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B&H Photo accused of dodging millions in taxes in newly filed lawsuit

16 Nov

A newly filed lawsuit by the State of New York accuses electronics retailer B&H Foto & Electronics Corp of alleged tax fraud. The lawsuit, which was recently published on the New York Attorney General’s website, claims that B&H ‘intentionally underpaid sales tax on millions of dollars in receipts from its sales of cameras and other consumer electronics.’

The lawsuit claims that B&H failed to pay approximately $ 7 million in sales taxes on reimbursements it received from manufacturers on products sold with instant rebates to consumers. Specifically, the lawsuit alleges that when a customer would purchase an item with an instant rebate through B&H, and the manufacturer of the camera gear would subsequently reimburse B&H for the difference, B&H didn’t pay taxes on that reimbursement money, which would be considered income. This ‘arrangement,’ the lawsuit alleges, took place for 13 years and was brought to the state’s attention by a whistleblower.

The lawsuit likewise claims:

B&H knew that it should have been paying the tax. B&H has repeatedly and explicitly acknowledged—internally, to outside vendors, and to a competitor—that under New York tax law, it owed sales tax on these reimbursements … And, even after B&H learned that the State was investigating it for failing to pay the sales taxes due on these reimbursements, B&H continued to underreport its sales taxes while simultaneously admitting to others that it knew the sales tax was, indeed, due.

The lawsuit goes into great detailed about alleged communications within B&H that reportedly prove the company knew that it was supposed to pay taxes on instant rebate reimbursements. In a statement to The Verge, however, B&H said that it ‘has done nothing wrong,’ and that the New York AG has ‘decided to attack’ a local company while ‘leaving the national online and retail behemoths unchallenged.’

New York is seeking repayment of the back taxes, interest, penalties, and damages related to the alleged tax fraud.

We have contacted B&H with a request to comment on the lawsuit and allegations; we will update this article accordingly if we receive a response.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma announces its 24-70mm F2.8 DG DN lens will ship ‘early December’ for $1,099

16 Nov

Two weeks ago we learned of Sigma’s newly-designed 24-70mm F2.8 DG DN Art zoom lens for Sony E-Mount and L-mount cameras. Today, Sigma announced pricing and availability, stating the lens will be available in ‘early December’ for $ 1,099.

Subsequently, the lens has been listed for pre-order on Adorama and B&H for $ 1099.

Below is the announcement press release in its entirety:

Sigma Announces Ship Date and Pricing for 24-70mm F2.8 DG DN Art

Available in Sony E and L-Mount for $ 1,099 USD, the second Sigma Art zoom lens for full-frame mirrorless camera systems will ship in early December 2019

Ronkonkoma, NY – November 15, 2019 – Sigma Corporation of America, a leading camera, photography lens, cine lens, flash and accessories manufacturer, today announced that its all new24-70mm F2.8 DG DN Art, designed from the ground up for mirrorless cameras, will begin shipping in early December 2019 for $ 1,099 USD. Following the launch of the critically acclaimed Sigma 14-24mm F2.8 DG DN Art, the all new 24-70mm F2.8 DG DN Art emerges as an excellent mid-range zoom companion lens to its predecessor.

Key Features and Benefits of the 24-70mm F2.8 DG DN Art
The second newly-designed Art zoom lens from Sigma is a large-aperture standard zoom for full-frame mirrorless camera systems and will be available in Sony E-mount and L-mount. A completely new design for superior performance with mirrorless camera systems, the Sigma 24-70mm F2.8 Art has several new features:

  • Best-in-class optical performance. An 11-blade rounded diaphragm, six sheets of “F” low dispersion (FLD) glass and two sheets of special low dispersion (SLD) glass are employed to take advantage of the new optical formula developed specifically for mirrorless camera systems. Three aspheric lenses prevent aberrations such as axial chromatic aberration or sagittal coma aberrations resulting in uniformity and superior optical performance from the center to the periphery throughout the zoom range. In addition to Super Multi-Layer Coating, Sigma’s proprietary Nano Porous Coating is employed to achieve high-contrast and clear image quality. This lens is designed to be less affected by strong incident light such as flare.
  • Ensuring compatibility with the latest full-frame mirrorless camera bodies. The Sigma 24–70mm F2.8 DG DN ensures compatibility with various types of the latest full-frame mirrorless camera bodies for Sony E-mount and L-mount, (including the new Sigma fp camera), capable of exerting the best performance under any photographic circumstances.
  • Flexibility for various uses and photographic environments. Featuring a dust and splash-proof body and zoom lock mechanism for preventing the lens barrel from extending unexpectedly, the 24-70mm F2.8 meets a wide range of needs for a variety of photographic environments. The maximum magnifications are 1:2.9 at the wide-angle end and 1:4.5 at the telephoto end, which provides a wider range of expression for close-up photography. The minimum focusing distance is 18 cm at the wide-angle end.

