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Archive for the ‘Uncategorized’ Category

Video: The ‘surprising’ origin story of Kodak Aerochrome film

30 Nov

Todd Dominey has published a video no his Youtube channel that dives into the interesting history of a film stock ‘with an origin story unlike any other,’ Kodak Aerochrome.

The 11-minute video, which is part one of a two-part series, walks through why the infrared film was developed by Kodak and what the United States military had to do with its inception. From there, Dominey talks about the film’s significance in pop culture — most notably in the late 1960s and early 70s — as well as the film’s discontinuation announcement in 2009 and the striking Aerochrome works of photographer Richard Mosse.

One of a few albums from the late 1960s and early 1970s that used images captured on Kodak Aerochrome film.

It’s a fantastic watch for those unfamiliar with the discontinued film and still worth a watch for those familiar with it. Dominey says the second video will focus on digitally recreating the aesthetic of Aerochrome film — something that’s been attempted a few times before in the form of presets.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Best enthusiast full frame mirrorless camera

28 Nov

Planning to treat yourself to a new full-frame camera this holiday season? We compare the Canon EOS R6, Nikon Z6 II, Panasonic S5 and Sony a7 III.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • The cameras
  • Handling
  • Displays
  • Video
  • Image quality
  • Autofocus
  • Final rankings

Articles: Digital Photography Review (dpreview.com)

 
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Treat yourself 2020: The ultimate photographers’ gift guide

27 Nov

A gift guide just for you

It’s been a doozy of a year but thankfully, it wasn’t all sour grapes. While many aspects of society ground to a halt, manufacturers still had cool and exciting products in their pipelines that they managed to bring to market.

And while opportunities to get and out shoot may be limited at the moment, we can still dream big. And what better way to do that than by ‘browser window shopping’. What follows is a rundown of the headiest products of 2020, the ones photographers really want. So pour a tall cold one and get ready to treat yourself!

Canon EOS R5

There’s no two ways about it, the gold award-winning Canon EOS R5 is our favorite mirrorless camera over $ 3000 and perhaps Canon’s most impactful full-framer since the 5D Mark II. And while the RF mount is still relatively new, there’s no shortage of fast aperture primes and F2.8 zooms available, including ‘the holy trinity’ of the 15-35mm, 24-70mm and 70-200mm.

Well-suited to enthusiasts and professionals alike, the R5 offers outstanding image quality, excellent ergonomics, fast burst shooting and fabulous autofocus performance, not to mention lovely oversampled 4K. In short, if you really want to treat yourself to the best of the best, it’s the camera to get.

View our Canon EOS R5 sample gallery

Fujifilm X100V

Of course, not everyone wants or needs an interchangeable lens camera, for some of us, the simplicity and GAS-reducing nature of a fixed lens camera offers greater appeal. Lucky for folks in this camp, two new large-sensor, fixed lens cameras are featured on this year’s list including the glorious Fujifilm X100V.

Which begs the question: What do you get when you take a wonderfully designed camera and tweak it over the course of four generations based on user feedback, without straying from the original ethos? Why, the X100V of course. Building on its legacy, the ‘V’ bring all sorts of lovely refinements to the series including a newly designed lens with better corner/close-up sharpness, an updated sensor and AF system, better build-quality, a tilting touchscreen and more!

View our Fujifilm X100V sample gallery

Leica Q2 Monochrom

Another fixed-lens, large-sensor camera launched this year is a ‘Monochrom’ version of the Leica Q2, a staff favorite here at DPR. The camera’s B&W-only sensor offers improved dynamic range and noise performance over its color sensor counterpart. Plus, the super sharp 28mm F1.7 lens and moody monochrome output make it the perfect all-in-one option for street photographers, live music shooters and/or anyone who loves shooting after the sun goes down.

And while some may find 28mm a tad too wide, the camera’s 47MP full-frame sensor provides ample resolution for cropping. Plus the Q2 Monochrom handles just like the standard Q2, which is to say it’s built like a tank and both straightforward and immensely gratifying to shoot with. And immense gratification is what ‘treat yourself’ is all about.

View our Leica Q2 Monochrom
sample gallery

GoPro Hero9 Black

GoPro’s latest flagship, the Hero9 Black, is a seriously impressive piece of kit and easily the most compelling action camera to come out in quite some time. For filmmakers, it can shoot up to 5K/30p, offering room to crop in post, assuming you’re outputting 4K, or 4K/60p. And GoPro’s Hypersmooth video image stabilization is jaw-droppingly good. On the stills side, resolution has jumped from 12MP on previous models to 20MP on Hero9 Black.

