI 2021 for $ 89.99 (regularly $ 99.99). For additional information and to download trials, visit On1’s website.

Articles: Digital Photography Review (dpreview.com)

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Tamron 70-300mm F4.5-6.3 sample gallery (DPReview TV)

21 Nov

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70-300mm zooms are incredibly popular, particularly for travel. How does Tamron’s newest model compare? Check out our sample gallery to judge sharpness, bokeh and pincushion distortion for yourself.

View the Tamron 70-300mm F4.5-6.3 sample gallery

Articles: Digital Photography Review (dpreview.com)

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DPReview TV: Best smartphone gimbal

21 Nov

Smartphones capture amazing video, but to kick production value up a notch consider adding a compact gimbal to your kit. This week, we test three leading smartphone gimbals: The DJI OM 4, the Moza Mini MX and the Zhiyun Smooth XS.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

Introduction
The competitors
Sample footage
Size and weight
Setup and breakdown
Ergonomics
Stability
Companion smartphone apps
Overall recommendations

Articles: Digital Photography Review (dpreview.com)

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Nikon Z6 II sample gallery

21 Nov

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Nikon unveiled the Z6 II last month, adding some more processing power and a few other modest upgrades to its ‘multimedia’ full-frame mirrorless offering. We got our hands on one and have some preliminary samples to share – take a look.

Articles: Digital Photography Review (dpreview.com)

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Buying guide: The best gifts for film photographers in 2020

21 Nov

Introduction

Do you love film photography, or are you shopping for someone who does? Lucky you / them! Film photography is exploding in popularity and the folks in on the fun tend to be some the coolest cats in town: sorry, digital peeps.

Cool cats deserve cool gifts. And so we’ve combed the analog universe, searching high and low for the hottest gear to include in this guide. It’s filled with fun stuff that should please even the pickiest analog avenger, and most budgets. From funky film stocks, to home developing and digitizing solutions, these are the best film photography gifts in 2020.

Note: Gifts are listed in order from least to most expensive.

Fujifilm Neopan 100 Acros II – $ 12 a roll – A classic film stock, resurrected from the dead

Fujifilm’s beloved B&W film stock is back, baby! Discontinued in 2018, the Japanese film producer announced a new and improved Acros II in November of 2019, much to the delight of monochrome fanatics everywhere. Available in 35mm and 120 formats, Acros II offers silky smooth grain, excellent sharpness and lovely tonality; the perfect film for a nice sunny day.

It’s nostalgic, yet practical, and a film certainly worthy of a spin through any analog lovers’ camera, whether they shot the OG version or not.

See our Fujifilm Acros II sample gallery

The Solarcan – $ 20 – A cool recyclable pinhole camera

The Solarcan is a long exposure camera, which, you guessed it, is built from a can. The intended use is for documenting the path of the sun across a horizon over a long period of time – we’re talking weeks or months. Originally launched on Kickstarter back in 2017, this single-use pinhole camera is a fun project for any analog nerd also interested in astronomy. Plus, it’s recyclable!

Each Solarcan is preloaded with a piece of B&W photographic paper (Solarcan Color is coming soon) and includes instructions for use, mounting materials and a storage tube to keep it light tight until exposure time. The Solarcan is also available in a five-pack ($ 80), which we recommend for added experimentation. Note: this item ships from the United Kingdom.

Lomography Analogue Aqua camera – $ 40 – An inexpensive waterproof 35mm camera

I’m giddy with excitement just thinking about how fun Lomography’s reloadable waterproof cameras are. For folks in the Northern Hemisphere facing a dreary winter, summer swims may seem like a far-off memory. But sunny skies and COVID-free days will someday soon (hopefully) be back upon us. And when the time does come again to take the watery plunge, the film-lover in your life will have the perfect camera to document it.

The Analogue Aqua is basically one of Lomography’s $ 20 disposable cameras sandwiched into a watertight plastic case. There are two version of the camera, one with Lomo Color Negative 400 film and one with Lomochrome Purple film. But it’s worth noting, unlike a traditional ‘disposable’ camera, these ones are not sealed shut and Lomography intends for you to reload them them again and again.

Lomography Fantôme Kino B&W ISO 8 film – $ 45.50 (5-pack) – A cool and new 35mm film stock

Speaking of Lomography, another great idea for the celluloid celebrator is the gift of a new film stock to try. Lomo’s Fantôme Kino B&W ISO 8 – announced earlier this year – is not technically new, since it’s cut from German cine film stock, but it’s newly-available for stills shooters!

This incredibly-low ISO monochrome film is super contrasty and perfect for creating a film noir–style look. And for more B&W fun, we also recommend Lomography’s Babylon Kino B&W ISO 13 film. Unlike Fantôme, it offers subtle tonal changes and plenty of dynamic range. Both are only available in 35mm as of writing.