Additional features:

  • Zoom lock switch
  • Lens hood with a lock
  • Mount with dust- and splash-proof structure
  • Compatible with the Lens Aberration Correction
  • Available Mount conversion service
  • Designed to minimize flare and ghosting
  • Evaluation with Sigma’s own MTF measuring system: A1
  • 11-blade rounded diaphragm
  • High-precision, rugged brass bayonet mount
  • “Made in Japan” craftsmanship
  • Programmable AFL button on the lens barrel

The Sigma 24-70mm F2.8 DG DN Art will begin shipping in early December 2019 and will be available in L-mount and Sony E-mount through authorized US dealers for $ 1,099 USD.

More details are available at: https://www.sigmaphoto.com/24-70mm-f2-8-dg-dn-a.

Articles: Digital Photography Review (dpreview.com)

 
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Best gifts for photographers 2019: $60 and under

15 Nov

Gifts for photographers for $ 60 and less

Artisanal scented candles. At-home spa treatments. Really nice socks. They’re the kinds of things we could buy for ourselves, and they’d probably be really nice to have. But they’re just barely on the wrong side of the practical/frivolous divide, so we keep making do with mediocre socks. This, my friends, is the Gift Zone: items that have practical use, but are luxurious enough that the recipient probably wouldn’t buy them for themselves.

If you’re shopping for a photographer and are looking for something a little special, something in the Gift Zone, you’re in the right place.

Peak Design Cuff

peakdesign.com | $ 30

Wrist straps are great. Should you dangle a whole DSLR from your wrist? Definitely not. Instead, we like them for those in-between times – when you’re not actively shooting, but want your camera in hand and at the ready. A quality wrist strap provides a little more security and support in those moments.

The Peak Design Cuff does all of these things, and is definitely nicer than the wrist strap that came with the compact camera you bought in 2007. It uses the company’s Anchor Links to attach easily and securely to a camera, and a metal loop can be used to cinch the strap tighter to the wearer’s wrist.

Cecilia memory card wallet

shopcecilia.com | $ 40

If the Digital Storage Police ever busted DPReview headquarters they’d find plenty of criminal offenses, like loose memory cards tucked into dusty desk drawers and backpack pockets. There’s a better way. An SD card wallet is a small step toward better storage organization, or a nice companion to an already functional digital storage workflow. Plus, it looks fancy. Cecilia is one of our favorite camera strap makers, and its leather SD card wallet looks snazzy in black, brown or charcoal.

Anyway, please don’t call the Digital Storage Police on us. We’re serious.

Topo camera cube

topodesigns.com | $ 60

A camera cube will turn just about any larger bag into a camera bag, which is handy; sometimes you need your camera but don’t want to carry an actual camera bag. Topo’s camera cube is just right for the job – it’s durable, big enough to hold a full-frame mirrorless camera and lens, and fits like a dream inside a full-size Herschel Little America backpack. It even ships with a shoulder strap if you want to use the cube itself as a bag.

Herschel travel pouches

herschel.com | $ 25

Photographers are often also travelers, which means there’s a high probability that they stuff a lot of cords and small personal items into Ziplock bags four hours before they fly anywhere. A set of travel pouches won’t make them a more organized person, but it will conceal a mess of chargers and power adapters in an attractively-designed vessel.

Flight 001 5-in-1 Universal Travel Adapter

flight001.com | $ 35

See previous note about photographers also being travelers. The 5-in-1 adapter stacks into a neat package and includes a color-coded guide indicating which plug is used in which country. Plus, the ‘fifth’ functionality is a couple of handy USB ports, which is useful no matter where you are on the globe.