The camera isn’t just capable though, it’s also well-designed: control/menus are accessed via the rear touchscreen and the whole unit is water/freeze/dust-proof without the need for a case. It also provides improved battery life over predecessors, a front-facing ‘live’ screen and even the option to attach an accessory wide angle lens. In short, it’s the perfect companion for anyone’s extreme lifestyle, whether that means leisurely bike rides to the park or free-climbing rock faces. Treat yourself!

iPhone 12 Pro & 12 Pro Max

iPhones, like GoPros, tend to see iterative yearly updates, but occasionally a new model drops with enough advancements that it’s impossible to ignore. The iPhone 12 Pro is that model and the ultimate ‘treat yourself’ device, not just from a photo/video shooting perspective but also when it comes to displaying and viewing your work.

Apple devices have been able to shoot HDR photos and videos for some time, but this new model (like all iPhone 12 models) can now display 10-bit Dolby Vision HDR on a beautiful OLED screen, right from within the photo app: an industry first!

The camera is also impressive. It consists of three 12MP modules, including standard wide-angle (with a 47% larger sensor than its predecessor), an ultra-wide and telephoto options. Additionally, the phone will make use of Apple’s new Raw format, ProRaw, in beta now and coming soon. And, as if that’s not enough, Apple claims the device has enough processing power to make it 50% faster than any phone currently on the market (not to mention, it’s 5G-enabled). Now that’s a treat!

View our iPhone 12 sample gallery

Sigma 85mm F1.4 DG DN Art

Everyone needs a good 85mm portrait lens and Sigma’s latest 85mm offering for mirrorless full-frame E-mount and L-mount makes a strong case for inclusion in your kit.

One thing that truly sets it apart from others like it, including 2016’s Sigma 85mm F1.4 DG HSM Art, is its compact and lightweight design. However, despite a comparatively smaller footprint, this lens remains optically outstanding, offering really good sharpness at all apertures (including in the corners), minimal chromatic aberrations and well-controlled ghosting and flare.

It’s also ‘dust and splash proof’ and impressively well-built. And at $ 1200, the Sigma is priced more affordably than the competition, too. Which is to say, it checks all the boxes for what make an outstanding F1.4 portrait lens – a difficult feat and a major treat.

Watch our video review of the Sigma 85mm F1.4 DG DN Art

DJI Mavic Air 2

Have you been holding out for the right moment to spread your wings and treat yourself to a drone? Well my friends, the moment is now. DJI’s new Mavic Air 2 represents the most lust-worthy enthusiast drone to launch in some time.

The perfect balance of size and capability, Air 2 fits in the palm of your hand but can deliver great stills image quality from its 1/2″ 48MP CMOS sensor, including both Raw and JPEGs formats. It can also shoot up to 4K/60p video and offers a variety of accident avoidance technologies as well features like subject tracking, HDR video and a panorama mode. Battery life is a useful 34 minutes and perhaps most importantly, the Mavic Air 2 is easy and enjoyable to fly.

Read our DJI Mavic Air 2 review

Olympus 150-400mm F4.5 TC1.25x

I’ve tried my best to keep this year’s ‘Treat Yourself’ guide somewhat mount-agnostic, but certain new glass is just too darn difficult to ignore. Take, for instance, the new Olympus 150-400mm F4.5 TC1.25x for Micro Four Thirds bodies. It’s not for everyone, but for a certain type of photographer, this is the the ultimate optical treat!

I’m talking of course about nature and wildlife photographers. Olympus’ king of tele-s packs a whopping 300-800mm equiv. focal range into a surprisingly well-sized, well-weighted body. But that’s not all! A 1.25x built-in teleconverter bumps that reach to an impressive 1000mm (at the cost of 2/3 EV of light). And, as is the case with most high-end Olympus gear, this lens is sealed against dust and moisture, and built to take some punishment – just be sure to protect that big, beautiful 95mm front element!

View our Olympus 150-40mm F4.5 TC1.25x sample gallery

DJI Pocket 2

The second iteration of DJI’s pocket-friendly vlogging machine is a real winner. This little unit is easy-to-use, offers a nice wide 20mm field-of-view (wider than its predecessor) and shoots high quality, super-smooth 4K video. It also features an updated four-way directional in-camera microphone, capable of recording good quality audio without the need for an accessory mic. And did we mention it’s pocketable?