View our sample gallery: Lomo Fantôme Kino ISO 8 & Babylon Kino ISO 13

The Pixlatr – $ 55 – A better way to digitize negatives

One of the most annoying struggles faced by analog lovers is how to get high-resolution, high-quality digital versions of their negatives. One of the best non-scanning solutions is to photograph negatives using a digital camera and a macro lens. But how the heck do you hold them in place and ensure even lighting?

Thankfully our good pal and DPR’s Film Photography Talk forum moderator, Hamish Gill, invented a solution. The Pixlatr, originally launched on Kickstarter, is a modular film holder that works with most film formats (up to 4×5) and features a semi-translucent back to diffuse light. It’s a simple, versatile and effective solution for anyone who owns a macro lens, a digital camera and a tripod.

Another solution is the Nikon ES-2. It’s a little more straightforward to use than the Pixlatr – it attaches to the end of a lens – but is also nearly three times the cost ($ 145) and only works with 35mm format film.

Analogue Wonderland film subscription box – $ 65 every other month – A reoccurring 35mm film subscription box

Who doesn’t love getting a parcel filled with fun surprises in the mail on a reoccurring basis? UK-based Analog Wonderland is bringing the concept of the ‘curated subscription box’ to 35mm film lovers everywhere. Once signed up, subscribers will receive a box every other month (depending on the length of subscription). Each box contains six different rolls of 35mm film, curated from a selection of 100.

This is not only a fun way for film lovers to try new emulsions, but also a way to connect with other 35mm shooters. Each month all subscribers receive the same film stocks, and Analog Wonderland provides an online space for folks to both discuss their results and compete in friendly competitions.

Lomography HydroChrome Panoramic Camera – $ 80 – A wacky camera with a ‘water lens’

Bear with us on this one, because Lomography’s HydroChrome Panoramic camera is truly wild. Based off a mid-1800’s camera design, this inexpensive panorama camera is built around a 32mm equivalent water-filled lens. Yes, you read that correctly.

While the concept may sound gimmicky, the results are actually pretty compelling and cool. And the camera plays nice will all sorts of liquids, not just water (though we’d avoid anything sticky). For instance, simply adding food coloring, or watered-down coffee can change the results dramatically.

UN Twin Film Pocket & Rama Works Film Canister – $ 20 & $ 110 – A watertight film holder

Is the film shooter in your life also an adventure-seeker? If so, a water/light tight film holder may be the perfect gift, providing peace of mind. And we’ve got two models to choose from: one on the sensible side and one a little more swanky.

First, the sensible: The UN Twin Film Pocket is a straightforward product that will safely store two rolls of 35mm film. It’s built of plastic and features screw-down caps with rubber gaskets as well as a metal clip to attach to a camera or bag strap. These units can be a little tricky to hunt down stateside, but the product is carried by both European and Japanese distributors. That said, we’ve successfully had them sent to the USA, just plan for a little extra time in transit.

On the other end of the spectrum is the Rama Works Film Canister. Sure, it costs 5x as much as the UN Twin Film Pocket, but it is a beauty to behold: machined from a solid block of aluminum and anodized. Note: Only the 120 format version is currently available as the time of writing.

Rama Works Film Canister shown above.

Fujifilm SQ1 Instax Square camera – $ 120 – A larger format Instax Camera

Most folks are probably familiar with Fujifim’s Instax Mini format, but did you know there’s also an Instax Square format, which provides a larger image size? And the hottest new Instax Square model is the Fujifilm SQ1, which dropped earlier this year.

It’s a handsome-looking model that’s easy-to-use, comfortable and capable of excellent results. Available in three chic colors, it’s the perfect camera for documenting social outings, once we’re allowed to gather together again!

For even more Instax photography fun, we also recommend the Fujifilm Wide Instax 300 ($ 90). It’s a good bit chunkier than the SQ1, but makes use of the largest Instax format: Instax Wide. It also offers a bit more creative control than the SQ1.

Lab-Box Daylight Developing Tank – $ 160 – An easier way to develop film at home

Analog shooting and DIY often go hand-in-hand. And nothing beats the thrill of successfully developing your own images at home. But for those a little nervous to dip their toes in the unknown world of loading exposed film to reels in the dark, the Lab-Box Daylight Developing Tank is for you.

Because let’s face it, most home developing mistakes are a result of improperly loading film and/or accidentally exposing it in the process. Lab-Box removes this pain point, though there is a slight learning curve to using the device. But ultimately, once mastered, it should help speed up the workflow of any home developer while also cutting down on the number of botched rolls.

And there you have it, the best film photography gifts in 2020, sure to bring a smile to the faces of emulsive eccentrics everywhere! Happy holidays and happy shooting, from the analog nerds here at DPReview.

Articles: Digital Photography Review (dpreview.com)

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