Enamel camera pin

etsy.com | $ 10-12

Enamel pins are enjoying a real resurgence in popularity these days. Pretty much any pop culture object or character has been enamel-pin-ized, so it should come as no surprise that you can find a pin that pays homage to your favorite vintage camera or film stock. We knew we could count on you, Etsy.

Photo book

$ 20-40

Books? Books! Help bolster a New Year’s Resolution to reduce screen time by providing an alternative: a coffee-table-worthy photo book. If you’re unsure of where to start, head for the classics like Walker Evans, Dorothea Lange and Vivian Maier. National Geographic is another safe bet – its curated collections rely on decades of world-class photography.

Filson 1970’s Logger Thermal Socks

filson.com | $ 32

We weren’t kidding about the really fancy socks. Would any of us spend $ 30 on a single pair of socks? Heck no. That’s why they make an ideal gift. For a photographer, getting the shot can sometimes mean getting yourself into environments that are cold, or wet, or an unpleasant combination of the two. A good wool sock is essential, and Filson’s thermal socks fit the bill.

Articles: Digital Photography Review (dpreview.com)

 
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These hilarious photos are the winners of the 2019 Comedy Wildlife Photography Awards

15 Nov

2019 The Comedy Wildlife Photography Awards

The winners for the 2019 Comedy Wildlife Photography Contest have been announced, showcasing some of the more humorous wildlife photos from around the globe.

This year, more than 4,000 entries from 68 countries were whittled down to 40 finalists. Of the finalists, Sarah Skinner’s photo titled ‘Grab life by the…..’ took home Overall Winner, as well as the Creatures of the Land Award. The painfully funny image was captured in the plains of Botswana and depicts a little lioness ‘playing’ in the most unfortunate sense of the word.

In response to taking home the Overall Winner prize,, as well as the Creatures of the Land Award, Skinner had the following to say:

‘I am absolutely delighted to be awarded the title as Overall Winner in the Comedy Wildlife Photography Awards 2019. It certainly warms my heart to know that this image will spread some laughter and happiness around the world. I am happy to report that this lioness continues to thrive in the pride, having seen her again in October this year. I can only hope and encourage everyone, as a collective to each do our part in the conservation of all wildlife species so that future generations can enjoy them, in the same way that I have done during my career as a wildlife photographer. Long may lions walk the plains……….’

In addition to Skinner’s winning photograph, we’ve rounded up the winning photographs from each of the categories as well as the Highly Commended Winners and presented them in the following gallery with permission from the Comedy Wildlife Photography Awards.

As funny a the contest may be, the organization also takes a very serious role in conservation, saying ‘is at the heart of our competition.’ To help kickstart conservation efforts, the Comedy Wildlife Photography Awards offers three tips:

SHOP RESPONSIBLY.?

Try to shop locally and avoid buying un-recyclable products and one-use plastics/packaging.

RESTRICT WATER USE AT HOME.?

Ok, this is the thing, each time you flush the loo we send approx. 20?litres?of water down the drain – seriously, it’s crazy. Have shorter showers, water your garden less and stop flushing the loo every single time. This would save billions of litres of fresh water that could support our environment as well as supply homes and food for a global plethora of wildlife.?

BECOME A “WILD INFLUENCER.”?

This is a special person?who?may be not a mega activist, but really, really cares about the environment and wants to do something to help. For more ideas, please go to: www.comedywildlifephoto.com

Overall Winner/Alex Walker’s Serian Creatures on the Land Award Winner

©Sarah Skinner / Comedy Wildlife Photography Awards 2019 — Grab life by the…..

Image description: African Lion, Savuti (Chobe National Park) Botswana

Spectrum Photo Creatures in the Air Award

©Vlado-Pirsa/ Comedy Wildlife Photography Awards 2019 — Family disagreement

Image description: Birds, Croatia

Olympus Creatures Under the Water Award/Affinity Photo People’s Choice Award

©Harry Walker/ Comedy Wildlife Photography Awards 2019 — Oh My!

Image description: Sea Otter, Seward, Alaska

Amazing Internet Portfolio Award

©Elaine Kruer / Comedy Wildlife Photography Awards 2019 — First comes love…then comes marriage

Image description: Cape Squirrels, Kalahari, South Africa

Highly Commended Winner

©Tilakra Nagaraj / Comedy Wildlife Photography Awards 2019 — Warning! Territory marking, follow at your own risk

Image description: White Rhino, Egret, Nairobi National Park, Nairobi, Kenya

Highly Commended Winner

©Corey Seeman / Comedy Wildlife Photography Awards 2019 — Who would like a peanut?