Basically, the Pocket 2 is the perfect no-fuss, all-in-one vlogging machine and the right piece of kit for sharing your adventures with the world. And while now might not be a great time to leave your house and embark on any adventures, the Pocket 2 will be waiting for you when it’s safe to travel again. So go on and treat yourself to this tiny wonder.

Watch our DJI Pocket 2 video review

There you have it, our favorite lust-worthy gear of the year. Here’s hoping 2021 has even more treats in store. Until next time, Treat yourself!

Articles: Digital Photography Review (dpreview.com)

 
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Photokina is cancelled indefinitely

27 Nov

Photokina has announced it will be indefinitely suspending its Cologne-based event due to ‘decreases in the imaging market’ that have ‘force[d] a hard cut.’

In a press release promoted on the Photokina homepage, Gerald Böse, President and Chief Executive Officer of Koelnmesse (the organizing company behind Photokina) says:

‘Unfortunately, at present, the framework conditions in the industry do not provide a viable basis for the leading international trade fair for photography, video and imaging […] This hard cut after a 70-year shared history was very difficult for us. The trend in this industry, with which we have always had a close and trusting partnership, is very painful for us to witness. But we are facing the situation with a clear, honest decision against continuing this event, a decision to which, unfortunately, we have no alternative.’

The press release goes on to explain that even without the global COVID-19 pandemic, ‘the imaging market was already subject to strong upheaval, with annual declines in the double digits.’ Despite efforts to diversify the tradeshow with ‘new exhibitor and visitor segments,’ these changes didn’t ‘fundamentally improve the situation of the event,’ according to Koelnmesse Management Board member and Chief Operating Officer, Oliver Frese. Frese goes on to say:

’While there are more photographs taken today than ever before, the integration of smartphone photography and videography, together with image-based communication, e.g. via social media, was not able to cushion the elimination of large segments of the classic market. As a result, the overall situation is not compatible with the quality standards of photokina as a globally renowned brand representing the highest quality and professionalism in the international imaging market.’

Ultimately, the decision fo indefinitely suspend Photokina was made by Koelnmesse ‘in close coordination’ with the German Photo Industry Association.

While the title of the press release — ’Photokina will be suspended until further notice’ — it’s clear this is a fairwell for the annual photo show, which has been taking place in Cologne, Germany since 1950.

Articles: Digital Photography Review (dpreview.com)

 
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Laowa 15mm F4.5 Zero-D Shift lens sample gallery (DPReview TV)

27 Nov

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The new Laowa 15mm F4.5 Shift lens lets you go wide with perspective control. View our sample gallery to see how a bit of shift can change a photo or introduce creative effects.

View the Laowa 15mm F4.5 Zero-D Shift sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV lens review: Shift your perspective with the Laowa 15mm F4.5 shift lens

27 Nov

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Intro
  • The shift lens effect
  • Subtle shifts
  • Shifting and perspective
  • Sample images
  • Build and functionality
  • Bokeh
  • Sunstars
  • Sharpness vs. Canon TS-E 17mm F4
  • Who's it for?

Sample gallery for this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Gear of the Year: Richard’s choice – Canon RF 800mm F11 IS STM

27 Nov
Dan Bracaglia

I wouldn’t usually consider myself a fan of long lenses, perhaps as the result of my early digital experiences coming on disappointing superzooms. Once I’d got over the novelty of being able to take pictures of something a long way away, I usually found I could take a better photo by simply getting closer. I’ve used long telephotos for sports shooting, of course, but in recent years my lenses of choice have been 35 and 85mm equivalents.

The Canon 800mm F11 seemed too interesting to not try, though. And that meant adapting my photography to suit the equipment. This may sound back-to-front: I spend much of my working life looking for cameras that require the least adaptation on the part of the photographer, the ones that just work.

But, restricting yourself to single focal lengths or shooting a mono-only camera can help provide inspiration, so you can push yourself to try something new. And I needed to find something that I could shoot with it.

My first thought was to play around with the compression effects you get from the greater shooting distances encouraged by long lenses. Shooting through the open patio doors, with me at the back of the common room and my subject on the far end of the roof deck, I was able to exaggerate the size of the Space Needle in my photo. Unfortunately, with a fixed F11 aperture, I didn’t have the option to stop down further to make it less diffuse.

What’s the big deal?