Image description: Fox Squirrel, University of Michigan, Ann Arbor, Michigan, USA

Highly Commended Winner

©Geert Weggen / Comedy Wildlife Photography Awards 2019 — Squirrel Wishes

Image description: Red Squirrel, Sweden

Highly Commended Winner

©Tom Mangelsen / Comedy Wildlife Photography Awards 2019 — Chest Bump

Image description: King Penguin & Antarctic Fur Seal, South Georgia Island

Highly Commended Winner

©Alastair Marsh / Comedy Wildlife Photography Awards 2019 — Waltz Gone Wrong

Image description: Red Fox, Amsterdam, Holland

Highly Commended Winner

©Martina Gebert / Comedy Wildlife Photography Awards 2019 — Dancing Yeah!

Image description: Marmot, Austria

Highly Commended Winner

©Eric Keller / Comedy Wildlife Photography Awards 2019 — Inconspicuous

Image description: King Penguin, South Georgia Island

Highly Commended Winner

©Elmar Weiss / Comedy Wildlife Photography Awards 2019 — Surfing, South Atlantic Style!

Image description: Gentoo Penguin. Bleaker Island, Falkland Islands

Highly Commended Winner

©Roie Galitz / Comedy Wildlife Photography Awards 2019 — Space Man

Image description: Japanese Snow Monkey

Highly Commended Winner

©Txema Garcia Laseca / Comedy Wildlife Photography Awards 2019 — To be or not to be

Image description: Snow Monkey, Japan

Articles: Digital Photography Review (dpreview.com)

 
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DJI developing app that will allow anyone to identify a drone with their smartphone

15 Nov

Chinese company DJI, the world’s leading drone manufacturer, is developing technology that will allow anyone with a WiFi-enabled smartphone to access information on unmanned aerial vehicles flying nearby.

The industry, in general, has been under scrutiny following high profile disruptions, including incidents at Gatwick and Heathrow airports that left flights grounded for days. In a bid for more transparency, DJI wants the public to be able to access basic info on a drone including its remote ID, altitude, speed, and location. The app will be available sometime in 2020, pending regulatory approval.

‘Remote ID functions as an electronic license plate for drones, allowing anyone who is curious about a drone in the sky to learn more about what it’s doing,’ said Brendan Schulman, DJI Vice President of Policy & Legal Affairs. ‘Around the world, aviation authorities have said remote ID is the key to allowing more complex drone use, and to solving concerns about safety and security. DJI’s direct drone-to-phone remote ID shows we’re committed to providing a solution in a way that is instantly usable worldwide without any additional infrastructure.’

The direct drone-to-phone remote ID system was first demoed to participants this week at a park in Montreal, Canada, during the International Civil Aviation Organization’s third annual Drone Enable conference. Smartphones from Samsung, Google, and Xiaomi received Wi-Fi Aware signals from DJI Mavic Air and DJI Mavic 2 Enterprise drones. The app, in its current form, is able to identify drones operating within a 1 kilometer (0.62 miles) range.

DJI currently holds over 70% of market share worldwide for consumer-grade drones. Global spending on consumer-grade unmanned aerial vehicles is expected to reach $ 12.3 billion in 2019, up from $ 9 billion the previous year, according to research firm IDC. As demand continues to increase, aviation regulators including the Federal Aviation Administration (FAA) and European Union Aviation Safety Agency (EASA) are pushing for a requirement on remote ID systems for drones. The FAA is on track to complete a mandatory proposal by year’s end, but rulemaking will take another year to complete. EASA will start imposing requirements by June 2020.

‘As more drones take to the skies every day, remote ID addresses the public’s interest in understanding what’s happening in the airspace,’ said Christian Struwe, DJI Policy Director, Europe. ‘DJI’s drone-to-phone implementation helps accomplish that by allowing drone pilots to broadcast a simple description of their flights, so anyone viewing the smartphone app can understand that they are inspecting a roof, surveying a construction site, or performing another beneficial task with a drone.’

Some remote pilots are already skeptical of allowing anyone to access information about their flights.

DJI developed AeroScope back in 2017 to address similar concerns. It’s a much more powerful system, offering a range of up to several miles away. While other drone manufacturers rejected the system, it’s being used by prisons, stadiums, airports, and even car dealerships to detect any unauthorized drone usage. Now, they want to eliminate the requirement for adding telecommunications equipment, subscribing to an ID service provider, connecting to a cell tower, or buying a data plan in order to fly safely and legally. DJI plans to make their latest drone-to-phone technology available to competing manufacturers, though a list hasn’t materialized yet.

Articles: Digital Photography Review (dpreview.com)

 
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Facebook fixes iOS bug that triggered the camera app on iPhone

15 Nov

Facebook has released an update that fixes a bug in its iOS app related to the iPhone camera app, something that had raised privacy concerns among users.

On Tuesday, a report from CNET highlighted a complaint from some Facebook users on iPhone who shared videos showing a bizarre bug involving the phone’s camera app. At least two different scenarios were found that would cause the Facebook app to become off-center on the phone’s display.

The iPhone’s camera app with its live view would be visible next to the offset Facebook app, spurring conspiracy theories that the social network may have been deliberately using the device’s camera to collect data on the user. In a tweet, however, Facebook VP of Integrity Guy Rosen explained that a recently published bug fix for a different issue caused the Facebook app to ‘partially’ navigate to the iPhone’s camera.

Soon after on Wednesday, November 13, Facebook released a fix for the problem through the App Store. Users will need to download and install the latest update to fix the bug. Some users have reported an inability to trigger the camera bug after updating, indicating that it is an effective fix.

Articles: Digital Photography Review (dpreview.com)

 
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Tokina announces redesigned ATX-i 100mm F2.8 1:1 Macro lens for Canon EF, Nikon F mounts

15 Nov

Tokina has announced the release of its new ATX-i 100mm F2.8 Macro lens for full-frame Canon and Nikon DSLR cameras.

The ATX-i 100mm F2.8 Macro lens is constructed of nine elements in eight groups and features a 1:1 reproduction ratio at 30cm (11.8in) from the sensor with a minimum focusing distance of 11.5cm (4.5in). Tokina has used a ‘flat-field’ optical design which it claims ‘suppresses the field-of-view curvature to zero [for] excellent edge-to-edge sharpness at all focus distances and apertures.’

The lens uses Tokina’s One-Touch Focus Clutch Mechanism for quick switching between auto and manual focus by snapping the focus ring forward (for autofocus) or backward (for manual focus). The lens weighs 490g (17.28oz) and measures 9.5cm (3.74in) long and 7.3cm (2.87in) diameter.

Below are three sample photos captured with the lens and shared with us by Tokina:

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The redesigned 100mm F2.8 Macro is the second lens in the ATX-i lineup, joining Tokina’s redesigned ATX-i 11-16mm F2.8 lens. It is avaialble to pre-order today (B&H) and will begin shipping December 6, 2019 for an estimated price of $ 429.

Press release:

Kenko Tokina announces the release of the NEW atx-i 100mm F2.8 Macro F

Same great optics, brand new look – The atxi 100mm f/2.8 Macro FF lens for full-frame Canon and Nikon DSLR cameras

Huntington Beach, CA, November 15, 2019: Kenko Tokina, Japan’s leading manufacturer of premium camera accessories, is releasing the Tokina atx-i 100mm f2.8 Macro FF lens for full-frame DSLR cameras from Nikon and Canon. Distributed in the US exclusively by Kenko Tokina USA, this new lens provides unparalleled versatility with the award-winning optics.

The Tokina atx-i 100mm F2.8 FF Macro is a versatile mid-range auto-focus telephoto lens with excellent close focusing capabilities reaching life-sized (1:1) reproduction at 11.8 inches (30cm) from the sensor plane. Engineered for Canon EF and Nikon F mount full-frame DSLR cameras.

At (1:1) reproduction, the lens provides a very comfortable 4.5 inches of working distance between the front of the lens and your subject. The fast f/2.8 aperture makes it easy to focus in low light and renders soft beautiful bokeh. Making it an excellent choice for portraits, landscapes, video, and small world photography.

The Tokina atx-i 100mm F2.8 Macro is a “flat-field” optical design that suppresses the field-of-view curvature to zero. This means the lens yields excellent edge-to-edge sharpness at all focus distances and apertures. The lens’ multi-coatings render natural color with extremely low light falloff, perfectly controlled chromatic aberration, flare and ghosting.