We’ve seen impressive things done with diffractive/fresnel optics before: Nikon’s 300mm F4 PF is an excellent lens, that I’m hoping will be re-created in the Z mount, but the Canon F11 pair is something a little different.

Think of it more like a modern alternative to the mirror lens: restrictive, in that it has a fixed aperture as well as a fixed focal length, but freeing in the sense that you can lift it and, to a much greater extent, afford it. And, unlike mirror lenses, the resultant images aren’t marred by strange doughnut-hole bokeh, which I personally find distracting (/revolting).

Add in the retractable design and light weight and the convenience of the package becomes clear. It’s not the most solid-feeling lens, by any means, but those weight savings are appreciated if you’re carrying it for more than a few hours. Ultimately, though, it’s the price of the 800mm that stands out most, to me. At F11 it lets in 1/4 as much light as the EF 800mm F5.6 IS L can, but its list price of $ 899 is less than 1/14th of the cost.

A (socially distanced) hike around the city suggested a better option. Our walk took us through the Union Bay Natural Area. At first it looked like a piece of low-lying scrubland overshadowed by a college football stadium: a messy adjunct to its gameday parking. But the more I stopped and looked around, the more interesting fauna I saw, and the more photographic opportunities.

So I went back, armed with the Canon 800mm F11, an EOS R5, took my time, wandered around, looking for things to shoot. I make no claims to being a nature photographer, and my first efforts were patchy, at best. But like all the best photography experiences, every half-decent shot I took convinced me that my next one could be better.

I tried to take photos of variety of subjects, but there were some kingfishers who would return to a number of vantage points, before diving for prey. Their speed made them a challenging subject, but one that would give me multiple opportunities, if I watched closely and waited long enough.

The need to get a diverse gallery of images in a short space of time is somewhat at odds with the patience required for good nature photos. Similarly, the diktat that we should keep ISO as low as possible for lens galleries probably left me skirting the line of motion blur, but even with imperfect results, I found myself wanting to go back and have another go. Which is the thing that I enjoyed most about the 800mm: finding myself able to try something new.

I’m not going to claim any of my shots were great, partly as a result of inexperience, partly due to basic moral failure. But I enjoyed myself and the 800mm had helped encourage me to do something I might not otherwise think to try.

You might well argue that the thing I enjoyed was being pushed to try something new, and I’d completely agree. But I think the Canon RF 800mm F11 puts that opportunity to try something new into more people’s hands. Hence it’s my pick for this year.

Yes, I should have got up earlier in the day, used faster shutter speeds, but it was an enjoyable experience. Thank you, Mr. Predictable Kingfisher.

Articles: Digital Photography Review (dpreview.com)

 
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iPhone mount converts an Apple Watch into a live viewfinder for selfies and vlogging

27 Nov

Apple’s iPhones have a front-facing camera for selfies and FaceTime, but the front camera’s performance and image quality pales in comparison to the rear cameras. For those wanting a high-quality selfie or to record video content of themselves, your options have long been to use the front-facing camera so you can see your phone’s display or to try your luck with the rear-facing camera and hope everything is framed properly. Ulanzi has a new product, the ST-09 Phone Tripod Mount for Apple Watch, designed to solve this exact problem.

By using a paired Apple Watch and the ST-09, you can mount your smartwatch to the ST-09 and clamp it onto your iPhone. With the accompanying Apple Watch app, your Watch’s face becomes a live viewfinder mounted to the back of your iPhone.

As Gizmodo says, it may ‘seem like a foolish use for the $ 200+ smartwatch strapped to your wrist. But as you think about it more, you realize the mount solves a problem that many amateur vloggers who rely on their smartphones for all of their productions needs run into: using the back camera to film yourself is all but impossible.’ The target audience is somewhat niche, perhaps, but the ST-09 is an inexpensive, simple solution. Provided you already have an Apple Watch, of course.

On the bottom of the mount is a tripod a 1/4″ hole for mounting a tripod. On the top of the mount is a cold shoe, which can be used for attaching a fill light, microphone or other accessories.

Ulanzi ST-09 product details. Image courtesy of Ulanzi. Click to enlarge.

If you’re worried about scratching your devices, Ulanzi states that the product features an anti-scratch silicone pad design for the Watch mount and the clamps which adjust to your phone. Speaking of which, the tension distance is 58-89mm, meaning it will fit most iPhones, including the latest iPhone 12 models. With respect to Apple Watch model compatibility, Ulanzi only mentions the Series 5, so Gizmodo observes that the ST-09 may only be compatible with the Series 5 and Series 6 Apple Watches.