The One-Touch Focus Clutch Mechanism makes switching from auto-focus to manual focus simple. While in AF mode the user only needs to snap the focus ring back toward the camera to engage “real” manual focus control. This gives photographers an authentic tactile MF feel with hard stops on either side of the focus range like traditional manual lenses. Additionally, the directional rotation of the focus ring matches the direction of proprietary Nikon and Canon lenses.

“This is the second lens offering in the new atx-i series.” says Yuji Matsumoto, President at Kenko Tokina USA. “It combines the award-winning optics of the original ATX model with a sleek new look that matches the cosmetics of today’s advanced DSLR cameras.”

Worldwide sales of the Tokina atx-i 100mm F2.8 FF Macro lens will begin on December 6, 2019 with authorized Tokina USA retailers taking pre-orders November 15, 2019.

Estimated USA Street Price of $ 429.00

More information is available at https://tokinausa.com.

Articles: Digital Photography Review (dpreview.com)

 
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A closer look into the latest financial reports from Canon, Nikon and Sony

15 Nov

It’s no surprise the camera market is in a decline, earmarked by continuously-decreasing unit sales, revenue and operating income. It seems as though no company is safe from the impact of both smartphones and the general decline in demand for DSLRs, but while the numbers are indeed in a freefall, the reality is the actual macro-level outlook is far more nuanced than catchy headlines alone can tell.

To take a more overhead view of the camera industry, we’re dug into the industry-wide numbers from CIPA and broken down the most recent results from Canon, Nikon and Sony to compare them year-over-year (Y/Y) to see how things are shaping up.

CIPA

CIPA provides an overarching view of how the camera industry is doing through the participation of nearly a dozen camera companies that report their production and unit shipments to CIPA on a monthly basis. Since we’re only looking at the last two quarters from Canon, Nikon and Sony, we’re only going to dive into the numbers for the corresponding months of CIPA’s data.

CIPA’s September graph showing interchangeable lens camera unit sales over the past three years.

From April 2019 to September 2019 (the latest statistical data CIPA has made available), CIPA reports 8M total digital camera shipments: 4.4 million interchangeable lens cameras and 3.6 million cameras with built-in or fixed lenses. This is an overall decrease of 22-percent Y/Y with a 23-percent decrease for interchangeable lens cameras and a 20-percent decrease in cameras with built-in or fixed lenses.

CIPA’s September graph showing interchangeable lens unit sales over the past three years.

These decreases are concerning, but still less dramatic than the Y/Y change from 2017 to 2018. This change could be due to a few factors, but the most obvious one is that both Canon and Nikon introduced their full-frame mirrorless systems in late 2018, which likely helped to slow down the declining market as consumers hopped onboard the newer systems. However, it’s clear from the following numbers that neither Canon nor Nikon saw their full-frame mirrorless options replace the declining sales of DSLRs as both companies might ultimately be hoping.

Canon

For its FY2019 Q2 and Q3 numbers, Canon reported 2.06 million unit sales for interchangeable lens cameras and 1.36 million compact camera sales during its FY2019 second and third quarters, a decrease of 16-percent and 13-percent respectively Y/Y for the same time period.

A breakdown from Canon’s Q3 financial presentation that highlights the units sold in Q3 as well as the net sales and operating income of its Imaging Systems division.

This 16-percent decrease is less than the industry-wide 22% decrease as noted in CIPA’s data, but these two quarters last year were before Canon’s EOS R (and EOS RP) was announced and it’s possible that DSLR sales were depressed in expectation of the new cameras being around the corner. So, while the numbers are better than the market in general, with all of the development and marketing that went into making its new RF-series gear, it’s merely softened the blow rather than boost unit sales.

In regards to finances, Canon has reported ¥394B ($ 3.6M) in revenue and ¥23B in operating profit over the past two quarters, a decrease of 19-percent and 59-percent, respectively. It’s worth noting the drop also includes the loss of revenue and profit from the broadcasting and cinema gear that was included in last year’s numbers and has since been moved elsewhere within Canon’s business structure.

A breakdown of the net sales and operating income of Canon’s respective business divisions for its third quarter.