The Ulanzi ST-09 can adjust from 58mm to 89mm in order to fit a variety of iPhones. Image courtesy of Ulanzi.

The problem Ulanzi is trying to solve has been tackled by different manufacturers over the years. Gizmodo recalls the DJI Osmo Action, an action camera with a front-facing camera. (You can check out our hands-on with the Osmo Action right here). GoPro followed suit shortly thereafter with the Hero9 action camera. Smartphone manufacturers, on the other hand, have not gone this route. Smartphone displays drain battery and a second display on the rear presents power, engineering and cost concerns.

The Ulanzi ST-09 can be ordered directly from Ulanzi for $ 19.95 USD. The accessory is current on sale from its regular price of $ 29.99.

(Via Gizmodo)

Articles: Digital Photography Review (dpreview.com)

 
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The Panasonic S1H and GH5 are the best cameras for videographers

26 Nov

You don’t need to spend a fortune to buy a camera that’s designed for videography. We took a look at the field and selected the Panasonic S1H and GH5 as the best cameras for serious videographers.

Articles: Digital Photography Review (dpreview.com)

 
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MIOPS launches Kickstarter campaign for Flex, its featured-packed smart camera gadget

26 Nov

MIOPS, makers of the Smart Trigger and Mobile Remote, is back on Kickstarter with another new product designed to make it easier than ever to capture unique images. The Flex is a ‘smart camera gadget’ photographers can use to create timelapse videos, capture photos of lightning strikes, breaking glass and more.

Flex attaches to your camera’s hot shoe and communicates wirelessly with an accompanying app for iOS and Android. Flex offers many different features and shooting modes, including:

  • Camera control
  • Lightning sensor
  • Sound sensor
  • Laser sensor
  • HDR bracketing
  • Geotagging
  • Live view framing
  • Holy Grail (day to night) timelapse
  • Basic timelapse
  • Long exposure timelapse
  • HDR timelapse
  • Time warper
  • Stormlapse
  • Cable release
  • Press and hold
  • Press and lock
  • Timed release
  • Self timer
  • Timed release with self-timer

As you can see, timelapse is an important aspect of Flex’s feature set. As MIOPS says, ‘Flex is one of the most powerful devices for making timelapse videos.’ A large part of what makes Flex such a promising tool for timelapse creation is that the application shows you a live preview of your timelapse video during the shooting process. When capturing a timelapse in changing conditions, Flex can automatically change your camera’s settings as well, allowing you to capture a ‘holy-grail timelapse,’ which is a timelapse with smooth day-to-night and night-to-day transitions. It’s a notoriously difficult type of timelapse to create.

Flex includes many timelapse features, including a live preview function on the Flex app. Image credit: MIOPS

For high-speed photography, such as capturing lightning strikes or capturing the perfect moment of action, Flex incorporates numerous helpful features. When photographing lightning, Flex automatically captures photos as soon as its sensor detects lightning. For photographing something such as a popping balloon, breaking glass, or a falling object, Flex includes a sound-activated shooting mode and it has a laser sensor that can be tripped to trigger image capture.

When using Flex, you can remotely control your camera, including adjusting settings and capturing images. Image credit: MIOPS

Flex includes new features for more traditional photography applications as well. From the Flex app, you can remotely adjust your camera’s settings and capture images. MIOPS says, ‘Go ahead – put your camera in hard-to-reach places to get that amazing angle.’ With customizable shutter speed control, Flex can also be used to capture very long exposure images, beyond what your camera can capture on its own. Further, you can see what your camera sees via live view from your smartphone.

Flex attaches to your camera’s hot shoe and is compatible with many cameras from Canon, Nikon, Sony and Fujifilm. Image credit: MIOPS

Flex is compatible with cameras from Canon, Nikon, Sony and Fujifilm, including both DSLR and mirrorless cameras from Canon, Nikon and Sony. For the full list of compatible cameras, click here.

Flex has already eclipsed its $ 50,000 goal with 43 days to go in the Kickstarter campaign. MIOPS expects to ship Flex to backers in June 2021. The Flex is available for $ 199 USD with the ‘Super Early Bird’ backer option, a $ 100 savings compared to the expected MSRP. For full details of the Flex and the various backer options, head to the Flex Kickstarter page. To learn more about MIOPS and its other products, click here.

Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
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