Throughout its presentation for investors, Canon specifically references the ‘deterioration of [the] macro-environment,’ which is more or less investor spin for the camera market is in decline—a fact backed up by CIPA numbers, as well as numbers from other camera manufacturers during the same time period. Canon also echos the sentiment that you’ll see in Nikon and Sony’s report below, saying there is ‘intensifying price competition.’ Interestingly though, Canon isn’t downgrading its forecast for the remainder of the year—something Nikon has done for two straight quarters now as you’ll see below.

Canon also notes that it’s working to lower inventory before the end of FY2019. Based on numbers provided, Canon has ¥157B worth of inventory as of the end of FY2019 Q3; less than it had this time last year (¥174B), but still higher than previous FY2019 quarters.

A breakdown from Canon’s Q3 financial presentation that discloses current inventory levels compared to previous quarters and last year.

Something always worth keeping in mind is that Canon’s Imaging Systems business accounts for a relatively small percentage of its overall income. Based on the numbers from FY2018, Canon’s Imaging Systems division represents 25-percent of its overall revenue and 37-percent of its operating profit.

Also, Canon’s FY2019 numbers are skewed when looked at Y/Y, as it moved its broadcasting equipment and cinema-use video cameras from its Imaging System division to its Industry & Others division.

Nikon

Moving onto Nikon, the numbers don’t get any prettier. In its most recent financial statements covering the past two quarters, Nikon says it sold 800K interchangeable lens cameras, 1.3M interchangeable lenses and 500K compact cameras. These numbers are down 25-percent, 21-percent and 41-percent Y/Y, respectively.

Revenue, Operating income and unit sales broken down in Nikon’s Q2 financial presentation.

In its financial presentation for investors, Nikon has updated its forecast for how many units it expects to ship this coming fiscal year, as well as the number of units it expects the digital camera market as a whole to bear. Nikon believes it will sell 1.5M interchangeable lens cameras, 2.5 million interchangeable lenses and 900K compact cameras, down 100K units across the board compared to its previous forecast from August 2019 and down 28-percent Y/Y.

Comparing Nikon’s numbers to Canon show the situation is more dire for Nikon. Canon’s EOS R and EOS RP haven’t done as well as Canon expected, but Canon is forecasting unit sales to drop 17-percent Y/Y whereas Nikon’s forecasting nearly double that at 28-percent. This means Canon is expecting a decline less than the market as a whole according to CIPA’s numbers whereas Nikon is six percentage points worse than what CIPA is reporting.

A chart from Nikon’s Q2 financial presentation that breaks down the sales of its ILCs, interchangeable lenses and compact camera unit sales.

In addition to unit sales, Nikon’s revenue and operating income aren’t cheery either. Over the first half of its FY2020, Nikon reported 119B yen in revenue and an operating profit of just 2B yen. Compared to the first half of its FY2019, those numbers are a 21-percent and 85-percent decrease, respectively.

Much like Canon with its RF-series, the cost Nikon has sunk into its Z-mount system and accompanying lenses has likely contributed to the massive decrease in operating profit. It’s not cheap to develop new systems and lenses, especially considering the amount of capital required to get new factories and fabrication up and running at full scale.

A chart from Nikon’s Q2 financial presentation showing revenue, operating income and unit sales figures compared to last year, as well as the forecast for the remainder of this fiscal year.

Nikon specifically calls out its Imaging Products Business in the presentation, saying it was the only division that wasn’t ‘mostly in line’ with its estimates. The materials specifically say the camera market ‘has deteriorated further as market shrinkage accelerates and competition intensifies.’ It also cites the increased cost of its Z-mount system lineup expansion as ‘a burden’ to its operating profit and notes it overestimated the sales forecast of its Z-series cameras.

For a company that’s stated in the past that its Z-series is more or less the future of the company, continually low numbers isn’t the best look, especially considering how much Nikon relies on its camera division compared to the likes of Canon and Sony. Nikon goes so far as to say it hopes to ‘fundamentally transform’ its Imaging Products Business to ‘generate enough profits to justify [the Imaging Products Business] existence as a business unit.’

Sony

Of all the financial results we look at, Sony’s has consistently been one of the most challenging to gain details insights on. Due to how they structure their business segments, we can’t really delve into the figures in detail as we can with Canon and Nikon. However, Sony didn’t specifically mention anything too positive or negative about its camera division, which hints that there wasn’t anything too notable about its latest quarters.

A breakdown of sales and operating income for Sony’s Electronics Products & Solutions division. This division includes Sony’s camera sales, as well as mobile devices, televisions and other electronics.

According to Sony’s current Q2 and Q3 reports, its Electronics Products & Solutions EP&S segment — which includes digital cameras amongst other electronic products — pulled in 977.4B yen in revenue and 66.5B yen in operating profit. This is a decrease of 13-percent and an increase of 35-percent Y/Y, respectively. Sony doesn’t elaborate much on the sales of camera gear, aside from saying that overall unit sales have decreased year over year.

A breakdown in sales and operating income for Sony’s Imaging & Sensing Solutions division, which is responsible for the manufacturing of its imaging sensors.

Moving onto Sony’s Imaging & Sensing Solutions (I&SS) segment, which is a separate — but related — business responsible for making its image sensors, the latest reports put its cumulative Q2 and Q3 earnings at 541B yen and 126B yen. This is an increase of 18-percent and 64-percent, respectively. Sony says a ‘significance increase in sales of image sensors for mobile products,’ mostly due to smartphone manufacturers now putting multiple camera units in their devices, as the main reason for such dramatic growth Y/Y in both revenue and operating profit

Conclusion

All in all, there’s plenty to take away from the latest numbers and results. The digital camera market continues to shrink and although full-frame mirrorless cameras from Canon and Nikon are somewhat picking up the slack in sales, they’re not entirely mitigating the decrease in DSLR shipments—especially for Nikon.

Furthermore, the cost of research and development (not to mention marketing and promotional material) that goes into launching cameras and lenses with new mounts has dramatically impacted the operating profits of the imaging divisions. As Canon and Nikon continue to pump money into their newer systems, operating profit will likely stay low until economy of scales kicks in and the new fabrication components are paid off. But declining DSLR and compact sales without corresponding growth in the mirrorless market isn’t going to make the transitions any easier to get through.

The market appears to be dropping at a slower rate than it has in past years, but it’s still not great news. At what point it will stabilize remains to be seen, but with an Olympic year next year and more mirrorless developments in the works across the entire industry, it’ll likely be a while until we find out.

Articles: Digital Photography Review (dpreview.com)

 
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Leica CL ‘Edition Paul Smith’ brings a unique colorful style to 900 limited-edition sets

15 Nov

Leica is back with another special edition product, this one featuring its Leica CL model launched in collaboration with British designer Paul Smith. The new Leica CL ‘Edition Paul Smith’ model’s tech specs are identical to that of the regular production model. Unique to the special edition, however, are ‘one-of-a-kind’ design elements inspired by Smith’s work.

According to Leica, this is the second special edition camera launched in collaboration with Smith. The designer’s handwriting is used as the font for the phrase ‘Look and see’ located on the back of the special edition camera, joining a ‘bold blue’ top plate and the use of ‘vibrant accent colors’ on the top buttons.

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Rounding out the special design is a large eye illustration on the viewfinder and stripes along the camera’s bottom edge. Leica has limited the production of its Edition Paul Smith variant to 900 sets globally; they’re shipped with the Elmarit-TL 18mm F2.8 ASPH lens and a neon rope strap featuring both Leica and Smith branding.

The Leica CL ‘Edition Paul Smith’ set can be purchased from Paul Smith retailers, Leica Stores, and Boutiques for $ 3,995 USD.

Articles: Digital Photography Review (dpreview.com)

 
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Sony adds Real-Time Animal Eye AF to the RX10 IV via firmware update

15 Nov

Sony, today, released a firmware update for its RX10 IV camera that gives it Real-Time Animal Eye AF and improves the overall stability of the camera.

Firmware version 2.00 adds the same functionality we’ve seen Sony add to a number of its other mirrorless cameras. As with the other cameras, the update makes it possible to use Sony’s AI-powered eye-tracking feature on certain animals. Sony doesn’t specifically say what animals the functionality is limited to, but does note in the firmware changelog that ‘Eye detection may not be possible depending on the environment, animal type or the movement of the animal.’

Below is a brief explainer video of the feature shared by Sony on its YouTube channel:

Firmware version 2.00 for the RX10 IV is available to download for macOS and Windows computers on Sony’s RX10 IV support page.

Articles: Digital Photography Review (dpreview.com)

 
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